WILL, THE QUESTION OF THE GRAIL Jane Yolen

While best known for her multi-award winning children’s books and magical novels for adults, Jane Yolen is also a distinguished poet, folklore scholar, and editor of the Jane Yolen Books imprint at Harcourt, Brace & Co. She lives in rural western Massachusetts and in St. Andrews, Scotland. Her most recent novel is Briar Rose, a tour-de-force retelling of the Sleeping Beauty legend set against the backdrop of World War II.

Yolen’s poetry has been published in a wide variety of venues; the two poems on the following pages both come from small press editions. “The Question of the Grail” comes from the Grails anthology published by Unnameable Press in Atlanta, Georgia. “Will” is one of three Yolen poems published as beautiful limited-edition broadsides by Lawrence Schimel’s A Midsummer Night’s Press in New Haven, Connecticut, and also appeared in the Magazine of Speculative Poetry.

—T.W. & E.D.

WILL

The past will not lie buried.

Little bones and teeth

harrowed from grave's soil,

tell different tales.

My fathers bank box told me,

in a paper signed by his own hand,

the name quite clearly: William.

All the years he denied it,

that name, that place of birth,

that compound near Kiev,

and I so eager for the variants

with which he lived his life.

In the middle of my listening,

death,

that old interrupter,

with the unkindness of all coroners,

revealed his third name to me.

Not William, not Will, but Wolf.

Wolf.

And so at last I know the story,

my old wolf, white against the Russian Snows,

the cracking of his bones,

the stretching sinews,

the coarse hair growing boldly

on the belly, below the eye.

Why grandfather, my children cry,

what great teeth you have,

before he devours them

as he devoured me,

all of me, bones and blood,

all of my life.

THE QUESTION OF THE GRAIL

Answer: Christ’s vessel.

What is the question?

We could argue ships, the weight

of boats upon the Galilee,

the width and breadth of arks

the wooden scow scurrying between

Avalon and eternity.

We could argue cups, the weight

of jewels in the ham-fist of kings,

the belching cauldron of Annwyn,

a simple Semitic glass

holding incarnate blood.

But I rather argue a womans weight,

the bowls of my breasts, my cup-like womb,

the mound fitted for blood,

for salt in equal measure,

for the treasuring of life,

for divine revelation,

for the granting of it

bowls, cups, mounds

and the pattern of the maze.

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