22 MILES

SHE TALKS IN HER SLEEP. SHE MENTIONS A COUPLE of writers—Beckett and Neruda—and some other names I don’t recognize, just kind of mumbling like people do in their sleep. She talks about “brigands,” like she’s afraid of them. Then she says something about her dad, and in a tortured voice she moans, “Why?”

And she looks so vulnerable—so normal—for a second, despite her tragic haircut, that I actually feel like hugging her. Telling her things will be okay, even though I don’t know exactly what’s going on with her.

And then I remember that she is not only the top-priority focus of my father’s manhunt but is dangerous and most likely mentally unstable. I stay on my side of the tent.

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