"Pretty little boidies
Picking in the toidies!"

He was so enamored of this that he quoted it, whenever he was drunk or stoned, for several months. The whole winter-spring season of 1983-84, if you mingled with the intelligentsia in Manhattan, you were likely to hear Case declaiming, in a style based partly on Orson Welles and partly on Charles Laughton, "Pretty little boidies/Pickmg in the toidies!" This finally found its way into Case's NBI file-"Subject is inclined to quoting obscene poetry in mixed company"-and was even fed to the Beast.

The NBI had a file on Case because one of their informants had stated that he was a frequent associate of Blake Williams. In fact, Case detested Williams and only was seen in his presence because it was impossible to go to the best parties on the Isle of Manhattan without encountering him. Oddly enough, the informant knew that quite well-but she also knew that her fees depended on the number of new suspects she reported each month.

Case's NBI dossier remained always small. As a Congressional Medal of Honor winner in Vietnam, he was not the sort of man the Bureau cared to spy on too closely, since it would be embarrassing if they were caught. Besides, they couldn't make head or tails out of his phone conversations, which were all about such inscrutable matters as whether Beethoven's obsession with his nephew represented repressed paternal impulses, latent homosexuality, or the desire to be a mother, and whether all three elements were expressed in the tonic chord of the bassoon under the dominant chord of the tutti in the opening of the Ninth.

Justin Case's god was a dead Irishman named James Augustine Aloysius Joyce, who had been the greatest tenor of the twentieth century. Case owned every record of every Joyce concert preserved on wax, and regarded the man as having the most subtle musical sensibility since the great Ludwig himself. If only he had been a composer instead of a singer, Case sometimes thought, with that ear…

Actually, Joyce had considered the priesthood, writing, and even medicine before settling on a musical career. His voice thrilled audiences in Europe and America for nearly a decade before the famous Joyce Scandal, which destroyed him. Case always fumed with anger when he read of the great singer's last days-how concerts were disrupted and ruined by moralistic hecklers howling "Garters garters garters!" till the shamed man left the stage, humiliated. It was known that he died of drink, often comparing himself to Oscar Wilde and Charles Stewart Parnell, and cursing the Christian churches bitterly.

Case once had an affair with the anthropologist and sexologist Marilyn Chambers, just because she shared his passion for Joyce's music. Due to the receptivity of the postcoital male, he had even allowed her to explain the parallel universe theory to him once-something he always dismissed as rubbish when Blake Williams talked about it.

"You mean," he asked, "that in another universe Joyce's thing about girls' undergarments might never have been discovered and his career wouldn't have been ruined?"

"Even more," Dr. Chambers said. "If Wheeler's interpretation of the state vector is true, there must be such a universe. Also, a universe where Joyce did become a priest instead of a singer."

"Far fucking out," Case said. "I wonder what you'd be in the universe next door…"

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