3

In the middle of October her work started to take a new and completely uncharacteristic turn. For no particular reason she forsook her plates and bowls and began to work figuratively. The results gained her few admirers, but they satisfied some inner imperative which would not be gainsaid.

Meanwhile, Finnegan pressed his suit with dinners and flowers, his attentions redoubling each time she politely rejected him. She began to think there was more than a streak of the masochist in his nature, coming back as he did each time she sent him on his way.

Of all the extraordinary times she’d had since she’d first become part of the Fugue’s story, these were in their way the strangest, as her experience of the Weaveworld and that of her present life did battle in her head for the right to be called real. She knew this was Cuckoo thinking; that they were both real. But her mind would not marry them – nor her place in them. What did the woman Finnegan proclaimed his love for – the smiling, day beneath the fingers Suzanna – have to do with the woman who’d stood face to face with dragons? She came to wish she couldn’t evoke those mythic times as well as she could, because afterwards she’d feel sick with the triviality of being herself.

For that reason she kept a rein on the menstruum, which was not difficult to do. Its once unpredictable nature was much tamed now; a consequence of the Fugue’s demise, she assumed. It hadn’t foresaken her entirely. Sometimes it seemed to get restless, and decided to stretch itself, usually – though it took her a little time to realize this – in response to some environmental cue. There were places in the Kingdom that were charged up; places where she sensed a spring beneath the earth, aching to fountain. The menstruum knew them. So, in some cases, did the Cuckoos, sanctifying the spots as best their myopia knew how: with steeples and monuments. Just as many of these territories remained unrecognized, however, and passing through some unremarkable street she’d feel a surge in her belly, and know power was buried there.

Most of her life she’d associated power with politics or money, but her secret self had learned better. Imagination was true power: it worked transformations wealth and influence never could. She saw its processes even in Finnegan. On the few occasions she coaxed him to talk about his past, particularly his childhood, she saw the colours around his head strengthen and ripen, as in the act of imagining he was reunited with himself; made a continuum. At those moments she’d remember the line from Mimi’s book:

That which is imagined need never be lost.

And on those days she was even happy.

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