DR. S. J. MORDEN has won the Philip K. Dick Award and been a judge on the Arthur C. Clarke Award committee. He is a bona fide rocket scientist with degrees in geology and planetary geophysics.
Samuil Petrovitch is a survivor.
He survived the nuclear fallout in Saint Petersburg and hid in the London Metrozone—the last city in England. He’s lived this long because he’s a man of rules and logic.
For example, getting involved = a bad idea.
But when he stumbles into a kidnapping in progress, he acts without even thinking. Before he can stop himself, he’s saved the daughter of the most dangerous man in London.
And clearly saving the girl = getting involved.
Now the equation of Petrovitch’s life is looking increasingly complex.
Russian mobsters + Yakuza + something called the New Machine Jihad = one dead Petrovitch.
But Petrovitch has a plan—he always has a plan—he’s just not sure it’s a good one.
Petrovitch woke up. The room was in the filtered yellow half-light of rain-washed window and thin curtain. He lay perfectly still, listening to the sounds of the city.
For a moment, all he could hear was the all-pervading hum of machines: those that made power, those that used it, pushing, pulling, winding, spinning, sucking, blowing, filtering, pumping, heating and cooling.
In the next moment, he did the city-dweller’s trick of blanking that whole frequency out. In the gap it left, he could discern individual sources of noise: traffic on the street fluxing in phase with the cycle of red-amber-green, the rhythmic metallic grinding of a worn windmill bearing on the roof, helicopter blades cutting the gray dawn air. A door slamming, voices rising—a man’s low bellow and a woman’s shriek, going at it hard. Leaking in through the steel walls, the babel chatter of a hundred different channels all turned up too high.
Another morning in the London Metrozone, and Petrovitch had survived to see it: God, I love this place.
Closer, in the same room as him, was another sound, one that carried meaning and promise. He blinked his pale eyes, flicking his unfocused gaze to search his world, searching…
There. His hand snaked out, his fingers closed around thin wire, and he turned his head slightly to allow the approaching glasses to fit over his ears. There was a thumbprint dead center on his right lens. He looked around it as he sat up.
It was two steps from his bed to the chair where he’d thrown his clothes the night before. It was May, and it wasn’t cold, so he sat down naked, moving his belt buckle from under one ass cheek. He looked at the screen glued to the wall.
His reflection stared back, high-cheeked, white-skinned, pale-haired. Like an angel, or maybe a ghost: he could count the faint shadows cast by his ribs.
Back on the screen, an icon was flashing. Two telephone numbers had appeared in a self-opening box: one was his, albeit temporarily, to be discarded after a single use. In front of him on the desk were two fine black gloves and a small red switch. He slipped the gloves on, and pressed the switch.
“Yeah?” he said into the air.
A woman’s voice, breathless from effort. “I’m looking for Petrovitch.”
His index finger was poised to cut the connection. “You are who?”
“Triple A couriers. I’ve got a package for an S. Petrovitch.” She was panting less now, and her cut-glass accent started to reassert itself. “I’m at the drop-off: the café on the corner of South Side and Rookery Road. The proprietor says he doesn’t know you.”
“Yeah, and Wong’s a pizdobol,” he said. His finger drifted from the cut-off switch and dragged through the air, pulling a window open to display all his current transactions. “Give me the order number.”
“Fine,” sighed the courier woman. He could hear traffic noise over her headset, and the sound of clattering plates in the background. He would never have described Wong’s as a café, and resolved to tell him later. They’d both laugh. She read off a number, and it matched one of his purchases. It was here at last.
“I’ll be with you in five,” he said, and cut off her protests about another job to go to with a slap of the red switch.
He peeled off the gloves. He pulled on yesterday’s clothes and scraped his fingers through his hair, scratching his scalp vigorously. He stepped into his boots and grabbed his own battered courier bag.
Urban camouflage. Just another immigrant, not worth shaking down. He pushed his glasses back up his nose and palmed the door open. When it closed behind him, it locked repeatedly, automatically.
The corridor echoed with noise, with voices, music, footsteps. Above all, the soft moan of poverty. People were everywhere, their shoulders against his, their feet under his, their faces—wet-mouthed, hollow-eyed, filthy skinned—close to his.
The floor, the walls, the ceiling were made from bare sheet metal that boomed. Doors punctured the way to the stairs, which had been dropped into deliberately-left voids and welded into place. There was a lift, which sometimes even worked, but he wasn’t stupid. The stairs were safer because he was fitter than the addicts who’d try to roll him.
Fitness was relative, of course, but it was enough.
He clanked his way down to the ground floor, five stories away, ten landings, squeezing past the stair dwellers and avoiding spatters of noxious waste. At no point did he look up in case he caught someone’s eye.
It wasn’t safe, calling a post-Armageddon container home, but neither was living in a smart, surveillance-rich neighborhood with no visible means of support—something that was going to attract police attention, which wasn’t what he wanted at all. As it stood, he was just another immigrant with a clean record renting an identikit two-by-four domik module in the middle of Clapham Common. He’d never given anyone an excuse to notice him, had no intention of ever doing so.
Street level. Cracked pavements dark with drying rain, humidity high, the heat already uncomfortable. An endless stream of traffic that ran like a ribbon throughout the city, always moving with a stop-start, never seeming to arrive. There was elbow-room here, and he could stride out to the pedestrian crossing. The lights changed as he approached, and the cars parted as if for Moses. The crowd of bowed-head, hunch-shouldered people shuffled drably across the tarmac to the other side and, in the middle, a shock of white-blond hair.
Wong’s was on the corner. Wong himself was kicking some plastic furniture out onto the pavement to add an air of unwarranted sophistication to his shop. The windows were streaming condensation inside, and stale, steamy air blew out the door.
“Hey, Petrovitch. She your girlfriend? You keep her waiting like that, she leave you.”
“She’s a courier, you perdoon stary. Where is she?”
Wong looked at the opaque glass front, and pointed through it. “There,” the shopkeeper said, “right there. Eyes of love never blind.”
“I’ll have a coffee, thanks.” Petrovitch pushed a chair out of his path.
“I should charge you double. You use my shop as office!”
Petrovitch put his hands on Wong’s shoulders and leaned down. “If I didn’t come here, your life would be less interesting. And you wouldn’t want that.”
Wong wagged his finger but stood aside, and Petrovitch went in.
The woman was easy to spot. Woman: girl almost, all adolescent gawkiness and nerves, playing with her ponytail, twisting and untwisting it in red spirals around her index finger.
She saw him moving toward her, and stopped fiddling, sat up, tried to look professional. All she managed was younger.
“Petrovitch?”
“Yeah,” he said, dropping into the seat opposite her. “Do you have ID?”
“Do you?”
They opened their bags simultaneously. She brought out a thumb scanner, he produced a cash card. They went through the ritual of confirming their identities, checking the price of the item, debiting the money from the card. Then she laid a padded package on the table, and waited for the security tag to unlock.
Somewhere during this, a cup of coffee appeared at Petrovitch’s side. He took a sharp, scalding sip.
“So what is it?” the courier asked, nodding at the package.
“It’s kind of your job to deliver it, my job to pay for it.” He dragged the packet toward him. “I don’t have to tell you what’s in it.”
“You’re an arrogant little fuck, aren’t you?” Her cheeks flushed.
Petrovitch took another sip of coffee, then centered his cup on his saucer. “It has been mentioned once or twice before.” He looked up again, and pushed his glasses up to see her better. “I have trust issues, so I don’t tend to do the people-stuff very well.”
“It wouldn’t hurt you to try.” The security tag popped open, and she pushed her chair back with a scrape.
“Yeah, but it’s not like I’m going to ever see you again, is it?” said Petrovitch.
“If you’d played your cards right, you might well have done. Sure, you’re good-looking, but right now I wouldn’t piss on you if you were on fire.” She picked up her courier bag with studied determination and strode to the door.
Petrovitch watched her go: she bent over, lean and lithe in her one-piece skating gear, to extrude the wheels from her shoes. The other people in the shop fell silent as the door slammed shut, just to increase his discomfort.
Wong leaned over the counter. “You bad man, Petrovitch. One day you need friend, and where you be? Up shit creek with no paddle.”
“I’ve always got you, Wong.” He put his hand to his face and scrubbed at his chin. He could try and catch up to her, apologize for being… what? Himself? He was half out of his seat, then let himself fall back with a bang. He stopped being the center of attention, and he drank more coffee.
The package in its mesh pocket called to him. He reached over and tore it open. As the disabled security tag clattered to the tabletop, Wong took the courier’s place opposite him.
“I don’t need relationship advice, yeah?”
Wong rubbed at a sticky patch with a damp cloth. “This not about girl, that girl, any girl. You not like people, fine. But you smart, Petrovitch. You smartest guy I know. Maybe you smart enough to fake liking, yes? Else.”
“Else what?” Petrovitch’s gaze slipped from Wong to the device in his hand, a slim, brushed steel case, heavy with promise.
“Else one day, pow.” Wong mimed a gun against his temple, and his finger jerked with imaginary recoil. “Fortune cookie says you do great things. If you live.”
“Yeah, that’s me. Destined for greatness.” Petrovitch snorted and caressed the surface of the case, leaving misty fingerprints behind. “How long have you lived here, Wong?”
“Metrozone born and bred,” said Wong. “I remember when Clapham Common was green, like park.”
“Then why the chyort can’t you speak better English?”
Wong leaned forward over the table, and beckoned Petrovitch to do the same. Their noses were almost touching.
“Because, old chap,” whispered Wong faultlessly, “we hide behind our masks, all of us, every day. All the world’s a stage, and all the men and women merely players. I play my part of eccentric Chinese shopkeeper; everyone knows what to expect from me, and they don’t ask for any more. What about you, Petrovitch? What part are you playing?” He leaned back, and Petrovitch shut his goldfish-gaping mouth.
A man and a woman came in and, on seeing every table full, started to back out again.
Wong sprung to his feet. “Hey, wait. Table here.” He kicked Petrovitch’s chair-leg hard enough to cause them both to wince. “Coffee? Coffee hot and strong today.” He bustled behind the counter, leaving Petrovitch to wearily slide his device back into its delivery pouch and then into his shoulder bag.
His watch told him it was time to go. He stood, finished the last of his drink in three hot gulps, and made for the door.
“Hey,” called Wong. “You no pay.”
Petrovitch pulled out his cash card and held it up.
“You pay next time, Petrovitch.” He shrugged and almost smiled. The lines around his eyes crinkled.
“Yeah, whatever.” He put the card back in his bag. It had only a few euros on it now, anyway. “Thanks, Wong.”
Back out onto the street and the roar of noise. The leaden sky squeezed out a drizzle and speckled the lenses in Petrovitch’s glasses so that he started to see the world like a fly would.
He’d take the tube. It’d be hot, dirty, smelly, crowded: at least it would be dry. He turned his collar up and started down the road toward Clapham South.
The shock of the new had barely reached the Underground. The tiled walls were twentieth-century curdled cream and bottle green, the tunnels they lined unchanged since they’d been hollowed out two centuries earlier, the fans that ineffectually stirred the air on the platforms were ancient with age.
There was the security screen, though: the long arched passage of shiny white plastic, manned by armed paycops and monitored by gray-covered watchers.
Petrovitch’s travelcard talked to the turnstile as he waited in line to pass. It flashed a green light, clicked and he pushed through. Then came the screen which saw everything, saw through everything, measured it and resolved it into three dimensions, running the images it gained against a database of offensive weapons and banned technology.
After the enforced single file, it was abruptly back to being shoulder to shoulder. Down the escalator, groaning and creaking, getting hotter and more airless as it descended. Closer to the center of the Earth.
He popped like a cork onto the northbound platform, and glanced up to the display barely visible over the heads of the other passengers. A full quarter of the elements were faulty, making the scrolling writing appear either coded or mystical. But he’d had practice. There was a train in three minutes.
Whether or not there was room for anyone to get on was a different matter, but that possibility was one of the few advantages in living out along the far reaches of the line. He knew of people he worked with who walked away from the center of the city in order to travel back.
It became impossible even to move. He waited more or less patiently, and kept a tight hold of his bag.
To his left, a tall man, air bottle strapped to his Savile Row suit and soft mask misting with each breath. To his right, a Japanese woman, patriotically displaying Hello Kitty and the Rising Sun, hollow-eyed with loss.
The train, rattling and howling, preceded by a blast of foulness almost tangible, hurtled out from the tunnel mouth. If there hadn’t been barriers along the edge of the platform, the track would have been choked with mangled corpses. As it was, there was a collective strain, an audible tightening of muscle and sinew.
The carriages squealed to a stop, accompanied by the inevitable multi-language announcements: the train was heading for the central zones and out again to the distant, unassailable riches of High Barnet, and please—mind the gap.
The doors hissed open, and no one got out. Those on the platform eyed the empty seats and the hang-straps greedily. Then the electromagnetic locks on the gates loosened their grip. They banged back under the pressure of so many bodies, and people ran on, claiming their prizes as they could.
And when the carriages were full, the last few squeezed on, pulled aboard by sympathetic arms until they were crammed in like pressed meat.
The chimes sounded, the speakers rustled with static before running through a litany of “doors closing” phrases: English, French, Russian, Urdu, Japanese, Kikuyu, Mandarin, Spanish. The engine spun, the wheels turned, the train jerked and swayed.
Inside, Petrovitch, face pressed uncomfortably against a glass partition, ribs tight against someone’s back, took shallow sips of breath and wondered again why he’d chosen the Metrozone above other, less crowded and more distant cities. He wondered why it still had to be like this, seven thirty-five in the morning, two decades after Armageddon.
Rosewater is a town on the edge. A community formed around the edges of a mysterious alien biodome, its residents comprise the hopeful, the hungry and the helpless—people eager for a glimpse inside the dome or a taste of its rumored healing powers.
Kaaro is a government agent with a criminal past. He has seen inside the biodome and doesn’t care to again—but when something begins killing off others like himself, Kaaro must defy his masters to search for an answer, facing his dark history and coming to a realization about a horrifying future.
I’m at the Integrity Bank job for forty minutes before the anxieties kick in. It’s how I usually start my day. This time it’s because of a wedding and a final exam, though not my wedding and not my exam. In my seat by the window I can see, but not hear, the city. This high above Rosewater everything seems orderly. Blocks, roads, streets, traffic curving sluggishly around the dome. I can even see the cathedral from here. The window is to my left, and I’m at one end of an oval table with four other contractors. We are on the fifteenth floor, the top. A skylight is open above us, three foot square, a security grid being the only thing between us and the morning sky. Blue, with flecks of white cloud. No blazing sun yet, but that will come later. The climate in the room is controlled despite the open skylight, a waste of energy for which Integrity Bank is fined weekly. They are willing to take the expense.
Next to me on the right, Bola yawns. She is pregnant and gets very tired these days. She also eats a lot, but I suppose that’s to be expected. I’ve known her two years and she has been pregnant in each of them. I do not fully understand pregnancy. I am an only child and I never grew up around pets or livestock. My education was peripatetic; biology was never a strong interest, except for microbiology, which I had to master later.
I try to relax and concentrate on the bank customers. The wedding anxiety comes again.
Rising from the centre of the table is a holographic teleprompter. It consists of random swirls of light right now, but within a few minutes it will come alive with text. There is a room adjacent to ours in which the night shift is winding down.
“I hear they read Dumas last night,” says Bola.
She’s just making conversation. It is irrelevant what the other shift reads. I smile and say nothing.
The wedding I sense is due in three months. The bride has put on a few pounds and does not know if she should alter the dress or get liposuction. Bola is prettier when she is pregnant.
“Sixty seconds,” says a voice on the tannoy.
I take a sip of water from the tumbler on the table. The other contractors are new. They don’t dress formally like Bola and me. They wear tank tops and T-shirts and metal in their hair. They have phone implants.
I hate implants of all kinds. I have one. Standard locator with no add-ons. Boring, really, but my employer demands it.
The exam anxiety dies down before I can isolate and explore the source. Fine by me.
The bits of metal these young ones have in their hair come from plane crashes. Lagos, Abuja, Jos, Kano and all points in between, there have been downed aircraft on every domestic route in Nigeria since the early 2000s. They wear bits of fuselage as protective charms.
Bola catches me staring at her and winks. Now she opens her snack, a few wraps of cold moin-moin, the orange bean curds nested in leaves, the old style. I look away.
“Go,” says the tannoy.
The text of Plato’s Republic scrolls slowly and steadily in ghostly holographic figures on the cylindrical display. I start to read, as do the others, some silently, others out loud. We enter the xenosphere and set up the bank’s firewall. I feel the familiar brief dizziness; the text eddies and becomes transparent.
Every day about five hundred customers carry out financial transactions at these premises, and every night staffers make deals around the world, making this a twenty-four-hour job. Wild sensitives probe and push, criminals trying to pick personal data out of the air. I’m talking about dates-of-birth, PINs, mothers’ maiden names, past transactions, all of them lying docile in each customer’s forebrain, in the working memory, waiting to be plucked out by the hungry, untrained and freebooting sensitives.
Contractors like myself, Bola Martinez and the metalheads are trained to repel these. And we do. We read classics to flood the xenosphere with irrelevant words and thoughts, a firewall of knowledge that even makes its way to the subconscious of the customer. A professor did a study of it once. He found a correlation between the material used for firewalling and the activities of the customer for the rest of the year. A person who had never read Shakespeare would suddenly find snatches of King Lear coming to mind for no apparent reason.
We can trace the intrusions if we want, but Integrity isn’t interested. It’s difficult and expensive to prosecute crimes perpetuated in the xenosphere. If no life is lost, the courts aren’t interested.
The queues for cash machines, so many people, so many cares and wants and passions. I am tired of filtering the lives of others through my mind.
I went down yesterday to the Piraeus with Glaucon the son of Ariston, that I might offer up my prayers to the goddess; and also because I wanted to see in what manner they would celebrate the festival, which was a new thing. I was delighted with the procession of the inhabitants; but that of the Thracians was equally, if not more, beautiful. When we had finished our prayers and viewed the spectacle, we turned in the direction of the city…
On entering the xenosphere, there is a projected self-image. The untrained wild sensitives project their true selves, but professionals like me are trained to create a controlled, chosen self-image. Mine is a gryphon.
My first attack of the day comes from a middle-aged man from a town house in Yola. He looks reedy and very dark-skinned. I warn him and he backs off. A teenager takes his place quickly enough that I think they are in the same physical location as part of a hack farm. Criminal cabals sometimes round up sensitives and yoke them together in a “Mumbai combo”—a call-centre model with serial black hats.
I’ve seen it all before. There aren’t as many such attacks now as there were when I started in this business, and a part of me wonders if they are discouraged by how effective we are. Either way, I am already bored.
During the lunch break, one of the metalheads comes in and sits by me. He starts to talk shop, telling me of a near-miss intrusion. He looks to be in his twenties, still excited about being a sensitive, finding everything new and fresh and interesting, the opposite of cynical, the opposite of me.
He must be in love. His self-image shows propinquity. He is good enough to mask the other person, but not good enough to mask the fact of his closeness. I see the shadow, the ghost beside him. Out of respect I don’t mention this.
The metal he carries is twisted into crucifixes and attached to a single braid on otherwise short hair, which leaves his head on the left temple and coils around his neck, disappearing into the collar of his shirt.
“I’m Clement,” he says. “I notice you don’t use my name.”
This is true. I was introduced to him by an executive two weeks back, but I forgot his name instantly and have been using pronouns ever since.
“My name—”
“You’re Kaaro. I know. Everybody knows you. Excuse me for this, but I have to ask. Is it true that you’ve been inside the dome?”
“That’s a rumour,” I say.
“Yes, but is the rumour true?” asks Clement.
Outside the window, the sun is far too slow in its journey across the sky. Why am I here? What am I doing?
“I’d rather not discuss it.”
“Are you going tonight?” he asks.
I know what night it is. I have no interest in going.
“Perhaps,” I say. “I might be busy.”
“Doing what?”
This boy is rather nosy. I had hoped for a brief, polite exchange, but now I find myself having to concentrate on him, on my answers. He is smiling, being friendly, sociable. I should reciprocate.
“I’m going with my family,” says Clement. “Why don’t you come with us? I’m sending my number to your phone. All of Rosewater will be there.”
That is the part that bothers me, but I say nothing to Clement. I accept his number, and text mine to his phone implant out of politeness, but I do not commit.
Before the end of the working day, I get four other invitations to the Opening. I decline most of them, but Bola is not a person I can refuse.
“My husband has rented a flat for the evening, with a view,” she says, handing me a slip of paper with the address. Her look of disdain tells me that if I had the proper implant we would not need to kill trees. “Don’t eat. I’ll cook.”
By eighteen hundred hours the last customer has left and we’re all typing at terminals, logging the intrusion attempts, cross-referencing to see if there are any hits, and too tired to joke. We never get feedback on the incident reports. There’s no pattern analysis or trend graph. The data is sucked into a bureaucratic black hole. It’s just getting dark, and we’re all in our own heads now, but passively connected to the xenosphere. There’s light background music—“Blue Alien” by Jos. It’s not unpleasant, but my tastes run to much older fare. I’m vaguely aware that a chess game is going on, but I don’t care between whom. I don’t play so I don’t understand the progress.
“Hello, Gryphon,” someone says.
I focus, but it’s gone. She’s gone. Definitely female. I get a wispy impression of a flower in bloom, something blue, but that’s it. I’m too tired or lazy to follow it up, so I punch in my documentation and fill out the electronic time sheet.
I ride the elevator to street level. I have never seen much of the bank. The contractors have access to the express elevator. It’s unmarked and operated by a security guard, who sees us even though we do not see him or his camera. This may as well be magic. The elevator seems like a rather elegant wooden box. There are no buttons and it is unwise to have confidential conversations in there. This time as I leave, the operator says, “Happy Opening.” I nod, unsure of which direction to respond in.
The lobby is empty, dark. Columns stand inert like Victorian dead posed for pictures. The place is usually staffed when I go home, but I expect the staff have been allowed to leave early for the Opening.
It’s full night now. The blue glow from the dome is omnipresent, though not bright enough to read by. The skyline around me blocks direct view, but the light frames every high-rise to my left like a rising sun, and is reflected off the ones to my right. This is the reason there are no street lights in Rosewater. I make for Alaba Station, the clockwise platform, to travel around the edge of the dome. The streets are empty save the constable who walks past swinging her baton. I am wearing a suit so she does not care to harass me. A mosquito whines past my ear but does not appear to be interested in tasting my blood. By the time I reach the concourse, there is a patch of light sweat in each of my armpits. It’s a warm night. I text my flat to reduce internal temperature one degree lower than external.
Alaba Station is crowded with commercial-district workers and the queues snake out to the street, but they are almost all going anticlockwise to Kehinde Station, which is closest to the Opening. I hesitate briefly before I buy my ticket. I plan to go home and change, but I wonder if it will be difficult to meet up with Bola and her husband. I have a brief involuntary connection to the xenosphere and a hot, moist surge of anger from a cuckolded husband lances through me. I disconnect and breathe deeply.
I go home. Even though I have a window seat and the dome is visible, I do not look at it. When I notice the reflected light on the faces of other passengers, I close my eyes, though this does not keep out the savoury smell of akara or the sound of their trivial conversation. There’s a saying that everybody in Rosewater dreams of the dome at least once every night, however briefly. I know this is not true because I have never dreamed of the place.
That I have somewhere to sit on this train is evidence of the draw of the Opening. The carriages are usually full to bursting, and hot, not from heaters, but from body heat and exhalations and despair.
I come off at Atewo after a delay of twenty-five minutes due to a power failure from the North Ganglion. I look around for Yaro, but he’s nowhere to be found. Yaro’s a friendly stray dog who sometimes follows me home and to whom I feed scraps. I walk from the station to my block, which takes ten minutes. When I get signal again, my phone has four messages. Three of them are jobs. The fourth is from my most demanding employer.
Call now. And get a newer phone implant. This is prehistoric.
I do not call her. She can wait.
I live in a two-bed partially automated flat. Working two jobs, I could get a better place with fully humanised AI if I wanted. I have the funds, but not the inclination. I strip, leaving my clothes where they lie, and pick out something casual. I stare at my gun holster, undecided. I do not like guns. I cross the room to the wall safe, which appears in response to signals from my ID implant. I open it and consider taking my gun. There are two magazines of ammo beside it, along with a bronze mask and a clear cylinder. The fluid in the cylinder is at rest. I pick it up and shake it, but the liquid is too viscous and it stays in place. I put it back and decide against a weapon.
I shower briefly and head out to the Opening.
How to talk about the Opening?
It is the formation of a pore in the biodome. Rosewater is a doughnut-shaped city that surrounds the dome. In the early days we actually called it the Doughnut. I was there. I saw it grow from a frontier town of tents and clots of sick people huddling together for warmth into a kind of shanty town of hopefuls and from there into an actual municipality. In its eleven years of existence the dome has not taken in a single outsider. I was the last person to traverse it and there will not be another. Rosewater, on the other hand, is the same age and grows constantly.
Every year, though, the biodome opens for twenty or thirty minutes in the south, in the Kehinde area. Everyone in the vicinity of the opening is cured of all physical and some mental ailments. It is also well known and documented that the outcome is not always good, even if diseases are abolished. There are reconstructions that go wrong, as if the blueprints are warped. Nobody knows why this happens, but there are also people who deliberately injure themselves for the sole purpose of getting “reconstructive surgery.”
Trains are out of the question at this time, on this night. I take a taxi, which drives in the opposite direction first, then describes a wide southbound arc, taking a circuitous route through the back roads and against the flow of traffic. This works until it doesn’t. Too many cars and motorbikes and bicycles, too many people walking, too many street performers and preachers and out-of-towners. I pay the driver and walk the rest of the way to Bola’s temporary address. This is easy as my path is perpendicular to the crush of pilgrims.
Oshodi Street is far enough from the biodome that the crowd is not so dense as to impede my progress. Number 51 is a tall, narrow four-storey building. The first door is propped open with an empty wooden beer crate. I walk into a hallway that leads to two flats and an elevator. On the top floor, I knock, and Bola lets me in.
One thing hits me immediately: the aroma and heat blast of hot food, which triggers immediate salivation and the drums of hunger in my stomach. Bola hands me field glasses and leads me into the living room. There is a similar pair dangling on a strap around her neck. She wears a shirt with the lower buttons open so that her bare gravid belly pokes out. Two children, male and female, about eight or nine, run around, frenetic, giggling, happy.
“Wait,” says Bola. She makes me stand in the middle of the room and returns with a paper plate filled with akara, dodo and dundu, the delicious street-food triad of fried beans, fried plantain and fried yam. She leads me by the free hand to the veranda, where there are four deckchairs facing the dome. Her husband, Dele, is in one, the next is empty, the third is occupied by a woman I don’t know, and the fourth is for me.
Dele Martinez is rotund, jolly but quiet. I’ve met him many times before and we get along well. Bola introduces the woman as Aminat, a sister, although the way she emphasises the word, this could mean an old friend who is as close as family rather than a biological sibling. She’s pleasant enough, smiles with her eyes, has her hair drawn back into a bun and is casually dressed in jeans. She is perhaps my age or younger. Bola knows I am single and has made it her mission to find me a mate. I don’t like this because… well, when people matchmake, they introduce people to you whom they think are sufficiently like you. Each person they offer is a commentary on how they see you. If I’ve never liked anyone Bola has introduced me to, does that mean she doesn’t know me well enough, or that she does know me but I hate myself?
I sit down and avoid talking by eating. I avoid eye contact by using the binoculars.
The crowd is contained in Sanni Square—usually a wide-open space framed by shops that exist only to exploit visitors to the city, cafés that usually cater to tired old men, and travel agents—behind which Oshodi Street lurks. A firework goes off, premature, a mistake. Most leave the celebrations till afterwards. Oshodi Street is a good spot. It’s bright from the dome and we are all covered in that creamy blue electric light. The shield is not dazzling, and up close you can see a fluid that ebbs and flows just beneath the surface.
The binoculars are high-end, with infrared sensitivity and a kind of optional implant hack that brings up individual detail about whoever I focus on, tag information travelling by laser dot and information downloading from satellite. It is a bit like being in the xenosphere; I turn it off because it reminds me of work.
Music wafts up, carried in the night but unpleasant and cacophonous because it comes from competing religious factions, bombastic individuals and the dome tourists. It is mostly percussion-accompanied chanting.
There are, by my estimate, thousands of people. They are of all colours and creeds: black Nigerians, Arabs, Japanese, Pakistani, Persians, white Europeans and a mishmash of others. All hope to be healed or changed in some specific way. They sing and pray to facilitate the Opening. The dome is, as always, indifferent to their reverence or sacrilege.
Some hold a rapt, religious awe on their faces and cannot bring themselves to talk, while others shout in a continuous, sustained manner. An imam has suspended himself from a roof in a harness that looks homemade, and is preaching through a bullhorn. His words are lost in the din, which swallows meaning and nuance and shits out a homogenous roar. Fights break out but are quashed in seconds because nobody knows if you have to be “good” to deserve the blessings from the biodome.
A barricade blocks access to the dome and armed constables form up in front of it. The first civilians are one hundred metres away, held back by an invisible stanchion. The officers look like they will shoot to kill. This is something they have done in the past, the latest incident being three years back, when the crowd showed unprecedented rowdiness. Seventeen dead, although the victims rose during that year’s Opening. They were… destroyed two weeks later as they clearly were not themselves any more. This happens. The alien can restore the body, but not the soul, something Anthony told me back in ’55, eleven years ago.
I cough from the peppery heat of the akara. The fit drives my vision briefly to the sky and I see a waning gibbous, battling bravely to be noticed against the light pollution.
I see the press, filming, correspondents talking into microphones. Here and there are lay scientists with big scanners pointed finger-like towards the dome. Sceptics, true believers, in-between, all represented, all busy. Apart from the classified stuff about sensitives and the xenosphere, most information about the dome is in the public domain, but it is amazing that the fringe press and conspiracy theorists have different ideas. A large segment of the news-reading population, for example, believes that the alien is entirely terrestrial, a result of human biological experimentation. There is “proof” of this on Nimbus, of course. There are scientists who don’t believe, but they take observations and collate data for ever, refusing to come to conclusions. There are those who believe the dome is a magical phenomenon. I won’t get started on the quasi-religious set.
I feel a gentle tap on my left shoulder and emerge from the vision. Aminat is looking at me. Bola and her husband have shifted out of earshot.
“What do you see?” she asks. She smiles as if she is in on some joke but unsure if it’s at my expense.
“People desperate for healing,” I say. “What do you see?”
“Poverty,” says Aminat. “Spiritual poverty.”
“What do you mean?”
“Nothing. Maybe humankind was meant to be sick from time to time. Maybe there is something to be learned from illness.”
“Are you politically inclined against the alien?”
“No, hardly. I don’t have politics. I just like to examine all angles of an issue. Do you care?”
I shake my head. I don’t want to be here, and if not for Bola’s invitation I would be home contemplating my cholesterol levels. I am intrigued by Aminat, but not enough to want to access her thoughts. She is trying to make conversation, but I don’t like talking about the dome. Why then do I live in Rosewater? I should move to Lagos, Abuja, Accra, anywhere but here.
“I don’t want to be here either,” says Aminat.
I wonder for a moment if she has read my thoughts, if Bola matched us because she is also a sensitive. That would be irritating.
“Let’s just go through the motions to keep Bola happy. We can exchange numbers at the end of the evening and never call each other again. I will tell her tomorrow, when she asks, that you were interesting and attentive, but there was no chemistry. And you will say…?”
“That I enjoyed my evening, and I like you, but we didn’t quite click.”
“You will also say that I had wonderful shoes and magnificent breasts.”
“Er… okay.”
“Good. We have a deal. Shake on it?”
Except we cannot shake hands because there is oil on mine from the akara, but we touch the backs of our hands together, co-conspirators. I find myself smiling at her.
A horn blows and we see a dim spot on the dome, the first sign. The dark spot grows into a patch. I have not seen this as often as I should. I saw it the first few times but stopped bothering after five years.
The patch is roughly circular, with a diameter of six or seven feet. Black as night, as charcoal, as pitch. It looks like those dark bits on the surface of the sun. This is the boring part. It will take half an hour for the first healing to manifest. Right now, all is invisible. Microbes flying into the air. The scientists are frenzied now. They take samples and will try to grow cultures on blood agar. Futile. The xenoforms do not grow on artificial media.
In the balcony everyone except me takes a deep breath, trying to get as many microbes inside their lungs as possible. Aminat breaks her gaze from the dome, twists in her seat and kisses me on the lips. It lasts seconds and nobody else sees it, intent as they are upon the patch. After a while, I am not sure it happened at all. I don’t know what to make of it. I can read minds but I still don’t understand women. Or men. Humans. I don’t understand humans.
Down below, it begins, the first cries of rapture. It is impossible to confirm or know what ailments are taken care of at first. If there is no obvious deformity or stigmata, like jaundice, pallor or a broken bone, there is no visible change except the emotional state of the healed. Already, down at the front, younger pilgrims are doing cartwheels and crying with gratitude.
A man brought in on a stretcher gets up. He is wobbly at first, but then walks confidently. Even from this distance I can see the wideness and wildness of his eyes and the rapid flapping of his lips. Newcomers experience disbelief.
This continues in spurts and sometimes ripples that flow through the gathered people. The trivial and the titanic are equally healed.
The patch is shrinking now. At first the scientists and I are the only ones to notice. Their activities become more agitated. One of them shouts at the others, though I cannot tell why.
I hear a tinkle of laughter from beside me. Aminat is laughing with delight, her hands held half an inch from her face and both cheeks moist. She is sniffing. That’s when it occurs to me that she might be here for healing as well.
At that moment, I get a text. I look at my palm to read the message off the flexible subcutaneous polymer. My boss again.
Call right now, Kaaro. I am not kidding.