Chapter 43

Onward through this Monday, January 17, this momentous day, when the ending of one thing is the beginning of another.

Under a sullen afternoon sky, in the winter-drab hills, the yellow-and-white station wagon was a bright arrow, drawn and fired not from a hunter's quiver but from that of a Samaritan.

Edom drove, happy to assist Agnes. He was happier still that he didn't have to make the pie deliveries alone.

He wasn't required to torture himself in search of pleasant conversation with those they visited. Agnes had virtually invented pleasant conversation.

In the passenger's seat, Barty was cushioned in his mother's arms. At times, the boy cooed or gurgled, or made a wet chording sound.

As yet, Edom had never heard him cry or even fuss.

Barty wore elfin-size, knitted blue pajamas complete with feet, white rickrack at the cuffs and neckline, and a matching cap. His white blanket was decorated with blue and yellow bunnies.

The baby had been an unqualified hit at their first four stops. His bright, smiling presence was a bridge that helped everyone cross over the dark waters of Joey's death.

Edom would have judged this a perfect day-except for the earthquake weather. He was convinced that the Big One would bring the coastal cities to ruin before twilight.

This was different earthquake weather from that of ten days ago, when he'd made the pie deliveries alone. Then: blue sky, unseasonable warmth, low humidity. Now: low gray clouds, cool air, high humidity.

One of the most unnerving aspects of life in southern California was that earthquake weather came in so many varieties. As many days as not, you got out of bed, checked the sky and the barometer, and realized with dismay that conditions were indicative of catastrophe.

With the earth still tenuously stable beneath them, they arrived at their fifth destination, a new address on Agnes's mercy list.

They were in the eastern hills, a mile from Jolene and Bill Klefton's place, where ten days ago, Edom had delivered blueberry pie along with the grisly details of the Tokyo-Yokohama quake of 1923.

This house was similar to the Kleftons'. Though stucco rather than clapboard, it had gone a long time without fresh paint. A crack in one of the front windows had been sealed with strapping tape.

Agnes added this stop to her route at the request of Reverend Tom Collins, the local Baptist minister whose folks unthinkingly gave him the name of a cocktail. She was friendly with all the clergymen in Bright Beach, and her pie deliveries favored no one creed.

Edom carried the honey-raisin pear pie, and Agnes toted Barty across the neatly cropped yard, to the front door. The bell push triggered chimes that played the first ten notes of "That Old Black Magic," which they heard distinctly through the glass in the door.

This humble house wasn't where you expected to hear an elaborate custom doorbell-or even any doorbell at all, since knuckles on wood were the cheapest announcement of a visitor.

Edom glanced at Agnes and said uneasily, "Strange."

"No. Charming," she disagreed. "There's a meaning to it. Everything has a meaning, dear."

An elderly Negro gentleman answered the door. His hair was such a pure white that in contrast to his plum-dark skin, it appeared to glow like a nimbus around his head. With his equally radiant goatee, his kindly features, and his compelling black eyes, he seemed to have stepped out of a movie about a jazz musician who, having died, was on earth once more as someone's angelic guardian.

"Mr. Sepharad?" Agnes asked. "Obadiah Sepharad?"

Glancing at the plump pie in Edom's hands, the gentleman replied to Agnes in a musical yet gravelly voice worthy of Louis Armstrong: "You must be the lady Reverend Collins told me about."

The voice reinforced Edom's image of a bebop celestial being.

Turning his attention to Barty, Obadiah broke into a smile, revealing a gold upper tooth. "Something here is sweeter than that lovely pie. What's the child's name?"

"Bartholomew," said Agnes.

"Well, of course it is."

Edom observed, amazed, as Agnes chatted up their host, going from Mr. Sepharad to Obadiah, from the doorstep to the living room, the pie delivered and accepted, coffee offered and served, the two of them pleased and easy with each other, all in the time that it would have taken Edom himself to get up the nerve to cross the threshold and to think of something interesting to say about the Galveston hurricane of 1900, in which six thousand had died.

As Obadiah lowered himself into a well-worn armchair, he said to Edom, "Son, don't I know you from somewhere?"

Having settled on the sofa with Agnes and Barty, prepared to serve comfortably in the role of quiet observer, Edom was alarmed to have suddenly become the subject of conversation. He was also alarmed to be called "son," because in his thirty-six years, the only person ever to have addressed him in that fashion had been his father, dead for a decade yet still a terror in Edom's dreams.

Shaking his head, his coffee cup rattling against the saucer, Edom said, "Uh, no, sir, no, I don't think we've ever met till now."

"Maybe. You sure do look familiar, though."

"I've got one of those faces so ordinary you see it everywhere," said Edom, and decided to tell the story of the Tri-State Tornado of 1925.

Perhaps his sister intuited what Edom was about to say, because she didn't let him get started.

Somehow, Agnes knew that in his younger days, Obadiah had been a stage magician. Artlessly, she drew him out on the subject.

Professional magic was not a field in which many Negroes could find their way to success. Obadiah was one of a rare brotherhood.

A music tradition was deeply rooted in the Negro community. No similar tradition in magic existed.

"Maybe because we didn't want to be called witches," said Obadiah with a smile, "and give folks one more reason to hang us."

A pianist or saxophonist could go a long way on his talent and self instruction, but a would-be stage magician eventually needed a mentor to reveal the most closely guarded secrets of illusion and to help him master the skills of deception needed for the highest-level prestidigitation. In a craft practiced almost exclusively by white men, a young man of color had to search for mentoring, especially in 1922, when twenty year-old Obadiah dreamed of being the next Houdini.

Now, Obadiah produced a pack of playing cards as though from a secret pocket in an invisible coat. "Like to see a little something?"

"Yes, please," Agnes said with evident delight.

Obadiah tossed the pack of cards to Edom, startling him. "Son, you'll have to help me. My fingers have no finesse anymore."

He raised his gnarled hands.

Edom had noticed them earlier. Now he saw they were in worse condition than he'd thought. Enlarged knuckles, fingers not entirely at natural angles to one another. Perhaps Obadiah had rheumatoid arthritis, like Bill Klefton, though a less crippling case.

"Please take the cards from the pack and put them on the coffee table in front of you," Obadiah directed.

Edom did as asked. Then he cut the deck into two approximately equal stacks when requested to do so.

"Give them one shuffle," the magician instructed.

Edom shuffled.

Leaning forward from his armchair, white hair as radiant as the wings of cherubim, Obadiah waved one misshapen hand over the deck, never closer than ten inches to the cards. "Now please spread them out in a fan on the table, facedown."

Edom complied, and in the arc of red Bicycle patterns, one card revealed too much white comer, because it was the only one face up.

"You might want to have a look," Obadiah suggested.

Teasing out the card, Edom saw that it was an ace of diamonds-remarkable in light of Maria Gonzalezs fortune'-telling session last Friday evening. He was more astonished, however, by the name printed in black ink diagonally across the face of the card: BARTHOLOMEW.

Agnes's sharp intake of breath caused Edom to look up from his nephew's name. Pale, she was, her eyes as haunted as old mansions.

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