“DeLew Comics.” The small box was more than big enough to hold the complete output of our short-lived company. The winter I was in sixth grade and Lew was in eighth, we’d tried to sell our self-made comics for a quarter apiece to our friends. Our biggest seller, RADAR


Man, made us maybe a dollar fifty.

“I never come down here,” she said. “I can’t believe your mother still has all this stuff.”

“The Cyclops sees all, saves all.”

She frowned at me—she hated that Lew and I called her that—

and then spied a box on the game shelf. “Mousetrap! I used to have this!”

We pulled games from the shelf, comparing personal histories. I couldn’t believe she’d never done battle with Rock’em Sock’em Robots, and we set it aside to bring upstairs. The games, I knew, were complete, down to every card and counter, even the gazillion red and white Battleship pegs.

“Here’s the masterpiece,” I said, and unfolded a massive, asymmetrical playing board taped together at odd angles. The tape was yellow and cracking. “Life and Death.”

“What did you do?” she said.

“It’s a game we made up, Lew and me. We cut up boards from Monopoly, Risk, and Life and—”

“Your mother must have killed you!”

I grinned. “Yeah.” I sat down and pulled out Ziploc bags full of plastic pieces and dice. On the bottom was a sheaf of handwritten pages illustrated by pencil sketches of my preteen obsessions: soldiers, trains, and superheroes. The Official Rules.

Amra was oohing and ahing over her finds. “Ker-Plunk, Stay Alive, Don’t Break the Ice—unbelievable.” I flipped through the faded pages, trying to remember how to play.

“Bang.”

I looked up, and Amra was aiming the slingshot at me, the rubber tube pulled back. There was nothing in the pocket, but she looked at my face and lowered the weapon. “What?” she said quietly. I stood up, too quickly, and my pulse thumped in my temple. “Just put it back.” My throat was constricted, and my voice came out strange. “That shouldn’t—I didn’t know that was down here.”

I took it from her. The homemade weapon was small in my hands, just a Y of tree limb, a strip of black rubber, a patch of leather for the pocket.

“Are you okay?”

“Yeah, yeah.” I tossed the slingshot back into the open box she’d found. I took her hands, dry and smooth and cold. “You just have to promise me one thing.”

“What?”

“You’ve got to let me win in Rock’em Sock’em Robots. I’ve got a frail ego.”

I lay on top of the covers in my sweats and T-shirt, staring at the nighttime shapes surrounding my bed, waiting for the house to quiet. Mom had made my room into a sewing room, and the walls were lined with Rubbermaid boxes and stacks of fabric. Bolts of cloth leaned in the corners. When I was a kid, the walls were covered by my drawings, my homegrown superheroes and supervillains. In bed I’d stare up at RADAR Man and Dr. Awkward and Mister Twister, imagining them in motion, even when—especially when—the lines were too faint to make out. The pictures were better in the dark. In the hospital my walls had been perfectly plain, though some of the long-term people had taped up posters (but no framed pictures: glass, nails, and framing wire were all big no-nos). I’d had no trouble falling asleep, though. At 9:30 every night they gave me two big yellow pills, and by ten I was unconscious. The nurses locked me in anyway: my shrink had told them about my sleepwalking problem, or as I liked to call it, wolfing out.

Every night since leaving the hospital I’d held a strategy session with myself. Did I need one pill tonight, or two? When should I take them? The last six capsules of Nembutal were in my duffel bag at the foot of the bed, and I didn’t have a prescription for a refill. I was on war rations.

I hadn’t taken anything tonight. I didn’t want to fall asleep yet, and


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