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I had seen a head rise in the water, a head that looked like that of a Negro, though the features had been indistinct in the darkness. But no man, white or black, ever possessed the fingers that had crushed the life out of Jim Braxton. The distant drum grunted as if in mockery.

I dragged the body up on the bank and left it. I could not linger longer, for the madness was foaming in my brain again, driving me with white-hot spurs. But as I climbed the bank, I found blood on the bushes, and was shaken by the implication.

I remembered the figure I had seen staggering in the flash of Braxton's gun. She had been there, waiting for me on the bank, then—not a spectral illusion, but the woman herself, in flesh and blood! Braxton had fired at her, and wounded her. But the wound could not have been mortal; for no corpse lay among the bushes, and the grim hypnosis that dragged me onward was unweakened. Dizzily I wondered if she could be killed by mortal weapons.

The moon had set. The starlight scarcely penetrated the interwoven branches. No more creeks barred my way, only shallow streams, through which I splashed with sweating haste. Yet I did not expect to be attacked. Twice the dweller in the depths had passed me by to attack my companion. In icy despair I knew I was being saved for the grimmer fate. Each stream I crossed might be hiding the monster that killed Jim Braxton. Those creeks were all connected in a network of winding waterways. It could follow me easily. But my horror of it was less than the horror of the jungle-born magnetism that lurked in a witch-woman's eyes.

And as I stumbled through the tangled vegetation, I heard the drum rumbling ahead of me, louder and louder, a demoniacal mockery. Then a human voice mingled with its mutter, in a long-drawn cry of horror and agony that set every fiber of me quivering with sympathy. Sweat coursed down my clammy flesh; soon my own voice might be lifted like that, under unnamable torture. But on I went, my feet moving like automatons, apart from my body, motivated by a will not my own.

The drum grew loud, and a fire glowed among the black trees. Presently, crouching among the bushes, I stared across the stretch of black water that separated Tae from a nightmare scene. My halting there was as compulsory as the rest of my actions had been. Vaguely I knew the stage for horror had been set, but the time for my entry upon it was not yet. When the time had come, I would receive my summons.

A low, wooded island split the black creek, connected with the shore opposite me by a narrow neck of land. At its lower end the creek split into a network of channels threading their way among hummocks and rotting logs and mossgrown, vine-tangled clumps of trees. Directly across from my refuge the shore of the island was deeply indented by an arm of open, deep black water. Bearded trees walled a small clearing, and partly hid a hut. Between the but and the shore burned afire that sent up weird twisting snake-tongues of green flames. Scores of black people squatted under the shadows of the overhanging branches. When the green fire lit their faces it lent them the appearance of drowned corpses.

In the midst of the glade stood a giant Negro, an awesome statue in black marble. He was clad in ragged trousers, but on his head was a band of beaten gold set with a huge red jewel, and on his feet were barbaric sandals. His features reflected titanic vitality no less than his huge body. But he was all Negro-flaring nostrils, thick lips, ebony skin. I knew I looked upon Saul Stark, the conjure man.

He was regarding something that lay in the sand before him, something dark and bulky that moaned feebly. Presently, lifting his head, he rolled out a sonorous invocation across the black waters. From the blacks huddled under the trees there came a shuddering response, like a wind wailing through midnight branches. Both invocation and response were framed in an unknown tongue— a guttural, primitive language.

Again he called out, this time a curious high-pitched wail. A shuddering sigh swept the black people. All eyes were fixed on the dusky water. And presently an object rose slowly from the depths. A sudden trembling shook me. It looked like the head of a Negro. One after another it was followed by similar objects until five heads reared above the black, cypress-shadowed water. They might have been five Negroes submerged except for their heads —but I knew this was not so. There was something diabolical here. Their silence, motionlessness, their whole aspect was unnatural. From the trees came the hysterical sobbing of women, and someone whispered a man's name.

Then Saul Stark lifted his hands, and the five heads silently sank out of sight. Like a ghostly whisper I seemed to hear the voice of the African witch: "He pals them in the swamp!"

Stark's deep voice rolled out across the narrow water: "And now the Dance of the Skull, to make the conjer sure!"

What had the witch said? "Hidden among the trees You shall watch the dance of the Skull!"

The drum struck up again, growling and rumbling. The blacks swayed on their haunches, lifting a wordless chant. Saul Stark paced measuredly about the figure on the sand, his arms weaving cryptic patterns. Then he wheeled and faced toward the other end of the glade. By some sleight of hand he now grasped a grinning human skull, and this he cast upon the wet sand beyond the body. "Bride of Damballah!" he thundered. "The sacrifice awaits!"

There was an expectant pause; the chanting sank. All eyes were glued on the farther end of the glade. Stark stood waiting, and I saw him scowl as if puzzled. Then as he opened his mouth to repeat the call, a barbaric figure moved out of the shadows.

At the sight of her a chill shuddering shook me. For a moment she stood motionless, the firelight glinting on her gold ornaments, her head hanging on her breast. A tense silence reigned and I saw Saul Stark staring at her sharply. She seemed to be detached, somehow, standing aloof and withdrawn, head bent strangely.

Then, as if rousing herself, she began to sway with a jerky rhythm, and presently whirled into the mazes of a dance that was ancient when the ocean drowned the black kings of Atlantis. I cannot describe it. It was bestiality and diabolism set to motion, framed in a writhing, spinning whirl of posturing and gesturing that would have appalled a dancer of the Pharaohs. And that cursed skull danced with her; rattling and clashing on the sand, it bounded and spun like a live thing in time with her leaps and prancings.

But there was something amiss. I sensed it. Her arms hung limp, her drooping head swayed. Her legs bent and faltered, making her lurch drunkenly and out of time. A murmur rose from the people, and bewilderment etched Saul Stark's black countenance. For the domination of a conjure man is a thing hinged on a hair-trigger. Any trifling dislocation of formula or ritual may disrupt the whole web of his enchantment.

As for me, I felt the perspiration freeze on my flesh as I watched the grisly dance. The unseen shackles that bound me to that gyrating she-devil were strangling, crushing me. I knew she was approaching a climax, when she would summon me from my hiding-place, to wade through the black waters to the House of Damballah, to my doom.

Now she whirled to a floating stop, and when she halted, poised on her toes, she faced toward the spot where I lay hidden, and I knew that she could see me as plainly as if I stood in the open; knew, too, somehow, that only she knew of my presence. I felt myself toppling on the edge of the abyss. She raised her head and I saw the flame of her eyes, even at that distance. Her face was lit with awful triumph. Slowly she raised her hand, and I felt my limbs begin to jerk in response to that terrible magnetism. She opened her mouth...

But from that open mouth sounded only a choking gurgle, and suddenly her lips were dyed crimson. And suddenly, without warning, her knees gave way and she pitched headlong into the sands.

And as she fell, so I too fell, sinking into the mire.

Something burst in my brain with a shower of flame. And then I was crouching among the trees, weak and trembling, but with such a sense of freedom and lightness of limb as I never dreamed a man could experience. The black spell that gripped me was broken; the foul incubus lifted from my soul. It was as if light had burst upon a night blacker than African midnight.

At the fall of the girl a wild cry rose from the blacks, and they sprang up, trembling on the verge of panic. I saw their rolling white eyeballs, their bared teeth glistening in the firelight. Saul Stark had worked their primitive natures up to a pitch of madness, meaning to turn this frenzy, at the proper time, into a fury of battle. It could as easily turn into an hysteria of terror. Stark shouted sharply at them.

But just then the girl in a last convulsion, rolled over on the wet sand, and the firelight shone on a round hole between her breasts, which still oozed crimson. Jim Braxton's bullet had found its mark.

From the first I had felt that she was not wholly human; some black jungle spirit sired her, lending her the abysmal subhuman vitality that made her what she was. She had said that neither death nor hell could keep her from the Dance of the Skull. And, shot through the heart and dying, she had come through the swamp from the creek where she had received her death-wound to the House of Damballah. And the Dance of the Skull had been her death dance.

Dazed as a condemned man just granted a reprieve, at first I hardly grasped the meaning of the scene that now unfolded before me.

The blacks were in a frenzy. In the sudden, and to them inexplicable, death of the sorceress they saw a fearsome portent. They had no way of knowing that she was dying when she entered the glade. To them, their prophetess and priestess had been struck down under their very eyes, by an invisible death. This was magic blacker than Saul Stark's wizardry—and obviously hostile to them.

Like fear-maddened cattle they stampeded. Howling, screaming, tearing at one another they blundered through the trees, heading for the neck of land and the shore beyond. Saul Stark stood transfixed, heedless of them as he stared down at the brown girl, dead at last. And suddenly I came to myself, and with my awakened manhood came cold fury and the lust to kill. I drew a gun, and aiming in the uncertain firelight, pulled the trigger. Only a click answered me. The powder in the cap-and-ball pistols was wet.

Saul Stark lifted his head and licked his lips. The sounds of flight faded in the distance, and he stood alone in the glade. His eyes rolled whitely toward the black woods around him. He bent, grasped the man-like object that lay on the sand, and dragged it into the hut. The instant he vanished I started toward the island, wading through the narrow channels at the lower end. I had almost reached the shore when a mass of driftwood gave way with me and I slid into a deep hole.

Instantly the water swirled about me, and a head rose beside me; a dim face was close to mine—the face of a Negro—the face of Tunk Bixby. But now it was inhuman; as expressionless and soulless as that of a catfish; the face of a being no longer human, and no longer mindful of its human origin.

Slimy, misshapen fingers gripped my throat, and I drove my knife into the sagging mouth. The features vanished in a wave of blood; mutely the thing sank out of sight, and I hauled myself up the bank, under the thick bushes.

Stark had run from his hut, a pistol in his hand. He was staring wildly about, alarmed by the noise he had heard, but I knew he could not see me. His ashy skin glistened with perspiration. He who had ruled by fear was now ruled by fear. He feared the unknown hand that had slain his mistress; feared the Negroes who had fled him; feared the abysmal swamp which had sheltered him, and the monstrosities he had created. He lifted a weird call that quavered with panic. He called again as only four heads broke the water, but he called in vain.

But the four heads began to move toward the shore and the man who stood there. He shot them one after another. They made no effort to avoid the bullets. They came straight on, sinking one by one. He had fired six shots before the last head vanished. The shots drowned the sounds of my approach. I was close behind him when he turned at last.

I know he knew me; recognition flooded his face and fear went with it, at the knowledge that he had a human being to deal with. With a scream he hurled his empty pistol at me and rushed after it with a lifted knife.

I ducked, parried his lunge and countered with a thrust that bit deep into his ribs. He caught my wrist and I gripped his, and there we strained, breast to breast. His eyes were like a mad dog's in the starlight, his muscles like steel cords.

I ground my heel down on his bare foot, crushing the instep. He howled and lost balance, and I tore my knife hand free and stabbed him in the belly. Blood spurted and he dragged me down with him. I jerked loose and rose, just as he pulled himself up on his elbow and hurled his knife. It sang past my ear, and I stamped on his breast. His ribs caved in under my heel. In a red killing-haze I knelt, jerked back his head and cut his throat from ear to ear.

There was a pouch of dry powder in his belt. Before I moved further I reloaded my pistols. Then I went into the but with a torch. And there I understood the doom the brown witch had meant for me. Tope Sorley lay moaning on a bunk. The transmutation that was to make him a mindless, soulless semi- human dweller in the water was not complete, but his mind was gone. Some of the physical changes had been made—by what godless sorcery out of Africa's black abyss I have no wish to know. His body was rounded and elongated, his legs dwarfed; his feet were flattened and broadened, his fingers horribly long, and webbed. His neck was inches longer than it should be. His features were not altered, but the expression was no more human than that of a great fish. And there, but for the loyalty of Jim Braxton, lay Kirby Buckner. I placed my pistol muzzle against Tope's head in grim mercy and pulled the trigger.

And so the nightmare closed, and I would not drag out the grisly narration. The white people of Canaan never found anything on the island except the bodies of Saul Stark and the brown woman. They think to this day that a swamp negro killed Jim Braxton, after he had killed the brown woman, and that I broke up the threatened uprising by killing Saul Stark. I let them think it. They will never know the shapes the black water of Tularoohides. That is a secret I share with the cowed and terror-haunted black people of Goshen and of it neither they nor I have ever spoken.

The Dead Remember

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Dodge City, Kansas,

November 3, 1877.

Mr. William L. Gordon,

Antioch, Texas.

Dear Bill:

I am writing you because I have got a feeling I am not long for this world. This may surprise you, because you know I was in good health when I left the herd, and I am not sick now as far as that goes, but just the same I believe I am as good as a dead man.

Before I tell you why I think so, I will tell you the rest of what I have to say, which is that we got to Dodge City all right with the herd, which tallied 3,400 head, and the trail boss, John Elston, got twenty dollars a head from Mr. R. J. Blaine, but Joe Richards, one of the boys, was killed by a steer near the crossing of the Canadian. His sister, Mrs. Dick Westfall, lives near Seguin, and I wish you'd ride over and tell her about her brother. John Elston is sending her his saddle and bridle and gun and money.

Now, Bill, I will try to tell you why I know I'm a goner. You remember last August, just before I left for Kansas with the herd, they found that Old Joel, that used to be Colonel Henry's slave, and his woman dead—the ones that lived in that live-oak thicket down by Zavalla Creek. You know they called his woman Jezebel, and folks said she was a witch. She was a high-yellow gal and a lot younger than Joel. She told fortunes, and even some of the white folks were afraid of her. I took no stock in those stories.

Well, when we was rounding up the cattle for the trail drive, I found myself near Zavalla Creek along toward sundown, and my horse was tired, and I was hungry, and I decided I'd stop in at Joel's and make his woman cook me something to eat. So I rode up to his hut in the middle of the live-oak grove, and Joel was cutting some wood to cook some beef which Jezebel had stewing over an open fire. I remember she had on a red and green checked dress. I won't likely forget that.

They told me to light and I done so, and set down and ate a hearty supper, then Joel brought out a bottle of tequila and we had a drink, and I said I could beat him shooting craps. He asked me if I had any dice, and I said no, and he said he had some dice and would roll me for a five-cent piece.

So we got to shooting craps, and drinking tequila, and I got pretty full and raring to go, but Joel won all my money, which was about five dollars and seventy-five cents. This made me mad, and I told him I'd take another drink and get on my horse and ride. But he said the bottle was empty, and I told him to get some more. He said he didn't have no more, and I got madder, and begun to swear and abuse him, because I was pretty drunk. Jezebel come to the door of the hut and tried to get me to ride on, but I told her I was free, white and twenty-one, and for her to look out, because I didn't have no use for smart high-yellow gals.

Then Joel got mad and said, yes, he had some more tequila in the hut, but he wouldn't give me a drink if I was dying of thirst. So I said: "Why, damn you, you get me drunk and take my money with crooked dice, and now you insult me. I've seen nigras hung for less than that."

He said: "You can't eat my beef and drink my licker and then call my dice crooked. No white man can do that. I'm just as tough as you are."

I said: "Damn your black soul, I'll kick you all over this flat."

He said: "White man, you won't kick nobody." Then he grabbed up the knife he'd been cutting beef with, and ran at me. I pulled my pistol and shot him twice through the belly. He fell down and I shot him again, through the head.

Then Jezebel come running out screaming and cursing, with an old muzzle-loading musket. She pointed it at me and pulled the trigger, but the cap burst without firing the piece, and I yelled for her to get back or I'd kill her. But she run in on me and swung the musket like a club. I dodged and it hit me a glancing lick, tearing the hide on the side of my head, and I clapped my pistol against her bosom and jerked the trigger. The shot knocked her staggering back several foot, and she reeled and fell down on the ground, with her hand to her bosom and blood running out between her fingers.

I went over to her and stood looking down with the pistol in my hand, swearing and cursing her, and she looked up and said: "You've killed Joel and you've killed me, but by God, you won't live to brag about it. I curse you by the big snake and the black swamp and the white cock. Before this day rolls around again you'll be branding the devil's cows in hell. You'll see, I'll come to you when the time's ripe and ready."

Then the blood gushed out of her mouth and she fell back and I knew she was dead. Then I got scared and sobered up and got on my horse and rode. Nobody seen me, and I told the boys next day I got that bruise on the side of my head from a tree branch my horse had run me against. Nobody never knew it was me that killed them two, and I wouldn't be telling you now, only I know I have not got long to live.

That curse has been dogging me, and there is no use trying to dodge it. All the way up the trail I could feel something following me. Before we got to Red River I found a rattlesnake coiled up in my boot one morning, and after that I slept with my boots on all the time. Then when we was crossing the Canadian it was up a little, and I was riding point, and the herd got to milling for no reason at all, and caught me in the mill. My horse drowned, and I would have, too, if Steve Kirby hadn't roped me and dragged me out from amongst them crazy cows. Then one of the hands was cleaning a buffalo rifle one night, and it went off in his hands and blowed a hole in my hat. By this time the boys was joking and saying I was a hoodoo.

But after we crossed the Canadian, the cattle stampeded on the clearest, quietest night I ever seen. I was riding night-herd and didn't see nor hear nothing that might have started it, but one of the boys said just before the break he heard a low wailing sound down amongst a grove of cottonwoods, and saw a strange blue light glimmering there. Anyway, the steers broke so sudden and unexpected they nearly caught me and I had to ride for all I was worth. There was steers behind me and on both sides of me, and if I hadn't been riding the fastest horse ever raised in South Texas, they'd have trampled me to a pulp.

Well, I finally pulled out of the fringe of them, and we spent all next day rounding them up out of the breaks. That was when Joe Richards got killed. We was out in the breaks, driving in a bunch of steers, and all at once, without any reason I could see, my horse gave an awful scream and rared and fell backward with me. I jumped off just in time to keep from getting mashed, and a big mossy horn give a bellow and come for me.

There wasn't a tree bigger than a bush anywhere near, so I tried to pull my pistol, and some way the hammer got jammed under my belt, and I couldn't get it loose. That wild steer wasn't more than ten jumps from me when Joe Richards roped it, and the horse, a green one, was jerked down and sideways. As it fell, Joe tried to swing clear, but his spur caught in the back cinch, and the next instant that steer had drove both horns clean through him. It was an awful sight.

By that time I had my pistol out, and I shot the steer, but Joe was dead. He was tore up something terrible. We covered him up where he fell, and put up a wood cross, and John Elston carved on the name and date with his bowie knife.

After that the boys didn't joke any more about me being a hoodoo. They didn't say much of anything to me and I kept to myself, though the Lord knows, it wasn't any fault of mine as I can see.

Well, we got to Dodge City and sold the steers. And last night I dreamt I saw Jezebel, just as plain I see the pistol on my hip. She smiled like the devil himself and said something I couldn't understand, but she pointed at me, and I think I know what that means.

Bill, you'll never see me again. I'm a dead man. I don't know how I'll go out, but I feel I'll never live to see another sunrise. So I'm writing you this letter to let you know about this business and I reckon I've been a fool but it looks like a man just kind of has to go it blind and there is not any blazed trail to follow.

Anyway, whatever takes me will find me on my feet with my pistol drawed. I never knuckled down to anything alive, and I won't even to the dead. I am going out fighting, whatever comes. I keep my scabbard-end tied down, and I clean and oil my pistol every day. And, Bill, sometimes I think I am going crazy, but I reckon it is just thinking and dreaming so much about Jezebel; because I am using an old shirt of yours for cleaning rags, you know that black and white checked shirt you got at San Antonio last Christmas, but sometimes when I am cleaning my pistol with them rags, they don't look black and white any more. They turn to red and green, just the color of the dress Jezebel was wearing when I killed her.

Your brother,

Jim.

STATEMENT OF JOHN ELSTON, NOVEMBER 4, 1877

My name is John Elston. I am the foreman of Mr. J. J. Connolly's ranch in Gonzales County, Texas. I was trail boss of the herd that Jim Gordon was employed on. I was sharing his hotel room with him. The morning of the third of November he seemed moody and wouldn't talk much. He would not go out with me, but said he was going to write a letter.

I did not see him again until that night. I came into the room to get something and he was cleaning his Colt's .45. I laughed and jokingly asked him if he was afraid of Bat Masterson, and he said: "John, what I'm afraid of ain't human, but I'm going out shooting if I can." I laughed and asked him what he was afraid of, and he said: "A high-yeller gal that's been dead four months." I thought he was drunk, and went on out. I don't know what time that was, but it was after dark.

I didn't see him again alive. About midnight I was passing the Big Chief saloon and I heard a shot, and a lot of people ran into the saloon. I heard somebody say a man was shot. I went in with the rest, and went on back into the back room. A man was lying in the doorway, with his legs out in the alley and his body in the door. He was covered with blood, but by his build and clothes I recognized Jim Gordon. He was dead. I did not see him killed, and know nothing beyond what I have already said.

STATEMENT OF MIKE O'DONNELL

My name is Michael Joseph O'Donnell. I am the bartender in the Big Chief saloon on the night-shift. A few minutes before midnight I noticed a cowboy talking to Sam Grimes just outside the saloon. They seemed to be arguing. After awhile the cowboy came on in and took a drink of whiskey at the bar. I noticed him because he wore a pistol, whereas the others had theirs out of sight, and because he looked so wild and pale. He looked like he was drunk, but I don't believe he was. I never saw a man who looked just like him.

I did not pay much attention to him after that because I was very busy tending bar. I suppose he must have gone on into the back room. At about midnight I heard a shot in the back room and Tom Allison ran out saying that a man had been shot. I was the first one to reach him. He was lying partly in the door and partly in the alley. I saw he wore a gun-belt and a Mexican carved holster and believed it to be the same man I had noticed earlier. His right hand was torn practically off, being just a mass of bloody tatters. His head was shattered in a way I had never seen caused by a gunshot. He was dead by the time I got there and it is my opinion he was killed instantly. While we were standing around him a man I knew to be John Elston came through the crowd and said: "My God, it's Jim Gordon!"

STATEMENT OF DEPUTY GRIMES

My name is Sam Grimes. I am a deputy sheriff of Ford County, Kansas. I met the deceased, Jim Gordon, before the Big Chief saloon, at about twenty minutes until twelve, November 3rd. I saw he had his pistol buckled on, so I stopped him and asked him why he was carrying his pistol, and if he did not know it was against the law. He said he was packing it for protection. I told him if he was in danger it was my business to protect him, and he had better take his gun back to his hotel and leave it there till he was ready to leave town, because I saw by his clothes that he was a cowboy from Texas. He laughed and said: "Deputy, not even Wyatt Earp could protect me from my fate!" He went into the saloon.

I believed he was sick and out of his head, so I did not arrest him. I thought maybe he would take a drink and then go and leave his gun at his hotel as I had requested. I kept watching him to see that he did not make any play toward anybody in the saloon, but he noticed no one, took a drink at the bar, and went on into the back room.

A few minutes later a man ran out, shouting that somebody was killed. I went right to the back room, getting there just as Mike O'Donnell was bending over the man, who I believed to be the one I had accosted in the street. He had been killed by the bursting of the pistol in his hand. I don't know who he was shooting at, if anybody. I found nobody in the alley, nor anybody who had seen the killing except Tom Allison. I did find pieces of the pistol that had exploded, together with the end of the barrel, which I turned over to the coroner.

STATEMENT OF TOM ALLISON

My name is Thomas Allison. I am a teamster, employed by McFarlane & Company. On the night of November 3rd, I was in the Big Chief saloon. I did not notice the deceased when he came in. There was a lot of men in the saloon. I had had several drinks but was not drunk. I saw "Grizzly" Gullins, a buffalo hunter, approaching the entrance of the saloon. I had had trouble with him, and knew he was a bad man. He was drunk and I did not want any trouble. I decided to go out the back way.

I went through the back room and saw a man sitting at a table with his head in his hands. I took no notice of him, but went on to the back door, which was bolted on the inside. I lifted the bolt and opened the door and started to step outside.

Then I saw a woman standing in front of me. The light was dim that streamed out into the alley through the open door, but I saw her plain enough to tell she was a Negro woman. I don't know how she was dressed. She was not pure black but a light brown or yellow. I could tell that in the dim light. I was so surprised I stopped short, and she spoke to me and said: "Go tell Jim Gordon I've come for him."

I said: "Who the devil are you and who is Jim Gordon?" She said: "The man in the back room sitting at the table; tell him I've come!"

Something made me turn cold all over, I can't say why. I turned around and went back into the room, and said: "Are you Jim Gordon?" The man at the table looked up and I saw his face was pale and haggard. I said: "Somebody wants to see you." He said: "Who wants to see me, stranger?" I said: "A high-yellow woman there at the back door."

With that he heaved up from the chair, knocking it over along with the table. I thought he was crazy and fell back from him. His eyes were wild. He gave a kind of strangled cry and rushed to the open door. I saw him glare out into the alley, and thought I heard a laugh from the darkness. Then he screamed again and jerked out his pistol and threw down on somebody I couldn't see.

There was a flash that blinded me and a terrible report, and when the smoke cleared a little, I saw the man lying in the door with his head and body covered with blood. His brains were oozing out, and there was blood all over his right hand. I ran to the front of the saloon, shouting for the bartender. I don't know whether he was shooting at the woman or not, or if anybody shot back. I never heard but the one shot, when his pistol burst.

CORONER'S REPORT

We, the coroner's jury, having held inquest over the remains of James A. Gordon, of Antioch, Texas, have reached a verdict of death by accidental gunshot wounds, caused by the bursting of the deceased's pistol, he having apparently failed to remove a cleaning rag from the barrel after cleaning it. Portions of the burnt rag were found in the barrel. They had evidently been a piece of a woman's red and green checked dress.

Signed:

J. S. Ordley, Coroner,

Richard Donovan,

Ezra Blaine,

Joseph T. Decker,

Jack Wiltshaw,

Alexander V. Williams.

Pigeons From Hell

Table of Contents

1. THE WHISTLER IN THE DARK

2. THE SNAKE'S BROTHER

3. THE CALL OF ZUVEMBIE

1. THE WHISTLER IN THE DARK

Table of Contents

GRISWELL awoke suddenly, every nerve tingling with a premonition of imminent peril. He stared about wildly, unable at first to remember where he was, or what he was doing there. Moonlight filtered in through the dusty windows, and the great empty room with its lofty ceiling and gaping black fireplace was spectral and unfamiliar. Then as he emerged from the clinging cobwebs of his recent sleep, he remembered where he was and how he came to be there. He twisted his head and stared at his companion, sleeping on the floor near him. John Branner was but a vaguely bulking shape in the darkness that the moon scarcely grayed.

Griswell tried to remember what had awakened him. There was no sound in the house, no sound outside except the mournful hoot of an owl, far away in the piny woods. Now he had captured the illusive memory. It was a dream, a nightmare so filled with dim terror that it had frightened him awake. Recollection flooded back, vividly etching the abominable vision.

Or was it a dream? Certainly it must have been, but it had blended so curiously with recent actual events that it was difficult to know where reality left off and fantasy began.

Dreaming, he had seemed to relive his past few waking hours, in accurate detail. The dream had begun, abruptly, as he and John Branner came in sight of the house where they now lay. They had come rattling and bouncing over the stumpy, uneven old road that led through the pinelands, he and John Branner, wandering far afield from their New England home, in search of vacation pleasure. They had sighted the old house with its balustraded galleries rising amidst a wilderness of weeds and bushes, just as the sun was setting behind it. It dominated their fancy, rearing black and stark and gaunt against the low lurid rampart of sunset, barred by the black pines.

They were tired, sick of bumping and pounding all day over woodland roads. The old deserted house stimulated their imagination with its suggestion of antebellum splendor and ultimate decay. They left the automobile beside the rutty road, and as they went up the winding walk of crumbling bricks, almost lost in the tangle of rank growth, pigeons rose from the balustrades in a fluttering, feathery crowd and swept away with a low thunder of beating wings.

The oaken door sagged on broken hinges. Dust lay thick on the floor of the wide, dim hallway, on the broad steps of the stair that mounted up from the hall. They turned into a door opposite the landing, and entered a large room, empty, dusty, with cobwebs shining thickly in the corners. Dust lay thick over the ashes in the great fireplace.

They discussed gathering wood and building a fire, but decided against it. As the sun sank, darkness came quickly, the thick, black, absolute darkness of the pinelands. They knew that rattlesnakes and copperheads haunted Southern forests, and they did not care to go groping for firewood in the dark. They ate frugally from tins, then rolled in their blankets fully clad before the empty fireplace, and went instantly to sleep.

This, in part, was what Griswell had dreamed. He saw again the gaunt house looming stark against the crimson sunset; saw the flight of the pigeons as he and Branner came up the shattered walk. He saw the dim room in which they presently lay, and he saw the two forms that were himself and his companion, lying wrapped in their blankets on the dusty floor. Then from that point his dream altered subtly, passed out of the realm of the commonplace and became tinged with fear. He was looking into a vague, shadowy chamber, lit by the gray light of the moon which streamed in from some obscure source. For there was no window in that room. But in the gray light he saw three silent shapes that hung suspended in a row, and their stillness and their outlines woke chill horror in his soul. There was no sound, no word, but he sensed a Presence of fear and lunacy crouching in a dark corner... Abruptly he was back in the dusty, high-ceilinged room, before the great fireplace.

He was lying in his blankets, staring tensely through the dim door and across the shadowy hall, to where a beam of moonlight fell across the balustraded stair, some seven steps up from the landing. And there was something on the stair, a bent, misshapen, shadowy thing that never moved fully into the beam of light. But a dim yellow blur that might have been a face was turned toward him, as if something crouched on the stair, regarding him and his companion. Fright crept chilly through his veins, and it was then that he awoke —if indeed he had been asleep.

He blinked his eyes. The beam of moonlight fell across the stair just as he had dreamed it did; but no figure lurked there. Yet his flesh still crawled from the fear the dream or vision had roused in him; his legs felt as if they had been plunged in ice-water. He made an involuntary movement to awaken his companion, when a sudden sound paralyzed him.

It was the sound of whistling on the floor above. Eery and sweet it rose, not carrying any tune, but piping shrill and melodious. Such a sound in a supposedly deserted house was alarming enough; but it was more than the fear of a physical invader that held Griswell frozen. He could not himself have defined the horror that gripped him. But Branner's blankets rustled, and Griswell saw he was sitting upright. His figure bulked dimly in the soft darkness, the head turned toward the stair as if the man were listening intently. More sweetly and more subtly evil rose that weird whistling.

"John!" whispered Griswell from dry lips. He had meant to shout—to tell Branner that there was somebody upstairs, somebody who could mean them no good; that they must leave the house at once. But his voice died dryly in his throat.

Branner had risen. His boots clumped on the floor as he moved toward the door. He stalked leisurely into the hall and made for the lower landing, merging with the shadows that clustered black about the stair.

Griswell lay incapable of movement, his mind a whirl of bewilderment. Who was that whistling upstairs? Why was Branner going up those stairs? Griswell saw him pass the spot where the moonlight rested, saw his head tilted back as if he were looking at something Griswell could not see, above and beyond the stair. But his face was like that of a sleepwalker. He moved across the bar of moonlight and vanished from Griswell's view, even as the latter tried to shout to him to come back. A ghastly whisper was the only result of his effort.

The whistling sank to a lower note, died out. Griswell heard the stairs creaking under Branner's measured tread. Now he had reached the hallway above, for Griswell heard the clump of his feet moving along it. Suddenly the footfalls halted, and the whole night seemed to hold its breath. Then an awful scream split the stillness, and Griswell started up, echoing the cry.

The strange paralysis that had held him was broken. He took a step toward the door, then checked himself. The footfalls were resumed. Branner was coming back. He was not running. The tread was even more deliberate and measured than before. Now the stairs began to creak again. A groping hand, moving along the balustrade, came into the bar of moonlight; then another, and a ghastly thrill went through Griswell as he saw that the other hand gripped a hatchet—a hatchet which dripped blackly. Was that Branner who was coming down that stair?

Yes! The figure had moved into the bar of moonlight now, and Griswell recognized it. Then he saw Branner's face, and a shriek burst from Griswell's lips. Branner's face was bloodless, corpse-like; gouts of blood dripped darkly down it; his eyes were glassy and set, and blood oozed from the great gash which cleft the crown of his head!

Griswell never remembered exactly how he got out of that accursed house. Afterward he retained a mad, confused impression of smashing his way through a dusty cobwebbed window, of stumbling blindly across the weed-choked lawn, gibbering his frantic horror. He saw the black wall of the pines, and the moon floating in a blood-red mist in which there was neither sanity nor reason.

Some shred of sanity returned to him as he saw the automobile beside the road. In a world gone suddenly mad, that was an object reflecting prosaic reality; but even as he reached for the door, a dry chilling whir sounded in his ears, and he recoiled from the swaying undulating shape that arched up from its scaly coils on the driver's seat and hissed sibilantly at him, darting a forked tongue in the moonlight.

With a sob of horror he turned and fled down the road, as a man runs in a nightmare. He ran without purpose or reason. His numbed brain was incapable of conscious thought. He merely obeyed the blind primitive urge to run—run —run until he fell exhausted.

The black walls of the pines flowed endlessly past him; so he was seized with the illusion that he was getting nowhere. But presently a sound penetrated the fog of his terror—the steady, inexorable patter of feet behind him. Turning his head, he saw something loping after him—wolf or dog, he could not tell which, but its eyes glowed like balls of green fire. With a gasp he increased his speed, reeled around a bend in the road, and heard a horse snort; saw it rear and heard its rider curse; saw the gleam of blue steel in the man's lifted hand.

He staggered and fell, catching at the rider's stirrup.

"For God's sake, help me!" he panted. "The thing! It killed Branner —it's coming after me! Look!"

Twin balls of fire gleamed in the fringe of bushes at the turn of the road. The rider swore again, and on the heels of his profanity came the smashing report of his six-shooter—again and yet again. The fire-sparks vanished, and the rider, jerking his stirrup free from Griswell's grasp, spurred his horse at the bend. Griswell staggered up, shaking in every limb. The rider was out of sight only a moment; then he came galloping back.

"Took to the brush. Timber wolf, I reckon, though I never heard of one chasin' a man before. Do you know what it was?"

Griswell could only shake his head weakly.

The rider, etched in the moonlight, looked down at him, smoking pistol still lifted in his right hand. He was a compactly-built man of medium height, and his broad-brimmed planter's hat and his boots marked him as a native of the country as definitely as Griswell's garb stamped him as a stranger.

"What's all this about, anyway?"

"I don't know," Griswell answered helplessly. "My name's Griswell. John Branner—my friend who was traveling with me—we stopped at a deserted house back down the road to spend the night. Something—" at the memory he was choked by a rush of horror. "My God!" he screamed. "I must be mad! Something came and looked over the balustrade of the stair—something with a yellow face! I thought I dreamed it, but it must have been real. Then somebody began whistling upstairs, and Branner rose and went up the stairs walking like a man in his sleep, or hypnotized. I heard him scream —or someone screamed; then he came down the stair again with a bloody hatchet in his hand—and my God, sir, he was dead! His head had been split open. I saw brains and clotted blood oozing down his face, and his face was that of a dead man. But he came down the stairs! As God is my witness, John Branner was murdered in that dark upper hallway, and then his dead body came stalking down the stairs with a hatchet in its hand—to kill me!"

The rider made no reply; he sat his horse like a statue, outlined against the stars, and Griswell could not read his expression, his face shadowed by his hat-brim.

"You think I'm mad," he said hopelessly. "Perhaps I am."

"I don't know what to think," answered the rider. "If it was any house but the old Blassenville Manor—well, we'll see. My name's Buckner. I'm sheriff of this county. Took a prisoner over to the county-seat in the next county and was ridin' back late."

He swung off his horse and stood beside Griswell, shorter than the lanky New Englander, but much harder knit. There was a natural manner of decision and certainty about him, and it was easy to believe that he would be a dangerous man in any sort of a fight.

"Are you afraid to go back to the house?" he asked, and Griswell shuddered, but shook his head, the dogged tenacity of Puritan ancestors asserting itself.

"The thought of facing that horror again turns me sick.

But poor Branner—" he choked again. "We must find his body. My God!" he cried, unmanned by the abysmal horror of the thing; "what will we find? If a dead man walks, what—"

"We'll see." The sheriff caught the reins in the crook of his left elbow and began filling the empty chambers of his big blue pistol as they walked along.

As they made the turn Griswell's blood was ice at the thought of what they might see lumbering up the road with a bloody, grinning death-mask, but they saw only the house looming spectrally among the pines, down the road. A strong shudder shook Griswell.

"God, how evil that house looks, against those black pines! It looked sinister from the very first—when we went up the broken walk and saw those pigeons fly up from the porch—"

"Pigeons?" Buckner cast him a quick glance. "You saw the pigeons?"

"Why, yes! Scores of them perching on the porch railing."

They strode on for a moment in silence, before Buckner said abruptly: "I've lived in this country all my life. I've passed the old Blassenville place a thousand times, I reckon, at all hours of the day and night. But I never saw a pigeon anywhere around it, or anywhere else in these woods."

"There were scores of them," repeated Griswell, bewildered.

"I've seen men who swore they'd seen a flock of pigeons perched along the balusters just at sundown," said Buckner slowly. "Negroes, all of them except one man. A tramp. He was buildin' a fire in the yard, aimin' to camp there that night. I passed along there about dark, and he told me about the pigeons. I came back by there the next mornin'. The ashes of his fire were there, and his tin cup, and skillet where he'd fried pork, and his blankets looked like they'd been slept in. Nobody ever saw him again. That was twelve years ago. The blacks say they can see the pigeons, but no black would pass along this road between sundown and sunup. They say the pigeons are the souls of the Blassenvilles, let out of hell at sunset. The Negroes say the red glare in the west is the light from hell, because then the gates of hell are open, and the Blassenvilles fly out."

"Who were the Blassenvilles?" asked Griswell, shivering.

"They owned all this land here. French-English family. Came here from the West Indies before the Louisiana Purchase. The Civil War ruined them, like it did so many. Some were killed in the War; most of the others died out. Nobody's lived in the Manor since 1890 when Miss Elizabeth Blassenville, the last of the line, fled from the old house one night like it was a plague spot, and never came back to it—this your auto?"

They halted beside the car, and Griswell stared morbidly at the grim house. Its dusty panes were empty and blank; but they did not seem blind to him. It seemed to him that ghastly eyes were fixed hungrily on him through those darkened panes. Buckner repeated his question.

"Yes. Be careful. There's a snake on the seat—or there was."

"Not there now," grunted Buckner, tying his horse and pulling an electric torch out of the saddle-bag. "Well, let's have a look."

He strode up the broken brick walk as matter-of-factly as if he were paying a social call on friends. Griswell followed close at his heels, his heart pounding suffocatingly. A scent of decay and moldering vegetation blew on the faint wind, and Griswell grew faint with nausea, that rose from a frantic abhorrence of these black woods, these ancient plantation houses that hid forgotten secrets of slavery and bloody pride and mysterious intrigues. He had thought of the South as a sunny, lazy land washed by soft breezes laden with spice and warm blossoms, where life ran tranquilly to the rhythm of black folk singing in sunbathed cottonfields. But now he had discovered another, unsuspected side—a dark, brooding, fear-haunted side, and the discovery repelled him.

The oaken door sagged as it had before. The blackness of the interior was intensified by the beam of Buckner's light playing on the sill. That beam sliced through the darkness of the hallway and roved up the stair, and Griswell held his breath, clenching his fists. But no shape of lunacy leered down at them. Buckner went in, walking light as a cat, torch in one hand, gun in the other.

As he swung his light into the room across from the stairway, Griswell cried out—and cried out again, almost fainting with the intolerable sickness at what he saw. A trail of blood drops led across the floor, crossing the blankets Branner had occupied, which lay between the door and those in which Griswell had lain. And Griswell's blankets had a terrible occupant. John Branner lay there, face down, his cleft head revealed in merciless clarity in the steady light. His outstretched hand still gripped the haft of a hatchet, and the blade was imbedded deep in the blanket and the floor beneath, just where Griswell's head had lain when he slept there.

A momentary rush of blackness engulfed Griswell. He was not aware that he staggered, or that Buckner caught him. When he could see and hear again, he was violently sick and hung his head against the mantel, retching miserably.

Buckner turned the light full on him, making him blink. Buckner's voice came from behind the blinding radiance, the man himself unseen.

"Griswell, you've told me a yarn that's hard to believe. I saw something chasin' you, but it might have been a timber wolf, or a mad dog.

"If you're holdin' back anything, you better spill it. What you told me won't hold up in any court. You're bound to be accused of killin' your partner. I'll have to arrest you. If you'll give me the straight goods now, it'll make it easier. Now, didn't you kill this fellow, Branner?

"Wasn't it something like this: you quarreled, he grabbed a hatchet and swung at you, but you dodged and then let him have it?"

Griswell sank down and hid his face in his hands, his head swimming.

"Great God, man, I didn't murder John! Why, we've been friends ever since we were children in school together. I've told you the truth. I don't blame you for not believing me. But God help me, it is the truth!"

The light swung back to the gory head again, and Griswell closed his eyes.

He heard Buckner grunt.

"I believe this hatchet in his hand is the one he was killed with. Blood and brains plastered on the blade, and hairs stickin' to it—hairs exactly the same color as his. This makes it tough for you, Griswell."

"How so?" the New Englander asked dully.

"Knocks any plea of self-defense in the head. Branner couldn't have swung at you with this hatchet after you split his skull with it. You must have pulled the ax out of his head, stuck it into the floor and clamped his fingers on it to make it look like he'd attacked you. And it would have been damned clever—if you'd used another hatchet."

"But I didn't kill him," groaned Griswell. "I have no intention of pleading self-defense."

"That's what puzzles me," Buckner admitted frankly, straightening. "What murderer would rig up such a crazy story as you've told me, to prove his innocence? Average killer would have told a logical yarn, at least. Hmmm! Blood drops leadin' from the door. The body was dragged—no, couldn't have been dragged. The floor isn't smeared. You must have carried it here, after killin' him in some other place. But in that case, why isn't there any blood on your clothes? Of course you could have changed clothes and washed your hands. But the fellow hasn't been dead long."

"He walked downstairs and across the room," said Griswell hopelessly. "He came to kill me. I knew he was coming to kill me when I saw him lurching down the stair. He struck where I would have been, if I hadn't awakened. That window —I burst out at it. You see it's broken."

"I see. But if he walked then, why isn't he walkin' now?"

"I don't know! I'm too sick to think straight. I've been fearing that he'd rise up from the floor where he lies and come at me again. When I heard that wolf running up the road after me, I thought it was John chasing me —John, running through the night with his bloody ax and his bloody head, and his death-grin!"

His teeth chattered as he lived that horror over again.

Buckner let his light play across the floor.

"The blood drops lead into the hall. Come on. We'll follow them."

Griswell cringed. "They lead upstairs."

Buckner's eyes were fixed hard on him.

"Are you afraid to go upstairs, with me?"

Griswell's face was gray.

"Yes. But I'm going, with you or without you. The thing that killed poor John may still be hiding up there."

"Stay behind me," ordered Buckner. "If anything jumps us, I'll take care of it. But for your own sake, I warn you that I shoot quicker than a cat jumps, and I don't often miss. If you've got any ideas of layin' me out from behind, forget them."

"Don't be a fool!" Resentment got the better of his apprehension, and this outburst seemed to reassure Buckner more than any of his protestations of innocence.

"I want to be fair," he said quietly. "I haven't indicted and condemned you in my mind already. If only half of what you're tellin' me is the truth, you've been through a hell of an experience, and I don't want to be too hard on you. But you can see how hard it is for me to believe all you've told me."

Griswell wearily motioned for him to lead the way, unspeaking. They went out into the hall, paused at the landing. A thin string of crimson drops, distinct in the thick dust, led up the steps.

"Man's tracks in the dust," grunted Buckner. "Go slow.

I've got to be sure of what I see, because we're obliteratin' them as we go up. Hmmm! One set goin' up, one comin' down. Same man. Not your tracks. Branner was a bigger man than you are. Blood drops all the way—blood on the bannisters like a man had laid his bloody hand there—a smear of stuff that looks—brains. Now what—"

"He walked down the stair, a dead man," shuddered Griswell. "Groping with one hand—the other gripping the hatchet that killed him."

"Or was carried," muttered the sheriff. "But if somebody carried him —where are the tracks?"

They came out into the upper hallway, a vast, empty space of dust and shadows where time-crusted windows repelled the moonlight and the ring of Buckner's torch seemed inadequate. Griswell trembled like a leaf. Here, in darkness and horror, John Branner had died.

"Somebody whistled up here," he muttered. "John came, as if he were being called."

Buckner's eyes were blazing strangely in the light.

"The footprints lead down the hall," he muttered. "Same as on the stair —one set going, one coming. Same prints—Judas!"

Behind him Griswell stifled a cry, for he had seen what prompted Buckner's exclamation. A few feet from the head of the stair Branner's footprints stopped abruptly, then returned, treading almost in the other tracks. And where the trail halted there was a great splash of blood on the dusty floor—and other tracks met it—tracks of bare feet, narrow but with splayed toes. They too receded in a second line from the spot.

Buckner bent over them, swearing.

"The tracks meet! And where they meet there's blood and brains on the floor! Branner must have been killed on that spot—with a blow from a hatchet. Bare feet coming out of the darkness to meet shod feet—then both turned away again; the shod feet went downstairs, the bare feet went back down the hall." He directed his light down the hall. The footprints faded into darkness, beyond the reach of the beam. On either hand the closed doors of chambers were cryptic portals of mystery.

"Suppose your crazy tale was true," Buckner muttered, half to himself. "These aren't your tracks. They look like a woman's. Suppose somebody did whistle, and Branner went upstairs to investigate. Suppose somebody met him here in the dark and split his head. The signs and tracks would have been, in that case, just as they really are. But if that's so, why isn't Branner lyin' here where he was killed? Could he have lived long enough to take the hatchet away from whoever killed him, and stagger downstairs with it?"

"No, no!" Recollection gagged Griswell. "I saw him on the stair. He was dead. No man could live a minute after receiving such a wound."

"I believe it," muttered Buckner. "But—it's madness! Or else it's too clever—yet, what sane man would think up and work out such an elaborate and utterly insane plan to escape punishment for murder, when a simple plea of self-defense would have been so much more effective? No court would recognize that story. Well, let's follow these other tracks. They lead down the hall—here, what's this?"

With an icy clutch at his soul, Griswell saw the light was beginning to grow dim.

"This battery is new," muttered Buckner, and for the first time Griswell caught an edge of fear in his voice. "Come on—out of here quick!"

The light had faded to a faint red glow. The darkness seemed straining into them, creeping with black cat-feet. Buckner retreated, pushing Griswell stumbling behind him as he walked backward, pistol cocked and lifted, down the dark hall. In the growing darkness Griswell heard what sounded like the stealthy opening of a door. And suddenly the blackness about them was vibrant with menace. Griswell knew Buckner sensed it as well as he, for the sheriff's hard body was tense and taut as a stalking panther's.

But without haste he worked his way to the stair and backed down it, Griswell preceding him, and fighting the panic that urged him to scream and burst into mad flight. A ghastly thought brought icy sweat out on his flesh. Suppose the dead man were creeping up the stair behind them in the dark, face frozen in the death-grin, blood-caked hatchet lifted to strike?

This possibility so overpowered him that he was scarcely aware when his feet struck the level of the lower hallway, and he was only then aware that the light had grown brighter as they descended, until it now gleamed with its full power—but when Buckner turned it back up the stairway, it failed to illuminate the darkness that hung like a tangible fog at the head of the stair.

"The damn thing was conjured," muttered Buckner. "Nothin' else. It couldn't act like that naturally."

"Turn the light into the room," begged Griswell. "See if John—if John is—"

He could not put the ghastly thought into words, but Buckner understood.

He swung the beam around, and Griswell had never dreamed that the sight of the gory body of a murdered man could bring such relief.

"He's still there," grunted Buckner. "If he walked after he was killed, he hasn't walked since. But that thing—"

Again he turned the light up the stair, and stood chewing his lip and scowling. Three times he half lifted his gun. Griswell read his mind. The sheriff was tempted to plunge back up that stair, take his chance with the unknown. But common sense held him back.

"I wouldn't have a chance in the dark," he muttered. "And I've got a hunch the light would go out again."

He turned and faced Griswell squarely.

"There's no use dodgin' the question. There's somethin' hellish in this house, and I believe I have an inklin' of what it is. I don't believe you killed Branner. Whatever killed him is up there—now. There's a lot about your yarn that don't sound sane; but there's nothin' sane about a flashlight goin' out like this one did. I don't believe that thing upstairs is human. I never met anything I was afraid to tackle in the dark before, but I'm not goin' up there until daylight. It's not long until dawn. We'll wait for it out there on that gallery."

The stars were already paling when they came out on the broad porch. Buckner seated himself on the balustrade, facing the door, his pistol dangling in his fingers. Griswell sat down near him and leaned back against a crumbling pillar. He shut his eyes, grateful for the faint breeze that seemed to cool his throbbing brain. He experienced a dull sense of unreality. He was a stranger in a strange land, a land that had become suddenly imbued with black horror. The shadow of the noose hovered above him, and in that dark house lay John Branner, with his butchered head—like the figments of a dream these facts spun and eddied in his brain until all merged in a gray twilight as sleep came uninvited to his weary soul.

He awoke to a cold white dawn and full memory of the horrors of the night. Mists curled about the stems of the pines, crawled in smoky wisps up the broken walk. Buckner was shaking him.

"Wake up! It's daylight."

Griswell rose, wincing at the stiffness of his limbs. His face was gray and old.

"I'm ready. Let's go upstairs."

"I've already been!" Buckner's eyes burned in the early dawn. "I didn't wake you up. I went as soon as it was light. I found nothin'."

"The tracks of the bare feet—"

"Gone!"

"Gone?"

"Yes, gone! The dust had been disturbed all over the hall, from the point where Branner's tracks ended; swept into corners. No chance of trackin' anything there now. Something obliterated those tracks while we sat here, and I didn't hear a sound. I've gone through the whole house. Not a sign of anything."

Griswell shuddered at the thought of himself sleeping alone on the porch while Buckner conducted his exploration.

"What shall we do?" he asked listlessly. "With those tracks gone there goes my only chance of proving my story."

"We'll take Branner's body into the county-seat," answered Buckner. "Let me do the talkin'. If the authorities knew the facts as they appear, they'd insist on you being confined and indicted. I don't believe you killed Branner —but neither a district attorney, judge nor jury would believe what you told me, or what happened to us last night. I'm handlin' this thing my own way. I'm not goin' to arrest you until I've exhausted every other possibility.

"Say nothin' about what's happened here, when we get to town. I'll simply tell the district attorney that John Branner was killed by a party or parties unknown, and that I'm workin' on the case.

"Are you game to come back with me to this house and spend the night here, sleepin' in that room as you and Branner slept last night?"

Griswell went white, but answered as stoutly as his ancestors might have expressed their determination to hold their cabins in the teeth of the Pequots: "I'll do it."

"Let's go then; help me pack the body out to your auto."

Griswell's soul revolted at the sight of John Branner's bloodless face in the chill white dawn, and the feel of his clammy flesh. The gray fog wrapped wispy tentacles about their feet as they carried their grisly burden across the lawn.

2. THE SNAKE'S BROTHER

Table of Contents

Again the shadows were lengthening over the pinelands, and again two men came bumping along the old road in a car with a New England license plate.

Buckner was driving. Griswell's nerves were too shattered for him to trust himself at the wheel. He looked gaunt and haggard, and his face was still pallid. The strain of the day spent at the county-seat was added to the horror that still rode his soul like the shadow of a black-winged vulture. He had not slept, had not tasted what he had eaten.

"I told you I'd tell you about the Blassenvilles," said Buckner. "They were proud folks, haughty, and pretty damn ruthless when they wanted their way. They didn't treat their slaves as well as the other planters did—got their ideas in the West Indies, I reckon. There was a streak of cruelty in them —especially Miss Celia, the last one of the family to come to these parts. That was long after the slaves had been freed, but she used to whip her mulatto maid just like she was a slave, the old folks say... The Negroes said when a Blassenville died, the devil was always waitin' for him out in the black pines.

"Well, after the Civil War they died off pretty fast, livin' in poverty on the plantation which was allowed to go to ruin. Finally only four girls were left, sisters, livin' in the old house and ekin' out a bare livin', with a few blacks livin' in the old slave huts and workin' the fields on the share. They kept to themselves, bein' proud, and ashamed of their poverty. Folks wouldn't see them for months at a time. When they needed supplies they sent a Negro to town after them.

"But folks knew about it when Miss Celia came to live with them. She came from somewhere in the West Indies, where the whole family originally had its roots—a fine, handsome woman, they say, in the early thirties. But she didn't mix with folks any more than the girls did. She brought a mulatto maid with her, and the Blassenville cruelty cropped out in her treatment of this maid. I knew an old man years ago, who swore he saw Miss Celia tie this girl up to a tree, stark naked, and whip her with a horsewhip. Nobody was surprised when she disappeared. Everybody figured she'd run away, of course.

"Well, one day in the spring of 1890 Miss Elizabeth, the youngest girl, came in to town for the first time in maybe a year. She came after supplies. Said the blacks had all left the place. Talked a little more, too, a bit wild. Said Miss Celia had gone, without leaving any word. Said her sisters thought she'd gone back to the West Indies, but she believed her aunt was still in the house. She didn't say what she meant. Just got her supplies and pulled out for the Manor.

"A month went past, and a black came into town and said that Miss Elizabeth was livin' at the Manor alone. Said her three sisters weren't there any more, that they'd left one by one without givin' any word or explanation. She didn't know where they'd gone, and was afraid to stay there alone, but didn't know where else to go. She'd never known anything but the Manor, and had neither relatives nor friends. But she was in mortal terror of something. The black said she locked herself in her room at night and kept candles burnin' all night...

"It was a stormy spring night when Miss Elizabeth came tearin' into town on the one horse she owned, nearly dead from fright. She fell from her horse in the square; when she could talk she said she'd found a secret room in the Manor that had been forgotten for a hundred years. And she said that there she found her three sisters, dead, and hangin' by their necks from the ceilin'. She said something chased her and nearly brained her with an ax as she ran out the front door, but somehow she got to the horse and got away. She was nearly crazy with fear, and didn't know what it was that chased her—said it looked like a woman with a yellow face.

"About a hundred men rode out there, right away. They searched the house from top to bottom, but they didn't find any secret room, or the remains of the sisters. But they did find a hatchet stickin' in the doorjamb downstairs, with some of Miss Elizabeth's hairs stuck on it, just as she'd said. She wouldn't go back there and show them how to find the secret door; almost went crazy when they suggested it.

"When she was able to travel, the people made up some money and loaned it to her—she was still too proud to accept charity—and she went to California. She never came back, but later it was learned, when she sent back to repay the money they'd loaned her, that she'd married out there.

"Nobody ever bought the house. It stood there just as she'd left it, and as the years passed folks stole all the furnishings out of it, poor white trash, I reckon. A Negro wouldn't go about it. But they came after sunup and left long before sundown."

"What did the people think about Miss Elizabeth's story?" asked Griswell.

"Well, most folks thought she'd gone a little crazy, livin' in that old house alone. But some people believed that mulatto girl, Joan, didn't run away, after all. They believed she'd hidden in the woods, and glutted her hatred of the Blassenvilles by murderin' Miss Celia and the three girls. They beat up the woods with bloodhounds, but never found a trace of her. If there was a secret room in the house, she might have been hidin' there—if there was anything to that theory."

"She couldn't have been hiding there all these years," muttered Griswell. "Anyway, the thing in the house now isn't human."

Buckner wrenched the wheel around and turned into a dim trace that left the main road and meandered off through the pines.

"Where are you going?"

"There's an old Negro that lives off this way a few miles. I want to talk to him. We're up against something that takes more than white man's sense. The black people know more than we do about some things. This old man is nearly a hundred years old. His master educated him when he was a boy, and after he was freed he traveled more extensively than most white men do. They say he's a voodoo man."

Griswell shivered at the phrase, staring uneasily at the green forest walls that shut them in. The scent of the pines was mingled with the odors of unfamiliar plants and blossoms. But underlying all was a reek of rot and decay. Again a sick abhorrence of these dark mysterious woodlands almost overpowered him.

"Voodoo!" he muttered. "I'd forgotten about that—I never could think of black magic in connection with the South. To me witchcraft was always associated with old crooked streets in waterfront towns, overhung by gabled roofs that were old when they were hanging witches in Salem; dark musty alleys where black cats and other things might steal at night. Witchcraft always meant the old towns of New England, to me—but all this is more terrible than any New England legend—these somber pines, old deserted houses, lost plantations, mysterious black people, old tales of madness and horror—God, what frightful, ancient terrors there are on this continent fools call 'young'!"

"Here's old Jacob's hut," announced Buckner, bringing the automobile to a halt.

Griswell saw a clearing and a small cabin squatting under the shadows of the huge trees. The pines gave way to oaks and cypresses, bearded with gray trailing moss, and behind the cabin lay the edge of a swamp that ran away under the dimness of the trees, choked with rank vegetation. A thin wisp of blue smoke curled up from the stick-and-mud chimney.

He followed Buckner to the tiny stoop, where the sheriff pushed open the leather-hinged door and strode in. Griswell blinked in the comparative dimness of the interior. A single small window let in a little daylight. An old Negro crouched beside the hearth, watching a pot stew over the open fire. He looked up as they entered, but did not rise. He seemed incredibly old. His face was a mass of wrinkles, and his eyes, dark and vital, were filmed momentarily at times as if his mind wandered.

Buckner motioned Griswell to sit down in a string-bottomed chair, and himself took a rudely-made bench near the hearth, facing the old man.

"Jacob," he said bluntly, "the time's come for you to talk. I know you know the secret of Blassenville Manor. I've never questioned you about it, because it wasn't in my line. But a man was murdered there last night, and this man here may hang for it, unless you tell me what haunts that old house of the Blassenvilles."

The old man's eyes gleamed, then grew misty as if clouds of extreme age drifted across his brittle mind.

"The Blassenvilles," he murmured, and his voice was mellow and rich, his speech not the patois of the piny woods darky. "They were proud people, sirs —proud and cruel. Some died in the war, some were killed in duels —the menfolks, sirs. Some died in the Manor—the old Manor—" His voice trailed off into unintelligible mumblings.

"What of the Manor?" asked Buckner patiently.

"Miss Celia was the proudest of them all," the old man muttered. "The proudest and the cruelest. The black people hated her; Joan most of all. Joan had white blood in her, and she was proud, too. Miss Celia whipped her like a slave."

"What is the secret of Blassenville Manor?" persisted Buckner.

The film faded from the old man's eyes; they were dark as moonlit wells.

"What secret, sir? I do not understand."

"Yes, you do. For years that old house has stood there with its mystery. You know the key to its riddle."

The old man stirred the stew. He seemed perfectly rational now.

"Sir, life is sweet, even to an old black man."

"You mean somebody would kill you if you told me?"

But the old man was mumbling again, his eyes clouded.

"Not somebody. No human. No human being. The black gods of the swamps. My secret is inviolate, guarded by the Big Serpent, the god above all gods. He would send a little brother to kiss me with his cold lips—a little brother with a white crescent moon on his head. I sold my soul to the Big Serpent when he made me maker of zuvembies —"

Buckner stiffened.

"I heard that word once before," he said softly, "from the lips of a dying black man, when I was a child. What does it mean?"

Fear filled the eyes of old Jacob.

"What have I said? No—no! I said nothing."

"Zuvembies," prompted Buckner.

"Zuvembies," mechanically repeated the old man, his eyes vacant. "A zuvembie was once a woman—on the Slave Coast they know of them. The drums that whisper by night in the hills of Haiti tell of them. The makers of zuvembies are honored of the people of Damballah. It is death to speak of it to a white man—it is one of the Snake God's forbidden secrets."

"You speak of the zuvembies," said Buckner softly.

"I must not speak of it," mumbled the old man, and Griswell realized that he was thinking aloud, too far gone in his dotage to be aware that he was speaking at all. "No white man must know that I danced in the Black Ceremony of the voodoo, and was made a maker of zombies and zuvembies. The Big Snake punishes loose tongues with death."

"A zuvembie is a woman?" prompted Buckner.

"Was a woman," the old Negro muttered. "She knew I was a maker of zuvembies—she came and stood in my hut and asked for the awful brew —the brew of ground snake-bones, and the blood of vampire bats, and the dew from a nighthawk's wings, and other elements unnamable. She had danced in the Black Ceremony—she was ripe to become a zuvembie—the Black Brew was all that was needed—the other was beautiful—I could not refuse her."

"Who?" demanded Buckner tensely, but the old man's head was sunk on his withered breast, and he did not reply. He seemed to slumber as he sat. Buckner shook him. "You gave a brew to make a woman a zuvembie—what is a zuvembie?"

The old man stirred resentfully and muttered drowsily.

"A zuvembie is no longer human. It knows neither relatives nor friends. It is one with the people of the Black World. It commands the natural demons —owls, bats, snakes and werewolves, and can fetch darkness to blot out a little light. It can be slain by lead or steel, but unless it is slain thus, it lives for ever, and it eats no such food as humans eat. It dwells like a bat in a cave or an old house. Time means naught to the zuvembie; an hour, a day, a year, all is one. It cannot speak human words, nor think as a human thinks, but it can hypnotize the living by the sound of its voice, and when it slays a man, it can command his lifeless body until the flesh is cold. As long as the blood flows, the corpse is its slave. Its pleasure lies in the slaughter of human beings."

"And why should one become a zuvembie?" asked Buckner softly.

"Hate," whispered the old man. "Hate! Revenge!"

"Was her name Joan?" murmured Buckner.

It was as if the name penetrated the fogs of senility that clouded the voodoo-man's mind. He shook himself and the film faded from his eyes, leaving them hard and gleaming as wet black marble.

"Joan?" he said slowly. "I have not heard that name for the span of a generation. I seem to have been sleeping, gentlemen; I do not remember—I ask your pardon. Old men fall asleep before the fire, like old dogs. You asked me of Blassenville Manor? Sir, if I were to tell you why I cannot answer you, you would deem it mere superstition. Yet the white man's God be my witness—"

As he spoke he was reaching across the hearth for a piece of firewood, groping among the heaps of sticks there. And his voice broke in a scream, as he jerked back his arm convulsively. And a horrible, thrashing, trailing thing came with it. Around the voodoo-man's arm a mottled length of that shape was wrapped, and a wicked wedge-shaped head struck again in silent fury.

The old man fell on the hearth, screaming, upsetting the simmering pot and scattering the embers, and then Buckner caught up a billet of firewood and crushed that flat head. Cursing, he kicked aside the knotting, twisting trunk, glaring briefly at the mangled head. Old Jacob had ceased screaming and writhing; he lay still, staring glassily upward.

"Dead?" whispered Griswell.

"Dead as Judas Iscariot," snapped Buckner, frowning at the twitching reptile. "That infernal snake crammed enough poison into his veins to kill a dozen men his age. But I think it was the shock and fright that killed him."

"What shall we do?" asked Griswell, shivering.

"Leave the body on that bunk. Nothin' can hurt it, if we bolt the door so the wild hogs can't get in, or any cat. We'll carry it into town tomorrow. We've got work to do tonight. Let's get goin'."

Griswell shrank from touching the corpse, but he helped Buckner lift it on the rude bunk, and then stumbled hastily out of the hut. The sun was hovering above the horizon, visible in dazzling red flame through the black stems of the trees.

They climbed into the car in silence, and went bumping back along the stumpy train.

"He said the Big Snake would send one of his brothers," muttered Griswell.

"Nonsense!" snorted Buckner. "Snakes like warmth, and that swamp is full of them. It crawled in and coiled up among that firewood. Old Jacob disturbed it, and it bit him. Nothin' supernatural about that." After a short silence he said, in a different voice, "That was the first time I ever saw a rattler strike without singin'; and the first time I ever saw a snake with a white crescent moon on its head."

They were turning in to the main road before either spoke again.

"You think that the mulatto Joan has skulked in the house all these years?" Griswell asked.

"You heard what old Jacob said," answered Buckner grimly. "Time means nothin' to a zuvembie."

As they made the last turn in the road, Griswell braced himself against the sight of Blassenville Manor looming black against the red sunset. When it came into view he bit his lip to keep from shrieking. The suggestion of cryptic horror came back in all its power.

"Look!" he whispered from dry lips as they came to a halt beside the road. Buckner grunted.

From the balustrades of the gallery rose a whirling cloud of pigeons that swept away into the sunset, black against the lurid glare...

3. THE CALL OF ZUVEMBIE

Table of Contents

Both men sat rigid for a few moments after the pigeons had flown.

"Well, I've seen them at last," muttered Buckner.

"Only the doomed see them perhaps," whispered Griswell. "That tramp saw them—"

"Well, we'll see," returned the Southerner tranquilly, as he climbed out of the car, but Griswell noticed him unconsciously hitch forward his scabbarded gun.

The oaken door sagged on broken hinges. Their feet echoed on the broken brick walk. The blind windows reflected the sunset in sheets of flame. As they came into the broad hall Griswell saw the string of black marks that ran across the floor and into the chamber, marking the path of a dead man.

Buckner had brought blankets out of the automobile. He spread them before the fireplace.

"I'll lie next to the door," he said. "You lie where you did last night."

"Shall we light a fire in the grate?" asked Griswell, dreading the thought of the blackness that would cloak the woods when the brief twilight had died.

"No. You've got a flashlight and so have I. We'll lie here in the dark and see what happens. Can you use that gun I gave you?"

"I suppose so. I never fired a revolver, but I know how it's done."

"Well, leave the shootin' to me, if possible." The sheriff seated himself cross-legged on his blankets and emptied the cylinder of his big blue Colt, inspecting each cartridge with a critical eye before he replaced it.

Griswell prowled nervously back and forth, begrudging the slow fading of the light as a miser begrudges the waning of his gold. He leaned with one hand against the mantelpiece, staring down into the dust-covered ashes. The fire that produced those ashes must have been built by Elizabeth Blassenville, more than forty years before. The thought was depressing. Idly he stirred the dusty ashes with his toe. Something came to view among the charred debris—a bit of paper, stained and yellowed. Still idly he bent and drew it out of the ashes. It was a note-book with moldering cardboard backs.

"What have you found?" asked Buckner, squinting down the gleaming barrel of his gun.

"Nothing but an old note-book. Looks like a diary. The pages are covered with writing—but the ink is so faded, and the paper is in such a state of decay that I can't tell much about it. How do you suppose it came in the fireplace, without being burned up?"

"Thrown in long after the fire was out," surmised Buckner. "Probably found and tossed in the fireplace by somebody who was in here stealin' furniture. Likely somebody who couldn't read."

Griswell fluttered the crumbling leaves listlessly, straining his eyes in the fading light over the yellowed scrawls. Then he stiffened.

"Here's an entry that's legible! Listen!" He read:

"'I know someone is in the house besides myself. I can hear someone prowling about at night when the sun has set and the pines are black outside. Often in the night I hear it fumbling at my door. Who is it? Is it one of my sisters? Is it Aunt Celia? If it is either of these, why does she steal so subtly about the house? Why does she tug at my door, and glide away when I call to her? Shall I open the door and go out to her? No, no! I dare not! I am afraid. Oh God, what shall I do? I dare not stay here—but where am I to go?'"

"By God!" ejaculated Buckner. "That must be Elizabeth Blassenville's diary! Go on!"

"I can't make out the rest of the page," answered Griswell. "But a few pages further on I can make out some lines." He read:

"'Why did the Negroes all run away when Aunt Celia disappeared? My sisters are dead. I know they are dead. I seem to sense that they died horribly, in fear and agony. But why? Why? If someone murdered Aunt Celia, why should that person murder my poor sisters? They were always kind to the black people. Joan—'" He paused, scowling futilely.

"A piece of the page is torn out. Here's another entry under another date —at least I judge it's a date; I can't make it out for sure.

"'—the awful thing that the old Negress hinted at? She named Jacob Blount, and Joan, but she would not speak plainly; perhaps she feared to—' Part of it gone here; then: 'No, no! How can it be? She is dead—or gone away. Yet—she was born and raised in the West Indies, and from hints she let fall in the past, I know she delved into the mysteries of the voodoo. I believe she even danced in one of their horrible ceremonies—how could she have been such a beast? And this—this horror. God, can such things be? I know not what to think. If it is she who roams the house at night, who fumbles at my door, who whistles so weirdly and sweetly—no, no, I must be going mad. If I stay here alone I shall die as hideously as my sisters must have died. Of that I am convinced.'"

The incoherent chronicle ended as abruptly as it had begun. Griswell was so engrossed in deciphering the scraps that he was not aware that darkness had stolen upon them, hardly aware that Buckner was holding his electric torch for him to read by. Waking from his abstraction he started and darted a quick glance at the black hallway.

"What do you make of it?"

"What I've suspected all the time," answered Buckner. "That mulatto maid Joan turned zuvembie to avenge herself on Miss Celia. Probably hated the whole family as much as she did her mistress. She'd taken part in voodoo ceremonies on her native island until she was 'ripe,' as old Jacob said. All she needed was the Black Brew—he supplied that. She killed Miss Celia and the three older girls, and would have gotten Elizabeth but for chance. She's been lurkin' in this old house all these years, like a snake in a ruin."

"But why should she murder a stranger?"

"You heard what old Jacob said," reminded Buckner. "A zuvembie finds satisfaction in the slaughter of humans. She called Branner up the stair and split his head and stuck the hatchet in his hand, and sent him downstairs to murder you. No court will ever believe that, but if we can produce her body, that will be evidence enough to prove your innocence. My word will be taken, that she murdered Branner. Jacob said a zuvembie could be killed... in reporting this affair I don't have to be too accurate in detail."

"She came and peered over the balustrade of the stair at us," muttered Griswell. "But why didn't we find her tracks on the stair?"

"Maybe you dreamed it. Maybe a zuvembie can project her spirit—hell! why try to rationalize something that's outside the bounds of rationality? Let's begin our watch."

"Don't turn out the light!" exclaimed Griswell involuntarily. Then he added: "Of course. Turn it out. We must be in the dark as"—he gagged a bit—"as Branner and I were."

But fear like a physical sickness assailed him when the room was plunged in darkness. He lay trembling and his heart beat so heavily he felt as if he would suffocate.

"The West Indies must be the plague spot of the world," muttered Buckner, a blur on his blankets. "I've heard of zombies. Never knew before what a zuvembie was. Evidently some drug concocted by the voodoo-men to induce madness in women. That doesn't explain the other things, though: the hypnotic powers, the abnormal longevity, the ability to control corpses—no, a zuvembie can't be merely a mad-woman. It's a monster, something more and less than a human being, created by the magic that spawns in black swamps and jungles —well, we'll see."

His voice ceased, and in the silence Griswell heard the pounding of his own heart. Outside in the black woods a wolf howled eerily, and owls hooted. Then silence fell again like a black fog.

Griswell forced himself to lie still on his blankets. Time seemed at a standstill. He felt as if he were choking. The suspense was growing unendurable; the effort he made to control his crumbling nerves bathed his limbs in sweat. He clenched his teeth until his jaws ached and almost locked, and the nails of his fingers bit deeply into his palms.

He did not know what he was expecting. The fiend would strike again —but how? Would it be a horrible, sweet whistling, bare feet stealing down the creaking steps, or a sudden hatchet-stroke in the dark? Would it choose him or Buckner? Was Buckner already dead? He could see nothing in the blackness, but he heard the man's steady breathing. The Southerner must have nerves of steel. Or was that Buckner breathing beside him, separated by a narrow strip of darkness? Had the fiend already struck in silence, and taken the sheriff's place, there to lie in ghoulish glee until it was ready to strike?—a thousand hideous fancies assailed Griswell tooth and claw.

He began to feel that he would go mad if he did not leap to his feet, screaming, and burst frenziedly out of that accursed house—not even the fear of the gallows could keep him lying there in the darkness any longer —the rhythm of Buckner's breathing was suddenly broken, and Griswell felt as if a bucket of ice-water had been poured over him. From somewhere above them rose a sound of weird, sweet whistling...

Griswell's control snapped, plunging his brain into darkness deeper than the physical blackness which engulfed him. There was a period of absolute blankness, in which a realization of motion was his first sensation of awakening consciousness. He was running, madly, stumbling over an incredibly rough road. All was darkness about him, and he ran blindly. Vaguely he realized that he must have bolted from the house, and fled for perhaps miles before his overwrought brain began to function. He did not care; dying on the gallows for a murder he never committed did not terrify him half as much as the thought of returning to that house of horror. He was overpowered by the urge to run —run—run as he was running now, blindly, until he reached the end of his endurance. The mist had not yet fully lifted from his brain, but he was aware of a dull wonder that he could not see the stars through the black branches. He wished vaguely that he could see where he was going. He believed he must be climbing a hill, and that was strange, for he knew there were no hills within miles of the Manor. Then above and ahead of him a dim glow began.

He scrambled toward it, over ledge-like projections that were more and more taking on a disquieting symmetry. Then he was horror-stricken to realize that a sound was impacting on his ears—a weird mocking whistle. The sound swept the mists away. Why, what was this? Where was he? Awakening and realization came like the stunning stroke of a butcher's maul. He was not fleeing along a road, or climbing a hill; he was mounting a stair. He was still in Blassenville Manor! And he was climbing the stair!

An inhuman scream burst from his lips. Above it the mad whistling rose in a ghoulish piping of demoniac triumph. He tried to stop—to turn back —even to fling himself over the balustrade. His shrieking rang unbearably in his own ears. But his will-power was shattered to bits. It did not exist. He had no will. He had dropped his flashlight, and he had forgotten the gun in his pocket. He could not command his own body. His legs, moving stiffly, worked like pieces of mechanism detached from his brain, obeying an outside will. Clumping methodically they carried him shrieking up the stair toward the witch-fire glow shimmering above him.

"Buckner!" he screamed. "Buckner! Help, for God's sake!"

His voice strangled in his throat. He had reached the upper landing. He was tottering down the hallway. The whistling sank and ceased, but its impulsion still drove him on. He could not see from what source the dim glow came. It seemed to emanate from no central focus. But he saw a vague figure shambling toward him. It looked like a woman, but no human woman ever walked with that skulking gait, and no human woman ever had that face of horror, that leering yellow blur of lunacy—he tried to scream at the sight of that face, at the glint of keen steel in the uplifted claw-like hand—but his tongue was frozen.

Then something crashed deafeningly behind him; the shadows were split by a tongue of flame which lit a hideous figure falling backward. Hard on the heels of the report rang an inhuman squawk.

In the darkness that followed the flash Griswell fell to his knees and covered his face with his hands. He did not hear Buckner's voice. The Southerner's hand on his shoulder shook him out of his swoon.

A light in his eyes blinded him. He blinked, shaded his eyes, looked up into Buckner's face, bending at the rim of the circle of light. The sheriff was pale.

"Are you hurt? God, man, are you hurt? There's a butcher knife there on the floor—"

"I'm not hurt," mumbled Griswell. "You fired just in time—the fiend! Where is it? Where did it go?"

"Listen!"

Somewhere in the house there sounded a sickening flopping and flapping as of something that thrashed and struggled in its death convulsions.

"Jacob was right," said Buckner grimly. "Lead can kill them. I hit her, all right. Didn't dare use my flashlight, but there was enough light. When that whistlin' started you almost walked over me gettin' out. I knew you were hypnotized, or whatever it is. I followed you up the stairs. I was right behind you, but crouchin' low so she wouldn't see me, and maybe get away again. I almost waited too long before I fired—but the sight of her almost paralyzed me. Look!"

He flashed his light down the hall, and now it shone bright and clear. And it shone on an aperture gaping in the wall where no door had showed before.

"The secret panel Miss Elizabeth found!" Buckner snapped. "Come on!"

He ran across the hallway and Griswell followed him dazedly. The flopping and thrashing came from beyond that mysterious door, and now the sounds had ceased.

The light revealed a narrow, tunnel-like corridor that evidently led through one of the thick walls. Buckner plunged into it without hesitation.

"Maybe it couldn't think like a human," he muttered, shining his light ahead of him. "But it had sense enough to erase its tracks last night so we couldn't trail it to that point in the wall and maybe find the secret panel. There's a room ahead—the secret room of the Blassenvilles!"

And Griswell cried out: "My God! It's the windowless chamber I saw in my dream, with the three bodies hanging—ahhhhh!"

Buckner's light playing about the circular chamber became suddenly motionless. In that wide ring of light three figures appeared, three dried, shriveled, mummy-like shapes, still clad in the moldering garments of the last century. Their slippers were clear of the floor as they hung by their withered necks from chains suspended from the ceiling.

"The three Blassenville sisters!" muttered Buckner. "Miss Elizabeth wasn't crazy, after all."

"Look!" Griswell could barely make his voice intelligible. "There—over there in the corner!"

The light moved, halted.

"Was that thing a woman once?" whispered Griswell. "God, look at that face, even in death. Look at those claw-like hands, with black talons like those of a beast. Yes, it was human, though—even the rags of an old ballroom gown. Why should a mulatto maid wear such a dress, I wonder?"

"This has been her lair for over forty years," muttered Buckner, brooding over the grinning grisly thing sprawling in the corner. "This clears you, Griswell—a crazy woman with a hatchet—that's all the authorities need to know. God, what a revenge!—what a foul revenge! Yet what a bestial nature she must have had, in the beginnin', to delve into voodoo as she must have done—"

"The mulatto woman?" whispered Griswell, dimly sensing a horror that overshadowed all the rest of the terror.

Buckner shook his head. "We misunderstood old Jacob's maunderin's, and the things Miss Elizabeth wrote—she must have known, but family pride sealed her lips. Griswell, I understand now; the mulatto woman had her revenge, but not as we'd supposed. She didn't drink the Black Brew old Jacob fixed for her. It was for somebody else, to be given secretly in her food, or coffee, no doubt. Then Joan ran away, leavin' the seeds of the hell she'd sowed to grow."

"That—that's not the mulatto woman?" whispered Griswell.

"When I saw her out there in the hallway I knew she was no mulatto. And those distorted features still reflect a family likeness. I've seen her portrait, and I can't be mistaken. There lies the creature that was once Celia Blassenville."

THE END

Cthulhu Mythos:

Table of Contents

The Challenge From Beyond

Table of Contents

1. CALL FROM CANAAN

2. THE STRANGER ON TULAROOSA

3. SHADOWS OVER CANAAN

4. THE DWELLERS IN THE SWAMP

1. CALL FROM CANAAN

Table of Contents

"TROUBLE on Tularoosa Creek!" A warning to send cold fear along the spine of any man who was raised in that isolated back-country, called Canaan, that lies between Tularoosa and Black River—to send him racing back to that swamp-bordered region, wherever the word might reach him.

It was only a whisper from the withered lips of a shuffling black crone, who vanished among the throng before I could seize her; but it was enough. No need to seek confirmation; no need to inquire by what mysterious, black-folk way the word had come to her. No need to inquire what obscure forces worked to unseal those wrinkled lips to a Black River man. It was enough that the warning had been given—and understood.

Understood? How could any Black River man fail to understand that warning? It could have but one meaning—old hates seething again in the jungle-deeps of the swamplands, dark shadows slipping through the cypress, and massacre stalking out of the black, mysterious village that broods on the moss-festooned shore of sullen Tularoosa.

Within an hour New Orleans was falling further behind me with every turn of the churning wheel. To every man born in Canaan, there is always an invisible tie that draws him back whenever his homeland is imperiled by the murky shadow that has lurked in its jungled recesses for more than half a century.

The fastest boats I could get seemed maddeningly slow for that race up the big river, and up the smaller, more turbulent stream. I was burning with impatience when I stepped off on the Sharpsvil le landing, with the last fifteen miles of my journey yet to make. It was past midnight, but I hurried to the livery stable where, by tradition half a century old, there is always a Buckner horse, day or night.

As a sleepy black boy fastened the cinches, I turned to the owner of the stable, Joe Lafely, yawning and gaping in the light of the lantern he upheld. "There are rumors of trouble on Tularoosa?"

He paled in the lantern-light.

"I don't know. I've heard talk. But you people in Canaan are a shut- mouthed clan. No one outside knows what goes on in there."

The night swallowed his lantern and his stammering voice as I headed west along the pike.

The moon set red through the black pines. Owls hooted away off in the woods, and somewhere a hound howled his ancient wistfulness to the night. In the darkness that foreruns dawn I crossed Nigger Head Creek, a streak of shining black fringed by walls of solid shadows. My horse's hooves splashed through the shallow water and clinked on the wet stones, startlingly loud in the stillness. Behind Nigger Head Creek began the countrymen called Canaan.

Heading in the same swamp, miles to the north, that gives birth to Tularoosa, Nigger Head flows due south to ioin Black River a few miles west of Sharpsville, while the Tularoosa runs westward to meet the same river at a higher point. The trend of Black River is from northwest to southeast; so these three streams form the great irregular triangle known as Canaan.

In Canaan lived the sons and daughters of the white frontiersmen who first settled the country, and the sons and daughters of their slaves. Joe Lafely was right; we were an isolated, shut-mouthed breed. Self-sufficient, jealous of our seclusion and independence.

Beyond Nigger Head the woods thickened, the road narrowed, winding through unfenced pinelands, broken by live-oaks and cypresses. There was no sound except the soft clop-clop of hoofs in the thin dust, the creak of the saddle. Then someone laughed throatily in the shadows.

I drew up and peered into the trees. The moon had set and dawn was not yet come, but a faint glow quivered among the trees, and by it I made out a dim figure under the moss-hung branches. My hand instinctively sought the butt of one of the dueling-pistols I wore, and the action brought another low, musical laugh, mocking yet seductive. I glimpsed a brown face, a pair of scintillant eyes, white teeth displayed in an insolent smile.

"Who the devil are you?" I demanded.

"Why do you ride so late, Kirby Buckner?" Taunting laughter bubbled in the voice. The accent was foreign and unfamiliar; a faintly negroid twang was there, but it was rich and sensuous as the rounded body of its owner. In the lustrous pile of dusky hair a great white blossom glimmered palely in the darkness.

"What are you doing here?" I demanded. "You're a long way from any darky cabin. And you're a stranger to me.

"I came to Canaan since you went away," she answered. "My cabin is on the Tularoosa. But now I've lost my way. And my poor brother has hurt his leg and cannot walk."

"Where is your brother?" I asked, uneasily. Her perfect English was disquieting to me, accustomed as I was to the dialect of the black folk.

"Back in the woods, there—far back!" She indicated the black depths with a swaying motion of her supple body rather than a gesture of her hand, smiling audaciously as she did so.

I knew there was no injured brother, and she knew I knew it, and laughed at me. But a strange turmoil of conflicting emotions stirred in me. I had never before paid any attention to a black or brown woman. But this quadroon girl was different from any I had ever seen. Her features were regular as a white woman's, and her speech was not that of a common wench. Yet she was barbaric, in the open lure of her smile, in the gleam of her eyes, in the shameless posturing of her voluptuous body. Every gesture, every motion she made set her apart from the ordinary run of women; her beauty was untamed and lawless, meant to madden rather than to soothe, to make a man blind and dizzy, to rouse in him all the unreined passions that are his heritage from his ape ancestors.

I hardly remember dismounting and tying my horse. My blood pounded suffocatingly through the veins in my temples as I scowled down at her, suspicious yet fascinated.

"How do you know my name? Who are you?"

With a provocative laugh, she seized my hand and drew me deeper into the shadows. Fascinated by the lights gleaming in her dark eyes, I was hardly aware of her action.

"Who does not know Kirby Buckner?" she laughed. "All the people of Canaan speak of you, white or black. Come! My poor brother longs to look upon you!" And she laughed with malicious triumph.

It was this brazen effrontery that brought me to my senses. Its cynical mockery broke the almost hypnotic spell in which I had fallen.

I stopped short, throwing her hand aside, snarling: "What devil's game are you up to, wench?"

Instantly the smiling siren was changed to a blood-mad jungle cat. Her eyes flamed murderously, her red lips writhed in a snarl as she leaped back, crying out shrilly. A rush of bare feet answered her call. The first faint light of dawn struck through the branches, revealing my assailants, three gaunt black giants. I saw the gleaming whites of their eyes, their bare glistening teeth, the sheen of naked steel in their hands.

My first bullet crashed through the head of the tallest man, knocking him dead in full stride. My second pistol snapped—the cap had somehow slipped from the nipple. I dashed it into a black face, and as the man fell, half stunned, I whipped out my bowie knife and closed with the other. I parried his stab and my counter-stroke ripped across the belly-muscles. He screamed like a swamp-panther and made a wild grab for my knife wrist, but I stuck him in the mouth with my clenched left fist, and felt his lips split and his teeth crumble under the impact as he reeled backward, his knife waving wildly. Before he could regain his balance I was after him, thrusting, and got home under his ribs. He groaned and slipped to the ground in a puddle of his own blood.

I wheeled about, looking for the other. He was just rising, blood streaming down his face and neck. As I started for him he sounded a panicky yell and plunged into the underbrush. The crashing of his blind flight came back to me, muffled with distance. The girl was gone.

2. THE STRANGER ON TULAROOSA

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THE CURIOUS GLOW that had first showed me the quadroon girl had vanished. In my confusion I had forgotten it. But I did not waste time on vain conjecture as to its source, as I groped my way back to the road. Mystery had come to the pinelands and a ghostly light that hovered among the trees was only part of it.

My horse snorted and pulled against his tether, frightened by the smell of blood that hung in the heavy damp air. Hoofs clattered down the road, forms bulked in the growing light. Voices challenged.

"Who's that? Step out and name yourself, before we shoot!"

"Hold on, Esau!" I called. "It's me—Kirby Buckner"'

"Kirby Buckner, by thunder!" ejaculated Esau McBride, lowering his pistol. The tall rangy forms of the other riders loomed behind him.

"We heard a shot," said McBride. "We was ridin' patrol on the roads around Grimesville like we've been ridin' every night for a week now— ever since they killed Ridge Jackson."

"Who killed Ridge Jackson?"

"The swamp niggers. That's all we know. Ridge come out of the woods early one mornin' and knocked at Cap'n Sorley's door. Cap'n says he was the color of ashes. He hollered for the Cap'n for God's sake to let him in, he had somethin' awful to tell him. Well, the Cap'n started down to open the door, but before he'd got down the stairs he heard an awful row among the dogs outside, and a man screamed he reckoned was Ridge. And when he got to the door, there wasn't nothin' but a dead dog layin' in the yard with his head knocked in, and the others all goin' crazy. They found Ridge later, out in the pines a few hundred yards from the house. From the way the ground and the bushes was tore up, he'd been dragged that far by four or five men. Maybe they got tired of haulin' him along. Anyway, they beat his head into a pulp and left him layin' there."

"I'll be damned!" I muttered. "Well, there's a couple of niggers lying back there in the brush. I want to see if you know them. I don't."

A moment later we were standing in the tiny glade, now white in the growing dawn. A black shape sprawled on the matted pine needles, his head in a pool of blood and brains. There were wide smears of blood on the ground and bushes on the other side of the little clearing, but the wounded black was gone.

McBride turned the carcass with his foot.

"One of them niggers that came in with Saul Stark," he muttered.

"Who the devil's that?" I demanded.

"Strange nigger that moved in since you went down the river last time. Come from South Carolina, he says. Lives in that old cabin in the Neck— you know, the shack where Colonel Reynolds' niggers used to live."

"Suppose you ride on to Grimesville with me, Esau, "' I said, "and tell me about this business as we ride. The rest of you might scout around and see if you can find a wounded nigger in the brush."

The agreed without question; the Buckners have always been tacitly considered leaders in Canaan, and it came natural for me to offer suggestions. Nobody gives orders to white men in Canaan.

"I reckoned you'd be showin' up soars," opined McBride, as we rode along the whitening road. "You usually manage to keep up with what's happenin' in Canaan."

"What is happening?" I inquired. "I don't know anything. An old black woman dropped me the word in New Orleans that there was trouble. Naturally I came home as fast as I could. Three strange niggers waylaid me—" I was curiously disinclined to mention the woman. "And now you tell me somebody killed Ridge Jackson. What's it all about?"

"The swamp niggers killed Ridge to shut his mouth," announced McBride. "That's the only way to figure it. They must have been close behind him when he knocked on Cap'n Sorley's door. Ridge worked for Cap'n Sorley most of his life; he thought a lot of the old man. Some kind of deviltry's bein' brewed up in the swamps, and Ridge wanted to warn the Cap'n. That's the way I figure it."

"Warn him about what?"

"We don't know," confessed McBride. "That's why we're all on edge. It must be an uprisin'."

That word was enough to strike chill fear into the heart of any Canaan- dweller. The blacks had risen in 1845, and the red terror of that revolt was not forgotten, nor the three lesser rebellions before it, when the slaves rose and spread fire and slaughter from Tularoosa to the shores of Black River. The fear of a black uprising lurked for ever in the depths of that forgotten back-country; the very children absorbed it in their cradles.

"What makes you think it might be an uprising?" I asked.

"The niggers have all quit the fields, for one thing. They've all got business in Goshen. I ain't seen a nigger nigh Grimesville for a week. The town niggers have pulled out."

In Canaan we still draw a distinction born in antebellum days. "Town niggers are descendants of the houseservants of the old days, and most of them live in or near Grimesville There are not many, compared to the mass of "swamp niggers" who dwell on tiny farms along the creeks and the edge of the swamps, or in the black village of Goshen, on the Tularoosa. They are descendants of the field-hands of other days, and, untouched by the mellow civilization which refined the natures of the house-servants, they remain as primitive as their African ancestors."

"Where have the town niggers gone?" I asked.

"Nobody knows. They lit out a week ago. Probably hidin' down on Black River. If we win, they'll come back. If we don't, they'll take refuge in Sharpsville."

I found his matter-of-factness a bit ghastly, as if the actuality of the uprising were an assured fact.

"Well, what have you done?" I demanded.

"Ain't much we could do," he confessed. "The niggers ain't made no open move, outside of killin' Ridge Jackson; and we couldn't prove who done that, or why they done it.

"They ain't done nothin' but clear out. But that's mighty suspicious. We can't keep from thinkin' Saul Stark's behind it."

"Who is this fellow?" I asked.

"I told you all I know, already. He got permission to settle in that old deserted cabin on the Neck; a great big black devil that talks better English than I like to hear a nigger talk. But he was respectful enough. He had three or four big South Carolina bucks with him, and a brown wench which we don't know whether she's his daughter, sister, wife or What. He ain't been in to Grimesville but that one time, and a few weeks after he came to Canaan, the niggers begun actin' curious. Some of the boys wanted to ride over to Goshen and have a show-down, but that's takin' a desperate chance."

I knew he was thinking of a ghastly tale told us by our grandfathers of how a punitive expedition from Grimesville was once ambushed and butchered among the dense thickets that masked Goshen, then a rendezvous for runaway slaves, while another red-handed band devastated Grimesville, left defenseless by that reckless invasion.

"Might take all the men to get Saul Stark," said McBride. "And we don't dare leave the town unprotected. But we'll soon have to—hello, what's this?"

We had emerged from the trees and were just entering the village of Grimesville, the community center of the white population of Canaan. It was not pretentious. Log cabins, neat and whitewashed, were plentiful enough. Small cottages clustered about big, old-fashioned houses which sheltered the rude aristocracy of that backwoods democracy. All the "planter" families lived "in town." "The country" was occupied by their tenants, and by the small independent farmers, white and black.

A small log cabin stood near the point where the road wound out of the deep forest. Voices emanated from it, in accents of menace, and a tall lanky figure, rifle in hand, stood at the door.

"Howdy, Esau!" this man hailed us. "By golly, if it ain't Kirby Buckner! Glad to see you, Kirby."

"'What's up, Dick?" asked McBride.

"Got a nigger in the shack, tryin' to make him talk. Bill Reynolds seen him sneakin' past the edge of town about daylight, and nabbed him."

"Who is it?" I asked.

"Tope Sorley. John Willoughby's gone after a blacksnake."

With a smothered oath I swung off my horse and strode in, followed by McBride. Half a dozen men in boots and gunbelts clustered about a pathetic figure cowering on an old broken bunk. Tope Sorley (his forebears had adopted the name of the family that owned them, in slave days) was a pitiable sight just then. His skin was ashy, his teeth chattered spasmodically, and his eyes seemed to be trying to roll back into his head.

"Here's Kirby!" ejaculated one of the men as I pushed my way through the group. "I'll bet he'll make this coon talk!"

"Here comes John with the blacksnake!" shouted someone, and a tremor ran through Tope Sorley's shivering body.

I pushed aside the butt of the ugly whip thrust eagerly into my hand.

"Tope," I said, "you've worked one of my father's farms for years. Has any Buckner ever treated you any way but square?"

"Nossuh," came faintly.

"Then what are you afraid of? Why don't you speak up? Something's going on in the swamps. You know, and I want you to tell us why the town niggers have all run away, why Ridge Jackson was killed, why the swamp niggers are acting so mysteriously."

"And what kind of devilment that cussed Saul Stark's cookin' up over on Tularoosa!" shouted one of the men.

Tope seemed to shrink into himself at the mention of Stark.

"I don't dast," he shuddered. "He'd put me in de swamp!"

"Who?" I demanded. "Stark? Is Stark a conjer man?"

Tope sank his head in his hands and did not answer. I laid my hand on his shoulder.

"Tope," I said, "you know if you'll talk, we'll protect you. If you don't talk, I don't think Stark can treat you much rougher than these men are likely to. Now spill itwhat's it all about?"

He lifted desperate eyes.

"You-all got to lemme stay here," he shuddered. "And guard me, and gimme money to git away on when de trouble's over."

"We'll do all that," I agreed instantly. "You can stay right here in this cabin, until you're ready to leave for New Orleans or wherever you want to go."

He capitulated, collapsed, and words tumbled from his livid lips.

"Saul Stark's a conjer man. He come here because it's way off in back- country. He aim to kill all de white folks in Canaan."

A growl rose from the group, such a growl as rises unbidden from the throat of the wolf-pack that scents peril.

"He aim to make hisself king of Canaan. He sent me to spy dis mornin' to see if Mistah Kirby got through. He sent men to waylay him on de road, cause he knowed Mistah Kirby was comin' back to Canaan. Niggers makin' voodoo on Tularoosa, for weeks now. Ridge Jackson was goin' to tell Cap'n Sorley; so Stark's niggers foller him and kill him. That make Stark mad. He ain't want to kill Ridge; he want to put him in de swamp with Tunk Bixby and de others."

"What are you talking about?" I demanded.

Far out in the woods rose a strange, shrill cry, like the cry of a bird. But no such bird ever called before in Canaan. Tope cried out as if in answer, and shriveled into himself. He sank down on the bunk in a veritable palsy of fear.

"That was a signal!" I snapped. "Some of you go out there."

Half a dozen men hastened to follow my suggestion, and I returned to the task of making Tope renew his revelations. It was useless. Some hideous fear had sealed his lips. He lay shuddering like a stricken animal, and did not even seem to hear our questions. No one suggested the use of the blacksnake. Anyone could see the Negro was paralyzed with terror.

Presently the searchers returned empty-handed. They had seen no one, and the thick carpet of pine needles showed no foot-prints. The men looked at me expectantly. As Colonel Buckner's son, leadership was expected of me.

"What about it, Kirby?" asked McBride. "Breckinridge and the others have just rode in. They couldn't find that nigger you cut up."

"There was another' nigger I hit with a pistol," I said. "Maybe he came back and helped him." Still I could not bring myself to mention the brown girl. "Leave Tope alone. Maybe he'll get over his scare after a while. Better keep a guard in the cabin all the time. The swamp niggers may try to get him as they got Ridge Jackson. Better scour the roads around the town, Esau; there may be some of them hiding in the woods."

"I will. I reckon you'll want to be gettin' up to the house, now, and seein' your folks."

"Yes. And I want to swap these toys for a couple of .44s. Then I'm going to ride out and tell the country people to come into Grimesville. If it's to be an uprising, we don't know when it will commence."

"You're not goin' alone!" protested McBride.

"I'll be all right," I answered impatiently. "All this may not amount to anything, but it's best to be on the safe side. That's why I'm going after the country folks. No, I don't want anybody to go with me. Just in case the niggers do get crazy enough to attack the town, you'll need every man you've got. But if I can get hold of some of the swamp niggers and talk to them, I don't think there'll be any attack."

"You won't get a glimpse of them," McBride predicted.

3. SHADOWS OVER CANAAN

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It was not yet noon when I rode out of the village westward along the old road. Thick woods swallowed me quickly. Dense walls of pines marched with me on either hand, giving way occasionally to fields enclosed with straggling rail fences, with the log cabins of the tenants or owners close by, with the usual litters of tow-headed children and lank hound dogs.

Some of the cabins were empty. The occupants, if white, had already gone into Grimesville; if black they had gone into the swamps, or fled to the hidden refuge of the town niggers, according to their affiliations. In any event, the vacancy of their hovels was sinister in its suggestion.

A tense silence brooded over the pinelands, broken only by the occasional wailing call of a plowman. My progress was not swift, for from time to time I turned off the main road to give warning to some lonely cabin huddled on the bank of one of the many thicket-fringed creeks. Most of these farms were south of the road; the white settlements did not extend far to the north; for in that direction lay Tularoosa Creek with its jungle-grown marshes that stretched inlets southward like groping fingers.

The actual warning was brief; there was no need to argue or explain. I called from the saddle: "Get into town; trouble's brewing on Tularoosa." Faces paled, and people dropped whatever they were doing: the men to grab guns and jerk mules from the plow to hitch to the wagons, the women to bundle necessary belongings together and shrill the children in from their play. As I rode I heard the cowhorns blowing up and down the creeks, summoning men from distant fields—blowing as they had not blown for a generation, a warning and a defiance which I knew carried to such ears as might be listening in the edges of the swamplands. The country emptied itself behind me, flowing in thin but steady streams toward Grimesville.

The sun was swinging low among the topmost branches of the pines when I reached the Richardson cabin, the westernmost "white" cabin in Canaan. Beyond it lay the Neck, the angle formed by the junction of Tularoosa with Black River, a jungle-like expanse occupied only by scattered Negro huts.

Mrs. Richardson called to me anxiously from the cabin stoop.

"Well, Mr. Kirby, I'm glad to see you back in Canaan! We been hearin' the horns all evenin', Mr. Kirby. What's it mean? It—it ain't—"

"You and Joe better get the children and light out for Grimesville," I answered. "Nothing's happened yet, and may not, but it's best to be on the safe side. All the people are going."

"We'll go right now!" she gasped, paling, as she snatched off her apron. "Lord, Mr. Kirby, you reckon they'll cut us off before we can git to town?"

I shook my head. "They'll strike at night, if at all. We're just playing safe. Probably nothing will come of it."

"I bet you're wrong there," she predicted, scurrying about in desperate activity. "I been hearin' a drum beatin' off toward Saul Stark's cabin, off and on, for a week now. They beat drums back in the Big Uprisin'. My pappy's told me about it many's the time. The nigger skinned his brother alive. The horns was blowin' all up and down the creeks, and the drums was beatin' louder'n the horns could blow. You'll be ridin' back with us, won't you, Mr. Kirby?"

"No; I'm going to scout down along the trail a piece."

"Don't go too far. You're liable to run into old Saul Stark and his devils. Lord! Where is that man? Joe! Joe!"

As I rode down the trail her shrill voice followed me, thin-edged with fear.

Beyond the Richardson farm pines gave way to liveoaks. The underbrush grew ranker. A scent of rotting vegetation impregnated the fitful breeze. Occasionally I sighted a nigger hut, half hidden under the trees, but always it stood silent and deserted. Empty nigger cabins meant but one thing: the blacks were collecting at Goshen, some miles to the east on the Tularoosa; and that gathering, too, could have but one meaning.

My goal was Saul Stark's hut. My intention had been formed when I heard Tope Sorley's incoherent tale. There could be no doubt that Saul Stark was the dominant figure in this web of mystery. With Saul Stark I meant to deal. That I might be risking my life was a chance any man must take who assumes the responsibility of leadership.

The sun slanted through the lower branches of the cypresses when I reached it—a log cabin set against a background of gloomy tropical jungle. A few steps beyond it began the uninhabitable swamp in which Tularoosa emptied its murky current into Black River. A reek of decay hung in the air; gray moss bearded the trees, and poisonous vines twisted in rank tangles.

I called: "Stark! Saul Stark! Come out here!"

There was no answer. A primitive silence hovered over the tiny clearing. I dismounted, tied my horse and approached the crude, heavy door. Perhaps this cabin held a clue to the mystery of Saul Stark; at least it doubtless contained the implements and paraphernalia of his noisome craft. The faint breeze dropped suddenly. The stillness became so intense it was like a physical impact. I paused, startled; it was as if some inner instinct had shouted urgent warning.

As I stood there every fiber of me quivered in response to that subconscious warning; some obscure, deep-hidden instinct sensed peril, as a man senses the presence of the rattlesnake in the darkness, or the swamp panther crouching in the bushes. I drew a pistol, sweeping the trees and bushes, but saw no shadow or movement to betray the ambush I feared. But my instinct was unerring; what I sensed was not lurking in the woods about me; it was inside the cabin—waiting. Trying to shake off the feeling, and irked by a vague half-memory that kept twitching at the back of my brain, I again advanced. And again I stopped short, with one foot on the tiny stoop, and a hand half advanced to pull open the door. A chill shivering swept over me, a sensation like that which shakes a man to whom a flicker of lightning has revealed the black abyss into which another blind step would have hurled him. For the first time in my life I knew the meaning of fear; I knew that black horror lurked in that sullen cabin under the moss-bearded cypresses—a horror against which every primitive instinct that was my heritage cried out in panic.

And that insistent half-memory woke suddenly. It was the memory of a story of how voodoo men leave their huts guarded in their absence by a powerful ju-ju spirit to deal madness and death to the intruder. White men ascribed such deaths to superstitious fright and hypnotic suggestion. But in that instant I understood my sense of lurking peril; I comprehended the horror that breathed like an invisible mist from that accursed hut. I sensed the reality of the ju-ju, of which the grotesque wooden images which voodoo men place in their huts are only a symbol.

Saul Stark was gone; but he had left a Presence to guard his hut.

I backed away, sweat beading the backs of my hands. Not for a bag of gold would I have peered into the shuttered windows or touched that unbolted door. My pistol hung in my hand, useless I knew against the Thing in that cabin. What it was I could not know, but I knew it was some brutish, soulless entity drawn from the black swamps by the spells of voodoo. Man and the natural animals are not the only sentient beings that haunt this planet. There are invisible Things —black spirits of the deep swamps and the slimes of the river beds —the Negroes know of them...

My horse was trembling like a leaf and he shouldered close to me as if seeking security in bodily contact. I mounted and reined away, fighting a panicky urge to strike in the spurs and bolt madly down the trail.

I breathed an involuntary sigh of relief as the somber clearing fell away behind me and was lost from sight. I did not, as soon as I was out of sight of the cabin, revile myself for a silly fool. My experience was too vivid in my mind. It was not cowardice that prompted my retreat from that empty hut; it was the natural instinct of self-preservation, such as keeps a squirrel from entering the lair of a rattlesnake.

My horse snorted and shied violently. A gun was in my hand before I saw what had startled me. Again a rich musical laugh taunted me.

She was leaning against a bent tree-trunk, her hands clasped behind her sleek head, insolently posing her sensuous figure. The barbaric fascination of her was not dispelled by daylight; if anything, the glow of the lowhanging sun enhanced it.

"Why did you not go into the ju-ju cabin, Kirby Buckner?" she mocked, lowering her arms and moving insolently out from the tree.

She was clad as I had never seen a swamp woman, or any other woman, dressed. Snakeskin sandals were on her feet, sewn with tiny sea-shells that were never gathered on this continent. A short silken skirt of flaming crimson molded her full hips, and was upheld by a broad beadworked girdle. Barbaric anklets and armlets clashed as she moved, heavy ornaments of crudely hammered gold that were as African as her loftily piled coiffure. Nothing else she wore, and on her bosom, between her arching breasts, I glimpsed the faint lines of tattooing on her brown skin.

She posed derisively before me, not in allure, but in mockery. Triumphant malice blazed in her dark eyes; her red lips curled with cruel mirth. Looking at her then I found it easy to believe all the tales I had heard of torture and mutilations inflicted by the women of savage races on wounded enemies. She was alien, even in this primitive setting; she needed a grimmer, more bestial background, a background of steaming jungle, reeking black swamps, flaring fires and cannibal feasts, and the bloody altars of abysmal tribal gods.

"Kirby Buckner!" She seemed to caress the syllables with her red tongue, yet the very intonation was an obscene insult. "Why did you not enter Saul Stark's cabin? It was not locked! Did you fear what you might see there? Did you fear you might come out with your hair white like an old man's, and the drooling lips of an imbecile?"

"What's in that but?" I demanded.

She laughed in my face, and snapped her fingers with a peculiar gesture.

"One of the ones which come oozing like black mist out of the night when Saul Stark beats the ju-ju drum and shrieks the black incantation to the gods that crawl on their bellies in the swamp."

"What is he doing here? The black folk were quiet until he came."

Her red lips curled disdainfully. "Those black dogs? They are his slaves. If they disobey he kills them, or puts them in the swamp. For long we have looked for a place to begin our rule. We have chosen Canaan. You whites must go. And since we know that white people can never be driven away from their land, we must kill you all."

It was my turn to laugh, grimly.

"They tried that, back in '05."

"They did not have Saul Stark to lead them, then," she answered calmly.

"Well, suppose they won? Do you think that would be the end of it? Other white men would come into Canaan and kill them all."

"They would have to cross water," she answered. "We can defend the rivers and creeks. Saul Stark will have many servants in the swamps to do his bidding. He will be king of black Canaan. No one can cross the waters to come against him. He will rule his tribe, as his fathers ruled their tribes in the Ancient Land."

"Mad as a loon!" I muttered. Then curiosity impelled me to ask: "Who is this fool? What are you to him?"

"He is the son of a Kongo witch-finder, and he is the greatest voodoo priest out of the Ancient Land," she answered, laughing at me again. "I? You shall leant who I am, tonight in the swamp, in the House of Damballah."

"Yes?" I grunted. "What's to prevent me from taking you into Grimesville with me? You know the answers to questions I'd like to ask."

Her laughter was like the slash of a velvet whip.

"You drag me to the village of the whites? Not all death and hell could keep me from the Dance of the Skull, tonight in the House of Damballah. You are my captive, already." She laughed derisively as I started and glared into the shadows about me. "No one is hiding there. I am alone, and you are the strongest man in Canaan. Even Saul Stark fears you, for he sent me with three men to kill you before you could reach the village. Yet you are my captive. I have but to beckon, so"—she crooked a contemptuous finger—"and you will follow to the fires of Damballah and the knives of the torturers."

I laughed at her, but my mirth rang hollow. I could not deny the incredible magnetism of this brown enchantress; it fascinated and impelled, drawing me toward her, beating at my will power. I could not fail to recognize it any more than I could fail to recognize the peril in the ju-ju hut.

My agitation was apparent to her, for her eyes flashed with unholy triumph.

"Black men are fools, all but Saul Stark," she laughed. "White men are fools, too. I am the daughter of a white man, who lived in the but of a black king and mated with his daughters. I know the strength of white men, and their weakness. I failed last night when I met you in the woods, but now I cannot fail!" Savage exultation thrummed in her voice. "By the blood in your veins I have snared you. The knife of the man you killed scratched your handseven drops of blood that fell on the pine needles have given me your soul! I took that blood, and Saul Stark gave me the man who ran away. Saul Stark hates cowards. With his hot, quivering heart, and seven drops of your blood, Kirby Buckner, deep in the swamps I have made such magic as none but the Bride of Damballah can make. Already you feel its urge! Oh, you are strong! The man you fought with the knife died less than an hour later. But you cannot fight me. Your blood makes you my slave. I have put a conjurment upon you."

By heaven, it was not mere madness she was mouthing! Hypnotism, magic, call it what you will, I felt its onslaught on my brain and will—a blind, senseless impulse that seemed to be rushing me against my will to the brink of some nameless abyss.

"I have made a charm you cannot resist!" she cried. "When I call you, you will come! Into the deep swamps you will follow me. You will see the Dance of the Skull and you will see the doom of a poor fool who sought to betray Saul Stark—who dreamed he could resist the Call of Damballah when it came. Into the swamp he goes tonight, with Tunk Bixby and the other four fools who opposed Saul Stark. You shall see that. You shall know and understand your own doom. And then you too shall go into the swamp, into darkness and silence deep as the darkness of nighted Africa! But before the darkness engulfs you there will be sharp knives, and little fires—oh, you will scream for death, even for the death that is beyond death!"

With a choking cry I whipped out a pistol and leveled it full at her breast. It was cocked and my finger was on the trigger. At that range I could not miss. But she looked full into the black muzzle and laughed—laughed —laughed, in wild peals that froze the blood in my veins.

And I sat there like an image pointing a pistol I could not fire! A frightful paralysis gripped me. I knew, with numbing certainty, that my life depended on the pull of that trigger, but I could not crook my finger— not though every muscle in my body quivered with the effort and sweat broke out on my face in clammy beads.

She ceased laughing, then, and stood looking at me in a manner indescribably sinister.

"You cannot shoot me, Kirby Buckner," she said quietly. "I have enslaved your soul. You cannot understand my power, but it has ensnared you. It is the Lure of the Bride of Damballah—the blood I have mixed with the mystic waters of Africa drawing the blood in your veins. Tonight you will come to me, in the House of Damballah."

"You lie!" My voice was an unnatural croak bursting from dry lips. "You've hypnotized me, you she-devil, so I can't pull this trigger. But you can't drag me across the swamps to you."

"It is you who lie," she returned calmly. "You know you lie. Ride back toward Grimesville or wherever you will Kirby Buckner. But when the sun sets and the black shadows crawl out of the swamps, you will see me beckoning you, and you will follow me. Long I have planned your doom, Kirby Buckner, since first I heard the white men of Canaan talking to you. It was I who sent the word down the river that brought you back to Canaan. Not even Saul Stark knows of my plans for you.

"At dawn Grimesville shall go up in flames, and the heads of the white men will be tossed in the blood-running streets. But tonight is the Night of Damballah, and a white sacrifice shall be given to the black gods. Hidden among the trees you shall watch the Dance of the Skull—and then I shall call you forth—to die! And now, go fool! Run as far and as fast as you will. At sunset, wherever you are, you will turn your footsteps toward the House of Damballah!"

And with the spring of a panther she was gone into the thick brush, and as she vanished the strange paralysis dropped from me. With a gasped oath I fired blindly after her, but only a mocking laugh floated back to me.

Then in a panic I wrenched my horse about and spurred him down the trail. Reason and logic had momentarily vanished from my brain, leaving me in the grasp of blind primitive fear. I had confronted sorcery beyond my power to resist. I had felt my will mastered by the mesmerism in a brown woman's eyes. And now one driving urge overwhelmed me—a wild desire to cover as much distance as I could before that low-hanging sun dipped below the horizon and the black shadows came crawling from the swamps.

And yet I knew I could not outrun the grisly specter that menaced me. I was like a man fleeing in a nightmare, trying to escape from a monstrous phantom which kept pace with me despite my desperate speed.

I had not reached the Richardson cabin when above the drumming of my flight I heard the clop of hoofs ahead of me, and an instant later, sweeping around a kink in the trail, I almost rode down a tall, lanky man on an equally gaunt horse.

He yelped and dodged back as I jerked my horse to its haunches, my pistol presented at his breast.

"Look out, Kirby! It's me—Jim Braxton! My God, you look like you'd seen a ghost! What's chasin' you?"

"Where are you going?" I demanded, lowering my gun.

"Lookin' for you. Folks got worried as it got late and you didn't come in with the refugees: I 'lowed I'd light out and look for you. Miz Richardson said you rode into the Neck. Where in tarnation you been?"

"To Saul Stark's cabin."

"You takin' a big chance. What'd you find there?"

The sight of another white man had somewhat steadied ray nerves. I opened my mouth to narrate my adventure, and was shocked to hear myself saying, instead: "Nothing. He wasn't there."

"Thought I heard a gun crack, a while ago," he remarked, glancing sharply at me sidewise.

"I shot at a copperhead," I answered, and shuddered. This reticence regarding the brown woman was compulsory; I could no more speak of her than I could pull the trigger of the pistol aimed at her. And I cannot describe the horror that beset me when I realized this. The conjer spells the black men feared were not lies, I realized sickly; demons in human form did exist who were able to enslave men's will and thoughts.

Braxton was eyeing me strangely.

"We're lucky the woods ain't full of black copperheads," he said. "Tope Sorley's pulled out."

"What do you mean?" By an effort I pulled myself together.

"Just that. Tom Breckinridge was in the cabin with him. Tope hadn't said a word since you talked to him. Just laid on that bunk and shivered. Then a kind of holler begun way out in the woods, and Tom went to the door with his rifle-gun, but couldn't see nothin'. Well, while he was standin' there he got a lick on the head from behind, and as he fell lie seen that craxy nigger Tope jump over him and light out for the woods. Tom he taken a shot at him, but missed. Now what do you make of that?"

"The Call of Damballah!" I muttered, a chill perspiration beading my body. "God! The poor devil!"

"Huh? What's that?"

"For God's sake let's not stand here mouthing! The sun will soon be down!" In a frenzy of impatience I kicked my mount down the trail. Braxton followed me, obviously puzzled. With a terrific effort I got a grip on myself. How madly fantastic it was that Kirby Buckner should be shaking in the grip of unreasoning terror! It was so alien to my whole nature that it was no wonder Jim Braxton was unable to comprehend what ailed me.

"Tope didn't go of his own free will," I said. "That call was a summons he couldn't resist. Hypnotism, black magic, voodoo, whatever you want to call it, Saul Stark has some damnable power that enslaves men's willpower. The blacks are gathered somewhere in the swamp, for some kind of a devilish voodoo ceremony, which I have reason to believe will culminate in the murder of Tope Sorley. We've got to get to Grimesville if we can. I expect an attack at dawn."

Braxton was pale in the dimming light. He did not ask me where I got my knowledge.

"We'll lick 'em when they come; but it'll be slaughter."

I did not reply. My eyes were fixed with savage intensity on the sinking sun, and as it slid out of sight behind the trees I was shaken with an icy tremor. In vain I told myself that no occult power could draw me against my will. If she had been able to compel me, why had she not forced me to accompany her from the glade of the ju-ju hut? A grisly whisper seemed to tell me that she was but playing with me, as a cat allows a mouse almost to escape, only to be pounced upon again.

"Kirby, what's the matter with you?" I scarcely heard Braxton's anxious voice. "You're sweatin' and shakin' like you had the aggers. What—hey, what you stoppin' for?"

I had not consciously pulled on the rein, but my horse halted, and stood trembling and snorting, before the mouth of a narrow trail which meandered away at right angles from the road we were following—a trail that led north.

"Listen!" I hissed tensely.

"What is it?" Braxton drew a pistol. The brief twilight of the pinelands was deepening into dusk.

"Don't you hear it?" I muttered. "Drums! Drums beating in Goshen!"

"I don't hear nothin'," he mumbled uneasily. "If they was beatin' drums in Goshen you couldn't hear 'em this far away."

"Look there!" my sharp sudden cry made him start. I was pointing down the dim trail, at the figure which stood there in the dusk less than a hundred yards away. There in the dusk I saw her, even made out the gleam of her strange eyes, the mocking smile on her red lips. "Saul Stark's brown wench!" I raved, tearing at my scabbard. "My God, man, are you stone-blind? Don't you see her?"

"I don't see nobody!" he whispered, livid. "What are you talkin' about, Kirby?"

With eyes glaring I fired down the trail, and fired again, and yet again. This time no paralysis gripped my arm. But the smiling face still mocked me from the shadows. A slender, rounded arm lifted, a finger beckoned imperiously; and then she was gone and I was spurring my horse down the narrow trail, blind, dead and dumb, with a sensation as of being caught in a black tide that was carrying me with it as it rushed on to a destination beyond my comprehension.

Dimly I heard Braxton's urgent yells, and then he drew up beside me with a clatter of hoofs, and grabbed my reins, setting my horse back on its haunches. I remember striking at him with my gun-barrel, without realizing what I was doing. All the black rivers of Africa were suring and foaming within my consciousness, roaring into a torrent that was sweeping me down to engulf me in an ocean of doom.

"Kirby, are you crazy? This trail leads to Goshen!"

I shook my head dazedly. The foam of the rushing waters swirled in my brain, and my voice sounded far away. "Go back! Ride for Grimesville! I'm going to Goshen."

"Kirby, you're mad!"

"Mad or sane, I'm going to Goshen this night," I answered dully. I was fully conscious. I knew what I was saying, and what I was doing. I realized the incredible folly of my action, and I realized my inability to help myself. Some shred to sanity impelled me to try to conceal the grisly truth from my companion, to offer a rational reason for my madness. "Saul Stark is in Goshen. He's the one who's responsible for all this trouble. I'm going to kill him. That will stop the uprising before it starts."

He was trembling like a man with the ague.

"Then I'm goin' with you."

"You must go on to Grimesville and warn the people," I insisted, holding to sanity, but feeling a strong urge begin to seize me, an irresistible urge to be in motion—to be riding in the direction toward which I was so horribly drawn.

"They'll be on their guard," he said stubbornly.

"They won't need my warnin'. I'm goin' with you. I don't know what's got in you, but I ain't goin' to let you die alone among these black woods."

I did not argue. I could not. The blind rivers were sweeping me on-on-on! And down the trail, dim in the dusk, I glimpsed a supple figure, caught the gleam of uncanny eyes, the crook of a lifted finger... Then I was in motion, galloping down the trail, and I heard the drum of Braxton's horse's hoofs behind me.

4. THE DWELLERS IN THE SWAMP

Table of Contents

Night fell and the moon shone through the trees, blood-red behind the black branches. The horses were growing hard to manage.

"They got more sense'n us, Kirby," muttered Braxton.

"Panther, maybe," I replied absently, my eyes searching the gloom of the trail ahead.

"Naw, t'ain't. Closer we get to Goshen, the worse they git. And every time we swing nigh to a creek they shy and snort."

The trail had not yet crossed any of the narrow, muddy creeks that criss- crossed that end of Canaan, but several times it had swung so close to one of them that we glimpsed the black streak that was water glinting dully in the shadows of the thick growth. And each time, I remembered, the horses showed signs of fear.

But I had hardly noticed, wrestling as I was with the grisly compulsion that was driving me. Remember, I was not like a man in a hypnotic trance. I was fully aware, fully conscious. Even the daze in which I had seemed to hear the roar of black rivers had passed, leaving my mind clear, my thoughts lucid. And that was the sweating hell of it: to realize my folly clearly and poignantly, but to be unable to conquer it. Vividly I realized that I was riding to torture and death, and leading a faithful friend to the same end. But on I went. My efforts to break the spell that gripped me almost unseated my reason, but on I went. I cannot explain my compulsion, any more than I can explain why a sliver of steel is drawn to a magnet. It was a black power beyond the ring of white man's knowledge; a basic, elemental thing of which formal hypnotism is but scanty crumbs, spilled at random. A power beyond my control was drawing me to Goshen, and beyond; more I cannot explain, any more than the rabbit could explain why the eyes of the swaying serpent draw him into its gaping jaws.

We were not far from Goshen when Braxton's horse unseated its rider, and my own began snorting and plunging.

"They won't go no closer!" gasped Braxton, fighting at the reins.

I swung off, threw the reins over the saddle-horn.

"Go back, for God's sake, Jim! I'm going on afoot."

I heard him whimper an oath, then his horse was galloping after mine, and he was following me on foot. The thought that he must share my doom sickened me, but I could not dissuade him; and ahead of me a supple form was dancing in the shadows, luring me on—on-on...

I wasted no more bullets on that mocking shape. Braxton could not see it, and I knew it was part of my enchantment, no real woman of flesh and blood, but a hell-born will-o'-the-wisp, mocking me and leading me through the night to a hideous death. A "sending," the people of the Orient, who are wiser than we, call such a thing.

Braxton peered nervously at the black forest walls about us, and I knew his flesh was crawling with the fear of sawedoff shotguns blasting us suddenly from the shadows. But it was no ambush of lead or steel I feared as we emerged into the moonlit clearing that housed the cabins of Goshen.

The double line of log cabins faced each other across the dusty street. One line backed against the bank of Tularoosa Creek. The black stoops almost overhung the black waters. Nothing moved in the moonlight. No lights showed, no smoke oozed up from the stick-and-mud chimneys. It might have been a dead town, deserted and forgotten.

"It's a trap!" hissed Braxton, his eyes blazing slits. He bent forward like a skulking panther, a gun in each hand. "They're layin' for us in them huts!"

Then he cursed, but followed me as I strode down the street. I did not hail the silent huts. I knew Goshen was deserted. I felt its emptiness. Yet there was a contradictory sensation as of spying eyes fixed upon us. I did not try to reconcile these opposite convictions.

"They're gone," muttered Braxton, nervously. "I can't smell 'em. I can always smell niggers, if they're a lot of 'em, or if they're right close. You reckon they've gone to raid Grimesville?"

"No," I muttered. "They're in the House of Damballah."

He shot a quick glance at me.

"That's a neck of land in the Tularoosa about three miles west of here. My grandpap used to talk about it. The niggers held their heathen palavers there back in slave times. You ain't—Kirby—you—"

"Listen!" I wiped the icy sweat from my face.

"Listen!"

Through the black woodlands the faint throb of a drum whispered on the wind that glided up the shadowy reaches of the Tularoosa.

Braxton shivered. "It's them, all right. But for, God's sake, Kirby —look out!"

With an oath he sprang toward the houses on the bank of the creek. I was after him just in time to glimpse a dark clumsy object scrambling or tumbling down, the sloping bank into the water. Braxton threw up his long pistol, then lowered it, with a baffled curse. A faint splash marked the disappearance of the creature. The shiny black surface crinkled with spreading ripples.

"What was it?" I demanded.

"A nigger on his all-fours!" swore Braxton. His face was strangely pallid in the moonlight. "He was crouched between them cabins there, watchin' us!"

"It must have been an alligator." What a mystery is the human mind! I was arguing for sanity and logic, I, the blind victim of a compulsion beyond sanity and logic. "A nigger would have to come up for air."

"He swum under the water and come up in the shadder of the bresh where we couldn't see him," maintained Braxton. "Now he'll go warn Saul Stark."

"Never mind!" The pulse was thrumming in my temples again, the roar of foaming water rising irresistibly in my brain. "I'm going—straight through the swamp. For the last time, go back!"

"No! Sane or mad, I'm goin' with you!"

The pulse of the drum was fitful, growing more distinct as we advanced. We struggled through jungle-thick growth; tangled vines tripped us; our boots sank in scummy mire. We were entering the fringe of the swamp which grew deeper and denser until it culminated in the uninhabitable morass where the Tularoosa flowed into Black River, miles farther to the west.

The moon had not yet set, but the shadows were black under the interlacing branches with their mossy beards. We plunged into the first creek we must cross, one of the many muddy streams flowing into the Tularoosa. The water was only thigh-deep, the moss-clogged bottom fairly firm. My foot felt the edge of a sheer drop, and I warned Braxton: "Look out for a deep hole; keep right behind me."

His answer was unintelligible. He was breathing heavily, crowding close behind me. Just as I reached the sloping bank and pulled myself up by the slimy, projecting roots, the water was violently agitated behind me. Braxton cried out incoherently, and hurled himself up the bank, almost upsetting me. I wheeled, gun in hand, but saw only the black water seething and whirling, after his thrashing rush through it.

"What the devil, Jim?"

"Somethin' grabbed me!" he panted. "Somethin' out of the deep hole. I tore loose and busted up the bank. I tell you, Kirby, something's follerin' us! Somethin' that swims under the water."

"Maybe it was that nigger you saw. These swamp people swim like fish. Maybe he swam up under the water to try to drown you."

He shook his head, staring at the black water, gun in hand.

"It smelt like a nigger, and the little I saw of it looked like a nigger. But it didn't feel like any kind of a human."

"Well, it was an alligator then," I muttered absently as I turned away. As always when I halted, even for a moment, the roar of peremptory and imperious rivers shook the foundations of my reason.

He splashed after me without comment. Scummy puddles rose about our ankles, and we stumbled over mossgrown cypress knees. Ahead of us there loomed another, wider creek, and Braxton caught my arm.

"Don't do it, Kirby!" he gasped. "If we go into that water, it'll git us sure!"

"What?"

"I don't know. Whatever it was that flopped down that bank back there in Goshen. The same thing that grabbed me in that creek back yonder. Kirby, let's go back."

"Go back?" I laughed in bitter agony. "I wish to God I could! I've got to go on. Either Saul Stark or I must die before dawn."

He licked dry lips and whispered. "Go on, then; I'm with you, come heaven or hell." He thrust his pistol back into its scabbard, and drew a long keen knife from his boot. "Go ahead!"

I climbed down the sloping bank and splashed into the water that rose to my hips. The cypress branches bent a gloomy, moss-trailing arch over the creek. The water was black as midnight. Braxton was a blur, toiling behind me. I gained the first shelf of the opposite bank and paused, in water knee-deep, to turn and look back at him.

Everything happened at once, then. I saw Braxton halt short, staring at something on the bank behind me. He cried out, whipped out a gun and fired, just as I turned. In the flash of the gun I glimpsed a supple form reeling backward, a brown face fiendishly contorted. Then in the momentary blindness that followed the flash, I heard Jim Braxton scream.

Sight and brain cleared in time to show me a sudden swirl of the murky water, a round, black object breaking the surface behind Jim—and then Braxton gave a strangled cry and went under with a frantic thrashing and splashing. With an incoherent yell I sprang into the creek, stumbled and went to my knees, almost submerging myself. As I struggled up I saw Braxton's head, now streaming blood, break the surface for an instant, and I lunged toward it. It went under and another head appeared in its place, a shadowy black head. I stabbed at it ferociously, and my knife cut only the blank water as the thing dipped out of sight.

I staggered from the wasted force of the blow, and when I righted myself, the water lay unbroken about me. I called Jim's name, but there was no answer. Then panic laid a cold hand on me, and I splashed to the bank, sweating and trembling. With the water no higher than my knees I halted and waited, for I knew not what. But presently, down the creek a short distance, I made out a vague object lying in the shallow water near the shore.

I waded to it, through the clinging mud and crawling vines. It was Jim Braxton, and he was dead. It was not the wound in his head which had killed him. Probably he had struck a submerged rock when he was dragged under. But the marks of strangling fingers showed black on his throat. At the sight a nameless horror oozed out of that black swamp and coiled itself clammily about my soul; for no human fingers ever left such marks as those.

I had seen a head rise in the water, a head that looked like that of a Negro, though the features had been indistinct in the darkness. But no man, white or black, ever possessed the fingers that had crushed the life out of Jim Braxton. The distant drum grunted as if in mockery.

I dragged the body up on the bank and left it. I could not linger longer, for the madness was foaming in my brain again, driving me with white-hot spurs. But as I climbed the bank, I found blood on the bushes, and was shaken by the implication.

I remembered the figure I had seen staggering in the flash of Braxton's gun. She had been there, waiting for me on the bank, then—not a spectral illusion, but the woman herself, in flesh and blood! Braxton had fired at her, and wounded her. But the wound could not have been mortal; for no corpse lay among the bushes, and the grim hypnosis that dragged me onward was unweakened. Dizzily I wondered if she could be killed by mortal weapons.

The moon had set. The starlight scarcely penetrated the interwoven branches. No more creeks barred my way, only shallow streams, through which I splashed with sweating haste. Yet I did not expect to be attacked. Twice the dweller in the depths had passed me by to attack my companion. In icy despair I knew I was being saved for the grimmer fate. Each stream I crossed might be hiding the monster that killed Jim Braxton. Those creeks were all connected in a network of winding waterways. It could follow me easily. But my horror of it was less than the horror of the jungle-born magnetism that lurked in a witch-woman's eyes.

And as I stumbled through the tangled vegetation, I heard the drum rumbling ahead of me, louder and louder, a demoniacal mockery. Then a human voice mingled with its mutter, in a long-drawn cry of horror and agony that set every fiber of me quivering with sympathy. Sweat coursed down my clammy flesh; soon my own voice might be lifted like that, under unnamable torture. But on I went, my feet moving like automatons, apart from my body, motivated by a will not my own.

The drum grew loud, and a fire glowed among the black trees. Presently, crouching among the bushes, I stared across the stretch of black water that separated Tae from a nightmare scene. My halting there was as compulsory as the rest of my actions had been. Vaguely I knew the stage for horror had been set, but the time for my entry upon it was not yet. When the time had come, I would receive my summons.

A low, wooded island split the black creek, connected with the shore opposite me by a narrow neck of land. At its lower end the creek split into a network of channels threading their way among hummocks and rotting logs and mossgrown, vine-tangled clumps of trees. Directly across from my refuge the shore of the island was deeply indented by an arm of open, deep black water. Bearded trees walled a small clearing, and partly hid a hut. Between the but and the shore burned afire that sent up weird twisting snake-tongues of green flames. Scores of black people squatted under the shadows of the overhanging branches. When the green fire lit their faces it lent them the appearance of drowned corpses.

In the midst of the glade stood a giant Negro, an awesome statue in black marble. He was clad in ragged trousers, but on his head was a band of beaten gold set with a huge red jewel, and on his feet were barbaric sandals. His features reflected titanic vitality no less than his huge body. But he was all Negro-flaring nostrils, thick lips, ebony skin. I knew I looked upon Saul Stark, the conjure man.

He was regarding something that lay in the sand before him, something dark and bulky that moaned feebly. Presently, lifting his head, he rolled out a sonorous invocation across the black waters. From the blacks huddled under the trees there came a shuddering response, like a wind wailing through midnight branches. Both invocation and response were framed in an unknown tongue— a guttural, primitive language.

Again he called out, this time a curious high-pitched wail. A shuddering sigh swept the black people. All eyes were fixed on the dusky water. And presently an object rose slowly from the depths. A sudden trembling shook me. It looked like the head of a Negro. One after another it was followed by similar objects until five heads reared above the black, cypress-shadowed water. They might have been five Negroes submerged except for their heads —but I knew this was not so. There was something diabolical here. Their silence, motionlessness, their whole aspect was unnatural. From the trees came the hysterical sobbing of women, and someone whispered a man's name.

Then Saul Stark lifted his hands, and the five heads silently sank out of sight. Like a ghostly whisper I seemed to hear the voice of the African witch: "He pals them in the swamp!"

Stark's deep voice rolled out across the narrow water: "And now the Dance of the Skull, to make the conjer sure!"

What had the witch said? "Hidden among the trees You shall watch the dance of the Skull!"

The drum struck up again, growling and rumbling. The blacks swayed on their haunches, lifting a wordless chant. Saul Stark paced measuredly about the figure on the sand, his arms weaving cryptic patterns. Then he wheeled and faced toward the other end of the glade. By some sleight of hand he now grasped a grinning human skull, and this he cast upon the wet sand beyond the body. "Bride of Damballah!" he thundered. "The sacrifice awaits!"

There was an expectant pause; the chanting sank. All eyes were glued on the farther end of the glade. Stark stood waiting, and I saw him scowl as if puzzled. Then as he opened his mouth to repeat the call, a barbaric figure moved out of the shadows.

At the sight of her a chill shuddering shook me. For a moment she stood motionless, the firelight glinting on her gold ornaments, her head hanging on her breast. A tense silence reigned and I saw Saul Stark staring at her sharply. She seemed to be detached, somehow, standing aloof and withdrawn, head bent strangely.

Then, as if rousing herself, she began to sway with a jerky rhythm, and presently whirled into the mazes of a dance that was ancient when the ocean drowned the black kings of Atlantis. I cannot describe it. It was bestiality and diabolism set to motion, framed in a writhing, spinning whirl of posturing and gesturing that would have appalled a dancer of the Pharaohs. And that cursed skull danced with her; rattling and clashing on the sand, it bounded and spun like a live thing in time with her leaps and prancings.

But there was something amiss. I sensed it. Her arms hung limp, her drooping head swayed. Her legs bent and faltered, making her lurch drunkenly and out of time. A murmur rose from the people, and bewilderment etched Saul Stark's black countenance. For the domination of a conjure man is a thing hinged on a hair-trigger. Any trifling dislocation of formula or ritual may disrupt the whole web of his enchantment.

As for me, I felt the perspiration freeze on my flesh as I watched the grisly dance. The unseen shackles that bound me to that gyrating she-devil were strangling, crushing me. I knew she was approaching a climax, when she would summon me from my hiding-place, to wade through the black waters to the House of Damballah, to my doom.

Now she whirled to a floating stop, and when she halted, poised on her toes, she faced toward the spot where I lay hidden, and I knew that she could see me as plainly as if I stood in the open; knew, too, somehow, that only she knew of my presence. I felt myself toppling on the edge of the abyss. She raised her head and I saw the flame of her eyes, even at that distance. Her face was lit with awful triumph. Slowly she raised her hand, and I felt my limbs begin to jerk in response to that terrible magnetism. She opened her mouth...

But from that open mouth sounded only a choking gurgle, and suddenly her lips were dyed crimson. And suddenly, without warning, her knees gave way and she pitched headlong into the sands.

And as she fell, so I too fell, sinking into the mire.

Something burst in my brain with a shower of flame. And then I was crouching among the trees, weak and trembling, but with such a sense of freedom and lightness of limb as I never dreamed a man could experience. The black spell that gripped me was broken; the foul incubus lifted from my soul. It was as if light had burst upon a night blacker than African midnight.

At the fall of the girl a wild cry rose from the blacks, and they sprang up, trembling on the verge of panic. I saw their rolling white eyeballs, their bared teeth glistening in the firelight. Saul Stark had worked their primitive natures up to a pitch of madness, meaning to turn this frenzy, at the proper time, into a fury of battle. It could as easily turn into an hysteria of terror. Stark shouted sharply at them.

But just then the girl in a last convulsion, rolled over on the wet sand, and the firelight shone on a round hole between her breasts, which still oozed crimson. Jim Braxton's bullet had found its mark.

From the first I had felt that she was not wholly human; some black jungle spirit sired her, lending her the abysmal subhuman vitality that made her what she was. She had said that neither death nor hell could keep her from the Dance of the Skull. And, shot through the heart and dying, she had come through the swamp from the creek where she had received her death-wound to the House of Damballah. And the Dance of the Skull had been her death dance.

Dazed as a condemned man just granted a reprieve, at first I hardly grasped the meaning of the scene that now unfolded before me.

The blacks were in a frenzy. In the sudden, and to them inexplicable, death of the sorceress they saw a fearsome portent. They had no way of knowing that she was dying when she entered the glade. To them, their prophetess and priestess had been struck down under their very eyes, by an invisible death. This was magic blacker than Saul Stark's wizardry—and obviously hostile to them.

Like fear-maddened cattle they stampeded. Howling, screaming, tearing at one another they blundered through the trees, heading for the neck of land and the shore beyond. Saul Stark stood transfixed, heedless of them as he stared down at the brown girl, dead at last. And suddenly I came to myself, and with my awakened manhood came cold fury and the lust to kill. I drew a gun, and aiming in the uncertain firelight, pulled the trigger. Only a click answered me. The powder in the cap-and-ball pistols was wet.

Saul Stark lifted his head and licked his lips. The sounds of flight faded in the distance, and he stood alone in the glade. His eyes rolled whitely toward the black woods around him. He bent, grasped the man-like object that lay on the sand, and dragged it into the hut. The instant he vanished I started toward the island, wading through the narrow channels at the lower end. I had almost reached the shore when a mass of driftwood gave way with me and I slid into a deep hole.

Instantly the water swirled about me, and a head rose beside me; a dim face was close to mine—the face of a Negro—the face of Tunk Bixby. But now it was inhuman; as expressionless and soulless as that of a catfish; the face of a being no longer human, and no longer mindful of its human origin.

Slimy, misshapen fingers gripped my throat, and I drove my knife into the sagging mouth. The features vanished in a wave of blood; mutely the thing sank out of sight, and I hauled myself up the bank, under the thick bushes.

Stark had run from his hut, a pistol in his hand. He was staring wildly about, alarmed by the noise he had heard, but I knew he could not see me. His ashy skin glistened with perspiration. He who had ruled by fear was now ruled by fear. He feared the unknown hand that had slain his mistress; feared the Negroes who had fled him; feared the abysmal swamp which had sheltered him, and the monstrosities he had created. He lifted a weird call that quavered with panic. He called again as only four heads broke the water, but he called in vain.

But the four heads began to move toward the shore and the man who stood there. He shot them one after another. They made no effort to avoid the bullets. They came straight on, sinking one by one. He had fired six shots before the last head vanished. The shots drowned the sounds of my approach. I was close behind him when he turned at last.

I know he knew me; recognition flooded his face and fear went with it, at the knowledge that he had a human being to deal with. With a scream he hurled his empty pistol at me and rushed after it with a lifted knife.

I ducked, parried his lunge and countered with a thrust that bit deep into his ribs. He caught my wrist and I gripped his, and there we strained, breast to breast. His eyes were like a mad dog's in the starlight, his muscles like steel cords.

I ground my heel down on his bare foot, crushing the instep. He howled and lost balance, and I tore my knife hand free and stabbed him in the belly. Blood spurted and he dragged me down with him. I jerked loose and rose, just as he pulled himself up on his elbow and hurled his knife. It sang past my ear, and I stamped on his breast. His ribs caved in under my heel. In a red killing-haze I knelt, jerked back his head and cut his throat from ear to ear.

There was a pouch of dry powder in his belt. Before I moved further I reloaded my pistols. Then I went into the but with a torch. And there I understood the doom the brown witch had meant for me. Tope Sorley lay moaning on a bunk. The transmutation that was to make him a mindless, soulless semi- human dweller in the water was not complete, but his mind was gone. Some of the physical changes had been made—by what godless sorcery out of Africa's black abyss I have no wish to know. His body was rounded and elongated, his legs dwarfed; his feet were flattened and broadened, his fingers horribly long, and webbed. His neck was inches longer than it should be. His features were not altered, but the expression was no more human than that of a great fish. And there, but for the loyalty of Jim Braxton, lay Kirby Buckner. I placed my pistol muzzle against Tope's head in grim mercy and pulled the trigger.

And so the nightmare closed, and I would not drag out the grisly narration. The white people of Canaan never found anything on the island except the bodies of Saul Stark and the brown woman. They think to this day that a swamp negro killed Jim Braxton, after he had killed the brown woman, and that I broke up the threatened uprising by killing Saul Stark. I let them think it. They will never know the shapes the black water of Tularoohides. That is a secret I share with the cowed and terror-haunted black people of Goshen and of it neither they nor I have ever spoken.

THE END

Dig Me No Grave

Table of Contents

THE thunder of my old-fashioned door-knocker, reverberating eerily through the house, roused me from a restless and nightmare-haunted sleep. I looked out the window. In the last light of the sinking moon, the white face of my friend John Conrad looked up at me.

"May I come up, Kirowan?" His voice was shaky and strained.

"Certainly!" I sprang out of bed and pulled on a bath-robe as I heard him enter the front door and ascend the stairs.

A moment later he stood before me, and in the light which I had turned on I saw his hands tremble and noticed the unnatural pallor of his face.

"Old John Grimlan died an hour ago," he said abruptly.

"Indeed? I had not known that he was ill."

"It was a sudden, virulent attack of peculiar nature, a sort of seizure somewhat akin to epilepsy. He has been subject to such spells of late years, you know."

I nodded. I knew something of the old hermit-like man who had lived in his great dark house on the hill; indeed, I had once witnessed one of his strange seizures, and I had been appalled at the writhings, howlings and yammerings of the wretch, who had groveled on the earth like a wounded snake, gibbering terrible curses and black blasphemies until his voice broke in a wordless screaming which spattered his lips with foam. Seeing this, I understood why people in old times looked on such victims as men possessed by demons.

"—some hereditary taint," Conrad was saying. "Old John doubtless fell heir to some ingrown weakness brought on by some loathsome disease, which was his heritage from perhaps a remote ancestor—such things occasionally happen. Or else—well, you know old John himself pried about in the mysterious parts of the earth, and wandered all over the East in his younger days. It is quite possible that he was infected with some obscure malady in his wanderings. There are still many unclassified diseases in Africa and the Orient."

"But," said I, "you have not told me the reason for this sudden visit at this unearthly hour—for I notice that it is past midnight."

My friend seemed rather confused.

"Well, the fact is that John Grimlan died alone, except for myself. He refused to receive any medical aid of any sort, and in the last few moments when it was evident that he was dying, and I was prepared to go for some sort of help in spite of him, he set up such a howling and screaming that I could not refuse his passionate pleas—which were that he should not be left to die alone.

"I have seen men die," added Conrad, wiping the perspiration from his pale brow, "but the death of John Grimlan was the most fearful I have ever seen."

"He suffered a great deal?"

"He appeared to be in much physical agony, but this was mostly submerged by some monstrous mental or psychic suffering. The fear in his distended eyes and his screams transcended any conceivable earthly terror. I tell you, Kirowan, Grimlan's fright was greater and deeper than the ordinary fear of the Beyond shown by a man of ordinarily evil life."

I shifted restlessly. The dark implications of this statement sent a chill of nameless apprehension trickling down my spine.

"I know the country people always claimed that in his youth he sold his soul to the Devil, and that his sudden epileptic attacks were merely a visible sign of the Fiend's power over him; but such talk is foolish, of course, and belongs in the Dark Ages. We all know that John Grimlan's life was a peculiarly evil and vicious one, even toward his last days. With good reason he was universally detested and feared, for I never heard of his doing a single good act. You were his only friend."

"And that was a strange friendship," said Conrad. "I was attracted to him by his unusual powers, for despite his bestial nature, John Grimlan was a highly educated man, a deeply cultured man. He had dipped deep into occult studies, and I first met him in this manner; for as you know, I have always been strongly interested in these lines of research myself.

"But, in this as in all other things, Grimlan was evil and perverse. He had ignored the white side of the occult and delved into the darker, grimmer phases of it—into devil- worship, and voodoo and Shintoism. His knowledge of these foul arts and sciences was immense and unholy. And to hear him tell of his researches and experiments was to know such horror and repulsion as a venomous reptile might inspire. For there had been no depths to which he had not sunk, and some things he only hinted at, even to me. I tell you, Kirowan, it is easy to laugh at tales of the black world of the unknown, when one is in pleasant company under the bright sunlight, but had you sat at ungodly hours in the silent bizarre library of John Grimlan and looked on the ancient musty volumes and listened to his grisly talk as I did, your tongue would have cloven to your palate with sheer horror as mine did, and the supernatural would have seemed very real and near to you—as it seemed to me!"

"But in God's name, man!" I cried, for the tension was growing unbearable; "come to the point and tell me what you want of me."

"I want you to come with me to John Grimlan's house and help carry out his outlandish instructions in regard to his body."

I had no liking for the adventure, but I dressed hurriedly, an occasional shudder of premonition shaking me. Once fully clad, I followed Conrad out of the house and up the silent road which led to the house of John Grimlan. The road wound uphill, and all the way, looking upward and forward, I could see that great grim house perched like a bird of evil on the crest of the hill, bulking black and stark against the stars. In the west pulsed a single dull red smear where the young moon had just sunk from view behind the low black hills. The whole night seemed full of brooding evil, and the persistent swishing of a bat's wings somewhere overhead caused my taut nerves to jerk and thrum. To drown the quick pounding of my own heart, I said:

"Do you share the belief so many hold, that John Grimlan was mad?"

We strode on several paces before Conrad answered, seemingly with a strange reluctance, "But for one incident, I would say no man was ever saner. But one night in his study, he seemed suddenly to break all bonds of reason.

"He had discoursed for hours on his favorite subject—black magic—when suddenly he cried, as his face lit with a weird unholy glow: 'Why should I sit here babbling such child's prattle to you? These voodoo rituals—these Shinto sacrifices—feathered snakes—goats without horns—black leopard cults—bah! Filth and dust that the wind blows away! Dregs of the real Unknown—the deep mysteries! Mere echoes from the Abyss!

"'I could tell you things that would shatter your paltry brain! I could breathe into your ear names that would wither you like a burnt weed! What do you know of Yog-Sothoth, of Kathulos and the sunken cities? None of these names is even included in your mythologies. Not even in your dreams have you glimpsed the black cyclopean walls of Koth, or shriveled before the noxious winds that blow from Yuggoth!

"'But I will not blast you lifeless with my black wisdom! I cannot expect your infantile brain to bear what mine holds. Were you as old as I—had you seen, as I have seen, kingdoms crumble and generations pass away—had you gathered as ripe grain the dark secrets of the centuries—'

"He was raving away, his wildly lit face scarcely human in appearance, and suddenly, noting my evident bewilderment, he burst into a horrible cackling laugh.

"'Gad!' he cried in a voice and accent strange to me, 'methinks I've frighted ye, and certes, it is not to be marveled at, sith ye be but a naked salvage in the arts of life, after all. Ye think I be old, eh? Why, ye gaping lout, ye'd drop dead were I to divulge the generations of men I've known—'

"But at this point such horror overcame me that I fled from him as from an adder, and his high-pitched, diabolical laughter followed me out of the shadowy house. Some days later I received a letter apologizing for his manner and ascribing it candidly—too candidly—to drugs. I did not believe it, but I renewed our relations, after some hesitation."

"It sounds like utter madness," I muttered.

"Yes," admitted Conrad, hesitantly. "But—Kirowan, have you ever seen anyone who knew John Grimlan in his youth?"

I shook my head.

"I have been at pains to inquire about him discreetly," said Conrad. "He has lived here—with the exception of mysterious absences often for months at a time—for twenty years. The older villagers remember distinctly when he first came and took over that old house on the hill, and they all say that in the intervening years he seems not to have aged perceptibly. When he came here he looked just as he does now—or did, up to the moment of his death—of the appearance of a man about fifty.

"I met old Von Boehnk in Vienna, who said he knew Grimlan when a very young man studying in Berlin, fifty years ago, and he expressed astonishment that the old man was still living; for he said at that time Grimlan seemed to be about fifty years of age."

I gave an incredulous exclamation, seeing the implication toward which the conversation was trending.

"Nonsense! Professor Von Boehnk is past eighty himself, and liable to the errors of extreme age. He confused this man with another." Yet as I spoke, my flesh crawled unpleasantly and the hairs on my neck prickled.

"Well," shrugged Conrad, "here we are at the house."

The huge pile reared up menacingly before us, and as we reached the front door a vagrant wind moaned through the near-by trees and I started foolishly as I again heard the ghostly beat of the bat's wings. Conrad turned a large key in the antique lock, and as we entered, a cold draft swept across us like a breath from the grave—moldy and cold. I shuddered.

We groped our way through a black hallway and into a study, and here Conrad lighted a candle, for no gas lights or electric lights were to be found in the house. I looked about me, dreading what the light might disclose, but the room, heavily tapestried and bizarrely furnished, was empty save for us two.

"Where—where is—It ?" I asked in a husky whisper, from a throat gone dry.

"Upstairs," answered Conrad in a low voice, showing that the silence and mystery of the house had laid a spell on him also. "Upstairs, in the library where he died."

I glanced up involuntarily. Somewhere above our head, the lone master of this grim house was stretched out in his last sleep—silent, his white face set in a grinning mask of death. Panic swept over me and I fought for control. After all, it was merely the corpse of a wicked old man, who was past harming anyone—this argument rang hollowly in my brain like the words of a frightened child who is trying to reassure himself.

I turned to Conrad. He had taken a time-yellowed envelope from an inside pocket.

"This," he said, removing from the envelope several pages of closely written, time-yellowed parchment, "is, in effect, the last word of John Grimlan, though God alone knows how many years ago it was written. He gave it to me ten years ago, immediately after his return from Mongolia. It was shortly after this that he had his first seizure.

"This envelope he gave me, sealed, and he made me swear that I would hide it carefully, and that I would not open it until he was dead, when I was to read the contents and follow their directions exactly. More, he made me swear that no matter what he said or did after giving me the envelope, I would go ahead as first directed. 'For,' he said with a fearful smile, 'the flesh is weak but I am a man of my word, and though I might, in a moment of weakness, wish to retract, it is far, far too late now. You may never understand the matter, but you are to do as I have said.'"

"Well?"

"Well," again Conrad wiped his brow, "tonight as he lay writhing in his death- agonies, his wordless howls were mingled with frantic admonitions to me to bring him the envelope and destroy it before his eyes! As he yammered this, he forced himself up on his elbows and with eyes staring and hair standing straight up on his head, he screamed at me in a manner to chill the blood. And he was shrieking for me to destroy the envelope, not to open it; and once he howled in his delirium for me to hew his body into pieces and scatter the bits to the four winds of heaven!"

An uncontrollable exclamation of horror escaped my dry lips.

"At last," went on Conrad, "I gave in. Remembering his commands ten years ago, I at first stood firm, but at last, as his screeches grew unbearably desperate, I turned to go for the envelope, even though that meant leaving him alone. But as I turned, with one last fearful convulsion in which blood-flecked foam flew from his writhing lips, the life went from his twisted body in a single great wrench."

He fumbled at the parchment.

"I am going to carry out my promise. The directions herein seem fantastic and may be the whims of a disordered mind, but I gave my word. They are, briefly, that I place his corpse on the great black ebony table in his library, with seven black candles burning about him. The doors and windows are to be firmly closed and fastened. Then, in the darkness which precedes dawn, I am to read the formula, charm or spell which is contained in a smaller, sealed envelope inside the first, and which I have not yet opened."

"But is that all?" I cried. "No provisions as to the disposition of his fortune, his estate—or his corpse?"

"Nothing. In his will, which I have seen elsewhere, he leaves estate and fortune to a certain Oriental gentleman named in the document as—Malik Tous!"

"What!" I cried, shaken to my soul. "Conrad, this is madness heaped on madness! Malik Tous—good God! No mortal man was ever so named! That is the title of the foul god worshipped by the mysterious Yezidees—they of Mount Alamout the Accursed—whose Eight Brazen Towers rise in the mysterious wastes of deep Asia. His idolatrous symbol is the brazen peacock. And the Muhammadans, who hate his demon-worshipping devotees, say he is the essence of the evil of all the universes—the Prince of Darkness—Ahriman—the old Serpent—the veritable Satan! And you say Grimlan names this mythical demon in his will?"

"It is the truth," Conrad's throat was dry. "And look—he has scribbled a strange line at the corner of this parchment: 'Dig me no grave; I shall not need one.'"

Again a chill wandered down my spine.

"In God's name," I cried in a kind of frenzy, "let us get this incredible business over with!"

"I think a drink might help," answered Conrad, moistening his lips. "It seems to me I've seen Grimlan go into this cabinet for wine—" He bent to the door of an ornately carved mahogany cabinet, and after some difficulty opened it.

"No wine here," he said disappointedly, "and if ever I felt the need of stimulants—what's this?"

He drew out a roll of parchment, dusty, yellowed and half covered with spiderwebs. Everything in that grim house seemed, to my nervously excited senses, fraught with mysterious meaning and import, and I leaned over his shoulder as he unrolled it.

"It's a record of peerage," he said, "such a chronicle of births, deaths and so forth, as the old families used to keep, in the Sixteenth Century and earlier."

"What's the name?" I asked.

He scowled over the dim scrawls, striving to master the faded, archaic script.

"G-r-y-m—I've got it—Grymlann, of course. It's the records of old John's family—the Grymlanns of Toad's-heath Manor, Suffolk—what an outlandish name for an estate! Look at the last entry."

Together we read, "John Grymlann, borne, March 10, 1630." And then we both cried out. Under this entry was freshly written, in a strange scrawling hand, "Died, March 10, 1930." Below this there was a seal of black wax, stamped with a strange design, something like a peacock with a spreading tail.

Conrad stared at me speechless, all the color ebbed from his face. I shook myself with the rage engendered by fear.

"It's the hoax of a madman!" I shouted. "The stage has been set with such great care that the actors have overstepped themselves. Whoever they are, they have heaped up so many incredible effects as to nullify them. It's all a very stupid, very dull drama of illusion."

And even as I spoke, icy sweat stood out on my body and I shook as with an ague. With a wordless motion Conrad turned toward the stairs, taking up a large candle from a mahogany table.

"It was understood, I suppose," he whispered, "that I should go through with this ghastly matter alone; but I had not the moral courage, and now I'm glad I had not."

A still horror brooded over the silent house as we went up the stairs. A faint breeze stole in from somewhere and set the heavy velvet hangings rustling, and I visualized stealthy taloned fingers drawing aside the tapestries, to fix red gloating eyes upon us. Once I thought I heard the indistinct clumping of monstrous feet somewhere above us, but it must have been the heavy pounding of my own heart.

The stairs debouched into a wide dark corridor, in which our feeble candle cast a faint gleam which but illuminated our pale faces and made the shadows seem darker by comparison. We stopped at a heavy door, and I heard Conrad's breath draw in sharply as a man's will when he braces himself physically or mentally. I involuntarily clenched my fists until the nails bit into the palms; then Conrad thrust the door open.

A sharp cry escaped his lips. The candle dropped from his nerveless fingers and went out. The library of John Grimlan was ablaze with light, though the whole house had been in darkness when we entered it.

This light came from seven black candles placed at regular intervals about the great ebony table. On this table, between the candles—I had braced myself against the sight. Now in the face of the mysterious illumination and the sight of the thing on the table, my resolution nearly gave way. John Grimlan had been unlovely in life; in death he was hideous. Yes, he was hideous even though his face was mercifully covered with the same curious silken robe, which, worked in fantastic bird- like designs, covered his whole body except the crooked claw-like hands and the bare withered feet.

A strangling sound came from Conrad. "My God!" he whispered; "what is this? I laid his body out on the table and placed the candles about it, but I did not light them, nor did I place that robe over the body! And there were bedroom slippers on his feet when I left—"

He halted suddenly. We were not alone in the death-room.

At first we had not seen him, as he sat in the great armchair in a farther nook of a corner, so still that he seemed a part of the shadows cast by the heavy tapestries. As my eyes fell upon him, a violent shuddering shook me and a feeling akin to nausea racked the pit of my stomach. My first impression was of vivid, oblique yellow eyes which gazed unwinkingly at us. Then the man rose and made a deep salaam, and we saw that he was an Oriental. Now when I strive to etch him clearly in my mind, I can resurrect no plain image of him. I only remember those piercing eyes and the yellow, fantastic robe he wore.

We returned his salute mechanically and he spoke in a low, refined voice, "Gentlemen, I crave your pardon! I have made so free as to light the candles—shall we not proceed with the business pertaining to our mutual friend."

He made a slight gesture toward the silent bulk on the table. Conrad nodded, evidently unable to speak. The thought flashed through our minds at the same time, that this man had also been given a sealed envelope—but how had he come to the Grimlan house so quickly? John Grimlan had been dead scarcely two hours and to the best of our knowledge no one knew of his demise but ourselves. And how had he got into the locked and bolted house?

The whole affair was grotesque and unreal in the extreme. We did not even introduce ourselves or ask the stranger his name. He took charge in a matter-of-fact way, and so under the spell of horror and illusion were we that we moved dazedly, involuntarily obeying his suggestions, given us in a low, respectful tone.

I found myself standing on the left side of the table, looking across its grisly burden at Conrad. The Oriental stood with arms folded and head bowed at the head of the table, nor did it then strike me as being strange that he should stand there, instead of Conrad who was to read what Grimlan had written. I found my gaze drawn to the figure worked on the breast of the stranger's robe, in black silk—a curious figure, somewhat resembling a peacock and somewhat resembling a bat, or a flying dragon. I noted with a start that the same design was worked on the robe covering the corpse.

The doors had been locked, the windows fastened down. Conrad, with a shaky hand, opened the inner envelope and fluttered open the parchment sheets contained therein. These sheets seemed much older than those containing the instructions to Conrad, in the larger envelope. Conrad began to read in a monotonous drone which had the effect of hypnosis on the hearer; so at times the candles grew dim in my gaze and the room and its occupants swam strange and monstrous, veiled and distorted like an hallucination. Most of what he read was gibberish; it meant nothing; yet the sound of it and the archaic style of it filled me with an intolerable horror.

"To ye contract elsewhere recorded, I, John Grymlann, herebye sweare by ye Name of ye Nameless One to keep goode faithe. Wherefore do I now write in blood these wordes spoken to me in thys grim & silent chamber in ye dedde citie of Koth, whereto no mortal manne hath attained but mee. These same wordes now writ down by mee to be rede over my bodie at ye appointed tyme to fulfill my parte of ye bargain which I entered intoe of mine own free will & knowledge beinge of rite mynd & fiftie years of age this yeare of 1680, A. D. Here begynneth ye incantation:

"Before manne was, ye Elder ones were, & even yet their lord dwelleth amonge ye shadows to which if a manne sette his foote he maye not turn vpon his track."

The words merged into a barbaric gibberish as Conrad stumbled through an unfamiliar language—a language faintly suggesting the Phoenician, but shuddery with the touch of a hideous antiquity beyond any remembered earthly tongue. One of the candles flickered and went out. I made a move to relight it, but a motion from the silent Oriental stayed me. His eyes burned into mine, then shifted back to the still form on the table.

The manuscript had shifted back into its archaic English.

"—And ye mortal which gaineth to ye black citadels of Koth & speaks with ye Darke Lord whose face is hidden, for a price maye he gain hys heartes desire, ryches & knowledge beyond countinge & lyffe beyond mortal span even two hundred and fiftie yeares."

Again Conrad's voice trailed off into unfamiliar gutturals. Another candle went out.

"—Let not ye mortal flynche as ye tyme draweth nigh for payement & ye fires of Hell laye hold vpon ye vytals as the sign of reckoninge. For ye Prince of Darkness taketh hys due in ye endde & he is not to bee cozened. What ye have promised, that shall ye deliver. Augantha ne shuba —"

At the first sound of those barbaric accents, a cold hand of terror locked about my throat. My frantic eyes shot to the candles and I was not surprised to see another flicker out. Yet there was no hint of any draft to stir the heavy black hangings. Conrad's voice wavered; he drew his hand across his throat, gagging momentarily. The eyes of the Oriental never altered.

"—Amonge ye sonnes of men glide strange shadows for ever. Men see ye tracks of ye talones but not ye feete that make them. Over ye souls of men spread great black wingges. There is but one Black Master though men calle hym Sathanas & Beelzebub & Apolleon & Ahriman & Malik Tous—"

Mists of horror engulfed me. I was dimly aware of Conrad's voice droning on and on, both in English and in that other fearsome tongue whose horrific import I scarcely dared try to guess. And with stark fear clutching at my heart, I saw the candles go out, one by one. And with each flicker, as the gathering gloom darkened about us, my horror mounted. I could not speak, I could not move; my distended eyes were fixed with agonized intensity on the remaining candle. The silent Oriental at the head of that ghastly table was included in my fear. He had not moved nor spoken, but under his drooping lids, his eyes burned with devilish triumph; I knew that beneath his inscrutable exterior he was gloating fiendishly—but why—why?

But I knew that the moment the extinguishing of the last candle plunged the room into utter darkness, some nameless, abominable thing would take place. Conrad was approaching the end. His voice rose to the climax in gathering crescendo.

"Approacheth now ye moment of payement. Ye ravens are flying. Ye bats winge against ye skye. There are skulls in ye starres. Ye soul & ye bodie are promised and shall bee delivered uppe. Not to ye dust agayne nor ye elements from which springe lyfe—"

The candle flickered slightly. I tried to scream, but my mouth gaped to a soundless yammering. I tried to flee, but I stood frozen, unable even to close my eyes.

"—Ye abysse yawns & ye debt is to paye. Ye light fayles, ye shadows gather. There is no god but evil; no lite but darkness; no hope but doom—"

A hollow groan resounded through the room. It seemed to come from the robe- covered thing on the table! That robe twitched fitfully.

"Oh winges in ye black darke!"

I started violently; a faint swish sounded in the gathering shadows. The stir of the dark hangings? It sounded like the rustle of gigantic wings.

"Oh redde eyes in ye shadows! What is promised, what is writ in bloode is fulfilled! Ye lite is gulfed in blackness! Ya—Koth!"

The last candle went out suddenly and a ghastly unhuman cry that came not from my lips or from Conrad's burst unbearably forth. Horror swept over me like a black icy wave; in the blind dark I heard myself screaming terribly. Then with a swirl and a great rush of wind something swept the room, flinging the hangings aloft and dashing chairs and tables crashing to the floor. For an instant an intolerable odor burned our nostrils, a low hideous tittering mocked us in the blackness; then silence fell like a shroud.

Somehow, Conrad found a candle and lighted it. The faint glow showed us the room in fearful disarray—showed us each other's ghastly faces—and showed us the black ebony table—empty! The doors and windows were locked as they had been, but the Oriental was gone—and so was the corpse of John Grimlan.

Shrieking like damned men we broke down the door and fled frenziedly down the well-like staircase where the darkness seemed to clutch at us with clammy black fingers. As we tumbled down into the lower hallway, a lurid glow cut the darkness and the scent of burning wood filled our nostrils.