By the Light of the Moon

31

As he himself folded or as the women's restroom folded around him, whichever in fact was happening, Dylan panicked, convinced that Shep would kink-and-pleat them to someplace other than their room in the motel, that they might arrive instead in another motel where they had stayed two nights ago or three, or ten, that when they unfolded they might find themselves helplessly flailing in midair, a thousand feet above the ground, and plummet to their deaths, that they might travel from the lavatory to the lightless bottom of an oceanic abyss, where they would be crushed instantly by the hideous pressure of the miles of sea above them, even before they sucked in a first drowning breath of water. The Shepherd whom Dylan knew from twenty years of brotherhood and from ten years of daily caregiving was childlike, perhaps with all his faculties intact, but lacking the competency to apply them in any consistent fashion. Although they had folded back alive from the hilltop in California and had traveled safely from their motel room to the front doors of the coffee shop, Dylan could not trust in this new Shepherd O'Conner, this overnight genius of physics, this maven of applied quantum mechanics – or whatever he was applying – this sudden sorcerer who still reasoned like a young child, who could manipulate time and space, but who would not eat 'shapey' food, referred to himself in the third person, and avoided direct eye contact. If he had been foolish enough to give Shepherd a loaded gun, he would not have expected anything other than darkest tragedy; and surely the potential for disastrous consequences in this herethere folding must be immeasurably greater than the damage that could be wrought even by a submachine gun. Though transit time proved all but instantaneous, Dylan considered enough dire possibilities to keep fans of gooey-bloody cinema supplied with trashy films full of pukey moments for at least a generation, and then the last of the lavatory folded away and a new place entirely unfolded into existence around them.

The metaphorical loaded gun had not gone off. They were in their motel bedroom: drapes closed, light provided for the most part by a single lamp, standing in front of the desk, the laptop.

Behind them, Shep had closed the gateway to the women's lavatory as they came through it. Good. They couldn't safely go back, anyway. And they didn't need a freaked-out visitor to the restroom shrieking for witnesses.

They were safe. Or so it seemed for an instant.

In fact, they were whole, physically and mentally intact, but they were not safe. In the breathless moment of arrival, before any of them inhaled or exhaled, Dylan heard the click of a passkey in a lock and then the scrape of the deadbolt being disengaged in a slow and cautious fashion meant to make as little noise as feasible.

The barbarians had arrived at the gate, and no cauldrons of boiling oil had been set upon the parapets to drive them back with a rain of terror.

Beneath the deadbolt was a simpler lock to which the passkey would next be applied. The security chain remained engaged, but it would not hold against even one good kick from a brute who knew just where to place his boot.

Even as the deadbolt retracted, Dylan grabbed one of the three straight-backed chairs that still stood before the desk. He crossed the room in long strides, tipped the chair backward under the knob, and braced the door shut as the passkey turned the second lock.

As short of time as he was of money, he dared not wait to see if the bracing chair kept the door tightly shut or instead allowed a dangerous degree of play. Forced to trust the makeshift barricade as he had needed to trust Shep's wizardry at folding, Dylan raced into the bathroom, snatched the envelope of cash from his shaving kit, and shoved it into a pants pocket.

Returning to the bedroom, he saw that the door was indeed closed tight, the chair wedged firmly in place, as the knob worked back and forth and wood creaked under steady pressure.

For precious seconds, the men outside might believe that the resistance they encountered could be attributed to a problem with one of the locks. He couldn't count on them being stupid, however, or even gullible, and considering how aggressively they drove their black Suburbans, he couldn't expect them to be patient, either.

Already, Jilly had unplugged, closed, and secured the laptop. She slung her purse over one shoulder, turned to Dylan as he approached, and pointed at the ceiling, for some reason reminding him of Mary Poppins, but a Mary Poppins who had never been rinsed pale by England's bad weather, clearly intending by her gesture to say Up and away!

A cessation of the creaking-wood sounds and the resumption of the stealthy clicking of a key in the lock suggested that the pumped-up golfers were still bamboozled.

Shep stood in the classic Shep pose, a portrait of defeat at the hands of cruel Nature, looking nothing whatsoever like a wizard.

'Okay, buddy,' Dylan whispered, 'do your thing and fold us out of here.'

Arms hanging slack at his sides, Shepherd made no move to tweak the three of them to safety.

'Now, kiddo. Now. Let’s go.'

'It's no more wrong than spitting out a bug,' Jilly reminded Shepherd.

The faint click-click of key in keyhole gave way again to the protest of hinge screws biting in the jamb and to the quiet creaking of the straight-backed chair responding to a relentless pressure on the door.

'No fold, no cake,' Dylan whispered urgently, for cake and Road Runner cartoons were more motivating to Shep than fame and fortune would have been to most men.

At the mention of cake, Jilly gasped and said, 'Don't take us back to the coffee shop, Shep!'

Her admonition drew from Shepherd a question that explained his hesitation: 'Where?'

Outside, the killers lost patience with the stealthy approach and resorted to the lust for drama that seemed to be their most reliable characteristic. A shoulder or a boot heel struck the door, which shuddered, and the bracing chair shrieked like a tramped cat.

'Where?' Jilly demanded of Dylan. 'Where?'

Battered again, the door boomed a timpani note, and something in the structure of the chair cracked, but held.

In transit from the women's restroom, he had imagined numerous unintended destinations that would have proved disastrous, but now he could not think of a single place in this world where they might wisely seek sanctuary.

The crash of determined meat against resistant wood came again, and the meat grunted not with pain or anger, but as if a perverse pleasure had been taken from this punishment.

Immediately following the grunt came another crash, but this time it was the brittle percussion of shattering glass. The closed drapes stirred at one of the windows as fragments of the broken pane rapped off the back of the fabric.

'Home,' Dylan told Shepherd. 'Take us home, Shep. Take us home real quick.'

'Home,' Shepherd echoed, but he seemed unsure of precisely the place to which the word referred.

Whoever had broken the window raked with some instrument at the remaining sharp shards in the frame, clearing the way for entrance.

'Our house in California,' Dylan said, 'California – one hundred something thousand square miles-'

Shep raised his right hand as if to swear fealty to the state of California.

'-population thirty something million something thousand-'

Whatever genetic cousin to a bull was charging the door charged it again, and the chair cracked, sagged.

Frowning as though still unsure of himself, Shepherd pinched the air between the thumb and forefinger of his raised hand.

'-state tree,' Dylan said, but then fumbled for the species.

'The redwood!' Jilly said.

The drapes billowed as one of the assassins began to climb in from outside.

'State flower, the golden poppy,' Dylan continued.

Persistence paid. On the fifth blow, the door shuddered inward and the bracing chair collapsed.

The first man across the threshold, kicking at the fragments of the chair, was wearing pale-yellow pants, a pink-and-yellow polo shirt, and a murderous expression. He had a pistol, and as he rushed forward, he raised it with the clear intention of squeezing off a shot.

'Eureka,' Shep said, and tweaked.

Dylan thanked God that he heard no gunfire as the motel room folded away from him, but he did hear his name – 'O'Conner!' – shouted by the would-be shooter.

This time while in kaleidoscopic transit, he had something entirely new to fear: that the thug in golf togs had gotten too near to them before they escaped the motel room, and that Shep had folded a well-armed killer with them to California.