Dead Men's s Boots

24

When you’re climbing a mountain, the first thing you do is set up a base camp. In our case it was the building site at the bottom of Ropery Street, right next door to the crematorium and facing it across a no man’s land of churned mud. Okay, there was also a tall fence separating us from the landscaped grounds, but our line of sight was clear. Clear enough to see the car headlights coming up the curve of the drive in their twos and threes, the lights slowing and stopping and then winking out as the drivers headed into the building. The inscription had begun, or else it would begin soon. Either way, we had all our enemies, living and dead, in the same spot. Lucky us.

We stood close to the top of the tower of scaffolding that surrounded the shell of a building yet to be. Moloch and Juliet stared intently into the darkness, which held no secrets from them. For my part I couldn’t see a blind fucking thing: it was dark of the moon, and in any case the sky above us was a curdled mass of black on black – this high up, the wind was a constant barrage of sucker punches. But the storm was holding off for the moment, maybe waiting for a more dramatic moment.

‘There are armed men,’ Juliet said. ‘A lot of them. Some of them at the gate, some in front of the doors. More of them are taking up positions in the grounds. They seem to know what they’re doing. Two or three men in a group, each group in line of sight of at least two others.’

‘Hired security,’ I said. ‘Probably black-market, if they’re carrying guns.’

‘They’re carrying rifles,’ Moloch murmured. ‘They have handguns in their belts. Also grenades.’

I shrugged, as nonchalantly as I could. ‘It makes sense,’ I said. ‘This is when our dead-guy mafia are at their weakest – individually and as a group.’

‘In what way?’ Juliet demanded.

‘Well, they all need to tie up and gag their inner hostages again, so I’d guess at least some of their strength has to be taken up in keeping a tight hold on the bodies they’re wearing. After the ritual, they’re okay again for the next month. And they’re also vulnerable because they’re all here together. They know damn well that if anyone wants to take them out, this is the best time to do it. Hence the paranoid security. We should be encouraged by it, really. It shows that they’re scared.’

‘It also shows that they’re neither stupid nor blind,’ Juliet pointed out. ‘We’d have a lot more chance of success if they were both.’

I didn’t answer. I was looking down at the wooden planks of the scaffolding beneath my feet, which had just shifted in the wind. This was where Doug Hunter’s life had taken a turn for the worse, I now knew. I’d called Jan to check the hypothesis, but I’d already known what her answer would be. This was the last place he’d worked, and on the day he sprained his ankle he’d walked next door to the crematorium to see if he could beg, borrow or requisition a first-aid kit. And that was the last thing he’d done as himself.

It felt like a bad omen, suddenly: to be launching our own attack from a place with a history like that. I wanted to get out of here and make a start, because the sooner we made a start the sooner the whole thing would be over.

But as I took a step towards the ladder Juliet put out a hand and clamped it down on my shoulder, stopping me in my tracks.

‘Castor,’ she said. ‘There’s something you still need to do up here. You –’ this was to Moloch ‘– go down and wait for us at the bottom. We’ll join you in about five minutes.’

Moloch bared his teeth. ‘There shouldn’t be any secrets between allies,’ he said. ‘Whatever you’ve got to say, we should all hear.’

‘I don’t have anything to say,’ Juliet told him. ‘As far as that goes, I’m sure your ears are keen enough to pick up everything that goes on up here. But you don’t get to watch.’

Moloch said nothing. With visible reluctance he put his feet on the ladder and started to descend.

I stared at Juliet. She stared back. The elevator in my stomach slipped its cables and plunged precipitately to the bottom of its shaft.

‘You’re still weak,’ Juliet said.

‘Yeah,’ I said, my voice sounding slightly strangled and strained in my own ears. ‘I’ve been better.’

‘You may not know this, Castor, but I can give as well as take.’

For a few seconds I just kept staring. I was rummaging in my head for words. There were no words left. ‘You can-?’

‘When I feed, I take the strength, the life and the soul from the men I fuck. I started to do it to you once, so I’m sure you remember.’

I nodded. Waking in the dark, sweat cold on my face and chest, heart hammering an overclocked suburban mambo, I remembered most nights.

‘I’m not going to make love with you. It would hurt Susan if she knew, and I prefer not to lie to her. But I am going to lend you some strength to work with. It might make the difference between you living and dying tonight.’

Two steps brought her up close to me, and her eyes were staring directly into mine. Point-blank. Point-singularity, her pupils two black holes that dragged me in not against my will but using my will to fuel their own local gravity.

She put one hand on the back of my neck, drawing me close. Our lips met.

At least, I assume they met. If hypnotherapy was guaranteed to help me to remember, I’d sign up for a course today and happily pay whatever it cost up to and including my right arm. But while I can summon up without even trying every agonising detail of the night when Juliet tried to rape and devour me, the only thing I remember about that kiss is a sensation like the whole of my body being melted, rendered like tallow, blasted into steam and then falling like molten rain back into the exact same place I’d been standing. I don’t even know how long it took: it wasn’t the sort of thing that had a time signature on it. It was there, it was everywhere and then it was over. Juliet was stepping away from me towards the ladder and I was standing there alone, each cell of my body separately and searingly aware of the cold night air touching it.

‘That should be enough,’ said Juliet’s voice, from some unfathomable distance. ‘Use it wisely.’

With enormous reluctance, coming down from a height that was already fading out of my mind and leaving no traces, I turned to follow her. A brittle heat filled me now, and it was as dry as the air in a furnace. Otherwise I might have cried.

‘And now,’ said Moloch with ironic emphasis when we reached the bottom of the ladder, ‘if you’ve adjusted your dress-’ Juliet’s warning glare silenced him.

‘We’re the point men,’ I said to him. ‘We’re going in from the front. Juliet’s going to join us when she’s done what needs to be done here.’

He bowed, gesturing for me to take the lead. I looked around at Juliet one more time.

‘Luck,’ I said, for want of anything better to say.

‘There’s no such thing,’ she told me dispassionately, already walking away. ‘Trust in luck and you’ll die tonight.’

I headed for the entrance to the yard. The gate had been closed with a padlock when we turned up, but Moloch had twisted the lock between finger and thumb and it had snapped off clean: then he’d tossed it negligently away over his shoulder. There was nothing to slow us down now as we walked back out onto the street.

The front gates of the crematorium were a much heftier proposition. They were off on our left, fifty yards away at most. I hadn’t taken the time to admire them on the day of John’s cremation, but I could see now that they were built to withstand a serious siege. Where they touched they wore a massive chain and a clutch of padlocks like a giant’s charm bracelet.

We took our time, not wanting to get there too early. The impassive men inside stared out at us through the bars as we approached. There were three of them, all dressed in the sombre black uniforms of priests or security guards. But most priests don’t have that kind of physique. I stared back. No sign of small arms – only sidewinder nightsticks in holsters at their waists: but then, they wouldn’t want a chance passer-by to notice anything odd and dial 999. The rifles would put in an appearance soon enough if we gave them any excuse.

‘Evening, gents,’ I said, coming to a halt right in front of the gates. Juliet’s arcane energies were burning inside me. I felt slightly hysterical: it was hard not to laugh out loud.

The guy in the middle gave me a bored, neutral look. ‘Anything we can do for you?’ he asked, in a tone that emphatically didn’t expect a yes and wouldn’t be happy to hear one.

‘Yeah,’ I said equably. ‘We’ve come to see Uncle George. He’s in the memorial garden, right next to the stone cherub with the fascist graffiti on its arse. George Armstrong Castor. He was in the cavalry.’

The guard didn’t answer me right away: he gave us both a harder look, his eyebrows inverting themselves into a dark V of stony disapproval.

‘The memorial garden is closed,’ he said. ‘You’ll have to come back tomorrow morning.’

I shook my head firmly. ‘Tomorrow morning is no use,’ I said. ‘We’re grieving now. By tomorrow we could be feeling cynical and self-sufficient again. So would you mind opening up before I lose my temper?’

The words hung in the air. I was smiling as I said them: a slightly crazed smile that did nothing to take away the edge of threat. But the guard’s pained expression as he scratched his ear and squared his shoulders said very eloquently that the threat wasn’t a credible one – and that he’d had more than enough of being polite.

‘Fuck off out of it, pally,’ he said. ‘I’ve told you we’re closed.’

Moloch stepped past me and took a two-handed grip on the bars, arms at full stretch. He shook the gates on their hinges, testing their weight and heft. One of the guards on the flank gave a jeering laugh. But the guy in charge wasn’t seeing the funny side.

He took a step towards the gate, his hand going to the grip of his nightstick. And that, by a happy chance, was when the fun started. There was a rending crash from away to our right: the three guards, taken by surprise, all turned their heads to see what the noise was: we knew it was coming, so we didn’t.

I know Todd said that the Mount Grace collective liked to keep things in the family, so what happened next was no more than the pirate souls in possession of these men deserved. I couldn’t help remembering, though, that the flesh still belonged to someone else: that each of these human bodies had a prisoner locked in an oubliette somewhere screaming to be released. Moloch granted them their wish in a particularly hideous way.

He pushed the gates upwards and inwards, the hinges breaking open with sharp, metallic cracks like the blows of a hammer on an anvil. Then he swung them like a giant fly-swatter and brought them down on the three men, crushing them to the ground.

I looked away as I stepped across the ad hoc drawbridge, trying not to see the red ruin of blood and bone under my feet. I told myself we had no choice: I thought about John Gittings, and Vince Chesney, and Gary Coldwood. It didn’t help: nothing was ever going to make these scales balance.

Moloch was striding on ahead, not bothering to look back and see whether or not I was following. I took out my whistle and put it to my lips.

The wall isn’t a wall, John’s letter had said. In other words, the ghosts of Mount Grace weren’t constrained by physical barriers, and anyone who thought he could hold his fire until he got to the front door of the furnace room or wherever he reckoned ground zero might be probably wasn’t going to make it.

I started to play. There was no fumbling or feeling my way into it this time: partly because the music was still fresh in my mind from when I’d wielded it like a scalpel to slice spirit from flesh back in Maynard Todd’s office; but mainly because whatever juice Juliet had charged me up with when we kissed was fizzing and burning through my blood. It didn’t feel like a current running through me: it was more visceral than that. It was as though I was a current, running through the world.

Another crash, and as we rounded the long curve of the driveway I saw the earth-mover breaking cover a hundred yards ahead. Juliet’s driving skills hadn’t improved, but a bulldozer’s a simple enough thing to control so long as you don’t care what you hit. The first avalanche of sound – the one that had distracted the guards at the gate – had been when she’d rammed the fence and broken through from the building site into the crematorium ground. Now she was cutting diagonally across the path ahead of us, leaving in her wake a ruin of desecrated urns and mangled fence posts. Running men took pot-shots at her, while trying to keep from falling under the massive caterpillar treads that bore her onwards. She ignored the shots – both the ones that missed and the occasional ones that found their mark.

And she drew the pursuit away from us, into and through the decorative hedge of privet on the far side of the drive, bending now before her in a wind that was one notch down from a hurricane – and still there hadn’t been a single drop of rain. We walked on, more or less unmolested, and the doors of the building loomed ahead of us.

The doors weren’t going to be fun, though. The black-uniformed men stationed on the steps had seen us coming, and they were already kneeling to take aim. Moloch took off towards them at a run and I veered off the path into the trees, not even missing a note, part of my mind working out the likely trajectories of any bullets that might miss him and find their way to me.

I circled wide, hearing the impact of flesh on flesh and the choked-off screams of the men on the steps as the demon landed among them, undeterred by their bullets and so eager for the feast still to come that even sadism had temporarily lost its charm. By the time I came out of the stand of trees he was already turning to look for me, rigid with impatience, his fists clenching and unclenching at his sides. Men lay around him like fallen leaves, unconscious or dead.

I was still playing, and by now the music had taken on its own momentum, just as it had in Todd’s office. It was playing itself through me, so it felt like all I had to do was to keep the whistle at my lips and let myself be a conduit for it. Otherwise the build-up of pressure would probably burst my brain like a big, over-filled water balloon.

I crossed the drive and ascended the steps, my feet thumping arrhythmically on the ground to create the complex, out-of-phase backbeat the music needed to do its stuff. I was aware of resistance now, but it wasn’t coming in the form I’d expected. I thought the evil dead would try to possess me: and that I’d feel the same dizziness and weakness I’d experienced on the day of John’s cremation. But it wasn’t like that at all: not at first. It began as a sense of drag, as though I was up to my thighs in cold water and had to push myself forward through it, my steps slowing involuntarily.

Moloch turned as I joined him, squared his shoulders and kicked the doors wide open, then strode across the threshold without looking back. Two more guards were waiting just inside and they shot him in the chest and head. He picked up one of the two – left hand on his throat, right gripping his crotch – and swung him in a tight semicircle so that his skull met the other man’s with appalling, unstoppable force. It was a single movement – a single missed beat – and then he was walking on, leaving the bodies slumped together under the angel of Saint Matthew, whose robes were stained with their blood and brains.

I followed along behind, but even though we were out of the wind the going was getting harder. The feeling of resistance was growing now that we were inside the building: the cold water was up above my waist and it was congealing into ice, counteracting the fever heat that Juliet had gifted me with. I became aware, without knowing exactly when it had started, of a noise almost beyond the limits of hearing: an atonal skirl that was picking at the stitches of my skein of music, undoing the spell I was trying to weave by infinitesimal increments.

The last time I’d walked down this hall it had seemed barely twenty paces long. It seemed a lot longer now, and every step added to the distance rather than taking away from it. One. Two. Three. Perspective bowed and buckled: space surrendered, haemorrhaged. I raised my left foot and felt the agonised pause, the gap in time before it fell again, as a hole in the music through which my own mind was starting to bleed out. Seven. Eight. I was trudging along a subway tunnel, the air closing in, the ground pulling away and away into unfathomable distance.

Nine.

The mosquito whine of unheard voices enfolded me. I knew them for what they were: the unsepulchred dead, defending their inner sanctum with the single-minded viciousness that had been their hallmark in life. I could even distinguish the different voices in the insect chorus as my death-sense kicked in like passive radar, analysing and identifying the cold, cruel intelligences that were bent on killing me.

Up ahead of me, Moloch stumbled, but my perceptions were so attenuated that he seemed to do it in slow motion. Another security guard was standing at the doors of the chapel, a handgun in his fist aimed at Moloch’s torso, his finger pumping the trigger. Ragged holes blossomed in the taut black leather stretched across Moloch’s back, and green ichor flowed from them like tears: incidental details, both to me and to him. But the air was thickening and curdling around the demon’s head and shoulders, the evil dead rallying to keep him out. He slowed, his head bowing under an invisible weight.

I felt that weight too. The tenth step was going to be my last: my foot was coming down as heavy as a sack full of spanners and I doubted I’d have the strength to lift it up again. And even if I did, what then? Another step, and another, like Sisyphus’s boulder, with nothing more to show for it than another yard gained: a slight shift in position that would be more than offset by the endless organic growth of the hallway. Better to stop and rest, and see what came next. Maybe nothing. Nothing would be good.

Moloch was reaching out with both hands towards the man who was shooting him, again and again, in the chest: but the demon was groping like a blind man, and like mine his feet were rooted to the spot. I understood the blindness, dimly: something foul was silting in my head too, swallowing up my faltering concentration in its feculent, liquid depositions, piling up behind my eyes like mud on a river bed.

I found myself drawing out the note that was in my mouth into a sighing out-breath that had nowhere to go but down. I had no idea what would follow it. It was hard even to care. My mind was a slender filament of light and the filament was flickering, stuttering, stop start stop.

Juliet saved me – Juliet and our rough-and-ready timing. There was another apocalyptic crash from outside that shook the foundations of the building, and simultaneously my consciousness bobbed to the surface again, yawing and pitching so that the world lurched drunkenly around me and I almost fell to my knees. The hypersonic whine in my ears dropped a notch and became a hollow, keening moan.

Moloch laughed, harsh and triumphant.

Outside, although I couldn’t see it, I knew that Juliet had just piloted the bulldozer, blade lowered and ready, through the picturesque glades and paths of the garden of remembrance. Funeral urns were exploding like ripe fruit under the caterpillar tracks, spilling dry and ancient dust into the hungry wind. And feeling their earthly tabernacles defiled, feeling the other wind that blew from eternity plucking at them million-fingered, the dead men were afraid. They faltered in their attack, because they hadn’t expected to be counter-attacked in such a viciously intimate way. It was the advice that John had passed on to me inside the case of the pocket watch, as they’d been passed on to him by his mysterious informant: Remember you can still threaten them. Physically, I mean. If you pull your foot back to kick, a man is going to cover his balls. I hadn’t realised what that meant until Todd had told me that he and his dead pals used their own ashes as the medium of transference when they leapfrogged into new bodies. That was when I saw the rough outline of what we’d have to do. And when we got to the building site, and Moloch found the keys to the bulldozer in the site hut inside a safe whose walls were barely three inches thick . . . well, it seemed like destiny.

The lull was already over. The dead men renewed their assault on us, although no doubt another contingent had peeled off to find Juliet and deliver unto her the verdict and the sentence of their time-distilled hatred. In all, we’d had maybe five seconds of respite.

It was all I needed. In crowding me so closely, the dead men had done me a big favour: they’d imprinted their essence on my death-sense so vividly I could have played it in the dark with gloves on. I started to play again, and the tune writhed in the air like a living thing, closed and locked onto the rabid spirits even as they swooped back in for a second pass. They were expecting easy meat: they ran full-speed into a moving avalanche.

Moloch stretched, and because most of my attention was elsewhere I thought the sound I heard was the crack of one of his bones. It wasn’t: it was the hollow report of the guard’s gun as the firing pin fell on an empty chamber. He stared at it in numb dismay, then his hand started to move towards his belt where he probably had a spare clip. Moloch’s punch demolished most of his face, so the movement was never completed. He thudded backwards into the doors of the chapel and slithered to the floor. Moloch pushed the doors open and stepped over the dying man into the room.

I followed, pouring out sweet music like a ninja throws shurikens.

The chapel was full of roiling ghosts, made visible by the tune that anchored them against their will to this spot. They were like some sort of complex, ever-moving cat’s cradle, gliding past and through each other without ever seeming to touch. Faces and limbs and various misplaced or truncated echoes of human form appeared within the mass and then vanished back into it.

Moloch shot me a look.

‘Allegro,’ he growled. ‘And, if you can manage it, al pepe.’

He went down on one knee and bent his head. For a moment, grotesquely, it looked as though he were paying his respects to the enemies he was about to devour. But it wasn’t anything like that at all. It was something a whole lot more disgusting.

He’d told me that he’d made this body for himself, slowly and painstakingly. If I’d given any thought to what that meant, I’d have imagined some process like the knitting of a sweater. But I’d picked the wrong metaphor, clearly. The black leather of Moloch’s coat parted vertically as the flesh within knotted and burgeoned: suddenly there was a broadening split in the coat through which something red and churning could be seen, as though Moloch’s insides were molten liquid.

Out of that cauldron something rose like steam, then solidified in the air into a shape that made my stomach clench and sour bile rise in my throat. It had a lot of limbs, and a lot of mouths. The limbs threshed the air, passing through the turbulent mass of spirits that hovered there in a complex repeating pattern. They lost their coherence: emulsified into something that quickly lost any residue of humanity. Then the mouths opened and Moloch began to drink.

It took a long time. I looked away, concentrating on the music and trying to shut out the sounds of the demon’s banquet. But that left me looking at the guard with the ruined face, so in the end I closed my eyes and played for a few minutes more in the dark, in a sort of abstract trance.

A hand on my shoulder brought me out of it, and when I opened my eyes Juliet was at my side. She was boltered with blood from hairline to boots. I wondered if any of the men she’d killed had died with hard-ons. Probably not: she would have been moving too fast, working too hard to be able to linger and bring her lethal charm to bear on them. For some reason that I couldn’t explain, I felt relieved at that.

The room was silent. Most of the ghosts were gone. The bloated ectoplasmic hulk of Moloch hovered and pulsated in the air above us like some blasphemous Goodyear blimp, peristaltic ripples passing across its surface as its myriad appendages hoovered the air.

‘Great stuff,’ I said hoarsely. ‘Only next time, you want to go into second gear when you’re up past ten miles an hour. I meant to tell you that when you gave me a lift in your Maserati the other day.’

Juliet didn’t seem to be in the mood for banter. ‘We need to leave,’ she murmured, staring up at the terrible spectral mass. The tentacles were moving more sluggishly now, and the mouths were closing one by one. If there was such a thing as the ghost of a wafer-thin mint, the demon had reached the stage of the meal where it might be offered to him.

I saw Juliet’s point and headed for the door. But it was already too late.

‘Ah!’ Moloch exclaimed oleaginously, in a voice that seemed to reach us by making the bones of our skull vibrate directly, cutting out the etheric middle man. ‘The sister of Baphomet. Did I ever tell you how I killed him?’

Juliet looked up at the obscene, sated thing with its dozens of grinning mouths.

‘From behind,’ she said.

The physical body that the demon had abandoned in order to feed raised its head abruptly and stood.

‘And shall I tell you how I’m going to kill you?’ he asked.

Juliet raised an eyebrow, its perfect line spoiled by a piece of human tissue plastered to her forehead with human blood. ‘Shedim ere’fa minur,’ she said. ‘Ehad iniru, ke rekol ha dith gerainou.’

Both Molochs – the blimp and the one that looked like a man – roared in response. Both went for Juliet at the same time.

Juliet met the ‘man’ head-on and stopped him dead in his tracks. They both moved so fast that there was almost no sense of movement: they seemed to flick between static postures like a slide show. Moloch was trying the shock-and-awe tactics he’d used against the loup-garou, throwing punches and kicks like confetti at a wedding. Juliet blocked every one, and even got in a couple of her own so that suddenly Moloch was giving ground, parrying rather than hitting out.

But then the tentacles of the blimp-thing drifted through her head and shoulders and chest. She froze in place for a fraction of a heartbeat: Moloch saw the window and he was there, his right hand raised above his head, clawed fingers spread. The smack of impact came a second later. Juliet flew backwards through the air and hit the wall with a bag-of-wet-cement thud.

‘Oh, those are just stories,’ Moloch snarled. ‘I’m not even sure I could get it up with a raddled piece of meat like you.’

Juliet gathered herself and stood, with a visible effort. Three livid wounds marred her face, running diagonally in parallel from her left temple. Blood was already welling up from them in vigorous arterial gouts. But it wasn’t the wound that was giving her trouble, nor the blood: it was the puppet strings dangling down from the blimp monster, attaching themselves in thicker and thicker profusion to her forehead, her arms, her back and chest. She took a step forward, gathering herself to spring, but she was too slow by some huge, wasteful portion of a second. Moloch’s foot slammed into her stomach and she folded: then he swivelled like a dervish dancing, and his second kick, rising into her downturned face, lifted her off her feet. This time she hit the wall hard enough to leave a skull-shaped indent in one of the wooden panels.

I fitted the whistle to my lips again, sick horror making my movements clumsy, my mind empty and unresponsive. Moloch didn’t even look at me: he just gestured. One of the trailing tentacles of the blimp-thing drifted lazily across my throat, which constricted in sudden agony. I made a grunting wheeze of protest – the only sound that I could force out of my mouth. Another tendril rippled through my chest and my legs buckled under me, sending me crashing down onto my knees.

‘A hundred years,’ Moloch remarked conversationally. ‘That’s a long time to go between meals. No doubt it was good for my figure, but still. Not pleasant. Not pleasant at all.’ Levering herself up on hands and knees, Juliet reached blindly for his ankle, maybe intending to trip him. He stepped on her wrist, twisting as he brought his weight down. There was an audible crack.

‘The great project,’ he snarled, standing over her. ‘The shedim will piss on the rubble of your great project, and bury your children in the wastelands where it stood.’

He lifted her one-handed and looked into her face almost tenderly.

‘And the woman you live with,’ he said. ‘I’ll keep her as a pet, for a little while. Until she starts to bore me. Then I’ll eat her, over some long and leisurely period of time. Meiden agon, sister of Baphomet: all things in moderation.’

Moloch raised Juliet above his head, held her there for a second, and then brought her down so that her back broke across his raised knee. Juliet gave a grunt of pain. It was so unexpected, and so wrong, that my system flooded with adrenalin. Nothing could hurt Juliet: nothing could shake her poise. That was part of what made her what she was.

My brain kicking sluggishly back into gear, I started to beat out a tattoo with my palms on the cold stones of the floor. The sound was faint, and it hardly carried above the butcher-shop noises of what Moloch was doing to Juliet. But it was a rhythm – and a rhythm, as John Gittings had taught me, is the skeleton of a song.

Moloch didn’t notice at first. He was still delivering his gloating monologue, drawing out the pain and the humiliation of Juliet’s death so that it would measure up to the happy fantasies he’d been living on for the last century. He was working on her face with both hands, talking in a low intimate murmur now so that his words didn’t reach me. The blimp was above and behind him, its tentacles stretching down through his chest and into hers. Of course: if murderers had a patron saint, it would be Juliet. This must be the best part of the meal.

A naked rhythm is slyer and more slippery than a whistled tune. It’s like the narrow blade of a shank, slipped in between your ribs, that doesn’t even hurt until it moves and starts to make a broader incision. I let it go in deep, deeper, deeper still. My hoarse, hissing breath was a part of the pattern now, and the sounds my wrists made against the cuffs of my shirt, and the creak of my shoes as I shifted my weight, coming up on one knee. All of it, all the negligible, tiny, repeated, inscaped sounds were converging into something impossibly subtle, impossibly slender and sharp. The effort of keeping it so tightly focused was like a physical ache in my guts. I held it as long as I could.

Then I let the rhythm-blade unfold like the spokes of an umbrella inside the demon’s rancid, pulpy heart.

Moloch stiffened suddenly and turned to stare at me in wide-eyed astonishment.

‘Three – three most useless things in the world,’ I croaked, forcing the sounds out of my lacerated throat. I could taste the blood that came with them.

‘Castor-’ he muttered, unbelieving, uncomprehending.

‘A nun’s tits – the pope’s balls – and a round of applause for the band.’

The blimp exploded with a wet, flaccid, whimpering belch. Moloch’s chest exploded too, where the tentacles were routed through it: ribs showed like jagged teeth through his ruined flesh. His human form toppled over like a tree and fell full-length on the floor, unmoving, a greenish-black stain spreading lazily out from underneath it.

It felt like an impossible task to get back on my feet, but I knew I had to try. The gunfire, the wanton destruction wrought by the bulldozer and the screams of the dying wouldn’t have gone unnoticed: after all, this wasn’t Kilburn. It wouldn’t be too long before the bright-eyed boys in blue came around to see what the trouble was, and it was probably a good idea if they didn’t find us here.

Juliet was a mess. I knew – rationally – that any damage she survived she could repair: this body was just something that she wore when she was in town. All the same, it hurt to look at her, and my hands shook as I picked her up. She was a lot lighter than she looked, as I’d discovered on an earlier occasion. She hung limp in my arms: her lips moved, but no sound came out.

‘I’m going to have to carry you,’ I told her. ‘I know your back’s broken, but I can’t think of any other way of doing this. I hope it doesn’t hurt too much.’

Finding the last remnants of the strength she’d lent to me, I carried her to the door, down the hallway and out into the chill night air.

This wasn’t over yet. There was still one more man I had to visit tonight: visit, and maybe kill. Again.

The wind was as strong as ever: and now at last the rain began to fall, with perfect timing, like the tears of two hundred funerals saved up and shed at once.