Intensity

9

Expecting dogs, Chyna woke from red dreams of refrigerator-chilled guns and exploding heads, but there were no dogs. She was alone in the living room, and all was quiet. The Dobermans were not padding back and forth on the porch, and when she was finally able to lift her head, she saw no dogs at the undraped window.

They were outside, calmer now because they realized that their time would come. Watching the door and windows. Waiting to see her face. Alert for the snick of a latch, the rasp of a hinge.

She was in so much pain that she was surprised to have regained consciousness. She was more surprised that her head was clear.

One pain was separate from and more urgent than all her other distresses. Unlike the agonies of tortured bones and muscles, this painful pressure could be relieved easily, and she wouldn't even have to put herself through the gruesome ordeal of moving from where she lay.

"Hell no," she mumbled, and slowly she sat up.

Getting to her feet, she disturbed deep hurts that had slept as long as she had been lying on the floor but woke as soon as she began to rise: grindings in her bones and hot flares in her muscles. Some were intense enough, at least initially, to make her freeze and gasp for breath, but by the time she was standing tall, she knew there was no single pain so terrible that it would cripple her; and while the burden of her combined agonies was daunting, she was going to be able to carry it.

She didn't have to carry the heavy chair any longer. It lay on the floor around her in fragments and splinters, and none of her chains was encumbered by it.

According to the mantel clock, the time was three minutes till eight, which unsettled her. The last she remembered, it had been ten minutes past seven. She wasn't sure how long she had taken to break free from the chair, but she suspected that she had lain unconscious for half an hour, perhaps longer. The sweat had dried on her body, and her hair was only slightly damp at the nape of her neck, so half an hour was probably correct. This realization made her feel weak and uncertain again.

If Vess could be believed, Chyna still had four hours until he returned. But there was much to be done, and four hours might not be time enough.

Chyna sat on the edge of the sofa. Freed from the pine dining chair, she was at last able to reach the carabiner on the short chain between her ankles. This steel coupling connected the shorter chain to the longer one that had wrapped the chair and the table pedestal. After screwing open the metal sleeve to reveal the gate in the carabiner, shhe disconnected herself from the longer chain.

Her ankles remained cuffed, and on her way to the stairs to the second floor, she still had to shuffle.

She switched on the stairwell light and laboriously climbed the narrow stairs, moving first her left foot and then her right onto each tread. Because of the hobbling chain, she was unable to ascend one foot per tread, step over step, as she normally would have done, and her progress was slow.

She kept a two-hand grip on the handrail. With the heavy chair gone from her back, she was no longer precariously balanced, but she remained wary of tripping in her fetters.

Past the landing, halfway up the second flight, all of her pains and the fear of falling and the hot pressure in her bladder combined to double her over with severe stomach cramps. She leaned against the wall of the stairwell, clutching the handrail, suddenly sheathed in sour sweat, moaning low and wordlessly in misery. She was certain that she was going to pass out, tumble backward, and break her neck.

But the cramps passed, and she continued climbing. Soon she reached the second floor.

She switched on the hall light and found three doors. Those to the left and right were closed, but the one at the end of the hallway stood open, revealing a bathroom.

In the bathroom, although her hands were manacled and trembling badly, she managed to unbuckle her belt, unbutton her jeans, unzip, and skin down jeans and panties. Sitting, she was hit by more waves of cramps, and these were markedly more vicious than those she had endured on the stairs. She had refused to wet herself at the kitchen table, as Vess had wanted her to do, refused to be reduced to that degree of helplessness. Now she couldn't make water, though she desperately wanted to do that-needed to do it to stop the cramps-and she wondered if she had held out so long that a bladder spasm was pinching off the flow. Such a thing was possible, and abruptly the cramps grew more severe, as if confirming her diagnosis. She felt as if her guts were being rolled through a wringer-but then the cramps passed and relief came.

With the sudden flood, she was surprised to hear herself say, "Chyna Shepherd, untouched and alive and able to pee." Then she was simultaneously laughing and sobbing, not with relief but with a weird sense of triumph.

Getting free of the table, shattering and shaking off the chair, and not wetting her pants seemed, together, to be an act of endurance and of courage equivalent to setting foot on the moon with the first astronauts to land there, slogging through blinding blizzards to the Pole with Admiral Peary, or storming the beaches of Normandy against the might of the German army. She laughed at herself, laughed until tears spilled down her face; nevertheless, she still felt that degree of triumph. She knew how small-even pathetic-her triumph was, but she felt that it was big.

"Rot in Hell," she said to Edgler Vess, and she hoped that someday she would have the chance to say it to his face just before she pulled a trigger and blew him out of this world.

She had so much pain in her back from the battering that she'd endured, especially low around her kidneys, that when she was done, she checked in the toilet bowl for blood. She was relieved to see that her urine was clear.

Glancing in the mirror above the sink, however, she was shocked by her reflection. Her short hair was tangled and lank with sweat. The right side of her face along the jaw seemed to be smeared with a purple ink, but when she touched it, she discovered that this was the trailing edge of a bruise that mottled that entire side of her neck. Where it wasn't bruised or smeared with dirt, her skin was gray and grainy, as if she had been suffering through a long and difficult illness. Her right eye was fiery, no white visible any more: just the dark iris and the darker pupil floating in an elliptical pool of blood. Both the bloodied eye and the clear left eye gazed back at her with a haunted expression so unnerving that she turned away from her own reflection in confusion and fear.

The face in the mirror was that of a woman who had already lost some battle. It wasn't the face of a winner.

Chyna tried to press that dispiriting thought out of her mind at once. What she had seen was the face of a fighter-no longer the face of a mere survivor, but a fighter. Every fighter sustained some punishment, both physical and emotional. Without anguish and agony, there was no hope of winning.

She shuffled from the bathroom to the door on the right side of the upstairs hall, which opened onto Vess's bedroom. Simple furniture and a minimum of it. A neatly made bed with a beige chenille spread. No paintings. No bibelots or decorative accessories. No books or magazines, or any newspapers folded open to crossword puzzles. This was nothing more than a place to sleep, not a room where he lingered or lived.

Where he truly lived was in the pain of others, in a storm of death, in the calm eye of the storm where all was orderly but where the wind howled on every side.

Chyna checked the nightstand drawers for a gun but didn't find one. She found no phone either.

The large walk-in closet was ten feet deep and as wide as the bedroom, essentially a room of its own. At a glance, the closet held nothing useful to her. She was sure to discover something worthwhile if she searched, maybe even a well-hidden gun. But there were built-in cabinets with laden shelves and packed drawers, and boxes were stacked on boxes; she would need hours to pore through everything. More urgent tasks awaited her.

She emptied the dresser drawers on the floor, but they contained only socks, underwear, sweaters, sweatshirts, and a few rolled belts. No guns.

Across the hall from Vess's bedroom was a Spartan study. Bare walls. Blackout blinds instead of drapes. On two long worktables stood two computers, each with its own laser printer. Of the numerous items of computer-related equipment, she could identify some but was mystified by others.

Between the long tables was an office chair. The floor was not carpeted; the bare wood was exposed, evidently to make it easier for Vess to roll between tables.

The drab, utilitarian room intrigued her. She sensed that it was an important place. Time was precious, but there was something here worth pausing to examine.

She sat in the chair and looked around, bewildered. She knew that the world was wired these days, even into the hinterlands, but it seemed odd to find all this high-tech equipment in such a remote and rustic house.

Chyna suspected that Vess was set up to enter the Internet, but there was no phone or modem in sight. She spotted two unused phone jacks in the baseboard. His meticulous security procedures had served him well again; she was stymied.

What did he do here?

On one of the tables were six or eight ring-bound notebooks with colorful covers, and she opened the nearest. The binder was divided into five sections, each with the name of an agency of the federal government. The first was the Social Security Administration. The pages were filled with what seemed to be notes from Vess to himself regarding the trial-and-error method by which he had hacked his way into the administration's data files and had learned to manipulate them. The second divider was labeled U.S. DEPT OF STATE (PASSPORT AGENCY), and judging by the following notes, Vess was engaged in an incomplete experiment to determine if, by a Byzantine route, he might be able to enter and control the Passport Agency's computerized records without being detected.

Part of what he was doing, evidently, was preparing for the day when he slipped up in his "homicidal adventuring" and required new identities.

Chyna didn't believe, however, that Vess's only projects were the altering of his public records and the obtaining of fake ID. She was troubled by the feeling that this room contained information about Vess that could be of vital importance to her own survival if only she knew where to look for it.

She put down the notebook and swiveled in the chair to face the second computer. Under one end of this table stood a two-drawer file cabinet. She opened the top drawer and saw Pendaflex hanging files with blue tags; each tag featured a person's name, with the surname first.

Each folder contained a two-sheet dossier on a different law enforcement officer, and after a couple of minutes of investigation, Chyna decided that they were deputies with the sheriffs department in the very county in which Vess's house was located. These dossiers provided all vital statistics on the officers plus information about their families and their personal lives. A Xerox of each deputy's official ID photo was also attached.

Did the freak see some advantage in collecting information on all the local cops as insurance against the day when he might find himself in a standoff with them? This effort seemed excessive even for one as meticulous as Edgler Vess; on the other hand, excess was his philosophy.

The lower drawer of the filing cabinet contained manila folders as well. The tabs of these also featured names, like those in the upper drawer, but only surnames.

In the first folder, labeled ALMES, Chyna found a full-page enlargement of the California driver's license of an attractive young blonde named Mia Lorinda Almes. Judging by the exceptional clarity, it wasn't a Xerox blow-up of the original license but a digitized data transmission received on a phone line, through a computer, and reproduced on a high-quality laser printer.

The only other items in the folder were six Polaroid photographs of Mia Lorinda Almes. The first two were close-ups from different angles. She was beautiful. And terrified.

This file drawer was Edgler Vess's equivalent of a scrapbook.

Four more Polaroids of Mia Almes.

Don't look.

The next two were full-body shots. The young woman was naked in both. Manacled.

Chyna closed her eyes. But opened them. She was compelled to look, perhaps because she was determined not to hide from anything any more.

In the fifth and sixth photos, the young woman was dead, and in the last her beautiful face was gone as if it had been blown off or sheared away.

The folder and the photographs fluttered from Chyna's hands to the floor, where they clicked against the wood and spun and were still. She hid her face in her hands.

She wasn't trying to block from her mind the gruesome image on the snapshot. Instead, she was striving to repress a nineteen-year-old memory of a farmhouse outside New Orleans, two visitors with a Styrofoam cooler, a gun taken from the refrigerator, and the cold accuracy with which a woman named Memphis had fired two rounds.

Memory, however, always has its way.

The visitors, who'd done business with Zack and Memphis before, had been there to make a drug purchase. The cooler had been filled with packets of hundred-dollar bills. Maybe Zack didn't have the promised shipment, or maybe he and Memphis just needed more money than they could get from a sale; whatever the reason, they had decided to rip off the two men.

After the gunfire, Chyna had hidden in the barn loft, certain that Memphis would kill them all. When Memphis and Anne found her, she fought them bitterly. But she was only seven years old and no match for them. With owls hooting in alarm and taking flight from the rafters, the women dragged Chyna out of the mice-infested hay and carried her to the house.

Zack had been gone by then, having taken the bodies elsewhere, and Memphis had cleaned up the blood in the kitchen while Anne had forced Chyna to drink a shot of whiskey. Chyna didn't want the whiskey, sealed her lips against it, but Anne said, "You're a wreck, for Christ's sake, you can't stop blubbering, and one shot isn't going to hurt you. This is what you need, kiddo, trust Mama, this is what you need. A shot of good whiskey will break a fever, you know, and what you've got now is a kind of fever. Come on, you little wuss, it's not poison. Jesus, you can be a whiny little shit sometimes. Either you drink it quick, or I'll hold you down and pinch your nose shut, and Memphis will pour it in when you open your mouth to breathe. That how you want it?" So Chyna drank the whiskey, and then took a second shot with a few ounces of milk when her mother decided that she needed it. The booze made her dizzy and strange but did not calm her.

She had appeared calmer to them because, good little fisher that she was, she'd caught her fear and reeled it inside, where they could not see it. Even by the age of seven, she had begun to understand that a show of fear was dangerous, because others interpreted it as weakness, and there was no place in this world for the weak.

Later that night, Zack had returned with whiskey on his breath too. He was exuberant, in a raucous and celebratory mood. He came straight to Chyna and hugged her, kissed her on the cheek, took her by the hands and tried to make her dance with him. "That bastard Bobby, the last time he was here, I knew by the way he couldn't take his eyes off Chyna that he was hot for little girls, a genuine sicko, so tonight he walks in and his tongue just about uncurls to his knees when he sees her! You could've shot the geek half a dozen times, Memphis, before he might've noticed!" Bobby had been the man sitting at the kitchen table, talking to Chyna, his beautiful gray eyes fixed intently on her, speaking directly to her in a way that few adults; ever spoke to kids, asking whether she liked kittens or puppies best and did she want to grow up to be a famous movie star or a nurse or a doctor or what, when Memphis shot him in the head. "The way our Chyna girl was dressed," Zack said excitedly, "Bobby just about totally forgot anyone else was here." The night was hot and swamp-humid, and before the visitors arrived, Chyna's mother made her change out of her shorts and T-shirt into a brief yellow bikini swimsuit: "But only the bottoms because, child, you're going to get heatstroke in this weather." Although only seven, Chyna was old enough to feel peculiar about going bare-chested, even if she didn't quite know why she felt that way. She'd gone bare-chested when she was younger, even just the previous summer, when she was six; and it was an awfully hot, sticky night. When Zack said that the way she was dressed had something to do with Bobby's forgetting that anyone else was in the room, Chyna didn't understand what he meant. Years later, when she did understand, she had confronted her mother with it. Anne had laughed and said, "Oh, baby, don't get self-righteous on me. We get along by using what we've got, and one sure thing we girls have is our bodies. You were the perfect distraction. Anyway, poor dumb old Bobby never touched you, did he? He just got to gawk at you a little, that's all, while Memphis went for the gun. Don't forget, sweetie, we were cut in for a piece of that pie and lived well on it for a while." And Chyna had wanted to say, But you used me, you put me right there in front of him where I'd see his head come apart, and I was only seven!

All these years later, in Edgler Vess's study, she could still hear the crash of the shot and see Bobby's face explode; the memory was as vivid as ever it had been. She didn't know what gun Memphis used, but the ammunition must have been high-caliber hollow-point lead wad-cutters that expanded on impact, because the damage they inflicted had been tremendous.

She lowered her hands from her face and looked at the open file cabinet. Vess had used three formats of folders, with staggered tab placement, so it was easy for Chyna to see all the names along the length of the drawer. Much farther back from the Almes file was one labeled TEMPLETON.

She pushed the drawer shut with her foot.

She'd found too much in this study-yet nothing helpful.

Before leaving the second floor, she turned off all the lights. If Vess came home early, before Chyna could get away with Ariel, the lights would warn him that something was amiss. He would be lulled by darkness, however, and as he crossed the threshold, she might have one last chance to kill him.

She hoped it wouldn't come to that. In spite of her fantasies of pulling the trigger on Vess, Chyna didn't want to have to confront him again, even if she found a shotgun and loaded it herself and had an opportunity to test fire it before he arrived. She was a survivor, and she was a fighter, but Vess was more than either: as unreachable as stars, something come down from a high darkness. She was no match for him, and she didn't want another chance to prove it.

One tread at a time, balanced against the handrail, as fast as she dared, Chyna went down to the living room. None of the Dobermans was at the undraped window.

The mantel clock put the time at twenty-two minutes past eight, and suddenly the night seemed to be a sled on a slope of ice, picking up speed.

She extinguished the lamp and shuffled through darkness to the kitchen. There she turned on the fluorescent lights, only to avoid tripping in the debris, falling, and cutting herself on broken glass.

No Dobermans were on the back porch either. At the window, only the night waited.

Entering the windowless laundry room, she shut off the kitchen lights behind her and pulled the door shut.

Down to the cellar, then, to the workbench and cabinets that she had seen earlier.

In the tall metal cabinets with the vent slits in the doors, she found cans of paint and lacquer, paintbrushes, and drop cloths folded as precisely as fine linen sheets. One entire cabinet was filled with thick pads from which dangled black leather straps with chrome-plated buckles; she didn't have any idea what they were, and she left them undisturbed. In the final cabinet, Vess stored several power tools, including an electric drill.

In one of the drawers on the big wheeled tool chest, she located an extensive collection of drill bits in three clear plastic boxes. She also found a pair of Plexiglas safety goggles.

A power strip with eight outlets was attached to the wall behind the workbench, but a duplex receptacle was also available low on the wall beside the bench. She needed the lower outlet, because it allowed her to sit on the floor.

Although the drill bits weren't labeled except as to size, Chyna figured that they were all meant for woodworking and would not bore easily-if at all-through steel. She didn't want to pierce the steel anyway; she wanted only to screw up the lock mechanisms on her leg irons enough to spring them open.

She chose a bit approximately the size of the leg-iron keyway, fitted it into the chuck, and tightened it. When she held the drill in both hands and squeezed the trigger, it issued a shrill whine. The spiral throat of the slender bit spun so fast that it blurred until it seemed as smooth and harmless as the shank.

Chyna released the trigger, set the silent drill aside on the floor, and put on the protective goggles. She was disconcerted by the thought that Vess had worn these goggles. Strangely, she expected that everything she saw through them would be distorted, as if the molecules of the lenses had been transformed by the magnetic power with which Vess drew all the sights of his world to his eyes.

But what she saw through the goggles was no different from what she saw without them, although her field of vision was circumscribed by the frames.

She picked up the drill with both hands again and inserted the tip of the bit into the keyway on the shackle that encircled her left ankle. When she pressed the trigger, steel spun against steel with a hellish shriek. The bit stuttered violently, jumped out of the keyway, and skipped across the two-inch-wide shackle, spitting tiny sparks. If her reflexes hadn't been good, the whirling auger would have bored through her foot, but she released the trigger and jerked up on the drill just in time to avoid disaster.

The lock might have been damaged. She couldn't be sure. But it was still engaged, and the shackle was secure.

She inserted the bit into the keyway again. She gripped the drill tighter than before and bore down with more effort to keep the bit from kicking out of the hole. Steel shrieked, shrieked, and blue wisps of foul-smelling smoke rose from the grinding point, and the vibrating shackle pressed painfully into her ankle in spite of the intervening sock. The drill shook in her hands, which were suddenly damp with cold sweat from the strain of controlling it. A spray of metal slivers swirled up from the keyway, spattered her face. The bit snapped, and the broken-off end zinged past her head, rang off the concrete-block wall hard enough to take a chip out of it, and clinked like a half-spent bullet across the cellar floor.

Her left cheek stung, and she found a splinter of steel embedded in her flesh. It was about a quarter of an inch long and as thin as a sliver of glass. She was able to grasp it between her fingernails and pluck it free. The tiny puncture was bleeding; she had blood on her fingertips and felt a thin warm trickle making its way down her face to the corner of her mouth.

She freed the shank of the broken bit from the drill and threw it aside. She selected a slightly larger bit and tightened it into the jaws of the chuck.

Again, she drilled the keyway. The shackle around her left ankle popped open. Not more than a minute later, the lock on the other shackle cracked too.

Chyna put the drill aside and rose shakily to her feet, every muscle in her legs trembling. She was shaky not because of her many pains, not because of her hunger and weakness, but because she had freed herself from the shackles after having been in despair only a couple of hours before. She had freed herself.

She was still handcuffed, however, and she could not hold the drill one-handed while she bored out the lock on each manacle. But she already had an idea about how she might extricate her hands.

Although other challenges faced her in addition to the manacles, although escape was by no means assured, jubilation swelled in Chyna as she climbed the cellar steps. She went tread over tread, not one step at a time as the shackles had required, bounding up the stairs in spite of her weakness and the tremors in her muscles, without even using the handrail, to the landing, into the laundry room, past the washer and dryer. And there she abruptly halted with her hands on the knob of the closed door, remembering how she had raced along this same route and into the kitchen this morning, reassured by the tatta-tatta-tatta of the vibrating water pipe in the wall, only to be blindsided by Vess.

She stood at the threshold until her breathing quieted, but she was unable to quiet her heart, which had been thundering with excitement and with the steepness of the stairs but now pounded with fear of Edgler Vess. She listened at the door for a while, heard nothing over the thudding in her breast, and turned the knob as stealthily as possible.

The hinges operated smoothly, soundlessly, and the door opened into the kitchen, which was as dark as she had left it. She found the light switch, hesitated, flipped it up-and Vess was not waiting for her.

As long as she lived, would she ever again be able to go through a doorway without flinching?

From a drawer where earlier Chyna had seen a set of cutlery, she extracted a butcher knife with a well-worn walnut handle. She put it on the counter near the sink. She got a drinking glass from another cabinet, filled it from the cold-water tap, and drank the entire glassful in long swallows before lowering it from her lips. Nothing she had ever drunk had been half as delicious as those eight ounces.

In the refrigerator, she found an unopened coffeecake with white icing, cinnamon, walnuts. She ripped open the wrapper and tore off a chunk of the cake. She stood over the sink, eating voraciously, stuffing her mouth until her cheeks bulged, greedily licking icing from her lips, crumbs and chunks of walnuts dropping into the sink.

She was in an uncommon state of mind as she ate: now moaning with delight, now half choking with laughter, now gagging and on the verge of tears, now laughing again. In a storm of emotions. But that was okay. Storms always passed sooner or later, and they were cleansing.

She had come so far. Yet she had so far to go. That was the nature of the journey.

From the spice rack she removed the bottle of aspirin. She shook two tablets into the palm of her hand, but she didn't chew them. She drew another glass of water and took the aspirin, then took two more.

She sang, "I did it my way," from Sinatra's standard, and then added, "took the fucking aspirin my way." She laughed and ate more coffeecake, and for a moment she felt crazy with accomplishment.

Dogs out there in the night, she reminded herself, Dobermans in the darkness, rotten bastard Nazi dogs with big teeth and eyes black like sharks' eyes.

At a key organizer next to the spice rack, the keys to the motor home hung from one of the four pegs; the other pegs were empty. Vess would be careful with the keys to the soundproofed cell and would no doubt keep them on him at all times.

She picked up the butcher knife and the half-eaten coffee cake and went to the cellar, turning off the kitchen lights behind her.

Pintle and gudgeon.

Chyna knew these two exotic words, as she knew so many others, because, as a girl, she had encountered them in books written by C. S. Lewis and Madeleine L'Engle and Robert Louis Stevenson and Kenneth Grahame. And every time that she'd come across a word she had not known, she'd looked it up in a tattered paperback dictionary, a prized possession that she took with her wherever her restless mother chose to drag her, year after year, until it was held together with so much age-brittled Scotch tape that she could barely read some of the definitions through the strips of yellowing cellophane.

Pintle. That was the name of the pin in a hinge, which pivoted when a door opened or closed.

Gudgeon. That was the sleeve-or barrel-in which the pintle moved.

The thick inner door of the soundproofed vestibule was equipped with three hinges. The pintle in each hinge had a slightly rounded head that overhung the gudgeon by about a sixteenth of an inch all the way around.

From the tools in the wheeled cabinet, Chyna selected a hammer and a screwdriver.

With the workbench stool and a scrap of wood for a wedge, she propped open the outer padded door of the vestibule. Then she placed the butcher knife on the rubber mat on the vestibule floor, within easy reach.

She slid aside the cover on the view port in the inner door and saw the gathering of dolls in pinkish lamplight. Some had eyes as radiant as the eyes of lizards, and some had eyes as dark as those of certain Dobermans.

In the enormous armchair, Ariel sat with her legs drawn up on the seat cushion, head tipped forward, face obscured by a fall of hair. She might have been asleep-except that her hands were balled tightly in her lap. If her eyes were open, she would be staring at her fists.

"It's only me," Chyna said.

The girl didn't respond.

"Don't be afraid."

Ariel was so motionless that even her veil of hair did not stir.

"It's only me."

This time, deeply humbled, Chyna made no claim to being anyone's guardian or salvation.

She started with the lowest hinge. The length of chain between her manacles was barely long enough to allow her to use the tools. She held the screwdriver in her left hand, with the tip of the blade angled under the pintle cap. Without sufficient play in the manacle chain, she couldn't grasp the hammer by its handle, so she gripped it instead by the head and tapped the bottom of the screwdriver as forcefully as possible considering the limitations on movement. Fortunately, the hinge was well lubricated, and with each tap, the pintle rose farther out of the gudgeon. Five minutes later, in spite of some resistance from the third pin, she popped it out of the uppermost hinge.

The gudgeons were formed of interleaving knuckles that were part of the hinge leaf on the doorframe and that on the inner edge of the door itself. These knuckles separated slightly, because the pintles were no longer present to hold them together in a single barrel.

Now the door was kept in place only by the pair of locks on the right side, but one-inch deadbolts wouldn't swing like hinges. Chyna pulled the padded door by the knuckles of the gudgeons. At first only one inch of its five-inch width came out of the jamb on the left, vinyl squeaking against vinyl. She hooked her fingers around this exposed edge, yanked hard, and her vision clouded with a crimson tint as the pain in her swollen finger flared again. But she was rewarded with the shrill metallic skreek of the brass deadbolts working in the striker plates and then with a faint crack of wood as the whole lock assembly put heavy strain on the jamb. Redoubling her efforts, she pulled rhythmically, prying open the door in tiny increments, until she was gasping so hard that she was no longer able to curse with frustration.

The weight of the door and the position of the two deadbolts began to work to her advantage. The locks were close together, one set directly over the other, not evenly spaced like hinges, so the heavy slab tried to twist on them as if they were a single pivot point. Because a greater length of the door lay above the locks than below, the top tipped outward, induced by gravity. Chyna took advantage of these inevitable forces, yanked harder, and grunted with satisfaction when wood splintered again. The entire five-inch width of the padded slab swung free of the jamb on the side that had been hinged. With the frame no longer in the way, she pulled the door to the left, and on the right side, the deadbolts slid out of the striker plates.

Suddenly the door came toward her, free of all restraint, and it was too heavy to be lowered slowly out of its frame. She backed rapidly into the cellar, letting the slab thud to the floor of the vestibule just as she vacated it.

Chyna waited, catching her breath, listening to the house for any indication that Vess had returned.

Finally she reentered the vestibule. She crossed the fallen door as if it were a bridge, and she went into the cell.

The dolls watched, unmoving and sly.

Ariel was sitting in the armchair, head lowered, hands fisted in her lap, exactly as she had been when Chyna had spoken to her through the port in the door. If she had heard the hammering and subsequent commotion, she had not been disturbed by it.

"Ariel?" Chyna said.

The girl didn't reply or raise her head.

Chyna sat on the footstool in front of the armchair. "Honey, it's time to go."

When she received no response, Chyna leaned forward, lowered her head, and looked up at the girl's shadowed face. Ariel's eyes were open, and her gaze was fixed on her white-knuckled fists. Her lips were moving, as though she were whispering confidences to someone, but no sound escaped her.

Chyna put her cuffed hands under Ariel's chin and lifted her head. The girl didn't try to pull away, didn't flinch, but was revealed when her veil of hair slid away from her face. Although they were eye-to-eye, Ariel stared through Chyna, as if all in this world were transparent, and in her eyes was a chilling bleakness, as if the landscape of her other world was lifeless, daunting.

"We have to go. Before he comes home."

Bright-eyed and attentive, perhaps the dolls listened. Ariel apparently did not.

With both hands, Chyna enfolded one of the girl's fists. The bones were sharp and the skin was cold, clenched as fiercely as if she had been suspended from rocks at a precipice.

Chyna tried to pry the fingers apart. The sculpted digits of a marble fist would have been hardly more resistant.

Finally Chyna lifted the hand and kissed it more tenderly than she had ever kissed anyone before, more tenderly than she had ever been kissed, and she said softly, "I want to help you. I need to help you, honey. If I can't leave here with you, there's no point in my leaving at all."

Ariel didn't respond.

"Please let me help you." Softer still: "Please."

Chyna kissed the hand once more, and at last she felt the girl's fingers stir. They opened partway, cold and stiff, but would not relax entirely, as hooked and rigid as a skeleton's fingers in which the joints had calcified.

Ariel's desire to reach out for help, tempered by her paralyzing fear of commitment, was achingly familiar to Chyna. It struck in her a chord of sympathy and pity for this girl, for all lost girls, and her throat tightened so severely that for a moment she was unable to swallow or breathe.

Then she slipped one cuffed hand into Ariel's and the other over it, got up from the footstool, and said, "Come on, child. Come with me. Out of here."

Though Ariel's face remained as expressionless as an egg, though she continued to look through Chyna with the otherworldly detachment of a novitiate in the thrall of a holy visitation, her head spinning with visions, she got up from the armchair. After taking only two steps toward the door, however, she stopped and would not go farther in spite of Chyna's pleas. The girl might be able to envision an imaginary world in which she could find a fragile peace, a Wild Wood of her own, but perhaps she was no longer able to imagine that this world extended beyond the walls of her cell and, failing to visualize it, could not cross the threshold into it.

Chyna released Ariel's hand. She selected a doll-a bisque charmer with golden ringlets and painted green eyes, wearing a white eyelet pinafore over a blue dress. She pressed it against the girl's breast and encouraged her to embrace it. She wasn't sure why the collection was here, but perhaps Ariel liked the dolls, in which case she might come along more readily if given one for comfort.

Initially, Ariel was unresponsive, standing with one hand still fisted at her side and the other like a half-open crab claw. Then, without shifting her gaze from faraway things, she took the doll in both hands, gripping it by the legs. Like the shadow of a bird in flight, a fierce expression crossed her face and was gone before it could be clearly read. She turned, swung the doll as if it were a sledgehammer, and smashed its head into the top of the dinette table, shattering the unglazed-china face.

Startled, Chyna said, "Honey, no," and gripped the girl by the shoulder.

Ariel wrenched away from Chyna and slammed the doll into the table again, harder than before, and Chyna stepped backward, not in fear but in respect of the girl's fury. And fury it was, a righteous anger, not merely an autistic spasm, in spite of the fact that she remained expressionless.

She pounded the doll against the table repeatedly, until its smashed head broke and spun across the room and bounced off a wall, until both its arms cracked and fell away, until it was ruined beyond repair. Then she dropped it and stood trembling, arms hanging at her sides. She was still staring into the Elsewhere and was no more with Chyna than she had ever been.

From the bookcases, from atop the cabinets, from the shadowed corners of the room, the dolls watched intently, as if they were thrilled by her outburst and in some strange way feeding on it as Vess himself would have fed if he'd been there to see.

Chyna wanted to put her arms around the girl, but the handcuffs made it impossible to embrace her. Instead, she touched Ariel's face and kissed her on the forehead. "Ariel, untouched and alive."

Rigid, shaking, Ariel neither pulled away from Chyna nor leaned toward her. Gradually the girl's trembling subsided.

"I need your help," Chyna pleaded. "I need you."

This time, as if sleepwalking, Ariel allowed herself to be led from the cell.

They crossed the fallen door through the vestibule. In the cellar, Chyna picked up the drill from the floor, plugged it into the power strip on the wall, and put it on the workbench.

She had no timepiece for reference, but she was sure that nine o'clock had come and gone. In the night were dogs waiting and Edgler Vess somewhere at work, bemused by waking dreams of returning home to his pair of captives.

Trying unsuccessfully to get the girl's eyes to focus on her, Chyna explained what they needed to do. She might be able to drive the motor home while handcuffed, though not without some difficulty, as she would have to let go of the steering wheel to shift gears. Dealing with the dogs while cuffed would be a lot harder. Perhaps impossible. If they were to make the best use of the time remaining before Vess's return, and if they were to have the best chance of getting away, Ariel was going to have to drill out the locks on the manacles.

The girl gave no indication that she heard a word of what Chyna told her. Indeed, before Chyna finished, Ariel's lips were moving again in a silent conversation with some phantom; she didn't "speak" ceaselessly but paused from time to time as if receiving a response from an imaginary friend.

Nevertheless, Chyna showed her how to hold the drill and press the trigger. The girl didn't blink at the sudden shriek of the motor and the air-cutting whistle of the whirling bit.

"Now you hold it," Chyna said.

Oblivious, Ariel stood with her arms at her sides, hands half open and fingers hooked as they had been since she had dropped the ruined doll.

"We don't have much time, honey."

In her clockless Elsewhere, time meant nothing to Ariel. Chyna put the drill on the workbench. She drew the girl in front of the tool and placed her hands on it.

Ariel didn't pull away or let her hands slide off the drill, but she didn't lift it either.

Chyna knew that the girl heard her, understood the situation, and, on some level, yearned to help.

"Our hopes are in your hands, honey. You can do it."

She retrieved the workbench stool from the outer vestibule door, which it had been propping open, and sat down. She put her hands on the workbench, wrists turned to expose the tiny keyhole on the left manacle.

Staring at the concrete-block wall, through the wall, speaking soundlessly to a psychic friend beyond all walls, Ariel seemed to be unaware of the drill. Or to her it might have been not a drill but another object altogether, one that filled her either with hope or with fear, the thing of which she spoke to her phantom friend.

Even if the girl picked up the drill and focused her eyes on the manacle, the chance that she would be able to perform this task seemed slim. The chance that she would avoid boring through Chyna's palm or wrist seemed slimmer still.

On the other hand, although the likelihood of salvation from any trouble or enemy in this life was always slim, Chyna had survived uncounted nights of blood rage and questing lust. Survival was far different from salvation, of course, but it was a prerequisite.

Anyway, she was ready to do now what she had never been able to do before, not even with Laura Templeton: trust. Trust without reservation. And if this girl tried and failed, let the drill slip and damaged flesh rather than steel, Chyna wasn't going to blame her for the failure. Sometimes, just trying was a triumph.

And she knew Ariel wanted to try.

She knew.

For a minute or so, Chyna encouraged the girl to begin, and when that didn't work, she tried waiting in silence. But silence led her thoughts to the bronze stags and the clock over which they leaped on the living room mantel, and in her mind's eye the clock acquired the face of the young man who hung in the motor home closet, eyelids tightly stitched and lips sewn shut in a silence even deeper than that in the cellar.

With no calculation, surprised to hear what she was doing but relying on instinct, Chyna began to tell Ariel what had happened on the long-ago night of her eighth birthday: the cottage in Key West, the storm, Jim Woltz, the frantic palmetto beetle under the low-slung iron bed

Drunk on Dos Equis and high on a pair of small white pills that he had popped with the first bottle of beer, Woltz had teased Chyna because she had failed to blow out all the candles on her birthday cake in a single breath, leaving one aflame. "This is bad luck, kid. Oh, man, this brings a world of grief down on us. If you don't get all the candles out, you invite gremlins and trolls into your life, all sorts of bad characters after your stash and cash." Just then the night sky had convulsed with white light, and the shadows of palm fronds had leaped across the kitchen windows. The cottage rattled in the shock waves of thunderclaps as hard as bomb blasts, and the storm broke. "See?" Woltz said. "If we don't rectify this situation right away, then some bad guys will get the best of us and chop us up into bloody chunks and put us in bait buckets and go out on some deep-sea boat, trolling for sharks, using us as chum. Do you want to be shark chum, kid?" This speech frightened Chyna, but her mother found it amusing. Her mother had been drinking vodka with lemonade since late afternoon.

Woltz relit the candles and insisted that Chyna try once more. When she failed again to extinguish more than seven with one breath, Woltz seized her hand, licked her thumb and index finger, his tongue lingering in a way that disgusted her, and then forced her to snuff the remaining flame by pinching the candlewick. Although there was a brief hotness against her skin, she had not been burned; however, her fingers had been marked with black smudges from the smoking wick, and the sight of them had terrified her.

When Chyna began to cry, Woltz held her by one arm, keeping her in her chair, while Anne relit the eight, insisting that she try again. The third time, Chyna was able to extinguish only six candles with her first shuddery breath. When Woltz attempted to make her pinch both flames with her fingers, she pulled loose and ran out of the kitchen, intending to flee to the beach, but lightning had shattered like bright mirrors around the cottage, the night flashing with sharp silver fragments, and thunder as fierce as the cannonades of warships boomed out of the Gulf of Mexico, so she had fled instead to the small room in which she slept, crawled under the sagging bed, into those secret shadows where the palmetto beetle waited.

"Woltz, the stinking sonofabitch, came through the house after me," Chyna told Ariel, "shouting my name, knocking over furniture, slamming doors, saying he was going to chop me up for chum and then scatter me in the sea. Later I realized it was an act. He'd been trying to scare the crap out of me. He always liked to scare me, make me cry, 'cause I didn't cry easily… never easily…"

Chyna stopped, unable to go on.

Ariel stared not toward the wall, as before, but down at the power drill on which her hands were placed. Whether she saw the drill was another matter; her eyes were still far away.

The girl might not be listening, yet Chyna felt compelled to tell the rest of what had happened that night in Key West.

This was the first time she had ever revealed to anyone, other than Laura, any of the things that had happened to her when she was a child. Shame had always silenced her, which was inexplicable because none of the degradation she endured had resulted from her own actions. She had been a victim, small and defenseless; yet she was burdened with the shame that all her tormentors, including her mother, were incapable of feeling.

She had hidden some of the worst details of her past even from Laura Templeton, her only good friend. Often, on the brink of a revelation to Laura, she would pull back from disclosure and speak not about the events that she had endured and not about the people who had tormented her but about places-Key West, Mendocino County, New Orleans, San Francisco, Wyoming-where she had lived. She was lyrical when the subject was the natural beauty of mountains, plains, bayous, or low moonlit breakers rolling in from the Gulf of Mexico, but she could feel anger tightening her face and shame coloring it when she told the harder truths about the friends of Anne who had populated her childhood.

Now her throat was tight. She was curiously aware of the weight of her heart, like a stone in her chest, heavy with the past.

Sick with shame and anger, she nevertheless sensed that she must finish telling Ariel what had happened during that Florida night of unextinguished candles. Revelation might be a door out of darkness.

"Oh, God, how I hated him, the greasy bastard, stinking of beer and sweat, crashing around my room, drunk and screaming, going to cut me up for bait, Anne laughing out in the living room and then at the doorway, that drunken laugh of hers, hooting and shrill, thinking he was so funny, Jesus, and all the time it was my birthday, my special day, my birthday." Tears might have come now if she had not spent a lifetime learning to repress them. "And the palmetto all over me, frantic, scurrying, up my back and into my hair…"

In the sticky, suffocating Key West heat, thunder had rattled in the window and sung in the bedsprings, and cold blue reflections of lightning had fluttered like a dream fire across the painted wood floor. Chyna almost screamed when the tropical cockroach, as big as her little-girl hand, burrowed through her long hair, but fear of Woltz kept her silent. She endured, as well, when the beetle scuttled out of her hair, across her shoulder, down her slender arm, to the floor, hoping that it would flee into the room, not daring to fling it away for fear that any movement she made would be heard by Woltz in spite of the thunder, in spite of his shouted threats and curses, even over her mother's laughter. But the palmetto scurried along her side to one of her bare feet and began to explore that end of her again, foot and ankle, calf and thigh. Then it crawled under one leg of her shorts, into the cleft of her butt, antennae quivering. She had lain in a paralysis of terror, wanting only for the torment to end, for lightning to strike her, for God to take her away to somewhere better than this hateful world.

Laughing, her mother had entered the room: "Jimmy, you nut, she's not here. She's gone outside, along the beach somewhere, like always." And Woltz said, "Well, if she comes back, I'm going to cut her up for chum, I swear I am." Then he laughed and said, "Man, did you see her eyes? Christ! She was scared shitless." "Yeah," Anne said, "she's a gutless little wuss. She'll be hiding out there for hours. I don't know when the hell she'll ever grow up." Woltz said, "Sure doesn't take after her mother. You were born grown up, weren't you, baby? " "Listen, asshole," Anne said, "you pull any crap like that with me, I'm sure not going to run like she did. I'll kick your balls so hard you'll have to change your name to Nancy." Woltz roared with laughter, and from under the bed Chyna saw her mother's bare feet approach Woltzs feet, and then her mother was giggling.

Fat and obscene and agitated, the palmetto had crawled out from under the waistband of Chyna's shorts and into the small of her back, moving toward her neck, and she had been unable to bear the thought of it in her hair again. Regardless of the consequence, she reached back as the beetle crossed her tube top, and seized it. The thing twitched, squirmed in her hand, but she tightened her fist.

Head turned to the side, peering from under the bed, Chyna had still been gazing at her mother's bare feet. As flashes of lightning strobed the small room, a cloth swirled to the floor, a soft drift of yellow linen around Anne's slender ankles. Her blouse. She giggled drunkenly as her shorts slid down her tanned legs, and she stepped out of them.

In Chyna's clenched hand, the angry beetle's legs had churned. Antennae quivered, ceaselessly seeking. Woltz kicked off his sandals, and one of them clattered to the edge of the bed, in front of Chyna's face, and she heard a zipper. Hard and cool and oily, the palmetto's small head rolled between two of Chyna's fingers. Woltzs tattered jeans fell in a heap, with a soft clink of the belt buckle.

He and Anne had dropped onto the narrow bed, and the springs had twanged, and the weight had made the frame slats sag against Chyna's shoulders and back, pinning her to the floor. Sighs, murmurs, urgent encouragements, groans, breathless gasps, and coarse animal grunting-Chyna had heard it on other nights in Key West and elsewhere but always before through walls, from rooms next door. She didn't really know what it meant, and she didn't want to know, because she sensed that this knowledge would bring new dangers, with which she wasn't equipped to deal. Whatever her mother and Woltz were doing above her was both frightening and deeply sad, full of terrible meaning, no less strange or less powerful than the thunder breaking up the sky above the Gulf and the lightning thrown out of Heaven into the earth.

Chyna had closed her eyes against the lightning and the sight of the discarded clothes. She strove to shut out the smell of dust and mildew and beer and sweat and her mother's scented bath soap, and she imagined that her ears were packed full of wax that muffled the thunder and the drumming of the rain on the roof and the sounds of Anne with Woltz. As fiercely clenched as she was, she ought to have been able to squeeze herself into a safe state of insensate patience or even through a magical portal into the Wild Wood.

She had been less than half successful, however, because Woltz had rocked the narrow bed so forcefully that Chyna consciously had to time her breathing to the rhythm he established. When the frame slats swagged down with the full thrust of his weight, they pressed Chyna so hard against the bare wood floor that her chest ached and her lungs couldn't expand. She could inhale only when he lifted up, and when he bore down, he virtually forced her to exhale. It went on for what seemed to be a long time, and when at last it was over, Chyna lay shivering and sweat-soaked, numb with terror and desperate to forget what she had heard, surprised that the breath hadn't been crushed out of her forever and that her heart had not burst. In her hand was what remained of the large palmetto beetle, which she had unwittingly crushed; ichor oozed between her fingers, a disgusting slime that might have been vaguely warm when first it had gushed from the beetle but was now cool, and her stomach rolled with nausea at the alien texture of the stuff.

After a while, following a spate of murmurs and soft laughter, Anne had gotten off the bed, snatched up her clothes, and gone down the hall to the bathroom. As the bathroom door closed, Woltz switched on a small nightstand lamp, shifted his weight on the bed, and leaned over the side. His face appeared upside down in front of Chyna. The light was behind him and his face was shadowed but for a dark glitter in his eyes. He smiled at her and said, "How's the birthday girl?" Chyna was unable to speak or move, and she half believed that the wetness in her hand was a bloody hunk of chum. She knew that Woltz would chop her up for having heard him with her mother, chop her to pieces and put her in bait buckets and take her out to sea for the sharks. Instead, he'd gotten out of bed and-from her perspective once more just a pair of feet-he had squirmed into his jeans, put on his sandals, and left the room.

In Edgler Vess's cellar, thousands of miles and eighteen years from that night in Key West, Chyna saw that Ariel at last seemed to be staring at the power drill rather than through it.

"I don't know how long I stayed under the bed," she continued. "Maybe a few minutes, maybe an hour. I heard him and my mother in the kitchen again, getting another bottle of beer, fixing another vodka with lemonade for her, talking and laughing. And there was something in her laugh-a dirty little snicker… I'm not sure-but something that made me think she knew I'd been hiding under there, knew it but went along with Woltz when he unbuttoned her blouse."

She stared at her cuffed hands on the workbench.

She could feel the beetle's ichor as if it were even now oozing between her fingers. When she had crushed the insect, she had also crushed what remained of her own fragile innocence and all hope of being a daughter to her mother; though after that night, she had still needed years to understand as much.

"I've no memory at all of how I left the cottage, maybe through the front door, maybe through a window, but the next thing I knew, I was on the beach in the storm. I went to the edge of the water and washed my hands in the surf. The breakers weren't huge. They seldom are, there, except in a hurricane, and this was only a tropical storm, almost windless, the heavy rain coming straight down. Still, the waves were bigger than usual, and I thought about swimming out into the black water until I found an undertow. I tried to persuade myself that it would be all right, just swimming in the dark until I got tired, told myself I would just be going to God."

Ariel's hands appeared to tighten on the drill.

"But for the first time in my life, I was afraid of the sea-of how the breaking waves sounded like a giant heart, of how the nearby water was as shiny black as a beetle's shell and seemed to curve up, in the near distance, to meet a black sky that didn't shine at all. It was the endlessness and seamlessness of the dark that scared me-the continuity-although that wasn't a word I knew back then. So I stretched out on the beach, flat on my back in the sand, with the rain beating down on me so hard that I couldn't keep my eyes open. Even behind my eyelids, I could see the lightning, a bright ghost of it, and because I was too scared to swim out to God, I waited for God to come to me, blazing bright. But He didn't come, didn't come, and eventually I fell asleep. Shortly after dawn, when I woke, the storm had passed. The sky was red in the east, sapphire in the west, the ocean flat and green. I went inside, and Anne and Woltz were still asleep in his room. My birthday cake was on the kitchen table where it had been the night before. The pink and white icing was soft and beaded with yellowish oil in the heat, and the eight candles were all cockeyed. No one had cut a slice from it, and I didn't touch it either… Two days later, my mother pulled up stakes and carted me off to Tupelo, Mississippi, or Santa Fe, or maybe Boston. I don't remember where, exactly, but I was relieved to be leaving-and afraid of who we would settle in with next. Happy only in the traveling, gone from one thing but not yet arrived at the next, the peace of the road or the rails. I could have traveled forever without a destination."

Above them, the house of Edgler Vess remained silent.

A spiky shadow moved across the cellar floor.

Looking up, Chyna saw a busy spider spinning a web between one of the ceiling joists and one of the lighting fixtures.

Maybe she'd have to deal with the Dobermans while handcuffed. Time was running out.

Ariel picked up the power drill.

Chyna opened her mouth to speak a few words of encouragement but then was afraid that she might say the wrong thing and send the girl deeper into her trance.

Instead, she spotted the safety goggles and, making no comment, got up and put them on the girl. Ariel submitted without objection.

Chyna returned to the stool and waited.

A frown surfaced in the placid pool of Ariel's face. It didn't subside again but floated there.

The girl pressed the trigger of the drill experimentally. The motor shrieked, and the bit whirled. She released the trigger and watched the bit spin to a stop.

Chyna realized that she was holding her breath. She let it out, inhaled deeply, and the air was sweeter than before. She adjusted the position of her hands on the workbench to present Ariel with the left cuff.

Behind the goggles, Ariel's eyes slowly shifted from the point of the drill bit to the keyhole. She was definitely looking at things now, but she still appeared detached.

Trust.

Chyna closed her eyes.

As she waited, the silence grew so deep that she began to hear distant imaginary noises, analogue to the phantom lights that play faintly behind closed eyelids: the soft solemn tick of the mantel clock upstairs, the restless movement of vigilant Dobermans in the night outside.

Something pressed against the left manacle.

Chyna opened her eyes.

The bit was in the keyway.

She didn't look up at the girl but closed her eyes again, more tightly this time than previously, to protect them from flying metal shavings. She turned her head to one side.

Ariel bore down on the drill to prevent it from popping out of the keyway, just as Chyna had instructed. The steel manacle pressed hard against Chyna's wrist.

Silence. Stillness. Gathering courage.

Suddenly the drill motor whined. Steel squealed against steel, and the sound was followed by the thin, acrid odor of hot metal. Vibrations in Chyna's wrist bones spread up her arm, exacerbating all the aches and pains in her muscles. A clatter, a hard ping, and the left manacle fell open.

She could have functioned reasonably well with the pair of cuffs dangling from her right hand. Perhaps it didn't make sense to risk injury for the relatively small additional advantage of being free of the manacles altogether. But this wasn't about logic. It wasn't about a rational comparison of risks and advantages. It was about faith.

The bit clicked against the keyway as it was inserted into the right manacle. The drill shrieked, and steel jittered-spun against steel. A spray of tiny shavings spattered across the side of Chyna's face, and the lock cracked.

Ariel released the trigger and lifted the drill away.

With a laugh of relief and delight, Chyna shook off the manacles and raised her hands, gazing at them in wonder. Both of her wrists were abraded-actually raw and seeping in places. But that pain was less severe than many others that afflicted her, and no pain could diminish the exhilaration of being free at last.

As if not sure what to do next, Ariel stood with the drill in both hands.

Chyna took the tool and set it aside on the workbench. "Thank you, honey. That was terrific. You did great, really great, you were perfect."

The girl's arms hung at her sides again, and her delicate pale hands were no longer hooked like claws but were as slack as those of a sleeper.

Chyna slipped the goggles off Ariel's head, and they made eye contact, real contact. Chyna saw the girl who lived behind the lovely face, the true girl inside the safe fortress of the skull, where Edgler Vess could get at her only with tremendous effort if ever.

Then, in an instant, Ariel's gaze traveled from this world to the sanctuary of her Elsewhere.

Chyna said, "Nooooo," because she didn't want to lose the girl whom she had so briefly glimpsed. She put her arms around Ariel and held her tight and said, "Come back, honey. It's okay. Come back to me, talk to me."

But Ariel did not come back. After pulling herself completely into the world of Edgler Vess long enough to drill out the locks on the manacles, she had exhausted her courage.

"Okay, I don't blame you. We're not out of here yet," Chyna said. "But now we only have the dogs to worry about."

Though still living in a far realm, Ariel allowed Chyna to take her hand and lead her to the stairs.

"We can handle a bunch of damn dogs, kid. Better believe it," Chyna said, though she was not sure if she believed it herself.

Free of manacles and shackles, no longer carrying a chair on her back, with a stomach full of coffeecake, and with a gloriously empty bladder, she had nothing to think about except the dogs. Halfway up the stairs toward the laundry room, she remembered something that she had seen earlier; it had been puzzling then, but it was clear now and vitally important.

"Wait. Wait here," she told Ariel, and pressed the girl's limp hand around the railing.

She plunged back down the stairs, went to the metal cabinets, and pulled open the door behind which she had seen the strange pads trailing black leather straps with chrome-plated buckles. She pulled them out, scattering them on the floor around her, until the cabinet was empty.

They weren't pads. They were heavily padded garments. A jacket with a dense foam outer layer under a man-made fabric that appeared to be a lot tougher than leather. Especially thick padding around both arms. A pair of bulky chaps featured hard plastic under the padding, body-armor quality; the plastic was segmented and hinged at the knees to allow the wearer flexibility. Another pair of chaps protected the backs of the legs and came with a hard-plastic butt shield, a waist belt, and buckles that connected them to the front chaps.

Behind the garments were gloves and an odd padded helmet with a clear Plexiglas face shield. She also found a vest that was labeled KEVLAR, which looked exactly like the bulletproof garments worn by members of police SWAT teams.

A few small tears marred the garments-and in many places other rips had been sewn shut with black thread as heavy as fishing line. She recognized the same neat stitches that she had seen in the young hitchhiker's lips and eyelids. Here and there in the padding were unrepaired punctures. Tooth marks.

This was the protective gear that Vess wore when he worked with the Dobermans.

Apparently he layered on enough padding and armor to walk safely through a pride of hungry lions. For a man who liked to take risks, who believed in living life on the edge, he seemed to take excessive precautions when putting his pack of Dobermans through their training sessions.

Vess's extraordinary safeguards told Chyna everything that she needed to know about the savagery of the dogs.