Intensity

5

At four o'clock in the morning, oncoming traffic is sparse, but each set of headlights purls through the fine hairs in Edgler Vess's ears. This is a pleasant sound, separate from the passing roar of engines and the Doppler-shift whine of other vehicles' tires on the pavement.

As he drives, he eats one of the Hershey bars. The silkiness of melting chocolate on his tongue reminds him of the music of Angelo Badalamenti, and the music of Badalamenti brings to mind the waxy surface of a scarlet anthurium, and the anthurium sparks an intensely sensual recollection of the cool taste and crispness of cornichons, which for several seconds completely overwhelms the actual taste of the chocolate.

Listening to the murmur of oncoming headlights, engaged in this free association of sensory input and memory, Vess is a happy man. He experiences life far more intensely than do other people; he is a singularity. Because his mind is not cluttered with foolishness and false emotions, he is able to perceive what others cannot. He understands the nature of the world, the purpose of existence, and the truth behind the Big Lie; because of these insights, he is free, and because he is free, he is always happy.

The nature of the world is sensation. We drift in an ocean of sensory stimuli: motion, color, texture, shape, heat, cold, natural symphonies of sound, an infinite number of scents, tastes beyond the human ability to catalogue. Nothing but sensation endures. Living things all die. Great cities do not last. Metal corrodes and stone crumbles. Over eons, continents are reshaped, whole mountain ranges vanish, and seas run dry. The planet itself will be vaporized when the sun self-destructs. But even in the void of deep space, between solar systems, in that profound vacuum that will not transmit sound, there is nevertheless light and darkness, cold, motion, shape, and the awful panorama of eternity.

The sole purpose of existence is to open oneself to sensation and to satisfy all appetites as they arise. Edgler Vess knows that there is no such thing as a good or bad sensation-only raw sensation itself-and that every sensory experience is worthwhile. Negative and positive values are merely human interpretations of value-neutral stimuli and, therefore, are only as enduring-which is to say, as meaningless-as human beings themselves. He enjoys the most bitter taste as much as he relishes the sweetness of a ripe peach; in fact, he occasionally chews a few aspirin not to relieve a headache but to savor the incomparable flavor of the medication. When he accidentally cuts himself, he is never afraid, because he finds pain fascinating and welcomes it as merely another form of pleasure; even the taste of his own blood intrigues him.

Mr. Vess is not sure if there is such a thing as the immortal soul, but he is unshakably certain that if souls exist, we are not born with them in the same way that we are born with eyes and ears. He believes that the soul, if real, accretes in the same manner as a coral reef grows from the deposit of countless millions of calcareous skeletons secreted by marine polyps. We build the reef of the soul, however, not from dead polyps but from steadily accreted sensations through the course of a lifetime. In Vess's considered opinion, if one wishes to have a formidable soul-or any soul at all-one must open oneself to every possible sensation, plunge into the bottomless ocean of sensory stimuli that is our world, and experience with no consideration of good or bad, right or wrong, with no fear but only fortitude. If his belief is correct, then he himself is building what may be the most intricate, elaborated-if not to say baroque-and important soul that has ever transcended this level of existence.

The Big Lie is that such concepts as love, guilt, and hate are real. Put Mr. Vess into a room with any priest, show them a pencil, and they will agree on its color, size, and shape. Blindfold them, hold cinnamon under their noses, and they will both identify it from the smell. But bring before them a mother cuddling her baby, and the priest will see love where Mr. Vess will see only a woman who enjoys the sensations provided by the infant-the scrubbed smell of it, the softness of its pink skin, the undeniably pleasing roundness of its simply-formed face, the musicality of its giggle; its apparent helplessness and dependence deeply satisfy her. The greatest curse of humanity's high intelligence is that, in most members of the species, it leads to a yearning to be more than they are. All men and women, in Vess's view, are fundamentally nothing other than animals-smart animals, indeed, but animals nonetheless; reptiles, in fact, evolved from whatever fish with legs first crawled out of the primordial sea. They are, he knows, motivated and formed solely by sensory stimuli, yet unable to admit to the primacy of physical sensation over intellect and emotion. They are even frightened of the reptile consciousness within, its needs and hungers, and they attempt to restrict its sensation seeking by using lies such as love, guilt, hate, courage, loyalty, and honor.

This is the philosophy of Mr. Edgler Vess. He embraces his reptilian nature. The glory of him is to be found in his unmatched accretion of sensations. This is a functional philosophy, requiring its adherent to endorse neither the black-and-white values that so hamper religious persons nor the embarrassing contradictions of the situational ethics that characterize both the modern atheist and those whose religion is politics.

Life is. Vess lives. That is the sum of it.

Driving north on Highway 101, finishing the second of his two Hershey bars, Vess considers, not for the first time, that there is a similarity between the texture of melting chocolate and that of thickening blood.

He recalls the restful silence of the blood pooled around Mrs. Templeton in the shower stall before he disturbed it by turning on the cold water.

The memory of the hollow drumming in that shower makes him aware of the coldness of all the rain as yet unleashed by the pending storm toward which he is driving.

He sees a quick blush of lightning along the face of the clouds, and he knows that it tastes like ozone.

Above the monotonous rumble of the motor-home engine, he hears a peal of thunder, and that sound is also a vivid image in his mind: the young Asian's eyes opening wide, wide, wide with the first crash of the shotgun.

Even in the airless void between galaxies: the light and the darkness, color, texture, motion, shape, and pain.

The highway rose, and the forests crowded close. On a wide curve, the headlights of the Honda swept across the flanking hills, revealing that some of the looming trees were immense spruces and pines. Soon, perhaps, redwoods.

Chyna kept her foot down hard on the accelerator. To the best of her recollection, this was the first time she had ever broken a speed limit. She'd never been fined for a traffic violation; but she would be grateful now if a cop pulled her over.

Her unblemished driving record resulted from her preference for moderation in all things, including the pace at which she ordinarily drove. Judging by the catastrophes that she had seen befall others, survival was closely related to moderation, and her whole life was about survival, as any nun's life might be defined by the word faith or any politician's by power. She seldom drank more than one glass of wine, never used drugs, engaged in no dangerous sports, ate a diet low in fat and salt and sugar, stayed out of neighborhoods reputed to be dangerous, never expressed strong opinions, and in general was safely inconspicuous-all in the interest of getting by, hanging on, surviving.

Against the odds, she had already survived the events of the past few hours. The killer didn't even know that she existed. She had made it. She was free. It was over. The smart thing, the wise thing, the sane thing-the Chyna thing-to do was to let him go, just let him get away, pull off to the side of the road, stop, surrender to the shakes that she was strenuously repressing, and thank God that she was untouched and alive.

As she drove, Chyna argued against her previous conviction, insisting that the teenage girl in the cellar, Ariel of the angelic face, wasn't real. The photo might be of a girl whom he had already killed. The story of her incarceration might be only a sick fantasy, a psychotic's version of a Brothers Grimm tale, Rapunzel underground, merely a mind game that he'd been playing with the two clerks.

"Liar," she called herself.

The girl in the photo was alive somewhere, imprisoned. Ariel was no fantasy. Indeed, she was Chyna; they were one and the same, because all lost girls are the same girl, united by their suffering.

She kept her foot pressed firmly on the accelerator, and the Honda crested a hill, and the aged motor home was on the long gradual downslope ahead, five hundred feet away. Her breath caught in her throat, and then she exhaled with a whispered, "Oh, Jesus."

She was approaching him at too great a speed. She eased off the accelerator.

By the time she was two hundred feet from the motor home, she had matched speeds with it. She fell back farther, hoping that he hadn't noticed her initial haste.

He was driving between fifty and fifty-five miles per hour, a prudent pace on that highway, especially as they were now traveling on a stretch without a median strip and with somewhat narrower lanes than previously. He wouldn't necessarily expect her to pass him, and he shouldn't be suspicious when she remained behind; after all, at this sleepy hour, not every driver in California was in a blistering hurry or suicidally reckless.

At this more reasonable speed, she didn't have to concentrate as intently as before on the road ahead, and she quickly searched the immediate interior of the car in hopes of finding a cellular telephone. She was pessimistic about the chances that a night clerk at a service station would have a portable phone, but on the other hand, half the world seemed to have them now, not just salesmen and Realtors and lawyers. She checked the console box. Then the glove box. Under the driver's seat. Unfortunately, her pessimism proved well founded.

Southbound traffic passed in the oncoming lanes: a big rig with a lead-footed driver, a Mercedes close in its wake-then, following a long gap, a Ford. Chyna paid special attention to the cars, hoping that one of them would be a police cruiser.

If she spotted a cop, she intended to get his attention with the car horn and by making a weaving spectacle of herself in his rearview mirror. If she was too late with the horn and if the cop didn't look back and catch a glimpse of her reckless slalom, she would turn and pursue him, reluctantly letting the motor home out of her sight.

She wasn't hopeful about finding a cop anytime soon.

All the luck seemed to be with the killer. He conducted himself with a confidence that unnerved Chyna. Perhaps that confidence was the only guarantor of his good luck-although even for one as rooted in reality as Chyna, it was easy to let superstition overwhelm her, attributing to him powers dark and supernatural.

No. He was only a man.

And now she had a revolver. She was no longer helpless.

The worst was past.

Lightning traveled the northern sky again, but this time it was not pale or diffused through cloud layers. The bolts were as bright as though the naked sun were breaking through from the other side of the night.

In those stroboscopic flashes, the motor home seemed to vibrate, as if divine wrath would shatter it and its driver.

In this world, however, retribution was left to mortal men and women. God was content to wait for the next life to mete out punishment; in Chyna's view, this was His only cruel aspect, but in this was cruelty enough.

Explosions of thunder followed the lightning. Although something above should have broken, nothing did, and the rain remained bottled higher in the night.

She hoped to spot a sign for a highway patrol depot, where she could seek help, but none appeared. The nearest town of appreciable size, where she might be fortunate enough to find a police station or a cruising squad car, was Eureka, which was hardly a metropolis. And even Eureka was at least an hour away.

As a child, flat under beds and curled in the backs of closets, perched on rooftops and balanced in the upper reaches of trees, in winter barns and on warm night beaches, she had hidden and waited out the passions and the rages of adults, always with dread but also with patience and with a Zen-like disconnection from the realities of time. Now impatience plagued her as never before. She wanted to see this man caught, manacled, harried to justice, hurt. Desperately she wanted this and without a single additional minute of delay, before he could kill again. Her own survival wasn't currently at stake but that of a teenage girl whom she had never met, and she was surprised-and made uneasy-to discover that she could care so ferociously about a stranger.

Perhaps she had always possessed that capacity and simply had never been in a situation that required recognition of it. But no. That was self-deception. Ten years ago, she would never have followed the motor home. Nor five years ago. Nor last year. Perhaps not even yesterday.

Something had profoundly changed her, and it hadn't been the brutality that she'd seen a few hours earlier at the Templeton house. Viscerally she was aware that this unsettling metamorphosis had been a long time coming, like the slow alteration in a river's course-by imperceptible fractions of a degree, day after day. Then suddenly mere survival was not enough for her any longer; the final palisade of soil crumbled, the last stone shifted, and the destination of the river changed.

She frightened herself. This reckless caring.

More lightning, more ferocious than before, revealed redwood trees so massive that they reminded her of cathedral spires. The steeple-shattering light was followed by quakes of thunder as violent as any shift in the San Andreas. The sky fissured, and rain fell.

In the first instant, the drops were fat and milky white in the headlights, as if the night were an extinguished chandelier in which were suspended an infinite number of rock-crystal pendants. They shattered into the windshield, against the hood, across the blacktop.

On the highway ahead, the motor home began to disappear into the downpour.

In seconds the drops dwindled drastically in size even as they increased in number. They became silver gray in the headlamps, and fell not straight down as before but at an angle in the punishing wind.

Chyna switched the windshield wipers to their highest setting, but the motor home continued to slip rapidly away into the storm as visibility declined. The killer was not lowering his speed in respect of the worsening weather; he was accelerating.

Afraid to let him out of her sight for as much as a second, Chyna closed the gap between them to about two hundred feet. She was worried that he would attach the correct significance to her maneuver and realize that somehow she was onto him.

Southbound traffic had been sparse to begin with, but now it declined in direct proportion to the power of the escalating storm, as though most motorists had been washed off the highway.

No headlights appeared in the rearview mirror either. The psychotic in the motor home had set a pace that no one but Chyna was likely to match.

She felt almost as alone with him here in the open as she had been inside his abattoir on wheels.

Then, as enough time passed to make the lonely lanes of blacktop and the dreary cataracts of rain less threatening than monotonous, the killer suddenly surprised her. With a quick touch of his brakes, without bothering to use a turn signal, he angled to the right onto an exit lane.

Chyna fell back somewhat, again concerned that he would become suspicious, seeing her take the same exit. Because theirs were the only two vehicles in sight, she could not be inconspicuous. But she had no choice other than to follow him.

By the time she reached the end of the ramp, the motor home had vanished into the rain and thin mist, but from the ramp entrance, she had seen it turn left. In fact, the two-lane road led only west, and a sign indicated that she was already within the boundaries of Humboldt Redwood State Park.

In addition, three communities lay ahead: Honeydew, Petrolia, and Capetown. She'd never heard of any of them, and she was sure that they were little more than wide places in the road, where she would find no police.

Leaning forward over the steering wheel, squinting through the rain-smeared windshield, she drove into the park, eager to catch up with the killer again, because he might live in or near one of those three small towns. She was wise to let him out of sight for a minute, so he wouldn't think that she was too eager to stay on his tail. But soon she would need to reestablish visual contact before he reached the far side of the park and, perhaps thereafter, turned off the county road onto a driveway or a private lane.

The deeper the road wound among the heaven-reaching trees, the less forcefully the rain beat against the Honda. The storm was not diminishing at all, but the huge ramparts of redwoods sheltered the pavement from the worst of the deluge.

On this narrower, twisting route, it wasn't possible to maintain the pace they had kept on Highway 101. Furthermore, the killer apparently had decided that he no longer needed to make good time, perhaps because he'd put what seemed a safe distance between himself and the dead men at the service station, and when Chyna caught up with him in hardly more than a minute, he was driving under the posted speed limit.

Now, closer than she'd been before, she noticed that the motor home didn't have license plates. California-and some other states, for all she knew-didn't issue temporary plates for a newly purchased vehicle, and it was legal to drive without the tags until they came in the mail from the Department of Motor Vehicles. Or perhaps before going to the Templetons' house, the killer had removed his plates rather than risk a witness with a good memory.

Easing off the accelerator, Chyna glanced at the speedometer and spotted a red warning light. The fuel-gauge needle was below the EMPTY mark.

She had no idea how long the warning light had been burning, because she'd been concentrating intently on the motor home and the dangers of the slick pavement. The car might have a gallon or two in the tank-or even now be running on its last pint.

Trailing the killer to his home base was no longer an option.

The meaning of redwoods is not grandeur, beauty, peace, or the timelessness of nature. The meaning of redwoods is power.

As he drives, Edgler Vess rolls down the window beside him and draws deep breaths of the cold air, which is rich with the fragrance of redwoods, which is a scent of power. This power flows into him with the fragrance, and his own power is thus enhanced.

Redwoods are power because their great size is unmatched by any other trees, because they are ancient-many of these very specimens dating back centuries before the birth of Jesus Christ-because their extraordinary bark, as thick as armor and high in tannin, makes them all but impervious to insects, disease, and fire. They are power because they endure while all around them dies; men and animals pass among them and pass forever away; birds alight in their high branches and seem freer than anything rooted in rock and soil, but eventually, in a sudden quietness of the heart, the birds swoon off the sturdy limbs and thump to the ground or plummet from the sky, and the trees still soar; on the shadowed floors of these groves, sun-shy ferns and rhododendrons flourish season after season, but their immortality is illusory, for they too die, and new generations of their species rise in the decomposing remains of the old. Christ expired on a cross of dogwood, the prince of peace and prophet of love, but in the span of His life, not one of these trees had been brought down by any storm; though they cared not about peace and knew nothing of love, they had endured. Busily engaged on his endless harvests, Death casts frenetic shadows among the indifferent redwoods, a ceaseless flickering that dances across their massive trunks with no effect, like the dark equivalent of leaping firelight on hearthstones.

Power is living while others inevitably perish. Power is cool indifference to their suffering. Power is taking nourishment from the deaths of others, just as the mighty redwoods draw sustenance from the perpetual decomposition of what once lived, but lived only briefly, around them. This is also part of the philosophy of Edgler Foreman Vess.

Through the open window, he breathes in the scent of redwoods, and the molecules of their fragrance adhere to the surface cells of his lungs, and the power of millennia is conveyed there from into his freshly oxygenated blood, pumps through his heart, reaches to every extremity of him, filling him with strength and energy.

Power is God, God is nature, nature is power, and the power is in him.

His power is ever increasing.

If he worshiped, he would be an ardent pantheist, committed to the belief that all things are sacred, every tree and every flower and every blade of grass, every bird and every beetle. The world is full of pantheists these days; he would be at home among them if he were to join their ranks. When everything is sacred, nothing is. For him, that is the beauty of pantheism. If the life of a child is equal to the life of a bluegill or a barn owl, then Vess may kill attractive little girls as casually as he might crush a scorpion underfoot, with no greater moral offense though with considerably more pleasure.

But he worships nothing.

As he rounds a curve into a straightaway flanked by redwoods of even greater girth than any he has previously seen, stark white bones of lightning crack through the black skin of the sky. A roar of thunder like a bellow of rage shudders the air.

Rain washes the smell of lightning down through the night. Two scents of power, lightning and redwoods-electricity and time, fierce heat and stolid endurance-are offered to him now, and he inhales deeply with pleasure.

Taking this county road through the redwoods, along the coast, and reconnecting with Highway 101 south of Eureka will add between half an hour and an hour to his travel time, depending on the pace he sets and the strength of the storm. But as eager as he is to get home to Ariel, he could not have resisted the power of the redwoods.

Headlights appear behind him, visible in the angled side mirror. A car. For nearly an hour, one followed him on the freeway, hanging at a distance. This must be a different vehicle, because this driver is more aggressive than the one on the freeway, closing the distance between them at high speed.

Recklessly, the car-a Honda-pulls around the motor home, into the lane reserved for oncoming traffic, though this is not a passing zone.

There is no other traffic, and they are on a straightaway, but the Honda has insufficient distance to complete the maneuver before the next blind turn in the road, especially on the treacherous rain-slick blacktop.

Vess reduces speed.

The racing Honda pulls alongside him.

Looking down through the windshield of the car, Vess has barely a glimpse of the person behind the steering wheel, because the rain and the high-speed windshield wipers inhibit his view. Nothing more than a suggestion of a deep-red shirt or sweater. A pale hand on the wheel. The wrist is slender enough to indicate that the driver is most likely a woman. She appears to be alone. Then the car moves far enough forward so that Vess is looking down on the roof, and the windshield is out of sight.

They are rapidly approaching the curve.

Vess further reduces his speed. Through his open window, he listens to the shriek of the Honda as the driver accelerates. All the formidable power of that engine seems pathetically weak in these majestic groves, like the angry buzz of a gnat among a herd of elephants.

With so little effort that he would not increase his heartbeat, Vess could pull the wheel to the left, slam the motor home into the Honda, and force the car off the road. It would either roll and then explode or shatter head-on into one of the twenty-foot-diameter redwood trunks.

He is tempted.

The spectacle would be gratifying.

He spares the woman in the Honda only because he's in a mood for subtle-rather than explosive-sensation. This gratifying expedition has brought him not merely the Napa Valley family that he originally set out to destroy, but the hitchhiker now hanging in the bedroom closet like Poe's lover of Amontillado in the stone wall of a wine cellar, as well as the two clerks at the service station. This is already a satiating richness. The reef of the soul is built from varied experience, not from repetitive sensation. Right now he doesn't need the somber music of blood and the spurting warmth of screams; instead, he needs to smell the wetness of the rain, feel the towering mass of the trees, and listen to the cool pendulousness of the night-hidden ferns.

He applies the brakes, cutting his speed.

The Honda streaks past him, kicking up a high spray of dirty water. It enters the curve ahead with a flash of brake lights: red in the black storm, red glimmering off the damp gray bark of the big conifers, apocalyptic tracers of red rippling across the pavement. Then gone.

Edgler Vess is alone again, behind the wheel of his ark, in a colorless world of gray rain, black shadows, and sparkling white headlight beams, at peace to commune with the redwoods and draw from them a measure of their power.

He thinks of Christ on the vertical bed of dogwood, and the idea of the meek inheriting the earth makes him smile. He doesn't wish to inherit anything. He is a raging fire, powerful and hot; he will burn all the color out of this world, consume every scintilla of sensation that it has to offer, and he will leave behind a realm of ashes. Let the meek inherit ashes.

Passing the motor home, going too fast to prevent the Honda from straddling the double yellow line all the way around the curve, Chyna had been afraid that the parched engine would cough and choke and fail. Now that she had seen the red warning light, she was aware of it-a peripheral radiance-even when she wasn't looking at the instrument panel. But the Honda ran confidently on dregs, on fumes, on some strange grace.

She needed to put distance between herself and the killer, and gain time to set her plan in motion. She pushed the car as hard as she dared on the storm-greased pavement.

The narrow road rounded another bend, straightened out, entered a gradual descent, took another curve, rose on a gentle slope, but descended again, and in spite of the intermittent interruptions of these extremely low inclines, the land was generally monotonous in its contours, making its way steadily down toward the Pacific, not many miles to the west. Now low ramparts of soft earth flanked the blacktop just beyond both shoulders, and this wasn't suitable for her purposes. But then the road returned to the same level as the surrounding forest, and she entered another almost imperceptibly declining straightaway and found the ideal circumstances she required.

She figured that she had gained a full minute on him, maybe a minute and a half, depending on whether he had appreciably increased his speed after she passed him. Anyway, a minute should be long enough.

She slowed to thirty miles an hour and nonetheless seemed to be hurtling through the woods. She let the speed decrease to twenty-five, wondering again about her headlong rush to heroism but still unable to fully understand it. Then she drove off the roadway, flew across the right shoulder, thumped through a shallow drainage swale, and rammed into the fortress base of one of the biggest of the redwoods. The left headlight burst, the impact-absorbing bumper cracked and crumpled and collapsed as it had been designed to do, and metal shrieked briefly.

Because she was wearing a safety harness, she wasn't thrown into the steering wheel or through the windshield. But the diagonal strap tightened so hard across her breasts that she grunted with shock and pain.

The engine was still running.

With no time to get out and inspect the front of the car, Chyna was afraid that the damage wasn't sufficiently impressive to convince the killer that someone could have been injured in the crash. When he came upon this scene a few seconds from now, he must take everything at face value without hesitation. Otherwise, if he was suspicious, nothing would work as she had planned.

Immediately she shifted the Honda into reverse and backed away from the tree, which stood inviolate. The ground was carpeted with wet redwood needles on which the tires spun before gripping, but not enough rain had fallen to churn the earth into mud. Rattling and clinking, the car bounced across the shallow drainage swale, which ran with only an inch or two of muddy water, and backed onto the pavement again.

Chyna glanced toward the top of the gently ascending slope down which she had just driven. As yet there was not even a faint glow of approaching headlights from beyond the curve.

He was coming. No doubt about that.

Soon.

She didn't have time to reverse even part of the way up the slope. But she needed to build a little speed.

With her left foot, she tramped the brake pedal as far toward the floorboards as it would go, and with her right foot she eased down on the accelerator. The engine whined, then shrieked. The car strained like a spurred horse pressing against the gate of a rodeo chute. She could feel it wanting to surge forward, as if it were a living thing, and she wondered how much acceleration would be too much, enough to kill her or trap her in wreckage. Then she gave it a little more juice, smelled something burning, and raised her left foot from the brake pedal.

The tires spun furiously on the glistering blacktop, and then with a shudder the Honda shot forward, rattled and splashed across the ditch, and slammed into the trunk of the redwood. The right headlight burst, metal squealed, the hood crumpled and tweaked and popped open with a sound oddly like a hard strum on a banjo, but the windshield didn't shatter.

The engine stuttered. Either the fuel had been exhausted at last or the crash had done severe mechanical damage.

Gasping for breath after the cinching punishment of the shoulder harness, praying that the engine wouldn't fail just yet, Chyna popped the car into reverse again.

Ideally, the Honda would be blocking the road when the killer came around the bend. She had to force him to stop-and to get out of his motor home.

The battered car wheezed, almost stalled, then unexpectedly revved, and Chyna said gratefully, "Jesus," as it rolled backward onto the pavement.

She pulled across both lanes but swung around a little, angling the car uphill so the killer would be able to see the damaged front end as soon as he negotiated the curve.

The engine clunked twice and died, but that was all right. She was in position.

Without the engine noise for competition, the rain seemed to be falling more forcefully than before, rattling on the roof and snapping against the glass.

At the upper curve, darkness still held.

She put the Honda in park, so it would not coast backward when she took her foot off the brake.

The headlights were both broken out, but the windshield wipers continued to thump back and forth, operating on battery power. She didn't switch them off.

She opened the driver's door and, feeling horribly exposed in the dome light, started to get out. She needed to be away from the car and in hiding by the time the motor home appeared-which would be in maybe twenty seconds, maybe ten, hard to say because she had lost track of how much time had passed since she herself had driven around the bend.

The gun.

Before she fully escaped the car, Chyna remembered the revolver. She swung back inside, reached for the weapon-but it was no longer on the seat.

In the first or second crash, the gun must have been thrown onto the floor. Leaning across the console between the front seats, she felt frantically in the darkness, found cold steel, the barrel, her finger actually slipping into the smooth muzzle. With a wordless murmur of relief, she fished the gun from the foot space and reversed her grip on it.

With the weapon firmly in hand, she scrambled out of the Honda. She left the driver's door standing open.

Rain chilled her, and wind.

In the direction from which she had come, the night brightened faintly, and the redwood trunks near the shoulder of the curve began to glow as if in the radiance of a sudden moon.

Chyna sprinted off the slippery blacktop and splashed through another shallow drainage ditch, shuddering as the icy water poured over the tops of her shoes. On this side of the pavement, the trees were set back twenty or thirty feet from the shoulder. She headed for the colossal woods at a point directly across the highway from the behemoth into which she had driven the Honda.

Long before she reached the nearest tree, she skidded on the spongy mat of wet needles, fell, and landed on a cluster of redwood cones. The cones crumbled slightly-a hard crunching sound against the small of her back-although judging by the flash of pain, it almost seemed as though her spine was the source of the cracking.

She would have preferred to crawl on her hands and knees to concealment, but she had to hold on to the revolver, and she was concerned that, crawling, she would inadvertently plug the barrel with dirt or wet needles. She was up and moving at once, therefore, as the highway behind her flared with light and an engine quarreled noisily with the storm.

The motor home had turned the bend.

She was only fifteen feet or so from the highway, which wasn't far enough, because there was little underbrush to provide cover beneath the giant redwoods-largely ferns, and more of them in the gloom ahead than in the area immediately around her. He must not see her. All was lost if he glimpsed her as she dashed for cover.

Fortunately, her blue jeans were dark, not stone-washed and highly reflective, and her sweater was cranberry red, which was not as bad as if it had been white or yellow, and her hair was not blond but dark. Yet she could have felt no more visible if she had been trying to run to cover in a wedding dress.

He would be focused on the Honda, surprised to see it angled across both lanes. He wouldn't immediately glance to either side of the highway, and when his attention did flicker away from the car, he was likely to look to the right, where the Honda had run off the road and struck the tree, not to the left, where Chyna was seeking shelter.

Telling herself that she was safe and had not been seen, but not actually believing herself, she reached the first phalanx of massive redwoods. They grew astonishingly close to one another, considering their daunting size. She slipped around the deeply corrugated trunk of a fifteen-foot-diameter giant that thrived in such intimacy with an even larger specimen that the passageway between the towering pair was less than two feet.

The lowest branches above her were a hundred fifty to a hundred eighty feet off the ground, visible only when lightning backlit them. Standing between these trunks was rather like standing between the nave columns of a cathedral too large ever to be built this side of Heaven; the bristled boughs formed majestic vaults fifteen stories overhead.

From her damp and cloistered retreat, she peered out warily at the highway.

Beyond the lacy screen of low ferns, silver plating the rain and growing brighter by the second, came the headlights of the motor home. They were accompanied by the soft pule of air brakes.

Mr. Vess stops on the pavement, as the shoulder is neither wide enough nor firm enough to accommodate his motor home. Although this scenic highway is obviously little used in these hours before dawn and in such foul weather as this, he is loath to block traffic any longer than is absolutely necessary. He well knows the California Vehicle Code.

He pushes the gearshift into park, engages the emergency brake, but leaves the engine running and the headlights on. He doesn't bother to slip into his raincoat, and when he gets out of the motor home, he leaves the door standing open.

The rain on the pavement is a drumming, and on the metal of the vehicles a singing, and on the foliage of the trees a chorus chanting wordlessly. The rain sounds please him, as does the chill, as does the fecund smell of ferns and loamy soil.

This is the same Honda that passed him a few minutes earlier. He is not surprised to see it in this sorry condition, considering the reckless speed at which it had been traveling.

Evidently, the car had skidded off the road and into the tree. Then the driver had backed it onto the pavement again before the engine failed.

But where is the driver?

Another motorist might have come along from the west and taken any injured person to get medical treatment. But that seems too fortuitous and too timely. After all, the accident can't have happened more than a minute or two ago.

The driver's door is open, and when Vess leans inside, he sees that the keys are in the ignition. The windshield wipers sweep the glass. The taillights, the interior ceiling light, and the gauges in the instrument panel are all aglow.

He steps away from the car and looks at the tree toward which the tire tracks lead. The bark is scarred from the impact but only superficially.

Intrigued, he surveys the rest of the grove on that side of the highway.

Quite possibly, the driver climbed out of the wrecked car, dazed from a blow to the head, and wandered into the redwoods. Even now she might be traveling farther into the primeval grove, lost and confused-or maybe, having collapsed from injuries, she lies unconscious in a fern glade.

The closely grown trees form a maze of narrow corridors, more wood than open space. Even at high noon on a cloudless day, sunshine would penetrate to the forest floor only in a few thin bright blades, and stubborn darkness would impose itself in most of these deep reaches, as though each of the many hundreds of thousands of nights since the grove's beginning had left its residue of shadows. Now, still on the witching side of dawn, that blackness is so pure that it seems almost like a thing alive, crouching and predatory and yet welcoming.

This special darkness stirs Mr. Vess and makes him yearn for experiences that he senses are available to him but that he cannot imagine, experiences that are mysterious and transforming, yet which he cannot even dimly envision. Far into the redwoods, down corridors of fissured bark, in some secret citadel of bestial passion, where shadows dwell that are older than human history, a mystical adventure awaits.

If the woman, in fact, is wandering in the woods, he could park the motor home and search for her. Perhaps the knife that he found at the service station is an omen, after all, and hers may be the blood that he is meant to draw with that blade.

He imagines what it would be like to take off his clothes and enter the grove naked with the knife, relying solely on his primitive instincts to stalk her and bring her down, the rain and mist cold on his skin, the air steaming once he has breathed it, unchilled by the rain but imparting his heat to the night, tearing ferociously at the woman's clothes as he drags her to the forest floor. He is already erect with the dream of it, but he wonders if he would attack her first with knife or phallus-or perhaps with his teeth. That decision would be made in the moment of capture, and much would depend on how attractive she was; but he is convinced that whatever might happen between them would be unprecedented and mysterious-and inexpressibly intense.

Dawn is coming in an hour or so, however, and he would be wise to be on his way. He must put more distance between himself and the places where he took his entertainment during the night.

Being good at being Edgler Vess requires, among other qualities, the ability to repress his most ardent passions when indulgence in them is dangerous. If he instantly gratified every desire, he would be less a man than an animal-and either long dead or imprisoned. Being Edgler Vess means being free but not reckless, being quick but not impulsive. He must have a sense of proportion. And good timing. Hell, he needs the timing of a tap-dance master. And a nice smile. A truly nice smile combined with self-control can take a person a long way.

He smiles at the forest.

The motor home stood on the pavement, approximately twenty feet from the battered Honda, shrunken in appearance because the redwoods dwarfed it.

As the killer had walked down the roadway to the abandoned car through the headlight beams from the motor home, Chyna had crept upslope through the dark forest, moving parallel to him but in the opposite direction. She had circled behind the tree to the right of her, gripping the revolver in her right hand, with her left hand flat against the trunk for balance in case she stumbled over a root or other obstruction. Under her palm, she had felt the deep pattern of repetitive Gothic arches formed by the fissures in the thick bark. With each uncertain step that she had taken around this great easy curve, she had felt that the tree was less like a tree than like a building, a windowless fortress erected against all the rage of the world.

After navigating a hemisphere of the trunk to the shoulder-wide gap between this tree and the next, she peered out once more. The killer stood near the open door of the Honda, gazing into the forest on the far side of the highway.

She was worried that another motorist would come along before she could carry out her plan.

She moved on, circling the next tree. It was even larger than the previous behemoth. The bark featured the familiar Gothic patterns.

In spite of the shrill wind keening high above and collected drizzles of rain spattering down from the lofty branches, the grove impressed her as a good safe place, dark but not in spirit, cold but not forbidding. She was still alone in her troubles-but curiously, for the first time all night, she didn't feel alone.

At the next trunk-framed gap in the forest wall, Chyna looked out again and saw the killer getting into the Honda. He would have to move the disabled car out of the way, because there wasn't room to drive around it.

She glanced at the motor home. Perhaps because she knew what lay within it-a dead man closeted in chains, a dead woman swaddled in a white shroud-the vehicle seemed as ominous as any war machine.

She could just wait in the grove. Forget about her plan. He would leave, and life would go on.

So easy to wait. Survive.

The police would find the girl. Ariel. Somehow. In time. Without the need for heroics.

Chyna leaned against the tree, suddenly weak. Weak and shaking. Shaking and almost physically ill with despair, with fear.

The taillights and interior lights of the Honda dimmed with the grinding of the starter, as the killer tried to get the engine to turn over.

Then another noise came to Chyna. Much closer than the car. Behind her. A rustle, a snap, a soft snort like a startled horse exhaling.

Frightened, she turned.

In the backwash of light from the motor home out on the highway, Chyna saw angels in the redwood grove. Or so it seemed for a moment. Regarding her were gentle faces, pale in the darkness, eyes luminous and inquisitive and kind.

But even in that meager moonlike glow, she was unable to sustain a hope of angels. After a brief initial confusion, she realized that these creatures were a breed of coastal elk without antlers.

Six stood together in a fifteen-foot-wide space between this outer row of trees and the deeper growth, so close that Chyna could have been among them in three steps. Their noble heads were lifted, ears pricked, gazes fixed intently on her.

The elk were curious, but although timid by nature, they seemed oddly unafraid of her.

Once, for two months, she and her mother had stayed on a ranch in Mendocino County, where a group of well-armed survivalists waited for the race wars that they believed would soon destroy the nation, and in that doomsday atmosphere, Chyna had spent as much time as possible exploring the surrounding countryside, hills and vales of singular beauty, groves of pines, golden fields where scattered oaks stood-each alone and huge and black-limbed against the sky-and where small herds of coastal elk appeared from time to time, always keeping at a distance from human beings and their works. She had stalked them not as a hunter but with awkward girlish guile, as shy as the elk themselves but irresistibly attracted to the tranquility and the peace that they radiated in a world otherwise saturated with violence.

In those two months, she had never managed to get closer than eighty or ninety feet to the elk herds before they had reacted to her nonchalant approach, whidding to farther fields and ridges.

Now they had approached her, vigilant but not frightened, as if they were the same elk of her childhood, at long last willing to believe in her peaceable intentions.

Coastal elk should have been somewhat closer to the sea, in the open meadows beyond the redwoods, where the grass was lush and green from the winter rains, where the grazing was good. Although they were not strangers to the forest, their presence here, in the rainy predawn darkness, was remarkable.

Then she saw others in addition to the herd of six-one here, one there, and there a third, and still more-between trees, at a greater distance than the initial group. Some were barely visible in the bosky grove, at the extreme reach of the backwash from the motor-home headlights, but she thought that there were as many as a dozen altogether, all standing at attention, as though transfixed by woodland music beyond human hearing.

Lightning spread branches across the sky, put down jagged roots toward the earth, and briefly brightened the grove sufficiently for Chyna to see all the elk more clearly than before. More of them than she had thought. In mist and ferns, among flowering red rhododendron, revealed by fluttering leaves of light. Heads lifted, their breath steaming from black nostrils. Their eyes fixed on her.

She looked out at the highway.

The killer had given up trying to start the engine. He put the Honda in gear, and it began to roll backward on the slightly sloped pavement.

After one last glance at the elk, Chyna stepped out from between the two redwoods.

The killer pulled the steering wheel hard to the right, letting the momentum of the car carry it backward in an arc until it was facing downhill.

Through sparse ferns and scattered clumps of bunch grass, Chyna approached the highway. The weakness in her legs was gone, and her spasm of irresolution had passed.

Under the killer's guidance, the Honda coasted downhill and onto the right shoulder.

She could go after him, shoot him in the car or as he got out of the car. But he was fifty yards away now, sixty, and he would surely see her coming. She would have no hope of keeping the advantage of surprise, so she would have to shoot to kill, which would do Ariel no good at all, because with this bastard dead they would still have to search for the girl wherever she was hidden. And they might never find her. Besides, the creep probably had a gun on him, and if this turned into a shooting match, he would win, because he was far more practiced than she was-and bolder.

She had no one to whom she could turn. As in childhood.

So now get out of sight quickly. Don't be rash. Wait for the ideal situation. Pick the moment of the confrontation and control the showdown when it comes.

Fierce lightning again, and a long hard crash of thunder like vast structures collapsing high in the night.

She reached the motor home.

Oh, God.

The driver's door stood open.

Oh Jesus. Oh, God.

She couldn't do it.

She had to do it.

Downhill, on the shoulder, with a rattle of twisted steel, the Honda was coasting to a stop.

She had the revolver. That made all the difference. She was safe with the gun.

Who will save this girl hidden in a cellar, this girl ripening for this sonofabitch bastard freak, this girl like me? Who is ever there for frightened girls hiding in the backs of closets or under beds, who is ever there but twitching palmetto beetles? Who will be there if not me, where will I be if not there, why is this the only choice-and when the answer is so obvious, why even ask why?

Down slope, the Honda came to a full stop.

With the revolver heavy in her hand, Chyna climbed into the cockpit and behind the steering wheel. She swung around in the driver's seat, got up, and hurried back through the motor home, murmuring, "Jesus, Jesus," telling herself that it was all right, this crazy thing she was doing, all right because this time she had the revolver.

But she wondered if even the gun would give her enough of an edge when the time arrived to go face-to-face with this man.

Of course a direct confrontation might never have to take place. Chyna intended to hide until they arrived at his house and then find out where the girl was being held. With that information, she would be able to go to the police, and they could nail this creep and free Ariel and-

And what?

And in saving the girl, she would save herself. From what, she was not sure. From a life of merely surviving? From the endless and fruitless struggle to understand?

Crazy, crazy, but there was no turning back now. And in her heart she knew that risking all was less crazy than living a life that had no higher goal than survival.

As if thrown forward by the hard knocking of her heart, Chyna reached the rear of the motor home. The closed door to the only bedroom.

Jesus.

She didn't want to go in there. With Laura dead. The man in the closet. The sewing kit waiting to be used again.

Jesus.

But it was the best place to hide, so she opened the door and went in and closed the door behind her and eased to the left through the palpable darkness and put her back against the wall.

Maybe he wouldn't drive straight home. He might stop at some point between here and there to come to the back of the motor home and have a look at his trophies.

Then she would kill him the instant that he stepped through the door. Empty the revolver into him. Take no chances.

With him dead, they might never find Ariel. Or they might find her only after she had perished of starvation, an excruciatingly painful way to die.

Nevertheless, if the killer entered this bedroom, Chyna wouldn't rely on half measures. She would not attempt to wound him and keep him alive for police interrogation, not in this tight space with him looming over her and with so many ways that things could go wrong.

Lights off, windshield wipers off, Edgler Vess sits in the dead car by the side of the road. Thinking.

There are numerous ways that he can proceed from here. Life is always a laden buffet of treats, a vast smorgasbord groaning with infinite choices of sensations and experiences to thrill the heart-but never more so than now. He wishes to exploit the opportunity to the fullest possible extent, to extract from it the greatest possible excitement and the most poignant sensations, and he must, therefore, not act precipitously.

Luck had given him a glimpse of her in the rearview mirror: as fleet as a deer across the blacktop, hesitating at the open door of the motor home, and then up and inside and out of sight.

She must be the woman from the Honda. When she passed him earlier, he had looked down through the windshield of her car and had seen her red sweater.

In the accident, she might have received a hard blow to the head. Now perhaps she is dazed, confused, frightened. This would explain why she doesn't approach him directly and ask for help or for a ride to the nearest service station. If her thoughts are addled, the irrational decision to become a stowaway aboard the motor home might seem perfectly reasonable to her.

She did not appear to be suffering from a head injury, however, or any injury at all. She hadn't staggered or stumbled across the highway but had been swift and surefooted. At this distance and in the rearview mirror, Vess wouldn't have been able to see blood even if she had been bleeding; but he knows intuitively that there was no blood.

The longer he considers the situation, the more it seems to him that the accident was staged.

But why?

If the motive had been robbery, she would have accosted him the moment that he stepped onto the highway.

Besides, he isn't driving one of those elaborate three-hundred thousand-dollar land yachts that, by their very flashiness, advertise their contents to thieves. His vehicle is seventeen years old and, though well maintained, worth considerably less than fifty thousand bucks. It seems pointless to wreck a relatively new Honda for the purpose of looting the contents of an aging vehicle that promises no treasures.

He has left his keys in the ignition, the engine running. She already could have driven away in the motor home if that had been her intention.

And a woman alone on a lonely highway at night is not likely to be planning a robbery. Such behavior doesn't fit any criminal profile.

He is baffled.

Deeply.

Mr. Vess's simple life is not often touched by mystery. There are things that can be killed and things that can't. Some things are harder to kill than others, and some are more fun to kill than others. Some scream, some weep, some do both, some only tremble silently and wait for the end as if having spent their whole lives in anticipation of this awful pain. Thus the days go by-pleasantly straightforward, a river of raw sensation upon which enigma seldom sets sail.

But this woman in a red sweater is an enigma, all right, as mysterious and intriguing as anyone Mr. Vess has ever known. What experiences he will have with her are difficult to imagine, and he is excited by the prospect of such novelty.

He gets out of the Honda and closes the door. For a moment he stands staring at the forest in the cold rain, hoping to appear unsuspecting if the woman should be watching him from inside the motor home. Maybe he is wondering what happened to the driver of the Honda. Maybe he is a good citizen, concerned about her and considering a search of the woods.

Multiple bolts of lightning chase across the sky, as white and jagged as running skeletons. The subsequent blasts of thunder are so powerful that they rattle through Mr. Vess's bones, a vibration that he finds most agreeable.

Unfazed by the storm, several elk suddenly appear from out of the forest, drifting between the trees and into the bordering sward of ferns. They move with stately grace, in a silence that is ethereal behind the fading echo of thunder, eyes shining in the backwash of the headlight beams. They seem almost to be apparitions rather than real animals.

Two, five, seven, and yet more of them appear. Some stop as though posing, and others move farther but then stop as well, until now a dozen or more are revealed and standing still, and every one of them is staring at Mr. Vess.

Their beauty is unearthly, and killing them would be enormously satisfying. If he had one of his guns at hand, he would shoot as many of them as he could manage before they bolted beyond range.

As a young boy, he began his work with animals. Actually, he'd begun with insects, but soon he had moved on to turtles and lizards, and then to cats and larger species. As a teenager, as soon as he had gotten a driver's license, he had roamed back roads some nights and in the early mornings before school, shooting deer if he spotted any, stray dogs, cows in fields, and horses in corrals if he was certain that he could get away with it.

He is flushed with nostalgia at the thought of killing these elk. The sight of their blood would intensify the redness of his own and make his arteries sing.

Though usually reticent and easily spooked, the elk stare boldly at him. They do not seem to be watching with alarm, are not in the least skittish or poised to flee. Indeed, their directness strikes him as strange; uncharacteristically, he feels uneasy.

Anyway, the woman in the red sweater awaits him, and she is more interesting than any number of elk. He is a grown man now, no longer a boy, and his quest for intense experiences cannot be satisfactorily conducted along the byways of the past. Edgler Vess has long ago put aside childish things.

He returns to the motor home.

At the door, he sees that the woman is in neither the pilot's nor the copilot's position.

Swinging in behind the steering wheel, he glances back but can see no sign of her in the lounge or the dining area. The short and shadowy hall at the end appears deserted as well.

Facing forward but keeping his eyes on the rearview mirror, he opens the tambour-top console between the seats. His pistol is still there, where he left it, sans silencer.

Pistol in hand, he swivels in his chair, gets up, and moves back through the motor home to the kitchen and dining area. The butcher knife, found on the service-station blacktop, lies on the counter as before. He opens the cabinet to the left of the oven and discovers that the 12-gauge Mossberg is securely in its spring clamps, to which he returned it after killing the two clerks.

He doesn't know if she is armed with a weapon of her own. From the distance at which he'd seen her, he hadn't been able to discern whether she was empty-handed or, equally important, whether she was attractive enough to be a fun kill.

Farther back, then, through his narrow domain, with special caution at the end of the dining nook, behind which lies the step well. She's not crouched here either.

Into the hall.

The sound of the rain. The idling engine.

He opens the bathroom door, quickly and noisily, aware that stealth isn't possible in this reverberant tin can on wheels. The cramped bathroom is as it should be, no stowaway on the pot or in the shower stall.

Next the shallow wardrobe with its sliding door. But she isn't in there either.

The only place remaining to be searched is the bedroom. Vess stands before this last closed door, positively enchanted by the thought of the woman huddled in there, unaware of those with whom she shares her hiding place.

No thread of light is visible along the threshold or the jamb, so she no doubt entered in darkness. Evidently she has not yet sat upon the bed and found the sleeping beauty.

Perhaps she has edged warily around the small room and, by blind exploration, has discovered the folding door to the closet. Perhaps if Vess opens this bedroom door, she will simultaneously pull aside those vinyl panels and attempt to slip swiftly and quietly into the closet, only to feel a strange cold form hanging there instead of sport shirts.

Mr. Vess is amused.

The temptation to throw open the door is almost irresistible, to see her carom off the body in the closet, then to the bed, then away from the dead girl, screaming first at the sewn-shut face of the boy and then at the manacled girl and then at Vess himself, in a comic pinball spin of terror.

Following that spectacle, however, they will have to get down to issues at once. He will quickly learn who she is and what she thinks she is doing here.

Mr. Vess realizes that he doesn't want this rare experience with mystery to end. He finds it more pleasing to prolong the suspense and chew on the puzzle for a while.

He was beginning to feel weary from his recent activities. Now he is energized by these unexpected developments.

Certain risks are involved, of course, in playing it this way. But it is impossible to live with intensity and avoid risk. Risk is at the heart of an intense existence.

He backs quietly away from the bedroom door. Noisily, he steps into the bathroom, takes a piss, and flushes the toilet, so the woman will think that he came to the back of the motor home not in search of her but to answer the call of nature. If she continues to believe that her presence is unknown, she will proceed on whatever course of action brought her here in the first place, and it will be interesting to see what she does.

He goes forward again, pausing in the kitchen to pump a cup of hot coffee from the two-quart thermos on the counter by the cooktop. He also switches on a couple of lights so he will be able to see the interior clearly in the rearview mirror.

Behind the steering wheel once more, he sips the coffee. It is hot, black, and bitter, just the way he likes it. He secures the cup in a holder bracketed to the dashboard.

He tucks the pistol in the open console box between the seats, with the safeties off and the butt up. He can put his hand on it in a second, turn in his seat, shoot the woman before she can get near him, and still maintain control of the motor home.

But he doesn't think that she will try to harm him, at least not soon. If harming him was her primary intention, she would have gone after him already.

Strange.

"Why? What now?" he says aloud, enjoying the drama of his peculiar situation. "What now? What next? What ho? Surprise, surprise."

He drinks more coffee. The aroma reminds him of the crisp texture of burned toast.

Outside, the elk are gone.

A night of mysteries.

The mounting wind lashes the long fronds of the ferns. Like evidence of violence, bright wet rhododendron blossoms spray through the night.

The forest stands untouched. The power of time is stored in those massive, dark, vertical forms.

Mr. Vess shifts the motor home out of park and releases the emergency brake. Onward.

After he cruises past the damaged Honda, he glances at the rearview mirror. The bedroom door remains closed. The woman is in hiding.

With the motor home rolling again, perhaps the stowaway will risk turning on a light and will take this opportunity to meet her roommates.

Mr. Vess smiles.

Of all the expeditions that he has conducted, this is the most interesting and exciting. And it isn't over yet.

Chyna sat on the floor in the darkness. Her back was against the wall. The revolver lay at her side.

She was untouched and alive.

"Chyna Shepherd, untouched and alive," she whispered, and this was both a prayer and a joke.

Throughout her childhood, she frequently prayed earnestly for that double blessing-her virtue and her life-and her prayers were often as rambling and incoherent as they were frantic. Eventually she had worried that God was growing weary of her endless desperate pleas for deliverance, that He was sick of her inability to take care of herself and stay out of trouble, and that He might decide that she had used up all of the divine mercy allotted to her. God was busy, after all, running the entire universe, watching over so many drunks and fools, with the devil working mischief everywhere, volcanoes erupting, sailors lost in storms, sparrows falling. By the time Chyna was ten or eleven, in consideration of God's hectic schedule, she had condensed her rambling pleas, in times of terror, to this: "God, this is Chyna Shepherd, here in"-fill the blank with the name of the current place-"and I'm begging you, please, please, please, just let me get through this untouched and alive." Soon, realizing that God, being God, would know precisely where she was, she reduced her entreaty further to: "God, this is Chyna Shepherd. Please get me through this untouched and alive." Finally, certain that God was exasperatedly familiar with her panicky presumptions on His time and grace, she had shortened her plea to a telegraphic minimum: "Chyna Shepherd, untouched and alive." In crises-under beds or lost in closets behind concealing clothes or in cobwebbed attics smelling of dust and raw wood or, once, flattened against the ground in a mire of rat shit in the crawl space under a moldering old house-she had whispered those five words or chanted them silently, over and over, indefatigably, Chyna-Shepherd-untouched-and-alive, ceaselessly reciting them not because she was afraid that God might be distracted by other business and fail to hear her but to remind herself that He was out there, had received her message, and would take care of her if she was patient. And when each crisis passed, when the black flood of terror receded, when her stuttering heart finally began to speak each beat clearly and calmly again, she had repeated the five words once more but with a different inflection than she had used previously, not as a plea for deliverance this time but as a dutiful report, Chyna-Shepherd-untouched-and-alive, much as a sailor in wartime might report to his captain after the ship had survived a vigorous strafing by enemy planes-"All present and accounted for, sir." She was present; she was accounted for; and she let God know of her gratitude with the same five words, figuring that He would hear the difference in her inflection and would understand. It had become a little joke with young Chyna, and sometimes she had even accompanied the report with a salute, which seemed all right because she had figured that God, being God, must have a sense of humor.

"Chyna Shepherd, untouched and alive."

This time, from the motor-home bedroom, it was simultaneously a report on her survival and a fervent prayer to be spared from whatever brutality might be coming next.

"Chyna Shepherd, untouched and alive."

As a little girl, she had loathed her name-except when she had been praying to survive. It was frivolous, a stupid misspelling of a real word, and when other kids teased her about it, she wasn't able to mount a defense. Considering that her mother was called Anne, such a simple name, the choice of Chyna seemed not merely frivolous but thoughtless and even mean. During most of the time that Anne was pregnant, she had lived in a commune of radical environmentalists-a cell of the infamous Earth Army-who believed that any degree of violence was justifiable in defense of nature. They had spiked trees with the hope that loggers would lose hands in accidents with power saws. They had burned down two meat-packing plants and the hapless night watchmen in them, sabotaged the construction equipment at new housing tracts that encroached upon the wilds, and killed a scientist at Stanford because they disapproved of his use of animals in his laboratory experiments. Influenced by these friends, Anne Shepherd had considered many names for her daughter: Hyacinth, Meadow, Ocean, Sky, Snow, Rain, Leaf, Butterfly… By the time she had given birth, however, she had moved on from the Earth Army, and she had named Chyna after China because, as she had once explained, "Honey, I just suddenly realized one day that China is the only just society on earth, and it seemed like a beautiful name." She had never been able to recall why she had changed the i to y, though by then she had been a working partner in a methamphetamine lab, packaging speed in affordable five-dollar hits and sampling the merchandise often enough to have been left with a few blank days in her memory. Only when praying for deliverance had young Chyna liked her name, because she had figured that God would remember her more easily for it, would not get her confused with the millions of Marys and Carolines and Lindas and Heathers and Tracys and Janes.

Now her name no longer dismayed or pleased her. It was just a name like any other.

She had learned that who she was-the true person she was-had nothing whatsoever to do with her name, and little to do with the life that she'd led with her mother for sixteen years. She couldn't be blamed for the dreadful hates and lusts she had seen, for the obscenities heard, for the crimes witnessed, or for the things that some of her mother's male friends had wanted from her. She was not defined either by a name or by shameful experience; instead, she was formed by dreams and hopes, by aspirations, by self-respect and perseverance. She wasn't clay in the hands of others; she was rock, and with her own determined hands, she could sculpt the person that she wanted to be.

She hadn't reached this realization until a year ago, when she was twenty-five. The wisdom had come to her not in a dazzling flash but slowly, in the way that a plot of bare earth is covered gradually by creeping ajuga until one day, as if miraculously, the brown dirt is gone and everywhere are emerald-green leaves and tiny blue flowers. Worthwhile knowledge always seemed hard-won while the winning was in progress-but seemed easily acquired in retrospect.

The old motor home lumbered through the night, creaking like a long-sealed door, ticking like a rusted clock too corroded to register every second faithfully, toward dawn.

Crazy. Crazy to be taking this trip.

But nowhere else to go.

This was where her entire life had been leading. Reckless courage wasn't restricted to the battlefield-or to men.

She was wet and cold and frightened-and strangely, for the first time in her entire life, she was at peace with herself.

"Ariel," Chyna said softly, one girl in the darkness speaking reassuringly to another.