17. The Council of Genres

The Council of Genres is the administrative body that looks after all aspects of BookWorld regulation, from policy decisions in the main debating chamber to the day-to-day running of ordinary BookWorld affairs, supply of plot devices and even the word supply coming in from the Text Sea. It controls the Book Inspectorate, which governs which books are to be published and which to be demolished, and also manages Text Grand Central and Jurisfiction.

Bradshaw’s BookWorld Companion (11th edition)

I sat between the Men in Plaid in the back, which was uncomfortable, as they seemed to have a plethora of weapons beneath their suits, all of which poked me painfully in the ribs.

“So,” I said brightly, doing what I hoped Thursday would do—showing no fear. “How long have you been in plaid?”

“It’s not plaid. It’s tartan.”

“Right,” said the second one, “tartan.”

And despite more questions of a similar nature, they declined to talk further. I hoped to goodness that Mrs. Malaprop and Sprockett managed to hunt down Carmine in time for the early-evening readers.

We drove past Political Thriller on the Ludlum Freeway and made our way towards the towering heights of the Great Library, and I guessed where we were headed. On the twenty-sixth floor would be the Council of Genres and Senator Jobsworth, the man from whom the Men in Plaid ultimately drew their authority. Like Bradshaw, he must have figured out a way in which a Thursday Next look-alike could be used.

The security was even tighter here, and the Roadmaster slowed to negotiate the concrete roadblocks and high antibookjump mesh. We were waved through with only a cursory glance and drove across a narrow bridge and into the Ungenred Zone. This was an area of independent, narrative-free space where the governing body of the BookWorld could exist free from influence and bias. Or at least that was the theory. I’d been a few times to the Council of Genres, but only with the real Thursday. Ordinary citizens didn’t come here unless strictly on business. If we wanted to pretend we had influence, we could take any grievances to our genre representatives, and they would intercede on our behalf—or so the theory went.

“Where are you taking me?” I asked.

“Right to the very top.”

“That high, huh?”

Having the Great Library and the Ungenred Zone on Fiction Island was not without problems. Theoretically speaking, if it was located here, then it must be potentially readable by the RealWorld population, something about which the CofG was not happy. If it became common knowledge that there was a text-based realm on the other side of the printed page, hacking into the BookWorld would be a far bigger problem than it was already. The Outlander corporation known as Goliath had been attempting to find a way in for decades, but aside from their transfictional tour bus, quaintly named the Austen Rover and the occasional bookhacker, the independent existence of the BookWorld remained secret.

Even so, council officials were taking no chances, and the entire Ungenred Zone was rendered invisible to potential bookhackers by the simple expedient of not being written about. At least not directly. The adventures in my own series hinted at a BookWorld but these were heavily fictionalized, since the ghostwriter had no collaboration from Thursday when writing them. There was only the vaguest reference to the Great Library, and nothing about Jurisfiction or the Council of Genres. Despite this, some of the more talented readers in the Outland had managed to hack into the zone by exploiting a hole in the defenses that allowed one to “read between the lines.” To counter this, the CofG had all the borders covered in soporific paint the shade of young lettuces, which worked like a charm. Every attempted incursion into the Ungenred Zone was met by drowsiness followed by an almost instantaneous torpor on the part of the potential hacker. It had exactly the same effect as the emergency Snooze Button, except that no kittens were ever hurt or injured.

The Roadmaster drove up to the BookWorld’s main port, where the Metaphoric River joined the Text Sea by a series of locks, weirs, traps and sluices. The port was large, and several hundred scrawl trawlers rode gently in the swell, grammasites wheeling above the mast tops, hoping to dart down and snatch a dropped article. On the dockside was the day’s catch. Most scrawlers simply netted the words that basked upon the surface for a quick and easy sale to the wordsmiths, while others deep-trawled for binary clause systems, whereby a verb and a noun had clumped together in a symbiotic relationship to form a protosentence. But even these hardened scrawlers were in awe of those who hunted fully formed sentences. These weatherbeaten sea dogs would sail far across the Text Sea in search of an entire paragraph, a descriptive zinger or even an original comedy monologue—the elusive Moby-Shtick that legends speak of.

Facing the docks and beyond the coils of ropes, nets, harpoons and infinitive splitters were several rows of single-story workshops where the words and letters were crocheted, knitted, sewed, glued, riveted or nailed together into sentences, depending on the softness of the prose to which they were destined. The completed sentences were either rough-sorted into bundles and sold direct to the Well of Lost Plots or woven into standard paragraphs on power looms, the nouns, verbs and adjectives left loose so the end users could make their own choices.

The Buick pulled to a stop outside the main entrance of the Great Library, and we climbed out. The library was housed in a towering Gothic skyscraper that stood as a reminder of the BookWorld before it was remade. Back then the area below the Great Library had been simply unexplored jungle. All that was swept away in the nine minutes of the remaking. The BookWorld may be slow when it comes to changing fashions and storytelling conventions, but it can rebuild itself in a flash if required.

I paused for a moment. It was impossible not to be impressed by the Great Library, and this in a world noted for its superlative structures, settings and depth. Just by way of example, the landscape inside Lord of the Rings was so stunning and so stupendous that it could be absorbed as a form of nourishment. The huge tourism opportunities within the trilogy had been long understood and exploited, and even though the battles were exciting and fun to watch, most people went only for the valleys, rivers, waterfalls, crags, trees and moss.

I stepped into the lobby of the library and paid my respects to those names on the Boojumorial—a marble tablet that commemorated Jurisfiction agents from both the RealWorld and the BookWorld who had lost their lives in the protection of the written word. They may have been carbon- or text-based, but here they were equal; no preference was given to the real over the imaginary. My companions, however, due either to indifference or to long acquaintance with the “Honored Erased,” paid it no heed at all. We walked towards the circular void that ran through the building, and I looked up. Twenty-six floors above us, the glazed roof was just visible. Twenty-six floors of every book that had ever been written, and here logged faithfully in alphabetical order for mostly serial-continuity purposes. It wasn’t necessary to have the library anymore, but it paid to have a backup in case something went wrong. And something always did go wrong. Although infuriating, it was unavoidable. With all the drama at hand, it was inevitable that the BookWorld would spontaneously erupt into intrigue, which would then set off a chain reaction of unexpected consequence. If the BookWorld were itself a book, it would be self-writing.

I glanced down. Below me were the twenty-six basements that made up the Well of Lost Plots—the place where all books are built. As I looked, I could see flashes of light as inspiration fired off in small bursts of energy. A really good idea could burn brightly for many months and give nearby books-in-progress much-needed warmth.

We entered the elevator, and I felt myself grow increasingly apprehensive as the ancient lift slowly clanked its way to the top. The senator’s summons might have been related to Bradshaw’s recent request, to our chance meeting in Norland Park or to something else entirely—I had no idea. The lift doors opened, and the CofG spread out in front of us, a seething mass of offices, desks, meeting rooms and people scurrying back and forth in a ceaseless quest to keep the BookWorld running as efficiently as possible. The chamber was bigger in here than it appeared from the outside, but nothing was particularly linear or even logical within the BookWorld; the fabric of imagination is elastic, and that reflected itself within the Council of Genres.

I passed the big viewing windows, where I had stood with the real Thursday when she was my mentor, and peered out at a BookWorld that appeared deceptively orderly. Because I was quite high and the island dished to fit snugly on the inside face of the sphere, I could clearly see every part of it, from the volcanoes in the far north all the way down to Vanity Island off the southern tip. I could even see my own series as a dark smudge in the distance.

I was escorted away from the viewing windows and walked past the public gallery above the debating chamber. There was a session in progress, and although it was being conducted in Courier Bold, the antiquated yet universal language of the BookWorld, I could make out that it was a discussion about the possibility of Text Sea levels rising due to the advent of e-books. I’d heard about this issue. The argument went that because e-books were composed almost entirely of electrons and barely any ink and paper at all, the scrawl trawlers’ work would be cut by 90 percent overnight, and there was a possibility for inundation of the low-lying areas of the BookWorld—essentially Maritime and Disaster. This argument was countered by a delegate who maintained that e-books were the way of the future, and since the power of a book is undiminished irrespective of the carrier medium, no such panic was necessary. Still another delegate suggested that the advent of e-books might actually increase the demand for new material and thus cause a shortage of words—something for which the BookWorld must be prepared by the construction of more scrawl trawlers and the training of extra scrawlermen. All three were experts, and all three had conflicting views. I was reminded of Clarke’s Second Law of Egodynamics: “For every expert there is an equal and opposite expert.”

“Come on,” said one of the Plaids. “We’re not bleeding tour guides.”

We walked down a corridor, past more security, then arrived at an opulent antechamber with expansive views across the BookWorld.

“Miss Next?” said a friendly clerk holding a clipboard. “The senator will see you now.”

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