The Damnation Game

XIII At the Hotel Pandemonium

Hell is reimagined by each generation. Its terrain is surveyed for absurdities and remade in a fresher mold; its terrors are scrutinized and, if necessary, reinvented to suit the current climate of atrocity; its architecture is redesigned to appall the eye of the modern damned. In an earlier age Pandemonium-the first city of Hell-stood on a lava mountain while lightning tore the clouds above it and beacons burned on its walls to summon the fallen angels. Now, such spectacle belongs to Hollywood. Hell stands transposed. No lightning, no pits of fire.

In a wasteland a few hundred yards from a highway overpass it finds a new incarnation: shabby, degenerate, forsaken. But here, where fumes thicken the atmosphere, minor terrors take on a new brutality. Heaven, by night, would have all the configurations of Hell. No less the Orpheus-hereafter called Pandemonium-Hotel.

It had once been an impressive building, and could have been again if its owners had been willing to invest in it. But the task of rebuilding and refurbishing such a large and old-fashioned hotel was probably financially unsound. Sometime in its past a fire had raged through the place, gutting the first, second and third floors before being extinguished. The fourth floor, and those above, were smoke-spoiled, leaving only the vaguest signs of the hotel's former glamor intact.

The vagaries of the city planning department had taken a further toll on the building's chances of restoration. As Halifax had described, the land to either side of the hotel had been cleared for some projected redevelopment. None had been undertaken, however. The hotel stood in splendid isolation, mated about with feed roads to and from the Ml, no more than three hundred yards from one of the busiest stretches of concrete and tarmac in the south of England. Thousands of drivers glanced its way every day, but its shabby grandeur was by now so familiar they probably scarcely registered its existence. Clever, Marty thought, to hide in such plain sight.

He parked the car as close to the hotel as he could, then slipped in through a hole in the corrugated iron fencing around the plot, and picked his way across the wasteland. The instructions on the fence-"No Trespassing" and "No Dumping"-had been conspicuously ignored. Black plastic bags, bulging with rubbish, were piled in heaps among the rubble and the old bonfires. Many of the bags had been torn open by children or dogs. Domestic and manufacturing trash spilled out: hundreds of scraps of cloth-sweatshop offcuts-were scattered underfoot; rotting food, the ubiquitous tin can, cushions, lampshades and car engines-all abandoned on a bed of rubble dust and gray grass.

Some of the dogs-wild, Marty guessed-looked up from their scavenging as he advanced, their pale flanks dirty, their eyes yellow in the twilight. He thought of Bella and her gleaming family: these curs hardly seemed of the same species. When he looked their way they hung their heads and watched him indirectly, like inept spies.

He went up to the main entrance of the hotel: the word ORPHEUS was still clearly carved above the door; there were mock-Doric columns to either side of the steps, and fancy tilework on the threshold. But the door itself had boards nailed across it, and notices warned of swift prosecution if anyone trespassed. There seemed little chance of that. The second-, third- and fourth-story windows were boarded up with the same thoroughness as the door; those on the first floor had been bricked up entirely. There was a door at the back of the building that was not boarded up, but it was bolted from the inside. This was probably where Halifax had entered the building: but Whitehead must have given him access. Without breaking and entering, there was no way in.

It was only on his second orbit of the hotel that he gave some serious consideration to the fire escape. It zigzagged up the east side of. the building, an impressive piece of wrought-iron work that was now rusting badly. Further mutilation had been done to it by some enterprising salvage firm, that, seeing profit in the scrap metal, had started to cut the escape away from the wall, only to give up on the job when it had reached the second floor. This left the bottom flight missing, the escape's truncated tail hanging ten or eleven feet from the ground. Marty studied the problem. The fire-exit doors on most of the stories had been nailed up; but one, on the fourth story, showed signs of tampering. Was this how the old man had gained entrance? He would have needed help, presumably: Luther, perhaps.

Marty scanned the wall beneath the fire escape. It was graffiti-strewn, but smooth. There was no chance of a handhold or foothold to get him up the first few feet and onto the steps themselves. He turned to the wasteland, looking for inspiration, and a few minutes' search in the deepening dusk revealed a pile of discarded furniture, among it a table, three-legged, but serviceable. He hauled it back to the fire escape and then wedged a collection of refuse bags beneath it in lieu of its missing limb. It made an unsteady perch when he climbed up onto it, and even then his fingers missed the bottom of the escape. He was obliged to jump for a handhold, and on the fourth attempt he achieved one, leaving him swinging at arm's length from the bottom step. A drizzle of rust scales hit his face and hair. The escape creaked. He mustered his will and hauled himself up a vital few inches, then struck out with his left hand for a hold on a higher stair. His shoulder joints complained, but he pulled on upward, hand over hand, until he could lift his leg high enough to hoist his whole body onto the steps.

The first stage achieved, he stood on the escape and caught his breath, then started up. The structure was by no means stable; the salvage crew had obviously been at work loosening it from the wall. Every step he took, a grating squeal seemed to presage its capitulation.

"Hold on," he whispered to it, mounting the steps with as light a tread as he could. His efforts were rewarded on the fourth story. As he guessed, the door had been opened quite recently, and with no small sense of relief he stepped from the dubious safety of the fire escape and into the hotel itself.

It still stank of the conflagration that had defeated it: the bitter smell of burned wood and charred carpeting. Below him he could see-by the meager light through the open fire door-the gutted floors. The walls were scorched, the paint on the banisters diseased with blisters. But just a few steps up from here the fire's progress had been arrested.

Marty started up the stairs to the fifth story. A long corridor presented itself to him, with rooms to right and left. He wandered down the passageway taking a perfunctory look into each of the suites as he passed. The numbered doors let onto empty spaces: all the furniture and fittings that were salvageable had been removed years ago.

Perhaps because of its isolated position, and the difficulty of entering, the building had not been squatted or vandalized. The rooms were almost absurdly clean, their deep-pile beige carpets-too bothersome to remove, apparently-springy as cliff turf beneath his feet. He checked every suite on the fifth floor before retracing his path to the stairs and going up another flight. The scene was the same here, although the suites-which had perhaps once commanded a salable view-were larger and fewer on this floor, the carpets, if anything, lusher. It was bizarre, ascending from the charred depths of the hotel to this pristine, breathless place. People had perhaps died in the blindfold corridors below, asphyxiated or baked to death in their dressing gowns. But up here no trace of the tragedy had intruded.

There was one floor left to investigate. As he climbed the final flight of stairs the illumination suddenly strengthened until it was almost as bright as day. The source was highway light, finding its way through the skylights and ineptly sealed windows. He explored the labyrinthine system of rooms as quickly as possible, pausing only to glance out of the window. Far below, he could see the car parked beyond the fence; the dogs engaged in a mass rape. In the second suite he suddenly caught sight of somebody watching him across the vast reception room only to realize that the haggard face was his own, reflected in a wall-sized mirror.

The door of the third suite, on this final floor, was locked, the first locked suite Marty had encountered. Proof positive, if any were needed, that it had an occupant.

Jubilant, Marty rapped on the door. "Hello? Mr. Whitehead?" There was no answering movement from within. He rapped again, harder, casing the door as he did so to see if a break-in was plausible, but it looked too solid to be easily shouldered down. If necessary, he'd have to go back to the car and get some tools.

"It's Strauss, Mr. Whitehead. It's Marty Strauss. I know you're in there. Answer me." He listened. When there was no reply, he beat on the door a third time, this time with fist instead of knuckles. And suddenly the reply came, shockingly close. The old man was standing just the other side of the door; had been all along probably.

"Go to Hell," the voice said. It was a little slurred, but unmistakably that of Whitehead.

"I have to speak to you," Marty replied. "Let me in."

"How the fuck did you find me?" Whitehead demanded. "You bastard."

"I made some inquiries, that's all. If I can find you, anybody can."

"Not if you keep your wretched mouth shut. You want money, is that it? Come here for money, have you?"

"No."

"You can have it. I'll get it to you, however much you want."

"I don't want money."

"Then you're a damn fool," Whitehead said, and he laughed to himself; a witless, ragged titter. The man was drunk.

"Mamoulian's on to you," Marty said. "He knows you're alive."

The laughing stopped.

"How?"

"Carys."

"You've seen her?"

"Yes. She's safe."

"Well... I underestimated you." He paused; there was a soft sound, as if he was leaning against the door. After a while he spoke again. He sounded exhausted.

"What did you come for, if not for money? She's got some expensive habits, you know."

"No thanks to you."

"I'm sure you'll find it as convenient as I did, given time. She'll bend over backward for a fix."

"You're filth, you know that?"

"But you came to warn me anyway." The old man leaped on the paradox with lightning speed, quick as ever to open a hole in a man's flank. "Poor Marty..." the slurred voice trailed away, smothered by mock pity. Then, razor-sharp: "How did you find me?"

"The strawberries."

What sounded like muffled choking came from within the suite, but it was Whitehead laughing again, this time at himself. It took several moments for him to regain his composure. "Strawberries..." he murmured. "My! You must be persuasive. Did you break his arms?"

"No. He volunteered the information. He didn't want to see you curl up and die."

"I'm not going to die!" the old man -snapped. "Mamoulian's the one who'll die. You'll see. He's running out of time. All I have to do is wait. Here's as good a place as any. I'm very comfortable. Except for Carys. I miss her. Why don't you send her to me, Marty? Now that would be most welcome."

"You'll never see her again."

Whitehead sighed. "Oh, yes," he said, "she'll be back when she's tired of you. When she needs someone who really appreciates her stony heart. You'll see. Well... thank you for calling. Goodnight, Marty."

"Wait."

"I said goodnight."

"... I've got questions..." Marty began.

"Questions, questions..." the voice was already receding. Marty pressed closer to the door to offer his final sliver of bait. "We found out who the European is; what he is!" But there was no reply. He'd lost Whitehead's attention. It was fruitless anyway, he knew. There was no wisdom to be got here; just a drunken old man replaying his old power games. Somewhere deep inside the penthouse suite a door closed. All contact between the two men was summarily severed.

Marty descended the two flights of stairs back to the open fire door, and left the building by the route he'd entered. After the smell of dead fire inside, even the highway-tainted air smelled light and new.

He stood for several minutes on the escape and watched the traffic passing along the highway, his attention pleasantly diverted by the spectacle of lane-hopping commuters. Below, two dogs fought among the refuse, bored with rape. None of them cared, drivers or dogs, about the fall of potentates: why should he? Whitehead, like the hotel, was a lost cause. He'd done his best to salvage the old man and failed. Now he and Carys would slip away into a new life, and let Whitehead make whatever arrangements for cessation he chose. Let him slit his wrists in a stupor of remorse, or choke on vomit in his sleep: Marty was past caring.

He climbed down the escape and scrambled onto the table, then crossed the wasteland to the car, glancing back only once to see if Whitehead was watching. Needless to say, the upper windows were blank.

When they got to Caliban Street the girl was still so high on her delayed fix it was difficult to communicate through her chemically elated senses. The European left the evangelists to do the cleaning up and burning he'd instructed Breer to do, and escorted Carys to the room on the top floor. There he set about persuading her to find her father, and quickly. At first the drug in her just smiled at him. His frustration began to curdle into anger. When she started to laugh at his threats-that slow, rootless laughter that was so like the pilgrim's laugh, as if she knew some joke about him that she wasn't telling-his control snapped and he unleashed a nightmare of such unrestrained viciousness upon her its crudity disgusted him almost as much as it terrorized her.

She watched in disbelief as the same tide of muck that he'd conjured in the bathroom dribbled and then gushed from her own body. "Take it away," she told him, but he only increased the pitch of the illusion, until her lap squirmed with monstrosities. Abruptly, her drug bubble burst. A gleam of insanity crept into her eyes as she cowered in the corner of the room, while the things came from her every orifice, struggling to work their way out, then clinging to her with whatever limbs his invention had supplied. She was within a hairbreadth of madness, but he'd gone too far to withdraw the assault now, repelled though he was by its depravity.

"Find the pilgrim," he told her, "and all this vanishes."

"Yes, yes, yes," she pleaded, "whatever you want."

He stood and watched while she obeyed his demands, flinging herself into that same fugue state she'd achieved when pursuing Toy. It took her longer to find the pilgrim, however, so long that the European began to suspect she'd canceled all link with her body, and left it to his devices rather than reenter it. But she finally returned. She had found him at a hotel no less than half an hour's drive from Caliban Street. Mamoulian was not surprised. It was not in the nature of foxes to travel far from their natural habitat; Whitehead had simply gone to ground.

Wrung out by the journey and the fear that had propelled her, Carys was half-carried down the stairs by Chad and Tom and out to the waiting car. The European made one farewell circuit of the house, to see that any sign of his presence there had been removed. The girl in the cellar, and Breer's detritus, could not be cleared at such short notice, but that was a nicety. Let those who came after construe what they liked from the atrocity photographs on the wall and the bottles of perfume so lovingly arranged. All that mattered was that evidence of his, the European's, existence here-or indeed anywhere-be thoroughly effaced. Soon he would be rumor again; gossip among the haunted people.

"Time to go," he said as he locked the door. "The Deluge is almost upon us."

Now, as they drove, Carys was beginning to find some strength. Balmy air through the front window caressed her face. She opened her eyes fractionally, and cast them in the direction of the European. He was not looking her way; he was staring out of the window, that aristocratic profile of his made blander than ever by fatigue.

She wondered how her father would fare in the approaching endgame. He was old, but Mamoulian was vastly older; was age, in this confrontation, an advantage or a disadvantage? Suppose-the thought occurred to her for the first time-they were equally matched? Suppose the game they were playing ended without defeat or victory on either side? Just a twentieth-century conclusion-all ambiguities. She didn't want that: she wanted finality.

Whichever way it went she knew there was small chance of her survival in the coming Deluge. Only Marty could tip the balance in her favor, and where was he now? If he returned to Kilburn and found it deserted, mightn't he assume she'd left him of her own accord? She couldn't predict the way he'd jump; that he was capable of the blackmail with the heroin had come as a shock. One desperate maneuver remained a possibility: to think her way to him and tell him where she was, and why. There were risks in such a gambit. Catching stray thoughts from him was one thing-it was no more than a parlor trick-but attempting to push her way into his head and communicate with him consciously, mind to mind, would require more mental muscle. Even assuming she had the strength to do it, what would the consequences of such an intrusion be for Marty? She pondered the dilemma in a daze of anxiety, knowing the minutes were ticking by, and soon it would be too late for any escape attempt, however desperate.

Marty was driving south toward Cricklewood when a pain began at the nape of his neck. It spread rapidly up and over his skull, escalating within two minutes to a headache of unparalleled proportions. His instinct was to pick up speed and get back to Kilburn as quickly as possible, but the Finchley Road was heavily trafficked, and all he could do was edge along with the flow, the pain worsening every ten yards. His consciousness-increasingly preoccupied with the upward spiral of pain-focused on smaller and yet smaller bits of information, his perception narrowing to a pinprick. Ahead of the Citroën the road was a blur. He was almost blinded, and a collision with a refrigerated meat truck was only prevented by the skill of the other driver. He realized that driving any further could be fatal, so he edged out of the traffic as best he could-horns blaring front and behind-and parked, inelegantly, at the side of the road, then stumbled out of the car to get some air. Completely disoriented, he stepped straight into the middle of the traffic. The lights of the oncoming vehicles were a wall of strobing colors. He felt his knees about to buckle and only prevented himself from collapsing in front of the traffic by hanging on to the open car door and hauling himself around the front of the Citroën to the comparative safety of the pavement.

A single drop of rain fell on his hand. He peered at it, concentrating to bring it into focus. It was bright red. Blood, he thought dimly. Not rain, blood. He put his hand up to his face. His nose was bleeding copiously. The heat ran down his arm and into the rolled sleeve of his shirt. Digging into his pocket he pulled out a handkerchief and clamped it under his nose, then staggered across the pavement to a shopfront. In the window, he caught his reflection. Fish swam behind his eyes. He fought the illusion, but it persisted: brilliantly colored exotica, blowing bubbles inside his skull. He stood away from the glass, and took in the words painted on it: Cricklewood Aquarium Supplies. He turned his back on the guppies and the ornamental carp and sat on the narrow sill. He had begun to shake. This was Mamoulian's doing, was all he could think. If I give into it, I'll die. I must fight. At all costs, fight.

Carys spoke, the word escaping her lips before she could prevent it.

"Marty."

The European looked at her. Was she dreaming? There was sweat on her swollen lips; yes, she was. Of congress with Strauss, no doubt. That was why she spoke his name with such demand in her tone.

"Marty."

Yes, for certain, she was dreaming the arrow and the wound. Look how she trembled. Look how her hands ran between her legs: a shameful display.

"How far now?" he asked Saint Tom, who was consulting the map

"Five minutes," the youth replied.

"Fine night for it," Chad said.

Marty?

He looked up, narrowing his eyes to improve his vision of the street, but he could not see his interrogator. The voice was in his head.

Marty?

It was Carys' voice, horribly distorted. When it spoke his skull seemed to creak, his brain blowing up to the size of a melon. The pain was unbearable.

Marty?

Shut up, he wanted to say, but she wasn't there to tell. Besides, it wasn't her, it was him, it, the European. The voice was now replaced by the sound of somebody's breath, not his own. His was a sickening pant, this was a sleepy rhythm. The blur of the street was darkening; the ache in his head had become heaven and earth. He knew if he didn't get help, he'd die.

He stood up, blind. A hissing had filled his ears now, which all but blocked the din of traffic mere yards from him. He stumbled forward. More blood streamed from his nose.

"Somebody help me..."

An anonymous voice filtered through the chaos in his head. The words it spoke were incomprehensible to him, but at least he was not alone. A hand was touching his chest; another was holding his arm. The voice he'd heard vas raised in panic. He wasn't sure if he made any reply to it. He wasn't even sure if he was standing up or falling down. What did it matter anyway?

Blind and deaf, he waited for some kind person to tell him he could die.

They drew up in the street a short way from the Orpheus Hotel. Mamoulian got out and left the evangelists to bring Carys. She'd begun to smell, he'd noted; that ripe smell he associated with menstruation. He strode on ahead, stepping through the rent fence and onto the no-man's-land that surrounded the hotel. Desolation pleased him. The heaps of rubble, the piles of abandoned furniture: by the sickly light of the highway the place had a glamor about it. If last rites were to be performed, what better place than here? The pilgrim had chosen well.

"This is it?" said Saint Chad, following on.

"It is. Will you find a point of access for us?"

"My pleasure."

"Only do it quietly, if you will."

The young man skipped off across the pit-fraught ground, stopping only to select a piece of twisted metal from among the rubble to force an entry. So resourceful, these Americans, Mamoulian mused as he picked his way after Chad: no wonder they ruled the world. Resourceful, but not subtle. At the front door Chad was tearing the planks away without much regard for surprise attacks. Can you hear? he thought to the pilgrim. Do you know I'm down here, so close to you at last?

He turned his cold eyes up to the top of the hotel. His belly was acid with anticipation; a film of sweat glossed his forehead and palms. I'm like a nervous lover, he thought. So strange, that the romance should end this way, without a sane observer to witness the final acts. Who would know, once it was all over; who would tell? Not the Americans. They would not survive the next few hours with the tatters of their sanity intact. Not Carys; she would not survive at all. There would be nobody to report the story, which-for some buried reason-he regretted. Was that what made him a European? To want to have his story told once more, passed down the line to another eager listener who would, in his time, disregard its lesson and repeat his own suffering? Ah, how he loved tradition.

The front door had been beaten open. Saint Chad stood, grinning at his achievement, sweating in his tie and suit.

"Lead the way," Mamoulian invited him.

The eager youth went inside; the European followed. Carys and Saint Tom brought up the rear.

Within, the smell was tantalizing. Associations were one of the curses of age. In this case the perfume of carbonized wood, and the sprawl of wreckage underfoot, evoked a dozen cities he'd wandered in; but one of course, in particular. Was that why Joseph had come to this spot: because the scent of smoke and the climb up the creaking stairs woke memories of that room off Muranowski Square? The thief's skills had been the equal of his own that night, hadn't they? There'd been something blessed about the young man with the glittering eyes; the fox who'd shown so little awe; just sat down at the table willing to risk his life in order to play. Mamoulian believed the pilgrim had forgotten Warsaw as he'd grown from fortune to fortune; but this ascent up burned stairs was proof positive that he had not.

They climbed in the dark, Saint Chad going ahead to scout the way, and calling behind him that the banister was gone in this place and a stair in that. Between the fourth and fifth stories, where the fire stopped, Mamoulian called a halt, and waited until Carys and Tom caught up. When they had he instructed that the girl be brought to him. It was lighter up here. Mamoulian could see a look of loss on the girl's tender face. He touched her, not liking the contact but feeling it appropriate.

"Your father is here," he told her. She didn't reply; nor did her features relinquish the look of grief. "Carys... are you listening?"

She blinked. He assumed he was making some contact with her, if primitive.

"I want you to speak to Papa. Do you understand? I want you to tell him to open the door for me."

Gently, she shook her head.

"Carys," he chided. "You know better than to refuse me."

"He's dead," she said.

"No," the European replied flatly, "He's up there; a few flights above us."

"I killed him."

What delusion was this? "Who?" he asked sharply. "Killed who?"

"Marty. He doesn't answer. I killed him."

"Shush... shush..." The cold fingers stroked her cheek. "Is he dead, then? So: he's dead. That's all that can be said."

"... I did it..."

"No, Carys. It wasn't you. It was something that had to be done; don't concern yourself."

He took her wan face in both hands. Often he had cradled her head when she was a child, proud that she was the pilgrim's fruit. In those embraces he had nurtured the powers she had grown up with, sensing that a time might come when he would need her.

"Just open the door, Carys. Tell him you're here, and he'll open it for you."

"I don't want... to see him."

"But I do. You'll be doing me a great service. And once it's over, there'll be nothing to be afraid of ever again. I promise you that."

She seemed to see some sense in this.

"The door..." he prompted.

"Yes."

He loosed her face, and she turned away from him to climb the stairs.

In the deep-pile comfort of his suite, his jazz playing on the portable hi-fi he had personally lugged up six flights, Whitehead had heard nothing. He had all that he needed. Drink, books, records, strawberries. A man might sit out the Apocalypse up here and be none the worse for it. He had even brought some pictures: the early Matisse from the study, Reclining Nude, Quai St. Michel; a Miro and a Francis Bacon. The last was a mistake. It was too morbidly suggestive, with its hints of flayed flesh; he'd turned it to the wall. But the Matisse was a joy, even by candlelight. He was staring at it, never less than enchanted by its casual facility, when the knocking came.

He stood up. It was many hours-he'd lost track of time-since Strauss had been here; had he come again? Somewhat groggy with vodka, Whitehead lurched along the hall of the suite, and listened at the door.

"Papa..."

It was Carys. He didn't answer her. It was suspicious, her being here.

"It's me, Papa, it's me. Are you there?"

Her voice was so tentative; she sounded like a child again. Was it possible Strauss had taken him at his word, and sent the girl to him, or had she simply come back of her own accord, the way Evangeline had after cross words? Yes, that was it. She'd come because, like her mother, she couldn't help but come. He began to unlock the door, fingers awkward in anticipation.

"Papa..."

At last he got the best of the key and the handle and opened the door. She wasn't there. Nobody was there: or so he thought at first. But even as he stepped back into the hall of the suite the door was thrown wide and he was flung against the wall by a youth whose hands seized him at neck and groin and pinned him flat. He dropped the vodka bottle he was carrying and threw up his hands to signify his surrender. When he'd shaken the assault from his head he looked over the youth's shoulder and his bleary eyes came to rest on the man who had followed the youth in.

Quietly, and quite without warning, he began to cry.

They left Carys in the dressing room beside the master bedroom of the suite. It was empty but for a fitted wardrobe and a pile of curtains, which had been removed from the windows and then forgotten. She made a nest in their musty folds and lay down. A single thought circled in her head: I killed him. She had felt his resistance to her investigation; felt the tension building in him. And then, nothing.

The suite, which occupied a quarter of the top story, boasted two views. One was of the highway: a garish ribbon of headlights. The other, that let on to the east side of the hotel, was gloomier. The small dressing-room window faced this second view: a stretch of wasteland, then the fence and the city beyond it. But from her position lying on the floor, all of that was out of sight. All she could see was a skyfield, across which the blinking lights of a jet crept.

She watched its circling descent, thinking Marty's name.

"Marty. "

They were lifting him into an ambulance. He still felt sick to the pit of his stomach with the roller coaster he'd been on. He didn't want consciousness, because with it came the nausea. The hissing had gone from his ears however; and his sight was intact.

"What happened? Hit-and-run?" somebody asked him.

"He just fell down," a witness replied. "I saw him. Fell down in the middle of the pavement. I was just coming out of the newsagents when I-"

"Marty."

"-and there he was-"

"Marty. "

His name was sounding in his head, clear as a spring-morning bell. There was a renewed trickle of blood from his nose, but no pain this time. He raised his hand to his face to stem the flow but a hand was already there, stanching and wiping.

"You'll be all right," a man's voice said. Somehow Marty felt this to be indisputably true, though it was nothing to do with this man's ministrations. The pain had gone, and the fear had gone with it. It was Carys speaking in his head. It had been all along. Now some wall in him had been breached-forcibly perhaps, and painfully, but the worst was over-and she was thinking his name in her head and he was catching her thought like a lobbed tennis ball. His previous doubts seemed naive. It was a simple act, this thought catching, once you had the knack of it.

She felt him wake to her.

For several seconds she lay on her curtain bed while the jet winked across the window, not quite daring to believe what her instincts were telling her-that he was hearing her, that he was alive.

Marty? she thought. This time, instead of the word getting lost in the dark between his mind and hers, it went unerringly home, welcomed into his cortex. He didn't have the skill to frame an answer, but that was academic at this point. As long as he could hear and understand, he could come.

The hotel, she thought. Do you understand, Marty? I'm with the European at a hotel. She tried to remember the name she'd glimpsed over the door. Orpheus; that was it. She had no address, but she did her best to picture the building for him, in the hope that he could make sense of her impressionist directions.

He sat up in the ambulance.

"Don't worry. The car'll be taken care of," the attendant said, pressing a hand on his shoulder to get him to lie back down. They'd wrapped a scarlet blanket across him. Red so the blood doesn't show, he registered as he threw it off.

"You can't get up," the attendant told him. "You're in bad shape."

"I'm fine," Marty insisted, pushing the solicitous hand away. "You've been wonderful. But I've got a prior engagement."

The driver was closing the double doors at the back of the ambulance. Through the narrowing gap Marty could see a ring of professional bystanders straining to catch a final look at the spectacle. He made a dive for the doors.

The spectators were disgruntled to see Lazarus risen, and worse, to see him smiling like a loon as he emerged, apologizing, from the back of the vehicle. Didn't the man have any sense of occasion?

"I'm fine," he told the driver as he backed off through the crowd. "Must have been something I ate." The driver stared at him, uncomprehending.

"You're bloody," he managed to mutter.

"Never felt better," Marty replied, and in a way, despite the exhaustion in his bones, it was true. She was here, in his head, and there was still time to make things right, if he hurried.

The Citroen was a few yards down the road; splashes of his blood painted the pavement beside it. The keys were still in the ignition.

"Wait for me, babe, " he said, and started back toward the Pandemonium Hotel.

It was not the first time Sharon had been locked out of her house while her mother entertained a man the young girl had never seen before, and would, on past form, never see again; but tonight the expulsion was particularly unwelcome. She felt a summer cold coming on, and she wanted to be in the house in front of the television instead of out in the street after dark vainly trying to devise new skipping games for herself. She wandered down the street, beginning a solitary game of hopscotch, then abandoning it on the fifth square.

She was just outside Number Eighty-two. It was a house her mother had warned her to keep clear of. A family of Asians lived on the ground floor-sleeping twelve to a bed, or so Mrs. Lennox had told Sharon's mother-in conditions of criminal squalor. But despite its reputation, Number Eighty-two had been a disappointment all summer: until today. Today Sharon had seen peculiar comings and goings at the house. Some people had arrived in a big car and taken a sick-looking woman away with them. And now, as she idled at the hopscotch game, there was somebody at one of the middle floor windows, a big, shadowy figure, and he was beckoning to her.

Sharon was ten. It would be a year before her first period, and though she had an inkling of the matter between men and women from her half-sister, she thought it a ridiculous palaver. The boys who played football in the street were foulmouthed, grubby creatures; she could scarcely imagine ever pining for their affections.

But the alluring figure at the window was a male, and it found something in Sharon; it turned over a rock. Beneath were the first stirrings of lives that weren't quite ready for the sun. They wriggled; they made her thin legs itch. It was to stop that itch that she disobeyed every prohibition on Number Eighty-two and slipped into the house when next the front door was opened, and up to where she knew the stranger to be.

"Hello?" she said, standing on the landing outside the room.

"You can come in," the man said.

Sharon had never smelled death before, but she knew it instinctively: introductions were superfluous. She stood in the doorway and peered at the man. She could still run if she wanted to, she knew that too. She was made yet safer by the fact that he was tied to the bed. This she could see, though the room was dark. Her inquisitive mind found nothing odd in this; adults played games, the way children did.

"Put on the light," the man suggested. She reached up for the switch beside the door and turned it on. The weak bulb lit the prisoner strangely; by it he looked sicker than anybody Sharon had ever set eyes on. He had obviously dragged the bed across the room to the window, and in so doing the ropes that tied him had bitten into his gray skin, so that shiny brown fluids-not quite like blood-covered his hands and trousers, and spattered the floor at his feet. Black blotches made his face, which was also shiny, piebald.

"Hello," he said. His voice was warped, as though he was speaking out of a cheap radio. Its weirdness amused her.

"Hello," she said back.

He gave her a lopsided grin, and the bulb caught the wetness of his eyes, which were so deep in his head she could scarcely make them out. But when they moved, as they did now, the skin around them fluttered.

"I'm sorry to call you away from your games," he said.

She dawdled in the door, not quite certain whether to go or stay. "I shouldn't really be here," she teased.

"Oh..." he said, rolling his eyes up until all the whites showed. "Please don't go."

She thought he looked comical with his jacket all stained and his eyes rolling. "If Marilyn found out I'd been here-"

"Your sister, is that?"

"My mother. She'd hit me."

The man looked doleful. "She shouldn't do that," he said.

"Well, she does."

"That's shameful," he replied mournfully.

"Oh, she won't find out," Sharon reassured him. The man was more distressed by her talk of a beating than she'd intended. "Nobody knows I'm here."

"Good," he said. "I wouldn't want any harm to come to you on my account."

"Why are you all tied up?" she inquired. "Is it a game?"

"Yes. That's all it is. Tell me, what's your name?"

"Sharon."

"You're quite right, Sharon; it's a game. Only I don't want to play anymore. It's started to hurt me. You can see."

He raised his hands as far as he could, to show how the bindings bit. A diet of flies, disrupted from their laying, buzzed about his head.

"Are you any good at untying knots?" he asked her.

"Not very."

"Could you try. For me?"

"Suppose so," she said.

"Only I'm feeling very tired. Come in, Sharon. Close the door."

She did as she was told. There was no threat here. Just a mystery (or two maybe: death and men) and she wanted to know more. Besides, the man was ill: he could do her no harm in his present condition. The closer she got to him the worse he looked. His skin was blistering, and there were beads of something like black oil dotting his face. Beneath the smell of his perfume, which was strong, there was something bitter. She didn't want to touch him, sorry as she felt for him.

"Please..." he said, proffering his bound hands. The flies roved around, irritated. There were lots of them, and they were all interested in him; in his eyes, in his ears.

"I should get a doctor," she said. "You're not well."

"No time for that," he insisted. "Just untie me, then I'll find a doctor myself, and nobody need know you've been up here."

She nodded, seeing the logic of this, and approached him through the cloud of flies to untie the restraints. Her fingers were not strong, her nails bitten to the quick, but she worked at the knots with determination, a charming frown flawing the perfect plane of her brow as she labored. Her efforts were hampered by the flow of yolky fluid from his broken flesh, which gummed everything up. Once in a while she'd turn her hazel eyes up to him; he wondered whether she could see degeneration occurring in front of her. If she could, she was too engrossed in the challenge of the knots to leave; either that, or she was willingly unleashing him, aware of the power she wielded in so doing.

Only once did she show any sign of anxiety, when something in his chest seemed to fail, a piece of internal machinery slipping into a lake around his bowels. He coughed and exhaled a breath that made sewerage smell like primroses. She turned her head away and pulled a face. He apologized politely and she asked him not to do it again, then went back to the problem at hand. He waited patiently, knowing that any attempt to hurry her along would only spoil her concentration. But in time she got the measure of the riddle, and the binding began to loosen. His flesh, which was now the consistency of softened soap, skidded off the bone of his wrists as he pulled his hands free.

"Thank you," he said. "Thank you. You've been very kind."

He bent to untie the ropes at his feet, his breath, or what passed for it, a gritty rattle in his chest.

"I'll go now," she said.

"Not yet, Sharon," he replied; speaking was drudgery now. "Please don't go yet."

"But I have to be home."

The Razor-Eater looked at her creamy face: she looked so fragile, standing under the light. She had withdrawn from his immediate vicinity once the knots were untied, as though the initial trepidation had begun again. He tried to smile, to reassure her that all was well, but his face wouldn't obey. The fat and muscle just drooped on his skull; his lips felt inept. Words, he knew, were close to failing him. It would have to be signs from now on. He was moving into a purer world-one of symbols, of ritual-a world where Razor-Eaters truly belonged.

His feet were free. In a matter of moments he could be across the room to where she stood. Even -if she turned and ran he could catch her. No one to see or hear; and even if there were what could they punish him with? He was a dead man.

He crossed the room toward her. The little living thing stood in his shadow and made not the least effort to escape him. Had she too calculated her chances and seen the futility of a chase? No; she was simply trusting.

He put out a sordid hand to stroke her head. She blinked, and held her breath at his proximity, but made no attempt to evade the contact. He longed for touch in his fingers, so as to feel her gloss. She was so perfect: what a blessing it would be to put a piece of her in him, to show as proof of love at the gates of paradise.

But her look was enough. He would take that with him, and count himself content; just the somber sweetness of her as a token, like coins in his eyes to pay his passage with.

"Goodbye," he said, and walked, his gait uneven, to the door. She went ahead of him and opened the door, then led him down the stairs. A child was crying in one of the adjacent rooms, the whooping wail of a baby that knows no one will come. On the front step Breer thanked Sharon again, and they parted. He watched her run off home.

For his part, he was not certain-at least not consciously-of where he was going to go now, or why. But once down the steps and onto the pavement his legs took him in a direction he had never been before, and he didn't become lost, though he soon made his way into unfamiliar territory. Somebody called him. Him, and his machete and his blurred, gray face. He went as quickly as anatomy allowed like a man summoned by history.

Whitehead was not afraid to die; he was only afraid that in dying he might discover that he had not lived enough. That had been his concern as he faced Mamoulian in the hallway of the penthouse suite, and it still tormented him as they sat in the lounge, with the buzz of the highway at their backs.

"No more running, Joe," Mamoulian said.

Whitehead said nothing. He collected a large bowl of Halifax's prime strawberries from the corner of the room, then returned to his chair. Running his expert fingers across the fruit in the bowl, he selected a particularly appetizing strawberry and began to nibble at it.

The European watched him, betraying no clue to his thoughts. The chase was done with; now, before the end, he hoped they'd be able to talk over old times for a while. But he didn't know where to begin.

"Tell me," Whitehead said, seeking the meat of the fruit right up to the hull, "did you bring a pack with you?" Mamoulian stared at him. "Cards, not dogs," the old man quipped.

"Of course," the European answered, "always."

"And do these fine boys play?" He gestured to Chad and Tom, who stood by the window.

"We came for the Deluge," Chad said.

A frown nicked the old man's brow. "What have you been telling them?" he asked the European.

"It's all their own doing," Mamoulian replied.

"The world's coming to an end," Chad said, combing his hair with obsessive care and staring out at the highway, his back to the two old men. "Didn't you know?"

"Is that so?" said Whitehead.

"The unrighteous will be swept away."

The old man put down his bowl of strawberries. "And who will judge?" he asked.

Chad let his coiffure be. "God in heaven," he said.

"Can't we play for it?" Whitehead responded. Chad turned to look at the questioner, puzzled; but the inquiry was not for him, but for the European.

"No," Mamoulian replied.

"For old times' sake," Whitehead pressed. "Just a game."

"Your gamesmanship would impress me, Pilgrim, if it weren't so obviously a delaying tactic."

"You won't play, then?"

Mamoulian's eyes flickered. He almost smiled as he said: "Yes. Of course I'll play."

"There's a table next door, in the bedroom. Do you want to send one of your bum-boys through to fetch it?"

"Not bum-boys."

"Too old for that, are you?"

"God-fearing men, both of them. Which is more than can be said of you."

"That was always my problem," Whitehead said, conceding the barb with a grin. This was like the old days: the exchange of ironies, the sweet-sour repartee, the knowledge, shared every moment they were together, that the words disguised a depth of feeling that would shame a poet.

"Would you fetch the table?" Mamoulian asked Chad. He didn't move. He had become too interested in the struggle of wills between these two men. Much of its significance was lost on him, but the tension in the room was unmistakable. Something awesome was on the horizon. Maybe a wave; maybe not.

"You go," he told Tom; he was unwilling to take his eyes off the combatants for a single instant. Tom, happy to have something to take his mind off his doubts, obliged.

Chad loosened the knot of his tie, which was for him tantamount to nakedness. He grinned flawlessly at Mamoulian.

"You're going to kill him, right?" he said.

"What do you think?" the European replied.

"What is he? The Antichrist?"

Whitehead gurgled with pleasure at the absurdity of this idea. "You've been telling..." he chided the European.

"Is that what he is?" Chad urged, "Tell me. I can take the truth."

"I'm worse than that, boy," Whitehead said.

"Worse?"

"Want a strawberry?" Whitehead picked up the bowl and proffered the fruit. Chad cast a sideways glance at Mamoulian.

"He hasn't poisoned them," the European reassured him.

"They're fresh. Take them. Go next door and leave us in peace."

Tom had returned with a small bedside table. He set it down in the middle of the room.

"If you go into the bathroom," Whitehead said, "you'll find a plentiful supply of spirits. Mostly vodka. A little cognac too, I think."

"We don't drink," Tom said.

"Make an exception," Whitehead replied.

"Why not?" said Chad, his mouth bulging with strawberries; there was juice on his chin. "Why the fuck not? It's the end of the world, right?"

"Right," said Whitehead, nodding. "Now you go away and eat and drink and play with each other."

Tom stared at Whitehead, who returned a mock-contrite look. "I'm sorry, aren't you allowed to masturbate either?"

Tom made a noise of disgust and left the room.

"Your colleague's unhappy," Whitehead said to Chad. "Go on, take the rest of the fruit. Tempt him."

Chad wasn't certain if he was being mocked or not, but he took the bowl and followed Tom to the door. "You're going to die," he said to Whitehead as a parting shot. Then he closed the door on the two men.

Mamoulian had laid a pack of cards on the table. This wasn't the pornographic pack: he'd had that destroyed at Caliban Street, along with his few books. The cards on the table were older than the other pack by many centuries. Their faces were hand-colored, the illustrations for the court cards crudely rendered.

"Must I?" Whitehead asked, picking up on Chad's closing remark.

"Must you what?"

"Die."

"Please, Pilgrim-"

"Joseph. Call me Joseph, the way you used to."

"-spare us both."

"I want to live."

"Of course you do."

"What happened between us-it didn't harm you, did it?"

Mamoulian offered the cards for Whitehead to shuffle and cut: when the offer was ignored he did the job himself, manipulating the cards with his one good hand.

"Well. Did it?"

"No," the European replied. "No; not really."

"Well then. Why harm me?"

"You misunderstand my motives, Pilgrim. I haven't come here for revenge."

"Why then?"

Mamoulian started to deal the cards for chemin de fer.

"To finish our bargain, of course. Is that so difficult to grasp?"

"I made no bargain."

"You cheated me, Joseph, of a lot of living. You threw me away when I was no longer of any use to you, and let me rot. I forgive you all that. It's in the past. But death, Joseph"-he finished the shuffling-"that's in the future. The near future. And I will not be alone when I go into it."

"I've made my apologies. If you want acts of contrition, name them."

"Nothing."

"You want my balls? My eyes? Take them!"

"Play the game, Pilgrim."

Whitehead stood up. "I don't want to play!"

"But you asked."

Whitehead stared down at the cards laid out on the inlaid table.

"That's how you got me here," he said quietly. "That fucking game."

"Sit down, Pilgrim."

"Made me suffer the torments of the damned."

"Have I?" Mamoulian said, concern lacing his voice. "Have you really suffered? If you have, I'm truly sorry. The point of temptation is surely that some of the goods be worth the price."

"Are you the Devil?"

"You know I'm not," Mamoulian said, pained by this new melodrama. "Every man is his own Mephistopheles, don't you think? If I hadn't come along you'd have made a bargain with some other power. And you would have had your fortune, and your women, and your strawberries. All those torments I've made you suffer."

Whitehead listened to the fluting voice lay these ironies out. Of course, he hadn't suffered: he'd lived a life of delights. Mamoulian read the thought off his face.

"If I'd really wanted you to suffer," he said, snail-slow, "I could have had that dubious satisfaction many years ago. And you know it."

Whitehead nodded. The candle, which the European now lifted onto the table beside the dealt cards, guttered.

"What I want from you is something far more permanent than suffering," Mamoulian said. "Now play. My fingers are itching."

Marty got out of the car and stood for several seconds looking up at the looming bulk of the Hotel Pandemonium. It was not completely in darkness. A light, albeit frail, glimmered in one of the penthouse windows. He began, for a second time today, across the wasteland, his body shaking. Carys had made no contact with him since he had started on his journey here. He didn't question her silence: there were too many plausible reasons for it, none of them pleasant.

As he approached he could see that the front door of the hotel had been forced. At least he'd be able to enter by a direct route instead of clambering up the fire escape. He stepped over the litter of planks, and through the grandiose doorway into the foyer, halting to accustom his eyes to the darkness before he began a cautious ascent of the burned stairs. In the gloom every sound he made was like gunfire at a funeral, shockingly loud. Try as he might to hush his tread, the stairway hid too many obstacles for complete silence; every step he took he was certain the European was hearing, was readying himself to breathe a killing emptiness onto him.

Once he reached the spot he'd entered from the fire escape, the going got easier. It was only as he advanced into the carpeted regions he realized-the thought brought a smile to his lips-that he'd come without either a weapon or a plan, however primitive, of how he was to snatch Carys. All he could hope was that she was no longer an important item on the European's agenda: that she might be overlooked for a few vital moments. As he stepped onto the final staircase he caught sight of himself in one of the hall mirrors: thin, unshaven, his face still bearing traces of bloodstains, his shirt dark with blood-he looked like a lunatic. The image, reflecting so accurately the way he'd pictured himself-desperate, barbarous-gave him courage. He and his reflection agreed: he was out of his mind.

For only the second time in their long association they sat facing each other over the tiny table, and played chemin de fer. The game was uneventful; they were, it seemed, more evenly matched than they'd been in Muranowski Square, forty odd years before. And as they played, they talked. The talk too was calm and undramatic: of Evangeline, of how the market had fallen of late, of America, even, as the game progressed, of Warsaw.

"Have you ever been back?" Whitehead asked.

The European shook his head.

"It's terrible, what they did."

"The Germans?"

"The city planners."

They played on. The cards were shuffled and dealt again, shuffled and dealt. The breeze of their motions made the candle flame flicker. The game went one way, then the other. The conversation faltered, and began again: chatty, almost banal. It was as though in these last minutes together-when they had so much to say-they could say nothing of the least significance, for fear it open the floodgates. Only once did the chat show its true colors-escalating from a simple remark to metaphysics in mere seconds:

"I think you're cheating," the European observed lightly. "You'd know if I was. All the tricks I use are yours."

"Oh, come now."

"It's true. Everything I learned about cheating, I learned from you." The European looked almost flattered.

"Even now," Whitehead said.

"Even now what?"

"You're still cheating, aren't you? You shouldn't be alive, not at your age."

"It's true."

"You look the way you did in Warsaw, give or take a scar. What age are you? A hundred? Hundred and fifty?"

"Older."

"And what's it done for you? You're more afraid than I am. You need someone to hold your hand while you die, and you chose me."

"Together, we might never have died."

"Oh?"

"We might have founded worlds."

"I doubt it."

Mamoulian sighed. "It was all appetite then? From the beginning."

"Most of it."

"You never cared to make sense of it all?"

"Sense? There's no sense to be made. You told me that: the first lesson.

It's all chance."

The European threw down his cards, having lost the hand. "... Yes," he said.

"Another game?" Whitehead offered.

"Just one more. Then we really must be going."

At the head of the stairs Marty halted. The door of Whitehead's suite was slightly ajar. He had no idea of the geography of the rooms beyond-the two suites he'd investigated on this floor had been totally different, and he could not predict the layout of this one from theirs. He thought back to his earlier conversation with Whitehead. When it was over he'd had the distinct impression that the old man had walked quite a distance before an interior door had closed to bring an end to the exchange. A long hallway then, possibly offering some hiding places.

It was no use hesitating; standing there juggling his odds only worsened the nervous anticipation he felt. He must act.

At the door itself he halted again. There was a murmur of voices from inside, but muffled, as if the speakers were beyond closed doors. He put his fingers on the door of the suite and pushed gently. It swung open a few more inches and he peered inside. There was, as he'd guessed, an empty corridor leading into the suite itself; off it, four doors. Three were closed, one ajar. From behind one of the closed doors came the voices he'd heard. He concentrated, trying to pick some sense from the murmur, but he failed to catch more than an odd word. He recognized the speakers, however: one was Whitehead, the other Mamoulian. And the tone of the exchange was apparent too; gentlemanly, civilized.

Not for the first time he longed to possess the ability to go to Carys the way that she had come to him; to seek out her location with mind alone, and to debate the best means of escape. As it was, all-as ever-was chance.

He advanced along the hallway to the first closed door, and surreptitiously opened it. Though the lock made some noise the voices in the far room murmured on, unalerted to his presence. The room he peered into was a cloakroom, no more. He closed the door and advanced a few more yards down the carpeted corridor. Through the open door he could hear movement, then the clink of glass. A candle shadow, thrown by someone inside, flitted across the wall. He stood absolutely still, reluctant to retreat a foot now that he'd got so far. Voices drifted from the adjacent room.

"Shit, Chad," the speaker sounded almost fearful. "What the fuck are we doing here? I can't think properly."

The objection was met with laughter. "You don't need to think. We're on God's work here, Tommy. Drink up."

"Something terrible's going to happen," Tom said.

"Sure as shit," Chad replied. "Why'd you think we're here. Now drink."

Marty had rapidly worked out the identity of this pair. They were here on God's work: including murder. He had seen them buying ice creams in the afternoon sun, with their bloody knives safely pocketed. Fear overrode the urge to revenge, however. He had little enough chance of getting out of here alive as it was.

There was one last door to be investigated, directly opposite the room occupied by the young Americans. In order to check it, he would have to cross in front of the open door.

The lazy voice began again.

"You look like you want to puke."

"Why don't you let me alone?" the other replied. He seemed, or was this just wishful thinking? to be moving away. Then came the unmistakable sound of retching. Marty held his breath. Would the other youth go to his companion's aid? He prayed so.

"You OK, Tommy?" The voice changed timbre as the speaker moved. Yes, he was walking away from the door. Taking chance by the throat, Marty stepped smartly off from the wall, opened the final door, closing it behind him.

The room he had entered was not large, but it was dark. By the little light there was he could see a figure lying curled up on the floor. It was Carys. She was sleeping; her even exhalations marked a gentle rhythm.

He went to where she lay. How to wake her: that was the problem. Next door, one wall away, was the European. If she made the slightest sound as he roused her, he would surely hear. And if he didn't, the Americans would.

He went down on his haunches and gently laid his hand over her mouth, then shook her shoulder. She seemed resistant to waking. She frowned in her sleep and muttered some complaint. He bent closer to her and risked hissing her name urgently into her ear. That did the trick. Her eyes sprang open, wide as an astonished child's; her mouth formed a cry against his palm. Recognition came the instant before she gave voice.

He removed his hand. There was no welcoming smile; her face was pallid and grim, but she touched his lips with her fingertips in welcome. He stood up, offering her a hand.

Next door, a row had suddenly erupted. The mellow voices were raised in mutual accusation; furniture was being overturned. Mamoulian shouted for Chad. In answer there came the thud of feet from the bathroom.

"Damn." There was no time for tactical thinking. They'd have to make a break for it and take what the moment offered, good or bad. He pulled Carys to her feet and crossed to the door. As he turned the handle he glanced over his shoulder to check that Carys was still following him, but disaster had registered on her face. He turned back to the door and the reason-Saint Thomas, his chin shiny with vomit-was standing directly outside the door. He was apparently as startled to see Marty as the other way around. Using his hesitation, Marty stepped into the hallway and pushed Tom in the chest. The American fell back, the word "Chad!" escaping his lips as he stumbled through the open door opposite, knocking over a bowl of strawberries as he did so. The fruit rolled underfoot.

Marty ducked around the dressing-room door and out into the hall, but the American recovered his balance with speed, and reached out to snatch the back of his shirt. The attempt was sufficient to slow Marty down, and as he turned to beat the arresting hand away he saw the second American emerging from the room the old men were in. There was a frightening serenity in the youth's eyes as he closed in on Marty.

"Run!" was all he could shout to Carys, but the blond god stopped her as she slipped out into the corridor, pushing her back the way she'd come with a breathed "No," before continuing on his way toward Marty. "Hold her," he told his companion as he took over the hold on Marty. Tom stepped out of sight after Carys, and there was a noise of struggle, but Marty had little time to analyze it, as Chad doubled him up with a blow to the stomach. Marty, too confused by the sudden rush of action to prepare for the pain, groaned and fell back against the front door of the suite, slamming it. The blond boy followed him down the corridor, and through tear-bleared eyes Marty just caught sight of the next blow before it landed. He didn't see the third or fourth. There was no time between the punches and kicks to stand upright or catch a breath. The corn-fed body pummeling him was lithe and strong, more than Marty's equal. Vainly, he flailed against the tattoo. He was so damn tired and sick. His nose began to bleed again, and still the serene eyes fixed him as the fists beat his body black. So calm, those eyes, they could have been at prayer. But it was Marty who was falling to his knees; Marty whose head was dragged back in enforced adulation as the blond boy spat on him; Marty who said, "Help me"-or some bruised corruption of those words-as he collapsed.

Mamoulian stepped out of the gaming room, leaving the pilgrim to his tears. He'd done as the old man had asked-they'd played a game or two for old times' sake. But now the indulgence was over. And what was this chaos in the hall; the tangle of limbs at the front door, blood spattered on the wall? Ah, it was Strauss. Somehow the European had expected a late arrival at the celebrations; who it was to be, he hadn't foreseen. He stalked the corridor to see what damage had been done, looking down at the disfigured, spittle-laced face with a sigh. Saint Chad, his fists bloody, was sweating a little: the scent off the young lion was sweet.

"He was almost away," the Saint said.

"Indeed," the European replied, gesturing for the youth to give him room.

From his collapsed position on the hall floor Marty gazed up at the Last European. The air between them seemed to be itching. Marty waited. Surely the killing stroke would follow quickly. But there was nothing, except the gaze from those noncommittal eyes. Even in his broken state Marty could see the tragedy written in the mask of Mamoulian's face. It no longer terrified him: simply fascinated. This man was the source of the nullity he had barely survived in Caliban Street. Was there not a ghost of that gray air lurking in his sockets now, seeping from his nostrils and mouth as though a fire smoldered in his cranium?

In the room where he and the European had played cards Whitehead moved stealthily across to the pillow of his makeshift bed. Events in the hall had shifted the focus for a useful moment. He slipped his hand beneath the pillow and drew out the gun hidden there, then crept through into the adjoining dressing room, and slipped out of sight behind the wardrobe.

From that position he could see Saint Tom and Carys standing in the hallway, watching events at the front door. Both were too intent on the gladiators to notice in the darkened room.

"Is he dead...?" Tom asked, from a distance.

"Who knows?" Whitehead heard Mamoulian reply. "Put him in the bathroom, out of the way."

Whitehead watched as Strauss' inert bulk was hauled past the door and into the room opposite, to be dumped in the bathroom. Mamoulian approached Carys.

"You brought him here," he said simply.

She didn't reply. Whitehead's gun hand itched. From where he was standing Mamoulian made an easy target, except that Carys stood in the way. Would a bullet, fired at her back, pass through her and into the European? The thought, though appalling, had to be contemplated: survival was at issue here. But the moment's hesitation had snatched his chance. The European was escorting Carys toward the gaming room, and out of shot. No matter; it left the coast clear.

He slipped out of hiding and darted to the dressing-room door. As he stepped into the corridor he heard Mamoulian say: "Joseph?" Whitehead ran the few yards to the front door, knowing the chance of escape without violence was gossamer-thin. He grabbed the handle and turned it.

"Joseph," said the voice behind him.

Whitehead's hand froze as he felt invisible fingers plucking at the nape of his neck. He ignored the pressure and forced the handle around. It slid in his sweaty palm. The thought that breathed at his neck pressed around his axis vertebra, the threat unmistakable. Well then, he thought, the choice is out of my hands. He released the door handle and turned fully around to face the card-player. He was standing at the end of the corridor, which seemed to be darkening, becoming a tunnel extruded from Mamoulian's eyes. Such potent illusions. But simply that: illusions. He could resist them long enough to bring their forger down. Whitehead raised the gun and pointed it at the European. Without giving the card-player another moment to confound him, he fired. The first shot hit Mamoulian's chest; the second his stomach. Perplexity crossed the European's face. Blood spread from the wounds across his shirt. He did not fall, however. Instead, in a voice so even it was as if the shots had not been fired, he said: "Do you want to go outside, Pilgrim?"

Behind Whitehead, the door handle had started to rattle.

"Is that what you want?" Mamoulian demanded. "To go outside?"

"Yes."

"Then go."

Whitehead stepped away from the door as it was flung open with such venom the handle impaled itself in the corridor wall. The old man turned away from Mamoulian to make good his escape, but before he could take a step the light in the corridor was sucked away into the pitch darkness beyond the door, and to his horror Whitehead realized that the hotel had disappeared from beyond the threshold. There were no carpets and mirrors out there; no stairs winding down to the outside world. Only a wilderness he'd walked in half a life ago: a square, a sky shot with trembling stars.

"Go out," the European invited him. "It's been waiting for you all these years. Go on! Go!"

The floor beneath Whitehead's feet seemed to have become slick; he felt himself sliding toward the past. His face was washed by the open air as it glided into the hallway to meet him. It smelled of spring, of the Vistula, which roared to the sea ten minutes' walk from here; it smelled of blossom too. Of course it smelled of blossom. What he'd mistaken for stars were petals, white petals lifted by the breeze and gusted toward him. The sight of the petals was too persuasive to be ignored; he let them lead him back into this glorious night, when for a few shimmering hours the whole world had promised to be his for the taking. Even as he conceded his senses to the night the tree appeared, as phenomenal as he had so often dreamed it, its white head shaking slightly. Somebody lurked in the shade beneath its laden branches; their smallest movement caused a new cascade.

His entranced reason made one final snatch at the reality of the hotel, and he reached to touch the door of the suite, but his hand missed it in the darkness. There was no time to look again. The obscured watcher was emerging from the cover of the branches. Déjà vu suffused Whitehead; except that the first time he'd been here there had only been a glimpse of the man beneath the tree. This time the reluctant sentinel broke cover. Smiling a welcome, Lieutenant Konstantin Vasiliev showed his burned face to the man who'd come visiting from the future. Tonight the lieutenant would not shamble off for a rendezvous with a dead woman; tonight he would embrace the thief, who had grown furrowed and bearded, but whose presence here he'd awaited a lifetime.

"We thought you'd never come," Vasiliev said. He pushed a branch aside and stepped fully into the dead light of this fantastical night. He was proud to show himself, though his hair was entirely burned off, his face black and red, his body full of holes. His trousers were open; his member erect. Perhaps, later, they would go to his mistress together, he and the thief. Drink vodka like old friends. He grinned at Whitehead. "I told them you'd come eventually. I knew you would. To see us again."

Whitehead raised the gun he still had in his hand, and fired at the lieutenant. The illusion was not interrupted by this violence, however, merely reinforced. Shouts-in Russian-echoed from beyond the square.

"Now look what you've done," Vasiliev said. "Now the soldiers will come."

The thief recognized his error. He had never used a gun after a curfew: it was an invitation to arrest. He heard booted feet running, close by.

"We must hurry," the lieutenant insisted, casually spitting out the bullet, which he had caught between his teeth.

"I'm not going with you," Whitehead said.

"But we've waited so long," Vasiliev replied, and shook the branch to cue the next act. The tree raised its limbs like a bride, shrugging off its trousseau of blossom. Within moments the air was thick with a blizzard of petals. As they settled, spilling their radiance onto the ground, the thief began to pick out the familiar faces that waited beneath the branches. People who, down the years, had come to this wasteland, to this tree, and gathered under it with Vasiliev, to rot and weep. Evangeline was among them, the wounds that had been so tastefully concealed as she'd lain in her coffin now freely displayed.

She did not smile, but she stretched her arms out to embrace him, her mouth forming his name-"Jojo"-as she stepped forward. Bill Toy was behind her, in evening dress, as if for the Academy. His ears bled. Beside him, her face opened from lip to brow, was a woman in a nightgown. There were others too, some of whom he recognized, many of whom he didn't. The woman who'd led him to the card-player was there, bare-breasted, as he remembered her. Her smile was as distressing as ever. There were soldiers too, others who'd lost to Mamoulian like Vasiliev. One wore a skirt in addition to his bullet holes. From under its folds a snout appeared. Saul-his carcass ravaged-sniffed his old master, and growled.

"See how long we've waited?" Vasiliev said.

The lost faces were all looking at Whitehead, their mouths open. No

sound emerged.

"I can't help you."

"We want to cease," the lieutenant said.

"Go, then."

"Not without you. He won't die without you."

Finally the thief understood. This place, which he'd glimpsed in the sauna at the Sanctuary, existed within the European. These ghosts were creatures he'd devoured. Evangeline! Even she. They waited, the tattered remains of them, in this no-man's-land between flesh and death, until Mamoulian sickened of existence and lay down and perished. Then they too, presumably, would have their liberty. Until then their faces would make that soundless O at him, a melancholy appeal.

The thief shook his head.

"No," he said.

He would not give up his breath. Not for an orchard of trees, not for a nation of despairing faces. He turned his back on Muranowski Square and its plaintive ghosts. The soldiers were shouting nearby: soon they would arrive. He looked back toward the hotel. The penthouse corridor was still there, across the doorstep of a bombed house: a surreal juxtaposition of ruin and luxury. He crossed the rubble toward it, ignoring the soldiers' orders for him to halt. Vasiliev's cries were loudest, however. "Bastard!" he screeched. The thief blocked his curses and stepped out of the square and back into the heat of the hallway, raising his gun as he did so.

"Old news," he said, "you don't scare me with it." Mamoulian was still standing at the other end of the corridor; the minutes the thief had spent in the square had not elapsed here. "I'm not afraid!" Whitehead shouted. "You hear me, you soulless bastard? I'm not afraid!" He fired again, this time at the European's head. The shot hit his cheek. Blood came. Before Whitehead could fire again, Mamoulian retaliated.

"There are no limits," he said, his voice trembling, "to what I shall do!"

His thought caught the thief by the throat, and twisted. The old man's limbs convulsed; the gun flew out of his hand; his bladder and bowels failed him. Behind him, in the square, the ghosts began to applaud. The tree shook itself with such vehemence that the few blossoms it still carried were swept into the air. Some of them flew toward the door, melting on the threshold of past and present, like snowflakes. Whitehead fell against the wall. Out of the corner of his eye he caught sight of Evangeline, spitting blood at him. He began to slide down the wall, his body jangled as if in the throes of a grand mal. He let out one word through his rattling jaws. He said:

"No!"

On the bathroom floor Marty heard the denial howled out. He tried to stir himself, but his consciousness was sluggish, and his beaten body ached from scalp to skin. Taking hold of the bath, he hoisted himself to his knees. He'd clearly been forgotten: his part in the proceedings was purely comic relief. He tried to stand, but his lower limbs were traitorous; they buckled beneath him, and he fell again, feeling every bruise on impact.

In the hallway Whitehead had sunk down onto his haunches, mouth gaga. The European moved in for the coup de grâce, but Carys interrupted.

"Leave him," she said.

Distracted, Mamoulian turned toward her. The blood on his cheek had traced a single line to his jaw. "You too," he murmured. "No limits." Carys backed off into the gaming room. The candle on the table had begun to flare. Energy was loose in the suite, and the spitting flame was fat and white on it. The European looked at Carys with hunger in his eyes. There was an appetite on him-an instinctive response to his blood loss-and all he could see in her was nourishment. Like the thief: hungry for another strawberry though his belly was full enough.

"I know what you are," Carys said, deflecting his gaze.

From the bathroom, Marty heard her ploy. Stupid, he thought, to tell him that.

"I know what you did."

The European's eyes widened, smoky.

"You're nobody," the girl started to say. "You're just a soldier who met a monk, and strangled him in his sleep. What have you got to be so proud of?" Her fury beat against his face. "You're nobody! Nobody and nothing!"

He reached to catch hold of her. She dodged him around the cardtable once, but he threw it over, the pack scattering, and caught her. His hold felt like a vast leech on her arm, taking blood from her and giving only the void, only purposeless dark. He was the Architect of her dreams again.

"God help me," she breathed. Her senses crumbled and grayness streamed in to take their place. He pulled her out of her body with one insolent wrench and took her into him, dropping her husk to the floor beside the overturned table. He wiped his mouth with the back of his hand and looked up at the evangelists. They were standing in the doorway staring at him. He felt sick with his greed. She was in him-all of her at once-and it was too much. And the Saints were making it worse, looking at him as though he were something loathsome, the dark one shaking his head. "You killed her," he said. "You killed her."

The European turned away from the accusations, his system boiling over, and leaned elbow and forearm on the wall like a drunk about to vomit. Her presence in him was a torment. It wouldn't be still, it raged and raged. And her turbulence unlocked so much more: Strauss piercing his bowels; the dogs at his heels, unleashing blood and smoke; and then back, back beyond these few terrible months to other ordeals: yards and snow and starlight and women and hunger, always hunger. And still at his back he felt the stare of the Christians.

One of them spoke; the blond boy whom once he might have lusted after. He, and she, and all.

"Is this all there is?" he demanded to know. "Is this all, you fucking liar? You promised us the Deluge."

The European pressed his hand over his mouth to stem the escaping smoke and pictured a wave curling over the hotel, over the city, descending to sweep Europe away.

"Don't tempt me," he said.

In the hallway Whitehead, his neck broken, became vaguely aware of a perfume in the air. He could see the landing outside the suite from where he was lying. Muranowski Square, with its fatal tree, had long since faded, leaving only the mirrors and the carpets. Now, as he sprawled beside the door, he heard somebody come up the stairs. He glimpsed a figure moving in the shadows; this was the perfumed one. The newcomer approached slowly, but doggedly; hesitating for only a moment at the threshold before stepping over Whitehead's crumpled form and making his way toward the room where the two men had played cards. There had been a while, as they'd chatted over the game, that the old man had fancied he might yet make a fresh covenant with the European; might escape for a few more years the inevitable catastrophe. But it had all gone wrong. They had rowed over some trivia, the way lovers do, and by some incomprehensible mathematic it had escalated to this: death.

He rolled himself over so that he could look the other way, down the corridor toward the gaming room. Carys was lying on the floor among the spilled cards. He could see her corpse through the open door. The European had devoured her.

Now the newcomer interrupted his view as he lurched to the door. From where he lay Whitehead hadn't been able to see the man's face. But he saw the shine on the machete at his side.

Tom caught sight of the Razor-Eater before Chad. His unruly stomach rebelled at the mingled stench of sandalwood and putrefaction, and he threw up on the old man's bed as Breer stepped into the room. He'd come a long way, and the miles had not been kind, but he was here.

Mamoulian stood upright from the wall and faced Breer.

He was not entirely surprised to see that rotted face, though he wasn't sure why. Was it that his mind had not quite relinquished its hold on the Razor-Eater, and that Breer was somehow here at his behest? Breer stared at Mamoulian through the bright air, as if awaiting a new instruction before he acted again. The muscles of his face were so deteriorated that each flicker of his eyeball threatened to tear the skin of its orbit. He looked, thought Chad-his mind high on cognac-like a man full to bursting with butterflies. Their wings beat against the confines of his anatomy; they powdered his bones in their fervor. Soon their relentless motion would split him open and the air would be full of them.

The European looked down at the machete Breer was carrying.

"Why did you come?" he wanted to know.

The Razor-Eater tried to reply, but his tongue rebelled against the duty. There was just a soft palate word that could have been "good," or "got" or "God," but was none of them.

"Have you come to be killed? Is that it?"

Breer shook his head. He had no such intention, and Mamoulian knew it. Death was the least of his problems. He raised the blade at his side to signal his intentions.

"I can wipe you out," Mamoulian said.

Again, Breer shook his head. "Egg," he said, which Mamoulian interpreted, and repeated as "Dead."

"Dead..." Chad mused. "God in Heaven. The man's dead."

The European murmured the affirmative.

Chad smiled. Maybe they were going to be cheated of the destroying wave. Perhaps the Reverend's calculations had been wrong, and the Deluge wouldn't be on them for a few more months. What did it matter? He had stories to tell-such stories. Even Bliss, with all his talk of the demons in the soul of the hemisphere, hadn't known about scenes like this. The Saint watched, licking his lips with anticipation.

In the hallway, Whitehead had managed to drag himself three or four yards away from the front door, and he could see Marty, who had managed to stand. Leaning on the lintel of the bathroom door, Marty felt the old man's eyes on him. Whitehead raised a beckoning hand. Groggily, Marty lurched into the hallway, his presence ignored by the actors in the gaming room. It was dark out here; the light in the gaming room, that livid candlelight, was all but sealed off by the partially closed door.

Marty knelt at Whitehead's side. The old man took hold of his shirt.

"You've got to fetch her," he said, the voice almost faded. His eyes bulged, there was blood in his beard, and more coming with each word, but his hold was strong. "Fetch her, Marty," he hissed.

"What are you talking about?"

"He has her," Whitehead said. "In him. Fetch her, for Christ's sake, or she'll be there forever, like the others." His eyes flicked in the direction of the landing, remembering the scourge of Muranowski Square. Was she there already? A prisoner under the tree, with Vasiliev's eager hands on her? The old man's lips began to tremble. "Can't... let him have her, boy," he said. "You hear me. Won't let him have her."

Marty had difficulty sewing the sense of this together. Was Whitehead suggesting that he should find his way into Mamoulian and retrieve Carys? It wasn't possible.

"I can't," he said.

The old man registered disgust, and let go of Marty as though he'd discovered he had hold of excrement. Painfully, he turned his head away.

Marty looked toward the gaming room. Through the gap in the door he could see Mamoulian moving toward the unmistakable figure of the Razor-Eater. There was frailty on the European's face. Marty studied it for a moment, and then looked down at the European's feet. Carys lay there, her face startled by cessation, her skin bright. He could do nothing; why didn't Papa leave him be to run away into the night and heal his bruises? He could do nothing.

And if he ran; if he found a place to hide, to heal, would he ever wash away the smell of his cowardice? Would this moment-the roads dividing, and dividing again-not be burned into his dreams forever? He looked back at Papa. But for the feeble movement of his lips he could have already been dead. "Fetch her," he was still saying, a catechism to be repeated until his breath failed. "Fetch her. Fetch her."

Marty had asked something similar of Carys-to go into the lunatic's lair and come back with a story to tell. How could he now not return the favor? Fetch her. Fetch her. Papa's words were fading with every beat of his failing heart. Maybe she was retrievable, Marty thought, somewhere in the flux of Mamoulian's body. And if not, if not, would it be so hard to die trying to fetch her, and have an end to roads dividing, and choices turning to ash?

But how? He tried to recall how she'd done it, but the procedures were too elaborate-the washing, the silence-and surely he had scant opportunity to make his voyage before circumstances changed. His only source of hope lay in the fact of his bloody shirt-the way he'd felt, on his way here, that Carys had snapped some barrier in his head, and that the damage, once done, was permanent. Perhaps his mind could go to her through the wound she'd opened, tracing her scent as relentlessly as she'd pursued his.

He closed his eyes, shutting off the hallway and Whitehead and the body lying at the European's feet. Sight was a trap; she'd said that once. Effort too. He must let go. Let instinct and imagination take him where sense and intellect could not.

He conjured her, effortlessly, putting the bleak fact of her corpse out of his head and evoking instead her living smile. In his mind he spoke her name and she came to him in a dozen moments: laughing, naked, puzzled, contrite. But he let the particulars go, leaving only her essential presence in his aching head.

He was dreaming her. The wound was open, and it pained him to touch it again. Blood was running into his open mouth, but the sensation was a distant phenomenon. It had little to do with his present condition, which was increasingly dislocated. He felt as though he was slipping his body off. It was redundant: waste matter. The ease of the procedure astonished him; his only anxiety vas that he'd become too eager; he had to control his exhilaration for fear he throw caution to the wind and be discovered.

He could see nothing; hear nothing. The state he moved in-did he even move?-was not susceptible to the senses. Now, though he had no proof of the perception, he was sure he was abstracted from his body. It was behind, below him: an untenanted shell. Ahead of him, Carys. He would dream his way to her.

And then, just as he had thought he could take pleasure in this extraordinary journey. Hell opened in front of him-

Mamoulian, too intent on the Razor-Eater, felt nothing as Marty breached him. Breer made a half-run forward, lifting the machete and aiming a blow at the European. He sidestepped to avoid it with perfect economy but Breer pivoted around for a second strike with startling speed, and this time, more by chance than direction, the machete glanced down Mamoulian's arm, slicing into the cloth of his dark gray suit.

"Chad," the European said, not taking his eyes off Breer.

"Yes?" the blond boy replied. He was still leaning on the wall beside the door, posed there like an indolent hero; he had found Whitehead's cache of cigars, pocketing several and lighting one. He blew a cloud of dusty blue smoke, and watched the gladiators through a blur of drink. "What do you want?"

"Find the pilgrim's gun."

"Why?"

"For our visitor."

"Kill him yourself," Chad replied nonchalantly, "you can do it."

Mamoulian's mind revolted at the thought of laying his flesh on such decay; better a bullet. At close range it would lay the Razor-Eater to waste. Without a head even the dead couldn't walk.

"Fetch the gun!" he demanded.

"No," Chad replied. The Reverend had said plain speaking was best.

"This is no time for games," Mamoulian said, taking his attention off Breer for a moment to glance across at Chad. It was an error. The dead man swung the machete again, and this time the blow found Mamoulian's shoulder, lodging in the muscle close to his neck. The European made no sound but a grunt as the blow fell, and a second as Breer pulled the blade out of its niche.

"Stop," he told his assailant.

Breer shook his head. This was what he had come for, wasn't it? This was the prelude to an act he'd waited so long to perform.

Mamoulian put his hand up to the wound at his shoulder. Bullets he could take and survive; but a more traumatic attack, one that compromised the integrity of his flesh-that was dangerous. He had to finish Breer off, and if the Saint wouldn't fetch the gun then he'd have to kill the Razor-Eater with his bare hands.

Breer seemed to sense his intention. "You can't hurt me," he tried to say, the words coming out in a jumble. "I'm dead."

Mamoulian shook his head. "Limb from limb," he murmured. "If I must. Limb from limb."

Chad grinned, hearing the European's promise. Sweet Jesus, he thought, this was the way the world would end. A warren of rooms, cars on the freeway winding their last way home, the dead and almost dead exchanging blows by candlelight. The Reverend had been wrong. The Deluge wasn't a wave, was it? It was blind men with axes; it was the great on their knees begging not to die at the hands of idiots; it was the itch of the irrational grown to an epidemic. He watched, and thought of how he would describe this scene to the Reverend, and for the first time in his nineteen years his pretty head felt a spasm of pure joy.

Marty hadn't realized how pleasurable the experience of travel had been a passenger of pure thought-until he plunged into Mamoulian's body. He felt like a skinned man immersed in boiling oil. He thrashed, his essence screeching for an end to this Hell of another man's physicality. But Carys was here. He had to keep that thought uppermost, a touchstone.

In this maelstrom his feelings for her had the purity of mathematics. Its equations-complex, but elegant in their proofs-offered a nicety that was like truth. He had to hold on to this recognition. If he once relinquished it he was lost.

Though without senses, he felt this new state struggling to impinge a vision of itself upon him. At the corners of his blind eyes lights flared perspective opened up and closed again in an instant-suns threatened to ignite overhead and were snuffed out before they could shed warmth or illumination. Some irritation possessed him: an itch of lunacy. Scratch me, it said, and you needn't sweat anymore. He countered the seduction with thoughts of Carys.

Gone, the itch said, deeper than you'd dare to go. So much deeper.

What it claimed was perhaps true. He'd swallowed her whole, taken her down to wherever he kept his favorite things. To the place where the zero he'd tampered with at Caliban Street was sourced. Face-to-face with such a vacuum he would shrivel: there would be no reprieve this time. Such a place, the itch salad, such a terrible place. You want to see?

No.

Come on, look! Look and tremble! Look and cease! You wanted to know what he was, well you're about to get a worm's-eye view.

I'm not listening, Marty thought. He pressed on, and though-like Caliban Street-there was no up or down, no forward or back in this place, he had a sense of descent.. Was it just the metaphors he carried with him, that he pictured Hell as a pit? Or was he crawling through the European's innards to the bowel where Carys was hidden?

Of course you'll never get out, the itch said with a smile. Not once you get down there. There's no way back. He'll never shit you out. You'll stay locked up in there, once and for all.

Carys got out, he reasoned.

She was in his head, the itch reminded him. She was flipping through his library. You're buried in the dung-heap; and deep, oh, yes, my man, so deep.

No!

For certain.

No!

Mamoulian shook his head. It was full of strange aches; voices too. Or was that just the past chattering to him? Yes, the past. It had buzzed and gossiped in his ear more loudly in these recent weeks than ever in the preceding decades. Whenever his mind had idled, the gravity of history had claimed it, and he had been back in the monastery yard with the snow falling and the drummer-boy at his right-hand side quaking, and the parasites leaving the bodies as they cooled. Two hundred years of life had sprung from that conspiracy of moments. Had the shot that killed the executioner been delayed by mere seconds the sword would have fallen, his head would have rolled, and the centuries he'd lived would not have contained him; nor he they.

And why did this cycle of thoughts return now, as he looked at Anthony across the room? They were a thousand miles and seventeen decades from that event. I'm not in danger, he chided himself, so why quake? Breer was teetering on the edge of total collapse; dispatching him was a simple, if distasteful, task.

He moved suddenly, his good hand snatching at Breer's throat before the other had a chance to retaliate. The European's slender fingers dug through the mush and closed around Breer's esophagus. Then he pulled, hard. A goodly portion of Breer's neck came away in a splutter of grease and fluids. There was a sound like escaping steam.

Chad applauded, cigar in mouth. In the corner where he'd collapsed Tom had stopped whimpering and was also watching the mutilation. One man fighting for his life, the other for his death. Hallelujah! Saints and sinners all together.

Mamoulian flung the fistful of muck away. Despite his formidable injury, the Razor-Eater was still standing.

"Must I tear you apart?" Mamoulian said. Even as he spoke, something scrabbled inside him. Was the girl still fighting her confinement?

"Who's there?" he asked softly.

Carys answered. Not to Mamoulian, but to Marty. Here, she said. He heard her. No, not heard: felt. She summoned him, and he followed.

The itch in Marty was in seventh heaven. Too late to help her, it said: too late for anything now.

But she was close by, he knew it, her presence choking back his panic. I'm with you, she said. Two of us now.

The itch was unimpressed. It smirked at the thought of escape. You're sealed up forever, it said, better concede it. If she can't get out, why should you be able to?

Two, Carys said. Two of us now. For the frailest of moments he caught the intention in her words. They were together, and together they were more than a sum of their parts. He thought of their locking anatomies-the physical act that was metaphor for this other unity. He'd never understood until now. His mind jubilated. She was with him: he with her. They were one indivisible thought, imagining each other.

Go!

And Hell divided; it had no choice. The province fragmented as they delivered themselves out of the European's grasp. They experienced a few exquisite moments as one mind, and then gravity-or whatever law pertained in this state-demanded its lot. Division came-a rude expulsion from this momentary Eden-and they were plumeting now toward their own bodies, the conjunction over.

Mamoulian felt their escape as a wounding more traumatic than any Breer had so far delivered. He put his finger up to his mouth, a look of pitiful loss on his face. Tears came freely, diluting the blood on his face. Breer seemed to sense a cue in this: his moment had come. An image had spontaneously appeared in his liquefying brain-like one of the grainy photographs in his book of atrocities-except that this image moved. Snow fell; the flames of a brazier danced.

The machete in his hand felt heavier by the second: more like a sword. He raised it; its shadow fell across the European's face.

Mamoulian looked at Breer's ruined features and recognized them; saw how it had all come to this moment. Bowed under a weight of years, he fell to his knees.

As he was doing so, Carys opened her eyes. There had been a vile, grinding return; more terrible for Marty than for herself, who was used to the sensation. But it was never entirely pleasant to feel muscle and fat congeal around the spirit.

Marty's eyes had opened too, and he was looking down at the body he occupied. It was heavy, and stale. So much of it-the layers of skin, the hair, the nails-was dead matter. Its very substance revolted him. Being in this state was a parody of the freedom he'd just tasted. He started up from his slumped position with a small cry of disgust, as if he'd woken to find his body crawling with insects.

He looked across to Carys for reassurance, but her attention had been claimed by a sight concealed from Marty by the partially closed door.

She was watching a spectacle she knew from somewhere. But the point of view was different, and it took awhile for her to place the scene: the man on his knees, his neck exposed, his arms spread a little from his body, fingers splayed in the universal gesture of submission; the executioner, face' blurred, raising the blade to decapitate his willing victim; somebody laughing somewhere nearby.

The last time she'd seen this tableau she'd been behind Mamoulian's eyes, a soldier in a snow-spattered yard, awaiting the blow that would cancel his young life. A blow that had never come; or rather had been deferred until now. Had the executioner waited so long, living in one body only to discard it for another, trailing Mamoulian through decade upon decade until at last fate assembled the pieces of a reunion? Or was this all the European's doing? Had his will summoned Breer to finish a story accidentally interrupted generations before?

She would never know. The act, begun a second time, was not to be postponed again. The weapon sliced down, almost dividing head from neck in one blow. A few tenacious sinews kept it rocking-nose to chest-from the trunk for two succeeding blows before it departed, rolling down between the European's legs and coming to rest at Tom's feet. The boy kicked it away.

Mamoulian had made no sound; but now, headless, his torso gave vent: Noise came from the wound with the blood; complaints sounded, it seemed, from every pore. And with the sound came smoky ghosts of unmade pictures, rising from him like steam. Bitter things appeared and fled; dreams, perhaps, or fragments of the past. It was all one now. Always had been, in fact. He had come from rumor; he the legendary, he the unfixable, he whose very name was a lie. Could it matter if now his biography, fleeing into nothingness, was taken as fiction?

Breer, unassuaged, began to berate the open wound of the corpse's neck with the machete, slicing first down then sideways in an effort to cleave the enemy into smaller and yet smaller pieces. An arm was summarily lopped off; he picked it up to sever hand from wrist, forearm from upper arm. In moments the room, which had been almost serene as the execution took place, became an abattoir.

Marty stumbled to the door in time to see Breer strike off Mamoulian's other arm.

"Look at him go!" said the American boy, toasting the bloodbath with Whitehead's vodka.

Marty watched the carnage, unblenched. It was all over. The European was a dead man. His head lay on its side under the window; it looked small; vestigial.

Carys, flattened against the wall beside the door, caught Marty's hand. "Papa?" she said. "What about Papa."

As she spoke Mamoulian's corpse pitched forward from its kneeling position. The ghosts and the din it had spilled had stopped. Now there was only dark blood splashing from it. Breer bent to further butchery, opening the abdomen with two slashes. Urine fountained from the punctured bladder.

Carys, revolted by the attacks, slipped out of the room. Marty lingered a while longer. The last sight he caught as he followed Carys was the Razor-Eater picking up the head by the hair, like some exotic fruit, and delivering a lateral cut to it.

In the hallway Carys was crouching at her father's side; Marty joined her. She stroked the old man's cheek. "Papa?" she said. He wasn't dead, but neither was he truly alive. There was a flicker in his pulse, no more. His eyes were closed.

"No use..." Marty said as she shook the old man's shoulder, "he's as good as gone."

In the gaming room Chad, had begun to shriek with laughter. Apparently the slaughterhouse scenes were reaching new heights of absurdist brio.

"I don't want to be here when he gets bored," Marty said. Carys made no move. "There's nothing we can do for the old man," he said.

She looked at him, bewildered by the dilemma.

"He's gone, Carys. And we should go too."

A silence had started in the abattoir. It was worse, in its way, than the laughter, or the sound of Breer's labors.

"We can't wait around," Marty said. He roughly pulled Carys to her feet and propelled her toward the front door of the penthouse. She made only faint objection.

As they slipped away downstairs, somewhere up above them the blond American began to applaud again.

The dead man worked at his work for a good time. Long after the domestic traffic on the highway had dwindled to a trickle, leaving only the long-distance freight drivers to roar their way north. Breer heard none of it. His ears had long since given out, and his eyesight, once so sharp, could barely make sense of the carnage that now lay on every side of him. But when his sight failed completely, he still had the rudiments of touch. This he used to finish his commission, dividing and subdividing the flesh of the European until it was impossible to tell apart the piece that spoke and the piece that pissed.

Chad tired of the entertainment long before that point was reached. Grinding out his second cigar with his heel he sauntered through to see how things were progressing elsewhere. The girl had gone; the hero too. God loves them, he thought. The old man was still lying in the hallway, however, clutching the gun, which he'd retrieved at some point in the proceedings. His fingers spasmed once in a while, nothing more. Chad went back into the bloody chamber, where Breer was on his knees among the meat and the cards, still chopping, and raised Tom off the floor. He was in a languid state, his lips almost blue, and it took a good deal of cajoling to get any action out of him. But Chad was a born proselytizer, and a short talk got some enthusiasm back into him. "Nothin' we can't do now, you know?" Chad told him. "We're baptized men. I mean we've seen everything, haven't we? There ain't nothing in this whole wide world the Devil can fight us with, because we've been there. Ain't we been there?"

Chad was high on his new-found freedom. He wanted to prove the point, and he had this fine idea-"You'll like this, Tommy"-of doing a dump on the old man's chest. Tom didn't seem to care either way, and he just watched while Chad dropped his trousers to do the dirty work. His bowels would not oblige. As he started to stand upright, however, Whitehead's eyes snapped open, and the gun fired. The bullet missed plowing into Chad's testicles by a hairbreadth, but scored a fine red mark on the inside of his milk-white thigh, and whistled past his face to slam into the ceiling. Chad's bowels gave then, but the old man was dead; he'd died with the shot that came so close to blowing off Chad's manhood.

"Near thing," Tom said, his catatonia broken by Chad's near-mutiliation.

"Guess I'm just lucky," the blond boy replied. Then they took their revenges as best they could, and went their way.

I'm the last of the tribe, thought Breer. When I'm gone the Razor-Eaters will be a thing of the past.

He hauled himself from the Pandemonium Hotel knowing that what coherence his body had was fast diminishing. His fingers could barely grip the petrol can he'd stolen from the boot of a car before he'd come to the hotel, and had left, awaiting these last rites, in the foyer. It was as difficult to grasp with his mind as it was with his fingers, but he did the best he could. He couldn't name the things that sniffed at his carcass as he squatted among the rubbish; couldn't even remember who he was, except that he had seen, once, some fine and wonderful sights.

He twisted the cap off the petrol can and spilled the contents over him as efficiently as he could. Most of the fluid simply pooled around him. Then he dropped the can and ferreted, blind, for the matches. The first and second didn't catch. The third did. Flames instantly engulfed him. In the conflagration his body curled up, taking on that pugilistic attitude common to the victims of immolation, the joints shortening as they cooked, drawing arms and legs up into a posture of defense.

When, at last, the games went out, the dogs came to scavenge what they could. More than one of them went away yelping, however, their palates slit by a mouthful of meat in which, secreted like pearls in an oyster, were the razor blades Breer had downed like a gourmet.