The Alchemist's Code

16

E nough rain had blown in to soak the loggia floor, so my wet feet should leave no traces. I went over to him and said a hasty prayer for his soul. This must be the murder I had seen in the fire, but I swear that this prompt proof of my talent for pyromancy gave me no pleasure. Although I had not liked Danese, I never thought he deserved such a sordid and untimely end. With his fishy stare and idiot mouth agape, he was no longer handsome.

I could not close his eyes, but rigor mortis begins with the face and there was still some play in his fingers, so the Maestro would be able to estimate the time of his death. His knees were scuffed and dirty, as were his hands and cheeks, which confirmed that he had scrabbled on the ground, as I had seen in the fire. There was blood on his right shin and calf. His head lay in the corner farthest from the arches; his legs and lower torso were wet, his hair and shoulders dry. I decided that the bloodstains had dried before the rain started blowing in, so he might have been lying there while I was speaking to Vasco upstairs. Would the judges of the Quarantia accept that argument? The case would never go before the Quarantia. Even without a possible link to the Algol investigation, the murder of a nobleman in another nobleman’s house would be taken over by the Council of Ten as a matter of state security.

What I needed least just then was Luigi coming out and finding me there in my bizarre burglar costume. There was still a chance that he had unbolted the door already and omitted his normal look outside, so I went to check that it was still bolted, which it was. Definitely I was not going to be sneaking in unseen through that door that morning. And now I saw that, while the floor of the loggia was cleaned frequently, the calle and the ledge never were, and my cotton hose had left a trail of muddy smears.

Think!

Cadavers in corners or face down in canals are not rarities, for Venice has its share of bravos and thugs. I dared not take time to search the body for Danese’s purse, but the killer had left a gold ring on his hand and a valuable rapier in his back. It had struck him almost horizontally from behind, missing his heart, for a heart wound would not have bled so profusely. Why leave him there to be found and not drop him tidily in the canal? Why had he returned to Ca’ Barbolano anyway, when he was supposed to be enjoying the connubial bed, back home in Ca’ Sanudo?

Grazia’s horoscope I must not think about. It had shown a dramatic upturn in her fortunes just about now.

Then the first bolt clattered and I was gone. The wind caught me as I swung around the corner, very nearly blowing me into the water, but I squiggled my way along the ledge and was almost at the calle when I heard Luigi scream. He would run inside for help, I knew, but my luck still held, for there was no traffic on either the water or the fondamenta opposite. Unseen, I reached the door of 96 and let myself back in.

While I ran upstairs, my mind flew even faster. Even if Luigi in his distress forgot that the vizio must still be upstairs, someone would think to summon the resident doctor. I must get back to my room soon, and if I could do so without being seen, Vasco himself would give me a perfect alibi. If I couldn’t, then I would have a lot of explaining to do. My backdoor highway would be exposed and then even Violetta could not give me an alibi, for a courtesan’s word is given little credence. In any case, I could have killed Dolfin on my way to visit her. I would do myself no good by going back to her then and might do her much harm. I went on up to the altana.

The wind on the roof was terrifying, eddying erratically off the higher Ca’ Barbolano. Had I waited to plan my jump I should have frozen in terror, so I just scrambled over the rail, took a last deep breath and a long stride down the tiles, then leaped into the gale. Obviously I did not fall fifty feet and break my neck, but I came unpleasantly close. My right hand caught one bar; my left slammed into another so hard that I twisted my wrist and failed to get a grip. My left heel found the ledge, my right missed it. As my fingers slid down the wet metal, I dropped, cracking my right shin on the ledge hard enough to bring even more tears to my eyes than the wind and rain had already put there. Forcing my left hand and wrist to do their duty, I managed to get a second hold and haul myself upright, getting first a knee and then both feet on the ledge. I clung like a spider for a couple of moments while my heart calmed down a little, then I pushed on the casement, but it was latched.

This was another unexpected complication.

That calle is very little used, for there is a much better one on the far side of 96, but I was visible from too many windows. To jump back or even hold on much longer in that storm were equally impossible. I lifted out one of the loose bars and used it as a battering ram against the pane nearest the window catch. On the second attempt I managed to break it, the thick bottle glass in the center falling out as a unit, and the thinner edges shattering. With some difficulty, I freed a hand to reach in and open the casement. Then it was only a matter of lifting another bar loose and squirming in through the gap.

Who was it who said that the best thing about travel is coming home again?

I cut a toe on a sliver of glass.

Ca’ Barbolano must be in turmoil by now, but no sounds were leaking through my door, which I confirmed was now unlocked, although I was certain I had locked it to keep prying Vasco out. I stripped and assessed my injuries. My hand would turn purple in a day or so, but my leg was much more serious-bleeding and in need of bandaging before I could put my hose on. The medical supplies were all in the atelier, as were my palace clothes. Had the vizio rushed downstairs to view the corpse, or was he still lurking outside in the salone?

Discretion seemed advisable. I tore up an old shirt to wrap my shin, dressed quickly-shaving would have to wait-and swept the fragments of glass against the wall with the Guise of Night rags, which were wet, dirty, and in places bloody. What to do with them then was another problem. Throwing them out the window would have been the solution had my room overlooked the canal, which it doesn’t, so in the end I just tossed them in the bottom of my wardrobe. Vasco had seen me wearing them; he had almost certainly been the intruder who closed the casement. I took a few deep breaths and quietly opened the door. The way out was blocked by a faceless mass that I identified easily as Nino Marciana, an amiable fellow with more muscle than a Michelangelo model.

“The Lord be with you, Nino.”

He spun his bulk around. “And with you, messer Alfeo.”

“What are you doing here?”

The kid pondered, looking troubled. “ Vizio said I was to stand here and not let anyone in.”

“Did he say I was not to come out?”

“Um…Don’t think so.”

I waited, then said, “Then may I pass, please?”

He shifted, and at that moment a procession came trooping in through our front door. It was led by Bruno, with the Maestro on his back and tears running down his face, for any form of death or violence upsets our gentle giant horribly. He had known Danese, which would make it worse, and would never understand what had happened, for sign language cannot explain such complicated matters.

Right after them came four more hefty Marcianas carrying the mortal remains of Danese Dolfin on a blanket-to leave a good Christian corpse lying around would be disrespect to the dead. Behind them came Father Farsetti, and I caught a glimpse of Filiberto Vasco in back of him, but by then the pallbearers were going into the atelier. Since the Maestro was occupied in dismounting, I hurried over to see that the corpse was properly delivered to the examination couch.

The priest had already done that and was dismissing his helpers with a blessing. Rigor mortis was well progressed, for the body still lay awkwardly twisted although it was no longer supported by the hilt of the rapier, which had been removed. My palace clothes were nowhere in sight, so the Maestro must have hidden them when he tidied up.

“Who did this?” I asked.

“That has still to be established, Alfeo.” Father Farsetti was covering the corpse with a sheet, the one that always lies on the examination couch. He is a tall, spare man, soft-spoken, witty, and understanding. His flock adores him, especially the women, although I have never heard a word of scandal about him.

“He was run through from behind,” the vizio said at my back. “A dastardly murder by some bravo too cowardly even to look his victim in the eye.”

Turning to make suitable response, I closed my mouth with a click as I recognized the rapier Vasco was holding. It had bloody smears on the blade. He raised it as if to admire the hilt.

“Omnia vincit amor et nos cedamus amori,” he said, reading out the inscription on the guard. “My Latin is not as good as it should be, Father. ‘Love conquers all,’ of course…”

“‘Love conquers all and we yield to love,’” Farsetti said. “It is a quotation from Virgil, quite appropriate for a weapon. It should be possible to trace the original owner, although I expect it was stolen.”

“Not necessarily,” Vasco said, leering at me so widely that he almost drooled. “The other side reads, From VV to LAZ, and a date. Remind me who VV is, Luca.”

Danese had been killed with my rapier. The day just kept getting worse.