FIFTY-FIVE

Ezio turned and, in the bedroom of his lodgings, out of sight of Machiavelli, drew the Apple from its secret hiding place and brought the box that contained it back to his principal chamber.


Carefully he drew it out of its container with gloved hands and placed it on the table there.

He concentrated. The Apple began, very slowly at first, to glow, and then its light brightened until the room was filled with a cold illumination. Next, images, dim at first and indistinct, flickered onto the wall and resolved themselves into something the Apple had shown Ezio before—the strange, remote castle in a brown, barren landscape, very old, with a massive outer barbican, four main towers, and an impregnable-looking square keep at its center.

“Where is thatrocca? What is the Apple telling us?”

“It could be anywhere,” said Machiavelli. “From the landscape, Syria perhaps?”

“Or,” said Ezio as, with a sudden rush of excitement, he remembered Dr. Torella’s words, “Spain.”

“Micheletto can’t be in Spain.”

“I am certain he plans to go there!”

“Even so, we don’t know where this place is. There are many, many castles in Spain, and many similar to this one. Consult the Apple again.”

But when Ezio once more consulted the Apple, the image remained unchanged: a solidly built castle on a hill, a good three hundred years old, surrounded by a little town. The image was monochrome. All the houses, the fortress, and the countryside were an almost uniform brown. There was only one spot of color, a bright flag on a pole on the very top of the keep.

Ezio squinted at it.

A white flag with a red, ragged cross in the form of anX.

His excitement mounted. “The military standard of King Ferdinand and Queen Isabella—of Spain!”

“Yes,” said Machiavelli. “Good. Now we know what country. But we still don’t know where itis. Or why we’re being shown it. Is Micheletto on his way there? Ask the Apple again.”

But the vision faded, to be replaced by a fortified hill town, from whose fort a white flag crisscrossed with red chains, their links filled with yellow, which Ezio recognized as the flag of Navarre. And then a third and final picture: a massive, wealthy seaport, with ships drawn up on a glittering sea and an army gathering. But no clue about the exact location of any of these places.


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