The Ingénue’s Handbook

January 16, 1930, Definitely Three in the Morning

The Butterfly Room, Aboard the Achelois, Sea of Tranquillity

Place your bets, ladies and gentleman. We have a murderer on the ship and I intend to flush them out.

The band finished playing at the stroke of midnight. Union musicians are just awful sticklers. The heaving mass of us tottered out of the ballroom and onto the decks of the Achelois, a glittermob of prodigious proportions. The night was warm; the wind blew toward Tithonus and not from, so the scents were pleasant instead of foul: the tang of salt-silver water, the sharp whips of pine forests on shore, spilled grenadine, and a hundred kinds of perfume, from Ye Olde No. 5 to Shalimar to that just-shagged musk that has no brand name, yet could never be mistaken for anything else. Nobody had the slightest inclination toward bed, so the bash went on outside while—this is important—the stewards shut up the ballroom for cleaning. We all hung off the railings, rainbow-tinsel-barnacle people, and all was right with the world so long as the world was nothing more than that beautiful boat sailing through the beautiful dark. Then the old dance began: people paired off and vanished two by two, sometimes three by three, and the decks grew more peaceful, emptier, sleepier. I was occupied with Nigel—oh, I know, it’s too dreadful, all those gorgeous glitterati and I end up sitting on the staircase talking to my ex! I felt really and truly forty for the first time. I didn’t want to sneak off behind the smokestack to canoodle with one of the pretty girls from contracts or even take a stab at snaring Wilhelmina Wildheart at long last. I just wanted to talk to someone who’s seen me with a runny nose and a bad cough and still thought I was all right. Nigel was always aces when I was sick. He’d pratfall by the bed and make my slippers talk like dolphins ’til I laughed, even though it made the cough worse.

Digression! No! Mary! The reason I must make a note of the fact that I was talking to Nigel on the staircase is to establish that:

1. I did not see Percy or Thad at all between the closing of the ballroom at midnight and twenty past one in the morning.

2. N. and I were sitting in the aft stairwell, which adjoins the south wall of the ballroom, thus …

3. We heard the gunshot immediately and bolted toward the grand entrance, which the stewards had opened up with a quickness, however …

4. A small number of people had already trampled all over the crime scene by the time I arrived.

We heard a great deal of screaming and dropping one’s drinks and weeping. I ran pell-mell; the heel of my left shoe broke off, but I kept hobbling on until I swung wide round the great carved ballroom door—Thad had it brought over from Mars only last year. And I saw it all. I saw the whole ugly thing like a set dressed for shooting. Poor Thaddeus lying face down on his own ebony floor, bleeding like mad. It was ever so much more blood than in the movies. When you shoot someone on film it’s just a pinprick, really, and then a little trickle of red. They slump to the floor and it’s over ’til the next take. But Thad’s blood gushed out all over the place. People had stepped in it. Yolanda Brun was trying to wipe some off of her green silk slingback.

I’ve said wrap parties obey no natural law. I’d been Madame Mortimer, at full tilt, only the week before. She roared up inside me, all pearl-handled soul and acid heart. Without a word, I walked up to one of the stewards (who’d gone about as pale as arsenic), took the key off his belt, shut and locked those grand Russian doors, and shoved a brass hat-rack through the handles for good measure.

“If I may have your attention?” I put on my biggest, most booming voice, the one that had slapped the back row in the face at the Blue Elephant Theatre back in London. I locked down my tears—I’ll cry for you later, Thaddy baby. I promise. “Thank you. I’m afraid I can’t allow any of you to leave just yet. Everything we need to solve this awful mess is right here at our fingertips. There’s not a moment to be lost if we’re to uncover the truth.”

You’d think I’d put them all in a cage and dangled the last rump roast in the universe outside the bars, the way they behaved. Shameful. But I stood my ground, and the stewards stood with me—whether because they knew who sliced their bread or because they appreciated the need to secure the scene of a crime before all the evidence gets simply fucked away by cretins, I’ve no idea. It would take a day to sail back to Grasshopper City, and by that time there wouldn’t be so much as a sip of evidence left for the police. I had to work quickly. For Thaddeus. He didn’t need my tears just then, he needed his heroine.

I knew everyone I locked into the ballroom that night, some better, some worse: Yolanda Brun, Hartford Crane, Nigel Lapine, Freddy and Penelope Edison, Percival Unck, Algernon Bogatryov, Himura Makoto, Dante de Vere, and Maud Locksley. (I’d only met Makoto, Capricorn’s newest golden boy, that night, but we’d already made plans to shoot pheasant together on the weekend.) I don’t quite know what came over me in that moment, facing those people—people I had known most of my life, worked with, slept with, admired, loathed, envied, the whole handbag of human push-me-pull-you—but suddenly, watching Yolanda whine and pour club soda on her bloodstained shoe, I was positively sick to death of them all. I could have gaily tossed them all into the drink and poured myself a grapefruit juice without a wink of pity in my heart. I don’t know what got into me, except Maxine Mortimer and her damnable need to solve the puzzle.

“Shut up, you puling, overstuffed veal calves,” I snarled, and even though it’s a line from Doom on Deimos, I delivered it better in 1930 than I ever did in 1925. “Have a little respect! Clear off! Give me some room!”

They flattened against the wall like school kids at a dance. I examined Thaddeus. He still had his dinner jacket on. The shot had gone through his back, straight into his heart. His cigarette still burned itself down between the fingers of his right hand. His left arm was folded under his chest. The craziest thought popped into my silly head: His hand’s gonna fall asleep that way! He’ll be all pins and needles when he wakes up. I went to disentangle him. No! Maxine Mortimer snapped in my head. Don’t you dare move that body, you dozy cow! The further one gets from the body, the harder it is to see the truth. I looked quickly round the ballroom instead. What luck! The gun lay under one of the banquet tables. Kicked there? Hidden deliberately? Dropped in the turmoil of it all? I sent Makoto to retrieve it, as he and Nigel were the only ones I felt certain about. Nigel was telling me about moustache wax when the gun went off, and Mack was fresh off the rocket. He didn’t know any of us well enough to care whether we lived or died, and besides, who would want something this drastic for their debut?

.22 Perun, walnut grip. Martian, I thought, but that didn’t mean anything. We’d all been to Mars. There wasn’t much to do there but shoot kangaroos.

Hartford raised his hand like a little boy in class. “Mary, whoever did this probably ran off at once. Why do we have to hang about watching you play detective? We’ve all seen it, love. Let’s be sensible: make a search party, comb the ship. Staying stuffed up in here won’t help anyone.”

“Hartford, if I thought you had the sense God gave a gumdrop, I’d let you ‘comb the ship’ to your heart’s content. What, pray tell, would you be searching for? The murder weapon—” I sniffed the Perun’s barrel to be sure; indeed, freshly fired. “—is here. The body is here. The first people to the scene—and therefore those nearest to the ballroom when our Thad was shot, and the closest thing we’ve got to witnesses—are here. You don’t get blood all over yourself when you shoot a man in the back; tearing up the laundry for a stained dinner jacket won’t do a lick of good. So why don’t you button up your expensive little mouth and let the adults talk?”

He did just that. I won’t say I didn’t get a wallop of satisfaction out of it. That vicious gossip hound Algernon B stood next to Hart, looking as though he were about to get on socially with an aneurysm. Sweat wriggled off his bald head and steamed up his glasses. He put his head between his knees. But if sweating makes you guilty, they were all in on it. Gin-sweats, stroke-sweats, beef-sweats, murder-sweats—who could tell the difference? I scanned their faces. I can do this, I thought. With everything I know about them, about Thaddeus, about deduction—at least the celluloid kind—I can figure it out.

“I’m leaving,” Freddy said. His face went red as a stoplight. “You’re nothing but a nasty, two-bit has-been with a flat ass and the clap, and you can’t keep me here.”

“So am I,” cried Dante de Vere. The pair of them stormed up to me, as though I’d never stared down a man who wanted my kidneys for earrings before.

I didn’t budge. “Mr Edison!” I roared. “You had a dispute with the deceased over unpaid fees for sound recording on Miranda, did you not?”

He recoiled. I don’t suppose anyone had roared at Franklin Edison since he crashed his tricycle into a swing set. But then, I did have the .22. Roaring has more oomph with a Martian pistol behind it. “Don’t be ridiculous, Mary. I have disputes with everyone over unpaid fees for sound recording. If I started killing anyone who owes me money, the Moon would be a ghost town inside of a week.”

“What about you, Dante? He fired you from Death Comes at the Beginning. No one’s called you for so much as a footman’s role since.”

“Mary! I had no idea you thought of me that way—as so ruthless or so abject. I was with Maud, stargazing, just out there on the starboard rail. We heard the shot—we’re perfectly innocent. I loved Thad, you know that. He looked after my dogs when I was on location.”

This gave me an idea. I pounced upon it before it could get away. “I have a question. If I feel you have answered honestly, I shall let you go on your way. Who among us loved Thaddeus Irigaray? I believe that may tell us more than asking who hated him.” Proper Maxine Mortimer, from first syllable to last. “I certainly did,” I answered first. And it was true. He’d kept me in steady work for a decade and let me bring my cat on set. Hell, he’d proposed eight times. When Laszlo Barque left him, he stayed in my guest room for a month.

No one else spoke up. Percy stared determinedly at his feet. Maud and Dante looked quite thoroughly bored, smoking together by the piano. Finally, Maud stubbed out her cigarette and said, “All right, fine, I loved him. He looked after me post my little spot of nastiness with Oxblood. I was supposed to get the Mortimer contract, you know. The studio wanted me. But Thad wanted … I don’t know, I suppose he wanted a blonde.” She hurried to correct the bitter edge in her voice. “But no hard feelings! Why, that was ages ago.”

Freddy’s mouth kept running away from him. It twitched; it grimaced. It wanted to say something his brain knew it oughtn’t. He was drunk as a lord, careening from side to side, as though that great huge ballroom were too small for him, that coarse, awful elephant of a man.

“How about you, Penny?” Freddy hissed. Penelope Edison looked as though she were going to split apart at the seams. She kept rubbing her arms as though she were freezing to death. She stared at her husband, such a horrible stare, full of pleading and misery. Helpless tears started rolling down her face and they didn’t look like they’d ever stop. “Penny? Cat got your tongue? Who do you love, Pen? Me? Percy? How about Algernon over there? Or that sad sack of shit?” And he pointed to the ruin of Thaddeus Irigaray.

“Please, Freddy,” she whispered. I have never seen anything quite so wretched as Penelope Edison weeping.

“Please what? I didn’t do anything. But if somebody asks a question, it’s only polite to answer. And being polite is so important, isn’t it? If I forget one little P in an ocean of Qs, it’s the end of the goddamned world, but you can just stand there and quiver and not answer the fucking question?”

“Freddy, stop.” Percy put a hand on his shoulder and Edison swung wild, whacked him right in the eye. Percy doubled over, holding his face. “Fred! I’m trying to help you!”

You need help, not me,” Freddy snarled back. “After everything I’ve given you people! Without me, without my family, you cunts are just flouncing around on a stage in hell with nobody fucking watching. And what do I get back? What’s my fabulous fee for making your entire disgusting existence possible?” He crossed to the body in two enormous strides and kicked Thaddeus’s shoulder, kicked him over onto his back, and kept on kicking him. Thad’s poor limp arm fell onto the floor.

Everyone started hollering, grabbing Edison, and gnashing their teeth—but all Maxine Mortimer saw was Thad’s left hand, the one poor softhearted Mary had worried would go all pins and needles on him. He’d curled his fingers into a fist. He had something in there, clutched in his bloody fingers. Nobody else saw it. They were too busy wrestling a drunk tycoon, sliding around in a good man’s death.

“That garbage shit-fucking cocksucker fucked my wife,” wailed Freddy, dogpiled under the biggest stars in Tinseltown. “That’s who loved him. My Penny. That’s who!”

Penny shook her head back and forth, her mouth hanging open, not breathing. She flopped onto the floor. “I didn’t…” she gasped. “I didn’t…”

No, she didn’t. Penelope Edison most certainly did not. She couldn’t have. Not in a year of Easters. What the hell was going on here?

“Jesus, someone get her a paper bag,” Maud Locksley said.

“Tell them!” shrieked Edison. The King of Sound and Colour was bawling his eyes out in a pool of cold blood. “That fucking whore snuck around on me while I was in Elish for the Worlds’ Fair! And when I got back, you were all slim and trim again, weren’t you, you bitch, you goddamned gold-digging Jezebel—”

It was going so well. Just like a movie. Right now, in my stateroom, in the silence of the deep, woeful night, I think it was going so well because … that’s what happens in a movie. I cast a spell, and for a moment, just a moment, life had a script. The detective locks the door and names the suspects and, eventually, someone confesses. That’s how the whole business works. It’s instinct. Freddy couldn’t resist it. Or Percy couldn’t. Couldn’t resist the desire to crawl inside the script. It’s safe in there. Nice. Warm. The script will look after you.

But Percy stopped it.

“Everybody cool off!” Percival Unck, for all his faults and virtues, can yell louder than anyone I know. Quiet on set! “Listen to me. This was an accident. Mary, I appreciate what you’re doing, but it’s not necessary. I am telling you the truth. Freddy and I were having a few scotches out on the deck, talking about the new camera line. Fred clapped me on the back, and when he turned around, he saw Penny and Thad through the ballroom windows. Thaddeus kissed Penny, and Freddy saw black. You can’t blame a man for that. He shouldered the door in, confronted Thad, it came to blows, we struggled—all of us, all four of us! We struggled and the gun went off. It could have been any of us who pulled the trigger: me, Penny, Fred—we all had our hands on it at some point. But it was an accident. And what we have to decide now is: How many lives does this terrible accident destroy?”

I had such a horrid feeling in the hollows of my stomach.

He’s lying.

Like MM always said, it’s bad maths. The sun might come up blue as Neptune in the morning, ice might turn to fire when it melts, I might become the long-jump champion of the world, but Thaddeus Irigaray did not kiss Penelope Edison. It didn’t happen. I go for a bit of each, but Thad was true blue. I wanted to say so, but I couldn’t. Not in that room. Not with all those people who Thaddeus didn’t trust enough to tell when he was alive. Not with that Algernon B-for-Bastard already writing next week’s column in his head. Even a corpse can be ruined. And a corpse’s reputation doesn’t mend. So I kept mum. God help me. I wouldn’t let Thaddeus go down in the books as just another dead pervert. Because that’s how we all end up, of course. No. I wouldn’t let his heart be somebody’s morality tale.

Or maybe I was just afraid. Of Freddy, of Percy, of all of them. I couldn’t help it. I thought, Percy, baby, you wanna run it back and do it again so you can get a better angle on the bullet? Make certain the shadows are right on Thaddeus Irigaray’s eyes when the light goes out inside them? Or was there a better line you could’ve hurled in his face? Or at Penny, or Fred? And why would you lie for them? Why would you bother? You don’t even know Penny, not really. You’ve been chummy with Fred since you were kids, sure … but the fraternal bubble never extends to wives. So what did Thad do to you, Percy? How did he really earn his bullet? Why is this happening?

“Whose gun was it?” I asked.

“What?”

“Whose gun? Who brought a gun to a wrap party?”

“It’s mine,” Percy admitted. Oh, Percy. No. “I was showing it to Fred. Showing off, I suppose. I don’t fancy ending up in a Plantagenet vault, Mary. I protect myself. Maud’s got a pistol strapped to her thigh. Ask her. It’s not so strange.”

Then Percival Unck told us how it was going to be. His best directorial effort and only thirteen people ever saw it. Thaddeus had a heart attack. The ship doctor could be paid off; he barely graduated from medical school, anyway. We’d clean it all up, all of us together, and Thaddeus would be cremated before anyone knew the difference. The rest of us would keep the secret for our own reasons. Because we were accessories, because we wanted system-wide distribution for our tawdry little magazine, because we didn’t want a divorce to leave us penniless, because we wanted a part, because we didn’t care, because we loved Thaddeus Irigaray and didn’t want him to be remembered as a homewrecker or worse, because we could live forever on the favours Unck and Edison could do us.

What about me? Will I keep quiet? I said I would. I promised. With blood on my cheek, I promised. I took my silver—any part I want, and the director’s chair, too. Though, honestly, I think it might be time to retire.

I don’t want to write about scrubbing blood off ebony with a wire brush. Or burning my buffalo fur in the engine room. But I do want to write this: While we were cleaning Thad up, I pried open his fist and swiped a wadded-up piece of paper out of the muck and the crusting blood. I didn’t look at it ’til I got it safely back to my room.

It’s a photograph. Of a baby girl.

I can’t be certain—babies all look a bit like one another. But I think she looks an awful lot like Severin.

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