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"Of what have you dreamed, Mrs. Gordon?" asked Kirowan gently.

She pressed her hands to her temples and stared dully at him, as if only half comprehending.

"A black thing," she muttered. "A horrible faceless black thing that mows and mumbles and paws over me with apish hands. I dream of it every night. And in the daytime I try to kill the only man I ever loved. I'm going mad! Maybe I'm already crazy and don't know it."

"Calm yourself, honey." To Doctor Donnelly, with all his science, it was only another case of feminine hysteria. His matter-of-fact voice seemed to soothe her, and she sighed and drew a weary hand through her damp locks.

"We'll talk this all over, and everything's goin' to be okay," he said, drawing a thick cigar from his vest pocket. "Gimme a match, honey."

She began mechanically to feel about the table, and just as mechanically Gordon said: "There are matches in the drawer, Evelyn."

She opened the drawer and began groping in it, when suddenly, as if struck by recollection and intuition, Cordon sprang up, white-faced, and shouted: "No, no! Don't open that drawer—don't—"

Even as he voiced that urgent cry, she stiffened, as if at the feel of something in the drawer. Her change of expression held us all frozen, even Kirowan. The vital intelligence vanished from her eyes like a blown-out flame, and into them came the look Gordon had described as blank. The term was descriptive. Her beautiful eyes were dark wells of emptiness, as if the soul had been withdrawn from behind them.

Her hand came out of the drawer holding a pistol, and she fired point- blank. Gordon reeled with a groan and went down, blood starting from his head. For a flashing instant she looked down stupidly at the smoking gun in her hand, like one suddenly waking from a nightmare. Then her wild scream of agony smote our ears.

"Oh God, I've killed him! Jim! Jim!"

She reached him before any of us, throwing herself on her knees and cradling his bloody head in her arms, while she sobbed in an unbearable passion of horror and anguish. The emptiness was gone from her eyes; they were alive and dilated with grief and terror.

I was making toward my prostrate friend with Donnelly and Bain, but Kirowan caught my arm. His face was no longer immobile; his eyes glittered with a controlled savagery.

"Leave him to them!" he snarled. "We are hunters, not healers! Lead me to the house of Joseph Roelocke!"

I did not question him. We drove there in Gordon's car.

I had the wheel, and something about the grim face of my companion caused me to hurl the machine recklessly through the traffic. I had the sensation of being part of a tragic drama which was hurtling with headlong speed toward a terrible climax.

I wrenched the car to a grinding halt at the curb before the building where Roelocke lived in a bizarre apartment high above the city. The very elevator that shot us skyward seemed imbued with something of Kirowan's driving urge for haste. I pointed out Roelocke's door, and he cast it open without knocking and shouldered his way in. I was close at his heels.

Roelocke, in a dressing-gown of Chinese silk worked with dragons, was lounging on a divan, puffing quickly at a cigarette. He sat up, overturning a wine-glass which stood with a half-filled bottle at his elbow.

Before Kirowan could speak, I burst out with our news. "James Gordon has been shot!"

He sprang to his feet. "Shot? When? When did she kill him?"

"She?" I glared in bewilderment. "How did you know—"

With a steely hand Kirowan thrust me aside, and as the men faced each other, I saw recognition flare up in Roelocke's face. They made a strong contrast: Kirowan, tall, pale with some white-hot passion; Roelocke, slim, darkly handsome, with the saracenic arch of his slim brows above his black eyes. I realized that whatever else occurred, it lay between those two men. They were not strangers; I could sense like a tangible thing the hate that lay between them.

"John Kirowan!" softly whispered Roelocke.

"You remember me, Yosef Vrolok!" Only an iron control kept Kirowan's voice steady. The other merely stared at him without speaking.

"Years ago," said Kirowan more deliberately, "when we delved in the dark mysteries together in Budapest, I saw whither you were drifting. I drew back; I would not descend to the foul depths of forbidden occultism and diabolism to which you sank. And because I would not, you despised me, and you robbed me of the only woman I ever loved; you turned her against me by means of your vile arts, and then you degraded and debauched her, sank her into your own foul slime. I had killed you with my hands then, Yosef Vrolok—vampire by nature as well as by name that you are—but your arts protected you from physical vengeance. But you have trapped yourself at last!"

Kirowan's voice rose in fierce exultation. All his cultured restraint had been swept away from him, leaving a primitive, elemental man, raging and gloating over a hated foe.

"You sought the destruction of James Gordon and his wife, because she unwittingly escaped your snare; you—"

Roelocke shrugged his shoulders and laughed. "You are mad. I have not seen the Gordons for weeks. Why blame me for their family troubles?"

Kirowan snarled. "Liar as always. What did you say just now when O'Donnel told you Gordon had been shot? 'When did she kill him?' You were expecting to hear that the girl had killed her husband. Your psychic powers had told you that a climax was close at hand. You were nervously awaiting news of the success of your devilish scheme.

"But I did not need a slip of your tongue to recognize your handiwork. I knew as soon as I saw the ring on Evelyn Gordon's finger; the ring she could not remove; the ancient and accursed ring of Thoth-amon, handed down by foul cults of sorcerers since the days of forgotten Stygia, I knew that ring was yours, and I knew by what ghastly rites you came to possess it. And I knew its power. Once she put it on her finger, in her innocence and ignorance, she was in your power. By your black magic you summoned the black elemental spirit, the haunter of the ring, out of the gulfs of Night and the ages. Here in your accursed chamber you performed unspeakable rituals to drive Evelyn Gordon's soul from her body, and to cause that body to be possessed by that godless sprite from outside the human universe.

"She was too clean and wholesome, her love for her husband too strong, for the fiend to gain complete and permanent possession of her body; only for brief instants could it drive her own spirit into the void and animate her form. But that was enough for your purpose. But you have brought ruin upon yourself by your vengeance!"

Kirowan's voice rose to a feline screech.

"What was the price demanded by the fiend you drew from the Pits? Ha, you blench! Yosef Vrolok is not the only man to have learned forbidden secrets! After I left Hungary, a broken man, I took up again the study of the black arts, to trap you, you cringing serpent! I explored the ruins of Zimbabwe, the lost mountains of inner Mongolia, and the forgotten jungle islands of the southern seas. I learned what sickened my soul so that I forswore occultism for everbut I learned of the black spirit that deals death by the hand of a beloved one, and is controlled by a master of magic.

"But, Yosef Vrolok, you are not an adept! You have not the power to control the fiend you have invoked. And you have sold your soul!"

The Hungarian tore at his collar as if it were a strangling noose. His face had changed, as if a mask had dropped away; he looked much older.

"You lie!" he panted. "I did not promise him my soul—"

"I do not lie!" Kirowan's shriek was shocking in its wild exultation. "I know the price a man must pay for calling forth the nameless shape that roams the gulfs of Darkness. Look! There in the corner behind you! A nameless, sightless thing is laughing—is mocking you! It has fulfilled its bargain, and it has come for you, Yosef Vrolok!"

"No! No!" shrieked Vrolok, tearing his limp collar away from his sweating throat. His composure had crumpled, and his demoralization was sickening to see. "I tell you it was not my soul—I promised it a soul, but not my soul—he must take the soul of the girl, or of James Gordon."

"Fool!" roared Kirowan. "Do you think he could take the souls of innocence? That he would not know they were beyond his reach? The girl and the youth he could kill; their souls were not his to take or yours to give. But your black soul is not beyond his reach, and he will have his wage. Look! He is materializing behind you! He is growing out of thin air!"

Was it the hypnosis inspired by Kirowan's burning words that caused me to shudder and grow cold, to feel an icy chill that was not of earth pervade the room? Was it a trick of light and shadow that seemed to produce the effect of a black anthropomorphic shadow on the wall behind the Hungarian? No, by heaven! It grew, it swelled—Vrolok had not turned. He stared at Kirowan with eyes starting from his head, hair standing stiffly on his scalp, sweat dripping from his livid face.

Kirowan's cry started shudders down my spine.

"Look behind you, fool! I see him! He has come! He is here! His grisly mouth gapes in awful laughter! His misshapen paws reach for you!"

And then at last Vrolok wheeled, with an awful shriek, throwing his arms above his head in a gesture of wild despair. And for one brain-shattering instant he was blotted out by a great black shadow—Kirowan grasped my arm and we fled from that accursed chamber, blind with horror.

The same paper which bore a brief item telling of James Gordon having suffered a slight scalp-wound by the accidental discharge of a pistol in his home, headlined the sudden death of Joseph Roelocke, wealthy and eccentric clubman, in his sumptuous apartments—apparently from heart- failure.

I read it at breakfast, while I drank cup after cup of black coffee, from a hand that was not too steady, even after the lapse of a night. Across the table from me Kirowan likewise seemed to lack appetite. He brooded, as if he roamed again through bygone years.

"Gordon's fantastic theory of reincarnation was wild enough," I said at last. "But the actual facts were still more incredible. Tell me, Kirowan, was that last scene the result of hypnosis? Was it the power of your words that made me seem to see a black horror grow out of the air and rip Yosef Vrolok's soul from his living body?"

He shook his head. "No human hypnotism would strike that black-hearted devil dead on the floor. No; there are beings outside the ken of common humanity, foul shapes of transcosmic evil. Such a one it was with which Vrolok dealt."

"But how could it claim his soul?" I persisted. "If indeed such an awful bargain had been struck, it had not fulfilled its part, for James Gordon was not dead, but merely knocked senseless."

"Vrolok did not know it," answered Kirowan. "He thought that Gordon was dead, and I convinced him that he himself had been trapped, and was doomed. In his demoralization he fell easy prey to the thing he called forth. It, of course, was always watching for a moment of weakness on his part. The powers of Darkness never deal fairly with human beings; he who traffics with them is always cheated in the end."

"It's a mad nightmare," I muttered. "But it seems to me, then, that you as much as anything else brought about Vrolok's death."

"It is gratifying to think so," Kirowan answered. "Evelyn Gordon is safe now; and it is a small repayment for what he did to another girl, years ago, and in a far country."

THE END

The 'De Montour' Saga:

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In The Forest Of Villefère

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THE sun had set. The great shadows came striding over the forest. In the weird twilight of a late summer day, I saw the path ahead glide on among the mighty trees and disappear. And I shuddered and glanced fearfully over my shoulder. Miles behind lay the nearest village—miles ahead the next.

I looked to left and to right as I strode on, and anon I looked behind me. And anon I stopped short, grasping my rapier, as a breaking twig betokened the going of some small beast. Or was it a beast?

But the path led on and I followed, because, forsooth, I had naught else to do.

As I went I bethought me, "My own thoughts will route me, if I be not aware. What is there in this forest, except perhaps the creatures that roam it, deer and the like? Tush, the foolish legends of those villagers!"

And so I went and the twilight faded into dusk. Stars began to blink and the leaves of the trees murmured in the faint breeze. And then I stopped short, my sword leaping to my hand, for just ahead, around a curve of the path, someone was singing. The words I could not distinguish, but the accent was strange, almost barbaric.

I stepped behind a great tree, and the cold sweat beaded my forehead. Then the singer came in sight, a tall, thin man, vague in the twilight. I shrugged my shoulders. A man I did not fear. I sprang out, my point raised.

"Stand!"

He showed no surprise. "I prithee, handle thy blade with care, friend," he said.

Somewhat ashamed, I lowered my sword.

"I am new to this forest," I quoth, apologetically. "I heard talk of bandits. I crave pardon. Where lies the road to Villefère?"

"Corbleu, you've missed it," he answered. "You should have branched off to the right some distance back. I am going there myself. If you may abide my company, I will direct you."

I hesitated. Yet why should I hesitate?

"Why, certainly. My name is de Montour, of Normandy."

"And I am Carolus le Loup."

"No!" I started back.

He looked at me in astonishment.

"Pardon," said I; "the name is strange. Does not loup mean wolf?"

"My family were always great hunters," he answered. He did not offer his hand.

"You will pardon my staring," said I as we walked down the path, "but I can hardly see your face in the dusk."

I sensed that he was laughing, though he made no sound.

"It is little to look upon," he answered.

I stepped closer and then leaped away, my hair bristling.

"A mask!" I exclaimed. "Why do you wear a mask, m'sieu?"

"It is a vow," he exclaimed. "In fleeing a pack of hounds I vowed that if I escaped I would wear a mask for a certain time."

"Hounds, m'sieu?"

"Wolves," he answered quickly; "I said wolves."

We walked in silence for awhile and then my companion said, "I am surprised that you walk these woods by night. Few people come these ways even in the day."

"I am in haste to reach the border," I answered. "A treaty has been signed with the English, and the Duke of Burgundy should know of it. The people at the village sought to dissuade me. They spoke of—a wolf that was purported to roam these woods."

"Here the path branches to Villefère," said he, and I saw a narrow, crooked path that I had not seen when I passed it before. It led in amid the darkness of the trees. I shuddered.

"You wish to return to the village?"

"No!" I exclaimed. "No, no! Lead on."

So narrow was the path that we walked single file, he leading. I looked well at him. He was taller, much taller than I, and thin, wiry. He was dressed in a costume that smacked of Spain. A long rapier swung at his hip. He walked with long easy strides, noiselessly.

Then he began to talk of travel and adventure. He spoke of many lands and seas he had seen and many strange things. So we talked and went farther and farther into the forest.

I presumed that he was French, and yet he had a very strange accent, that was neither French nor Spanish nor English, not like any language I had ever heard. Some words he slurred strangely and some he could not pronounce at all.

"This path is often used, is it?" I asked.

"Not by many," he answered and laughed silently. I shuddered. It was very dark and the leaves whispered together among the branches.

"A fiend haunts this forest," I said.

"So the peasants say," he answered, "but I have roamed it oft and have never seen his face."

Then he began to speak of strange creatures of darkness, and the moon rose and shadows glided among the trees. He looked up at the moon.

"Haste!" said he. "We must reach our destination before the moon reaches her zenith."

We hurried along the trail.

"They say," said I, "that a werewolf haunts these woodlands."

"It might be," said he, and we argued much upon the subject.

"The old women say," said he, "that if a werewolf is slain while a wolf, then he is slain, but if he is slain as a man, then his half-soul will haunt his slayer forever. But haste thee, the moon nears her zenith."

We came into a small moonlit glade and the stranger stopped.

"Let us pause a while," said he.

"Nay, let us be gone," I urged; "I like not this place."

He laughed without sound. "Why," said he, "This is a fair glade. As good as a banquet hall it is, and many times have I feasted here. Ha, ha, ha! Look ye, I will show you a dance." And he began bounding here and there, anon flinging back his head and laughing silently. Thought I, the man is mad.

As he danced his weird dance I looked about me. The trail went not on but stopped in the glade.

"Come," said I "we must on. Do you not smell the rank, hairy scent that hovers about the glade? Wolves den here. Perhaps they are about us and are gliding upon us even now."

He dropped upon all fours, bounded higher than my head, and came toward me with a strange slinking motion.

"That dance is called the Dance of the Wolf," said he, and my hair bristled.

"Keep off!" I stepped back, and with a screech that set the echoes shuddering he leaped for me, and though a sword hung at his belt he did not draw it. My rapier was half out when he grasped my arm and flung me headlong. I dragged him with me and we struck the ground together. Wrenching a hand free I jerked off the mask. A shriek of horror broke from my lips. Beast eyes glittered beneath that mask, white fangs flashed in the moonlight. The face was that of a wolf.

In an instant those fangs were at my throat. Taloned hands tore the sword from my grasp. I beat at that horrible face with my clenched fists, but his jaws were fastened on my shoulders, his talons tore at my throat. Then I was on my back. The world was fading. Blindly I struck out. My hand dropped, then closed automatically about the hilt of my dagger, which I had been unable to get at. I drew and stabbed. A terrible, half-bestial bellowing screech. Then I reeled to my feet, free. At my feet lay the werewolf.

I stooped, raised the dagger, then paused, looked up. The moon hovered close to her zenith. If I slew the thing as a man its frightful spirit would haunt me forever. I sat down waiting. The thing watched me with flaming wolf eyes. The long wiry limbs seemed to shrink, to crook; hair seemed to grow upon them. Fearing madness, I snatched up the thing's own sword and hacked it to pieces. Then I flung the sword away and fled.

Wolfshead

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FEAR? Your pardon, Messieurs, but the meaning of fear you do not know. No, I hold to my statement. You are soldiers, adventurers. You have known the charges of regiments of dragoons, the frenzy of wind-lashed seas. But fear, real hair-raising, horror-crawling fear, you have not known. I myself have known such fear; but until the legions of darkness swirl from hell's gate and the world flames to ruin, will never such fear again be known to men:

Hark, I will tell you the tale; for it was many years ago and half across the world; and none of you will ever see the man of whom I tell you, or seeing, know.

Return, then, with me across the years to a day when I; a reckless young cavalier, stepped from the small boat that had landed me from the ship floating in the harbor, cursed the mud that littered the crude wharf, and strode up the landing toward the castle, in answer to the invitation of an old friend, Dom Vincente da Lusto.

Dom Vincente was a strange, far-sighted man—a strong man, one who saw visions beyond the ken of his time. In his veins, perhaps, ran the blood of those old Phoenicians who, the priests tell us, ruled the seas and built cities in far lands, in the dim ages. His plan of fortune was strange and yet successful; few men would have thought of it; fewer could have succeeded. For his estate was upon the western coast of that dark, mystic continent, that baffler of explorers—Africa.

There by a small bay had he cleared away the sullen jungle, built his castle and his storehouses, and with ruthless hand had he wrested the riches of the land. Four ships he had: three smaller craft and one great galleon. These plied between his domains and the cities of Spain, Portugal, France, and even England, laden with rare woods, ivory, slaves; the thousand strange riches that Dom Vincente had gained by trade and by conquest.

Aye, a wild venture, a wilder commerce. And yet might he have shaped an empire from the dark land, had it not been for the rat-faced Carlos, his nephew —but I run ahead of my tale.

Look, Messieurs, I draw a map on the table, thus, with finger dipped in wine. Here lay the small, shallow harbor, and here the wide wharves: A landing ran thus, up the slight slope with hutlike warehouses on each side, and here it stopped at a wide, shallow moat. Over it went a—narrow drawbridge and then one was confronted with a high palisade of logs set in the ground. This extended entirely around the castle. The castle itself was built on the model of another, earlier age; being more for strength than beauty. Built of stone brought from a great distance; years of labor and a thousand Negroes toiling —beneath the lash had reared its walls, and now, completely, it offered an almost impregnable appearance. Such was the—intention of its builders, for Barbary pirates ranged the coasts, and the horror of a native uprising lurked ever near.

A space of about a half-mile on every side of the castle was kept cleared away and roads had been built through the marshy land. All this had required an immense amount of labor, but manpower was plentiful. A present to a chief, and he furnished all that was needed, And Portuguese know how to make men work!

Less than three hundred yards to the east of the castle ran a wide, shallow river, which emptied into the harbor. The name has entirely slipt my mind. It was a heathenish title and I could never lay my tongue to it.

I found that I was not the only friend invited to the castle. It seems that once a year or some such matter, Dom Vincente brought a host of jolly companions to his lonely estate and made merry for some weeks, to make up for the work and solitude of the rest of the year.

In fact, it was nearly night, and a great banquet was in progress when I entered. I was acclaimed with great delight, greeted boisterously by friends and introduced to such strangers as were there.

Entirely too weary to take much part in the revelry, I ate, drank quietly, listened to the toasts and songs, and studied the feasters.

Dom Vincente, of course, I knew, as I had been intimate with him for years; also his pretty niece, Ysabel, who was one reason I had accepted his invitation to come to that stinking wilderness. Her second cousin, Carlos, I knew and disliked—a sly, mincing fellow with a face like a mink's. Then there was my old friend, Luigi Verenza, an Italian; and his flirt of a sister, Marcita, making eyes at the men as usual. Then there was a short, stocky German who called himself Baron von Scluller; and Jean Desmarte, an out-at-the-elbows nobleman of Gascony; and Don Florenzo de Seville, a lean, dark, silent man, who called himself a Spaniard and wore a rapier nearly as long as himself.

There were others, men and women, but it was long ago and all their names and faces I do not remember. But there was one man whose face somehow drew my gaze as an alchemist's magnet draws steel. He was a leanly built man of slightly more than medium height, dressed plainly, almost austerely, and he wore a sword almost as long as the Spaniard's.

But it was neither his clothes nor his sword which attracted my attention. It was his face. A refined, high-bred face, it was furrowed deep with lines that gave it a weary, haggard expression. Tiny scars flecked jaw and forehead as if torn by savage claws; I could have sworn the narrow gray eyes had a fleeting, haunted look in their expression at times.

I leaned over to that flirt, Marcita, and asked the name of the man, as it had slipt my mind that we had been introduced.

"De Montour, from Normandy," she answered. "A strange man. I don't think I like him."

"Then he resists your snares, my little enchantress?" I murmured; long friendship making me as immune from her anger as from her wiles. But she chose not to be angry and answered coyly, glancing from under demurely lowered lashes.

I watched de Montour much, feeling somehow a strange fascination. He ate lightly, drank much, seldom spoke, and then only to answer questions.

Presently, toasts making the rounds, I noticed his companions urging him to rise and give a health. At first he refused, then rose, upon their repeated urgings, and stood silent for a moment, goblet raised. He seemed to dominate, to overawe the group of revelers. Then with a mocking, savage laugh, he lifted the goblet above his head.

"To Solomon," he exclaimed, "who bound all devils! And thrice cursed be he for that some escaped!"

A toast and a curse in one! It was drunk silently, and with many sidelong, doubting glances.

That night I retired early, weary of the long sea voyage and my head spinning from the strength of the wine,—of which Dom Vincente kept such great stores.

My room was near the top of the castle and looked out toward the forests of the south and the river. The room was furnished in crude, barbaric splendor, as was all the rest of the castle.

Going to the window, I gazed out at the arquebusier pacing the castle grounds just inside the palisade; at the cleared space lying unsightly and barren in the moonlight; at the forest beyond; at the silent river.

From the native quarters close to the river bank came the weird twanging of some rude lute, sounding a barbaric melody.

In the dark shadows of the forest some uncanny nightbird lifted a mocking voice. A thousand minor notes sounded—birds, and beasts, and the devil knows what else! Some great jungle cat began a hair-lifting yowling. I shrugged my shoulders and turned from the windows. Surely devils lurked in those somber depths.

There came a knock at my door and I opened it, to, admit de Montour.

He strode to the window and gazed at the moon, which rode resplendent and glorious.

"The moon is almost full, is it not, Monsieur?" he remarked, turning to me. I nodded, and I could have sworn that he shuddered.

"Your pardon, Monsieur. I will not annoy you further." He turned to go, but at the door turned and retraced his steps.

"Monsieur," he almost whispered, with a fierce intensity, "whatever you do, be sure you bar and bolt your door tonight!"

Then he was gone, leaving me to stare after him bewilderedly.

I dozed off to sleep, the distant shouts of the revelers in my ears, and though I was weary, or perhaps because of it, I slept lightly. While I never really awoke until morning, sounds and noises seemed to drift to me through my veil of slumber, and once it seemed that something was prying and shoving against the bolted door.

As is to be supposed, most of the guests were in a beastly humor the following day and remained in their rooms most of the morning or else straggled down late. Besides Dom Vincente there were really only three of the masculine members sober: de Montour; the Spaniard, de Seville (as he called himself); and myself. The Spaniard never touched wine, and though de Montour consumed incredible quantities of it, it never affected him in any way.

The ladies greeted us most graciously.

"S'truth, Signor," remarked that minx Marcita, giving me her hand with a gracious air that was like to make me snicker, "I am glad to see there are gentlemen among us who care more for our company than for the wine cup; for most of them are most surprisingly befuddled this morning."

Then with a most outrageous turning of her wondrous eyes, "Methinks someone was too drunk to be discreet last night—or not drunk enough. For unless my poor senses deceive me much, someone came fumbling at my door late in the night."

"Ha!" I exclaimed in quick anger, "some—!"

"No. Hush." She glanced about as if to see that we were alone, then: "Is it not strange that Signor de Montour, before he retired last night, instructed me to fasten my door firmly?"

"Strange," I murmured, but did not tell her that he had told me the same thing.

"And is it not strange, Pierre, that though Signor de Montour left the banquet hall even before you did, yet he has the appearance of one who has been up all night?" I shrugged. A woman's fancies are often strange.

"Tonight," she said roguishly, "I will leave my door unbolted and see whom I catch."

"You will do no such thing."

She showed her little teeth in a contemptuous smile and displayed a small, wicked dagger.

"Listen, imp. De Montour gave me: the same warning he did you. Whatever he knew, whoever prowled the halls last night, the object was more apt murder than amorous adventure. Keep you your doors bolted. The lady Ysabel shares your room, does she not?"

"Not she. And I send my woman to the slave quarters at night," she murmured, gazing mischievously at me from beneath drooping eyelids..

"One would think you a girl of no character from your talk," I told her, with the frankness of youth and of long friendship. "Walk with care, young lady, else I tell your brother to spank you."

And I walked away to pay my respects to Ysabel. The Portuguese girl was the very opposite of Marcita, being a shy, modest young thing, not so beautiful as the Italian, but exquisitely pretty in an appealing, almost childish air. I once had thoughts—Hi ho! To be young and foolish!

Your pardon, Messieurs. An old man's mind wanders. It was of de Montour that I meant to tell you—de Montour and Dom Vincente's mink-faced cousin.

A band of armed natives were thronged about the gates, kept at a distance by the Portuguese soldiers. Among them were some score of young men and women all naked, chained neck to neck. Slaves they were, captured by some warlike tribe and brought for sale. Dom Vincente looked them over personally.

Followed a long haggling and bartering, of which I quickly wearied and turned away, wondering that a man of Dom Vincente's rank could so demean himself as to stoop to trade.

But I strolled back when one of the natives of the village nearby came up and interrupted the sale with a long harangue to Dom Vincente.

While they talked de Montour came up, and presently Dom Vincente turned to us and said, "One of the woodcutters of the village was torn to pieces by a leopard or some such beast last night. A strong young man and unmarried."

"A leopard? Did they, see it?" suddenly asked de Montour, and when Dom Vincente said no, that it came and went in the night, de Montour lifted a trembling hand and drew it across his forehead, as if to brush away cold sweat.

"Look you, Pierre," quoth Dom Vincente, "I have here a slave who, wonder of wonders, desires to be your man. Though the devil only knows why."

He led up a slim young Jakri, a mere youth, whose main asset seemed a merry grin.

"He is yours," said Dom Vincente. "He is goodly trained and will make a fine servant. And look ye, a slave is of an advantage over a servant, for all he requires is food and a loincloth or so with a touch of the whip to keep him in his place."

It was not long before. I learned why Gola wished to be "my man," choosing me among all the rest. It was because of my hair. Like many dandies of that day, I. wore it long and curled, the strands falling to my shoulders. As it happened, I was the only man of the party who so wore my hair, and Gola would sit and gaze at it in silent admiration for hours at a time, or until, growing nervous under his unblinking scrutiny, I would boot him forth.

It was that night that a brooding animosity, hardly apparent, between Baron von Schiller and Jean Desmarie broke out into a flame.

As usual, woman was the cause. Marcita carried on a most outrageous flirtation with both of them.

That was not wise. Desmarte was a wild young fool. Von Schiller was a lustful beast. But when, Messieurs, did woman ever use wisdom?

Their hare flamed to a murderous fury when the German sought to kiss Marcita.

Swords were clashing in an instant. But before Dom Vincente could thunder a command to halt, Luigi was between the combatants, and had beaten their swords down, hurling them back viciously.

"Signori," said he softly, but with a fierce intensity, "is it the part of high-bred signori to fight over my sister? Ha, by the toenails of Satan, for the toss of a coin I would call you both out! You, Marcita, go to your chamber, instantly, nor leave until I give you permission."

And she went, for, independent though she was, none cared to face the slim, effeminate-appearing youth when a tigerish snarl curled his lips, a murderous gleam lightened his dark eyes.

Apologies were made, but from the glances the two rivals threw at each other, we knew that the quarrel was not forgotten and would blaze forth again at the slightest pretext.

Late that night I woke suddenly with a strange, eery feeling of horror. Why' I could not say. I rose, saw that the door was firmly bolted, and seeing Gola asleep art the floor, kicked him awake irritably.

And just as he got up, hastily, rubbing himself, the silence was broken by a wild scream, a scream that rang through the castle and brought a startled shout from the arquebusier pacing the palisade; a scream from the mouth of a girl, frenzied with terror.

Gola squawked and dived behind the divan. I jerked the door open and raced down the dark corridor. Dashing down a winding stair, I caromed into someone at the bottom and we tumbled headlono.

He rasped something and I recognized the voice of Jean Desmarte. I hauled him to his feet, and raced along, he following; the screams had ceased, but the whole castle was in an uproar, voices shouting, the clank of weapons, lights flashing up, Dom Vincente's voice shouting for the soldiers, the noise of armed men rushing through the rooms and falling over each other. With all the confusion, Desmarte, the Spaniard, and I reached Marcita's room just as Luigi darted inside and snatched his sister into his arms.

Others rushed in, carrying lights and weapons, shouting, demanding to know what was occurring.

The girl lay quietly in her brother's arms, her dark hair loose and rippling over her shoulders, her dainty night-garments torn to shreds and exposing her'lovely body. Long scratches showed upon her arms, breasts and shoulders.

Presently, she opened her eyes, shuddered, then shrieked wildly and clung frantically to Luigi, begging him not to let something take her.

"The door!" she whimpered. "I left it unbarred. And something crept into my room through the darkness. I struck at it with my dagger and it hurled me to the floor, tearing, tearing at me. Then I fainted."

"Where is von Schiller?" asked the Spaniard, a fierce glint in his dark eyes. Every man glanced at his neighbor. All the guests were there except the German. I noted de Montour gazing at the terrified girl, his face more haggard than usual. And I thought it strange that he wore no weapon.

"Aye, von Schiller!" exclaimed Desmarte fiercely. And half of us followed Dom Vincente out into the corridor. We began a vengeful search through the castle, and in a small, dark hallway we found von Schiher. On his face he lay, in a crimson, ever-widening stain.

"This is the work of some native!" exclaimed Desmarte, face aghast.

"Nonsense," bellowed Dom Vincente. "No native from the outside could pass the soldiers. All slaves, von Schiller's among them, were barred and bolted in the slave quarters, except Cola, who sleeps in Pierre's room, and Ysabel's woman."

"But who else could have done this deed?" exclaimed Desmarte in a fury.

"You!" I said abruptly; "else why ran you so swiftly away from the room of Marcita?"

"Curse you, you lie!" he shouted, and his swift-drawn sword leaped for my breast; but quick as he was, the Spaniard was quicker. Desmarte's rapier clattered against the wall and Desmarte stood like a statue, the Spaniard's motionless point just touching his throat.

"Bind him," said the Spaniard without passion. "Put down your blade, Don FIorenzo," commanded Dom Vincente, striding forward and dominating the scene. "Signor Desmarte, you are one of my best friends, but I am the only law here and duty must be done. Give your word that you will not seek to escape."

"I give it," replied the Gascon calmly. "I acted hastily. I apologize. I was not intentionally running away, but the halls and corridors of this cursed castle confuse me." Of us all, probably but one man believed him.

"Messieurs!" De Montour stepped forward. "This youth is not guilty. Turn the German over."

Two soldiers did as he asked. De Montour shuddered, pointing. The rest of us glanced once, then recoiled in horror.

"Could man have done that thing?" "With a dagger—" began someone.

"No dagger makes wounds like that," said the Spaniard: "The German was torn to pieces by the talons of some frightful beast."

We glanced about us, half expecting some hideous monster to leap upon us from the shadows.

We searched that castle; every foot, every inch of it. And we found no trace of any beast.

Dawn was breaking when I returned to my room, to find that Cola had barred himself in; and it took me nearly a half-hour to convince him to let me in. Having smacked him soundly and berated him for his cowardice, I told him what had taken place, as he could understand French and: could speak a weird mixture which he proudly called French.

His mouth gaped and only the whites of his eyes showed as the tale reached its climax.

"Ju ju!" he whispered fearsomely. "Fetish man!" Suddenly an idea came to me. I had heard vague tales, tittle more than hints of legends, of the devilish leopard cult that existed on the West Coast. No white man had ever seen one of its votaries, but Dom Vincente had told us tales of beast-men, disguised in skins of leopards, who stole through the midnight jungle and slew and devoured. A ghastly thrill traveled up and down my spine, and in an instant I had Gola in a grasp which made him veil.

"Was that a leopard-man?" I hissed, shaking him viciously.

"Massa, massa!" he gasped. "Me good boy! Ju ju man Qet! More besser no tell!"

"You'll tell—me!" I gritted, renewing my endeavors, until, his hands waving feeble protests, he promised to tell me what he knew.

"No leopard-man!" he whispered, and his eyes grew big with supernatural fear. "Moon, he full, woodcutter find, him heap clawed. Find 'nother woodcutter. Big Massa (Dom Vincente) say, 'leopard.' No leopard. But leopard- man, he come to kill. Something kill leopardman! Heap claw! Hai, hai! Moon full again. Something come in, lonely hut; claw um woman, claw um pick'nin. I an find um claw up. Big Massa say 'leopard..' Full moon again, and woodcutter find, heap clawed. Now come in castle. No leopard. But always footmarks of a man'."

I gave a startled, incredulous exclamation.

It was true, Gola averred. Always the footprints of a man led away from the scene of the murder. Then why did the natives not tell the Big Massa that he might hunt down the fiend? Here Gala assumed a crafty expression and whispered in my ear, The footprints were of a man who wore shoes!

Even assuming that Gola was lying, I felt a thrill of unexplainable horror. Who, then, did the natives believe was doing these frightful murders?

And he answered: Dom Vincente!

By this time, Messieurs, my mind was in a whirl. What was the meaning of all this? Who stew the German and sought to ravish Marcita? And as I reviewed the crime, it appeared to me that murder rather than rape was the object of the attack.

Why did de Montour warn us, and then appear to have knowledge of the crime, telling us that Desmarte was innocent and then proving it?

It was all beyond me.

The tale of the slaughter got among the natives, in spite of all we could do, and they appeared restless and nervous, and thrice that day Dom Vincente had a black lashed for insolence. A brooding atmosphere pervaded the castle.

I considered going to Dom Vincente with Gola's tale, but decided to wait awhile.

The women kept their chambers that, day, the men were restless and moody. Dom Vincente announced that the sentries would be doubled and some would patrol the corridors of the castle itself. I found myself musing cynically that if Gola's suspicions were true, sentries would be of little good.

I am not, Messieurs, a man to brook such a situation with patience. And I was young then. So as we drank before retiring, I flung my goblet on the table and angrily announced that in spite of man, beast or devil, I slept that night with doors flung wide. And I tramped angrily to my chamber.

Again, as on the first night, de Montour came. And his face was as a man who has looked into the gaping gates of hell.

"I have come," he said, "to ask you—nay, Monsieur, to implore you —to reconsider your rash determination." I shook my head impatiently..

"You are 'resolved? Yes? Then I ask you do to this for me, that after I enter my chamber, you will bolt my doors from the outside."

I did as he asked, and then made my way back to my chamber, my mind in a maze of wonderment. I had sent Gola to the slave quarters, and I laid rapier and dagger close at hand. Nor did I go to bed, but crouched in a great chair, in the darkness. Then I had much ado to keep from sleeping. To keep myself awake, I fell to musing on the strange words of de Montour. He seemed to be laboring under great excitement; his eyes hinted of ghastly mysteries known to him alone. And yet his face was not that of a wicked man.

Suddenly the notion took me to go to his chamber and talk with him.

Walking those dark passages was a shuddersome task, but eventually I stood before de Montour's door. I called softly. Silence. I reached out a hand and felt splintered fragments of wood. Hastily I struck flint and steel which I carried, and the flaming tinder showed the great oaken door sagging on its mighty hinges; showed a door smashed and splintered from the inside: And the chamber of de Montour was unoccupied.

Some instinct prompted me to hurry back to my room, swiftly but silently, shoeless feet treading softly. And as I neared the door, T was aware of something in the darkness before me. Something which crept in from a side corridor and glided stealthily along.

In a wild panic of, fear I leaped, striking wildly and aimlessly in the darkness. All my clenched fist encountered a human head, and something went down with a crash. Again I struck a light; a man lay senseless on the floor, and he was de Montour.

I thrust a candle into a niche in the Wall, and just then de Montour's eyes opened and he rose uncertainly. "You!" I exclaimed, hardly knowing what I said. "You, of all men!"

He merely nodded.

"You killed von Sehiller?"

"Yes."

I recoiled with a gasp of horror.

"Listen." He raised his hand. "Take your rapier and run me through. No man will touch you."

"No," I exclaimed. "I can not."

"Then, quick," he said hurriedly, "get into your chamber and bolt the door. Haste! It will return!"

"What will return?" I asked, with a thrill of horror. "If it will harm me, it will harm you. Come into the chamber with me."

"No, no!" he fairly shrieked, springing back from my outstretched arm. "Haste, haste! It left me for an instant, but it will return." Then in a low- pitched voice of indescribable horror: "It is returning. It is here now!"

And I felt a something, a formless, shapeless presence near. A thing of frightfulness.

De Montour was standing, legs braced, arms thrown back, fists clenched. The muscles bulged beneath his skin, his eyes widened and narrowed, the veins stood out upon his forehead as if in great physical effort. As I looked, to my horror, out of nothing, a shapeless, nameless something took vague form! Like a shadow it moved upon de Montour.

It was hovering about him! Good God, it was merging, becoming one with the man!

De Montour swayed; a great gasp escaped him. The dim thing vanished. De Montour wavered. Then he turned toward me, and may God grant that I never look on a face like that again!

It was a hideous, a bestial face. The eyes gleamed with a frightful ferocity; the snarling lips were drawn back from gleaming teeth, which to my startled gaze appeared more like bestial fangs than human teeth.

Silently the thing (I can not call it a human) slunk toward me. Gasping with horror I sprang back and through the door, just as the thing launched itself through the air, with a sinuous motion which even then made me think of a leaping wolf. I slammed the door, holding it against the frightful thing which hurled itself again and again against it.

Finally it desisted and I heard it slink stealthily off down the corridor. Faint and exhausted I sat down, waiting, listening. Through the open window wafted the breeze, bearing all the scents of Africa, the spicy and the foul. From the native village came the sound of a native drum. Other drums answered farther up the river and back in the bush. Then from somewhere in the jungle, horridly incongruous, sounded the long, high-pitched call of a timber wolf. My soul revolted.

Dawn brought a tale of terrified villagers, of a Negro woman torn by some fiend of the night, barely escaping. And to de Montour I went:

On the way I met Dom Vincente: He was perplexed and angry.

"Some hellish thing is at work in this castle," he said. "Last night, though I have said naught of it to anyone, something leaped upon the back of one of the arquebusiers, tore the leather jerkin from his shoulders and pursued him to the barbican. More, someone locked de Montour into his room last night, and he was forced to smash the door to get out."

He strode on, muttering to himself, and I proceeded down the stairs, more puzzled than ever.

De Montour sat upon a stool, gazing out the window. An indescribable air of weariness was about him.

His long hair was uncombed and tousled, his garments were tattered. With a shudder I saw faint crimson stains upon his hands,—and noted that the nails were torn and broken.

He looked up as I came in, and waved me to a seat. His face was worn and haggard, but was that of a man.

After a moment's silence, he spoke.

"I will tell you my strange tale. Never before has it passed my lips, and why I tell you, knowing that you will not believe me, I can not say."

And then I listened to what was surely the wildest, the most fantastic, the weirdest tale ever heard by man.

"Years ago," said de Montour, "I was upon a military mission in northern France. Alone, I was forced to pass through the fiendhaunted woodlands of Villefere. In those frightful forests I was beset by an inhuman, a ghastly thing—a werewolf. Beneath a midnight moon we fought, and slew it. Now this is the truth: that if a werewolf is slain in the half-form of a man, its ghost will haunt its slayer through eternity. But if it is slain as a wolf, hell gapes to receive it. The true werewolf is not (as many think) a man who may take the form of a wolf, but a wolf who takes the form of a man!

"Now listen, my friend, and I will tell you of the wisdom, the hellish knowledge that is mine, gained through many a frightful deed, imparted to me amid the ghastly shadows of midnight forests where fiends and half-beasts roamed.

"In the beginning, the world was strange, misshapen. Grotesque beasts wandered through its jungles. Driven from another world, ancient demons and fiends came in great numbers and settled upon this newer, younger world. Long the forces of good and evil warred.

"A strange beast, known as man, wandered among the other beasts, and since good or bad must have a concrete form ere either accomplishes its desire, the spirits of good entered man. The fiends entered other beasts, reptiles and birds; and long and fiercely waged the age-old battle. But man conquered. The great dragons and serpents were slain and with them the demons. Finally, Solomon, wise beyond the ken of man, made great war upon them, and by virtue of his wisdom, slew, seized and bound. But there were some which were the fiercest, the boldest, and though Solomon drove them out he could not conquer them. Those had taken the form of wolves. As the ages passed, wolf and demon became merged. No longer could the fiend leave the body of the wolf at will. In many instances, the savagery of the wolf overcame the subtlety of the demon and enslaved him, so the wolf became again only a beast, a fierce, cunning beast, but merely a beast. But of the werewolves, there are many, even yet."

"And during the time of the full moon, the wolf may take the form, or the half-form of a man. When the moon hovers at her zenith, however, the wolf- spirit again takes ascendency and the werewolf becomes a true wolf once more. But if it is slain in the form of a man, then the spirit is free to haunt its slayer through the ages."

"Harken now. I had thought to have slain the thing after it had changed to its true shape. But I slew it an instant too soon. The moon, though it approached the zenith, had not yet reached it, nor had the thing taken on fully the wolf-form."

"Of this I knew nothing and went my way. But when the neat time approached for the full moon, I began to be aware of a strange, malicious influence. An atmosphere of horror hovered in the air and I was aware of inexplicable, uncanny impulses.

"One night in a small village in the center of a great forest, the influence came upon me with full power. It was night, and the moon, nearly full, was rising over the forest. And between the moon and me, I saw, floating in the upper air, ghostly and barely discernible, the outline of a wolf's head!

"I remember little of what happened thereafter. I remember, dimly, clambering into the silent street, remember struggling, resisting briefly, vainly, and the rest is a crimson maze, until I came to myself the next morning and found my garments and hands caked and stained crimson; and heard the horrified chattering of the villagers, telling of a pair of clandestine lovers, slaughtered in a ghastly manner, scarcely outside the village, torn to pieces as if by wild beasts, as if by wolves.

"From that village I fled aghast, but I fled not alone. In the day I could not feel the drive of my fearful captor, but when night fell and the moon rose, I ranged the silent forest, a frightful thing, a slayer of humans, a fiend in a man's body.

"God, the battles I have fought! But always it overcame me and drove me ravening after some new victim. But after the moon had passed its fullness, the thing's power over me ceased suddenly. Nor did it return until three nights before the moon was full again.

"Since then I have roamed the world-fleeing, fleeing, seeking to escape. Always the thing follows, taking possession of my body when the moon is full. Gods, the frightful deeds I have done!

"I would have slain myself long ago, but I dare not. For the soul of a suicide is accurst, and my soul would be forever hunted through the flames of hell. And harken, most frightful of all, my slain body would for ever roam the earth, moved and inhabited by the soul of the werewolf! Can any thought be more ghastly?

"And I seem immune to the weapons of man. Swords have pierced me, daggers have hacked me. I am covered with scars. Yet never have they struck me down. In Germany they bound and led me to the block. There would I have willingly placed my head, but the thing came upon me, and breaking my bonds, I slew and fled. Up and down the world I have wandered, leaving horror and slaughter in my trail. Chains, cells, can not hold me. The thing is fastened to me through all eternity.

"In desperation I accepted Dom Vincente's invitation, for look you, none knows of my frightful double life, since no one could recognize me in the clutch of the demon; and few, seeing me, live to tell of it.

"My hands are red, my soul doomed to everlasting flames, my mind is torn with remorse for my crimes. And yet I can do nothing to help myself. Surely, Pierre, no man ever knew the hell that I have known.

"Yes, I slew von Schiller, and I sought, to destroy the girl Marcita. Why I did not, I can not say, for I have slain both women and men.

"Now, if you will, take your sword and slav me, and with my last breath I will give you the good God's blessing. No?

"You know now my tale and you see before you a man, fiend-haunted for all eternity."

My mind was spinning with wonderment as I left the room of de Montour. What to do, I knew not. It seemed likely that he would yet murder us all, and yet I could not bring myself to tell Dom Vincente all. From the bottom of my soul I pitied de Montour.

So I kept my peace, and in the days that followed I made occasion to seek him out and converse with him. A real friendship sprang up between us.

About this time that black devil, Gola, began to wear an air of suppressed excitement, as if he knew something he wished desperately to tell, but would not or else dared not.

So the days passed in feasting, drinking and hunting, until one night de Montour came to my chamber and pointed silently at the moon which was just rising.

"Look ye," he said, "I have a plan. I will give it out that I am going into the jungle for hunting and will go forth, apparently for several days. But at night I will return to the castle, and you must lock me into the dungeon which is used as a storeroom."

This we did, and I managed to slip down twice a day and carry food and drink to my friend. He insisted on remaining in the dungeon even in the day, for though the fiend had never exerted its influence over him in the daytime, and he believed it powerless then, yet he would take no chances.

It was during this time that I began to notice that Dom Vincente's mink- faced cousin, Carlos, was forcing his attentions upon Ysabel, who was his second cousin, and who seemed to resent those attentions.

Myself, I would have challenged him for a duel for the toss of a coin, for I despised him, but it was really none of my affair. However, it seemed that Ysabel feared him.

My friend Luigi, by the way, had become enamored of the dainty Portuguese girl, and was making swift love to her daily.

And de Montour sat in his cell and reviewed his ghastly deeds until he battered the bars with his bare hands.

And Don Florenzo wandered about the castle grounds like a dour Mephistopheles.

And the other guests rode and quarreled and drank.

And Gola slithered about, eyeing me if always on the point of imparting momentous information. What wonder if my nerves became rasped to the shrieking point?

Each day the natives grew surlier and more and more sullen and intractable.

One night, not long before the full of the moon, I entered the dungeon where de Montour sat.

He looked up quickly.

"You dare much, coming to me in the night."

I shrugged my shoulders, seating myself.

A small barred window let in the night scents and sounds of Africa.

"Hark to the native drums," I said. "For the past week they have sounded almost incessantly."

De Montour assented.

"The natives are restless. Methinks 'tis deviltry they are planning. Have you noticed that Carlos is much among them?"

"No," I answered, "but 'tis like there will be a break between him and Luigi. Luigi is paying court to Ysabel."

So we talked, when suddenly de Montour became silent and moody, answering only in monosyllables.

The moon rose and peered in at the barred windows. De Montour's face was illuminated by its beams.

And then the hand of horror grasped me. On the wall behind de Montour appeared a shadow, a shadow clearly defined of a wolf's head!

At the same instant de Montour felt its influence. With a shriek he bounded from his stool.

He pointed fiercely, and as with trembling hands I slammed and bolted the door behind me, I felt him hurl his weight against it. As I fled up the stairway I heard a wild raving and battering at the iron-bound door. But with all the werewolf's might the great door held.

As I entered my room, Gola dashed in and gasped out the tale he had been keeping for days.

I listened, incredulously, and then dashed forth to find Dom Vincente.'

I was told that Carlos had asked him to accompany him to the village to arrange a sale of slaves.

My informer was Don Florenzo of Seville, and when I gave him a brief outline of Gola's tale; he accompanied me.

Together we dashed through the castle gate, flinging a word to the guards, and down the landing toward the village.

Dom Vincente, Dom Vincente, walk with care, keep sword loosened in its sheath! Fool, fool, to walk in the night with Carlos, the traitor!

They were nearing the village when we caught up with them. "Dom Vincente!" I exclaimed; "return instantly to the castle. Carlos is selling you into the hands of the natives! Gola has told me that he lusts for your wealth and for Ysabel! A terrified native babbled to him of booted footprints near the places where the woodcutters were murdered, and Carlos has made the blacks believe that the slayer was you! Tonight the natives were to rise and slay every man in the castle except Carlos! Do you not believe me, Dom Vincente?"

"Is this the truth, Carlos?" asked Dom Vincente, in amaze.

Carlos laughed mockingly.

"The fool speaks truth," he said, "but it accomplishes you nothing. Ho!"

He shouted as he leaped for Dom Vincente. Steel flashed in the moonlight and the Spaniard's sword was through Carlos ere he could move.

And the shadows rose about us. Then it was back to back, sword and dagger, three men against a hundred. Spears flashed, and a fiendish yell went up from savage throats. I spitted three natives in as many thrusts and then went down from a stunning swing from a warclub, and an instant later Dom Vincente fell upon me, with a spear in one arm and another through the leg. Don Florenzo was standing above us, sword leaping like a live thing, when a charge of the arquebusiers swept the river bank clear and we were borne into the castle.

The black hordes came with a rush, spears flashing like a wave of steel, a thunderous roar of savagery going up to the skies.

Time and again they swept up the slopes, bounding the moat, until they were swarming over the palisades. And time and again the fire of the hundred- odd defenders hurled them back.

They had set fire to the plundered warehouses, and their light vied with the light of the moon. Just across the river there was a larger storehouse, and about this hordes of the natives gathered, tearing it apart for plunder.

"Would that they would drop a torch upon it," said Dom Vincente, "for naught is stored therein save some thousand pounds of gunpowder. I dared not store the treacherous stuff this side of the river. All the tribes of the river and coast have gathered for our slaughter and all my ships are upon the seas. We may hold out awhile, but eventually they will swarm the palisade and put us to the slaughter."

I hastened to the dungeon wherein de Montour sat. Outside the door I called to him and he bade me enter in voice which told me the fiend had left him for an instant.

"The blacks have risen," I told him.

"I guessed as much. How goes the battle?"

I gave him the details of the betrayal and the fight, and mentioned the powder-house across the river. He sprang to his feet.

"Now by my hag-ridden soul!" he exclaimed. "I will fling the dice once more with hell! Swift, let me out of the castle! I will essay to swim the river and set off yon powder!"

"It is insanity!" I exclaimed. "A thousand blacks lurk between the palisades and the river, and thrice that number beyond! The' river itself swarms with crocodiles!"

"I will attempt it!" he answered, a great light in his face. "If I can reach it, some thousand natives will lighten the siege; if I am slain, then my soul is free and mayhap will gain some forgiveness for that I gave my life to atone for my crimes."

Then, "Haste," he exclaimed, "for the demon is returning! Already I feel his influence! Haste ye!"

For the castle gates we sped, and as de Montour ran he gasped as a man in a terrific battle.

At the gate he pitched headlong, then rose, to spring through it. Wild yells greeted him from the natives.

The arquebusiers shouted curses at him and at me. Peering down from the top of the palisades I saw him turn from side to side uncertainly. A score of natives were rushing recklessly forward, spears raised.

Then the eery wolf-yell rose to the skies, and de Montour bounded forward. Aghast, the natives paused, and before a man of them could move he was among them. Wild shrieks, not of rage, but of terror.

In amazement the arquebusiers held their fire.

Straight through the group of blacks de Montour charged, and when they broke and fled, three of them fled not.

A dozen steps de Montour took in pursuit; then stopped stock-still. A moment he stood so while spears flew about him, then turned and ran swiftly in the direction of the river.

A few steps from the river another band of blacks barred his way. In the famines light of the burning houses the scene was clearly illuminated. A thrown spear tore through de Montour's shoulder. Without pausing in his stride he tore it forth and drove it through a native, leaping over his body to get among the others. They could not face the fiend-driven white man. With shrieks they fled, and de Montour, bounding upon the' back of one, brought him down.

Then he rose, staggered and sprang to the river bank. An instant he paused there and then vanished in the shadows.

"Name of the devil!" gasped Dom Vincente at my shoulder. "What manner of man is that? Was that de Montour?"

I nodded. The wild yells of the natives rose above the crackle of the arquebus fire. They were massed thick about the great warehouse across the river.

"They plan a great rush," said Dom Vincente. "They will swarm clear over the palisade, methinks. Ha!"

A crash that seemed to rip the skies apart! A burst of flame that mounted to the stars! The castle rocked with the explosion. Then silence, as the smoke, drifting away, showed only a great crater where the warehouse had stood.

I could tell of how Dom Vincente led a charge, crippled as he was, out of the castle gate and, down the slope, to fall upon the terrified blacks who had escaped the explosion. I could tell of the slaughter, of the victory and the pursuit of the fleeing natives.

I could tell, too, Messieurs, of how I became separated from the band and of how I wandered far into the jungle, unable to find my way back to the coast.

I could tell how I was captured by a wandering band of slave raiders, and of how I escaped. But such is not my intention. In itself it would make a long tale; and it is of de Montour that I am speaking.

I thought much of the things that had passed and wondered if indeed de Montour reached the storehouse to blow it to the skies or whether it was but the deed of chance.

That a man could swim that reptile-swarming river, fiend-driven though he was, seemed impossible. And if he blew up the storehouse, he must have gone up with it.

So one night I pushed my way wearily through the jungle and sighted the coast, and close to the shore a small, tumbledown but of thatch. To it I went, thinking to sleep therein if insects and reptiles would allow.

I entered the doorway and then stopped short. Upon a makeshift stool sat a man. He looked up as I entered and the rays of the moon fell across his face.

I started back with a ghastly thrill of horror. It was de Montour, and the moon was full!

Then as I stood, unable to flee, he rose and came toward me. And his face, though haggard as of a man who has looked into hell, was the face of a sane man.

"Come in, my friend," he said, and there was a great peace in his voice. "Come in and fear me not. The fiend has left me forever."

"But tell me, how conquered you?" I exclaimed as I grasped his hand.

"I fought a frightful battle, as I ran to the river," he answered, "for the fiend had me in its grasp and drove me to fall upon the natives. But for the first, time my soul and mind gained ascendency for an instant, an instant just long enough to hold me to my purpose. And I believe the good saints came to my aid, for I was giving my life to save life.

"I leaped into the river and swam, and in an instant the crocodiles were swarming about me.

"Again in the clutch of the fiend I fought them, there in the river. Then suddenly the thing left me.

"I climbed from the river and fired the warehouse."

"The explosion hurled me hundreds of feet, and for days I wandered witless through the jungle."

"But the full moon came, and came again, and I felt not the influence of the fiend.

"I am free, free!" And a wondrous note of exultation, nay, exaltation, thrilled his words:

"My soul is free. Incredible as it seems, the demon lies drowned upon the bed of, the river, or else inhabits the body of one of the savage reptiles that swim the ways of the Niger."

THE END

The Weird West Stories:

Table of Contents

The Horror From The Mound

Table of Contents

STEVE BRILL did not believe in ghosts or demons. Juan Lopez did. But neither the caution of the one nor the sturdy skepticism of the other was shield against the horror that fell upon them—the horror forgotten by men for more than three hundred years—a screaming fear monstrously resurrected from the black lost ages.

Yet as Steve Brill sat on his sagging stoop that last evening, his thoughts were as far from uncanny menaces as the thoughts of man can be. His ruminations were bitter but materialistic. He surveyed his farmland and he swore. Brill was tall, rangy and tough as boot-leather—true son of the iron-bodied pioneers who wrenched West Texas from the wilderness. He was browned by the sun and strong as a longhorned steer. His lean legs and the boots on them showed his cowboy instincts, and now he cursed himself that he had ever climbed off the hurricane deck of his crankeyed mustang and turned to farming. He was no farmer, the young puncher admitted profanely.

Yet his failure had not all been his fault. Plentiful rain in the winter —so rare in West Texas—had given promise of good crops. But as usual, things had happened. A late blizzard had destroyed all the budding fruit. The grain which had looked so promising was ripped to shreds and battered into the ground by terrific hailstorms just as it was turning yellow. A period of intense dryness, followed by another hailstorm, finished the corn.

Then the cotton, which had somehow struggled through, fell before a swarm of grasshoppers which stripped Brill's field almost overnight. So Brill sat and swore that he would not renew his lease—he gave fervent thanks that he did not own the land on which he had wasted his sweat, and that there were still broad rolling ranges to the West where a strong young man could make his living riding and roping.

Now as Brill sat glumly, he was aware of the approaching form of his nearest neighbor, Juan Lopez, a taciturn old Mexican who lived in a but just out of sight over the hill across the creek, and grubbed for a living. At present he was clearing a strip of land on an adjoining farm, and in returning to his but he crossed a corner of Brill's pasture.

Brill idly watched him climb through the barbed-wire fence and trudge along the path he had worn in the short dry grass. He had been working at his present job for over a month now, chopping down tough gnarly mesquite trees and digging up their incredibly long roots, and Brill knew that he always followed the same path home. And watching, Brill noted him swerving far aside, seemingly to avoid a low rounded hillock which jutted above the level of the pasture. Lopez went far around this knoll and Brill remembered that the old Mexican always circled it at a distance. And another thing came into Brill's idle mind —Lopez always increased his gait when he was passing the knoll, and he always managed to get by it before sundown—yet Mexican laborers generally worked from the first light of dawn to the last glint of twilight, especially at these grubbing jobs, when they were paid by the acre and not by the day. Brill's curiosity was aroused.

He rose, and sauntering down the slight slope on the crown of which his shack sat, hailed the plodding Mexican.

"Hey, Lopez, wait a minute."

Lopez halted; looked about, and remained motionless but unenthusiastic as the white man approached.

"Lopez," said Brill lazily, "it ain't none of my business, but I just wanted to ask you—how come you always go so far around that old Indian mound?"

"No Babe," grunted Lopez shortly.

"You're a liar," responded Brill genially. "You savvy all right; you speak English as good as me. What's the matter—you think that mound's ha'nted or somethin'!"

Brill could speak Spanish himself and read it, too, but like most Anglo- Saxons he much preferred to speak his own language.

Lopez shrugged his shoulders.

"It is not a good place, no bueno," he muttered, avoiding Brill's eyes. "Let hidden things rest."

"I reckon you're scared of ghosts," Brill bantered. "Shucks, if that is an Indian mound, them Indians been dead so long their ghosts 'ud be plumb wore out by now."

Brill knew that the illiterate Mexicans looked with superstitious aversion on the mounds that are found here and there through the Southwest —relics of a past and forgotten age, containing the moldering bones of chiefs and warriors of a lost race.

"Best not to disturb what is hidden in the earth," grunted Lopez.

"Bosh," said Brill. "Me and some boys busted into one of them mounds over in the Palo Pinto country and dug up pieces of a skeleton with some beads and flint arrowheads and the like. I kept some of the teeth a long time till I lost 'em, and I ain't never been ha'nted."

"Indians?" snorted Lopez unexpectedly. "Who spoke of Indians? There have been more than Indians in this country. In the old times strange things happened here. I have heard the tales of my people, handed down from generation to generation. And my people were here long before yours, Senor Brill."

"Yeah, you're right," admitted Steve. "First white men in this country was Spaniards, of course. Coronado passed along not very far from here, I hear tell, and Hernando de Estrada's expedition came through here—away back yonder—I dunno how long ago."

"In 1545," said Lopez. "They pitched camp yonder where your corral stands now."

Brill turned to glance at his rail-fenced corral, inhabited now by his saddlehorse, a pair of workhorses and a scrawny cow.

"How come you know so much about it?" he asked curiously.

"One of my ancestors marched with de Estrada," answered Lopez. "A soldier, Porfirio Lopez; he told his son of that expedition, and he told his son, and so down the family line to me, who have no son to whom I can tell the tale."

"I didn't know you were so well connected," said Brill. "Maybe you know somethin' about the gold de Estrada was supposed to have hid around here, somewhere."

"There was no gold," growled Lopez. "De Estrada's soldiers bore only their arms, and they fought their way through hostile country—many left their bones along the trail. Later—many years later—a mule train from Santa Fe was attacked not many miles from here by Comanches and they hid their gold and escaped; so the legends got mixed up. But even their gold is not there now, because Gringo buffalo-hunters found it and dug it up."

Brill nodded abstractedly, hardly heeding. Of all the continent of North America there is no section so haunted by tales of lost or hidden treasure as is the Southwest. Uncounted wealth passed back and forth over the hills and plains of Texas and New Mexico in the old days when Spain owned the gold and silver mines of the New World and controlled the rich fur trade of the West, and echoes of that wealth linger on in tales of golden caches. Some such vagrant dream, born of failure and pressing poverty, rose in Brill's mind.

Aloud he spoke: "Well, anyway, I got nothin' else to do and I believe I'll dig into that old mound and see what I can find."

The effect of that simple statement on Lopez was nothing short of shocking. He recoiled and his swarthy brown face went ashy; his black eyes flared and he threw up his arms in a gesture of intense expostulation.

"Dios, no!" he cried. "Don't do that, Senor Brill! There is a curse —my grandfather told me—"

"Told you what?" asked Brill.

Lopez lapsed into sullen silence.

"I cannot speak," he muttered. "I am sworn to silence. Only to an eldest son could I open my heart. But believe me when I say better had you cut your throat than to break into that accursed mound."

"Well," said Brill, impatient of Mexican superstitions, "if it's so bad why don't you tell me about it? Gimme a logical reason for not bustin' into it."

"I cannot speak!" cried the Mexican desperately. "I know!—but I swore to silence on the Holy Crucifix, just as every man of my family has sworn. It is a thing so dark, it is to risk damnation even to speak of it! Were I to tell you, I would blast the soul from your body. But I have sworn—and I have no son, so my lips are sealed forever."

"Aw, well," said Brill sarcastically, "why don't you write it out?"

Lopez started, stared, and to Steve's surprise, caught at the suggestion.

"I will! Dios be thanked the good priest taught me to write when I was a child. My oath said nothing of writing. I only swore not to speak. I will write out the whole thing for you, if you will swear not to speak of it afterward, and to destroy the paper as soon as you have read it.

"Sure," said Brill, to humor him, and the old Mexican seemed much relieved.

"Bueno! I will go at once and write. Tomorrow as I go to work I will bring you the paper and you will understand why no one must open that accursed mound!"

And Lopez hurried along his homeward path, his stooped shoulders swaying with the effort of his unwonted haste. Steve grinned after him, shrugged his shoulders and turned back toward his own shack. Then he halted, gazing back at the low rounded mound with its grass-grown sides. It must be an Indian tomb, he decided, what with its symmetry and its similarity to other Indian mounds he had seen. He scowled as he tried to figure out the seeming connection between the mysterious knoll and the martial ancestor of Juan Lopez.

Brill gazed after the receding figure of the old Mexican. A shallow valley, cut by a half-dry creek, bordered with trees and underbrush, lay between Brill's pasture and the low sloping hill beyond which lay Lopez's shack. Among the trees along the creek bank the old Mexican was disappearing. And Brill came to a sudden decision.

Hurrying up the slight slope, he took a pick and a shovel from the tool shed built onto the back of his shack. The sun had not yet set and Brill believed he could open the mound deep enough to determine its nature before dark. If not, he could work by lantern light. Steve, like most of his breed, lived mostly by impulse, and his present urge was to tear into that mysterious hillock and find what, if anything, was concealed therein. The thought of treasure came again to his mind, piqued by the evasive attitude of Lopez.

What if, after all, that grassy heap of brown earth hid riches—virgin ore from forgotten mines, or the minted coinage of old Spain? Was it not possible that the musketeers of de Estrada had themselves reared that pile above a treasure they could not bear away, molding it in the likeness of an Indian mound to fool seekers? Did old Lopez know that? It would not be strange if, knowing of treasure there, the old Mexican refrained from disturbing it. Ridden with grisly superstitious fears, he might well live out a life of barren toil rather than risk the wrath of lurking ghosts or devils—for the Mexicans say that hidden gold is always accursed, and surely there was supposed to be some especial doom resting on this mound. Well, Brill meditated, Latin-Indian devils had no terrors for the Anglo-Saxon, tormented by the demons of drouth and storm and crop failure.

Steve set to work with the savage energy characteristic of his breed. The task was no light one; the soil, baked by the fierce sun, was iron-hard, and mixed with rocks and pebbles. Brill sweated profusely and grunted with his efforts, but the fire of the treasure-hunter was on him. He shook the sweat out of his eyes and drove in the pick with mighty strokes that ripped and crumbled the close-packed dirt.

The sun went down, and in the long dreamy summer twilight he worked on, almost oblivious of time or space. He began to be convinced that the mound was a genuine Indian tomb, as he found traces of charcoal in the soil. The ancient people which reared these sepulchers had kept fires burning upon them for days, at some point in the building. All the mounds Steve had ever opened had contained a solid stratum of charcoal a short distance below the surface: But the charcoal traces he found now were scattered about through the soil.

His idea of a Spanish-built treasure trove faded, but he persisted. Who knows? Perhaps that strange folk men now called Mound-Builders had treasure of their own which they laid away with the dead.

Then Steve yelped in exultation as his pick rang on a bit of metal. He snatched it up and held it close to his eyes, straining in the waning, light. It was caked and corroded with rust, worn almost paper-thin, but he knew it for what it was—a spur-rowel, unmistakably Spanish with its long cruel points. And he halted, completely bewildered. No Spaniard ever reared this mound, with its undeniable marks of aboriginal workmanship. Yet how came that relic of Spanish caballeros hidden deep in the packed soil?

Brill shook his head and set to work again. He knew that in the center of the mound, if it were indeed an aboriginal tomb, he would find a narrow chamber built of heavy stones, containing the bones of the chief for whom the mound had been reared and the victims sacrificed above it. And in the gathering darkness he felt his pick strike heavily against something granite-like and unyielding. Examination, by sense of feel as well as by sight, proved it to be a solid block of stone, roughly hewn. Doubtless it formed one of the ends of the deathchamber. Useless to try to shatter it. Brill chipped and pecked about it, scrapping the dirt and pebbles away from the corners until he felt that wrenching it out would be but a matter of sinking the pick-point underneath and levering it out.

But now he was suddenly aware that darkness had come on. In the young moon objects were dim and shadowy. His mustang nickered in the corral whence came the comfortable crunch of tired beasts' jaws on corn. A whippoorwill called eerily from the dark shadows of the narrow winding creek. Brill straightened reluctantly. Better get a lantern and continue his explorations by its light.

He felt in his pocket with some idea of wrenching out the stone and exploring the cavity by the aid of matches. Then he stiffened. Was it. imagination that he heard a faint sinister rustling, which seemed to come from behind the blocking stone? Snakes! Doubtless they had holes somewhere about the base of the mound and there might be a dozen big diamond-backed rattlers coiled up in that cave-like interior waiting for him to put his hand among them. He shivered slightly at the thought and backed away out of the excavation he had made.

It wouldn't do to go poking about blindly into holes. And for the past few minutes, he realized, he had been aware of a faint foul odor exuding from interstices about the blocking stone—though he admitted that the smell suggested reptiles no more than it did any other menacing scent. It had a charnel-house reek about it—gases formed in the chamber of death, no doubt, and dangerous to the living.

Steve laid down his pick and returned to the house, impatient of the necessary delay. Entering the dark building, he struck a. match and located his kerosene lantern hanging on its nail on the wall. Shaking it, he satisfied himself that it was nearly full of coal oil, and lighted it. Then he fared forth again, for his eagerness would not allow him to pause long enough for a bite of food. The mere opening of the mound intrigued him, as it must always intrigue a man of imagination, and the discovery of the Spanish spur had whetted his curiosity.

He hurried from his shack, the swinging lantern casting long distorted shadows ahead of him and behind. He chuckled as he visualized Lopez's thoughts and actions when he learned, on the morrow, that the forbidden mound had been pried into. A good thing he opened it that evening, Brill reflected; Lopez might even have tried to prevent him meddling with it, had he known.

In the dreamy hush of the summer night, Brill reached the mound—lifted his lantern—swore bewilderedly. The lantern revealed his excavations, his tools lying carelessly where he had dropped them—and a black gaping aperture! The great blocking stone lay in the bottom of the excavation he had made, as if thrust carelessly aside. Warily he thrust the lantern forward and peered into the small cave-like chamber, expecting to see he knew not what. Nothing met his eyes except the bare rock sides of a long narrow cell, large enough to receive a man's body, which had apparently been built up of roughly hewn square-cut stones, cunningly and strongly joined together.

"Lopez!" exclaimed Steve furiously. "The dirty coyote! He's been watchin' me work—and when I went after the lantern, he snuck up and pried the rock outand grabbed whatever was in there, I reckon. Blast his greasy hide, I'll fix him!"

Savagely he extinguished the lantern and glared across the shallow, brush- grown valley. And as he looked he stiffened. Over the corner of the hill, on the other side of which the shack of Lope z stood, a shadow moved. The slender moon was setting, the light dim and the play of the shadows baffling. But Steve's eyes were sharpened by the sun and winds of the wastelands, and he knew that it was some two-legged creature that was disappearing over the low shoulder of the mesquite-grown hill.

"Beatin' it to his shack," snarled Brill. "He's shore got somethin' or he wouldn't be travelin' at that speed."

Brill swallowed, wondering why a peculiar trembling had suddenly taken hold of him. What was there unusual about a thieving old greaser running home with his loot? Brill tried to drown the feeling that there was something peculiar about the gait of the dim shadow, which gad seemed to move at a sort of slinking lope. There, must have been need for swiftness when stocky old Juan Lopez elected to travel at such a strange pace.

"Whatever he found is as much mine as his," swore Brill, trying to get his mind off the abnormal aspect of the figure's flight, "I got this land leased and I done all the work diggin'. A curse, heck! No wonder he told me that stuff. Wanted me to leave it alone so he could get it hisself. It's a wonder he ain't dug it up long before this. But you can't never tell about them spigs."

Brill, as he meditated thus, was striding down the gentle slope of the pasture which led down to the creek bed. He passed into the shadows of the trees and dense underbrush and walked across the dry creek bed, noting absently that neither whippoorwill nor hoot-owl called in the darkness. There was a waiting, listening tenseness in the night that he did not like. The shadows in the creek bed seemed too thick, too breathless. He wished he had not blown out the lantern, which he still carried, and was glad he had brought the pick, gripped like a battle-ax in his right hand. He had an impulse to whistle, just to break the silence, then swore and dismissed the thought. Yet he was glad when he clambered up the low opposite bank and emerged into the starlight.

He walked up the slope and onto the hill, and looked down on the mesquite flat wherein stood Lopezs squalid hut. A light showed at the one window.

"Packin' his things for a getaway, I reckon," grunted Steve. "Oh, what the—"

He staggered as from a physical impact as a frightful scream knifed the stillness. He wanted to clap his hands over his ears to shut out the horror of that cry, which rose unbearably and then broke in an abhorrent gurgle.

"Good God!" Steve felt the cold sweat spring out upon him. "Lopez—or somebody—"

Even as he gasped the words he was running down the hill as fast as his long legs could carry him. Some unspeakable horror was taking place in that lonely hut, but he was going to investigate if it meant facing the Devil himself. He tightened his grip on his pick-handle as he ran. Wandering prowlers, murdering old Lopez for the loot he had taken from the mound, Steve thought, and forgot his wrath. It would go hard for anyone he found molesting the old scoundrel, thief though he might be.

He hit the flat, running hard.. And then the light in the but went out and Steve staggeed in full flight, bringing up against a mesquite tree with an impact that jolted a grunt out of him and tore his hands on the thorns. Rebounding with a sobbed curse, he rushed for the shack, nerving himself for what he might see—his hair still standing on end at what he had already seen.

Brill tried the one door of the but and found it bolted. He shouted to Lopez and received no answer. Yet utter silence did not reign. From within came a curious muffled worrying sound that ceased as Brill swung his pick crashing against the door. The flimsy portal splintered and Brill leaped into, the dark hut, eyes blazing, pick swung high for a desperate onslaught. But no, sound ruffled the grisly silence, and in the darkness nothing stirred, though Brill's chaotic imagination peopled the shadowed corners of the but with shapes of horror.

With a hand damp with perspiration he found a match and struck it. Besides himself only Lopez occupied the hut—old Lopez, stark dead on the dirt floor, arms spread wide like a crucifix, mouth sagging open in a semblance of idiocy, eyes wide and staring with a horror Brill found intolerable. The one window gaped open, showing the method of the slayer's exit —possibly his entrance as well. Brill went to that window and gazed out warily. He saw only the sloping hillside on one hand and the mesquite flat on the other. He starred—was that a hint of movement among the stunted shadows of the mesquites and chaparral—or had he but imagined he glimpsed a dim loping figure among the trees?

He turned back, as the match burned down to his fingers. He lit the old coal-oil lamp on the rude table, cursing as he burned his hand. The globe of the lamp was very hot, as if it had been burning for hours.

Reluctantly he turned to the corpse on the floor. Whatever sort of death had come to Lopez, it had been horrible, but Brill, gingerly examining the dead man, found no wound—no mark of knife or bludgeon on him. Wait. There was a thin smear of blood on Brill's questing hand. Searching, he found thesource—three or four tiny punctures in Lopezs throat, from which blood had oozed sluggishly. At first he thought they had been inflicted with a stiletto—a thin round edgeless dagger then he shook his head. He had seen stiletto wounds—he had the scar of one on his own body. These wounds more resembled the bite of some animal—they looked like the marks of pointed fangs.

Yet Brill did not believe they were deep enough to have caused death, nor had much blood flowed from them. A belief, abhorrent with grisly speculations, rose up in the dark corners of his mind—that Lopez had died of fright and that the wounds had been inflicted either simultaneously—with his death, or an instant afterward.

And Steve noticed something else; scrawled about on the floor lay a number of dingy leaves of paper, scrawled in the old Mexican's crude hand —he would write of the curse of the mound, he had said. There were the sheets on which he had written, there was the stump of a pencil on the floor, there was the hot lamp globe, all mute witnesses that the old Mexican had been seated at the roughhewn table writing for hours. Then it was not he who opened the moundchamber and stole the contents—but who was it, in God's name? And who or what was it that Brill had glimpsed loping over the shoulder of the hill?

Well, there was but one thing to do—saddle his mustang and ride the ten miles to Coyote Wells, the nearest town, and inform the sheriff of the murder.

Brill gathered up the papers. The last was crumpled in the old man's clutching hand and Brill secured it with some difficulty. Then as he turned to extinguish the light, he hesitated, and cursed himself for the crawling fear that lurked at the back of his mind—fear of the shadowy thing he had seen cross the window just before the light was extinguished in the hut. The long arm of the murderer, he thought, reaching for the lamp to put it out, no doubt. What had there been abnormal or inhuman about that vision, distorted though it must have been in the dim lamplight and shadow? As a man strives to remember the details of a nightmare dream, Steve tried to define in his mind some clear reason that would explain, why that flying glimpse had unnerved him to the extent of blundering headlong into a tree, and why the mere vague remembrance of it now caused cold sweat to break out on him.

Cursing himself to keep up his courage, he lighted his lantern, blew out the lamp on the rough table, and resolutely set forth, grasping his pick like a weapon. After all, why should certain seemingly abnormal aspects about a sordid murder upset him? Such crimes were abhorrent, but common enough, especially among Mexicans, who cherished unguessed feuds.

Then as he stepped into the silent starflecked night he brought up short. From across the creek sounded the sudden soul-shaking scream of a horse in deadly terror—then a mad drumming of hoofs that receded in the distance. And Brill swore in rage and dismay. Was it a pan lurking in the hills —had a monster cat slain old Lopez? Then why was not the victim marked with the scars of fierce hooked talons? And who extinguished the light in the but?

As he wondered, Brill was running swiftly toward the dark creek. Not lightly does a cowpuncher regard the stampeding of his stock. As he passed into the darkness of the brush along the dry creek, Brill found his tongue strangely dry. He kept swallowing, and he held the lantern high. It made but faint impression in the gloom, but seemed to accentuate the blackness of the crowding shadows. For some strange reason, the thought entered Brill's chaotic mind that though the land was new to the Anglo-Saxon, it was in reality very old. That broken and desecrated tomb was mute evidence that the land was ancient to man, and suddenly the night and the hills and the shadows bore on Brill with a sense of hideous antiquity. Here had long, generations of men lived and died before Brill's ancestors ever heard of the land. In the night, in the shadows of this very creek, men had no doubt given up their ghosts in grisly ways. With these reflections Brill hurried through the shadows of the thick trees.

He breathed deeply in relief when he emerged from the trees on his own side. Hurrying up the gentle slope to the railed corral, he held up his lantern, investigating. The corral was empty; not even the placid cow was in sight. And the bars were down. That pointed to human agency, and the affair took on a newly sinister aspect. Someone did not intend that Brill should ride to Coyote Wells that night. It meant that the murderer intended making his getaway and wanted a good start on the law, or else—Brill grinned wryly. Far away across a mesquite flat he believed he could still catch the faint and faraway noise of running horses. What in God's name had given them such a fright? A cold finger of fear played shudderingly on Brill's spine.

Steve headed for the house. He did not enter boldly. He crept clear around the shack, peering shudderingly into the dark windows, listening with painful intensity for some sound to betray the presence of the lurking killer. At last he ventured to open the door and step in. He threw the door back against the wall to find if anyone were hiding behind it, lifted the lantern high and stepped in, heart pounding, pick gripped fiercely, his feelings a mixture of fear and red rage. But no hidden assassin leaped upon him, and a wary exploration of the shack revealed nothing.

With a sigh of relief Brill locked the doors, made fast the windows and lighted his old coal-oil lamp. The thought of old Lopez lying, a glassy-eyed corpse alone in the but across the creek, made him wince and shiver, but he did not intend to start for town on foot in the night.

He drew from its hiding-place his reliable old Colt .45, spun the blue- steel cylinder, and grinned mirthlessly. Maybe the killer did not intend to leave any witnesses to his crime alive. Well, let him come! He—or they —would find a young cowpuncher with a six-shooter less easy prey than an old unarmed Mexican. And that reminded Brill of the papers he had brought from the hut. Taking care that he was not in line with a window through which a sudden bullet might come, he settled himself to read, with one ear alert for stealthy sounds.

And as he read the crude laborious script, a slow cold horror grew in his soul. It was a tale of fear that the old Mexican had scrawled—a tale handed down from generation—a tale of ancient times.

And Brill read of the wanderings of the caballero Hernando de Estrada and his armored pikemen, who dared the deserts of the Southwest when all was strange and unknown. There were some forty-odd soldiers, servants, and masters, at, the beginning, the manuscript ran. There was the captain, de Estrada, and the priest, and young Juan Zavilla, and Don Santiago de Valdez—a mysterious nobleman who had been taken off a helplessly floating ship in the Caribbean Sea—all the others of the crew and passengers had died of plague, he had said and he had cast their bodies overboard. So de Estrada had taken him aboard the ship that was bearing the expedition from Spain, and de Valdez joined them in their explorations.

Brill read something of their wanderings, told in the crude style of old Lopez, as the old Mexican's ancestors had handed down the tale for over three hundred years. The bare written words dimly reflected the terrific hardships the explorers bad encountered—drouth, thirst, floods, the desert sandstorms, the spears of hostile redskins. But it was of another peril that old Lopez told—a grisly lurking horror that fell upon the lonely caravan wandering through the immensity of the wild. Man by man they fell and no man knew the slayer. Fear and black suspicion ate at the heart of the expedition like a canker, and their leader knew not where to turn. This they all knew: among them was a fiend in human form.

Men began to draw apart from each other, to scatter along the line of march, and this mutual suspicion, that sought security in solitude, made it easier for the fiend. The skeleton of the expedition staggered through the wilderness, lost, dazed and helpless, and still the unseen horror hung on their flanks, dragging down the stragglers, preying on drowsing sentries and sleeping men. And on the throat of each was found the wounds of pointed fangs that bled the victim white; so that the living knew with what manner of evil they had to deal. Men reeled through the wild, calling on the saints, or blaspheming in their terror, fighting frenziedly against sleep, until thev fell with exhaustion and 'sleep stole on them with horror and death.

Suspicion centered on a great black man, a cannibal slave from Calabar. And they put him in chains. But young Juan Zavilla went the way of the rest, and then the priest was taken. But the priest fought off his fiendish assailant and lived long enough to gasp the demon's name to de Estrada. And Brill, shuddering and wide-eyed, read:

"... And now it was evident to de Estrada that the good priest had spoken the truth, and the slayer was Don Santiago de Valdez, who was a vampire, an undead fiend, subsisting on the blood of the living. And de Estrada called to mind a certain foul nobleman who had lurked, in the' mountains of Castile since the days of the Moors, feeding off the blood of helpless victims which lent him a ghastly immortality. This nobleman had been driven forth; none knew where he had fled but it was evident that he and Don Santiago were the same man: He had fled Spain by ship, and de Estrada knew that the people of that ship had died, not by plague as the fiend had represented, but by the fangs of the vampire."

"De Estrada and the black man and the few soldiers who still lived went searching for him and found him stretched in bestial sleep in a clump of chaparral; fullgorged he was with human blood from his last victim. Now it is well known that a vampire, like a great serpent, when well gorged, falls into a deep sleep and may be taken without peril. But de Estrada was at a loss as to how to dispose of the monster, for how may the dead be slain? For a vampire is a man who has died long ago, yet is quick with a certain foul unlife."

"The men urged that the Caballero drive a stake through the fiend's heart and cut off his head, uttering the holy words that would crumble the long-dead body into dust, but the priest was dead and de Estrada feared that in the act the monster might waken.

"So—they took Don Santiago, lifting him softly, and bore him to an old Indian mound near by. This they opened, taking forth the bones they found there, and they placed the vampire within and sealed up the mound. Him grant until Judgment Day."

"It is a place accursed, and I wish I had starved elsewhere before I came into this part of the country seeking work—for I have known of the land and the creek and the mound with its terrible secret, ever since childhood; so you see, Senor Brill, why you must not open the mound and wake the fiend—"

There the manuscript ended with an erratic scratch of the pencil that tore the crumpled leaf.

Brill rose, his heart pounding wildly, his face bloodless, his tongue cleaving to his palate. He gagged and found words.

"That's why the spur was in the mound—one of them Spaniards dropped it while they was diggin'—and I mighta knowed it's been dug into before, the way the charcoal was scattered out—but, good God—"

Aghast he shrank from the black visions—an undead monster stirring in the gloom of his tomb, thrusting from within to push aside the stone loosened by the pick of ignorance—a shadowy shape loping over the hill toward a light that betokened a human prey—a frightful long arm that crossed a dim-lighted window...

"It's madness!" he gasped. "Lopez was plumb loco! They ain't no such things as vampires! If they is, why didn't he get me first, instead of Lopez —unless he was scoutin' around, makin' sure of everything before he pounced? Aw, hell! It's all a pipe-dream—"

The words froze in his throat. At the window a face glared and gibbered soundlessly at him. Two icy eyes pierced his very soul. A shriek burst from his throat and that ghastly visage vanished. But the very air was permeated by the foul scent that had hung about the ancient mound. And now the door creaked —bent slowly inward. Brill backed up against the wall, his gun shaking in his hand: It did not occur to him to fire through the door; in his chaotic brain he had but one thought that only that thin portal of wood separated him from some horror born out of the womb of night and gloom and the black past. His eyes were distended as he saw the door give, as he heard the staples of the bolt groan.

The door burst inward. Brill did not scream. His tongue was frozen to the roof of his mouth. His fear-glazed eyes took in the tall, vulture-like form —the icy eyes, the long black fingernails—the moldering garb, hideously ancient—the long spurred boot—the slouch-hat with its crumbling feather—the flowing cloak that was falling to slow shreds. Framed in the black doorway crouched that abhorrent shape out of the past, and Brill's brain reeled. A savage cold radiated from the figure—the scent of moldering clay and charnel-house refuse. And then the undead came at the living like a swooping vulture.

Brill fired point-blank and saw a shred of rotten cloth fly from the Thing's breast. The vampire reeled beneath the impact of the heavy ball, then righted himself and came on with frightful speed. Brill reeled back against the wall with a choking cry, the gun falling from his nerveless hand. The black legends were true then—human weapons were powerless—for may a man kill one already dead for long centuries, as mortals die?

Then the clawlike hands at his throat roused the young cowpuncher to a frenzy of madness. As his pioneer ancestors fought hand to hand against brain-shattering odds, Steve Brill fought the cold dead crawling thing that sought his life and his soul.

Of that ghastly battle Brill never remembered much. It was a blind chaos in which he screamed beast-like, tore and slugged and hammered, where long black nails like the talons of a panther tore at him, and pointed teeth snapped again and again at his throat. Rolling and tumbling about the room, both half enveloped by the musty folds of that ancient rotting cloak, they smote and tore at each other among the ruins of the shattered furniture, and—the fury of the vampire was not more terrible than the fearcrazed desperation of his victim.

They crashed headlong, into the table, knocking it down upon its side, and the coal oil lamp splintered on the floor, spraying the walls with sudden flames. Brill felt the bite of the burning oil that spattered him, but in the red frenzy of the fight he gave no heed. The black talons were tearing at him, the inhuman eyes burning icily into his soul; between his frantic fingers the withered flesh of the monster was hard as dry wood. And wave after wave of blind madness swept over Steve Brill. Like a man battling a nightmare he screamed and smote, while all about them the fire leaped up and caught at the walls and roof.

Through darting jets and licking tongues of flames they reeled and rolled like a demon and a mortal warring on the firelanced floors of hell: And in the growing tumult of the flames, Brill gathered himself for one last volcanic burst of frenzied strength. Breaking away and staggering, up, gasping and bloody, he lunged blindly at the foul shape and caught it in a grip not even the vampire could break. And whirling his fiendish assailant bodily on high, he dashed him down across the uptilted edge of the fallen table as a man might break a stick of wood across his knee. Something cracked like a snapping branch and the vampire fell from Brill's grasp to writhe in a strange broken posture on the burning floor. Yet it was not dead, for its flaming eyes still burned on Brill with a ghastly hunger, and it strove to crawl toward him with its broken spine, as a dying snake crawls.

Brill, reeling and gasping, shook the blood from his eyes, and staggered blindly through the broken door. And as a man runs from the portals of hell, he ran stumblingly through, the mesquite and chaparral until he fell from utter exhaustion. Looking back he saw the flames of the burning house and thanked God that it would burn until the very bones of Don Santiago de Valdez were utterly consumed and destroyed from the knowledge of men.

The Man On The Ground

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CAL REYNOLDS shifted his tobacco quid to the other side of his mouth as he squinted down the dull blue barrel of his Winchester. His jaws worked methodically, their movement ceasing as he found his bead. He froze into rigid immobility; then his finger hooked on the trigger. The crack of the shot sent the echoes rattling among the hills, and like a louder echo came an answering shot. Reynolds flinched down, flattening his rangy body against the earth, swearing softly. A gray flake jumped from one of the rocks near his head, the ricocheting bullet whining off into space. Reynolds involuntarily shivered. The sound was as deadly as the singing of an unseen rattler.

He raised himself gingerly high enough to peer out between the rocks in front of him. Separated from his refuge by a broad level grown with mesquite-grass and prickly-pear, rose a tangle of boulders similar to that behind which he crouched. From among these boulders floated a thin wisp of whitish smoke. Reynold's keen eyes, trained to sun-scorched distances, detected a small circle of dully gleaming blue steel among the rocks. That ring was the muzzle of a rifle, but Reynolds well knew who lay behind that muzzle.

The feud between Cal Reynolds and Esau Brill had been long, for a Texas feud. Up in the Kentucky mountains family wars may straggle on for generations, but the geographical conditions and human temperament of the Southwest were not conducive to long-drawn-out hostilities. There feuds were generally concluded with appalling suddenness and finality. The stage was a saloon, the streets of a little cow-town, or the open range. Sniping from the laurel was exchanged for the close-range thundering of six-shooters and sawed-off shotguns which decided matters quickly, one way or the other.

The case of Cal Reynolds and Esau Brill was somewhat out of the ordinary. In the first place, the feud concerned only themselves. Neither friends nor relatives were drawn into it. No one, including the participants, knew just how it started. Cal Reynolds merely knew that he had hated Esau Brill most of his life, and that Brill reciprocated. Once as youths they had clashed with the violence and intensity of rival young catamounts. From that encounter Reynolds carried away a knife scar across the edge of his ribs, and Brill a permanently impaired eye. It had decided nothing. They had fought to a bloody gasping deadlock, and neither had felt any desire to 'shake hands and make up.' That is a hypocrisy developed in civilization, where men have no stomach for fighting to the death. After a man has felt his adversary's knife grate against his bones, his adversary's thumb gouging at his eyes, his adversary's boot-heels stamped into his mouth, he is scarcely inclined to forgive and forget, regardless of the original merits of the argument.

So Reynolds and Brill carried their mutual hatred into manhood, and as cowpunchers riding for rival ranches, it followed that they found opportunities to carry on their private war. Reynolds rustled cattle from Brill's boss, and Brill returned the compliment. Each raged at the other's tactics, and considered himself justified in eliminating his enemy in any way that he could. Brill caught Reynolds without his gun one night in a saloon at Cow Wells, and only an ignominious flight out the back way, with bullets barking at his heels, saved the Reynolds scalp.

Again Reynolds, lying in the chaparral, neatly knocked his enemy out of his saddle at five hundred yards with a .30-.30 slug, and, but for the inopportune appearance of a line-rider, the feud would have ended there, Reynolds deciding, in the face of this witness, to forego his original intention of leaving his covert and hammering out the wounded man's brains with his rifle butt.

Brill recovered from his wound, having the vitality of a longhorn bull, in common with all his sun-leathered iron-thewed breed, and as soon as he was on his feet, he came gunning for the man who had waylaid him.

Now after these onsets and skirmishes, the enemies faced each other at good rifle range, among the lonely hills where interruption was unlikely.

For more than an hour they had lain among the rocks, shooting at each hint of movement. Neither had scored a hit, though the .30-.30's whistled perilously close.

In each of Reynold's temples a tiny pulse hammered maddeningly. The sun beat down on him and his shirt was soaked with sweat. Gnats swarmed about his head, getting into his eyes, and he cursed venomously. His wet hair was plastered to his scalp; his eyes burned with the glare of the sun, and the rifle barrel was hot to his calloused hand. His right leg was growing numb and he shifted it cautiously, cursing at the jingle of the spur, though he knew Brill could not hear. All this discomfort added fuel to the fire of his wrath. Without process of conscious reasoning, he attributed all his suffering to his enemy. The sun beat dazingly on his sombrero, and his thoughts were slightly addled. It was hotter than the hearthstone of hell among those bare rocks. His dry tongue caressed his baked lips.

Through the muddle of his brain burned his hatred of Esau Brill. It had become more than an emotion: it was an obsession, a monstrous incubus. When he flinched from the whip-crack of Brill's rifle, it was not from fear of death, but because the thought of dying at the hands of his foe was an intolerable horror that made his brain rock with red frenzy. He would have thrown his life away recklessly, if by so doing he could have sent Brill into eternity just three seconds ahead of himself.

He did not analyze these feelings. Men who live by their hands have little time for self-analysis. He was no more aware of the quality of his hate for Esau Brill than he was consciously aware of his hands and feet. It was part of him, and more than part: it enveloped him, engulfed him; his mind and body were no more than its material manifestations. He was the hate; it was the whole soul and spirit of him. Unhampered by the stagnant and enervating shackles of sophistication and intellectuality, his instincts rose sheer from the naked primitive. And from them crystallized an almost tangible abstraction—­a hate too strong for even death to destroy; a hate powerful enough to embody itself in itself, without the aid or the necessity of material substance.

For perhaps a quarter of an hour neither rifle had spoken. Instinct with death as rattlesnakes coiled among the rocks soaking up poison from the sun's rays, the feudists lay each waiting his chance, playing the game of endurance until the taut nerves of one or the other should snap.

It was Esau Brill who broke. Not that his collapse took the form of any wild madness or nervous explosion. The wary instincts of the wild were too strong in him for that. But suddenly, with a screamed curse, he hitched up on his elbow and fired blindly at the tangle of stones which concealed his enemy. Only the upper part of his arm and the corner of his blue-shirted shoulder were for an instant visible. That was enough. In that flash-second Cal Reynolds jerked the trigger, and a frightful yell told him his bullet had found its mark. And at the animal pain in that yell, reason and life-long instincts were swept away by an insane flood of terrible joy. He did not whoop exultantly and spring to his feet; but his teeth bared in a wolfish grin and he involuntarily raised his head. Waking instinct jerked him down again. It was chance that undid him. Even as he ducked back, Brill's answering shot cracked.

Cal Reynolds did not hear it, because, simultaneously with the sound, something exploded in his skull, plunging him into utter blackness, shot briefly with red sparks.

The blackness was only momentary. Cal Reynolds glared wildly around, realizing with a frenzied shock that he was lying in the open. The impact of the shot had sent him rolling from among the rocks, and in that quick instant he realized that it had not been a direct hit. Chance had sent the bullet glancing from a stone, apparently to flick his scalp in passing. That was not so important. What was important was that he was lying out in full view, where Esau Brill could fill him full of lead. A wild glance showed his rifle lying close by. It had fallen across a stone and lay with the stock against the ground, the barrel slanting upward. Another glance showed his enemy standing upright among the stones that had concealed him.

In that one glance Cal Reynolds took in the details of the tall, rangy figure: the stained trousers sagging with the weight of the holstered six-shooter, the legs tucked into the worn leather boots; the streak of crimson on the shoulder of the blue shirt, which was plastered to the wearer's body with sweat; the tousled black hair, from which perspiration was pouring down the unshaven face. He caught the glint of yellow tobacco-stained teeth shining in a savage grin. Smoke still drifted from the rifle in Brill's hands.

These familiar and hated details stood out in startling clarity during the fleeting instant while Reynolds struggled madly against the unseen chains which seemed to hold him to the earth. Even as he thought of the paralysis a glancing blow on the head might induce, something seemed to snap and he rolled free. Rolled is hardly the word: he seemed almost to dart to the rifle that lay across the rock, so light his limbs felt.

Dropping behind the stone he seized the weapon. He did not even have to lift it. As it lay it bore directly on the man who was now approaching.

His hand was momentarily halted by Esau Brill's strange behavior. Instead of firing or leaping back into cover the man came straight on, his rifle in the crook of his arm, that damnable leer still on his unshaven lips. Was he mad? Could he not see that his enemy was up again, raging with life, and with a cocked rifle at his heart? Brill seemed not to be looking at him, but to one side, at the spot where Reynolds had just been lying.

Without seeking further for the explanation of his foe's actions, Cal Reynolds pulled the trigger. With the vicious spang of the report a blue shred leaped from Brill's broad breast. He staggered back, his mouth flying open. And the look on his face froze Reynolds again. Esau Brill came of a breed which fights to its last gasp. Nothing was more certain than that he would go down pulling the trigger blindly until the last red vestige of life left him. Yet the ferocious triumph was wiped from his face with the crack of the shot, to be replaced by an awful expression of dazed surprize. He made no move to lift his rifle, which slipped from his grasp, nor did he clutch at his wound. Throwing out his hands in a strange, stunned, helpless way, he reeled backward on slowly buckling legs, his features frozen into a mask of stupid amazement that made his watcher shiver with its cosmic horror.

Through the opened lips gushed a tide of blood, dyeing the damp shirt. And like a tree that sways and rushes suddenly earthward, Esau Brill crashed down among the mesquite-grass and lay motionless.

Cal Reynolds rose, leaving the rifle where it lay. The rolling grass-grown hills swam misty and indistinct to his gaze. Even the sky and the blazing sun had a hazy unreal aspect. But a savage content was in his soul. The long feud was over at last, and whether he had taken his death-wound or not, he had sent Esau Brill to blaze the trail to hell ahead of him.

Then he started violently as his gaze wandered to the spot where he had rolled after being hit. He glared; were his eyes playing him tricks? Yonder in the grass Esau Brill lay dead—­yet only a few feet away stretched another body.

Rigid with surprize, Reynolds glared at the rangy figure, slumped grotesquely beside the rocks. It lay partly on its side, as if flung there by some blind convulsion, the arms outstretched, the fingers crooked as if blindly clutching. The short-cropped sandy hair was splashed with blood, and from a ghastly hole in the temple the brains were oozing. From a corner of the mouth seeped a thin trickle of tobacco juice to stain the dusty neck-cloth.

And as he gazed, an awful familiarity made itself evident. He knew the feel of those shiny leather wrist-bands; he knew with fearful certainty whose hands had buckled that gun-belt; the tang of that tobacco juice was still on his palate.

In one brief destroying instant he knew he was looking down at his own lifeless body. And with the knowledge came true oblivion.

Old Garfield's Heart

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I WAS SITTING on the porch when my grandfather hobbled out and sank down on his favorite chair with the cushioned seat, and began to stuff tobacco in his old corncob-pipe.

"I thought you'd be goin' to the dance," he said.

"I'm waiting for Doc Blaine," I answered. "I'm going over to old man Garfield's with him."

My grandfather sucked at his pipe awhile before he spoke again.

"Old Jim purty bad off?"

"Doc says he hasn't a chance."

"Who's takin' care of him?"

"Joe Braxton—­against Garfield's wishes. But somebody had to stay with him."

My grandfather sucked his pipe noisily, and watched the heat lightning playing away off up in the hills; then he said: "You think old Jim's the biggest liar in this county, don't you?"

"He tells some pretty tall tales," I admitted. "Some of the things he claimed he took part in, must have happened before he was born."

"I came from Tennesee to Texas in 1870," my grandfather said abruptly. "I saw this town of Lost Knob grow up from nothin'. There wasn't even a log-hut store here when I came. But old Jim Garfield was here, livin' in the same place he lives now, only then it was a log cabin. He don't look a day older now than he did the first time I saw him."

"You never mentioned that before," I said in some surprise.

"I knew you'd put it down to an old man's maunderin's," he answered. "Old Jim was the first white man to settle in this country. He built his cabin a good fifty miles west of the frontier. God knows how he done it, for these hills swarmed with Comanches then.

"I remember the first time I ever saw him. Even then everybody called him 'old Jim.'

"I remember him tellin' me the same tales he's told you—­how he was at the battle of San Jacinto when he was a youngster, and how he'd rode with Ewen Cameron and Jack Hayes. Only I believe him, and you don't."

"That was so long ago—­" I protested.

"The last Indian raid through this country was in 1874," said my grandfather, engrossed in his own reminiscences. "I was in on that fight, and so was old Jim. I saw him knock old Yellow Tail off his mustang at seven hundred yards with a buffalo rifle.

"But before that I was with him in a fight up near the head of Locust Creek. A band of Comanches came down Mesquital, lootin' and burnin', rode through the hills and started back up Locust Creek, and a scout of us were hot on their heels. We ran on to them just at sundown in a mesquite flat. We killed seven of them, and the rest skinned out through the brush on foot. But three of our boys were killed, and Jim Garfield got a thrust in the breast with a lance.

"It was an awful wound. He lay like a dead man, and it seemed sure nobody could live after a wound like that. But an old Indian came out of the brush, and when we aimed our guns at him, he made the peace sign and spoke to us in Spanish. I don't know why the boys didn't shoot him in his tracks, because our blood was heated with the fightin' and killin', but somethin' about him made us hold our fire. He said he wasn't a Comanche, but was an old friend of Garfield's, and wanted to help him. He asked us to carry Jim into a clump of mesquite, and leave him alone with him, and to this day I don't know why we did, but we did. It was an awful time—­the wounded moanin' and callin' for water, the starin' corpses strewn about the camp, night comin' on, and no way of knowin' that the Indians wouldn't return when dark fell.

"We made camp right there, because the horses were fagged out, and we watched all night, but the Comanches didn't come back. I don't know what went on out in the mesquite where Jim Garfield's body lay, because I never saw that strange Indian again; but durin' the night I kept hearin' a weird moanin' that wasn't made by the dyin' men, and an owl hooted from midnight till dawn.

"And at sunrise Jim Garfield came walkin' out of the mesquite, pale and haggard, but alive, and already the wound in his breast had closed and begun to heal. And since then he's never mentioned that wound, nor that fight, nor the strange Indian who came and went so mysteriously. And he hasn't aged a bit; he looks now just like he did then—­a man of about fifty."

In the silence that followed, a car began to purr down the road, and twin shafts of light cut through the dusk.

"That's Doc Blaine," I said. "When I come back I'll tell you how Garfield is."

Doc Blaine was prompt with his predictions as we drove the three miles of post-oak covered hills that lay between Lost Knob and the Garfield farm.

"I'll be surprised to find him alive," he said, "smashed up like he is. A man his age ought to have more sense than to try to break a young horse."

"He doesn't look so old," I remarked.

"I'll be fifty, my next birthday," answered Doc Blaine. "I've known him all my life, and he must have been at least fifty the first time I ever saw him. His looks are deceiving."

Old Garfield's dwelling-place was reminiscent of the past. The boards of the low squat house had never known paint. Orchard fence and corrals were built of rails.

Old Jim lay on his rude bed, tended crudely but efficiently by the man Doc Blaine had hired over the old man's protests. As I looked at him, I was impressed anew by his evident vitality. His frame was stooped but unwithered, his limbs rounded out with springy muscles. In his corded neck and in his face, drawn though it was with suffering, was apparent an innate virility. His eyes, though partly glazed with pain, burned with the same unquenchable element.

"He's been ravin'," said Joe Braxton stolidly.

"First white man in this country," muttered old Jim, becoming intelligible. "Hills no white man ever set foot in before. Gettin' too old. Have to settle down. Can't move on like I used to. Settle down here. Good country before it filled up with cow-men and squatters. Wish Ewen Cameron could see this country. The Mexicans shot him. Damn 'em!"

Doc Blaine shook his head. "He's all smashed up inside. He won't live till daylight."

Garfield unexpectedly lifted his head and looked at us with clear eyes.

"Wrong, Doc," he wheezed, his breath whistling with pain. "I'll live. What's broken bones and twisted guts? Nothin'! It's the heart that counts. Long as the heart keeps pumpin', a man can't die. My heart's sound. Listen to it! Feel of it!"

He groped painfully for Doc Blaine's wrist, dragged his hand to his bosom and held it there, staring up into the doctor's face with avid intensity.

"Regular dynamo, ain't it?" he gasped. "Stronger'n a gasoline engine!"

Blaine beckoned me. "Lay your hand here," he said, placing my hand on the old man's bare breast. "He does have a remarkable heart action."

I noted, in the light of the coal-oil lamp, a great livid scar in the gaunt arching breast—­such a scar as might be made by a flint-headed spear. I laid my hand directly on this scar, and an exclamation escaped my lips.

Under my hand old Jim Garfield's heart pulsed, but its throb was like no other heart action I have ever observed. Its power was astounding; his ribs vibrated to its steady throb. It felt more like the vibrating of a dynamo than the action of a human organ. I could feel its amazing vitality radiating from his breast, stealing up into my hand and up my arm, until my own heart seemed to speed up in response.

"I can't die," old Jim gasped. "Not so long as my heart's in my breast. Only a bullet through the brain can kill me. And even then I wouldn't be rightly dead, as long as my heart beats in my breast. Yet it ain't rightly mine, either. It belongs to Ghost Man, the Lipan chief. It was the heart of a god the Lipans worshipped before the Comanches drove 'em out of their native hills.

"I knew Ghost Man down on the Rio Grande, when I was with Ewen Cameron. I saved his life from the Mexicans once. He tied the string of ghost wampum between him and me—­the wampum no man but me and him can see or feel. He came when he knowed I needed him, in that fight up on the headwaters of Locust Creek, when I got this scar.

"I was dead as a man can be. My heart was sliced in two, like the heart of a butchered beef steer.

"All night Ghost Man did magic, callin' my ghost back from spirit-land. I remember that flight, a little. It was dark, and gray-like, and I drifted through gray mists and heard the dead wailin' past me in the mist. But Ghost Man brought me back.

"He took out what was left of my mortal heart, and put the heart of the god in my bosom. But it's his, and when I'm through with it, he'll come for it. It's kept me alive and strong for the lifetime of a man. Age can't touch me. What do I care if these fools around here call me an old liar? What I know, I know. But hark'ee!"

His fingers became claws, clamping fiercely on Doc Blaine's wrist. His old eyes, old yet strangely young, burned fierce as those of an eagle under his bushy brows.

"If by some mischance I should die, now or later, promise me this! Cut into my bosom and take out the heart Ghost Man lent me so long ago! It's his. And as long as it beats in my body, my spirit'll be tied to that body, though my head be crushed like an egg underfoot! A livin' thing in a rottin' body! Promise!"

"All right, I promise," replied Doc Blaine, to humor him, and old Jim Garfield sank back with a whistling sigh of relief.

He did not die that night, nor the next, nor the next. I well remember the next day, because it was that day that I had the fight with Jack Kirby.

People will take a good deal from a bully, rather than to spill blood. Because nobody had gone to the trouble of killing him, Kirby thought the whole countryside was afraid of him.

He had bought a steer from my father, and when my father went to collect for it, Kirby told him that he had paid the money to me—­which was a lie. I went looking for Kirby, and came upon him in a bootleg joint, boasting of his toughness, and telling the crowd that he was going to beat me up and make me say that he had paid me the money, and that I had stuck it into my own pocket. When I heard him say that, I saw red, and ran in on him with a stockman's knife, and cut him across the face, and in the neck, side, breast and belly, and the only thing that saved his life was the fact that the crowd pulled me off.

There was a preliminary hearing, and I was indicted on a charge of assault, and my trial was set for the following term of court. Kirby was as tough-fibered as a post-oak country bully ought to be, and he recovered, swearing vengeance, for he was vain of his looks, though God knows why, and I had permanently impaired them.

And while Jack Kirby was recovering, old man Garfield recovered too, to the amazement of everybody, especially Doc Blaine.

I well remember the night Doc Blaine took me again out to old Jim Garfield's farm. I was in Shifty Corlan's joint, trying to drink enough of the slop he called beer to get a kick out of it, when Doc Blaine came in and persuaded me to go with him.

As we drove along the winding old road in Doc's car, I asked: "Why are you insistent that I go with you this particular night? This isn't a professional call, is it?"

"No," he said. "You couldn't kill old Jim with a post-oak maul. He's completely recovered from injuries that ought to have killed an ox. To tell the truth, Jack Kirby is in Lost Knob, swearing he'll shoot you on sight."

"Well, for God's sake!" I exclaimed angrily. "Now everybody'll think I left town because I was afraid of him. Turn around and take me back, damn it!"

"Be reasonable," said Doc. "Everybody knows you're not afraid of Kirby. Nobody's afraid of him now. His bluff's broken, and that's why he's so wild against you. But you can't afford to have any more trouble with him now, and your trial only a short time off."

I laughed and said: "Well, if he's looking for me hard enough, he can find me as easily at old Garfield's as in town, because Shifty Corlan heard you say where we were going. And Shifty's hated me ever since I skinned him in that horse-swap last fall. He'll tell Kirby where I went."

"I never thought of that," said Doc Blaine, worried.

"Hell, forget it," I advised. "Kirby hasn't got guts enough to do anything but blow."

But I was mistaken. Puncture a bully's vanity and you touch his one vital spot.

Old Jim had not gone to bed when we got there. He was sitting in the room opening on to his sagging porch, the room which was at once living-room and bedroom, smoking his old cob pipe and trying to read a newspaper by the light of his coal-oil lamp. All the windows and doors were wide open for the coolness, and the insects which swarmed in and fluttered around the lamp didn't seem to bother him.

We sat down and discussed the weather—­which isn't so inane as one might suppose, in a country where men's livelihood depends on sun and rain, and is at the mercy of wind and drouth. The talk drifted into other kindred channels, and after some time, Doc Blaine bluntly spoke of something that hung in his mind.

"Jim," he said, "that night I thought you were dying, you babbled a lot of stuff about your heart, and an Indian who lent you his. How much of that was delirium?"

"None, Doc," said Garfield, pulling at his pipe. "It was gospel truth. Ghost Man, the Lipan priest of the Gods of Night, replaced my dead, torn heart with one from somethin' he worshipped. I ain't sure myself just what that somethin' is—­somethin' from away back and a long way off, he said. But bein' a god, it can do without its heart for awhile. But when I die—­if I ever get my head smashed so my consciousness is destroyed—­the heart must be given back to Ghost Man."

"You mean you were in earnest about cutting out your heart?" demanded Doc Blaine.

"It has to be," answered old Garfield. "A livin' thing in a dead thing is opposed to nat'er. That's what Ghost Man said."

"Who the devil was Ghost Man?"

"I told you. A witch-doctor of the Lipans, who dwelt in this country before the Comanches came down from the Staked Plains and drove 'em south across the Rio Grande. I was a friend to 'em. I reckon Ghost Man is the only one left alive."

"Alive? Now?"

"I dunno," confessed old Jim. "I dunno whether he's alive or dead. I dunno whether he was alive when he came to me after the fight on Locust Creek, or even if he was alive when I knowed him in the southern country. Alive as we understand life, I mean."

"What balderdash is this?" demanded Doc Blaine uneasily, and I felt a slight stirring in my hair. Outside was stillness, and the stars, and the black shadows of the post-oak woods. The lamp cast old Garfield's shadow grotesquely on the wall, so that it did not at all resemble that of a human, and his words were strange as words heard in a nightmare.

"I knowed you wouldn't understand," said old Jim. "I don't understand myself, and I ain't got the words to explain them things I feel and know without understandin'. The Lipans were kin to the Apaches, and the Apaches learnt curious things from the Pueblos. Ghost Man was—­that's all I can say—­alive or dead, I don't know, but he was. What's more, he is."

"Is it you or me that's crazy?" asked Doc Blaine.

"Well," said old Jim, "I'll tell you this much—­Ghost Man knew Coronado."

"Crazy as a loon!" murmured Doc Blaine. Then he lifted his head. "What's that?"

"Horse turning in from the road," I said. "Sounds like it stopped."

I stepped to the door, like a fool, and stood etched in the light behind me. I got a glimpse of a shadowy bulk I knew to be a man on a horse; then Doc Blaine yelled: "Look out!" and threw himself against me, knocking us both sprawling. At the same instant I heard the smashing report of a rifle, and old Garfield grunted and fell heavily.

"Jack Kirby!" screamed Doc Blaine. "He's killed Jim!"

I scrambled up, hearing the clatter of retreating hoofs, snatched old Jim's shotgun from the wall, rushed recklessly out on to the sagging porch and let go both barrels at the fleeing shape, dim in the starlight. The charge was too light to kill at that range, but the bird-shot stung the horse and maddened him. He swerved, crashed headlong through a rail fence and charged across the orchard, and a peach tree limb knocked his rider out of the saddle. He never moved after he hit the ground. I ran out there and looked down at him. It was Jack Kirby, right enough, and his neck was broken like a rotten branch.

I let him lie, and ran back to the house. Doc Blaine had stretched old Garfield out on a bench he'd dragged in from the porch, and Doc's face was whiter than I'd ever seen it. Old Jim was a ghastly sight; he had been shot with an old-fashioned .45-70, and at that range the heavy ball had literally torn off the top of his head. His features were masked with blood and brains. He had been directly behind me, poor old devil, and he had stopped the slug meant for me.

Doc Blaine was trembling, though he was anything but a stranger to such sights.

"Would you pronounce him dead?" he asked.

"That's for you to say." I answered. "But even a fool could tell that he's dead.

"He is dead," said Doc Blaine in a strained unnatural voice. "Rigor mortis is already setting in. But feel his heart!"

I did, and cried out. The flesh was already cold and clammy; but beneath it that mysterious heart still hammered steadily away, like a dynamo in a deserted house. No blood coursed through those veins; yet the heart pounded, pounded, pounded, like the pulse of Eternity.

"A living thing in a dead thing," whispered Doc Blaine, cold sweat on his face. "This is opposed to nature. I am going to keep the promise I made him. I'll assume full responsibility. This is too monstrous to ignore."

Our implements were a butcher-knife and a hack-saw. Outside only the still stars looked down on the black post-oak shadows and the dead man that lay in the orchard. Inside, the old lamp flickered, making strange shadows move and shiver and cringe in the corners, and glistened on the blood on the floor, and the red-dabbled figure on the bench. The only sound inside was the crunch of the saw-edge in bone; outside an owl began to hoot weirdly.

Doc Blaine thrust a red-stained hand into the aperture he had made, and drew out a red, pulsing object that caught the lamplight. With a choked cry he recoiled, and the thing slipped from his fingers and fell on the table. And I too cried out involuntarily. For it did not fall with a soft meaty thud, as a piece of flesh should fall. It thumped hard on the table.

Impelled by an irresistible urge, I bent and gingerly picked up old Garfield's heart. The feel of it was brittle, unyielding, like steel or stone, but smoother than either. In size and shape it was the duplicate of a human heart, but it was slick and smooth, and its crimson surface reflected the lamplight like a jewel more lambent than any ruby; and in my hand it still throbbed mightily, sending vibratory radiations of energy up my arm until my own heart seemed swelling and bursting in response. It was cosmic power, beyond my comprehension, concentrated into the likeness of a human heart.

The thought came to me that here was a dynamo of life, the nearest approach to immortality that is possible for the destructible human body, the materialization of a cosmic secret more wonderful than the fabulous fountain sought for by Ponce de Leon. My soul was drawn into that unterrestrial gleam, and I suddenly wished passionately that it hammered and thundered in my own bosom in place of my paltry heart of tissue and muscle.

Doc Blaine ejaculated incoherently. I wheeled.

The noise of his coming had been no greater than the whispering of a night wind through the corn. There in the doorway he stood, tall, dark, inscrutable—­an Indian warrior, in the paint, war bonnet, breech-clout and moccasins of an elder age. His dark eyes burned like fires gleaming deep under fathomless black lakes. Silently he extended his hand, and I dropped Jim Garfield's heart into it. Then without a word he turned and stalked into the night. But when Doc Blaine and I rushed out into the yard an instant later, there was no sign of any human being. He had vanished like a phantom of the night, and only something that looked like an owl was flying, dwindling from sight, into the rising moon.

Black Canaan

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1. CALL FROM CANAAN

2. THE STRANGER ON TULAROOSA

3. SHADOWS OVER CANAAN

4. THE DWELLERS IN THE SWAMP

1. CALL FROM CANAAN

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"TROUBLE on Tularoosa Creek!" A warning to send cold fear along the spine of any man who was raised in that isolated back-country, called Canaan, that lies between Tularoosa and Black River—to send him racing back to that swamp-bordered region, wherever the word might reach him.

It was only a whisper from the withered lips of a shuffling black crone, who vanished among the throng before I could seize her; but it was enough. No need to seek confirmation; no need to inquire by what mysterious, black-folk way the word had come to her. No need to inquire what obscure forces worked to unseal those wrinkled lips to a Black River man. It was enough that the warning had been given—and understood.

Understood? How could any Black River man fail to understand that warning? It could have but one meaning—old hates seething again in the jungle-deeps of the swamplands, dark shadows slipping through the cypress, and massacre stalking out of the black, mysterious village that broods on the moss-festooned shore of sullen Tularoosa.

Within an hour New Orleans was falling further behind me with every turn of the churning wheel. To every man born in Canaan, there is always an invisible tie that draws him back whenever his homeland is imperiled by the murky shadow that has lurked in its jungled recesses for more than half a century.

The fastest boats I could get seemed maddeningly slow for that race up the big river, and up the smaller, more turbulent stream. I was burning with impatience when I stepped off on the Sharpsvil le landing, with the last fifteen miles of my journey yet to make. It was past midnight, but I hurried to the livery stable where, by tradition half a century old, there is always a Buckner horse, day or night.

As a sleepy black boy fastened the cinches, I turned to the owner of the stable, Joe Lafely, yawning and gaping in the light of the lantern he upheld. "There are rumors of trouble on Tularoosa?"

He paled in the lantern-light.

"I don't know. I've heard talk. But you people in Canaan are a shut- mouthed clan. No one outside knows what goes on in there."

The night swallowed his lantern and his stammering voice as I headed west along the pike.

The moon set red through the black pines. Owls hooted away off in the woods, and somewhere a hound howled his ancient wistfulness to the night. In the darkness that foreruns dawn I crossed Nigger Head Creek, a streak of shining black fringed by walls of solid shadows. My horse's hooves splashed through the shallow water and clinked on the wet stones, startlingly loud in the stillness. Behind Nigger Head Creek began the countrymen called Canaan.

Heading in the same swamp, miles to the north, that gives birth to Tularoosa, Nigger Head flows due south to ioin Black River a few miles west of Sharpsville, while the Tularoosa runs westward to meet the same river at a higher point. The trend of Black River is from northwest to southeast; so these three streams form the great irregular triangle known as Canaan.

In Canaan lived the sons and daughters of the white frontiersmen who first settled the country, and the sons and daughters of their slaves. Joe Lafely was right; we were an isolated, shut-mouthed breed. Self-sufficient, jealous of our seclusion and independence.

Beyond Nigger Head the woods thickened, the road narrowed, winding through unfenced pinelands, broken by live-oaks and cypresses. There was no sound except the soft clop-clop of hoofs in the thin dust, the creak of the saddle. Then someone laughed throatily in the shadows.

I drew up and peered into the trees. The moon had set and dawn was not yet come, but a faint glow quivered among the trees, and by it I made out a dim figure under the moss-hung branches. My hand instinctively sought the butt of one of the dueling-pistols I wore, and the action brought another low, musical laugh, mocking yet seductive. I glimpsed a brown face, a pair of scintillant eyes, white teeth displayed in an insolent smile.

"Who the devil are you?" I demanded.

"Why do you ride so late, Kirby Buckner?" Taunting laughter bubbled in the voice. The accent was foreign and unfamiliar; a faintly negroid twang was there, but it was rich and sensuous as the rounded body of its owner. In the lustrous pile of dusky hair a great white blossom glimmered palely in the darkness.

"What are you doing here?" I demanded. "You're a long way from any darky cabin. And you're a stranger to me.

"I came to Canaan since you went away," she answered. "My cabin is on the Tularoosa. But now I've lost my way. And my poor brother has hurt his leg and cannot walk."

"Where is your brother?" I asked, uneasily. Her perfect English was disquieting to me, accustomed as I was to the dialect of the black folk.

"Back in the woods, there—far back!" She indicated the black depths with a swaying motion of her supple body rather than a gesture of her hand, smiling audaciously as she did so.

I knew there was no injured brother, and she knew I knew it, and laughed at me. But a strange turmoil of conflicting emotions stirred in me. I had never before paid any attention to a black or brown woman. But this quadroon girl was different from any I had ever seen. Her features were regular as a white woman's, and her speech was not that of a common wench. Yet she was barbaric, in the open lure of her smile, in the gleam of her eyes, in the shameless posturing of her voluptuous body. Every gesture, every motion she made set her apart from the ordinary run of women; her beauty was untamed and lawless, meant to madden rather than to soothe, to make a man blind and dizzy, to rouse in him all the unreined passions that are his heritage from his ape ancestors.

I hardly remember dismounting and tying my horse. My blood pounded suffocatingly through the veins in my temples as I scowled down at her, suspicious yet fascinated.

"How do you know my name? Who are you?"

With a provocative laugh, she seized my hand and drew me deeper into the shadows. Fascinated by the lights gleaming in her dark eyes, I was hardly aware of her action.

"Who does not know Kirby Buckner?" she laughed. "All the people of Canaan speak of you, white or black. Come! My poor brother longs to look upon you!" And she laughed with malicious triumph.

It was this brazen effrontery that brought me to my senses. Its cynical mockery broke the almost hypnotic spell in which I had fallen.

I stopped short, throwing her hand aside, snarling: "What devil's game are you up to, wench?"

Instantly the smiling siren was changed to a blood-mad jungle cat. Her eyes flamed murderously, her red lips writhed in a snarl as she leaped back, crying out shrilly. A rush of bare feet answered her call. The first faint light of dawn struck through the branches, revealing my assailants, three gaunt black giants. I saw the gleaming whites of their eyes, their bare glistening teeth, the sheen of naked steel in their hands.

My first bullet crashed through the head of the tallest man, knocking him dead in full stride. My second pistol snapped—the cap had somehow slipped from the nipple. I dashed it into a black face, and as the man fell, half stunned, I whipped out my bowie knife and closed with the other. I parried his stab and my counter-stroke ripped across the belly-muscles. He screamed like a swamp-panther and made a wild grab for my knife wrist, but I stuck him in the mouth with my clenched left fist, and felt his lips split and his teeth crumble under the impact as he reeled backward, his knife waving wildly. Before he could regain his balance I was after him, thrusting, and got home under his ribs. He groaned and slipped to the ground in a puddle of his own blood.

I wheeled about, looking for the other. He was just rising, blood streaming down his face and neck. As I started for him he sounded a panicky yell and plunged into the underbrush. The crashing of his blind flight came back to me, muffled with distance. The girl was gone.

2. THE STRANGER ON TULAROOSA

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THE CURIOUS GLOW that had first showed me the quadroon girl had vanished. In my confusion I had forgotten it. But I did not waste time on vain conjecture as to its source, as I groped my way back to the road. Mystery had come to the pinelands and a ghostly light that hovered among the trees was only part of it.

My horse snorted and pulled against his tether, frightened by the smell of blood that hung in the heavy damp air. Hoofs clattered down the road, forms bulked in the growing light. Voices challenged.

"Who's that? Step out and name yourself, before we shoot!"

"Hold on, Esau!" I called. "It's me—Kirby Buckner"'

"Kirby Buckner, by thunder!" ejaculated Esau McBride, lowering his pistol. The tall rangy forms of the other riders loomed behind him.

"We heard a shot," said McBride. "We was ridin' patrol on the roads around Grimesville like we've been ridin' every night for a week now— ever since they killed Ridge Jackson."

"Who killed Ridge Jackson?"

"The swamp niggers. That's all we know. Ridge come out of the woods early one mornin' and knocked at Cap'n Sorley's door. Cap'n says he was the color of ashes. He hollered for the Cap'n for God's sake to let him in, he had somethin' awful to tell him. Well, the Cap'n started down to open the door, but before he'd got down the stairs he heard an awful row among the dogs outside, and a man screamed he reckoned was Ridge. And when he got to the door, there wasn't nothin' but a dead dog layin' in the yard with his head knocked in, and the others all goin' crazy. They found Ridge later, out in the pines a few hundred yards from the house. From the way the ground and the bushes was tore up, he'd been dragged that far by four or five men. Maybe they got tired of haulin' him along. Anyway, they beat his head into a pulp and left him layin' there."

"I'll be damned!" I muttered. "Well, there's a couple of niggers lying back there in the brush. I want to see if you know them. I don't."

A moment later we were standing in the tiny glade, now white in the growing dawn. A black shape sprawled on the matted pine needles, his head in a pool of blood and brains. There were wide smears of blood on the ground and bushes on the other side of the little clearing, but the wounded black was gone.

McBride turned the carcass with his foot.

"One of them niggers that came in with Saul Stark," he muttered.

"Who the devil's that?" I demanded.

"Strange nigger that moved in since you went down the river last time. Come from South Carolina, he says. Lives in that old cabin in the Neck— you know, the shack where Colonel Reynolds' niggers used to live."

"Suppose you ride on to Grimesville with me, Esau, "' I said, "and tell me about this business as we ride. The rest of you might scout around and see if you can find a wounded nigger in the brush."

The agreed without question; the Buckners have always been tacitly considered leaders in Canaan, and it came natural for me to offer suggestions. Nobody gives orders to white men in Canaan.

"I reckoned you'd be showin' up soars," opined McBride, as we rode along the whitening road. "You usually manage to keep up with what's happenin' in Canaan."

"What is happening?" I inquired. "I don't know anything. An old black woman dropped me the word in New Orleans that there was trouble. Naturally I came home as fast as I could. Three strange niggers waylaid me—" I was curiously disinclined to mention the woman. "And now you tell me somebody killed Ridge Jackson. What's it all about?"

"The swamp niggers killed Ridge to shut his mouth," announced McBride. "That's the only way to figure it. They must have been close behind him when he knocked on Cap'n Sorley's door. Ridge worked for Cap'n Sorley most of his life; he thought a lot of the old man. Some kind of deviltry's bein' brewed up in the swamps, and Ridge wanted to warn the Cap'n. That's the way I figure it."

"Warn him about what?"

"We don't know," confessed McBride. "That's why we're all on edge. It must be an uprisin'."

That word was enough to strike chill fear into the heart of any Canaan- dweller. The blacks had risen in 1845, and the red terror of that revolt was not forgotten, nor the three lesser rebellions before it, when the slaves rose and spread fire and slaughter from Tularoosa to the shores of Black River. The fear of a black uprising lurked for ever in the depths of that forgotten back-country; the very children absorbed it in their cradles.

"What makes you think it might be an uprising?" I asked.

"The niggers have all quit the fields, for one thing. They've all got business in Goshen. I ain't seen a nigger nigh Grimesville for a week. The town niggers have pulled out."

In Canaan we still draw a distinction born in antebellum days. "Town niggers are descendants of the houseservants of the old days, and most of them live in or near Grimesville There are not many, compared to the mass of "swamp niggers" who dwell on tiny farms along the creeks and the edge of the swamps, or in the black village of Goshen, on the Tularoosa. They are descendants of the field-hands of other days, and, untouched by the mellow civilization which refined the natures of the house-servants, they remain as primitive as their African ancestors."

"Where have the town niggers gone?" I asked.

"Nobody knows. They lit out a week ago. Probably hidin' down on Black River. If we win, they'll come back. If we don't, they'll take refuge in Sharpsville."

I found his matter-of-factness a bit ghastly, as if the actuality of the uprising were an assured fact.

"Well, what have you done?" I demanded.

"Ain't much we could do," he confessed. "The niggers ain't made no open move, outside of killin' Ridge Jackson; and we couldn't prove who done that, or why they done it.

"They ain't done nothin' but clear out. But that's mighty suspicious. We can't keep from thinkin' Saul Stark's behind it."

"Who is this fellow?" I asked.

"I told you all I know, already. He got permission to settle in that old deserted cabin on the Neck; a great big black devil that talks better English than I like to hear a nigger talk. But he was respectful enough. He had three or four big South Carolina bucks with him, and a brown wench which we don't know whether she's his daughter, sister, wife or What. He ain't been in to Grimesville but that one time, and a few weeks after he came to Canaan, the niggers begun actin' curious. Some of the boys wanted to ride over to Goshen and have a show-down, but that's takin' a desperate chance."

I knew he was thinking of a ghastly tale told us by our grandfathers of how a punitive expedition from Grimesville was once ambushed and butchered among the dense thickets that masked Goshen, then a rendezvous for runaway slaves, while another red-handed band devastated Grimesville, left defenseless by that reckless invasion.

"Might take all the men to get Saul Stark," said McBride. "And we don't dare leave the town unprotected. But we'll soon have to—hello, what's this?"

We had emerged from the trees and were just entering the village of Grimesville, the community center of the white population of Canaan. It was not pretentious. Log cabins, neat and whitewashed, were plentiful enough. Small cottages clustered about big, old-fashioned houses which sheltered the rude aristocracy of that backwoods democracy. All the "planter" families lived "in town." "The country" was occupied by their tenants, and by the small independent farmers, white and black.

A small log cabin stood near the point where the road wound out of the deep forest. Voices emanated from it, in accents of menace, and a tall lanky figure, rifle in hand, stood at the door.

"Howdy, Esau!" this man hailed us. "By golly, if it ain't Kirby Buckner! Glad to see you, Kirby."

"'What's up, Dick?" asked McBride.

"Got a nigger in the shack, tryin' to make him talk. Bill Reynolds seen him sneakin' past the edge of town about daylight, and nabbed him."

"Who is it?" I asked.

"Tope Sorley. John Willoughby's gone after a blacksnake."

With a smothered oath I swung off my horse and strode in, followed by McBride. Half a dozen men in boots and gunbelts clustered about a pathetic figure cowering on an old broken bunk. Tope Sorley (his forebears had adopted the name of the family that owned them, in slave days) was a pitiable sight just then. His skin was ashy, his teeth chattered spasmodically, and his eyes seemed to be trying to roll back into his head.

"Here's Kirby!" ejaculated one of the men as I pushed my way through the group. "I'll bet he'll make this coon talk!"

"Here comes John with the blacksnake!" shouted someone, and a tremor ran through Tope Sorley's shivering body.

I pushed aside the butt of the ugly whip thrust eagerly into my hand.

"Tope," I said, "you've worked one of my father's farms for years. Has any Buckner ever treated you any way but square?"

"Nossuh," came faintly.

"Then what are you afraid of? Why don't you speak up? Something's going on in the swamps. You know, and I want you to tell us why the town niggers have all run away, why Ridge Jackson was killed, why the swamp niggers are acting so mysteriously."

"And what kind of devilment that cussed Saul Stark's cookin' up over on Tularoosa!" shouted one of the men.

Tope seemed to shrink into himself at the mention of Stark.

"I don't dast," he shuddered. "He'd put me in de swamp!"

"Who?" I demanded. "Stark? Is Stark a conjer man?"

Tope sank his head in his hands and did not answer. I laid my hand on his shoulder.

"Tope," I said, "you know if you'll talk, we'll protect you. If you don't talk, I don't think Stark can treat you much rougher than these men are likely to. Now spill itwhat's it all about?"

He lifted desperate eyes.

"You-all got to lemme stay here," he shuddered. "And guard me, and gimme money to git away on when de trouble's over."

"We'll do all that," I agreed instantly. "You can stay right here in this cabin, until you're ready to leave for New Orleans or wherever you want to go."

He capitulated, collapsed, and words tumbled from his livid lips.

"Saul Stark's a conjer man. He come here because it's way off in back- country. He aim to kill all de white folks in Canaan."

A growl rose from the group, such a growl as rises unbidden from the throat of the wolf-pack that scents peril.

"He aim to make hisself king of Canaan. He sent me to spy dis mornin' to see if Mistah Kirby got through. He sent men to waylay him on de road, cause he knowed Mistah Kirby was comin' back to Canaan. Niggers makin' voodoo on Tularoosa, for weeks now. Ridge Jackson was goin' to tell Cap'n Sorley; so Stark's niggers foller him and kill him. That make Stark mad. He ain't want to kill Ridge; he want to put him in de swamp with Tunk Bixby and de others."

"What are you talking about?" I demanded.

Far out in the woods rose a strange, shrill cry, like the cry of a bird. But no such bird ever called before in Canaan. Tope cried out as if in answer, and shriveled into himself. He sank down on the bunk in a veritable palsy of fear.

"That was a signal!" I snapped. "Some of you go out there."

Half a dozen men hastened to follow my suggestion, and I returned to the task of making Tope renew his revelations. It was useless. Some hideous fear had sealed his lips. He lay shuddering like a stricken animal, and did not even seem to hear our questions. No one suggested the use of the blacksnake. Anyone could see the Negro was paralyzed with terror.

Presently the searchers returned empty-handed. They had seen no one, and the thick carpet of pine needles showed no foot-prints. The men looked at me expectantly. As Colonel Buckner's son, leadership was expected of me.

"What about it, Kirby?" asked McBride. "Breckinridge and the others have just rode in. They couldn't find that nigger you cut up."

"There was another' nigger I hit with a pistol," I said. "Maybe he came back and helped him." Still I could not bring myself to mention the brown girl. "Leave Tope alone. Maybe he'll get over his scare after a while. Better keep a guard in the cabin all the time. The swamp niggers may try to get him as they got Ridge Jackson. Better scour the roads around the town, Esau; there may be some of them hiding in the woods."

"I will. I reckon you'll want to be gettin' up to the house, now, and seein' your folks."

"Yes. And I want to swap these toys for a couple of .44s. Then I'm going to ride out and tell the country people to come into Grimesville. If it's to be an uprising, we don't know when it will commence."

"You're not goin' alone!" protested McBride.

"I'll be all right," I answered impatiently. "All this may not amount to anything, but it's best to be on the safe side. That's why I'm going after the country folks. No, I don't want anybody to go with me. Just in case the niggers do get crazy enough to attack the town, you'll need every man you've got. But if I can get hold of some of the swamp niggers and talk to them, I don't think there'll be any attack."

"You won't get a glimpse of them," McBride predicted.

3. SHADOWS OVER CANAAN

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It was not yet noon when I rode out of the village westward along the old road. Thick woods swallowed me quickly. Dense walls of pines marched with me on either hand, giving way occasionally to fields enclosed with straggling rail fences, with the log cabins of the tenants or owners close by, with the usual litters of tow-headed children and lank hound dogs.

Some of the cabins were empty. The occupants, if white, had already gone into Grimesville; if black they had gone into the swamps, or fled to the hidden refuge of the town niggers, according to their affiliations. In any event, the vacancy of their hovels was sinister in its suggestion.

A tense silence brooded over the pinelands, broken only by the occasional wailing call of a plowman. My progress was not swift, for from time to time I turned off the main road to give warning to some lonely cabin huddled on the bank of one of the many thicket-fringed creeks. Most of these farms were south of the road; the white settlements did not extend far to the north; for in that direction lay Tularoosa Creek with its jungle-grown marshes that stretched inlets southward like groping fingers.

The actual warning was brief; there was no need to argue or explain. I called from the saddle: "Get into town; trouble's brewing on Tularoosa." Faces paled, and people dropped whatever they were doing: the men to grab guns and jerk mules from the plow to hitch to the wagons, the women to bundle necessary belongings together and shrill the children in from their play. As I rode I heard the cowhorns blowing up and down the creeks, summoning men from distant fields—blowing as they had not blown for a generation, a warning and a defiance which I knew carried to such ears as might be listening in the edges of the swamplands. The country emptied itself behind me, flowing in thin but steady streams toward Grimesville.

The sun was swinging low among the topmost branches of the pines when I reached the Richardson cabin, the westernmost "white" cabin in Canaan. Beyond it lay the Neck, the angle formed by the junction of Tularoosa with Black River, a jungle-like expanse occupied only by scattered Negro huts.

Mrs. Richardson called to me anxiously from the cabin stoop.

"Well, Mr. Kirby, I'm glad to see you back in Canaan! We been hearin' the horns all evenin', Mr. Kirby. What's it mean? It—it ain't—"

"You and Joe better get the children and light out for Grimesville," I answered. "Nothing's happened yet, and may not, but it's best to be on the safe side. All the people are going."

"We'll go right now!" she gasped, paling, as she snatched off her apron. "Lord, Mr. Kirby, you reckon they'll cut us off before we can git to town?"

I shook my head. "They'll strike at night, if at all. We're just playing safe. Probably nothing will come of it."

"I bet you're wrong there," she predicted, scurrying about in desperate activity. "I been hearin' a drum beatin' off toward Saul Stark's cabin, off and on, for a week now. They beat drums back in the Big Uprisin'. My pappy's told me about it many's the time. The nigger skinned his brother alive. The horns was blowin' all up and down the creeks, and the drums was beatin' louder'n the horns could blow. You'll be ridin' back with us, won't you, Mr. Kirby?"

"No; I'm going to scout down along the trail a piece."

"Don't go too far. You're liable to run into old Saul Stark and his devils. Lord! Where is that man? Joe! Joe!"

As I rode down the trail her shrill voice followed me, thin-edged with fear.

Beyond the Richardson farm pines gave way to liveoaks. The underbrush grew ranker. A scent of rotting vegetation impregnated the fitful breeze. Occasionally I sighted a nigger hut, half hidden under the trees, but always it stood silent and deserted. Empty nigger cabins meant but one thing: the blacks were collecting at Goshen, some miles to the east on the Tularoosa; and that gathering, too, could have but one meaning.

My goal was Saul Stark's hut. My intention had been formed when I heard Tope Sorley's incoherent tale. There could be no doubt that Saul Stark was the dominant figure in this web of mystery. With Saul Stark I meant to deal. That I might be risking my life was a chance any man must take who assumes the responsibility of leadership.

The sun slanted through the lower branches of the cypresses when I reached it—a log cabin set against a background of gloomy tropical jungle. A few steps beyond it began the uninhabitable swamp in which Tularoosa emptied its murky current into Black River. A reek of decay hung in the air; gray moss bearded the trees, and poisonous vines twisted in rank tangles.

I called: "Stark! Saul Stark! Come out here!"

There was no answer. A primitive silence hovered over the tiny clearing. I dismounted, tied my horse and approached the crude, heavy door. Perhaps this cabin held a clue to the mystery of Saul Stark; at least it doubtless contained the implements and paraphernalia of his noisome craft. The faint breeze dropped suddenly. The stillness became so intense it was like a physical impact. I paused, startled; it was as if some inner instinct had shouted urgent warning.

As I stood there every fiber of me quivered in response to that subconscious warning; some obscure, deep-hidden instinct sensed peril, as a man senses the presence of the rattlesnake in the darkness, or the swamp panther crouching in the bushes. I drew a pistol, sweeping the trees and bushes, but saw no shadow or movement to betray the ambush I feared. But my instinct was unerring; what I sensed was not lurking in the woods about me; it was inside the cabin—waiting. Trying to shake off the feeling, and irked by a vague half-memory that kept twitching at the back of my brain, I again advanced. And again I stopped short, with one foot on the tiny stoop, and a hand half advanced to pull open the door. A chill shivering swept over me, a sensation like that which shakes a man to whom a flicker of lightning has revealed the black abyss into which another blind step would have hurled him. For the first time in my life I knew the meaning of fear; I knew that black horror lurked in that sullen cabin under the moss-bearded cypresses—a horror against which every primitive instinct that was my heritage cried out in panic.

And that insistent half-memory woke suddenly. It was the memory of a story of how voodoo men leave their huts guarded in their absence by a powerful ju-ju spirit to deal madness and death to the intruder. White men ascribed such deaths to superstitious fright and hypnotic suggestion. But in that instant I understood my sense of lurking peril; I comprehended the horror that breathed like an invisible mist from that accursed hut. I sensed the reality of the ju-ju, of which the grotesque wooden images which voodoo men place in their huts are only a symbol.

Saul Stark was gone; but he had left a Presence to guard his hut.

I backed away, sweat beading the backs of my hands. Not for a bag of gold would I have peered into the shuttered windows or touched that unbolted door. My pistol hung in my hand, useless I knew against the Thing in that cabin. What it was I could not know, but I knew it was some brutish, soulless entity drawn from the black swamps by the spells of voodoo. Man and the natural animals are not the only sentient beings that haunt this planet. There are invisible Things —black spirits of the deep swamps and the slimes of the river beds —the Negroes know of them...

My horse was trembling like a leaf and he shouldered close to me as if seeking security in bodily contact. I mounted and reined away, fighting a panicky urge to strike in the spurs and bolt madly down the trail.

I breathed an involuntary sigh of relief as the somber clearing fell away behind me and was lost from sight. I did not, as soon as I was out of sight of the cabin, revile myself for a silly fool. My experience was too vivid in my mind. It was not cowardice that prompted my retreat from that empty hut; it was the natural instinct of self-preservation, such as keeps a squirrel from entering the lair of a rattlesnake.

My horse snorted and shied violently. A gun was in my hand before I saw what had startled me. Again a rich musical laugh taunted me.

She was leaning against a bent tree-trunk, her hands clasped behind her sleek head, insolently posing her sensuous figure. The barbaric fascination of her was not dispelled by daylight; if anything, the glow of the lowhanging sun enhanced it.

"Why did you not go into the ju-ju cabin, Kirby Buckner?" she mocked, lowering her arms and moving insolently out from the tree.

She was clad as I had never seen a swamp woman, or any other woman, dressed. Snakeskin sandals were on her feet, sewn with tiny sea-shells that were never gathered on this continent. A short silken skirt of flaming crimson molded her full hips, and was upheld by a broad beadworked girdle. Barbaric anklets and armlets clashed as she moved, heavy ornaments of crudely hammered gold that were as African as her loftily piled coiffure. Nothing else she wore, and on her bosom, between her arching breasts, I glimpsed the faint lines of tattooing on her brown skin.

She posed derisively before me, not in allure, but in mockery. Triumphant malice blazed in her dark eyes; her red lips curled with cruel mirth. Looking at her then I found it easy to believe all the tales I had heard of torture and mutilations inflicted by the women of savage races on wounded enemies. She was alien, even in this primitive setting; she needed a grimmer, more bestial background, a background of steaming jungle, reeking black swamps, flaring fires and cannibal feasts, and the bloody altars of abysmal tribal gods.

"Kirby Buckner!" She seemed to caress the syllables with her red tongue, yet the very intonation was an obscene insult. "Why did you not enter Saul Stark's cabin? It was not locked! Did you fear what you might see there? Did you fear you might come out with your hair white like an old man's, and the drooling lips of an imbecile?"

"What's in that but?" I demanded.

She laughed in my face, and snapped her fingers with a peculiar gesture.

"One of the ones which come oozing like black mist out of the night when Saul Stark beats the ju-ju drum and shrieks the black incantation to the gods that crawl on their bellies in the swamp."

"What is he doing here? The black folk were quiet until he came."

Her red lips curled disdainfully. "Those black dogs? They are his slaves. If they disobey he kills them, or puts them in the swamp. For long we have looked for a place to begin our rule. We have chosen Canaan. You whites must go. And since we know that white people can never be driven away from their land, we must kill you all."

It was my turn to laugh, grimly.

"They tried that, back in '05."

"They did not have Saul Stark to lead them, then," she answered calmly.

"Well, suppose they won? Do you think that would be the end of it? Other white men would come into Canaan and kill them all."

"They would have to cross water," she answered. "We can defend the rivers and creeks. Saul Stark will have many servants in the swamps to do his bidding. He will be king of black Canaan. No one can cross the waters to come against him. He will rule his tribe, as his fathers ruled their tribes in the Ancient Land."

"Mad as a loon!" I muttered. Then curiosity impelled me to ask: "Who is this fool? What are you to him?"

"He is the son of a Kongo witch-finder, and he is the greatest voodoo priest out of the Ancient Land," she answered, laughing at me again. "I? You shall leant who I am, tonight in the swamp, in the House of Damballah."

"Yes?" I grunted. "What's to prevent me from taking you into Grimesville with me? You know the answers to questions I'd like to ask."

Her laughter was like the slash of a velvet whip.

"You drag me to the village of the whites? Not all death and hell could keep me from the Dance of the Skull, tonight in the House of Damballah. You are my captive, already." She laughed derisively as I started and glared into the shadows about me. "No one is hiding there. I am alone, and you are the strongest man in Canaan. Even Saul Stark fears you, for he sent me with three men to kill you before you could reach the village. Yet you are my captive. I have but to beckon, so"—she crooked a contemptuous finger—"and you will follow to the fires of Damballah and the knives of the torturers."

I laughed at her, but my mirth rang hollow. I could not deny the incredible magnetism of this brown enchantress; it fascinated and impelled, drawing me toward her, beating at my will power. I could not fail to recognize it any more than I could fail to recognize the peril in the ju-ju hut.

My agitation was apparent to her, for her eyes flashed with unholy triumph.

"Black men are fools, all but Saul Stark," she laughed. "White men are fools, too. I am the daughter of a white man, who lived in the but of a black king and mated with his daughters. I know the strength of white men, and their weakness. I failed last night when I met you in the woods, but now I cannot fail!" Savage exultation thrummed in her voice. "By the blood in your veins I have snared you. The knife of the man you killed scratched your handseven drops of blood that fell on the pine needles have given me your soul! I took that blood, and Saul Stark gave me the man who ran away. Saul Stark hates cowards. With his hot, quivering heart, and seven drops of your blood, Kirby Buckner, deep in the swamps I have made such magic as none but the Bride of Damballah can make. Already you feel its urge! Oh, you are strong! The man you fought with the knife died less than an hour later. But you cannot fight me. Your blood makes you my slave. I have put a conjurment upon you."

By heaven, it was not mere madness she was mouthing! Hypnotism, magic, call it what you will, I felt its onslaught on my brain and will—a blind, senseless impulse that seemed to be rushing me against my will to the brink of some nameless abyss.

"I have made a charm you cannot resist!" she cried. "When I call you, you will come! Into the deep swamps you will follow me. You will see the Dance of the Skull and you will see the doom of a poor fool who sought to betray Saul Stark—who dreamed he could resist the Call of Damballah when it came. Into the swamp he goes tonight, with Tunk Bixby and the other four fools who opposed Saul Stark. You shall see that. You shall know and understand your own doom. And then you too shall go into the swamp, into darkness and silence deep as the darkness of nighted Africa! But before the darkness engulfs you there will be sharp knives, and little fires—oh, you will scream for death, even for the death that is beyond death!"

With a choking cry I whipped out a pistol and leveled it full at her breast. It was cocked and my finger was on the trigger. At that range I could not miss. But she looked full into the black muzzle and laughed—laughed —laughed, in wild peals that froze the blood in my veins.

And I sat there like an image pointing a pistol I could not fire! A frightful paralysis gripped me. I knew, with numbing certainty, that my life depended on the pull of that trigger, but I could not crook my finger— not though every muscle in my body quivered with the effort and sweat broke out on my face in clammy beads.

She ceased laughing, then, and stood looking at me in a manner indescribably sinister.

"You cannot shoot me, Kirby Buckner," she said quietly. "I have enslaved your soul. You cannot understand my power, but it has ensnared you. It is the Lure of the Bride of Damballah—the blood I have mixed with the mystic waters of Africa drawing the blood in your veins. Tonight you will come to me, in the House of Damballah."

"You lie!" My voice was an unnatural croak bursting from dry lips. "You've hypnotized me, you she-devil, so I can't pull this trigger. But you can't drag me across the swamps to you."

"It is you who lie," she returned calmly. "You know you lie. Ride back toward Grimesville or wherever you will Kirby Buckner. But when the sun sets and the black shadows crawl out of the swamps, you will see me beckoning you, and you will follow me. Long I have planned your doom, Kirby Buckner, since first I heard the white men of Canaan talking to you. It was I who sent the word down the river that brought you back to Canaan. Not even Saul Stark knows of my plans for you.

"At dawn Grimesville shall go up in flames, and the heads of the white men will be tossed in the blood-running streets. But tonight is the Night of Damballah, and a white sacrifice shall be given to the black gods. Hidden among the trees you shall watch the Dance of the Skull—and then I shall call you forth—to die! And now, go fool! Run as far and as fast as you will. At sunset, wherever you are, you will turn your footsteps toward the House of Damballah!"

And with the spring of a panther she was gone into the thick brush, and as she vanished the strange paralysis dropped from me. With a gasped oath I fired blindly after her, but only a mocking laugh floated back to me.

Then in a panic I wrenched my horse about and spurred him down the trail. Reason and logic had momentarily vanished from my brain, leaving me in the grasp of blind primitive fear. I had confronted sorcery beyond my power to resist. I had felt my will mastered by the mesmerism in a brown woman's eyes. And now one driving urge overwhelmed me—a wild desire to cover as much distance as I could before that low-hanging sun dipped below the horizon and the black shadows came crawling from the swamps.

And yet I knew I could not outrun the grisly specter that menaced me. I was like a man fleeing in a nightmare, trying to escape from a monstrous phantom which kept pace with me despite my desperate speed.

I had not reached the Richardson cabin when above the drumming of my flight I heard the clop of hoofs ahead of me, and an instant later, sweeping around a kink in the trail, I almost rode down a tall, lanky man on an equally gaunt horse.

He yelped and dodged back as I jerked my horse to its haunches, my pistol presented at his breast.

"Look out, Kirby! It's me—Jim Braxton! My God, you look like you'd seen a ghost! What's chasin' you?"

"Where are you going?" I demanded, lowering my gun.

"Lookin' for you. Folks got worried as it got late and you didn't come in with the refugees: I 'lowed I'd light out and look for you. Miz Richardson said you rode into the Neck. Where in tarnation you been?"

"To Saul Stark's cabin."

"You takin' a big chance. What'd you find there?"

The sight of another white man had somewhat steadied ray nerves. I opened my mouth to narrate my adventure, and was shocked to hear myself saying, instead: "Nothing. He wasn't there."

"Thought I heard a gun crack, a while ago," he remarked, glancing sharply at me sidewise.

"I shot at a copperhead," I answered, and shuddered. This reticence regarding the brown woman was compulsory; I could no more speak of her than I could pull the trigger of the pistol aimed at her. And I cannot describe the horror that beset me when I realized this. The conjer spells the black men feared were not lies, I realized sickly; demons in human form did exist who were able to enslave men's will and thoughts.

Braxton was eyeing me strangely.

"We're lucky the woods ain't full of black copperheads," he said. "Tope Sorley's pulled out."

"What do you mean?" By an effort I pulled myself together.

"Just that. Tom Breckinridge was in the cabin with him. Tope hadn't said a word since you talked to him. Just laid on that bunk and shivered. Then a kind of holler begun way out in the woods, and Tom went to the door with his rifle-gun, but couldn't see nothin'. Well, while he was standin' there he got a lick on the head from behind, and as he fell lie seen that craxy nigger Tope jump over him and light out for the woods. Tom he taken a shot at him, but missed. Now what do you make of that?"

"The Call of Damballah!" I muttered, a chill perspiration beading my body. "God! The poor devil!"

"Huh? What's that?"

"For God's sake let's not stand here mouthing! The sun will soon be down!" In a frenzy of impatience I kicked my mount down the trail. Braxton followed me, obviously puzzled. With a terrific effort I got a grip on myself. How madly fantastic it was that Kirby Buckner should be shaking in the grip of unreasoning terror! It was so alien to my whole nature that it was no wonder Jim Braxton was unable to comprehend what ailed me.

"Tope didn't go of his own free will," I said. "That call was a summons he couldn't resist. Hypnotism, black magic, voodoo, whatever you want to call it, Saul Stark has some damnable power that enslaves men's willpower. The blacks are gathered somewhere in the swamp, for some kind of a devilish voodoo ceremony, which I have reason to believe will culminate in the murder of Tope Sorley. We've got to get to Grimesville if we can. I expect an attack at dawn."

Braxton was pale in the dimming light. He did not ask me where I got my knowledge.

"We'll lick 'em when they come; but it'll be slaughter."

I did not reply. My eyes were fixed with savage intensity on the sinking sun, and as it slid out of sight behind the trees I was shaken with an icy tremor. In vain I told myself that no occult power could draw me against my will. If she had been able to compel me, why had she not forced me to accompany her from the glade of the ju-ju hut? A grisly whisper seemed to tell me that she was but playing with me, as a cat allows a mouse almost to escape, only to be pounced upon again.

"Kirby, what's the matter with you?" I scarcely heard Braxton's anxious voice. "You're sweatin' and shakin' like you had the aggers. What—hey, what you stoppin' for?"

I had not consciously pulled on the rein, but my horse halted, and stood trembling and snorting, before the mouth of a narrow trail which meandered away at right angles from the road we were following—a trail that led north.

"Listen!" I hissed tensely.

"What is it?" Braxton drew a pistol. The brief twilight of the pinelands was deepening into dusk.

"Don't you hear it?" I muttered. "Drums! Drums beating in Goshen!"

"I don't hear nothin'," he mumbled uneasily. "If they was beatin' drums in Goshen you couldn't hear 'em this far away."

"Look there!" my sharp sudden cry made him start. I was pointing down the dim trail, at the figure which stood there in the dusk less than a hundred yards away. There in the dusk I saw her, even made out the gleam of her strange eyes, the mocking smile on her red lips. "Saul Stark's brown wench!" I raved, tearing at my scabbard. "My God, man, are you stone-blind? Don't you see her?"

"I don't see nobody!" he whispered, livid. "What are you talkin' about, Kirby?"

With eyes glaring I fired down the trail, and fired again, and yet again. This time no paralysis gripped my arm. But the smiling face still mocked me from the shadows. A slender, rounded arm lifted, a finger beckoned imperiously; and then she was gone and I was spurring my horse down the narrow trail, blind, dead and dumb, with a sensation as of being caught in a black tide that was carrying me with it as it rushed on to a destination beyond my comprehension.

Dimly I heard Braxton's urgent yells, and then he drew up beside me with a clatter of hoofs, and grabbed my reins, setting my horse back on its haunches. I remember striking at him with my gun-barrel, without realizing what I was doing. All the black rivers of Africa were suring and foaming within my consciousness, roaring into a torrent that was sweeping me down to engulf me in an ocean of doom.

"Kirby, are you crazy? This trail leads to Goshen!"

I shook my head dazedly. The foam of the rushing waters swirled in my brain, and my voice sounded far away. "Go back! Ride for Grimesville! I'm going to Goshen."

"Kirby, you're mad!"

"Mad or sane, I'm going to Goshen this night," I answered dully. I was fully conscious. I knew what I was saying, and what I was doing. I realized the incredible folly of my action, and I realized my inability to help myself. Some shred to sanity impelled me to try to conceal the grisly truth from my companion, to offer a rational reason for my madness. "Saul Stark is in Goshen. He's the one who's responsible for all this trouble. I'm going to kill him. That will stop the uprising before it starts."

He was trembling like a man with the ague.

"Then I'm goin' with you."

"You must go on to Grimesville and warn the people," I insisted, holding to sanity, but feeling a strong urge begin to seize me, an irresistible urge to be in motion—to be riding in the direction toward which I was so horribly drawn.

"They'll be on their guard," he said stubbornly.

"They won't need my warnin'. I'm goin' with you. I don't know what's got in you, but I ain't goin' to let you die alone among these black woods."

I did not argue. I could not. The blind rivers were sweeping me on-on-on! And down the trail, dim in the dusk, I glimpsed a supple figure, caught the gleam of uncanny eyes, the crook of a lifted finger... Then I was in motion, galloping down the trail, and I heard the drum of Braxton's horse's hoofs behind me.

4. THE DWELLERS IN THE SWAMP

Table of Contents

Night fell and the moon shone through the trees, blood-red behind the black branches. The horses were growing hard to manage.

"They got more sense'n us, Kirby," muttered Braxton.

"Panther, maybe," I replied absently, my eyes searching the gloom of the trail ahead.

"Naw, t'ain't. Closer we get to Goshen, the worse they git. And every time we swing nigh to a creek they shy and snort."

The trail had not yet crossed any of the narrow, muddy creeks that criss- crossed that end of Canaan, but several times it had swung so close to one of them that we glimpsed the black streak that was water glinting dully in the shadows of the thick growth. And each time, I remembered, the horses showed signs of fear.

But I had hardly noticed, wrestling as I was with the grisly compulsion that was driving me. Remember, I was not like a man in a hypnotic trance. I was fully aware, fully conscious. Even the daze in which I had seemed to hear the roar of black rivers had passed, leaving my mind clear, my thoughts lucid. And that was the sweating hell of it: to realize my folly clearly and poignantly, but to be unable to conquer it. Vividly I realized that I was riding to torture and death, and leading a faithful friend to the same end. But on I went. My efforts to break the spell that gripped me almost unseated my reason, but on I went. I cannot explain my compulsion, any more than I can explain why a sliver of steel is drawn to a magnet. It was a black power beyond the ring of white man's knowledge; a basic, elemental thing of which formal hypnotism is but scanty crumbs, spilled at random. A power beyond my control was drawing me to Goshen, and beyond; more I cannot explain, any more than the rabbit could explain why the eyes of the swaying serpent draw him into its gaping jaws.

We were not far from Goshen when Braxton's horse unseated its rider, and my own began snorting and plunging.

"They won't go no closer!" gasped Braxton, fighting at the reins.

I swung off, threw the reins over the saddle-horn.

"Go back, for God's sake, Jim! I'm going on afoot."

I heard him whimper an oath, then his horse was galloping after mine, and he was following me on foot. The thought that he must share my doom sickened me, but I could not dissuade him; and ahead of me a supple form was dancing in the shadows, luring me on—on-on...

I wasted no more bullets on that mocking shape. Braxton could not see it, and I knew it was part of my enchantment, no real woman of flesh and blood, but a hell-born will-o'-the-wisp, mocking me and leading me through the night to a hideous death. A "sending," the people of the Orient, who are wiser than we, call such a thing.

Braxton peered nervously at the black forest walls about us, and I knew his flesh was crawling with the fear of sawedoff shotguns blasting us suddenly from the shadows. But it was no ambush of lead or steel I feared as we emerged into the moonlit clearing that housed the cabins of Goshen.

The double line of log cabins faced each other across the dusty street. One line backed against the bank of Tularoosa Creek. The black stoops almost overhung the black waters. Nothing moved in the moonlight. No lights showed, no smoke oozed up from the stick-and-mud chimneys. It might have been a dead town, deserted and forgotten.

"It's a trap!" hissed Braxton, his eyes blazing slits. He bent forward like a skulking panther, a gun in each hand. "They're layin' for us in them huts!"

Then he cursed, but followed me as I strode down the street. I did not hail the silent huts. I knew Goshen was deserted. I felt its emptiness. Yet there was a contradictory sensation as of spying eyes fixed upon us. I did not try to reconcile these opposite convictions.

"They're gone," muttered Braxton, nervously. "I can't smell 'em. I can always smell niggers, if they're a lot of 'em, or if they're right close. You reckon they've gone to raid Grimesville?"

"No," I muttered. "They're in the House of Damballah."

He shot a quick glance at me.

"That's a neck of land in the Tularoosa about three miles west of here. My grandpap used to talk about it. The niggers held their heathen palavers there back in slave times. You ain't—Kirby—you—"

"Listen!" I wiped the icy sweat from my face.

"Listen!"

Through the black woodlands the faint throb of a drum whispered on the wind that glided up the shadowy reaches of the Tularoosa.

Braxton shivered. "It's them, all right. But for, God's sake, Kirby —look out!"

With an oath he sprang toward the houses on the bank of the creek. I was after him just in time to glimpse a dark clumsy object scrambling or tumbling down, the sloping bank into the water. Braxton threw up his long pistol, then lowered it, with a baffled curse. A faint splash marked the disappearance of the creature. The shiny black surface crinkled with spreading ripples.

"What was it?" I demanded.

"A nigger on his all-fours!" swore Braxton. His face was strangely pallid in the moonlight. "He was crouched between them cabins there, watchin' us!"

"It must have been an alligator." What a mystery is the human mind! I was arguing for sanity and logic, I, the blind victim of a compulsion beyond sanity and logic. "A nigger would have to come up for air."

"He swum under the water and come up in the shadder of the bresh where we couldn't see him," maintained Braxton. "Now he'll go warn Saul Stark."

"Never mind!" The pulse was thrumming in my temples again, the roar of foaming water rising irresistibly in my brain. "I'm going—straight through the swamp. For the last time, go back!"

"No! Sane or mad, I'm goin' with you!"

The pulse of the drum was fitful, growing more distinct as we advanced. We struggled through jungle-thick growth; tangled vines tripped us; our boots sank in scummy mire. We were entering the fringe of the swamp which grew deeper and denser until it culminated in the uninhabitable morass where the Tularoosa flowed into Black River, miles farther to the west.

The moon had not yet set, but the shadows were black under the interlacing branches with their mossy beards. We plunged into the first creek we must cross, one of the many muddy streams flowing into the Tularoosa. The water was only thigh-deep, the moss-clogged bottom fairly firm. My foot felt the edge of a sheer drop, and I warned Braxton: "Look out for a deep hole; keep right behind me."

His answer was unintelligible. He was breathing heavily, crowding close behind me. Just as I reached the sloping bank and pulled myself up by the slimy, projecting roots, the water was violently agitated behind me. Braxton cried out incoherently, and hurled himself up the bank, almost upsetting me. I wheeled, gun in hand, but saw only the black water seething and whirling, after his thrashing rush through it.

"What the devil, Jim?"

"Somethin' grabbed me!" he panted. "Somethin' out of the deep hole. I tore loose and busted up the bank. I tell you, Kirby, something's follerin' us! Somethin' that swims under the water."

"Maybe it was that nigger you saw. These swamp people swim like fish. Maybe he swam up under the water to try to drown you."

He shook his head, staring at the black water, gun in hand.

"It smelt like a nigger, and the little I saw of it looked like a nigger. But it didn't feel like any kind of a human."

"Well, it was an alligator then," I muttered absently as I turned away. As always when I halted, even for a moment, the roar of peremptory and imperious rivers shook the foundations of my reason.

He splashed after me without comment. Scummy puddles rose about our ankles, and we stumbled over mossgrown cypress knees. Ahead of us there loomed another, wider creek, and Braxton caught my arm.

"Don't do it, Kirby!" he gasped. "If we go into that water, it'll git us sure!"

"What?"

"I don't know. Whatever it was that flopped down that bank back there in Goshen. The same thing that grabbed me in that creek back yonder. Kirby, let's go back."

"Go back?" I laughed in bitter agony. "I wish to God I could! I've got to go on. Either Saul Stark or I must die before dawn."

He licked dry lips and whispered. "Go on, then; I'm with you, come heaven or hell." He thrust his pistol back into its scabbard, and drew a long keen knife from his boot. "Go ahead!"

I climbed down the sloping bank and splashed into the water that rose to my hips. The cypress branches bent a gloomy, moss-trailing arch over the creek. The water was black as midnight. Braxton was a blur, toiling behind me. I gained the first shelf of the opposite bank and paused, in water knee-deep, to turn and look back at him.

Everything happened at once, then. I saw Braxton halt short, staring at something on the bank behind me. He cried out, whipped out a gun and fired, just as I turned. In the flash of the gun I glimpsed a supple form reeling backward, a brown face fiendishly contorted. Then in the momentary blindness that followed the flash, I heard Jim Braxton scream.

Sight and brain cleared in time to show me a sudden swirl of the murky water, a round, black object breaking the surface behind Jim—and then Braxton gave a strangled cry and went under with a frantic thrashing and splashing. With an incoherent yell I sprang into the creek, stumbled and went to my knees, almost submerging myself. As I struggled up I saw Braxton's head, now streaming blood, break the surface for an instant, and I lunged toward it. It went under and another head appeared in its place, a shadowy black head. I stabbed at it ferociously, and my knife cut only the blank water as the thing dipped out of sight.

I staggered from the wasted force of the blow, and when I righted myself, the water lay unbroken about me. I called Jim's name, but there was no answer. Then panic laid a cold hand on me, and I splashed to the bank, sweating and trembling. With the water no higher than my knees I halted and waited, for I knew not what. But presently, down the creek a short distance, I made out a vague object lying in the shallow water near the shore.

I waded to it, through the clinging mud and crawling vines. It was Jim Braxton, and he was dead. It was not the wound in his head which had killed him. Probably he had struck a submerged rock when he was dragged under. But the marks of strangling fingers showed black on his throat. At the sight a nameless horror oozed out of that black swamp and coiled itself clammily about my soul; for no human fingers ever left such marks as those.