13 JUNEAU

IF I HAVE TO TAKE A BOAT, I WILL NEED MONEY. Currency. “The root of all evil,” Dennis called it in our history class. He claimed that it was the cause of World War III. That capitalism and greed set the whole thing off, beginning with a war over oil and ending with the destruction of the environment. Although he was wrong about the war, everything I have read and heard about the world confirmed that money has always caused corruption. Now I have to find some money of my own. Just the thought of it makes me feel compromised.

I consider stowing away on a boat for about a second, like a character in one of our old books. Then I realize that’s way too eighteenth century. What am I going to do—hide in an empty ale keg? No, there’s no way around it. I’m going to have to buy a ticket. I saw something on the way into town that may prove useful: a sign in a shop window.

I have to turn toward the harbor to remember which direction to go in. The buildings are confusing me. If I were standing in the middle of a mountain field, I could find my way. But with glass buildings reflecting one another every way I turn, I have to concentrate. I glance at the sun and then the water, and head north-northwest.

In ten minutes we are there. CA$H FOR GOLD, the sign reads. The window display holds a treasure trove of fragile-looking rings and necklaces. I swallow my fear and stare at the door for a moment. There is no handle. But there is a small sign on one side that reads PUSH. I push, and with a whoosh of warm air, the dogs and I are inside the building and blinking in the artificial light.

“How can you help me?” comes a voice from the far side of the room. I blink again, and then focus on a small man standing behind a cupboard made of glass. His eyebrows are gray, but his hair is raven black and looks strangely crooked. He is wearing a pelt on his head, I realize, and try not to stare. He rubs his hands together and plasters on a large smile.

I walk forward and force myself to speak to this stranger. “I saw the sign. Cash for gold.”

“That’s right, young lady,” he says, looking me up and down.

My buckskin trousers and fur-lined parka are very different from his clothing, which is made of shiny woven material. I push my hood back and sweep my long hair out of the back of my coat to fall around my face, using it as a curtain between us.

He stares oddly at my eyes and clears his throat. “What can I do you for?” he asks, with a joking smile.

I am having a hard time understanding him—both from his strange expressions and the fact that he speaks through his nose—so instead of talking, I lay my pack on the floor and crouch to dig inside. My fingers find the bag holding my brigand insurance. The objects I was told to use if I needed to negotiate with them.

I pull it out and, after opening the drawstrings, choose carefully and set a stone on the glass in front of the man. I watch his face attentively as he flinches in surprise and then draws a blank expression over his features. A term my father used when we played cards pops into my mind: he is using a “poker face.”

“Well, now, what do we have here?” the man asks. He picks up the stone and fits a black spyglass type of lens to one eye. “A gold nugget”—he pulls a measuring stick out from beneath the counter—“measuring almost two inches.” He weighs it in his hand and then places it on a metal contraption, squinting as he reads numbers off a little screen. “Weighs a hundred twenty-five grams.” He peers at it again through the lens. “Low to medium quality, I would say. Well, little missy, today’s your lucky day, because I have just the buyer for this sort of nugget, and I can offer you the top-notch price of five hundred dollars.”

There is something wrong with his face. I lay a hand across Neruda’s head, my thumb pressing one of his temples and my middle finger the other. I grasp my opal as I crouch down to whisper into his ear, “How do you feel about this man?”

The man chuckles nervously. “Do you always consult your dog for your business decisions?” he jibes, and a bead of sweat forms on his brow just below the black pelt.

I stare at him and feel the tingle as I connect to Neruda’s thoughts. Animals don’t think in words. It is my dog’s primal instincts that I Read, and Neruda’s instincts tell me the man cannot be trusted. My dog sees him as an inferior pack member that must be expelled to ensure the security of the others.

I stand and hold my palm out. “My nugget,” I insist, and wait.

The man’s hand trembles slightly. “Let’s not be hasty, girlie. I’ll check my charts and see if I can do any better on that offer.”

I pluck my nugget from his fingers before he has a chance to pull his arm away, and turn his scales around toward me. Placing the gold atop the scales as I saw him do, I read aloud from a shiny strip near the base. “Two hundred grams, not a hundred twenty-five.”

I nod toward a sign I saw when I entered the store. “That says you pay forty dollars per gram of gold. According to your chart, you should be offering me eight thousand dollars for this nugget.” I slip the stone back into its bag.

“Now just wait a minute here, missy. You have no idea what standards the pricing is based on. A gold nugget is not as valuable as gold dust, which is what is melted down to make this high-quality jewelry.” He waves his hand to display the ugly jewelry inside the case.

His eyes tell me that he is lying. That my nugget is rare, and that he desperately wants it. I think of Whit’s satisfaction whenever one of us finds a nugget in the Denali riverbeds. “That may serve us well someday,” he says before ordering us to take it to the shelter and stash it with the rest. Unlike plentiful opals and semiprecious stones, the gold nuggets are hard to come by, and this man’s excitement confirms their value.

“I saw another ‘cash for gold’ sign by the waterfront,” I say, and nestle the bag into my rucksack.

“Stop!” he shrieks. Sweat courses down the sides of his face. “Okay, I’ll give you seven thousand,” he says, pain audible in his tone, “as well as some valuable information.”

I hesitate. “What kind of information?”

“Someone is looking for you,” he responds.

We stare at each other in silence for a minute before I fish the bag back out of my rucksack. He ogles it and licks his lips.

“Talk,” I say.

He walks back to where a red plastic apparatus is attached to a wall. Telephone, I think, as I recall the picture of a similar one in the EB.

The man pulls a card off a board stuck full of scraps of paper and slaps it down on the counter in front of me. On it is printed a ten-digit number, and scribbled in pencil in one corner is “Girl w/star.”

“They were big guys. Dressed in camo,” the man says. “Came in here yesterday saying they would pay top dollar for information on your whereabouts.”

My chest clenches painfully. The man’s description sounds like Whit’s captors, the big men I saw in the fire holding his arms. Why are they looking for me? “What does this mean?” I ask, pointing to the scribbled words.

“They described you as a teenage girl, long black hair, probably accompanied by two huskies.” He hesitates and studies my face suspiciously. “And what looks like a gold starburst in one eye.”

My starburst. The same as the rest of the clan children. The sign that we are in close union with nature. Yara-Readers. Our parents tell us it is something to be proud of—an inheritance from the earth. But now it marks me as someone to pursue.

And how do these men know what I look like anyway? I could ask the same about how they found my clan. Or how they knew I wasn’t with the rest of the group. But the knowledge that they may actually recognize me chills me to the bone.

I slip the card into my rucksack, pull the nugget back out of the bag, and place it on the counter. The man makes a grabbing motion, but I keep my hand on it. “Count the money out for me first,” I command, and he darts to the back of the room, disappearing through a doorway and then emerging with a handful of paper money.

He begins counting it, and I watch the numbers on each bill as he does, totaling them in my head until he reaches seven thousand. He pushes the stack across the counter toward me, not even looking at my face. His eyes are only for the nugget.

I withdraw my hand, and he plucks up the gold and pushes it under the counter. I have no doubt that the value of my piece is much more than what he has given me. I only hope that it is enough to obtain a boat ticket to wherever it is I am supposed to go.

I turn to leave, and the dogs leap to their feet, rushing before me to the door. They are as uncomfortable as I am in this artificial space with this artificial man.

“A word of advice, girlie,” the man calls as I open the door and gulp in the frosty outdoor air. I glance back at him, and his face has changed. He got what he wanted and his greed is satisfied, so he is happy. “Take out that weird contact lens, cut the hair, and lose the dogs.”

I nod at him and let Beckett and Neruda run outside. “And if I were you,” he yells, as I shut the door behind me, “I would get as far as you can—as fast as you can—out of town.”


I decide to take his advice. At least what I understood of it. Whit’s captors are sure to be watching the harbor, so it will be my last stop. Before that, I have a lot to do.

The woman in Beulah’s Hair Emporium takes one look at the huskies and calls, “It’s cold outside, so the dogs can come in, but they have to stay by the door. We have sanitation regulations, you know.”

I flick my finger, and they immediately drop to lie next to each other under a potted tree. “Wow, you’ve got yourself some obedient dogs there,” Beulah (I suppose) says, and instructing me to hang my coat on a rack, leads me to a chair. “What would you like, dear?”

I point to one of the giant hairstyle photos hanging on the wall.

Beulah gapes at me. “Oh, honey, you can’t mean that. You have such beautiful long hair.” I stare back at her, determined.

A half hour later the dogs and I leave. My hair looks just like the boy’s in the picture.


On the same street as Beulah’s Hair Emporium is a large, bright clothes store called the Gap. I leave the dogs at the door and follow the MEN’S DEPARTMENT signs. The artificial light and mirrors make me dizzy, but I deep-breathe and walk downstairs to an underground floor. The stale air makes it feel like a spot-lit tomb.

I leave twenty minutes later wearing all-new clothes, a baseball cap, and a black parka. My new synthetic backpack bulges with five shirts, a red “hoodie,” three sweaters, and three pairs of jeans. After buying some hiking boots at a shop next door, I drape my bulky fur parka and hand-stitched leather rucksack over a garbage can outside and hope that someone like the old lady in the park will find it.

Then the dogs and I head to our final destination together.


“These are beautiful huskies. Can’t say I’ve seen their exact markings anywhere on the sled-dog circuits. Where did you buy them?”

The woman ruffles Beckett’s fur with her fingers and peers up from where she crouches on one knee in front of him.

“My family’s been raising them for a few generations.”

“What’s your family’s name?”

“Will you take care of my dogs for me?” I cross my arms over my chest. My heart hurts so much it feels like my brain is bleeding.

She stands. “Our boarding fees are five hundred dollars per month for one dog. For two it’s nine hundred. I take care of these dogs like they’re my own kids.”

“That’s what the woman at Beulah’s said.” My voice cracks. I can tell that Beckett and Neruda like her and, from that alone, I know she can be trusted.

“How long do you plan on leaving them?” she asks, her tone softening as she sees my emotion.

I clear my throat. I won’t cry in front of this stranger. “I don’t know. But I will be back for them.” I dig through my backpack, count the money quickly, and place it in her hand. “Here’s three thousand dollars.”

“That’s a lot of cash to be carrying…,” the woman begins to say, and then gasps when she sees what I place in her hand on top of the money.

“And that’s insurance,” I continue. “In case I don’t make it back in three months. I want to know that these dogs will be well cared for and stay with you for the rest of their lives.”

“I can’t take that!” The woman’s face is white with shock.

“Trade it for cash if the money runs out. Otherwise, you can return it to me when I come back for the dogs.” I sink to my knees between Beckett and Neruda and pull their furry heads toward me. I can’t stop the tears now; they are streaming down my face. “Good-bye, friends,” I whisper.

And then, standing, I turn and walk out of the kennel, leaving its astonished director holding a gold nugget more than double the size of what I sold to the gold dealer.

* * *

The harbor’s ticket office is a small boxlike building with windows that look like mirrors from the outside but that are see-through on the inside. Above a counter hangs a board listing destinations, dates, and times. For the last few hours I have pushed from my mind every thought but those that facilitate my departure. But now, seeing three dozen cities listed on the departures board, my shock returns in full force. All those cities that we thought were destroyed in the war still exist.

I imagine how astonished my father must have been a few days ago when he discovered that the war never happened. All the protective measures we took to avoid brigands were in vain. Our isolationist mentality kept us from discovering that an outside world still existed.

The flame in my chest burns brighter. Once I’m reunited with my clan, we will discover together what’s actually happened to the world during the last three decades. But right now I have to find them.

I scan the names of the cities as I consider which could possibly be the answer to my oracle’s cryptic clue, “You must go to your source.” And then I see it. Seattle. That’s where my parents came from. Where they lived before I was born. It is my source, in a manner of speaking. And there’s a boat leaving for the city today.

“How much is a ticket to Seattle?” I ask the teenage boy behind the counter. I keep my eyes lowered. The startled reactions of the salespeople and the woman at the kennels when they saw me up close have confirmed to me that my starburst is not a common occurrence in the outside world. No one I’ve come across has eyes like mine, and Whit’s captors even used it to describe me.

“Round-trip that’ll be one thousand ninety-four dollars,” the boy says, “two thousand if you want a private cabin.”

“I only need to go one way,” I say, digging into my pack for money. “How long does it take?”

“Four days, eight hours,” he responds. “When do you want to leave?”

“Today.”

“You’re in luck. We have a boat embarking in a half hour,” he says, pointing to a shiny blue-and-white ship at the far end of the harbor. A thrill passes through me as I realize that I will actually be riding on a boat. A few days ago, I wouldn’t have ever expected to see one. I feel like I’m in a dream—like I’ve suddenly been popped into some sort of strange new world.

A long line of people pull rolling suitcases up the boat’s lowered gangplank. I hoist my pack onto my back and shove the ticket the boy gives me into my parka pocket. “Have a good trip,” he says in a voice that indicates he couldn’t care less whether my trip is good or not.

I am three steps away from the ticket office when I see the men. They are dressed the same as the ones who held Whit in the fire-Reading vision. And they are seated yards away from the loading ferry.

Slowly, I back up behind the edge of the ticket office, careful not to draw their attention. Once I’m out of sight, I poke my head out to watch them and am paralyzed by fear. They are checking out every passenger who gets on the boat. Carefully.

I reach automatically for my dogs. It takes a second for me to remember that I no longer have Beckett and Neruda for protection, and at that thought I’m struck breathless by grief. They couldn’t help against these men anyway, I tell myself, remembering the bloody masses of fur throughout our village. I suck the cold air into my lungs and accept the fact that from now on, I am truly on my own.

I peer into the mirrored window beside me. I look like an adolescent boy. It’s only when I speak that I give myself away. Even so, I wonder how quickly it will take these men to figure out that the adolescent boy boarding the ferry by himself is actually the girl they’re searching for. Not long, I think.

I remove the baseball cap and run my fingers through my spiky hair. It is short—really short—but it’s still black. And it’s not like I was able to change my height—I’m still five foot five and fine-boned. From where they’re sitting, they’ll be too far away to notice my eyes. But if they come within a few feet of me, they’re sure to see the starburst.

My neck muscles tense as my fear is replaced with anger. At myself. For being naive enough to believe that I could fool my pursuers with these weak attempts at a transformation.

Transformation. The word plants a seed of inspiration in my mind, which springs into a fully formed idea. I plunge my hand into the backpack and rummage around until my fingers touch a soft lump of fur. I pull it from the pack to see Whit’s rabbits’-feet amulet: one foot white and another brown, bound together by a thin copper wire. The snowshoe hare in its winter and summer incarnations. I think back to the day when he taught me about transformation.

“An animal that changes color with the season. Nature’s metamorphosis. Can you get any more magical than that?” Whit said as he instructed me to bind the two feet together. “Camouflage is one of nature’s most crafty defenses,” he continued. “A temporary form of metamorphosis. Watch what the Yara allows, Juneau.” And taking the rabbit feet between his fingers he suddenly—and startlingly—changed color. His skin turned a dark earthen color like the yurt around him, and his hair transformed from black to chestnut brown. Even his hazel eyes morphed into a deep chocolate color. Then, setting the furry amulet down on the table, he instantly changed back.

“This is the amulet I use when I camouflage the yurts from brigands. You’ll need to know how. Try it,” he said, handing me the amulet, and showed me how to use it by visualizing the rabbit’s seasonal transformation.

That is the only Conjuring I have done by myself. Whit demonstrated things for me but was waiting until I turned twenty and underwent the Rite before letting me Conjure on my own.

Whit had explained that because Conjuring actually has an effect on nature, unlike Reading, it shouldn’t be used lightly.

But now I have no choice. I have to try. I hold the furry amulet between my fingers and open myself to the Yara. As usual, I feel the tingling the second my mind taps into the stream of nature’s consciousness, and begin picturing a snowshoe hare in summer with rusty brown fur and mahogany eyes.

I speed time up, flashing through a few months, and watch the animal forage for soft flower buds in the browning tundra grasses. I watch its fur begin its transformation just before winter’s first snowfall, and soon its pelt is pure white, except for the black tufts tipping its ears.

I switch my focus to my image in the mirrored glass and watch, astonished, as my body begins to take on the colors of the snowy harbor around me. My suntanned skin fades to milky white. My black hair transforms to a pearl-white blond. And as I lean toward the mirror I see that my eyes match those of the rabbit whose feet I hold: dark brown, almost black. No starburst in sight.

Size, I think. Make me bigger. Taller. But my shape in the reflection stays the same. This is the extent of the Conjuring. Now I must make it last long enough to get me safely past the men and into the boat.

I swing the pack onto my back and stride purposefully toward the boat, adding what I imagine to be a boyish gait to my steps. My stomach twists itself in knots as I near the men, but I keep my gaze steadfastly on the ferry and try to ignore them.

I near the base of the gangplank. My palm has coated the rabbits’ feet in sweat, and my heart hammers painfully in my chest. I feel the men’s eyes on me, studying my face as I wait my turn behind an elderly couple wearing fur-lined cowboy hats. My throat clenches as I see one of the men get up and walk toward me until he stands only a couple of feet away.

I can’t help myself: I look his way. As soon as his eyes meet mine, the aggressive hunch of his shoulders relaxes. He crosses his arms and nods at me, and then turns to go back to his partner. I am so numb with fear that I can barely move forward when the couple in front of me steps onto the boat. But I manage to hand my ticket to the woman at the door, and climbing into the artificially lit room beyond, I slump onto the first bench I see. Dropping the amulet, I feel my rabbit-invoked disguise disappear, and I become myself again.

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