I got another bit of Arnold in action early the next morning, when I was in the rough outhouse behind the trekkers’ teahouses, very hung over, crouched over the unhealthy damp hole in the floor. I had just completed my business in there when I looked up to see the big glass eye of a zoom lens, staring over the top of the wooden door at me.
“No, Arnold!” I cried, struggling to put my hand over the lens while I pulled up my pants.
“Hey, just getting some local color,” Arnold said, backing away. “You know, people like to see what it’s really like, the details and all, and these outhouses are really something else. Exotic.”
I growled at him. “You should have trekked in from Jiri, then. The lowland villages don’t have outhouses at all.”
His eyes got round, and he shifted an unlit cigar to the other side of his mouth. “What do you do, then?”
“Well, you just go outside and have a look around. Pick a spot. They usually have a shitting field down by the river. Real exotic.”
He laughed. “You mean, turds everywhere?”
“Well, something like that.”
“That sounds great! Maybe I’d better walk back out instead of flying.”
I stared at him, wrinkling my nose. “Serious filmmaker, eh Arnold?”
“Oh, yeah. Haven’t you heard of me? Arnold McConnell? I make adventure films for PBS. And sometimes for the ski resort circuit, video rentals, that kind of thing. Skiing, hang gliding, kayaking, parachuting, climbing, skateboarding—I’ve done them all. Didn’t you ever see The Man Who Swam Down the Zambesi? No? Ah, that’s a bit of a classic, now. One of my best.”
So he had known how dangerous the Dudh Kosi was. I stared at him reproachfully. It was hard to believe he made adventure films; he looked more like the kind of Hollywood producer you’d tell couch jokes about. “So you’re making a real film of this trip?” I asked.
“Yeah, sure. Always working, never stop working. Workaholic.”
“Don’t you need a bigger crew?”
“Well sure, usually, but this is a different kind of thing, one of my ‘personal diary’ films I call them. I’ve sold a couple to PBS. Do all the work myself. It’s kind of like my version of solo climbing.”
“Fine. But cut the part about me taking a crap, okay?”
“Sure, sure, don’t worry about it. Just got to get everything I can, you know, so I’ve got good tape to choose from later on. All grist for the mill. That’s why I got this lens. All the latest in equipment for me. I got stuff you wouldn’t believe.”
“I believe.”
He chomped his cigar. “Just call me Mr. Adventure.”
“I will.”