Dead Men's s Boots

25

The big advantage of Juliet’s Maserati was its acceleration: it had warp engines as well as impulse power. When I got onto the North Circular – which at three in the morning was mercifully deserted – and put my foot down on the pedal, six or seven cartloads of bullying G-force pressed me back into the hand-stitched leather and the street lights blue-shifted. I got to Chingford Hatch in what felt like a minute and a half.

The gates of The Maltings were wide open, and so was the front door. Just like the last time I’d been here, all the lights were on: but this time there was a general absence of people running around like headless chickens. I parked up and glanced at Juliet lying across the back seat, absolutely still.

It was too dark to tell whether the healing process had already begun. If she were conscious, I could ask her how she was feeling: and then if she broke my little finger, as she’d threatened to do back in Alabama, it would be a sign that she was starting to rally. In any case, I couldn’t take her with me where I was going.

I got out of the car and walked across the stone flags to the door. I still didn’t see a soul, and dead silence met me in the hallway. I wandered from room to room, expecting an ambush at first and looking behind every door, but you can’t keep those hair-trigger reflexes honed for ever. After a while it became more of a tense stroll.

I found Covington in Lionel Palance’s bedroom. He was sitting in a steel-framed chair next to Palance’s bed, reading the old man a bedtime story – and it wasn’t Noddy. I guess he must have put his foot down about that. I walked into the room, making as little noise as I could, and stood behind him while he read. He did the voices pretty convincingly.

‘“What have you been doing, Taffy?” said Tegumai. He had mended his spear and was carefully waving it to and fro.

‘“It’s a little berangement of my own, Daddy dear,” said Taffy. “If you won’t ask me questions, you’ll know all about it in a little time, and you’ll be surprised. You don’t know how surprised you’ll be, Daddy! Promise you’ll be surprised.”

‘“Very well,” said Tegumai, and went on fishing . . .’

Covington glanced across at his audience of one. Palance was already asleep, his chest rising and falling without sound.

Covington closed the book and put it on the bedside table, in the midst of all the medicines. His movements were a little jerky and so one or two of them fell off onto the floor: he picked them up and put them back in their places. He leaned forward, kissed Palance on the forehead without waking him, and then straightened again, squaring his shoulders as though for some ordeal.

‘Castor,’ he said, turning for the first time to acknowledge me. He looked impossibly tired. ‘How did it go?’

‘Pretty well, Aaron, all things considered.’

‘Meaning?’

‘Meaning that if you went to Mount Grace right now, you’d find it looking like a morgue.’

‘Well – good. That’s good. At least, I presume it’s good. And you and your . . . team all came out of it okay?’

I made a palm-wobbling, so-so gesture. ‘We had one fatality. Fortunately.’

He stood and looked calmly into my eyes. ‘And now you’ve come for me.’

‘Pretty much.’

‘Fancy a whisky?’

‘Pretty much.’

Covington led the way down the stairs to the same room we’d used the night before. It felt like another lifetime. He picked up the Springbank, but I put my hand on his arm and shook my head.

‘Something rougher,’ I said. ‘Please. Rotgut, if you’ve got any.’

He found some blended Scotch with a name I didn’t recognise and held it up for my approval. I nodded.

‘“Bartender, give me two fingers of red-eye,”’ he quoted. He mimed the punchline, poking his fingers towards but not into my eyes. I didn’t laugh. I wasn’t in the mood, somehow.

He set out two glasses and poured a generous measure into one. Then he looked at the bottle, thought better of it and took that, leaving the other glass empty on the bar.

‘Shall we sit down?’ he asked, gesturing.

‘Whatever.’ I followed him across to the leather three-piece. He sprawled on the sofa and I took one of the chairs. He chinked the bottle to my glass and then took a deep swallow of the whisky: he didn’t even shudder although God knew it wasn’t smooth.

‘You called me Aaron,’ he observed, running his tongue across his lips.

‘You’d prefer I called you Peter?’

Covington thought about that. ‘No, not really,’ he admitted. ‘Actually – in a strange way – there’s a rightness to it. I made up Silver for myself, but Aaron was the name I was born with. What goes around, comes around. How did you know?’

I let my eyebrows rise and fall. ‘You weren’t particularly trying to hide.’

He acknowledged the point with a shrug. ‘Still. John Gittings never saw through me. Or did he? Was my name in his notes?’

‘No.’ I swirled the whisky in the glass, watching the filaments roll in the liquor like the ghosts of worms. I thought back, trying to get the sequence straight in my own mind because the conviction had crept over me by slow degrees: there wasn’t any one moment when the light bulb had lit up above my head. ‘John didn’t work it out. But the letter you sent him was a part of it, I suppose. You told him to take back-up, and you told me the same thing when I came to see you. I guess that struck a chord. What was with the spelling, by the way? Just your instinct for camouflage kicking in?’

Covington made a slightly rueful face. ‘I can’t spell,’ he said. ‘There’s probably a name for this now – or there will be soon. Aaron Silver learned English late in life, and he never got his head around the orthography. Now I find that every new body I live in has the same limitations as the original. It’s possible to change, but it’s hard. And it doesn’t last. Old habits keep reasserting themselves. The past is . . . more present than the now. It’s easier for me to write like that than it is to look up the correct spellings. Was that all? Just that one coincidence? Me saying the same thing to you that I wrote to Gittings?’

‘No.’

‘Then –?’

‘You really want me to run through all the loose change you were dropping?’

‘If you don’t mind, yes. I still find it hard to believe that I’ve developed a death wish, after working so hard for so long to stay alive. Indulge me.’

I delved into my scattered thoughts again. ‘I was actually looking for you,’ I said. ‘Or at least – not for you, specifically, but for someone behind the scenes who was making things happen. You had to be there. Someone hired John, and gave him a small fortune to spend on those death-row trinkets. Someone told him about the set-up at Mount Grace, but for some reason let him grope around in the dark for weeks on end checking out cemeteries rather than just giving him the address. Someone playing games, in other words. Feeding him crumbs to keep him moving, but not wanting to show his hand. Maybe because if John went directly to Mount Grace, all your dead friends would know who sent him.’

Covington smiled coldly – maybe at the word friends. ‘Go on.’

‘Jan Hunter had a mysterious benefactor, too – someone who called her up claiming to be Paul Sumner, but Paul Sumner was already dead. You again, I’m guessing, trying to keep the momentum going in spite of John’s death – and maybe also looking for a way to stop Doug Hunter going down for a murder he didn’t commit. Strings were being pulled all the way down the line. Did you summon Moloch, too?’ Covington nodded without speaking. ‘Yeah, I thought so. Big coincidence otherwise – that a demon with just those dietary needs happened to be raised from Hell just where he’d catch the scent of the Mount Grace permanent floating barbecue. But there weren’t any coincidences operating here: it was all part of the master plan.’

I took a long swig of the whisky. It burned pleasantly in my mouth.

‘So that was the main thing,’ I said. ‘The strings. You don’t get all those strings without someone to pull on them. How did I know it was you? Just lots of little things. Your real name – Aaron Silver’s real name, I mean – was Berg: and the name you gave to Ruth Kale was Bergson.’ Covington opened his mouth to speak and I anticipated his objection. ‘No, you’re right. I wouldn’t have picked up on that if I didn’t already know. It was the Paragon, Silver. You let yourself get seen by two people there.’

He looked surprised. ‘I know. But I had my collar drawn up and I was moving fast. I didn’t think either of them got a good look at me.’

‘They didn’t. But their different descriptions of you got me thinking. The desk clerk, Merrill – he said you were an old man. But Onugeta jostled against you in the hallway and he felt how solidly muscled you were: he knew you had to be a young, fit guy. So why would Merrill think you were old?’

‘I don’t know, Castor. What’s the punchline?’

I pointed at his head. ‘Your snow-white locks. You walked past his desk with your head down and your collar up, and all he saw of you was your hair. And I dunno, maybe there’s something about how you walk, too: another echo. Something that goes with being a century and a half old. Either way, the paradox got my mind working. And once it was working, I saw that the little question – who was that masked man? – was the same as the big question. Why were you there at all? Why did you take the hammer away with you? Locking the stable door after the horse had bolted, even though Doug Hunter – and Myriam Kale inside him – was going to be arrested anyway.’

Covington shook his head slowly. ‘You really thought this through, didn’t you? Why did I?’

‘Because flesh is clay. When a human soul possesses an animal body, it bends it as far as it can into a human shape. Sometimes the animal soul pushes back, and you can get some really interesting – not to say nasty – results as the see-saw tips. And the same thing happens to you and your friends, doesn’t it? The longer you stay inside a body that isn’t yours, the more it adjusts to having you there. The more it slides into the shape and form you remember having in your old body. That’s why you’re snow-white blond as Peter Covington, and why you were snow-white blond as Les Lathwell: because Aaron Silver’s soul remembered having snow-white hair. And that hammer, gripped in Doug Hunter’s hand as Myriam Kale came bubbling up out of his soul and into the driver’s seat—’

‘-Had Myriam Kale’s fingerprints on it. Right. The hammer is behind the bar, by the way: I assume you’ll be wanting to take it with you when you go. And it won’t make any difference to me or to Mimi after tonight. Can I refresh your drink, Castor?’

I looked at my empty glass. ‘Probably better not,’ I said. ‘I need a clear head if I’m going to play you out.’

‘You don’t need to worry. I won’t make it hard for you. But I’m in the mood to confess before I die. And I’ve got a favour to ask you, too. Have another drink with me.’

Fuck it. Why not? It was his house, and his booze. I held out the glass and Covington filled it from the bottle he’d been drinking from. Well, alcohol is meant to be a good disinfectant.

‘How long has it been since your last confession?’ I asked him.

He laughed. ‘A hundred and some years. And I’m Jewish, not Catholic. Born Jewish, anyway: religion never meant very much to me – which is why I had myself burned rather than buried. I didn’t believe in the bodily resurrection. All my life I just did what I had to do to get by, and that never seemed to leave much room for thinking about God. The last time I went to schul was on the day I was bar mitzvah. Three years after that I killed my first man. Probably the one thing had as much to do with growing up as the other did.’

Suddenly the prospect of hearing all this seemed a lot less attractive. ‘So you were a bad man,’ I said. ‘We can take that as read, if you like. Move on to the atonement and the absolution.’

‘I’ve been handling the atonement in my own sweet way, Castor. And for your information, I haven’t started telling you my sins yet. I don’t think any of the men I killed back when I was Aaron Silver had any reason to complain. They would have done the same to me, if I’d given them an opening. One of them did, in the end. Henry Meyer-Lindeman got the drop on me in a whorehouse in Streatham. Actually on the job. Shot me and shot a lady name of Ginny Tester under me. We both died instantly.’

‘And in your end was your beginning.’

Covington grimaced. ‘Not right away. It was a shock – waking after my own death and finding that I was trapped in Mount Grace. Tied to my own ashes. You never really are, of course. The trap is just your own habits. Your own ways of thinking. But it felt real. It felt as though I’d be spending eternity on that one little plot of ground, and eternity would be a long time passing.

‘But a year later Stephen Kesel died, and he felt the same way about burial as I did. And four years after that it was Rudolf Gough’s turn. And that was critical mass. There was an old janitor who used to live on the site. We took him one night while he was asleep: the three of us, working together. Then we took turns to ride him. We were back in business.

‘The first thing I did was to visit Meyer-Lindeman and pay him back with interest. I liked Ginny Tester a lot: she deserved better than to die in that undignified way. And Steve and Rudy had similar visits to make – good ones and bad ones.

‘But we realised pretty quickly that this went beyond dealing with unfinished business. We also figured out that it wasn’t possible for one of us to betray the others: Steve tried to take off on his own, but he came limping back three days later: the janitor was fighting back, and it took the three of us to whip him into line again.

‘So there we were. We were immortal, but only so long as we stuck together. An immortality collective. Till death us do part, only it never could whether we wanted it to or not.

‘All the rules and refinements came over the next twenty years or so – the years of throwing things against the wall to see whether or not they stuck. Experimentation and refinement. We discovered that the ashes made everything ten times easier, and made the possession stick for longer too. We discovered that night was better than day, particularly for the initial breaking-in of a new body, and that dark of the moon was the best time of all. We turned it into a very streamlined process. Tried and tested. It helped that nobody believed what we were doing was even possible: that meant nobody was on their guard.’

‘What about Myriam Kale?’ I asked. ‘Where does she come in?’

For a moment I thought Covington hadn’t heard me. He was looking up at the ceiling, his posture one of acute attention.

‘Did you hear Lionel crying?’ he demanded.

‘I didn’t hear a thing.’

He relaxed a little. ‘Okay. Just the wind, I guess. I picked this room because it’s right under his: if he stirs, we’ll hear him. You’ll notice I sent the nurses away, so I’m . . . on duty tonight. Myriam, right. Myriam was Yoko Ono. The femme fatale who gets the blame for breaking up the band.’

He took another long swig of whisky. He’d been drinking pretty regularly and pretty determinedly at every pause in the conversation and the bottle was mostly empty now. He was nerving himself up for something, but I wondered whether he might already have missed his stop.

‘By the 1960s,’ Covington said, ‘I was in my eighth body, if you can believe that. We wore them out pretty quickly: the psychic punishment is reflected in premature ageing. Our numbers were up to two hundred, which is where they’ve stayed ever since, and we’d already had the idea of moving out of organised crime into legitimate business – things that would make us just as rich, but at the same time lessen the chance of any police investigation finding us by accident.

‘For me, it was getting . . . claustrophobic. I wasn’t enjoying the company of my peers much at all. And I’d been practising meditation techniques: I found that if I was really disciplined I could maintain control of the body I was in more or less indefinitely, without reinscription.

‘I went to the States intending to take a good long holiday – to stay away from Mount Grace for as long as possible. But I needed an excuse and so I made up this bullshit story about making contact with the American mobs. Then, to make it look like I was doing that, I spent some time with the Chicago families. That’s how I met Myriam.

‘I think I loved her because she was the opposite of everything I’d become. Okay, she was a killer: to that extent we were the same. But there was no calculation in anything she did. She was spontaneous, just following her instincts all the time whether they were bad or good. Whereas at Mount Grace calculation was our heart and soul. We’d become parts of a machine, and the machine ground on. And she was vulnerable and damaged, where we were immortal and beyond all harm. I don’t know. I can’t psychoanalyse myself. I was drawn to her. I wanted to help her. Probably the love came later, and it was never consummated. The closest we came to having actual sex was me masturbating her once, while we were at a drive-in movie. She cried when she came: cried buckets. Like she couldn’t bear it. God, what had been done to her! She was still strong, but . . . broken. Broken way past mending.

‘But like I said, this was just a holiday. I came home and I threw myself back into the day-to-day, life-to-life stuff. The Krays, who were never part of our little clique, were arrested and carted off to Broadmoor, and we had the whole of the East End to ourselves. Then I read about Myriam being caught and convicted, and I made up my mind right then to bring her in.’

‘Are we up to the sins yet?’ I asked.

Covington smiled humourlessly. ‘Almost. The rest of the committee were against it from the start. They could see all kinds of trouble arising from having an actual psychopath in our club – and they were right, obviously. I saw most of the potential problems myself, but I didn’t care. I was determined to try. I felt . . . responsible for her, somehow. And I hoped, against all the evidence, that in a new body she might somehow recover. Get over her madness and become what she was meant to be before all the rapes and the beatings.

‘It didn’t work. And yeah, now we’re up to the sins. I feel sorry and I feel ashamed when I think of the men she murdered. I never did acquire much of a taste for torture – and for personal reasons I hate it when violence and sex get mixed up together. It always makes me think of poor Ginny.

‘But the harm was done, now. The committee were terrified that Myriam would draw unwanted attention. They even paid to have that poor bastard Sumner – the hack writer – bumped off because he wrote a book about her. It got harder and harder to convince them to give her another chance – and last year, when I suggested giving her a man’s body as a way of jolting her out of her old behaviour patterns, they told me it was the last time. That meeting got kind of heated. I told them they were pathetic little echoes of what they’d been when they were alive: so scared of losing their creature comforts that they weren’t really living at all any more. They accused me of being too big for my boots, trying to run Mount Grace as though it was my personal empire. They threatened to expel me, and I told them they couldn’t. Not any more. I didn’t need them now to keep my hold on this body – and I could take another one, any time I wanted to, without their help. That was probably an unwise thing to say: when they realised how strong I was, they broke with me completely. By that time . . . it came as something of a relief. Because by that time I had something else eating at me. Worse even than Myriam.’

‘Palance,’ I guessed.

‘Yeah,’ Covington whispered. ‘Lionel.’ He emptied the bottle in one final, three-glug swallow.

‘Who is he, Covington?’

‘He’s my son.’

In the dead silence that followed this flat assertion I did the maths and failed to make it come out even close. Covington read the calculation and the outcome in my face and made a sweeping gesture with his hand to head off any objection.

‘I didn’t father him as Aaron Silver,’ he said. ‘I was in one of the other bodies. I can’t even remember which one: they all merge together now. They all ended up looking exactly the same after I’d been wearing them for a year or so, anyway.

‘You see, Castor, once we’d got the mechanics of possession all worked out, the only problems we had left were the legal ones. We had a lot of property that we had to pass on from one generation to the next – from one body to the next – and we wanted to do it in ways that didn’t look odd to someone looking in from outside. Some of us had trained as lawyers, which meant that – as far as contracts went – we could nail down any arrangement we liked. But it had to look right. Right enough to avoid anybody wanting to look any deeper.

‘So Seb Driscoll – the guy you met as Todd – he had a brilliant idea. We have kids. Doesn’t have to be a church wedding, semi-in-the-suburbs kind of deal: we just knock some woman up every now and then, so we’ve got biological children of our own. Because if you’ve got a kid – certifiably, genetically yours – everything becomes really easy. When the time comes to take a new body, you leave everything to the kid. You top yourself. You jump. Now you’re the kid, and you’ve got the fortune, and nobody is going to ask any questions. You just look like a mensch: like a stand-up guy who saw his duty right at the end of his life and did it. End of story.’

Covington stood up, slowly and carefully: from the look on his face and the slight jerkiness in his movements, the booze was starting to kick in.

‘So what went wrong?’ I asked.

‘Nothing.’ His voice dripped with bitterness. ‘Except . . . human nature, maybe. You could forgive me for thinking I didn’t have any by this time, couldn’t you? After all the things I’d done. All the mayhem, the killings, down through the years. Life is cheap, right? But not your own. And your kids are a little bit of your own life, growing in someone else.’

He didn’t seem to know what to do with himself now that he was up on his feet again. He tried pacing, but that didn’t seem to work somehow: he’d stop after every few steps as though he was trying to remember a specific sequence of movements and it kept escaping from him, forcing him to break off and start again.

‘There were problems with Lionel,’ he said, staring at the floor. ‘We needed to make a certain land transfer at an awkward time – when he was only two years old. We went ahead and did it, because there wasn’t any other choice. Then the woman who was Lionel’s mother started making difficulties – trying to spend our money – and Driscoll ordered a hit on her. But it was botched, and then she went public and it wasn’t easy after that to get close to her. Or rather, it wasn’t easy in any of the regular ways.

‘But Driscoll saw a way of squaring the circle. He possessed Lionel, and we got Lionel to kill her.’

In spite of everything I’d already seen and done that night, I felt an uncomfortable movement in my stomach at that moment. ‘His own mother?’

‘Yeah. When he was three months past his second birthday. Cute, huh? That train set upstairs – I don’t know if you saw it – that was what I sent him. Stupid gift for a two-year-old: he couldn’t even put the fucking track together. But it didn’t matter, anyway, because he wasn’t going to get to play with it.

‘Driscoll thought it was funny. He’d worn a lot of bodies by that time, but he’d never tried wearing a kid. So he stayed there for a few months. Made quite a joke out of it, turning up for the monthly inscription with a – with a sharp tailored suit, and looking at me out of my own son’s . . . Do you mind? I need some fresh air.’

Covington took aim with the bottle and hurled it against the picture window. The bottle shattered: the window fractured across, but stayed whole. Frustrated, he crossed to the bar, picked up a heavy glass ashtray and slung it like a discus. That did the job: it went pinwheeling through the window, which shattered spectacularly, and impacted on the stone flags outside in a fountain of shards that winked and sparkled briefly in the glare of one of the security lights. As though it hadn’t happened, Covington turned to me again. His eyes were dry but his cheeks were flushed and a terrible strain twisted his mouth, making his handsome face a thing you wanted to look away from.

‘So anyway, that started a whole craze. Driscoll talked it up so much, everyone had to try. Between his second and tenth birthdays, I’d estimate that Lionel had forty or fifty different passengers. And I let it happen. I stood by, and I . . . did nothing. Didn’t think about it. Didn’t care. Told myself I didn’t care, anyway. Life is cheap, and the rest is – sentiment. Which is even cheaper.

‘At ten Lionel was left to himself for a while. They lost interest. But it was too late by then. The cognitive centres in the brain – I don’t know. I’ve heard it explained in four or five different ways. At the crucial points in his brain development, he’d been . . . asleep. A prisoner in his own body, bludgeoned into eight years of unconsciousness. He was never going to be normal now. It turned out that you couldn’t just put those years back.’

Covington took a deep, ragged breath. ‘So we had a hard choice,’ he said. ‘Lionel was still the legal possessor of a lot of land – a big chunk of our assets. He was a ward of court, in my legal custody, but there’d be problems if I just administered his property as though it was mine. That would look like malfeasance: it was exactly what we wanted to avoid.

‘We took the low road instead. Carried on possessing Lionel, carried on using him as our puppet – working on a strictly enforced rota, because the novelty had worn off by this stage and nobody was very keen to go through puberty again. We kept the whole routine up until he came of age. After that, he was as viable a suit to wear as anybody else, and it didn’t matter so much. The job was done.

‘But so was the damage. Now that it was too late, I could see – could really see, for the first time – what a monstrous thing we were doing. How big an obscenity we were.

‘I couldn’t save Lionel. I’d even been part of what had been done to him. What I could do was decide that there wouldn’t be any more Lionels. That the operation would finally be shut down. And when they lost interest in him – when he got too old, and they let him go at last – I brought him here. I’ve tried to make him comfortable, at least: I was trying for happy, but most of the time comfortable is what we can manage. He doesn’t remember much, but he has nightmares, and he’s always confused. Always a little bit panicky, as though he’s forgotten something important and something awful is about to happen and it’ll be his fault.

‘So you see, it wasn’t Myriam. They all think it was, and maybe for them that was the real crisis. For me – the camel’s back was already well and truly fucked. Whatever they let me do for Myriam, or tried to stop me from doing, I was done. I was all done.’

Covington looked at me bleakly. ‘Another drink?’

‘No.’

‘No. Not for me, either, I guess. I can see the way you’re looking at me, Castor. I would have killed you for that once.’

‘It’s your party, Aaron. It’s been your party all along.’

He nodded. ‘Yeah, it has. What time is it?’

‘About five-thirty.’

‘The next shift of nurses comes in at six. I need to make sure they all clock in: if someone doesn’t make it, I have to call the service. After that, I’m yours. We’ll go to where Myriam is. We’ll sort this.’

‘Fine.’ I pulled myself wearily to my feet. Covington could have saved his effort: breaking the window hadn’t done anything to clear the air in here. I crossed to the bar, found the hammer wrapped in bubble plastic behind it and hefted it onto my shoulder. ‘I’ll wait for you in the car. Come on out whenever you’re ready.’

Retracing my steps through the maze, I came back out onto the driveway and climbed into the car. The form-fitted leather was way too comfortable and I dozed off into uneasy dreams. John Gittings was in them: so was Gary Coldwood. When a hand on my shoulder – the one that Todd had stabbed me in earlier that evening – woke me back into the world, cold sweat slicked my body from head to foot.

It was Covington, and he was already in the passenger seat.

‘Nice car,’ he said, without much enthusiasm. ‘Did it belong to the dead woman in the back seat?’

‘Demon,’ I corrected him. ‘Yeah, it’s hers. And the rumours of her death are usually exaggerated.’

‘Whenever you’re ready, Castor.’

I turned the key in the ignition. I didn’t think I’d ever be ready. But even in the cold, damp, misty pre-dawn after a night of bloodletting and pain, you can always rely on Italian engineering. The Maserati started first time, and I eased her out through the gates.