Timeline

36:13:17

Chris Hughes ran to the edge of the cliff and threw himself into space, screaming, arms and legs flailing in the sunlight. He saw the Dordogne, two hundred feet below, snaking through the green countryside. It was too far to fall. He knew the river was too shallow. There was no question he would die.

But then he saw the cliff face beneath him was not sheer - there was a protruding shelf of land, twenty feet below, jutting out from the upper rim of the cliff. It was steeply angled bare rock, with a sparse cover of scrubby trees and brush.

He slammed down on the shelf, landing on his side, the impact blasting the air from his lungs. Immediately, he began rolling helplessly toward the edge. He tried to stop the roll, clutching desperately at underbrush, but it was all too weak, and it tore away in his hands. As he tumbled toward the edge, he was aware of the boy reaching for him, but Chris missed his outstretched arms. He continued to roll, his world spinning out of control. Now the boy was behind him, with a horrified look on his face. Chris knew he was going to go over the edge; he was going to fall-

With a grunt, he slammed into a tree. He felt a sharp pain in his stomach, then it streaked through his whole body. For a moment, he did not know where he was; he felt only pain. The world was greenish white. He came back to it slowly.

The tree had broken his descent, but for a moment he still could not breathe at all. The pain was intense. Stars swam before his eyes, then slowly faded, and finally he saw his legs were dangling over the edge of the cliff.

And moving.

Moving downward.

The tree was a spindly pine, and his weight was slowly, slowly bending it over. He felt himself begin to slide along the trunk. He was helpless to stop it. He grabbed at the trunk and held tightly. And it worked: he wasn't sliding anymore. He pulled himself along the trunk, working his way back to the rock.

Then, to his horror, he saw the roots of the tree begin to break free of the rocky crevices, one by one snapping loose, pale in the sunlight. It was only a matter of time before the entire trunk broke free.

Then he felt a tug at his collar and saw the boy standing above him, hauling him back to his feet. The boy looked exasperated. "Come, now!"

"Jesus," Chris said. He flopped onto a flat rock, gasping for breath. "Just give me a minute-"

An arrow whined past his ear like a bullet. He felt the wind of its passage. He was stunned by the power of it. Energized by fear, he scrambled along the shelf, bent over, pulling himself from tree to tree. Another arrow snapped down through the trees.

On the cliff above, the horsemen were looking down on them. The black knight shouted, "Fool! Idiot!" and cuffed the archer angrily, knocking the bow from his hands. There were no more arrows.

The boy pulled Chris forward by the arm. Chris didn't know where the path along the cliff went, but the boy seemed to have a plan. Above him, the horsemen wheeled, turned away, heading back into the woods.

Now the shelf ended in a narrow ledge, no more than a foot wide, which curved around an angle in the cliff. Below the ledge was a sheer drop to the river. Chris stared at the river, but the boy grabbed his chin, jerked his head up. "Do not look down. Come." The boy pressed himself flat against the cliff face, hugging the rock, and moved gingerly along on the ledge. Chris followed his example, still gasping for breath. He knew if he hesitated at all, panic would overcome him. The wind tugged at his clothes, pulling him away from the cliff. He pressed his cheek to the warm rock, clutching at fingerholds, fighting panic.

He saw the boy disappear around the corner. Chris kept going. The corner was sharp, and the path beneath had fallen away, leaving a gap. He had to step across it carefully, but then he rounded the corner, and sighed in relief.

He saw the cliff now ended in a long green slope of forested land, which continued all the way down to the river. The boy was waving to him. Chris moved ahead, rejoining the boy.

"From here it is easier." The boy started down, Chris behind him. Almost at once, he realized the slope was not as gentle as it had appeared. It was dark beneath the trees, steep and muddy. The boy slipped, slid along the muddy track, and vanished into the forest below. Chris continued to pick his way downward, grabbing branches for support. Then he, too, lost his footing, slapped down in the mud on his backside, and slid. For some reason he thought, I am a graduate student at Yale. I am an historian specializing in the history of technology. It was as if he was trying to hold on to an identity that was rapidly fading from his awareness, like a dream from which he had awakened, and was now forgetting.

Sliding headlong in the mud, Chris banged into trees, felt branches scratch at his face, but could do nothing to slow his descent. He went down the hill, and down.

With a sigh, Marek got to his feet. There was no marker on Gomez's body. He was sure of it. Kate stood beside him, biting her lip. "I know she said there was a spare. I know it."

"I don't know where it is," Marek said.

Unconsciously, Kate started to scratch her head, then felt the wig, and the pain from the bump on her head. "This damn wig…"

She stopped. She stared at Marek.

And then she walked away into the woods along the edge of the path. "Where did it go?" she said.

"What?"

"Her head."

She found it a moment later, surprised at how small it seemed. A head without a body wasn't very big. She tried not to look at the stump of the neck.

Fighting revulsion, she crouched down and turned the head over, so that she was looking at the gray face, the sightless eyes. The tongue half-protruded from the slack jaw. Flies buzzed inside the mouth.

She lifted the wig away and immediately saw the ceramic marker. It was taped to the mesh inside the wig. She pulled it free.

"Got it," she said.

Kate turned it over in her hand. She saw the button in the side of the marker, where there was a small light. The button was so small and narrow, it could only be pushed with a thumbnail.

This was it. They had definitely found it.

Marek came over and stared at the ceramic.

"Looks like it to me," he said.

"So we can go back," Kate said. "Anytime we want."

"Do you want to go back?" Marek asked her.

She thought it over. "We came here to get the Professor," she said. "And I think that's what we ought to do."

Marek grinned.

And then they heard thundering hooves, and they dived into the bushes just moments before six dark horsemen galloped down the muddy path, heading toward the river below.

Chris staggered forward, knee-deep in boggy marsh at the edge of the river. Mud clung to his face, his hair, his clothes. He was covered in so much mud that he felt its weight. He saw the boy ahead of him, already splashing in the water, washing.

Pushing past the last of the tangles along the water's edge, Chris slid into the river. The water was icy cold, but he didn't care. He ducked his head under, ran his hand through his hair, rubbed his face, trying to get the mud off him.

By now the boy had climbed out on the opposite bank and was sitting in the sun on a rocky outcrop. The boy said something that Chris could not hear, but his earpiece translated, "You do not remove your clothes to bathe?"

"Why? You did not."

At this, the boy shrugged. "But you may, if you wish it."

Chris swam to the far side, and climbed out. His clothes were still very muddy, and he felt chilled now that he was out in the open air. He stripped off his clothes down to his belt and linen shorts, rinsed the outergarments in the river, then set them on the rocks to dry. His body was covered with scratches, welts and bruises. But already his skin was drying, and the sun felt warm. He turned his face upward, closed his eyes. He heard the soft song of women in the fields. He heard birds. The gentle lap of the river at the banks. And for a moment, he felt a peace descend on him that was deeper, and more complete, than anything he had ever felt in his life.

He lay down on the rocks, and he must have fallen asleep for a few minutes, because when he awoke he heard:

"Howbite thou speakst foolsimple ohcopan, eek invich array thouart. Essay thousooth Earisher?"

The boy was speaking. An instant later, he heard the tinny voice in his ear, translating: "The way you speak plainly to your friend, and the way you dress. Tell the truth. You are Irish, is it so?"

Chris nodded slowly, thinking that over. Apparently, the boy had overheard him speaking to Marek on the path and had concluded they were Irish. There didn't seem to be any harm in letting him think that.

"Aye," he said.

"Aie?" the boy repeated. He formed the syllable slowly, pulling his lips back, showing his teeth. "Aie?" The word seemed strange to him.

Chris thought, He doesn't understand "aye"? He would try something else. He said, "Oui?"

"Oui… oui…" The boy seemed confused by this word, as well. Then he brightened. "Ourie? Seyngthou ourie?" and the translation came, "Shabby? Are you saying shabby?"

Chris shook his head no. "I am saying `yes.' " This was getting very confusing.

"Yezz?" the boy said, speaking it like a hiss.

"Yes," Chris said, nodding.

"Ah. Earisher." The translation came: "Ah. Irish."

"Yes."

"Wee sayen yeaso. Oriwis, thousay trew."

Chris said, "Thousay trew." His earpiece translated his own words: "You speak the truth."

The boy nodded, satisfied with the answer. They sat in silence a moment. He looked Chris up and down. "So you are gentle."

Gentle? Chris shrugged. Of course he was gentle. He certainly wasn't a fighter. "Thousay trew."

The boy nodded judiciously. "I thought as much. Your manner speaks it, even if your attire ill-suits your degree."

Chris said nothing in reply. He wasn't sure what was meant here.

"How are you called?" the boy asked him.

"Christopher Hughes."

"Ah. Christopher de Hewes," the boy said, speaking slowly. He seemed to be assessing the name in some way that Chris didn't understand. "Where is Hewes? In the Irish land?"

"Thousay trew."

Another short silence fell over them while they sat in the sun.

"Are you a knight?" the boy asked finally.

"No."

"Then you are a squire," the boy said, nodding to himself. "That will do." He turned to Chris. "And of what age? Twenty-one year?"

"Close enough. Twenty-four year."

This news caused the boy to blink in surprise. Chris thought, What's wrong with being twenty-four?

"Then, good squire, I am very glad of your assistance, for saving me from Sir Guy and his band." He pointed across the river, where six dark horsemen stood watching them at the water's edge. They were letting their horses drink from the river, but their eyes were fixed on Chris and the boy.

"But I didn't save you," Chris said. "You saved me."

"Didnt?" Another puzzled look.

Chris sighed. Apparently these people didn't use contractions. It was so difficult to express even the simplest thought; he found the effort exhausting. But he tried again: "Yet I did not save you, you saved me."

"Good squire, you are too humble," the boy replied. "I am in your debt for my very life, and it shall be my pleasure to see to your needs, once we are to the castle."

Chris said, "The castle?"

Cautiously, Kate and Marek moved out of the woods, heading toward the monastery. They saw no sign of the riders who had galloped down the trail. The scene was peaceful; directly ahead were the monastery's farm plots, demarcated by low stone walls. At the corner of one plot was a tall hexagonal monument, carved as ornately as the spire of a Gothic church.

"Is that a montjoie?" she said.

"Very good," Marek said. "Yes. It's a milestone, or a land marker. You see them all over."

They moved between the plots, heading toward the ten-foot-high wall that surrounded the entire monastery. The peasants in the field paid no attention to them. On the river, a barge drifted downstream, its cargo bundled in cloth. A boatman standing in the stern sang cheerfully.

Near the monastery wall were clustered the huts of the peasants who worked in the field. Beyond the huts he saw a small door in the wall. The monastery covered such a large area that it had doors on all four sides. This was not the main entrance, but Marek thought it would be better to try here first.

They were moving among the huts when he heard the snort of a horse and the soft reassuring voice of a groom. Marek held out his hand, stopping Kate.

"What?" she whispered.

He pointed. About twenty yards away, hidden from easy view behind one of the huts, five horses were held by a groom. The horses were richly appointed, with saddles covered in red velvet trimmed with silver. Strips of red cloth ran down the flanks.

"Those aren't farm horses," Marek said. But he didn't see the riders anywhere.

"What do we do?" Kate said.

Chris Hughes was following the boy toward the village of Castelgard when his earpiece suddenly crackled. He heard Kate say, "What do we do?" and Marek answered, "I'm not sure."

Chris said, "Have you found the Professor?"

The boy turned and looked back at him. "Do you speak to me, squire?"

"No, boy," Chris said. "Just to myself."

"Justo myself?" the boy repeated, shaking his head. "Your speech is difficult to comprehend."

In the earpiece, Marek said, "Chris. Where the hell are you?"

"Going to the castle," Chris said aloud. "On this lovely day." He looked up at the sky as he spoke, trying to make it appear as if he was talking to himself.

He heard Marek say, "Why are you going there? Are you still with the boy?"

"Yes, very lovely."

The boy turned back again, with a worried look on his face. "Do you speak to the air? Are you with sound mind?"

"Yes," Chris said. "I am with sound mind. I wish only that my companions might join me in the castle."

"Why?" Marek said in his earpiece.

"I am sure they shall join you in good time," the boy said. "Tell me of your companions. Are they Irisher, too? Are they gentles like you, or servants?"

In his ear, Marek said, "Why did you tell him you are gentle?"

"Because it describes me."

"Chris. `Gentle' means you are nobility," Marek said. "Gentle man, gentle woman. It means of noble birth.

You'll draw attention to yourself and get embarrassing questions about your family, which you can't answer."

"Oh," Chris said.

"I am sure it does describe you," the boy said. "And your copains as well? They are gentles?"

"You speak true," Chris said. "My companions are gentles, too."

"Chris, goddamn it," Marek said through the earpiece. "Don't fool with what you don't understand. You're asking for trouble. And if you keep on this way, you will get it."

Standing at the edge of the peasant huts, Marek heard Chris say, "You just get the Professor, will you?" and then the boy asked Chris another question, but it was obscured by a burst of static.

Marek turned and looked across the river toward Castelgard. He could see the boy, walking slightly ahead of Chris.

"Chris," Marek said. "I see you. Turn around and come back. Join us here. We have to stay together."

"Most difficult."

"Why?" Marek said, frustrated.

Chris didn't answer him directly. "And who, good sir, may be the horsemen on the far bank?" Apparently, he was talking to the boy.

Marek shifted his gaze, saw mounted riders at the river's edge, letting their horses drink, watching them go.

"That is Sir Guy de Malegant, called `Guy Tête Noire.' He is retained in the service of my Lord Oliver. Sir Guy is a knight of renown - for his many acts of murder and villainy."

Listening, Kate said, "He can't come back to us here, because of the knights on horseback."

"You speak true," Chris said.

Marek shook his head. "He should never have left us in the first place."

The creak of a door behind them made Marek turn. He saw the familiar figure of Professor Edward Johnston coming through the side door of the monastery wall and stepping into sunlight. He was alone.