DARK EYES, FAITH, AND DEVOTION Charles de Lint

Charles de Lint is a full-time writer and musician who presently makes his home in Ottawa, Canada, with his wife MaryAnn Harris, an artist and musician. His most recent books are Widdershins, Promises to Keep, Dingo, and The Mystery of Grace. Other recent publications include the collections The Hour Before Dawn, Triskell Tales 2, and Muse and Reverie. For more information about his work, visit his website at www.charlesdelint.com.

Many of de Lint’s short stories take place in the fictional city of Newford and “Dark Eyes, Faith, and Devotion” is one of them. In it, an atypical taxi driver provides an atypical favor for one of his fares, with unexpected results.

I’ve just finished cleaning the vomit my last fare left in the back seat—his idea of a tip, I guess, since he actually short-changed me a couple of bucks—and I’m back cruising when the woman flags me down on Gracie Street, outside one of those girl-on-girl clubs. I’ll tell you, I’m as open-minded as the next guy, but it breaks my heart when I see a looker like this playing for the other team. She’s enough to give me sweet dreams for the rest of the week, and this is only Monday night.

She’s about five-seven or five-eight and dark-skinned—Hispanic, maybe, or Indian. I can’t tell. I just know she’s gorgeous. Jet black hair hanging straight down her back and she’s all decked out in net stockings, spike heels, and a short black dress that looks like it’s been sprayed on and glistens like satin. Somehow she manages to pull it off without looking like a hooker. It’s got to be her babydoll face—made up to a T, but so innocent all you want to do is keep her safe and take care of her. After you’ve slept with her, mind.

I watch her in the rearview mirror as she gets into the backseat—showing plenty of leg with that short dress of hers and not shy about my seeing it. We both know that’s all I’m getting and I’m lucky to get that much. She wrinkles her nose and I can’t tell if it’s some linger of l’eau de puke or the Lysol I sprayed on the seat after I cleaned up the mess my last fare left behind.

Hell, maybe it’s me.

“What can I do for you, ma’am?” I ask.

She’s got these big, dark eyes and they fix on mine in the rearview mirror, just holding on to my gaze like we’re the only two people in the world.

“How far are you willing to go?” she asks.

Dressed like she is, you’d be forgiven for thinking it was a come-on. Hell, that was my first thought anyway, doesn’t matter she’s playing on that other team. But there’s that cherub innocence thing she’s got going for her and, well, take a look at a pug like me and you know the one thing that isn’t going to happen is some pretty girl’s going to make a play for me from the back seat of my cab.

“I can take you any place you need to go,” I tell her, playing it safe.

“And if I need something else?” she asks.

I shake my head. “I don’t deal with anything that might put me inside.”

I almost said “back inside,” but that’s not something she needs to know. Though maybe she already does. Maybe when I pulled over she saw the prison tattoos on my arms—you know, you put them on with a pin and the ink from a ballpoint so they always come out looking kind of scratchy and blue.

“Someone has stolen my cat,” she says. “I was hoping you might help me get her back.”

I turn right around in my seat to look at her straight on. I decide she’s Hispanic from her accent. I like the Spanish warmth it puts on her words.

“Your cat,” I say. “You mean like a pet?”

“Something like that. I really do need someone to help me steal her back.”

I laugh. I can’t help it.

“So what, you flag down the first cab you see and figure whoever’s driving it’ll take a short break from cruising for fares to help you creep some joint?”

“Creep?” she asks.

“Break in. But quietly, you know, because you’re hoping you won’t get caught.”

She shakes her head.

“No,” she says. “I just thought you might.”

“And that would be because…?”

“You’ve got kind eyes.”

People have said a lot of things about me over the years, but that’s something I’ve never heard before. It’s like telling a wolf he’s got a nice smile. I’ve been told I’ve got dead eyes, or a hard stare, but no one’s ever had anything nice to say about them before. I don’t know if it’s because of that, or if it’s because of that innocence she carries that just makes you want to take care of her, but I find myself nodding.

“Sure,” I tell her. “Why not? It’s a slow night. Where can we find this cat of yours?”

“First I need to go home and get changed,” she says. “I can’t go—what was the word you used?” She smiles. “Creep a house wearing this.”

Well, she could, I think, and it would sure make it interesting for me if I was hoisting her up to a window, but I just nod again.

“No problem,” I tell her. “Where do you live?”


This whole situation would drive Hank crazy.

We did time together a while back—we’d each pulled a stretch and they ran in tandem for a few years. It’s all gangs inside now and since we weren’t either of us black or Indian or Hispanic, and we sure as hell weren’t going to run with the Aryans, we ended up passing a lot of the time with each other. He told me to look him up when I got out and he’d fix me up. A lot of guys say that, but they don’t mean it. You’re trying to do good and you want some hardcase showing up at your home or place of employment? I don’t think so.

So I wouldn’t have bothered, but Hank never said something unless he meant it, and since I really did want to take a shot at walking the straight and narrow this time out, I took him up on it.

He hooked me up with this guy named Moth who runs a Gypsy cab company out of a junkyard—you know, the wheels aren’t licensed but so long as no one looks too hard at the piece of bureaucratic paper stuck on the back of the driver’s seat, it’s the kind of thing you can get away with. You just make a point of cruising for fares in the parts of town that the legit cabbies prefer to stay out of.

So Hank gave me the break to make good, and Moth laid one piece of advice on me—“Don’t get involved with your fares”—and I’ve been doing okay, keeping my nose clean, making enough to pay for a room in a boarding house, even stashing a little extra cash away on the side.

Funny thing is, I like this gig. I’m not scared to take the rough fares and I’m big enough that the freaks don’t mess with me. Occasionally I even get someone like the woman I picked up on Gracie Street.

None of which explains why I’m parked outside a house across town on Marett Street, getting ready to bust in and rescue a cat.

My partner-in-crime is sitting in the front with me now. Her name’s Luisa Jaramillo. She’s changed into a tight black T-shirt with a pair of baggy faded jean overalls, black hightops on her feet. Most of her make-up’s gone and her hair’s hidden under a baseball cap turned backwards. She still looks gorgeous. Maybe more than she did before.

“What’s your cat’s name?” I ask.

“Patience.”

I shrug. “That’s okay. You don’t have to tell me.”

“No, that’s her name,” Luisa says. “Patience.”

“And this guy that stole her is…?”

“My ex-boyfriend. My very recent ex-boyfriend.”

That’s what I get for jumping to conclusions, I think. Hell, I was cruising Gracie Street. That doesn’t automatically put me on the other team either. Only don’t get me wrong. I’m not getting my hopes up or anything. I know I’m just a pug and all she’s doing is using me for this gig because I’m handy and I said I’d do it. There’s not going to be any fairy tale reward once we get kitty back from her ex. I’ll be lucky to get a handshake.

So why am I doing it?

I’ll lay it out straight: I’m bored. I’ve got a head that never stops working. I’m always considering the percentages, making plans. When I said I’d come to enjoy driving a cab, I was telling the truth. I do. But you’re talking to a guy who’s spent the better part of his life working out deals, and when the deals didn’t pan out, he just went in and took what he needed. That’s what put me inside.

They don’t put a whole lot of innocent people in jail. I’m not saying they aren’t biased towards what most people think of as the dregs of society—the homeboys and Indians and white trash I was raised to be—but most of us doing our time, we did the crime.

Creeping some stranger’s house gives me a buzz like a junkie getting a fix. I don’t get the shakes when I go cold turkey like I’ve been doing these past couple of months, but the jones is still there. Tonight I’m just cozying it up with a sugar coating of doing the shiny white knight bit, that’s all.

I never even stopped to ask her why we were stealing a cat. I just thought, let’s do it. But when you think about it, who steals cats? You lose your cat, you just go get another one. We never had pets when I was a kid, so maybe that’s why I don’t get it. In our house the kids were the pets, only we weren’t so well-treated as I guess Luisa’s cat is. Somebody ever took one of us, the only thing Ma’d regret is the cut in her cheque from social services.

You want another reason? I don’t often get a chance to hang out with a pretty girl like this.

“So what’s the plan?” I ask.

“The man who lives in that house is very powerful,” Luisa says.

“Your ex.”

She nods.

“So he’s what? A politician? A lawyer? A drug dealer?”

“No, no. Much more powerful than that. He’s a brujo—a witch man. That is not a wrong thing in itself, but his medicine is very bad. He is an evil man.”

I give her the same blank look I’m guessing anybody would.

“I can see you don’t believe me,” she says.

“It’s more like I don’t understand,” I tell her.

“It doesn’t matter. I tell you this only so that you won’t look into his eyes. No matter what, do not meet his gaze with your own.”

“Or what? He’ll turn me into a pumpkin?”

“Something worse,” she says in all seriousness.

She gets out of the car before I can press her on it, but I’m not about to let it go. I get out my side and join her on the sidewalk. She takes my hand and leads me quickly into the shadows cast by a tall hedge that runs the length of the property, separating her ex’s house from its neighbours. I like the feel of her skin against mine. She lets go all too soon.

“What’s really going on here?” I ask her. “I mean, I pick you up outside a girl bar on Gracie Street where you’re dressed like a hooker, and now we’re about to creep some magic guy’s house to get your cat back. None of this is making a whole lot of sense.”

“And yet you are here.”

I give her a slow nod. “Maybe I should never have looked in your eyes,” I say.

I’m joking, but she’s still all seriousness when she answers.

“I would never do such a thing to another human being,” she tells me. “Yes, I went out looking the way I did in hopes of attracting a man such as you, but there was no magic involved.”

I focus on the “a man such as you,” not sure I like what it says about what she thinks of me. I may not look like much, which translates into a lot of nights spent on my own, but I’ve never paid for it.

“You looked like a prostitute, trying to pick up a john or some freak.”

She actually smiles, her teeth flashing in the shadows, white against her dark skin.

“No, I was searching for a man who would desire me enough to want to be close to me, but who had the heart to listen to my story and the compassion to want to help once he knew the trouble I was in.”

“I think you’ve got the wrong guy,” I tell her. “Neither of those are things I’m particularly known for.”

“And yet you are here,” she says again. “And you shouldn’t sell yourself short. Sometimes we don’t fulfill our potential only because there is no one in our life to believe in us.”

I’ve got an idea where she’s going with that—Hank and Moth have talked about that kind of thing some nights when we’re sitting around a campfire in the junkyard, not to mention every damn social worker who’s actually trying to do their job—but I don’t want to go there with her any more than I do with them. It’s a nice theory, but I’ve never bought it. Your life doesn’t go a certain way just because other people think that’s the way it will.

“You were taking a big chance,” I say instead. “You could’ve picked up some freak with a knife who wasn’t going to stop to listen.”

She shakes her head. “No one would have troubled me.”

“But you need my help with your ex.”

“That is different. I have looked in his eyes. He has sewn black threads in my soul and without a champion at my side, I’m afraid he would pull me back under his influence.”

This I understand. I’ve helped a couple of women get out of a bad relationship by pounding a little sense into their ex-boyfriend’s head. It’s amazing how the threat of more of the same is so much more effective than a restraining order.

“So you’re looking for some muscle to pound on your ex.”

“I’m hoping that won’t be necessary. You wouldn’t want him for an enemy.”

“Some people say you’re judged by your enemies.”

“Then you would be considered a powerful man, too,” she says.

“So the get-up you had on was like a costume.”

She nods, but even in the shadows I can see the bitter look that comes into her eyes.

“I have many ‘costumes’ such as that,” she says. “My boyfriend insists I wear them in order to appear attractive. He likes it that men would desire me, but could not have me.”

“Boy, what planet is he from?” I say. “You could wear a burlap sack and you’d still be drop-dead gorgeous.”

“You did not like the dress?”

I shrug. “What can I say? I’m a guy. Of course I liked it. I’m just saying you don’t need it.”

“You are very sweet.”

Again with the making nice. Funny thing is, I don’t want to argue it with her anymore. I find I like the idea that someone’d say these kinds of things to me. But I don’t pretend there’s a hope in hell that it’ll ever go past this. Instead I focus on the holes in her story. There are things she isn’t telling me and I say as much, but while she can’t help but look a little guilty, she doesn’t share them either.

“Look,” I tell her. “It doesn’t matter what they are. I just need to know, are they going to get in the way of our getting the job done?”

“I don’t think so.”

I wait a moment but she’s still playing those cards pretty much as close to her vest as she can. I wonder how many of them are wild.

“Okay,” I say. “So we’ll just do it. But we need to make a slight detour first. Do you think your cat can hold out for another hour or so?”

She nods.


She doesn’t ask any questions when I pull up behind a plant nursery over on East Kelly Street. I jimmy the lock on the back door like it’s not even there—hey, it’s what I do; or at least used to do—and slip inside. It takes me a moment to track down what I’m looking for, using the beam of a cheap key-ring flashlight to read labels. Finally, I find the shelf I need.

I cut a hole in a small bag of diatomaceous earth and carefully pour a bit of it into each of my jacket’s pockets. When I replace the bag, I leave a five-spot on the shelf beside it as payment. See, I’m learning. Guys back in prison would be laughing their asses off if they ever heard about this, but I don’t care. I may still bust into some guy’s house to help his ex-girlfriend steal back her cat, but I’m done with taking what I haven’t earned.


“You figure he’s home?” I ask when we pull back up outside the house on Marett.

She nods. “He would not leave her alone—not so soon after stealing her from me.”

“You know where his bedroom is?”

“At the back of the house, on the second floor. He is a light sleeper.”

Of course he would be.

“And your cat,” I say. “Would she have the run of the house, or would he keep her in a cage?”

“He would have… other methods of keeping her docile.”

“The magic eyes business.”

“His power is not a joking matter,” she says.

“I’m taking it seriously,” I tell her.

Though I’m drawing the line at magic. Thing is, I know guys who can do things with their eyes. You see it in prison all the time—whole conversations taking place without a word being exchanged. It’s all in the eyes. Some guys are like a snake, mesmerizing its prey. The eyes lock onto you and before you know what’s going on, he’s stuck a shiv in your gut and you’re down on the floor, trying to keep your life from leaking out of you, your own blood pouring over your hands.

But I’m pretty good with the thousand-yard stare myself.

I get out of the car and we head for the side door in the carport. I’d have had Luisa stay behind in the cab, except I figure her cat’s going to be a lot more docile if she’s there to carry it back out again.

I give the door a visual check for an alarm. There’s nothing obvious, but that doesn’t mean anything, so I ask Luisa about it.

“A man such as he does not need a security system,” she tells me.

“The magic thing again.”

When she nods, I shrug and take a couple of pairs of surgical gloves out of my back pocket. I hand her one pair and put the other on, then get out my picks.

This door takes a little longer than the one behind the nursery did. For a guy who’s got all these magic chops, he’s still sprung for a decent lock. That makes me feel a little better. I’m not saying that Luisa’s gullible or anything, but with guys like this—doesn’t matter what scam they’re running, magic mumbo-jumbo’s not a whole lot different from the threat of a beating—it’s the fear factor that keeps people in line. All you need is for your victim to believe that you can do what you say you’ll do if they don’t toe the line. You don’t actually need magic.

The lock gives up with a soft click. I put my picks away and take out a small can of W-30, spraying each of the hinges before I let the door swing open. Then I lean close to Luisa, my mouth almost touching her ear.

“Where should we start looking?” I say.

My voice is so soft you wouldn’t hear me a few steps away. She replies as quietly, her breath warm against my ear. This close to her I realize that a woman like her smells just as good as she looks. That’s something I just never had the opportunity to learn before.

“The basement,” Luisa says. “If she is not hiding from him there, then he will have her in his bedroom with him. There is a door leading downstairs, just past that cupboard.”

I nod and start for the door she pointed to, my sneakers silent on the tiled floor. Luisa whispers along behind me. I do the hinges on this door, too, and I’m cautious on the steps going down, putting my feet close to the sides of the risers where they’re less liable to wake a creak.

There was a light switch at the top of the stairs. Once I get to the bottom, I stand silent, listening. There’s nothing. I feel along the wall and come across the other switch I was expecting to find.

“Close your eyes,” I tell Luisa.

I do the same thing and flick the switch. There’s a blast of light behind my closed lids. I crack them slightly and take a quick look around. The basement is furnished, casually, like an upscale rec room. There’s an entertainment center against one wall, a wet bar against another. Nice couch set up in front of the TV. I count three doors, all of them slightly ajar. I’m not sure what they lead to. Furnace room, laundry room, workshop. Who knows?

By the time I’m finished looking around my eyes have adjusted to the light. The one thing I don’t see is a cat.

“You want to try calling her?” I ask.

Luisa shakes her head. “I can feel her. She is hiding in there.” She points to one of the mystery doors. “In the storage room.”

I let her go ahead of me, following after. Better the cat see her first than my ugly mug.

We’re halfway across the room when someone speaks from behind us.

a man’s voice says, speaking in Spanish.

I turn slowly, not letting on that I know what he’s said. I picked up a lot of Spanish on the street, more in jail. So I just look surprised, which isn’t a stretch. I can’t believe I didn’t feel him approach. When I’m creeping a joint I carry a sixth sense inside me that stretches out throughout the place, letting me know when there’s a change in the air.

Hell, I should at least have heard him on the stairs.

“I have brought you nothing,” Luisa says, speaking English for my benefit, I guess.

“Please. I ask only for our freedom.”

I have to admit he’s a handsome devil. Same dark hair and complexion as Luisa, but there’s no warmth in his eyes.

Oh, I know what Luisa said. Don’t look in his eyes. But the thing is, I don’t play that game. You learn pretty quickly when you’re inside that the one thing you don’t do is back down. Show even a hint of weakness and your fellow inmates will be on you like piranha.

So I just put a hand in the pocket of my jacket and look him straight in the eye, give him my best convict stare.

He smiles. “You are a big one, aren’t you?” he says. “But your size means nothing in this game we will play.”

You ever get into a staring contest? I can see that starting up here, except dark eyes figures he’s going to mesmerize me in seconds, he’s so confident. The funny thing is, I can feel a pull in that gaze of his. His pupils seem to completely fill my sight. I hear a strange whispering in the back of my head and can feel that thousand-yard stare of mine already starting to fray at the edges.

So maybe he’s got some kind of magical power. I don’t know and I don’t care. I take my hand out of my pocket and I’m holding a handful of that diatomaceous earth I picked up earlier in the nursery.

Truth is, I never thought I’d use it. I picked it up as a back-up, nothing more. Like insurance just in case, crazy as it sounded, Luisa really knew what she was talking about. I mean, you hear stories about every damn thing you can think of. I never believed most of what I heard, but a computer’s like magic to someone who’s never seen one before—you know what I’m saying? The world’s big enough and strange enough that pretty much anything can be out there in it, somewhere.

So I’ve got that diatomaceous earth in my hand and I throw it right in his face, because I’m panicking a little at the way those eyes of his are getting right into my head and starting to shut me down inside.

You know anything about that stuff? It’s made of ground up shells and bones that are sharp as glass. Gardeners use it to make barriers for various kinds of insects. The bug crawls over it and gets cut to pieces. It’s incredibly fine—so much so that it doesn’t come through the latex of my gloves—but eyes don’t have that kind of protection.

Imagine what it would do if it got in them.

Tall, dark and broody over there doesn’t have to use his imagination. He lifts his hand as the cloud comes at him, but he’s too late. Too late to wave it away. Too late to close his eyes like I’ve done as I back away from any contact with the stuff.

His eyelids instinctively do what they’re supposed to do in a situation like this—they blink rapidly and the pressure cuts his eyes all to hell and back again.

It doesn’t help when he reaches up with his hands to try to wipe the crap away.

He starts to make this horrible mewling sound and falls to his knees.

I’m over by the wall now, well out of range of the rapidly settling cloud. Looking at him I start to feel a little queasy, thinking I did an overkill on this. I don’t know what went on between him and Luisa—how bad it got, what kind of punishment he deserves—but I think maybe I crossed a line here that I really shouldn’t have.

He lifts his bloodied face, sightless eyes pointed in our direction, and manages to say something else. This time he’s talking in some language I never heard before, ending with some Spanish that I do understand.

he cries.

I’m turning to Luisa just then, so I see what happens.

Well, I see it, but it doesn’t register as real. One moment there’s this beautiful dark-haired woman standing there, then she vanishes and there’s only the heap of her clothes left lying on the carpet. I’m still staring slack-jawed when the clothing moves and a sleek black cat wriggles out from under the overalls and darts into the room where Luisa said her cat was.

As I take a step after her, the man starts in with something else in that unrecognizable language. I don’t know if it’s still aimed at Luisa, or if he’s planning to turn me into something, too—hell, I’m a dyed-in-the-wool believer at this point—but I don’t take any chances. I take a few quick steps in his direction and give him a kick in the side of the head. When that doesn’t completely stop him, I give him a couple more.

He finally goes down and stays down.

I turn back to go after Luisa, but before I can, that black cat comes soft-stepping out of the room once more, this time carrying a kitten in its mouth.

“Luisa?” I find myself saying.

I swear, even with that kitten in its mouth, the cat nods. But I don’t even need to see that. I only have to look into her eyes. The cat has Luisa’s eyes, there’s no question in my mind about that.

“Is this… permanent?” I ask.

The cat’s response is to trot by me, giving her unconscious ex’s body a wide berth as she heads for the stairs.

I stand there, looking at the damage I’ve done to her ex for a long, unhappy moment, then I follow her up the stairs. She’s sitting by the door with the kitten, but I can’t leave it like this. I look around the kitchen, not ready to leave yet.

The cat makes a querulous sound, but I ask her to wait and go prowling through the house. I don’t know what I’m looking for, something to justify what I did downstairs, I guess. I don’t find anything, not really. There are spooky masks and icons and other weird magical-looking artifacts scattered throughout the house, but he’s not going to be the first guy that likes to collect that kind of thing. Nothing explains why he needed to have this hold over Luisa and her—I’m not thinking of the kitten as a cat anymore. After what I saw downstairs, I’m sure it’s her kid.

I go upstairs and poke through his office, his bedroom. Still nothing. But then it’s often like that. Too often the guy you’d never suspect of having a bad thought turns out to beating on his family, or goes postal where he works, or some damn crazy thing.

It really makes you wonder—especially with a guy like Luisa’s ex. You find yourself with power like he’s got, why wouldn’t you use it to put something good into the world?

I know, I know. Look who’s talking. But I’m telling you straight, I might have robbed a lot of people, but I never hurt them. Not intentionally. And never a woman or a kid.

I go back downstairs and find the cat still waiting by the kitchen door for me. She’s got a paw on the kitten, holding it in place.

“Let’s go,” I say.

I haven’t even started to think about how a woman can be changed into a cat, or when and if and how she’ll change back again. I can only deal with one thing at a time.

My first impulse is to burn the place to the ground with him in it, but playing the cowboy like that’s just going to put me back inside and it won’t prove anything. I figure I’ve done enough damage and it’s not like he’s going to call the cops. But the first thing I’m going to do when I get home is change the plates on the cab and dig out the spare set of registration papers that Moth provides for all his vehicles.

For now I follow the cats down the driveway. I open the passenger door to the cab. The mama cat grabs her kitten by the skin at the nape of her neck and jumps in. I close the door and walk around to the driver’s side.

I take a last look at the house, remembering the feel of the guy’s eyes inside my head, the relief I felt when the diatomaceous earth got in his eyes and cut them all to hell. There was a lot of blood, but I don’t know how permanent the damage’ll be. Maybe he’ll come after us, but I doubt it. Nine out of ten times, a guy like that just folds his hand when someone stands up to him.

Besides, the city’s so big, he’s never going to find us, even if he does come looking. It’s not like we run in the same circles or anything.

So I get in the cab, say something that I hope sounds calming to the cats, and we drive away.


I’ve got a different place now, a one-bedroom, ground-floor apartment which gives me access to a backyard. It’s not much, just a jungle of weeds and flowers gone wild, but the cats seem to like it.

I sit on the back steps sometimes and watch them romp around like… well, like the cats they are, I guess. I know I hurt the man who had them under his power, hurt him bad. And I know I walked into his house with a woman and came out with a cat. But it still feels like a dream.

It’s true the cat seems to understand everything I say, and acts smarter than I think a cat would normally act, but what do I know? I never had a pet before. And anybody I talk to seems to think the same thing about their own cat or dog.

I haven’t told anybody about any of this, though I did come at it from a different angle, sitting around the fire in the junkyard with Hank one night. There were a half-dozen of us. Moth, Hank’s girlfriend Lily, and some of the others from their extended family of choice. The junkyard’s in the middle of the city, but it backs onto the Tombs and it gets dark out there. As we sit in deck chairs, nursing beers and coffees, we watch the sparks flicker above the flames in the cut-down steel barrel Moth uses for his fires.

“Did you ever hear any stories about people that can turn into animals?” I ask during a lull in the conversation.

We have those kinds of talks. We can go from carbs and engine torques to what’s wrong with social services or the best kind of herbal tea for nausea. That’d be ginger tea.

“You mean like a werewolf?” Moth says.

Sitting beside him, Paris grins. She’s as dark-haired as Luisa was and her skin’s pretty much covered with tattoos that seem to move on their own in the flickering light.

“Nah,” she says. “Billy Joe’s just looking for a way to turn himself into a raccoon or a monkey so he can get into houses again but without getting caught.”

“I gave that up,” I tell her.

She smiles at me, eyes still teasing. “I know that. But I still like the picture it puts in my head.”

“There are all kinds of stories,” Hank says, “and we know one or two. The way they go, the animal people were here first and some of them are still living among us, not looking any different from you or me.”

They tell a few then—Hank and Lily and Katy, this pretty red-haired girl who lives on her own in a school bus not far from the junkyard. They all tell the stories like they’ve actually met the people they’re talking about, but Katy’s are the best. She’s got the real storyteller’s gift, makes you hang onto every word until she’s done.

“But what about if someone’s put a spell on someone?” I say after a few of their stories, because they’re mostly about people who were born that way, part-animal, part-human, changing their skins as they please. “You know any stories like that? How it works? How they get changed back?”

I’ve got a lot of people looking at me after I come out with that.

Nobody has an answer.

Moth gives me a look—but it’s curious, not demanding. “Why are you asking?” he says.

I just shrug. I don’t know that it’s my story to tell. But as the weeks go by I bring it up again and this time I tell them what happened, or at least what I think happened. Funny thing is, they just take me at my word. They start looking in on it for me, but nobody comes up with an answer.

Maybe there isn’t one.

So I just drive my cab and spend time with these new families of mine—both the one in the junkyard and the cats I’ve got back home. I find it gets easier to walk the straight-and-narrow, the longer you do it. Gets so that doing the right thing, the honest thing, comes like second nature to me.

But I never stop wondering about what happened that night. I don’t even know if they’re really cats who were pretending to be human, or humans that got turned into cats. I guess I’m always going to be waiting to see if they’ll change back.

But I don’t think about it twenty-four/seven. Mostly I just figure it’s my job to make a home for them and keep them safe. And you know what? Turns out I’m pretty good at doing that.

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