TEN
Two days later, Rachael awoke on a small, hard mattress. She sat up in a tiny room, barely the size of a walk-in closet, and illuminated by only a single bare lightbulb that swung from the ceiling.
Her head pounded and her mouth was dry, but she felt alert again.
The walls and the floor were covered in thick yellow foam. She saw five jugs of water in a corner, and beside them, a box filled with bags of potato chips, apples, candy bars, and packs of crackers. She heard a humming sound beyond the soundproofed walls.
She stood up, found it difficult to keep her balance, as if the floor were shifting beneath her. She looked at the foam walls again and thought, I’ve been committed. I imagined the kidnapping. The crowbar through the window. I’ve gone mad.
Rachael grabbed a jug of water and carried it back over to the mattress. She sat down and took a long drink, wondering if they were watching her right now.
But if I’m in the asylum, why am I still wearing this black suit?
There came a sudden blast that sounded vaguely like a foghorn. It blew once more, and as she considered it, there was something about the constant humming that unnerved her, and the way this place shifted beneath her. She looked up at the ceiling. No soundproofing foam there. Just shiny metal. And the dimensions of the room suddenly made perfect sense. So did the subtle rocking movement, the humming, the low drone, the horn. This isn’t a psych ward. I’m in the trailer of an eighteen-wheeler.
She wept, and her body shook with tremors.