THE FACE WITHIN
The knives were relentless. Always the carver dipped his knife into the model, sampling the essence of the man with his blade, drawing something of him into his tool. Then he moved his fingers to the pumpkin and slid the wet blade into the hard shell, carving the image of the man into the gourd with the man’s blood as lubricant and his lost soul as the bridge between flesh and portrait. The carver cut first with a long, curved edge, outlining the form, marking the way. Then he set the opener to the side and refined the incision with a tiny wire-thin implement: a shaper. His hands moved back and forth from pumpkin to knife kit in a blur. Time was short.
Some blades were hooked, with edges on both sides. Others stabbed. Still others shaved. But they all worked together to reveal the face beneath the surface. Piece by piece, the face of the victim took shape.