Will Power

SCENE XIV The Plot Thickens

I didn’t bother trying the main door to the library, but went straight to the side entrance. The door opened as easily as it had before, though a key had been pushed into the lock from the inside, as if someone had tried to lock it without realizing that the mechanism was rusted away. The writing table had been pushed back up against the second door, but it yielded as it had done before and I was in before you could say “minimum security.”

“Aliana?” I whispered, with the hushed reverence I reserve for libraries. There was no answer. I walked around a great case of medical books and peered at the main entrance, but there was no sign of her or anyone else, so I wandered through the aisles of piled and shelved volumes, wending my way back to the drama stacks. I settled here and randomly plucked a book from the shelf behind me.

“The Tragical History of Shatrel, Lord of Dambreland, and the Horrid Revenge of Benath Kazrak,” I read aloud. “Sounds good to me.”

And so I settled and read under the pale, glowing dome for an hour. But when I reached the fourth act, with Shatrel’s demonic machinations in full swing, the thing ended abruptly. There were thirty pages missing, cut out at the spine with a knife or scissors. I cursed quietly to myself and replaced it in the shelves. The next one I selected got a careful examination before I started reading, and this produced a curious discovery: The play’s final pages were intact, but much of the second act was missing, cut out like the conclusion of the other play. I took down a pile of books and flicked through them. Over half of them had some pages missing: a couple missing only three or four pages, some lacking a good deal more, one being reduced to no more than a dozen leaves.

I put them back and sat pensively. This was not the result of decay, neglect, or the passage of time. These books were not accidentally burned, nor had their pages fallen out of rotted bindings or been casually torn out by owners who needed a piece of scrap paper. These had been rigorously and systematically mutilated. To someone like me who had seen similar work done by the Diamond Empire in Thrusia, this could mean only one thing: censorship. But of what and by whom?

I often find that I think better on my feet, so I rose and began to pace the library floor. It was a large building and I had seen only a fraction of it. Since there didn’t seem to be anyone about, this seemed as good a time as any to see what else was there while I mulled over recent developments.

I saw it like this: Long ago, Phasdreille was the center of a glorious civilization and it produced much that was fair and wonderful to behold. The city architecture by itself would have been ample evidence of this, but so was the literature I had been reading and the paintings I had seen in the king’s palace. In more recent years, however, something of the fire that had inspired the “fair folk” had gone out. What I saw now was a society devoid of passion and intensity except in their understandable hatred for the goblins: a society ruled by fashion and ostentation, by the shallowest performance and superficiality. In such a culture, even the great literary products of its past could be considered scurrilous and disreputable. So the good people of present day Phasdreille had opted to rid themselves of what they now considered degenerate.

It sounded right to me, but the real test would be to turn up some local history books and see what had happened to create this shift in attitude. Perhaps it was the appearance of the goblins themselves? With this in mind, I began to climb the stone-balustraded spiral staircase that coiled up to a great gallery which skirted the dome. It was lined with books and doors into other, darker rooms. Since I wasn’t finding the books I had been looking for I began trying the doors. A few were open but led to tiny storage rooms with empty crates and boxes. The rest were locked.

I suppose some part of me had always known this, but my few months adventuring had driven the point home: The best doors are always locked, and how much you want to get into a room is directly proportional to how difficult it is to do so. Tell a child he can go in any room but the one at the end of the dark corridor and, as all good storytellers know, that’s where he’ll want to go as soon as he’s left alone in the house. The same is true of romantic conquest, I suppose: forbidden fruit, and all that. This I offer as explanation for using my handy fruit knife (which hadn’t seen much fruit lately) to throw the tumblers in the lock of one particularly interesting-looking door.

It was bigger than the others, heavy and studded with square-headed iron nails that were now quite black. The handle was a great iron ring that hung stiff and heavy, and the lock was old, purposeful but far from intricate. After no more than a couple of minutes probing and twisting in the massive keyhole, something turned over and fell back. Breathlessly, I twisted the ring and pulled. The door opened.

Inside it was gloomy, but I could make out a short flight of stairs and then, as I cautiously ascended them, what seemed to be a large room. No, not large, cavernous. It extended back a hundred feet or more and was about a third of that in width. It was lit by tall, narrow windows with leaded and stained glass depicting heroic scenes. All along the walls were bookcases and desks and boxes and piles of papers. I approached the nearest table and looked at the manuscripts arranged neatly on its top.

There was a pile of books of poems by a single author by the name of Brontelm, all of which seemed to be missing pages as the plays downstairs had. Beside the book, however, was a stack of paper. My heart jumped as I guessed that these were the excised pages. They would show me what the city authorities deemed so offensive that the library had to be decimated. I sat down and began to read eagerly, instantly realizing that the entire collection consisted of love poems. Censored love poems! This ought to be good.

My enthusiasm was unmerited. I got through the first ten sheets and stopped. I had read a dozen different poems about haughty mistresses, dark ladies whose crystal eyes shot death to their lovers’ hearts, cherry lips which breathed jasmine flowers, and variations on the usual courtly love twaddle, and found nothing to offend, nothing racy or provocative. I had read Thrusian guides to grammar and pronunciation with more erotic content.

My gaze strayed to a box beside the table. In this were heaped other tomes, pamphlets, and books of various sizes and types, all old, all irreverently discarded, covers torn off, pages splayed and disheveled, crumpled and ripped. Given the care with which the books were preserved elsewhere, this seemed strange, so I plucked one out of the crate to see if I could figure out what it was that made it little more than refuse. It was written in some unintelligible language full of curls and dots and trailing lines like feathered tails, graceful but strong and forthright so that I found myself wishing I could read it. I carefully replaced the book in the box, but when I looked at the other boxes arranged around the room, a troubling pattern emerged. Every book bore the same graceful and unreadable script, and they were, it was clear, the sad remnants of a great many volumes. The boxes were grouped around a central hearth with a broad chimney which was blackened and choked with ash but quite cold, allowing me to paw through the cinders in the grate. I found the corners of pages and bindings, badly burned, but all showing the same beautiful, unintelligible script.

Libraries are not places you tend to associate with book burning. I supposed it was possible that the piles of mutilated manuscripts could have been infected with some parasite and had to be destroyed to preserve the rest of the collection, but it was bloody odd that every text in the other language had been set aside to be torched. I had seen none of these books in the halls downstairs, and only those in Thrusian seemed to have been painstakingly edited. It seemed clear that everything in this other tongue was being systematically rooted out and destroyed, but why? Maybe those who could read them were all dead, but could knowledge of a language die so completely that its literature was of absolutely no use to anyone? In this extensive library was there no grammar or lexicon to those feathery traces, nothing to make it worth keeping them?

Among the dead embers I found some pages printed with the cursive script that were less badly damaged than the others, and I took them, folding them into the pocket of my jerkin. I left the room quietly, and, in a few minutes, was able to click the lock on the heavy oak door into place. They would never know I had been there, whoever “they” were.

Well, they wouldn’t unless they saw me standing around like the lingering ghost of someone who, well. . did a lot of standing around. Sorry, but my mind was too preoccupied with the sound of footsteps on the stairs to waste time thinking up suitable similes. I came to myself and moved quickly, running on tiptoes around the gallery. On the far side of the dome was an archway and a corridor, but until I got there I was completely exposed. The banister around the gallery was made up of slim stone posts with a top rail and it afforded me no cover whatsoever. As I looked hastily around, two blond men reached the head of the stairs. I froze where I was.

They were each carrying a stack of books, leaning back slightly with their chins holding the tops of the piles to their chests. I caught a few muttered words from the sides of their mouths, but they were too preoccupied with managing their burdens to turn around and notice me. I started, very carefully, to move again, and stepped behind the cover of the great marble arch. From there I peered back while the men opened the door to the great room I had just left and disappeared inside. But any hopes I had of nipping out and down the steps were dashed as another pair appeared on the stairs, weighed down with books like the others. I ducked back into the arch and began to pace quietly down the corridor, trying to get away from all this officious activity. As I left the dome behind, the light lessened, but it was still bright enough to make out the doors set into the walls on either side and the larger, bronze-faced doors at the end.

These were set with intricately cast panels polished to a high golden luster, each seeming to show the construction stages of a great building which emerged from behind scaffolding in the topmost frames. Amidst the scenes of its great halls was a panorama of the structure from outside, and in the center of its roof was a broad dome, crawling with laborers. It was the library I now stood in. I put one hand on the handle to try it, and pulled it away hurriedly. It was warm.

I tentatively put the flat of my palm against another bronze panel. That, too, was almost hot to the touch, and throbbed faintly as if blood coursed through the metal and timber door. I was now conscious of a faint hum emanating from within, as if a swarm of bees had settled on the other side. But it wasn’t just a sound. I felt suddenly dizzy, disoriented, and when I stepped back, my head swimming, I had to reach out to the walls to steady myself. I found myself leaning on one of the corridor’s side doors. As I released my weight onto it, it opened suddenly.

I fell forward and collapsed on the floor. For a second I lay there, confused, then I rolled onto my back and found myself looking up at the long, graceful legs of Aliana.

She squatted down close to me, her face expressionless.

“What are you doing, Mr. Hawthorne?”

“There’s a fire, I think, in the room at the end of the hallway. I felt it through the door.”

She looked at me for a second and then got hurriedly to her feet. “The brass-paneled doors over there?” she said, stepping past me into the corridor and pointing.

“Yes,” I answered getting to my feet. “I’m not sure, but I touched the doors and I felt something. . ”

She had approached the doors and put her face close to them. Suddenly she turned back toward me and she was moving quickly.

“You’re right,” she said hastily. “I can smell the smoke, too. That is one of our largest storage areas. We must raise the alarm or we could lose the whole building.”

And then she was marching away. I followed her out of the corridor into the dome gallery where she started shouting for assistance. The book carriers appeared, looking apprehensive and startled.

“There’s a fire in the main storeroom,” Aliana called. “You two, get everyone out of the building. Mr. Hawthorne, that includes you. The rest of you, help me get some water up here and we’ll see how much we can save.”

So much for my sneaking about. So much also for my claims to heroism. Here I was being turfed out like someone’s elderly mother-in-law while others more capable looked to the valiant defense of the library.

“I can help, too,” I began.

“No,” said Aliana firmly. She gave me a quick look and added in a gentler, but still urgent, tone, “You are a guest of the king and I will not have you come into unnecessary danger. Please. Let us handle this.”

“All right,” I shrugged. “But be careful.”

She gave me a long, strange look as if caught completely off guard, then moved rapidly back to where the blaze was raging, without another word or a glance back.

I was ushered down and out. Once in the streets, I ran around the building looking for signs of the conflagration. There was a pall of smoke over the building, but it was hard to see how much of it came from the various chimneys that peeped discreetly from around the dome. I caught a passing guard and told him of the fire and he ran to contact the appropriate authorities. I sat around to watch.

A few minutes later a horse-drawn cart with a great tank on the back drew up and a group of uniformed men with axes and pails alighted and entered the building. After that, nothing.

Time passed and the firefighters emerged, apparently none the worse for their labors. I watched them leave and then returned to the door through which they had come.

Aliana was there. “I thought you’d still be here,” she said.

“I’m glad to see you unharmed,” I replied.

“It was a minor affair,” she said, still not inviting me in, “but it could have been much worse had you not reported the blaze as quickly as you did, though you should not have been here at all.” She looked at me from beneath lowered brows, but the reprimand was almost playful.

“Sorry,” I said. “But at least I was of use.”

“Indeed,” she replied. “Much of what was damaged was old binding material scheduled for disposal anyway, but it could have spread disastrously. We have had a narrow escape.”

“Narrow enough to justify my asking you to join me for dinner?”

“What?” she asked, caught off guard again.

“Dinner with me. As a kind of reward. For me, I mean. There are a few things I’d like to talk to you about.”

“Like what?”

“The battle for one,” I said. “And the library. So what do you say?”

“Well, I don’t know,” she said. She seemed confused, as if this had never happened to her before. “I will have to think about it,” she concluded.

“Fair enough,” I said.

She smiled and began to close the door. “Farewell, Mr. Hawthorne. Till next time.”

“Till next time.”

So I hadn’t lost all my charm, I thought to myself wistfully. Progress, of a sort, had been made. It was only a matter of time before she succumbed, and if that didn’t get Renthrette’s goat I was a pickled fish. Which I’m not. This return to erotic possibilities, however distant, suddenly reminded me of how I had heard of the library in the first place.

I fished in my pocket and drew out the letter which Renthrette had brought and read to me. Since I had never actually finished reading the thing, I unfolded it and looked it over. Being unused to love letters, especially courtly love letters, I was unsure of what to make of it, which was probably why I had all but forgotten about it. Of course, part of me was excited that there was someone here, someone pretty sophisticated and elegant, if her diction and perfume were anything to go by, who was apparently interested in me. This very elegance and sophistication constituted, however, a pretty major stumbling block for someone as out of his depth in the king’s palace as I was. I could fake it a bit, from time to time, and I had as quick a brain as most or all of them, but I didn’t have, and didn’t want, the training in insincerity. This courtly verse and delicate verbal sparring bored the pants off me (and if that isn’t the most inappropriate figure of speech ever invented, I don’t know what is), and I wasn’t about to work at getting it right for weeks so that some gorgeous tart in silk and rubies could reward me by presenting me with a scarf for me to wear in my hat, or whatever the hell they did round here in place of sex.

But I could not pass up female attention, however odiously it was versified, so I read the rest of the note. After that stuff about the play and the rather promising references to kisses and heaving breasts, it got down to the serious business of courtly metaphor. My eyes ran over two pages of rare stones, phoenixes, swans (and other-so far as I could tell-unchocolated fowl), sighs like clouds (hers), glances like javelins (mine), and a host of other tedious stock allusions. It was as if my self-proclaimed admirer had been locked in a small room for five years with nothing to eat but the most aristocratic of love poems, something far from unlikely around here. The second to the last paragraph, however, promised more than Renthrette had spotted or chosen to reveal, though I had long since quit trying to read something hopeful into her foiling of my amorous adventures. It ran as follows:

Be but at the gatehouse beyond the bridge as twilight falls and my coach will sweep us into such sweet bliss that angels will pause in their celestial music and sigh that only mortals could partake of such earthly rapture. For as the bluebird spies out her mate as night comes on and twines with him in flight, so will my hand seek yours and joy will bear us into heaven where lovers sing by the light of. .

And so on, and so on. You get the picture. But, you must admit, it wasn’t a bad picture, once you got past all that literary throat-clearing. All that intertwining birds business (what exactly is the fascination with birds in this town, anyway?) may promise no more than hand-holding, but either there was a spark of fire there that could light a real inferno, or I’m no judge of writing. I only wished my eloquent seductress had spent less time on similes and more on concrete arrangements. I mean, twilight is not very specific as a time for a rendezvous goes, and no particular day had been mentioned. Would she patrol the gates in her coach, sighing little love clouds out the window for the rest of the week, or what? Well, there was only one way to find out. As the proverbs say: Nothing ventured, nothing gained, and he who hesitates is likely to wind up spending the night by himself. Call me a hedonist, call me an irresponsible seeker of pleasure, a libertine, and a degenerate. While you do so, I’ll be at the gatehouse waiting for a coach to take me to heaven by the fastest route I know.

A fast route, no doubt, but not one I had traveled in some time. Or that much at all, to be honest. This was a consequence of spending most of my first eighteen years in a dress (on stage, you understand) and the next with a bunch of high-minded adventurers who lived to denigrate my moral character. I needed to get into the right mood, and-if I didn’t want to stifle my would-be lover-a clean shirt.

One problem with my scheduled assignation, of course, was that it meant wandering around the city after dark. The last time I had done that I had almost fallen victim to every assassin in the region. I wasn’t going to put myself in that predicament again. The solution had already occurred to me, though: I would leave early, while it was still light-well in time for my assignation-and come back in the morning. This would mean being so irresistibly charming that my romantic correspondent would keep me closeted with her until daybreak, but surely I could manage that? Given my recent track record, it was a plan almost certainly doomed to failure, but I might be able to use the threat of my certain death if I returned to the city after dark as a way of keeping me enveloped in my beauteous lady’s piteous bosom.

It never really occurred to me that she might not be beauteous. The fancy writing oozed sophistication and style, and all the courtiers I had seen thus far had been real lookers; in fact, I think they pretty much had to be real lookers in order to be courtiers, if you know what I mean. Everyone in the palace was so preoccupied with their appearance that you just couldn’t imagine them daring to pass the time of day with any vile or misshapen old crone, assuming that the city of the fair folk even had the odd misshapen crone. I suppose I should have been outraged by this, but Garnet and Renthrette, who were usually pretty easy to outrage, would slit the throat of anyone who breathed a critical word about the court. If they thought it was all good and moral and wonderfully principled, how bad could it be? However much they played it down, of course, Garnet and Renthrette were attractive people themselves, in a chill and dangerous kind of way, and maybe this unspoken awareness made the exclusion of ugliness from the palace more acceptable to them. Maybe being part of the in-crowd of the court (and I had no doubt that they were part of that crowd now that Garnet was charging around heroically slaying goblins and Renthrette was drifting about in silk and jewels courtesy of the noble Sorrail) had dulled the edge of their righteous indignation. I don’t know. However superficial all this devotion to beauty and the socially decorous might prove to be, I could see the upside: It would not be a vile and misshapen crone picking me up in her coach.

Then Garnet arrived and spoiled things. The only thing scarier than a hostile Garnet is a happy Garnet, because the things that cheer him up would make any sane person run screaming for cover. He strode into my room positively beaming and, more to the point, armed to the teeth. He was cradling his polished helm with its frightful steel mask and great horns in the crook of one arm, and his other hand was rested on the head of the immense axe pushed into his belt.

“Quick, Will!” he shouted unnecessarily. “We leave in ten minutes.”

“We?” I asked, guardedly. “What do you mean, ‘we’? And where are you going dressed like a grave statue anyway?”

“To battle!” he roared, his mouth wide and his eyes flashing. “And I have procured a horse for you.”

“We’re going to rescue Orgos and Mithos?” I asked.

“What?” he said, and there was that vagueness in his eyes again, but only for a moment. “No,” he said. “Not now. That is already in hand.”

“What does that mean?” I said.

“It’s taken care of,” he said. “We have another mission.”

“Which is?”

He sat down hurriedly and spoke in an earnest, hushed tone. “The enemy who attacked the city have fled into the forest, but several of their foul companies have been spotted in the hills north of the city. Our scouts have reported that a large infantry unit has settled there and is probably awaiting orders to assault Phasdreille again. Their cavalry and the beasts they use are stationed elsewhere. If we wait for them to attack they will have a vast force composed of every type of soldier available to them. Right now, they are at a disadvantage. Several, in fact. They have not fully regrouped since their last assault and are missing anything resembling cavalry. They also aren’t aware that we know their location, and their camp is poorly defended. We can strike fast and with minimal risk. Last time my service was scant. Today my sword will spill whatever goblins have in place of blood.

“You are here as my friend, Will. Now you must prove yourself true and valorous. Show the noblemen that your heart is stout and your weapon keen as your wit. Gird your loins, polish your sword, and leave your crossbow behind, for you will not need it. This is war, not a paltry trading of shots. We will go with sword and shield and helm and worthy steeds that will make the air sing with their strides. We will rain down upon these goblin filth like a storm god, and we will drive them from our land in a tide of their own blood.”

See what I mean? To Garnet, loin-girding (what does that even mean?) and blood tide is picnic-in-the-meadow stuff, fun for all the family and a good time had by all. The more sharp bits of metal are flying around, the better he likes it, and these goblins had given him his absolute favorite thing in the whole world: moral clarity. And, in truth, it was kind of infectious. The idea of charging around with a bunch of honorable and well-equipped troops mowing down goblin scumbags armed with sticks suddenly sounded quite appealing, particularly once I’d reminded myself that if the opposition looked tougher than Garnet seemed to expect, I could always ride back, honor tarnished but hide intact.

And so, in a matter of minutes, there I was, sitting astride my worthy steed, my loins girded (I think), the reins gripped tightly in my shield hand while my leather-gauntleted right hand strayed uneasily to my sword hilt. I felt stupid, but I also felt the excitement and surety of victory of those around me, so I looked up proudly and tried not to feel like a fraud.

There was a company of fifty of us, horsemen all, mustered in the vast, pale courtyard before the palace. Sorrail rode at the head, clad in silver mail and brandishing a lance. Around him clustered Gaspar and several of the other prominent courtiers, all decked out for battle, their silken dalliance now barely conceivable as they spurred their horses and eyed their blades critically. Ladies and servants watched approvingly from the steps where Sorrail had greeted us on our arrival into the city. A woman in ultramarine taffeta strode forward and passed a veil or handkerchief to one of the riders. He kissed it ostentatiously and bound it to his wrist. Garnet, still beaming, cantered toward me as the horsemen fell into ranks of four and began to move off. My horse lurched as we began moving, but I stayed on.

Garnet, who lived for this kind of thing, raised his axe in the air and bellowed. I winced with embarrassment, but such displays were apparently considered acceptable to this crowd. Soon the courtyard rang with courtiers shrieking their valor and masculinity. I tried to smile away my fear and attempted a halfhearted cheer, but if anyone else was convinced, I certainly wasn’t.

We passed through the city, whose streets were lined with admiring and encouraging faces, out of the inner gates, over the bridge, and through the main gatehouse. Our column veered north, moving swiftly through mown wheat fields and meadows of long, brownish grass, and Garnet talked about how he was going to win glory by killing thousands of goblins singlehandedly. I was amazed he didn’t send the other forty-nine of us home so he could do the job by himself. Yet the company was part of it. He loved to be surrounded by like-minded men, all ready to show their skill and strength for a good cause. At one point he turned to me and said, “With these things you can smell the evil. You can see it in their eyes, in the shape of their limbs, in the malice scribed at birth into their faces. They are creatures of darkness, creatures of hatred and resentment. With each one you kill you can feel the world weeping with gratitude.”

The words were strange, of course, especially from the usually taciturn Garnet, but I knew what he meant. I had seen them boiling around the city walls and I had tasted the righteous indignation he felt. I wondered if this was what people felt when they fought what they call a “holy war.” By the time the camp was in sight, I had drawn my sword and set my teeth, almost as eager as my companions to encounter the enemy.

The fight, when it came, was short and glorious. We plowed through their camp before they really knew we were there. Those we did not kill instantly scattered in a rout before us, fleeing into the hills like geese with clipped wings. There were almost a hundred of them to our fifty, but they were thin, disheveled creatures with poor weapons and poorer spirits, and the sight of us bearing down upon them filled them with a shrieking terror so that they fled confusedly. We broke into two lines and funneled the stragglers into the center where they could not flee. For a few minutes, they fought desperately. Most of them could barely reach us, towering as we were on our saddles, so some took to hacking and stabbing at the horses until several fell.

I killed two goblins. One, a spindly fellow in gray rags brandishing a stick with a rock tied to the end, rushed into my sword point in a desperate charge. The other, a heavier creature with olive skin and deep-set, malignant eyes, stood his ground when he realized he could not flee. I charged my horse at him and plowed him underfoot before he could time his spear thrust. One of our men fell to a javelin thrust, but that was our sole casualty.

When we left the field, it was littered with the corpses of fifty-five goblins. The rest of their unit had completely dispersed. I felt utterly invigorated. Once the battle had begun, my fear left me and I never felt threatened or in serious danger. We were-as Garnet had said-like storm gods, unassailable, righteous, and potent beyond imagining. It was a good feeling.

We returned to the city as heroes. Women cheered and blew kisses and men applauded, promising to be with us next time. Garnet slapped me on the back and told me I had done well. His arm had been gashed by a goblin cleaver, but it was, he said, a minor injury. And the goblins had lived, but briefly, to regret doing him harm. Then he laughed and cheered with the rest. We were taken into the palace for a banquet, apparently the customary end to such raids. All damaged weapons, including my sword, which had been notched near the tip when I killed that first goblin, were collected and sent to the smith for reforging.

Here I made my excuses. Garnet was surprised that I did not want to indulge in this part of the proceedings, but he was also clearly impressed by the fact that I would fight and then not wait around to be wined, dined, and praised. His admiration, however problematic, came in my direction rarely, so I said nothing of my proposed rendezvous with the mysterious court lady.

Instead I bathed, dressed, and picked over the colorful, dainty, and tasteless morsels set aside for my private supper and went out, leaving the world of the palace behind. It was still light outside and the sky was pale and blue. The wind was fresh, and the city’s towers, columns, and graceful, curving walls looked-it has to be said-astonishingly lovely, like something out of an old tale.

Well, so much for that. I had more immediate adventures on my mind. I crossed the sentried bridge where the goblins had led their feint and found workmen studying the small spots of damage where catapulted stones had chipped and cracked the masonry. Unlike the burly and rude types who labored on the streets in Cresdon when someone finally decided it was worth doing repairs, these men were as tall, slender, and clean as the guards, shopkeepers or, for that matter, the courtiers. They were strong, no doubt, in that understated but powerful way that the men of their race seemed to have, but they looked more like bakers than builders. They wore long tunics of a pale, sandy color and stood around looking grave and doing, to my mind, very little. At the far end I came upon some spots that had already been repaired and noted the pretty shoddy job the workers had apparently done. The stone blocks that had been shattered by the impact of the monster had just been packed back into the crater in the wall, and one of the laborers was in the process of painstakingly plastering over the damage. The finished job looked just about perfect, but the wall was structurally no stronger than before the “repair.” Were they so short of materials that they could not do a better job? Were they expecting another assault imminently and merely wanted to cheat the goblins into thinking that the walls were as solid as they had been?

I approached the wall and looked closer, still riding a wave of confidence after my excursion with the cavalry. Almost immediately one of the masons came over to see what I was doing.

“Just looking at the repairs,” I said, lamely. “Rushed job, was it?”

He gave me an odd look and shook his head.

“It just looks,” I said, “a little, well, flimsy. No. I don’t mean flimsy, exactly. I mean, well, I’m not sure. Not as strong as the rest.”

“We have used a slightly different technique,” the mason said, unoffended, “but the wall is as strong as when my great-grandfather first hewed and shaped the stone which was laid as the foundation of this structure. You see those columns by the gate? He carved those himself with nothing but a chisel and mallet. He worked until his hands bled, refusing to rest until the job was done to the best of his ability. The intricacy of their carving is unmatched and, a hundred years later, they are still as straight and flawless as the day they were finished. Since then the goblin armies have broken upon this fortress like waves against cliffs and it stands still. He taught the trade to my grandfather who taught it to my father and my father taught it to me. This hammer,” he said, hefting the steel tool thoughtfully, “has been passed down through our family since the days of my great-grandfather, who used it to shape these stones and cut those pillars. We set a diamond into its handle to remember him by, see? You need not worry about the strength of the walls.”

I thanked him for his insight and moved on hurriedly, wondering at how quick people here were to give you personal history lessons. Beyond the barbican was a broad, paved road which skirted the edge of the city in what looked like a circle. Presumably it led somewhere other than simply round the badly patched walls of Phasdreille, but I had heard so little about the immediate environs that I could not begin to speculate where it might go. When I met my secret assignation, would I be led into the city? And, if not, what else was there round here other than the forest, which was the domain of goblins and dead friends?

A coach drew up as I was mulling this over. My heart leaped and I tried to look conspicuous. It was drawn by a pair of white mares with red ribbons plaited into their manes and tails. A slender white hand parted the curtained window and stretched out, dangling a flounce of red-tasseled silk: a handkerchief, perhaps. Was this a sign for me? I faltered uncertainly. The coach and its offered invitation remained where they were. I took a hesitant step and then, quite out of the blue, a gentleman appeared from the bushes at the bridgehead. He wore a small mask spangled with glittering stones and a pale coat with forked tails and hemmed with gold. He strode up to the coach, took the handkerchief and stepped back as the door swung open in admittance. He climbed up and disappeared inside. The door clicked shut and the coach rattled away.

As it trundled out of sight I looked back to where the stranger had come from. Around the barbican grew dense laurel bushes and a scattering of sculpted bay trees. If I was not mistaken, these bushes were alive with casually hidden courtiers. Indeed, now that I looked, they weren’t really hidden at all. Any attempt at concealment was purely token and, while they all wore elaborate masks, there was a similarly minimal effort to actually hide their identity. Clothes are expensive, and even a wealthy courtier can only run to a few suits of the kind of luxuriance that these blokes sported, so I could recognize several of them at a glance. One of them had been one of the principal players in the love debate we had witnessed while waiting to meet the king, and another had ridden with us earlier in the afternoon.

After another few minutes a different carriage rolled up and stopped. A lady’s satin glove was dropped nonchalantly by the cloaked driver, and a masked dandy emerged from the shrubbery, returned it to the invisible lady inside, and was admitted. The whole thing took no more than thirty seconds. Then they were off to whatever prearranged pleasures they had in store-though whether this would consist of more than courtly wordplay, I could not guess.

For about a half hour this bizarre pantomime went on. Coaches would draw up, display their appointed signs, and collect their respective gallants. Passersby seemed used to the huddle of half-hidden lovers awaiting their trysts and would occasionally stop to chat with one or more of them. More often, however, they would simply watch from an admiring distance. On several occasions the masked courtier would make a courteous bow to the audience before climbing into the carriage. This invariably produced a little smattering of applause from those around, including those halfheartedly ensconced in the shrubbery.

Apart from bewildering me utterly, this strange sequence of events also raised a serious question in my mind. Since this seemed to be the official marketplace of love, how was I to recognize my designated lady? If there had been any mention of some significant token that would identify her, I couldn’t remember it, and even if she stuck her head out of the window, I wouldn’t recognize her. Perhaps she would hang a board with my name in big letters from the window, or the driver would lean over and bellow, “Hawthorne, you’re on next.” I feared I would get little applause from the crowd for that and, since I had neither mask nor sumptuous attire, it seemed I was going to get precious little in the way of panache points.

At that point two courtiers accidentally came out for the same carriage but, after careful inspection of the workmanship of the proffered signet ring, one of them politely retired with much bowing and scraping, for which he got a round of consolation applause. I was close to abandoning the whole farcical escapade when a canopied two-wheel buggy, stylish but probably quite fast, drew to a halt at the edge of the road. The curtain above the half-door stirred slightly and a white hand emerged. It was holding an envelope.

I looked about me, but no one else seemed to be claiming this one. I took a deep breath and strode purposefully up to the vehicle with its single horse and driver. The eyes of the crowd followed me and I sensed their amusement. I felt awkward, like I’d stepped onto the stage knowing only half my lines or couldn’t remember how the scene ended. As is always the case in such moments, the audience smelled my uncertainty and fed on it. A titter rippled through the crowd. I flinched but kept walking, hoping against hope that I wouldn’t have the further humiliation of being turned away. My steps were halting, uncertain, quite different from the confident and balanced strides of the courtiers who had preceded me. I turned to find some masked fop emerging from the trees in a clumsy, limping gait, which was clearly offered as a parody of mine. The crowd lapped it up, chortling delicately and pointing from behind fans and hats.

If I get out of this, I thought, I’ll show that poncing git what I thought of his joke. He was dressed in deep, glowing blue velvet trimmed with lace and wore a rapier in a jeweled sheath. I’ll remember you, I thought, you clever swine. I’ll remember you, and we’ll see if you can use that sword as well as mince about with it. Knowing that he was probably quite the expert with the blade only made me angrier.

“Mr. Hawthorne?” came a low, female voice from inside.

“What?” I said. “Er, yes, that’s me. I’m in then, am I?”

Not the most romantic speech I could have delivered, I know, but it seemed to do the trick.

“Climb up,” she answered.

And suddenly I forgot the smirking, disdainful crowd. The voice was breathy, passionate, and sent my heart pounding. I did not need to be asked twice. I climbed in and didn’t even think to flick some rude gesture at the crowd as we rattled away.