Jack of Ravens

2

Through the crowds of carousing people moved a man in a dragon mask and a black and gold doublet and breeches with a garter of fine silk from Granada. With him was a woman, her arm looped through his, wearing a cat mask and a dress of deepest scarlet stiff with jewels and embroidery that set off the dusky gold tint of her skin. She paused to watch a skull-masked man in a black costume painted with white bones.

‘How do you Fragile Creatures cope with the constant presence of death?’ Niamh asked. ‘Living in its shadow can only bring fear, and that is so debilitating as to leach all pleasure from daily existence, thus removing the very reason for being.’

‘If you know you’re going to die there’s no point worrying about it.’ Church scanned the crowd, but the masks and costumes were so elaborate it was impossible to tell what he was seeing. ‘You have to make the most of what you’ve got. Make things good for yourself. More importantly, make things good for the people who come after you so they can lives their lives with a little less pain and suffering.’

‘How curious,’ Niamh mused.

‘Death focuses the mind. If you don’t have to die, you don’t have to drive yourself to achieve things quickly because there’s always plenty of time. The result is that nothing ever gets done. You drift along, saying, “Tomorrow, tomorrow, tomorrow.” Life becomes an endless stream of nothing. Frittered away. Worthless. Meaningless. Death gives life meaning.’

Niamh observed a trio with lute, viol and recorder accompanying a madrigal. ‘So you are saying death is good?’

‘I’m saying it’s the piece in the tapestry that makes the picture complete.’

Niamh tapped her toe to the music, deep in thought. ‘If what you say is true,’ she began, ‘then rather than being at the centre of Existence, my people are … unnecessary. Pointless. Whatever meaning exists in the great sphere of things can only be divined, and defined, by Fragile Creatures. Death, then, is your curse and your gift.’ She gave a hollow laugh. ‘And from that comes the sole conclusion that Fragile Creatures lie above the Golden Ones and not below.’

‘Crazy, isn’t it?’ Church said with an irony that Niamh did not register.

Church’s attention was drawn by a colourful puppet show before which a group of children sat rapt. The puppetmaster rose up eight feet or more, his long black robes hiding whatever stilts he wore. His white mask featured an enormous nose that arched out like a bird’s beak. The puppets were the most amazingly lifelike that Church had ever seen, and it was only when he looked closely that he saw there were no strings. As he tried to see how the illusion was created, the puppetmaster made a flamboyant gesture towards him, and Church realised with shock that his height was entirely natural.

Church turned to Niamh. ‘Not all of these people are human.’

‘The denizens of the Far Lands take the opportunity to mingle amongst Fragile Creatures when they can do so undiscovered. Many have a deep affection for the Fixed Lands, and even for your kind. Some come for entertainment. And some for sport.’

Church could see she was right. Beautiful men and women with the golden skin of the Tuatha De Danann were dancing so gloriously that their feet barely touched the ground. A painfully thin man in a tall hat performed magic tricks. A woman with scales watched from the shadows. And there were others unusual in many ways, their true identities hidden behind the fantastic masks and costumes.

‘The fabulous and the strange have been a part of your world since your kind first appeared,’ Niamh said, ‘guiding your destiny with a gentle push here, a shove there. Influencing your writers and artists and musicians. Whispering in the ears of kings and religious leaders.’

Church considered how many great works and events might have been influenced from beyond. Was that guidance, or interference?

‘You people do have your advantages. It’s weird to be able to understand the Venetian dialect so easily,’ Church mused. ‘And when I speak, my brain tells me I’m talking English, but everyone understands me. Don’t get me wrong — I’m grateful for the upgrade. But it’s still weird.’

Niamh ignored him. ‘If your new friend had not decided this was a time of crucial events we could enjoy the music,’ she said blithely. ‘Would one dance hurt?’

Church relented while still keeping one eye on the shifting crowd. ‘ “Friend” is too strong a word for Tom,’ he said. ‘I can’t help but think he has his own agenda.’

Soon they were whirling around the square in one of the formal dances that the locals loved. Niamh’s hand was cool in Church’s; her smooth cheek brushed his and her lips breathed warmth onto his ear. He realised she was staring at him in a curious manner, her eyes huge and dark. When she saw he had caught her looking, she broke her gaze and then the dance.

‘Enough,’ she said. ‘These are dark times for both of us, and it is not right to indulge in frivolity.’

Nearby the Mocker juggled burning torches for the pleasure of a small crowd. He wore no mask, though none noticed. He caught Church’s eye and nodded towards a man in a harlequin costume slipping determinedly through the crowd. Tom followed at a distance, his dour features hidden behind a wolf’s-head.

‘Looks like Tom’s found our man,’ Church said. ‘I’ll meet you later.’

Niamh caught at his sleeve as he moved away. ‘Take care,’ she said, and before the words could register she was gone.