From the Corner of His Eye

Chapter 81

Left hand on the banister, right hand with knife tucked close to his side and ready to thrust, Tom Vanadium climbed cautiously but quickly to the upper floor, glancing back twice to be sure that Cain didn't slip in behind him.

Along the hall to his room. Fast and low through the doorframe. Wary of the closet door standing two inches ajar.

All the way to the nightstand, he expected to discover that the revolver had been taken from the drawer. Yet here it was. Loaded.

He dropped the knife and snatched up the handgun.

Almost thirty years from the seminary-even farther from it if measured by degrees of lost innocence, by miles of rough experience Tom Vanadium set out to kill a man. Given the chance to disarm Cain, given the opportunity to merely wound him, he would nevertheless go for the head shot or the heart shot, play jury and executioner, play God, and leave to God the judgment of his stained soul.

Room to room through the upstairs. Checking closets. Behind furniture. Bathrooms. In Paul's private spaces. No Cain.

Down the stairs, through the ground floor, quickly, soundlessly, breath held at times, listening for the other's breathing, listening for the softest squeak of rubber-soled shoes, although the hard clack of cloven hoofs and a whiff of sulfur would not have been surprising. At last he went to the kitchen, full circle from the shiny quarter on the breakfast table to the quarter again. No Cain.

Perhaps these two months of frustration had brought him to this: hair-trigger nerves, fevered imagination, and anticipation distilled into dread.

He might have felt properly foolish if he had not suffered so much personal experience of Enoch Cain. This was a false alarm, but considering the nature of the enemy, it wasn't a bad idea to put himself through a drill from time to time.

Laying the gun on the newspaper, he dropped into the chair. He picked up his coffee. The search of the house had been conducted with such urgency that the java was still pleasantly hot.

Holding the mug in his right hand, Tom picked up the coin and rolled it across the knuckles of his left. Paul's quarter, after all. A two-bit temptation to panic. As gifted with physical grace as with good looks, Junior stepped into the bedroom doorway, lithely and with feline stealth. He leaned against the jamb.

Across the room, the girl on the window seat showed no awareness of his arrival. She sat sideways to him in the niche, with her back against one wall, knees drawn up, a big sketch pad braced against her thighs, working intently with colored pencils.

Through the big window beyond her, the charry branches of the massive oak tree formed a black cat's cradle against the sky, leaves quivering slightly, as though nature herself trembled in trepidation of what Junior Cain might do.

Indeed, the tree inspired him. After he shot the girl, he would open the window and toss her body into the oak Let Celestina find her there, randomly pierced by branches in a freestyle crucifixion.

His daughter, his affliction, his millstone, granddaughter of the boil-giving voodoo Baptist

After a surgeon had lanced fifty-four boils and cut the cores from the thirty-one most intractable (shaving the patient's head to get at the twelve that were festering on his scalp), and after three days of hospitalization to guard against staphylococcus infection, and after he had been turned back into the world as bald as Daddy Warbucks and with the promise of permanent scarring, Junior visited the Reno library to catch up with current events.

Reverend White's murder received significant coverage throughout the nation, especially in West Coast papers, because of its perceived racial motivation and because it involved the burning of a parsonage.

Police identified Junior as the prime suspect, and newspapers featured his photograph in most stories. They referred to him as "handsome," "dashing," "a man with movie-star good looks." He was said to be well known in San Francisco's avant-garde arts community. He got a thrill when he discovered that Sklent was quoted as calling him "a charismatic figure, a deep thinker, a man — with exquisite artistic taste… so clever he could get away with murder as easily as anyone else might get away with double-parking. " "It's people like him," Sklent continued, "who confirm the view of the world that informs my painting."

Junior found the acclaim gratifying, but the widespread use of his photograph was a high price to pay even for the recognition of his contribution to art. Fortunately, with his bald head and pocked face, he no longer resembled the Enoch Cain for whom the authorities were searching. And they believed that the bandages on his face, at the church, had been merely an exotic disguise. One psychologist even speculated that the bandages had been an expression of the guilt and shame he felt on a subconscious level. Yeah, right.

For Junior, 1968-the Chinese Year of the Monkey-would be the Year of the Plastic Surgeon. He would require extensive dermabrasion to restore the smoothness and tone to his skin, to be as irresistibly kissable as he had been before. While at it, he would need surgery to make subtle changes in his features. Tricky. He didn't want to trade perfection for anonymity. He must take care to ensure that his postsurgery look, when he let his hair grow in and perhaps dyed it, would be as devastating to women as his previous appearance.

According to the newspapers, the police also credited him with the murders of Naomi, Victoria Bressler, and Ned Gnathic (whom they had connected to Celestina). He was wanted, too, for the attempted murder of Dr. Walter Lipscomb (evidently Ichabod), for the attempted murder of Grace White, and for assault with intent to kill Celestina White and her daughter, Angel, and for the assault on Lenora Kickmule (whose foxtail-bedecked Pontiac he had stolen in Eugene, Oregon).

He had visited the library primarily to confirm that Harrison White was unquestionably dead. He'd shot the man four times. Two bullets 'in the gas tank of the stolen Pontiac destroyed the parsonage and should have incinerated the reverend. When you were dealing with black magic, however, you could never be too cautious.

After poring through enough sensational newspaper accounts to be convinced that the curse-casting reverend was undeniably dead, Junior had acquired four pieces of surprising information. Three were of vital importance to him.

First, Victoria Bressler was listed as one of his victims, although as far as he knew, the authorities still had every reason to attribute her murder to Vanadium.

Second, Thomas Vanadium received no mention: Therefore, his body hadn't been found in the lake. He still ought to be under suspicion in the Bressler case. And if new evidence cleared him of suspicion, then his disappearance should have been mentioned, and he should have been listed as another possible victim of the Shamefaced Slayer, the Bandaged Butcher, as the tabloids had dubbed Junior.

Third, Celestina had a daughter. Not a boy named Bartholomew. Seraphim's baby had been a girl. Named Angel. This confused Junior as much as it stunned him.

Bressler but no Vanadium. A girl named Angel. Something was wrong here. Something was rotten.

Fourth and last, he was surprised that Kickmule was a legitimate surname. This information wasn't of immediate importance to him, but if ever his Gammoner and Pinchbeck identities were compromised and he required false ID in a new name, he would call himself Eric Kickmule. Or possibly Wolfgang Kickmule. That sounded really tough. No one would mess with a man named Kickmule.

As to the distressing matter of Seraphim's daughter, Junior at first decided to return to San Francisco to torture the truth out of Nolly Wulfstan. Then he realized that he'd been referred to Wulfstan by the same man who had told him that Thomas Vanadium was missing and was believed to be Victoria Bressler's killer.

So after waiting two months for the superhot Harrison White case to cool down, Junior returned instead to Spruce Hills, traveled bald and pocked and passing as Pinchbeck, under the cover of night.

Then quickly from Spruce Hills to Eugene by car, from Eugene to Orange County Airport by a chartered aircraft, from Orange County to Bright Beach in a stolen '68 Oldsmobile 4-4-2 Hurst, while the advantage of surprise remained with him. Carrying a newly acquired, silencer-fitted 9-mm pistol, spare magazines of ammunition, three sharp knives, a police lock-release gun, and one piece of steaming luggage, Junior had arrived late the previous evening.

He had quietly let himself into the Damascus house, where he stayed the night.

He could have killed Vanadium while the cop slept; however, that would be far less satisfying than engaging in a little psychological warfare and leaving the devious bastard alive to suffer remorse when two more children died under his watch.

Besides, Junior was reluctant to kill Vanadium, for real this time, and risk discovering- that the detective's filthy-scabby-monkey spirit would in fact prove to be a relentless haunting presence that gave him no peace.

The prickly-bur ghosts of two little children didn't concern him. At worst, they were spiritual gnats.

This morning, Damascus had left the house early, before Vanadium came downstairs, which was perfect for Junior's purposes. While the maniac cop was finishing his shave and shower, Junior crept upstairs to check his room. He discovered the revolver in the second of the three places that he expected it to be, did his work, and returned the weapon to the nightstand drawer in precisely the position that he had found it. Narrowly avoiding an encounter with Vanadium in the hall, he retreated to the ground floor. After some fussing over the most effective placement, he left the quarter and the luggage-just as Vanadium, the human stump, clumped down the stairs. Junior experienced an unexpected delay when the detective spent half an hour making phone calls from the study, but then Vanadium went into the kitchen, allowing him to slip out of the house and complete his work.

Then he came directly here.

Angel, on the window seat, wore nothing but white. White sneakers and socks. White pants. White T-shirt. Two white bows in her hair.

To look entirely like her name, she needed only white wings. He would give her wings: a short flight out the window, into the oak.

"Did you come to hear the book that talks?" the girl asked.

She hadn't looked up from her sketching. Although Junior thought she hadn't seen him, she'd apparently been aware of him all along.

Moving out of the doorway, into the bedroom, he said, "What book would that be?"

"Right now, it's talking about this crazy doctor."

In her features, the girl entirely resembled her mother. She was nothing whatsoever like Junior. Only the light brown shade of her skin provided evidence that she hadn't been derived from Seraphim by parthenogenesis.

"I don't like the old crazy doctor," she said, still drawing. "I wish it was about bunnies on vacation-or maybe a toad learns to drive a car and has adventures."

"Where's your mother this morning?" he asked, for he'd expected to have to shoot his way through a lot more than one adult to reach both children. The Lipscomb house had proved empty, however, and fortune had given him the boy and girl together, with one guardian.

"She's drivin' the pies," Angel said. "What's your name?"

"Wolfgang Kickmule."

"That's a silly name."

"It's not silly at all."

"My name's Pixie Lee."

Junior reached the window seat and stared down at her. "I don't believe that's true."

"Truer than true," she insisted.

"Your name's not Pixie Lee, you little liar."

"Well, it's sure not Velveeta Cheese. And don't be rude."

The various flavors of canned soda were always racked in the same order, allowing Barty to select what he wanted without error. He got orange for Angel, root beer for himself, and closed the refrigerator.

Retracing his path across the kitchen, he caught a faint whiff of jasmine from the backyard. Funny, jasmine here inside. Two paces later, he felt a draft.

He halted, made a quick calculation, turned, and moved toward where the back door ought to be. He found it half open.

For reasons of mice and dust, doors at the Lampion house were never left ajar, let alone open this wide.

Holding on to the jamb with one hand, Barty leaned across the threshold, listening to the day. Birds. Softly rustling leaves. Nobody on the porch. Even trying hard to be quiet, people always made some little noise.

"Uncle Jacob?

No answer.

After nudging the door shut with his shoulder, Barty carried the sodas out of the kitchen and forward along the hall. Pausing at the livingroom archway, he said, "Uncle Jacob?"

No answer. No little noises. His uncle wasn't here.

Evidently, Jacob had made a quick trip to his apartment over the garage and, with no thought for mice and dust, had not closed the back door. Junior said, "You've caused me a lot of trouble, you know." He'd been building a beautiful rage all night, thinking about what he'd been through because of the girl's temptress mother, whom he saw so clearly in this pint-size bitch. "So much trouble."

"What do you think about dogs?"

"What're you drawing there?" he asked.

"Do they talk or don't they?"

"I asked you what you're drawing."

"Something I saw this morning."

Still looming over her, he snatched the pad out of her hands and examined the sketch. "Where would you have seen this?"

She refused to look at him, the way her mother had refused to look at him when he'd been making love to her in the parsonage. She began twisting a red pencil in a handheld sharpener, making sure that the shavings fell into a can kept for that purpose. "I saw it here."

Junior tossed the pad on the floor. "Bullshit."

"We say bulldoody in this house."

Weird, this kid. Making him uneasy. All in white, with her incomprehensible yammering about talking books and talking dogs and her mother driving pies, and working on a damn strange drawing for a little girl.

"Look at me, Angel."

Twisting, twisting, twisting the red pencil.

"I said look at me."

He slapped her hands, knocking the sharpener and the pencil out of her grasp. They clattered against the window, fell onto the window-seat cushions.

When she still didn't meet his stare, he seized her by the chin and tipped her head back.

Terror in her eyes. And recognition.

Surprised, he said, "You know me, don't you?"

She said nothing.

"You know me," he insisted. "Yeah, you do. Tell me who I am, Pixie Lee."

After a hesitation, she said, "You're the boogeyman, except when I saw you, I was hiding under the bed where you're supposed to be."

"How could you recognize me? No hair, this face."

"I see."

"See what?" he demanded, squeezing her chin hard enough to hurt her.

Because his pinching fingers deformed the shape of her mouth, her voice was compressed: "I see all the ways you are."

Tom Vanadium was too unnerved by the Cain scare to be interested in the newspaper anymore. The strong black coffee, superb before, tasted bitter now.

He carried the mug to the sink, poured the brew down the drain and saw the cooler standing in the corner. He hadn't noticed it before. A medium-size, molded-plastic, Styrofoam-lined ice chest, of the type you filled with beer and took on picnics.

Paul must have forgotten something that he'd meant to take on the pie caravan.

The lid of the cooler wasn't on as tight as it ought to have been. From around one edge slipped a thin and sinuous stream of smoke. Something on fire.

By the time he got to the cooler, he could see this wasn't smoke, after all. It dissipated too quickly. Cool against his hand. The cold steam from dry ice.

Tom removed the lid. No beer, one head. Simon Magusson's severed head lay faceup on the ice, mouth open as though he were standing in court to object to the prosecution's line of questioning.

No time for horror, disgust. Every second mattered now, and every minute might cost another life.

To the phone, the police. No dial tone. Pointless to rattle the disconnect switch. The line had been cut.

Neighbors might not be home. And by the time he knocked, asked to use the phone, dialed… Too great a waste of time.

Think, think. A three-minute drive to the Lampion place. Maybe two minutes, running stop signs, cutting comers.

Tom snatched the revolver off the table, the car keys from the pegboard.

Slamming through the door, letting it bang shut behind him hard enough to crack the glass, crossing the porch, Tom took the beauty of the day like a fist in the gut. It was too blue and too bright and too gorgeous to harbor death, and yet it did, birth and death, alpha and omega, woven in a design that flaunted meaning but defied understanding. It was a blow, this day, a hard blow, brutal in its beauty, in its simultaneous promises of transcendence and loss.

The car stood in the driveway. As dead as the phone.

Lord, help me here. Give me this one, just this one, and I'll follow thereafter where I'm led. I'll always thereafter be your instrument, but please, please, GIVE ME THIS CRAZY EVIL SON OF A BITCH!

Three minutes by car, maybe two without stop signs. He could just about run it as fast as drive it. He had a bit of a gut on him. He wasn't the man he used to be. Ironically, however, after the coma and the rehab, he wasn't as heavy as he had been before Cain sunk him in Quarry Lake.

I see all the ways you are.

The girl was creepy, no doubt about it, and Junior felt now precisely as he had felt on the night of Celestina's exhibition at the Greenbaum Gallery, when he had come out of the alleyway after disposing of Neddy Gnathic in the Dumpster and had checked his watch only to discover his bare wrist. He was missing something here, too, but it wasn't merely a Rolex, wasn't a thing at all, but an insight, a profound truth.

He let go of the girl's chin, and at once she scrunched into the corner of the window seat, as far away from him as she could get. The knowing look in her eye wasn't that of an ordinary child, not that of a child at all. Not his imagination, either. Terror, yes, but also defiance, and this knowing expression, as though she could see right through him, knew things about him that she had no way of knowing.

He fished the sound-suppressor from a jacket pocket, drew the pistol from his shoulder holster, and began to screw the former to the latter. He misthreaded it at first because his hands had begun to shake.

Sklent came to mind, perhaps because of the strange drawing on the girl's sketch pad. Sklent at that Christmas Eve party, only a few months ago but a lifetime away. The theory of spiritual afterlife without a need for God. Prickly-bur spirits. Some hang around, haunting out of sheer mean stubbornness. Some fade away. Others reincarnate.

His precious wife had fallen from the tower and died only hours before this girl was born. This girl… this vessel.

He remembered standing in the cemetery, downhill from Seraphim's grave-although at the time he'd known only that it was a Negro being buried, not that it was his former lover-and thinking that the rains would over time carry the juices of the decomposing Negro corpse into the lower grave that contained Naomi's remains. Had that been a half-psychic moment on his part, a dim awareness that another and far more dangerous connection between dead Naomi and dead Seraphim had already been formed?

When the sound-suppressor was properly attached to the pistol, Junior Cain leaned closer to the girl, peered into her eyes, and whispered, "Naomi, are you in there?" Near the top of the stairs, Barty thought he heard voices in his bedroom. Soft and indistinct. When he stopped to listen, the voices fell silent, or maybe he only imagined them.

Of course, Angel might have been playing around with the talking book. Or, even though she'd left the dolls downstairs, she might have been filling the time until Barty's return by having a nice chat with Miss Pixie and Miss Velveeta. She had other voices, too, for other dolls, and one for a sock puppet named Smelly.

Granted that he was only three going on four, nevertheless Barty had never met anyone with as much cheerful imagination as Angel. He intended to marry her in, oh, maybe twenty years.

Even prodigies didn't marry at three.

Meanwhile, before they needed to plan the wedding, there was time for an orange soda and a root beer, and more of Dr Jekyll and Mr Hyde.

He reached the top of the stairs and proceeded toward his room.

After two years of rehabilitation, Tom had been pronounced as fit as ever, a miracle of modem medicine and willpower. But right now he seemed to have been put back together with spit and string and Scotch tape. Arms pumping, legs stretching, he felt every one of those eight months of coma in his withered-and-rebuilt muscles, in his calcium depleted-and-rebuilt bones.

He ran gasping, praying, feet slapping the concrete sidewalk, frightening birds out of the purple brightness of blossom-laden jacarandas and out of Indian laurels, terrorizing a tree rat into a lightning sprint up the bole of a phoenix palm. The few people he encountered reeled out of his way. Brakes shrieked as he crossed intersections without looking both ways, risking cars and trucks and rhinoceroses.

Sometimes, in his mind, Tom wasn't running along the residential streets of Bright Beach, but along the corridor of the dormitory wing over which he had served as prefect. He was cast back in time, to that dreadful night. A sound wakes him. A fragile cry. Thinking it a voice from his dream, he nevertheless gets out of bed, takes up a flashlight, and checks on his charges, his boys. Low-wattage emergency lamps barely relieve the gloom in the corridor. The rooms are dark, doors ajar according to the rules, to guard against the danger of stubborn locks in the event of fire. He listens. Nothing. Then into the first room-and into a Hell on earth. Two small boys per room, easily and silently overcome by a grown man with the strength of madness. In the sweep of the flashlight beam: the dead eyes, the wrenched faces, the blood. Another room, the flashlight jittering, jumping, and the carnage worse. Then in the hall again, movement in the shadows. Josef Krepp captured by the flashlight. Josef Krepp, the quiet custodian, meek by all appearances, employed at St. Anselmo's for the past six months with nary a problem, with only good employee reviews attached to his record. Josef Krepp, here in the corridor of the past, grinning and capering in the flashlight, wearing a dripping necklace of souvenirs.

In the present, long after the execution of Josef Krepp, half a block ahead, lay the Lipscomb house. Beyond it, the Lampion place.

A calico cat appeared at Tom's side, running, pacing him. Cats were witches' familiars. Good luck or bad, this cat?

Here, now, the Pie Lady's house, the battleground.

"Naomi, are you in there?" Junior whispered again, peering into the windows of the girl's soul.

She wouldn't answer him, but he was as convinced by her silence as he would have been by a blurted confession-or by a denial, for that matter. Her wild eyes convinced him, too, and her trembling mouth. Naomi had come back to be with him, and it could be argued that Seraphim had returned in a sense, too, for this girl was the flesh of Seraphim's flesh, born out of her death.

Junior was flattered, he really was. Women couldn't get enough of him. The story of his life. They never let go gracefully. He was wanted, needed, adored, worshiped. Women kept calling after they should have taken the hint and gone away, insisted on sending him notes and gifts even after he told them it was over. Junior wasn't surprised that women would return from the dead for him, nor was he surprised that women he'd killed would try to find a route back to him from Beyond, without malice, without vengeance in their hearts, merely yearning to be with him again, to hold him and to fulfill his needs. As gratified as he was by this tribute to his desirability, he simply didn't have any romantic feelings left for Naomi and Seraphim. They were the past, and he loathed the past, and if they wouldn't let him alone, he would never be able to live in the future.

He pressed the muzzle of the weapon against the girl's forehead and said, "Naomi, Seraphim, you were exquisite lovers, but you've got to be realistic. There's no way we can have a life together."

"Hey, who's there?" said the blind boy, whom Junior had nearly forgotten.

He turned from the cowering girl and studied the boy, who stood a few steps inside the room, holding a can of soda in each hand. The artificial eyes were convincing, but they didn't possess the knowing look that so troubled him in the strange girl.

Junior pointed the pistol at the boy. "Simon says your name's Bartholomew."

"Simon who?"

"You don't look very threatening to me, blind boy."

The child didn't reply.

"Is your name Bartholomew?"

"Yes."

Junior took two steps toward him, sighting the gun on his face. "Why should I be afraid of a stumbling blind boy no bigger than a midget?"

"I don't stumble. Not much, anyway." To the girl, Bartholomew said, "Angel, are you okay?"

"I'm gonna have the trots," she said.

"Why should I be afraid of a stumbling blind boy?" asked Junior again. But this time the words issued from him in a different tone of voice, because suddenly he sensed something knowing in this boy's attitude, if not in his manufactured eyes, a quality similar to what the girl exhibited.

"Because I'm a prodigy," Bartholomew said, and he threw the can of root beer.

The can struck Junior hard in the face, breaking his nose, before he could duck.

Furious, he squeezed off two shots. Passing the living-room archway, Tom saw Jacob in the armchair, under the reading lamp, slumped as if asleep over the book. His crimson bib confirmed that he wasn't just sleeping.

Drawn by voices on the second floor, Tom took the stairs two at a time. A man and a boy. Barty and Cain. To the left in the hallway, and then to a room on the right.

Heedless of the rules of standard police procedure, Tom raced to the doorway, crossed the threshold, and saw Barty throw a can of soda at the shaved head and pocked face of a transformed Enoch Cain.

The boy fell and rolled even as he pitched the can, anticipating the shots that Cain fired, which cracked into the doorframe inches from Tom's knees.

Raising his revolver, Tom squeezed off two shots, but the gun didn't discharge.

"Frozen firing pin," Cain said. His smile was venomous. "I worked on it. I hoped you'd get here in time to see the consequences of your stupid games."

Cain turned the pistol on Barty, but when Tom charged, Cain swung toward him once more. The round that he fired would have been a crippler, maybe a killer, except that Angel launched herself off the window seat behind Cain and gave him a hard shove, spoiling his aim. The killer stumbled and then shimmered.

Gone.

He vanished through some hole, some slit, some tear bigger than anything through which Tom flipped his quarters.

Barty couldn't see, but somehow he knew. "Whooooaa, Angel."

"I sent him someplace where we aren't," the girl explained. "He was rude."

Tom was stunned. "So… when did you learn you could do that?"

"Just now." Although Angel tried to sound nonchalant, she was trembling. "I'm not sure I can do it again."

"Until you are sure… be careful."

"Okay."

"Will he come back?"

She shook her head. "No way back." She pointed to the sketch pad on the floor. "I pushed him there."

Tom stared at the girl's drawing-quite a good one for a child her age, rough in style, but with convincing detail-and if skin could be said to crawl, his must have moved all the way around his body two or three times before settling down again where it belonged. "Are these…?"

"Big bugs," the girl said.

"Lots of them."

"Yeah. It's a bad place."

Getting to his feet, Barty said, "Hey, Angel?"

"Yeah?"

"You threw the pig yourself."

"I guess I did."

Shaking with a fear that had nothing to do with Junior Cain and flying bullets, or even with memories of Josef Krepp and his vile necklace, Tom Vanadium closed the sketch pad and put it on the window seat. He opened the window, and in rushed the susurration of breeze-stirred oak leaves.

He picked up Angel, picked up Barty. "Hold on." He carried them out of the room, down the stairs, out of the house, to the yard under the great tree, where they would wait for the police, and where they would not see Jacob's body when the coroner removed it by way of the front door.

Their story would be that Cain's gun had jammed just as Tom had entered Barty's bedroom. Too cowardly for hand-to-hand combat, the Shamefaced Slayer had fled through the open window. He was loose once more in an unsuspecting world.

That last part was true. He just wasn't loose in this world anymore. And in the world to which he'd gone, he would not find easy victims.

Leaving the children under the tree, Tom returned to the house to phone the police.

According to his wristwatch, the time was 9:05 in the morning on this momentous day.