Timeline

H.G?"

A black cat jumped onto the table. Gordon stroked it, and then shot a burst of gas at its nose. The cat blinked, made a snuffling sound, and fell over on its side.

"Unconsciousness within six seconds," Gordon said, "and it leaves a retroactive amnesia. But bear in mind that it's short acting. And you must fire right in the person's face to ensure any effect."

The cat was already starting to twitch and revive as Gordon turned back to the pouch and held up three red paper cubes, roughly the size of sugar cubes, each covered in a layer of pale wax. They looked like fireworks.

"If you need to start a fire," he said, "these will do it. Pull the little string, and they catch fire. They're marked fifteen, thirty, sixty - the number of seconds before the fire starts. Wax, so they're waterproof. A word of warning: sometimes they don't work."

Chris Hughes said, "What's wrong with a Bic?"

"Not correct for the period. You can't take plastic back there." Gordon returned to the kit. "Then we have basic first aid, nothing fancy. Anti-inflammatory, antidiarrhea, antispasmodic, antipain. You don't want to be vomiting in a castle," he said. "And we can't give you pills for the water."

Stern took all this in with a sense of unreality. Vomiting in a castle? he thought. "Listen, uh-"

"And finally, an all-purpose pocket tool, including knife and picklock." It looked like a steel Swiss army knife. Gordon put everything back in the kit. "You'll probably never use any of this stuff, but you've got it anyway. Now let's get you dressed."

Stern could not shake off his persistent sense of unease. A kindly, grandmotherly woman had gotten up from her sewing machine and was handing them all clothing: first, white linen undershorts - sort of boxer shorts, but without elastic - then a leather belt, and then black woolen leggings.

"What're these?" Stern said. "Tights?"

"They're called hose, dear."

There was no elastic on them, either. "How do they stay up?"

"You slip them under your belt, beneath the doublet. Or tie them to the points of your doublet."

"Points?"

"That's right, dear. Of your doublet."

Stern glanced at the others. They were calmly collecting the clothes in a pile as each article was given to them. They seemed to know what everything was for; they were as calm as if they were in a department store. But Stern was lost, and he felt panicky. Now he was given a white linen shirt that came to his upper thigh, and a larger overshirt, called a doublet, made of quilted felt. And finally a dagger on a steel chain. He looked at it askance.

"Everyone carries one. You'll need it for eating, if nothing else."

He put it absently on top of the pile, and poked through the clothing, still trying to find the "points."

Gordon said, "These clothes are intended to be status-neutral, neither expensive nor poor. We want them to approximate the dress of a middling merchant, a court page, or a down-at-the-heels nobleman." Stern was handed shoes, which looked like leather slippers with pointed toes, except they buckled. Like court jester's shoes, he thought unhappily.

The grandmotherly woman smiled: "Don't worry, they have air soles built in, just like your Nikes."

"Why is everything dirty?" Stern said, frowning at his overshirt.

"Well, you want to fit in, don't you?"

They changed in a locker room. Stern watched the other men. "How exactly do we, uh…"

"You want to know how you dress in the fourteenth century?" Marek said. "It's simple." Marek had stripped off all his clothes and was walking around naked, relaxed. The man was bulging with muscles. Stern felt intimidated as he slowly took off his trousers.

"First," Marek said, "put on your undershorts. This is very nice quality linen. They had good linen in those days. To hold the shorts up, tie your belt around your waist and roll the top of the undershorts around the belt a couple of times, so it holds. All right?"

"Your belt goes under your clothes?"

"That's right. Holding up your shorts. Next, put on your hose." Marek began to pull on his black wool tights. The hose had feet at the bottom, like a child's pajamas. "They have these strings at the top, you see?"

"My hose is baggy," Stern said, tugging them up, poking at the knees.

"That's fine. These aren't dress hose, so they aren't skintight. Next, your linen overshirt. Just pull it over your head and let it hang down. No, no, David. The slit at the neck goes in the front."

Stern pulled his arms out and twisted the shirt around, fumbling.

"And finally," Marek said, picking up a felt outershirt, "you put on your doublet. Combination suit coat and windbreaker. You wear it indoors and out, never take it off except when it is very hot. See the points? They're the laces, under the felt. Now, tie your hose to the points of the doublet, through the slits in your overshirt."

Marek managed this in only a few moments; it was as if he'd done it every day of his life. It took Chris much longer, Stern noted with satisfaction. Stern himself struggled to twist his torso, to tie the knots at his backside.

"You call this simple?" he said, grunting.

"You just haven't looked at your own clothes lately," Marek said. "The average Westerner in the twentieth century wears nine to twelve items of daily clothing. Here, there are only six."

Stern pulled on his doublet, tugging it down over his waist, so it came to his thighs. In doing so, he wrinkled his undershirt, and eventually Marek had to help him straighten it all out, as well as lace his hose tighter.

Finally, Marek looped the dagger and the chain loosely around Stern's waist, and stood back to admire him.

"There," Marek said, nodding. "How do you feel?"

Stern wriggled his shoulders uncomfortably. "I feel like a trussed chicken."

Marek laughed. "You'll get used to it."

Kate was finishing dressing when Susan Gomez, the young woman who had taken the trip back, came in. Gomez was wearing period clothes and a wig. She tossed another wig to Kate.

Kate made a face.

"You have to wear it," Gomez said. "Short hair on a woman is a sign of disgrace, or heresy. Don't ever let anyone back there see your true hair length."

Kate pulled on the wig, which brought dark blond hair to her shoulders. She turned to look in the mirror, and saw the face of a stranger. She looked younger, softer. Weaker.

"It's either that," Gomez said, "or cut your hair really short, like a man. Your call."

"I'll wear the wig," Kate said.

Diane Kramer looked at Victor Baretto and said, "But this has always been a rule, Victor. You know that."

"Yes, but the problem," Baretto said, "is that you're giving us a new mission." Baretto was a lean, tough-looking man in his thirties, an ex-ranger who had been with the company for two years. During that time, he had acquired a reputation as a competent security man, but a bit of a prima donna. "Now, you're asking us to go into the world, but you won't let us take weapons."

"That's right, Victor. No anachronisms. No modern artifacts going back. That's been our rule from the beginning." Kramer tried to conceal her frustration. These military types were difficult, particularly the men. The women, like Gomez, were okay. But the men kept trying to, as they put it, "apply their training" to the ITC trips back, and it never really worked. Privately, Kramer thought it was just a way for the men to conceal their anxiety, but of course she could never say that. It was difficult enough for them to take orders from a woman like her in the first place.

The men also had more trouble keeping their work secret. It was easier for women, but the men all wanted to brag about going back to the past. Of course, they were forbidden by all sorts of contractual arrangements, but contracts could be forgotten after a few drinks in a bar. That was why Kramer had informed them all about the existence of several specially burned nav wafers. These wafers had entered the mythology of the company, including their names: Tunguska, Vesuvius, Tokyo. The Vesuvius wafer put you on the Bay of Naples at 7:00 a.m. on August 24, A.D. 79, just before burning ash killed everyone. Tunguska left you in Siberia in 1908, just before the giant meteor struck, causing a shock wave that killed every living thing for hundreds of miles. Tokyo put you in that city in 1923, just before the earthquake flattened it. The idea was if word of the project became public, you might end up with the wrong wafer on your next trip out. None of the military types were quite sure whether any of this was true, or just company mythology.

Which was just how Kramer liked it.

"This is a new mission," Baretto said again, as if she hadn't heard him before. "You're asking us to go into the world - to go behind enemy lines, so to speak - without weapons."

"But you're all trained in hand-to-hand. You, Gomez, all of you."

"I don't think that's sufficient."

"Victor-"

"With all due respect, Ms. Kramer, you're not facing up to the situation here," Baretto said stubbornly. "You've already lost two people. Three, if you count Traub."

"No, Victor. We've never lost anybody."

"You certainly lost Traub."

"We didn't lose Dr. Traub," she said. "Traub volunteered, and Traub was depressed."

"You assume he was depressed."

"We know he was, Victor. After his wife died, he was severely depressed, and suicidal. Even though he had passed his trip limit, he wanted to go back, to see if he could improve the technology. He had an idea that he could modify the machines to have fewer transcription errors. But apparently, his idea was wrong. That's why he ended up in the Arizona desert. Personally, I don't think he ever really intended to come back at all. I think it was suicide."

"And you lost Rob," Baretto said. "He wasn't any damn suicide."

Kramer sighed. Rob Deckard was one of the first of the observers to go back, almost two years earlier. And he was one of the first to show transcription errors. "That was much earlier in the project, Victor. The technology was less refined. And you know what happened. After he'd made several trips, Rob began to show minor effects. He insisted on continuing. But we didn't lose him."

"He went out, and he never came back," Baretto said. "That's the bottom line."

"Rob knew exactly what he was doing."

"And now the Professor."

"We haven't lost the Professor," she said. "He's still alive."

"You hope. And you don't know why he didn't come back in the first place."

"Victor-"

"I'm just saying," Baretto said, "in this case the logistics logistics don't fit the mission profile. You're asking us to take an unnecessary risk."

"You don't have to go," Kramer said mildly.

"No, hell. I never said that."

"You don't have to."

"No. I'm going."

"Well, then, those are the rules. No modern technology goes into the world. Understood?"

"Understood."

"And none of this gets mentioned to the academics."

"No, no. Hell no. I'm professional."

"Okay," Kramer said.

She watched him leave. He was sulking, but he was going to go along with it. They always did, in the end. And the rule was important, she thought. Even though Doniger liked to give a little speech about how you couldn't change history, the fact was, nobody really knew - and nobody wanted to risk it. They didn't want modern weapons, or artifacts, or plastic to go back.

And they never had.

Stern sat with the others on hard-backed chairs in a room with maps. Susan Gomez, the woman who had just returned in the machine, spoke in a crisp, quick manner that Stern found rushed.

"We are going," she said, "to the Monastery of Sainte-Mère, on the Dordogne River, in southwestern France. We will arrive at 8:04 a.m. on the morning of Thursday, April 7, 1357 - that's the day of the Professor's message. It's fortunate for us, because there's a tournament that day in Castelgard, and the spectacle will draw large crowds from the surrounding countryside, so we won't be noticed."

She tapped one map. "Just for orientation, the monastery is here. Castelgard is over here, across the river. And the fortress of La Roque is on the bluffs here, above the monastery. Questions so far?"

They shook their heads.

"All right. The situation in the area is a little unsettled. As you know, April of 1357 puts us roughly twenty years into the Hundred Years War. It's seven months after the English victory at Poitiers, where they took the king of France prisoner. The French king is now being held for ransom. And France, without a king, is in an uproar.

"Right now, Castelgard is in the hands of Sir Oliver de Vannes, a British knight born in France. Oliver has also taken over La Roque, where he is strengthening the castle's defenses. Sir Oliver's an unpleasant character, with a famously bad temper. They call him the `Butcher of Crécy,' for his excesses in that battle."

"So Oliver is in control of both towns?" Marek said.

"At the moment, yes. However, a company of renegade knights, led by a defrocked priest called Arnaut de Cervole-"

"The Archpriest," Marek said.

"Yes, exactly, the Archpriest - is moving into the area, and will undoubtedly attempt to take the castles from Oliver. We believe the Archpriest is still several days away. But fighting may break out at any time, so we will work quickly."

She moved to another map, with a larger scale. It showed the monastery buildings.

"We arrive approximately here, at the edge of the Forêt de Sainte-Mère. From our arrival point, we should be able to look right down on the monastery. Since the Professor's message came from the monastery, we will go directly there first. As you know, the monastery takes its main meal of the day at ten o'clock in the morning, and the Professor is likely to be present at that time. With luck, we'll find him there and bring him back."

Marek said, "How do you know all this? I thought nobody's ever gone into the world."

"That's correct. No one has. But observers close to the machines have still brought back enough that we know the background at this particular time. Any other questions?"

They shook their heads no.

"All right. It is very important we recover the Professor while he is still at the monastery. If he moves to either Castelgard or La Roque, it will be much more difficult. We have a tight mission profile. I expect to be on the ground between two and three hours. We will stay together at all times. If any of us is separated from the others, use your earpieces to get together again. We will find the Professor, and come right back. Okay?"

"Got it."

"You'll have two escorts, myself and Victor Baretto, over there in the corner. Say hello, Vic."

The second escort was a surly man who looked like an ex-marine - a tough and able man. Baretto's period clothes were more peasantlike, loose-fitting, made of a fabric like burlap. He gave a nod and a slight wave. He seemed to be in a bad mood.

"Okay?" Gomez said. "Other questions."

Chris said, "Professor Johnston has been there three days?"

"That's right."

"Who do the locals think he is?"

"We don't know," Gomez said. "We don't know why he left the machine in the first place. He must have had a reason. But since he is in the world, the simplest thing for him would be to pose as a clerk or scholar from London, on a pilgrimage to Santiago de Compostela in Spain. Sainte-Mère is on the pilgrimage route, and it is not unusual for pilgrims to break their trip, to stay a day or a week, especially if they strike up a friendship with the Abbot, who is quite a character.

The Professor may have done that. Or he may not. We just don't know."

"But wait a minute," Chris Hughes said. "Won't his presence there change the local history? Won't he influence the outcome of events?"

"No. He won't."

"How do you know?"

"Because he can't."

"But what about the time paradoxes?"

"Time paradoxes?"

"That's right," Stern said. "You know, like going back in time and killing your grandfather, so that you can't be born and couldn't go back and kill your grandfather-"

"Oh, that." She shook her head impatiently. "There are no time paradoxes."

"What do you mean? Of course there are."

"No, there aren't," came a firm voice behind them. They turned; Doniger was there. "Time paradoxes do not occur."

"What do you mean?" Stern said. He was feeling put out that his question had been so roughly treated.

"The so-called time paradoxes," Doniger said, "do not really involve time. They involve ideas about history that are seductive but wrong. Seductive, because they flatter you into thinking you can have an impact on the course of events. And wrong, because of course, you can't."

"You can't have an impact on events?"

"No."

"Of course you can."

"No. You can't. It's easiest to see if you take a contemporary example. Say you go to a baseball game. The Yankees and the Mets - the Yankees are going to win, obviously. You want to change the outcome so that the Mets win. What can you do? You're just one person in a crowd. If you try to go to the dugout, you will be stopped. If you try to go onto the field, you will be hauled away. Most ordinary actions available to you will end in failure and will not alter the outcome of the game.

"Let's say you choose a more extreme action: you'll shoot the Yankee pitcher. But the minute you pull a gun, you are likely to be overpowered by nearby fans. Even if you get off a shot, you'll almost certainly miss.

And even if you succeed in hitting the pitcher, what is the result? Another pitcher will take his place. And the Yankees will win the game.

"Let's say you choose an even more extreme action. You will release a nerve gas and kill everyone in the stadium. Once again, you're unlikely to succeed, for all the reasons you're unlikely to get a shot off. But even if you do manage to kill everybody, you still have not changed the outcome of the game. You may argue that you have pushed history in another direction - and perhaps so - but you haven't enabled the Mets to win the game. In reality, there is nothing you can do to make the Mets win. You remain what you always were: a spectator.

"And this same principle applies to the great majority of historical circumstances. A single person can do little to alter events in any meaningful way. Of course, great masses of people can `change the course of history.' But one person? No."

"Maybe so," Stern said, "but I can kill my grandfather. And if he's dead then I couldn't be born, so I would not exist, and therefore I couldn't have shot him. And that's a paradox."

"Yes, it is - assuming you actually kill your grandfather. But that may prove difficult in practice. So many things go wrong in life. You may not meet up with him at the right time. You may be hit by a bus on your way. Or you may fall in love. You may be arrested by the police. You may kill him too late, after your parent has already been conceived. Or you may come face to face with him, and find you can't pull the trigger."

"But in theory…"

"When we are dealing with history, theories are worthless," Doniger said with a contemptuous wave. "A theory is only valuable if it has the ability to predict future outcomes. But history is the record of human action - and no theory can predict human action."

He rubbed his hands together.

"Now then. Shall we end all this speculation and be on our way?"

There were murmurs from the others.

Stern cleared his throat. "Actually," he said, "I don't think I'm going."

Marek had been expecting it. He'd watched Stern during the briefing, noticing the way he kept shifting in his chair, as if he couldn't get comfortable. Stern's anxiety had been steadily growing ever since the tour began.

Marek himself had no doubts about going. Since his youth, he had lived and breathed the medieval world, imagining himself in Warburg and Carcassonne, Avignon and Milan. He had joined the Welsh wars with Edward I. He had seen the burghers of Calais give up their city, and he had attended the Champagne Fairs. He had lived at the splendid courts of Eleanor of Aquitaine and the Duc de Berry. Marek was going to take this trip, no matter what. As for Stern-

"I'm sorry," Stern was saying, "but this isn't my affair. I only signed on to the Professor's team because my girlfriend was going to summer school in Toulouse. I'm not a historian. I'm a scientist. And anyway, I don't think it's safe."

Doniger said, "You don't think the machines are safe?"

"No, the place. The year 1357. There was civil war in France after Poitiers. Free companies of soldiers pillaging the countryside. Bandits, cutthroats, lawlessness everywhere."

Marek nodded. If anything, Stern was understating the situation. The fourteenth century was a vanished world, and a dangerous one. It was a religious world; most people went to church at least once a day. But it was an incredibly violent world, where invading armies killed everyone, where women and children were routinely hacked to death, where pregnant women were eviscerated for sport. It was a world that gave lip service to the ideals of chivalry while indiscriminately pillaging and murdering, where women were imagined to be powerless and delicate, yet they ruled fortunes, commanded castles, took lovers at will and plotted assassination and rebellion. It was a world of shifting boundaries and shifting allegiances, often changing from one day to the next. It was a world of death, of sweeping plagues, of disease, of constant warfare.

Gordon said to Stern, "I certainly wouldn't want to force you."

"But remember," Doniger said, "you won't be alone. We'll be sending escorts with you."

"I'm sorry," Stern kept saying. "I'm sorry."

Finally Marek said, "Let him stay. He's right. It's not his period, and it's not his affair."

"Now that you mention it," Chris said, "I've been thinking: It's not my period, either. I'm much more late thirteenth than true fourteenth century. Maybe I should stay with David-"

"Forget it," Marek said, throwing an arm over Chris's shoulder. "You'll be fine." Marek treated it like a joke, even though he knew Chris wasn't exactly joking.

Not exactly.

The room was cold. Chilly mist covered their feet and ankles. They left ripples in the mist as they walked toward the machines.

Four cages had been linked together at the bases, and a fifth cage stood by itself. Baretto said, "That's mine," and stepped into the single cage. He stood erect, staring forward, waiting.

Susan Gomez stepped into one of the clustered cages, and said, "The rest of you come with me." Marek, Kate and Chris climbed into the cages next to her. The machines seemed to be on springs; they rocked slightly as each got on.

"Everybody all set?"

The others murmured, nodded.

Baretto said, "Ladies first."

"You got that right," Gomez said. There didn't seem to be any love lost between them. "Okay," she said to the others. "We're off."

Chris's heart began to pound. He felt light-headed and panicky. He balled his hands into fists.

Gomez said, "Relax. I think you'll find it's quite enjoyable." She slipped the ceramic into the slot at her feet, and stood back up.

"Here we go. Remember: everyone very still when the time comes."

The machines began to hum. Chris felt a slight vibration in the base, beneath his feet. The humming of the machines grew louder. The mist swirled away from the bases of the machines. The machines began to creak and squeal, as if metal was being twisted. The sound built quickly, until it was as steady and loud as a scream.

"That's from the liquid helium," Gomez said. "Chilling the metal to superconduction temperatures."

Abruptly, the screaming ended and the chattering sound began.

"Infrared clearance," she said. "This is it."

Chris felt his whole body begin to tremble involuntarily. He tried to control it, but his legs were shaking. He had a moment of panic - maybe he should call it off - but then he heard a recorded voice say, "Stand still - eyes open-"

Too late, he thought. Too late.

"-deep breath - hold it… . Now!"

The circular ring descended from above his head, moving swiftly to his feet. It clicked as it touched the base. And a moment later, there was a blinding flash of light - brighter than the sun - coming from all around him - but he felt nothing at all. In fact, he had a sudden strange sense of cold detachment, as if he were now observing a distant scene.

The world around him was completely, utterly silent.

He saw Baretto's nearby machine was growing larger, starting to loom over him. Baretto, a giant, his huge face with monstrous pores, was bending over, looking down at them.

More flashes.

As Baretto's machine grew larger, it also appeared to move away from them, revealing a widening expanse of floor: a vast plain of dark rubber floor, stretching away into the distance.

More flashes.

The rubber floor had a pattern of raised circles. Now these circles began to rise up around them like black cliffs. Soon the black cliffs had grown so high that they seemed like black skyscrapers, joining overhead, closing off the light above. Finally, the skyscrapers touched one another, and the world was dark.

More flashes.

They sank into inky blackness for a moment before he distinguished flickering pinpoints of light, arranged in a gridlike pattern, stretching away in all directions. It was as if they were inside some enormous glowing crystalline structure. As Chris watched, the points of light grew brighter and larger, their edges blurring, until each became a fuzzy glowing ball. He wondered if these were atoms.

He could no longer see the grid, just a few nearby balls. His cage moved directly toward one glowing ball, which appeared to be pulsing, changing its shape in flickering patterns.

Then they were inside the ball, immersed in a bright glowing fog that seemed to throb with energy.

And then the glow faded, and was gone.

They hung in featureless blackness. Nothing.

Blackness.

But then he saw that they were still sinking downward, now heading toward the churning surface of a black ocean in a black night. The ocean whipped and boiled, making a frothy blue-tinged foam. As they descended to the surface, the foam grew larger. Chris saw that one bubble in particular had an especially bright blue glow.

His machine moved toward that glow at accelerating speed, flying faster and faster, and he had the odd sensation that they were going to crash in the foam, and then they entered the bubble and he heard a loud piercing shriek.

Then silence.

Darkness.

Nothing.

In the control room, David Stern watched the flashes on the rubber floor become smaller and weaker, and finally vanish entirely. The machines were gone. The technicians immediately turned to Baretto and began his transmission countdown.

But Stern kept staring at the spot in the rubber floor where Chris and the others had been.

"And where are they now?" he asked Gordon.

"Oh, they've arrived now," Gordon said. "They are there now."

"They've been rebuilt?"

"Yes."

"Without a fax machine at the other end."

"That's right."

"Tell me why," Stern said. "Tell me the details the others didn't need to be bothered with.”

"All right," Gordon said. "It isn't anything bad. I just thought the others might find it, well, disturbing."

"Uh-huh."

"Let's go back," Gordon said, "to the interference patterns, which you remember showed us that other universes can affect our own universe. We don't have to do anything to get the interference pattern to occur. It just happens by itself."

"Yes."

"And this interaction is very reliable; it will always occur, whenever you set up a pair of slits."

Stern nodded. He was trying to see where this was going, but he couldn't foresee the direction Gordon was taking.

"So we know that in certain situations, we can count on other universes to make something happen. We hold up the slits, and the other universes make the pattern we see, every time."

"Okay…"

"And, if we transmit through a wormhole, the person is always reconstituted at the other end. We can count on that happening, too."

There was a pause.

Stern frowned.

"Wait a minute," he said. "Are you saying that when you transmit, the person is being reconstituted by another universe?"

"In effect, yes. I mean, it has to be. We can't very well reconstitute them, because we're not there. We're in this universe."

"So you're not reconstituting…"

"No."

"Because you don't know how," Stern said.

"Because we don't find it necessary," Gordon said. "Just as we don't find it necessary to glue plates to a table to make them stay put. They stay by themselves. We make use of a characteristic of the universe, gravity. And in this case, we are making use of a characteristic of the multiverse."

Stern frowned. He immediately distrusted the analogy; it was too glib, too easy.

"Look," Gordon said, "the whole point of quantum technology is that it overlaps universes. When a quantum computer calculates - when all thirty-two quantum states of the electron are being used - the computer is technically carrying out those calculations in other universes, right?"

"Yes, technically, but-"

"No. Not technically. Really."

There was a pause.

"It may be easier to understand," Gordon said, "by seeing it from the point of view of the other universe. That universe sees a person suddenly arrive. A person from another universe."

"Yes…"

"And that's what happened. The person has come from another universe. Just not ours."

"Say again?"

"The person didn't come from our universe," Gordon said.

Stern blinked. "Then where?"

"They came from a universe that is almost identical to ours - identical in every respect - except that they know how to reconstitute it at the other end."

"You're joking."

"No."

"The Kate who lands there isn't the Kate who left here? She's a Kate from another universe?"

"Yes."

"So she's almost Kate? Sort of Kate? Semi-Kate?"

"No. She's Kate. As far as we have been able to tell with our testing, she is absolutely identical to our Kate.

Because our universe and their universe are almost identical."

"But she's still not the Kate who left here."

"How could she be? She's been destroyed, and reconstructed."

"Do you feel any different when this happens?" Stern said.

"Only for a second or two," Gordon said.

Blackness.

Silence, and then in the distance, glaring white light.

Coming closer. Fast.

Chris shivered as a strong electric shock rippled through his body, and made his fingers twitch. For a moment, he suddenly felt his body, the way one feels clothes when you first put them on; he felt the encompassing flesh, felt the weight of it, the pull of gravity downward, the pressure of his body on the soles of his feet. Then a blinding headache, a single pulse, and then it was gone and he was surrounded by intense purple light. He winced, and blinked his eyes.

He was standing in sunlight. The air was cool and damp. Birds chirruped in the huge trees rising above him. Shafts of sunlight came down through the thick foliage, dappling the ground. He was standing in one beam. The machine stood beside a narrow muddy path that wound through a forest. Directly ahead, through a gap in the trees, he saw a medieval village.

First, a cluster of farm plots and huts, plumes of gray smoke rising from thatched roofs. Then a stone wall and the dark stone roofs of the town itself inside, and finally, in the distance, the castle with circular turrets.

He recognized it at once: the town and the fortress of Castelgard. And it was no longer a ruin. Its walls were complete.

He was here.