The Girl with All the Gifts

6

“Okay,” Miss Justineau says. “Does anyone know what today is?”

It’s Tuesday, obviously, and more important than that, it’s a Miss Justineau day, but everyone tries to guess what else it might be. “Your birthday?” “The king’s birthday?” “The day when something important happened, years ago?” “A day with a palindromic date?” “A day when someone new is coming?”

They’re all excited, because they know it’s got something to do with the big canvas bag that Miss Justineau brought in with her, and they can see that she’s just as excited to show them what’s inside. It’s going to be a good day – one of the best days, probably.

But it’s Siobhan, in the end, who gets it. “It’s the first day of spring!” she shouts from behind Melanie.

“Good for you, Siobhan,” Miss Justineau says. “Absolutely right. It’s the twenty-first of March and, for the part of the world where we live, that’s… what? What’s the big deal about the twenty-first?”

“The first day of spring,” Tom repeats, but Melanie, who’s kicking herself for not seeing this sooner, knows that Miss Justineau is looking for more than that. “It’s the vernal equinox!” she says quickly before anyone else can.

“Exactly,” Miss Justineau agrees. “Give the lady a big hand. It’s the vernal equinox. Now, what does that mean?”

The kids all clamour to answer. Usually nobody bothers to tell them what date it is, and of course they never get to see the sky, but they’re familiar with the theory. Ever since the solstice, way back in December, the nights have been getting shorter and the days have been getting longer (not that the kids ever see night and day, because the rooms in the block don’t have any windows). Today is the day when the two finally balance. The night and the day are both exactly twelve hours long.

“And that makes it kind of a magical day,” Miss Justineau says. “In olden times, it meant the long dark of winter was finally over, and things would start growing again and the world would be renewed. The solstice was the promise – that the days wouldn’t just keep on getting shorter until they disappeared altogether. The equinox was the day when the promise was fulfilled.”

Miss Justineau picks up the big bag and puts it on the table. “And I was thinking about this,” she says slowly, knowing they’re all watching, knowing that they’re aching to see what’s in the bag. “And it occurred to me that nobody ever showed you, really, what spring is all about. So I climbed over the perimeter fence…”

Gasps from the children. Region 6 may be mostly cleared, but outside the fence still belongs to the hungries. As soon as you’re out there, they can see you and smell you – and once they get your scent, they’re never going to stop following you until they’ve eaten you.

Miss Justineau laughs at the horrified expressions on their faces. “Only kidding,” she says. “There’s actually a part of the camp where the soldiers didn’t bother to finish clearing when they set up this base. There’s lots of wild flowers there, and even a few trees. So…” – and she pulls the mouth of the bag wide open – “I went over there, and I just grabbed what I could find. Would have felt like vandalism, before the Breakdown, but the wild flowers are doing okay for themselves these days, so I just thought what the hell.”

She reaches into the bag and takes something out. It’s a sort of stick, long and twisted, with smaller sticks coming off it in all directions. And the smaller sticks have smaller sticks, and so on, so it’s a really crazy, complicated shape. And all over it there are these little green dots – but as Miss Justineau turns the stick in her hand, Melanie can see that they’re not dots. They bulge right out from the stick, as though they’re being forced up from inside it. And some of them are broken; they’ve split in the middle and they’re sort of peeling into ever-so-slender green lips and brackets.

“Anyone know what this is?” Miss Justineau asks.

Nobody speaks. Melanie is thinking about it hard, trying to match it up with something she’s already seen, or maybe been told about in class. She’s just about to get it, because the word means what it says – the way the big stick breaks into smaller sticks, and again and again, so there’s more and more of them, like breaking down a great big number into the long list of its prime factors.

“It’s a branch,” Joanne says.

Dummy, dummy, dummy, Melanie scolds herself. Her rainforest picture is just full of branches. But the real branch looks different somehow. Its shape is more complicated and broken up, its textures rougher.

“You’re damn right it’s a branch,” Miss Justineau agrees. “I think it’s an alder. A couple of thousand years ago, the people who lived around here would have called this time of year the alder month. They used the bark of the tree for medicine, because it’s really rich in something called salicin. It’s kind of a natural pain relief drug.”

She goes around the class, unstrapping the children’s right arms from their chairs so that they can hold the branch and look at it right up close. It’s kind of ugly, Melanie thinks, but absolutely fascinating. Especially when Miss Justineau explains that the little green balls are buds – and they’ll turn into leaves and cover the whole tree in green, as though it’s put a summer dress on.

But there’s a lot more stuff in the bag, and when Miss Justineau starts to unpack it, the whole class stares in awe. Because the bag is full of colours – starbursts and wheels and whorls of dazzling brightness that are as fine and complex in their structures as the branch is, only much more symmetrical. Flowers.

“Red campion,” Miss Justineau says, holding up a spray that’s not red at all but sort of purple, each petal forked into two like the footprint of an animal in a tracking chart Melanie saw once.

“Rosemary.” White fingers and green fingers, all laced together like your hands clasped together in your lap when you’re nervous and you don’t want to fidget.

“Daffodils.” Yellow tubes like the trumpets angels blow in the old pictures in Miss Justineau’s books, but with fringed lips so delicate they move when Miss Justineau breathes on them.

“Medlar.” White spheres in dense clusters, each one made out of overlapping petals that are curved and nested on themselves, and open at one end to show something inside that looks like a tiny model of more flowers.

The children are hypnotised. It’s spring in the classroom. It’s equinox, with the world balanced between winter and summer, life and death, like a spinning ball balanced on the tip of someone’s finger.

When everyone has looked at the flowers, and held them, Miss Justineau puts them in bottles and jars all around the classroom, wherever there’s a shelf or a table or a clear surface, so the whole room becomes a meadow.

She reads the class some poems about flowers, starting with one by Walt Whitman about lilacs and how spring always comes back again, but Walt Whitman hasn’t got very far at all before he’s talking about death and offering to give his lilacs to a coffin that he’s seen, so Miss Justineau says let’s quit while we’re ahead and reads Thomas Campion instead. He even has the same name as a flower, Melanie thinks, and she likes his poem a whole lot better.

But maybe the most important thing that comes out of this day is that Melanie now knows what date it is. She doesn’t want to stop knowing again, so she decides to keep count.

She clears a place in her mind, just for the date, and every day she goes to that place and adds one. She makes sure to ask Miss Justineau if this is a leap year, which it is. Once she knows that, she’s good.

Knowing the date is reassuring in some way she can’t quite figure out. It’s like it gives her a secret power – like she’s in control of a little piece of the world.

It’s not until then that she realises she’s never had that feeling before.