Salem's Lot

16

In the fall, night comes like this in the Lot:

The sun loses its thin grip on the air first, turning it cold, making it remember that winter is coming and winter will be long. Thin clouds form, and the shadows lengthen out. They have no breadth, as summer shadows have; there are no leaves on the trees or fat clouds in the sky to make them thick. They are gaunt, mean shadows that bite the ground like teeth.

As the sun nears the horizon, its benevolent yellow begins to deepen, to become infected, until it glares an angry inflamed orange. It throws a variegated glow over the horizon-a cloud-congested caul that is alternately red, orange, vermilion, purple. Sometimes the clouds break apart in great, slow rafts, letting through beams of innocent yellow sunlight that are bitterly nostalgic for the summer that has gone by.

This is six o’clock, the supper hour (in the Lot, dinner is eaten at noon and the lunch buckets that men grab from counters before going out the door are known as dinner pails). Mabel Werts, the unhealthy fat of old age hanging doughily on her bones, is sitting down to a broiled breast of chicken and a cup of Lipton tea, the phone by her elbow. In Eva’s the men are getting together whatever they have to get together: TV dinners, canned corned beef, canned beans which are woefully unlike the beans their mothers used to bake all Saturday morning and afternoon years ago, spaghetti dinners, or reheated hamburgers picked up at the Falmouth McDonald’s on the way home from work. Eva sits at the table in the front room, irritably playing gin rummy with Grover Verrill, and snapping at the others to wipe up their grease and to stop that damn slopping around. They cannot remember ever having seen her this way, cat-nervous and feisty. But they know what the matter is, even if she does not.

Mr and Mrs Petrie eat sandwiches in their kitchen, trying to puzzle out the call they have just received, a call from the local Catholic priest, Father Callahan: Your son is with me. He’s fine. I will have him home shortly. Good-by. They have debated calling the local lawman, Parkins Gillespie, and have decided to wait a bit longer. They have sensed some sort of change in their son, who has always been what his mother likes to call A Deep One. Yet the specters of Ralphie and Danny Glick hang over them, unacknowledged.

Milt Crossen is having bread and milk in the back of his store. He has had damned little appetite since his wife died back in ‘68. Delbert Markey, proprietor of Dell’s, is working his way methodically through the five hamburgers which he has fried himself on the grill. He eats them with mustard and heaps of raw onions, and will complain most of the night to anyone who will listen that his goddamn acid indigestion is killing him. Father Callahan’s housekeeper, Rhoda Curless, eats nothing. She is worried about the Father, who is out someplace ramming the roads. Harriet Durham and her family are eating pork chops. Carl Smith, a widower since 1957, has one boiled potato and a bottle of Moxie. The Derek Boddins are having an Armour Star ham and brussels sprouts. Yechhh, says Richie Boddin, the deposed bully. Brussels sprouts. You eat ‘em or I’ll clout your ass backward, Derek says. He hates them himself.

Reggie and Bonnie Sawyer are having a rib roast of beef, frozen corn, french-fried potatoes, and for dessert a chocolate bread pudding with hard sauce. These are all Reggie’s favorites. Bonnie, her bruises just beginning to fade, serves silently with downcast eyes. Reggie eats with steady, serious attention, killing three cans of Bud with the meal. Bonnie eats standing up. She is still too sore to sit down. She hasn’t much appetite, but she eats anyway, so Reggie won’t notice and say something. After he beat her up on that night, he flushed all her pills down the toilet and raped her. And has raped her every night since then.

By quarter of seven, most meals have been eaten, most after-dinner cigarettes and cigars and pipes smoked, most tables cleared. Dishes are being washed, rinsed, and stacked in drainers. Young children are being packed into Dr Dentons and sent into the other room to watch game shows on TV until bedtime.

Roy McDougall, who has burned the shit out of a fry pan full of veal steaks, curses and throws them-fry pan and all-into the swill. He puts on his denim jacket and sets out for Dell’s, leaving his goddamn good-for-nothing pig of a wife to sleep in the bedroom. Kid’s dead, wife’s slacking off, supper’s burned to hell. Time to get drunk. And maybe time to haul stakes and roll out of this two-bit town.

In a small upstairs flat on Taggart Street, which runs a short distance from Jointner Avenue to a dead end behind the Municipal Building, Joe Crane is given a left-handed gift from the gods. He has finished a small bowl of Shredded Wheat and is sitting down to watch the TV when he feels a large and sudden pain paralyze the left side of his chest and his left arm. He thinks: What’s this? Ticker? As it happens, this is exactly right. He gets up and makes it halfway to the telephone before the pain suddenly swells and drops him in his tracks like a steer hit with a hammer. His small color TV babbles on and on, and it will be twenty-four hours before anyone finds him. His death, which occurs at 6:51 P.M., is the only natural death to occur in Jerusalem’s Lot on October 6.

By 7:00 the panoply of colors on the horizon has shrunk to a bitter orange line on the western horizon, as if furnace fires had been banked beyond the edge of the world. In the east the stars are already out. They gleam steadily, like fierce diamonds. There is no mercy in them at this time of year, no comfort for lovers. They gleam in beautiful indifference.

For the small children, bedtime is come. Time for the babies to be packed into their beds and cribs by parents who smile at their cries to be let up a little longer, to leave the light on. They indulgently open closet doors to show there is nothing in there.

And all around them, the bestiality of the night rises on tenebrous wings. The vampire’s time has come.