Flight Seven Nine Three, 24 Muharram,


1538 AH (4 November, 2113)

Retief heard screaming from the rear, even through the many bulkheads separating the cockpit from the passenger compartment and the lounge holding the mass of children. The airship shuddered with the impact of light cannon fire.


"Christ!" The pilot exclaimed. "Go back and see to the damage. See to the kids, for that matter, the poor little bastards."


"I'm on it," Retief agreed, then pushed himself out of his chair, turned, and ran for the rear. He didn't make it before another burst of cannon fire hit the airship, not far from where he ran. The force of the blasts, coupled with the shuddering of the ship, knocked him from his feet, leaving him temporarily stunned on the deck.


Claude Oliver Meara lay on one side on the deck, taped and trussed to his chair like a Christmas goose. He'd shat himself when the cannon fire struck. This wasn't supposed to happen to him. What was wrong with these people? Didn't they understand that if he was unhappy, the world would be unhappy, that if he died the universe would end. Madmen! Devils sent to torment him!


Two children, one boy, one girl, crawled up to him. Meara recognized the boy as one of his favorite new toys. He breathed a sigh of relief; the boy was so grateful for his attentions he was going to free him! The children, their faces very serious, spoke to each other in a language he didn't understand. No doubt they were discussing how best to free him.


The girl produced a small pencil. The boy unlaced a shoe. Meara thought he understood the purpose of the pencil, to weaken the tape that bound him so the children could tear it. But why did the boy tie the shoelace loosely around his neck? Why did the girl put the pencil through the loop and begin to twist it?


* * *

Retief looked down at the buggy-eyed, blue-faced corpse with its tongue swollen and blackened. The corpse, still bound to its chair, was of the one he thought of as the "fat prisoner." There were two children nearby, coloreds, looking down at the grotesque, obscene thing with an odd mix of innocence, hate and pure satisfaction.


No time to worry about that now. Later, maybe. If there's a later and if it matters. Besides, there are enough children hurt here not to worry too much about one renegade.


He reached for an intercom button. "Retief here. It's not as bad as it felt. We've got some kids hurt. Some of them might be dead. And one of the prisoners is definitely dead."


"Can you toss them to lighten the load?" the pilot asked. "Every inch might count."


"I won't toss the kids. I can toss the dead prisoner," Retief answered. "He's so fucking huge he might give us the lift we need all on his own."


"Do it."


Retief, though no weakling, found it impossible to pick up and carry Meara's obese corpse. After a couple of attempts, he gave up the notion. Instead, he stepped over the corpse and began to roll it, chair and all, towards the back of the airship's lounge, to where the viewing ports had been completely shattered. He had to kick some of the clear material, a kind of double layered glass with a plastic binder between the layers, out of the way. Once that was done, he again went to Meara's corpse and, with a great grunting heave, pushed it over the stern.


It wasn't enough to give the airship much more lift but for some reason Retief's spirit felt a bit uplifted. There had to have been a reason those children had strangled the wretch, after all.


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