A Storm of Wings

6: The Sudden Embodiment of Benedict Paucemanly

Cellur could not (or would not) articulate his fears more clearly. He questioned Fay Glass it is true: but nothing was revealed, her contribution being only a babble of archaisms and ancient songs; bits and pieces – or so Alstath Fulthor maintained – plucked from the racial memory as she pursued her lonely temporal descent. 'She understands us: but speaks from a vast distance, no longer sure what language to use, or what to say.'Despite this, Cellur argued, it was clear that she knew the secret of the insect's head -why else should she show such distress at her own failure to communicate? Since she could not tell them what had happened there, it was, he repeated, essential to follow her back to the North.

'She is in herself the message: and a call for help.'

When Fulthor protested that, as seneschal, he could not abandon the Queen while the Sign of the Locust grew so in power, harassing daily the Reborn of the City and infiltrating its prime functions, Cellur only said: 'I shall need you. Your people in the Great Brown Waste will not treat with me. They are too far gone on this “road to the Past” you describe. When we have discerned the meaning of the insect's head, that will be the time; when we have understood the warning from the Moon, and discovered the landing sites in the North: then we shall know what to do about the Sign of the Locust.'

And Fulthor could only stare out into Viriconium, where at night in a lunar chiaroscuro of gamboge and blue, the long processions wound silently from one street to another, to the accompaniment of a small aimless wind.

The weather deteriorated as he watched, a raw air piling up against the massif of the High City and filling the Low with damp. Beneath a thick grey sky the watery plazas took on a wan and occult look; while in the pensions of the Rue Sepile the old women coughed all day over their affairs, and the atmosphere became adhesive with the smell of cabbage. The walls seeped. It was, all agreed, no time to be living in the Artists'Quarter; and, perhaps as an addendum to this theory, gossip remarked the sudden disappearance of Galen Hornwrack. Had he indeed quarrelled with Ansel Verdigris his erstwhile crony (some said over a coin, though others maintained it was a woman from the North, or even the wording of a verse in a ballade of smoked fish)? Up and down the hill from Minnet-Saba, huddling closer to brazier and guttering cresset, his enemies and rivals scratched their heads – or else, distempered, fought among themselves.

The object of this attention, meanwhile, languished in the draughty corridors of Methven's hall, where he examined his wounds from hour to hour and honed morosely his knife, gripped by the phthisis and melancholy of early winter. He had little contact with his new companions. He avoided Fuithor and thus, of neccessity, the discussions in the throne-room. Once or twice he heard the madwoman singing in some chamber. Of Tomb, who had in such a peculiar manner befriended him (at least he supposed it was that), he had no news. Methvet Nian having at last agreed to an expedition, therefore provision must be made of food, horses, weapons, and such safe-conducts as were necessary. The dwarf had concerned himself with this, and with preparations of his own, and was not much about the palace.

Hornwrack shrugged; paced the corridors at night, gazing in a sort of savage abstraction at the old machines and whispering sculptures; and refused to answer his door. On the day of their departure he had to be fetched from his apartment (he was staring into a mirror). On the day of their departure, sleet fell, quickly soaking the striped awnings in the street markets and filling the gutters with a miserable slush. On the day of their departure a vision was vouchsafed to them; Tomb the Dwarf remembered a legend at whose birth he had presided long ago; and their ill-fated expedition acquired its tutelary or presiding spirit -

This apparition, which was to remain with them until the peculiar termination of their journey, manifested itself first in the throne-room at Viriconium. Besides Cellur the birdmaker, only Hornwrack was present. (Methvet Nian was to watch their departure from the City by the Gate of Nigg, and had gone there early. Alstath Fulthor fretted in an outer yard with Fay Glass and the horses. Tomb the Dwarf, having worked all night in his caravan – white heat flickering out over the tailboard to the accompaniment of a sad hammer – was dozing in some corner.) It was not yet light: the palace was chilly, echoic, nautiloid. Cellur, hoping to contact his own machines in their redoubt beneath the Lendalfoot estuary, passed a yellow hand through his beard. 'Brown, green, counting,'he whispered, and in response a flock of grey images twittered like bats across the five false windows of the throne room. Clearly this was not the result he had forecast. 'Do you see nothing?'he said impatiently. 'I must have fresh news!'

'Be quick old man,'said Hornwrack neutrally. He yawned and rubbed his face, feeling an obscure tension in the muscles of his neck. This he put down to being woken early. Like Fulthor, for reasons more or less complex, he was anxious to be off. Alone with wound, knife and mirror over the last twenty-four hours, he had been surprised to find that he no longer regretted his psychic severance from the Low City. He thought now only rarely of the boy in the Rue Sepile, the bitter smell of dead geraniums: instead looked forward with a dry eagerness, curious as to the fate of his obsessions now that their confining frame had been removed. He massaged his neck. The old man muttered fractiously. In the upper air of the throne room the light was becoming stratified, bands of very · pale pink and yellow leaking through the high eastern skylights. Dawn had arrived early. Fresh news! 'Be quick!'

'Abrogate all rituals,'said a soft confidential voice from somewhere above him. He looked up, startled. It sniggered. 'What a lovely piece of meat!'

Up near the vaulted ceiling a salmon-coloured layer of light had begun curdling into grey muculent lumps and strings which floated about like bits of fat in a lukewarm soup, bumping one another gently. After a minute or two of slow tidal effort, these in their turn merged to form a thick, lobed nucleus: from which presently evolved the crude figure of a man. Hornwrack studied this process with disgust; noting how, as they strained to become arms and legs, the lobes heaved and struggled like something trapped in an elastic bag. He caught the birdmaker staring puzzledly upwards and sniffed sarcastically.

'Have you finished tampering, old man?'

Cellur made an impatient movement with one hand.

'Hush!'

The man hanging in the air above them (if it was a man) wore clothes of some rough faded material, originally black,tailored in a fashion which had not been common in the City for over a century. Where it could be seen, his skin was pallid, greenish, covered in withered silvery patches. Over his face was clamped a kind of mask or breathing apparatus from the black snout of which sprouted many truncated tubes and proboscides; this was attached by four black straps which, cutting into the swollen flesh of his cheeks, met in the straggling yellow hair at the back of his head. He was enormously fat, as if he had passed much of his life in a sphere where human conditions of growth no longer pertained: his hypertrophied buttocks floated over their heads like shadowy moons, accompanied by a thin monologue, cabalistic and futile, of which no sense might be made whatever -'Here I sit, an old man in the Neant of the wind (Prima

convien che tanto il ciel), stranded for so long in the fractured white spaces, a hundred years of pearly silence in the garden behind the world: there I lay in the biting wind -ABRACADABRA – there ate in the shadow of the veinous wing manna (perch'io indugiai alfine i buon sospiri); and what for? WAR! Now they burrow in the great borrowec abracadabra of my surviving soul. Ah! Fear death from the air! What a lovely piece of meat, my dear!'

– And so on, punctuated by roars of pain or rage as rolling slowly from one corner of the room to another, he attempted to right his huge floundering bulk or adjust its height from the floor. At times he seemed quite solid, while at others an appalling smell filled the throne-room and his outlines became vague and mucous again. In moments of solidity he would struggle and thresh; he waved his arms, perhaps for attention, perhaps to keep his balance in whatever grotesque medium he was floating. (It was plain that the air of Earth could not support so gross a body – he wallowed rather in some mysterious waterglass, some dimension of his own.) When he faded, his voice faded too, becoming feeble and distant and distorted, as if by passage through some inhospitable aether.

Cellur the birdmaker was transfixed. 'This is none of my doing!'he cried, full of an ancient excitement. 'Hornwrack, it is the voice from the Moon!'

('It's a voice from a sewer,'declared Hornwrack, and, sotto voce: 'A voice from a pantomime.')

Cellur addressed the floating man. 'Many nights I listened to you. What have you to tell me? Speak!'

'Blork,'said the floating man.

Thereafter he disregarded Cellur, but courted Hornwrack vigorously, his eyes ingenuous and fishy behind the tinted faceplate of his mask. Sidling up to the assassin he would wink coyly and embark on some earnest incoherent suit; only to topple helplessly over on his side before he could complete it, like the corpse of some small decomposing whale. 'Listen to me, my lad (black buggery!) I can see you're a flier. Listen, the regenerated word burrows within me! We must have a talk, you and I – 'Then, making a terrified pushing motion: 'No more, no more of that!'And off he would go, bobbing about the throne-room at the height of Hornwrack's head, a sour fluid dribbling from the edges of his mask.

This was too much for Hornwrack, who, eyeing the apparition superstitiously, got out the sword of tegeusCromis and followed it about, making lethal cuts at the air. 'Back to your sewer!'he shouted. 'Back to your madhouse!'while Cellur in an attempt to restrain him plucked feebly at his cloak and 'the apparition evaded them both, chuckling and sneezing.

Nothing could be got from it. If they left it alone, it harangued them mercilessly, in fragments of infernal languages. When they pursued it, Cellur in a spirit of conciliation, Hornwrack with murderous blows, it merely hiccupped behind its mask and blundered off. For half-an-hour this pantomime continued, until, in the face of the growing daylight, its periods of stability became fewer, it. outline grey and debatable. Its voice faded into an enormous echoing distance in which might be heard quite distinctly the sound of waves on some unimaginable shore. Eventually it vanished into the same odd brew of light as had engendered it, and they were left stranded in the empty throne-room, furious and futile.

This was how Alstath Fulthor found them: staring breathlessly into the vacant air. Had he listened carefully, as they begged him, he might have heard a feeble buzzing voice exhorting him to 'Fear death from the air!'The sound of waves, or something like it. Silence. But what were voices 'to him, who now heard them constantly in his head?

'It is long past dawn,'he said irritably, 'and the Queen will be waiting for us.'

· In the event they saw very little of her, for it was a brutally cold day: only a white face in a window near the top of a tower; a white hand raised; and then nothing. Alstath Fulthor, his great black horse and blood-red armour glowing heraldically beneath the overcast, drew an ironic cheer from the handful of Low City dwellers who stood in the slush to watch them through the Gate of Nigg. Viriconium, foundered across the stream of time behind them, like some immense royal barge abandoned to winter! This zone of monstrous narcissism and gigantic depressions behind him, Hornwrack sensed the beginnings of the new phase signalled by the manifestation in the throne-room. We are all mad now, he thought. On an impulse he unsheathed the old steel sword and held it high. But when he looked back Methvet Nian had already left the tower.

Outside on the low brown foothills of Monar lay the first snow of the season, drifted up against the stone intake walls and sheep enclosures. The pack animals were fractious, the wind bitter. They travelled slowly; but the dwarf, who had been sleeping in some straw, did not catch up with them until much later.

When he did, he said, 'This “bloated ghost” you speak of: he was the finest airboatman of them all.'

And that night, huddled by a dying fire in the hills above the distant City, he continued: 'At Mingulay he flew one machine against eight. Cooking rats in the sun at noon we watched, my long-dead friends and I, from the beleagured city. His boat was old, his crew haggard; the drugs he took to stay awake had made him shake and stagger: but how that boat spun and turned, how it dropped like a hawk amid the violet bolts of the power cannon! How the brassy light of the South glanced off its crystal hull! Benedict Paucemanly: seven wrecks dotted the arid plain before the siege was lifted; the eighth he rammed afterwards, in an oversight.

'But war was never enough for Paucemanly. When the world was still young (and the Methven still casting their shadows across it) he flew round it. I know, for I was with him, a dwarf of few summers who fancied himself an adventurer. We crossed the oceans, Hornwrack, and all the broken continents! Deserts drifted beneath our hull, rapt in their millenial declining dream. At the poles, aurorae cascaded and roared above us like spectral rivers. We sampled the tropics; the equatorial air burned about us. That was Paucemanly's first flight in the Heavy Star. But if war failed to satisfy him, so did the world. He grew bored. He grew melancholy and thin.

'He began to stare each night at the wan and sovereign Moon.

'Oh, he yearned after that sad planet. His plan was to go there. “The mysterious navigators of the Afternoon,” he reasoned, “had commerce with it daily, in just such boats as these. The space outside the Earth was of no consequence to them. Perhaps,” he persuaded himself, “the boats remember the way.” We watched him leave on a black night, in that famous ship. She rose into the darkness, hunting like a compass needle. Old senses revived in her. She trembled in anticipation, and strange new lights glimmered at her stern.

'We never saw her again, any of us. The Heavy Star, the Heavy Star! That was a hundred years ago -The old dwarf's eyes were red and flat in the gloom,

reflecting the firelight like the eyes of an animal. 'Hornwrack,'he whispered, 'she knew her way. Don't you

see? This “bloated ghost” you describe is Benedict Paucemanly returned to us. He has been a hundred years in the Moon!'

Hornwrack stirred the embers with his boot. 'That is all very well,'he said a little cruelly (for he envied

the dwarf these memories, with which he had nothing to compare): 'But what has he brought with him past the gates of Earth? And why is he a gibbering idiot?'

The dwarf looked at him thoughtfully.

Later, Cellur the Bird Lord was to describe their journey north in these terms:

'Among the stone crowns and aimless salients of the empty foothills we received hints of some state of being we could not imagine. The world was bleached of its old meanings even for those of us who had previously accepted them. (I do not count myself among these. How could I?) This happened immediately we left the City. It was as if a protection had been removed from us. Mosaic eyes seemed to observe us from behind the dry-stone walls. In the outline of a ridge or a wayfarer's tree might be contained the suggestion of quite another object – a folded wing, for instance, or the coiled tongue of a moth.

'Alstath Fulthor led the way. Some internal process held him rapt. He had begun, perhaps, to map the paths inside himself which led to the Past. This gave him an absentminded air, and an irritable one, as if by our presence we interrupted some private conversation – although had anyone suggested this he would have rejected it angrily. Attempting to live simultaneously in two worlds, he rode moodily ahead and seemed to see nothing – head bowed into the rain, blood red armour pulsing like a beacon. If it was madness then it was only the madness that has infected all his people since their Rebirth. They will learfi in the end that the journey they long for is impossible; and accept the world as it is.

'The unmarked journeys of the soul: as we descended the foothills, we came upon old roads lined with sagging yews and blunt formless stone beasts. Here there is little left to humanize the debased earth; this is the beginning of the end, where the Empire wastes away with its own geography. On the narrow strip between the mountains and the coastal flats only the giant hemlock grows now; and among it the ruins of the Afternoon are rotting, cities made of bloody glass submerged beneath cold and muddy lagoons: the ancient Fen Cities, among whose broken towers now creep the black wherries of the Evening, tacking and creaking from staithe to staithe in pursuit of a bleak diminishing trade. Of the old roads none are whole. The wide fused highways of the Afternoon peter out into shattered flags or limestone cobbles laid in Borring's day; eventually into sheep-trod, nettle and smallholding.

'The best of them, though, skirting warily both salt marsh and massif, makes its way to Duirinish, that grey outpost of former kings which is gateway to the Great Brown Waste and to the old cities of the North; and along this we took ourselves, under the patronage of the hallucinatory pilot Benedict Paucemanly. Exorting, demanding, mumbling eternally in its strange self-constructed language, vanishing at intervals only to return refreshed, his ghost (if indeed it was his) had haunted us for a hundred miles or more. Now it wallowed above us like a waterlogged tree; now hid like a girl among the fleshy etiolated hemlock stems; now muttered, “On the Moon it was like white gardens. Pork.” It would not answer Alstath Fulthor, which put him out of temper; nor would it speak to me: Tomb the Dwarf it actively avoided, as though embarrassed by his persistence, sidling away down the hemlock glades grinning and breaking wind apologetically. And if he spoke to it of the “old days” it regarded him with wide panicky eyes and flapped deprecatingly its awkward great hands.

'Galen Hornwrack, however, it courted ardently, trying to capture his attention with a wink or a whistle. “Land ho, lad!” it would cry; and, bobbing in the air before him, make an elaborate mime of discovering some terra incognita: shading its eyes with one hand while with the other it pointed north and west. (Fulthor made light of this mummery, arguing that the thing was mad if it could be said to exist at all: yet after a few repetitions one felt a profound sense of urgency, as if some fading fragment of the original airboatman was struggling to act out or insinuate something he could no longer articulate.) Hornwrack's response was characteristic. He hated to appear a fool. The more the thing wooed him the more he averted his gaze. And at night when he thought himself unobserved he stalked it patiently through the firelight, the partly healed scars on his cheeks burning like the ritual stigmata of some primitive hunter. Each failure to kill or confine it increased his anger: when the girl Fay Glass sang “We are off to Vegys now,” and smiled at him – which was some days her only human contact – he would not smile back, which made her fractious and difficult to manage in her turn.

'In this way we came to Duirinish, which we avoided to the west, having no business there. It is a great place, that, the bulk of it being built facing north. We passed it in a pale dawn, the sun striking grave and oblique on the dwarf oaks of Low Leedale. A bitter metallic smell hung in the air, making the horses delicate of temper; the grey stones of the city had a brooding look. Small dour figures could be seen staring down from among its parapets and machiculations, but they had no time for us. For five hundred years the men of Duirinish had kept the border: what they now saw from their fastness as they stared into the North, what strange alterations and diffusions of reality, I do not care to think. On our part we found the world a changeable place.

'Shrewd sea winds courted us. On our right marched a line of tall cliffs. Originally deposited as a limestone reeffront some hundreds of miles long, these had been worked during Earth's long Afternoon into a chain of quarries broken here and there by little steep-sided valleys with crumbling mossy headwalls. In and out of the hidden caves and sinkholes of this region (in effect the lip of a vast plateau, stretching a mile or so back inland before being buried under the culm measures and doomed black soils of the Great Brown Waste) there flowed whitish polluted streams. The trees were grey and dry. Now we moved deeper into it, and into a kind of psychic dislocation, picking a way through the gummy, lifeless, tidal pools while mirages came and went over our bowed heads.

'We had no idea of what might disclose itself from day to day. At evening we left the beach and lit fires in the tottering mazes where interleaving bituminous strata had made the rock rotten and easily-eroded. But the flames were hard to kindle. They were pale and cool. Later, the echo of falling rocks clattered through the dark like the sound of skittles falling in a deserted alley. From the upper ledges there drifted down an endless rain of tiny luminous beetles. All night long the wind shook the skeins of dead ivy; and in the morning, as the sea-fogs cleared, vast insects would appear in the distance, their reflections perfect in the wet sand of the tidal flats; they moved ponderously away before we could identify them. All this, as I have said, was contained at first in the outlines of ordinary things, much as a shadowy architecture of colonnades and alien galleries can be made out in the walls of an empty quarry: but as we moved north the landscape itself became thin and grey, textured like mucus, with the bones of some other landscape showing more or less clearly through:

“'The World is coming to bits,” said Galen Hornwrack; and someone answered dryly. “The world is being exchanged for something else.”

'It comes to me that each of us suffered during this northern transit an emptying or bleaching of the identity in preparation for a future we could not describe. Viriconium was behind us. (Even those of us who returned there never saw it again; but found a changed City, one in which we were not comfortable.) In the sense that it no longer filled our day-to-day thoughts, we had forgotten our purpose. We existed simply to slip through the rain, a handful of salt-lipped figures beneath the unending cliffs, speaking in low sepulchral voices. Before went like a banner, the raging glory of the Afternoon, with its great horse and scarlet armour; while a sniggering dwarf in a leather hat brought up the rear on a pony no bigger than a dog: and above us floated the baloonlike form of the ancient airman, chivvied like a dying whale by gangs of raucous gulls. Cyphers, we pass beneath the hungry ironic eyes of the gannets and guillemots – the assassin resentful and disfigured; the woman who believes herself lost in time; and myself- a thing, alive beyond its rightful years, far beyond its rightful place! The landscape, though, anticipates our release: this preparation or interlude is drawing to a close…

“'We should turn east soon if we are to find your village,” Fulthor insisted patiently. Fay Glass frowned at him like a child, her hair plastered to her skull. She wore two or three purple flowers which she had previously offered to Hornwrack, and due to his refusal of them was agreeing with no-one. “Nobody who truly cared about hygiene could read the message above,” she declared with a mutinous dignity. “How can we prevent abuse in the first place?” Fulthor could only shrug. Shortly after this exchange it became evident that we had lost the Glenluce road: the beach became narrow and steeply shelving, the cliffs undercut, and our progress dependent on the state of the tide, from which we were forced to take refuge twice a day. Eventually we led our horses up the first tottering rake which offered a way to the top of the cliffs.

'That was evening or late afternoon. The light was fading. Squalls of rain blew out of the advancing sea-fog, dotted with large wet flakes of snow. A melancholy heath dipped away inland – shadowy, sheep-cropped turf, black gorse and bent hawthorn trees. Northwards and at right-angles to the coast, defile succeeded narrow defile, each one cutting through the limestone to the underlying metamorphic shales and broadening as it reached the sea. The landscape was scattered with old metal bridges. It had a discarded air. We passed the night huddled at the foot of a ruined stone wall, unaware that a mile or so ahead lay the port of Iron Chine, nexus of a strange war, with its weird banners and demented prince. Rusty iron creaked in the wind.'

Cellur does not relate how on the next morning they found that Paucemanly's ghost had abandoned them, or how they slumped on their soaked and surly animals staring dully at the desolation which stretched away inland: that half-fertile strip of dissected peat and tough ling-heather pocked with lethal seepage hollows which was the merest periphery of the Great Waste. Unpredictable soughs full of brown water threaded its endless slopes of sodden tussocky grass; and queer rocks were embedded along its rheumy skylines, eroded by the wind into vague and organic silhouettes. This was their ultimate destination (it is, in another way the ultimate destination of everything, as the Earth enters its long Evening), or so they imagined: but in the face of its winter they faltered. Instead of turning eastward Alstath Fulthor led them first along the cliffs and then down into Iron Chine. They followed him like a handful of refugees from some chronological disaster, heads bowed against the bitter blow of Time.

The cyclopean quays of Iron Chine are older than the Afternoon. No-one knows who built them, or for what crude purpose. The massive untrimmed blocks which comprise them are not native to this coast but cut from granites formed much further north. Who brought them down from there to bind them with iron and pile them in the cold sea, or when, is not known. They are black, and wet with fog, like the vertical walls of the fjord which contains them, the archaean unvegetated slates of which sweep down to an ebon sea. The enormous quayside buildings are also black; their purpose is quite lost and most of them have fallen into decay. The modern port subsists on fish, gulls'eggs, and mutton. Cowed by geography, time and the sea, its limewashed cottages huddle uneasily amid a greater architecture; above them a road has been pushed through the rotting slates, and winds its way perilously up to the clifftop pastures.

Down this Galen Hornwrack now rode (the dwarf beside him croaking tunelessly), puzzled by the mist that lay in the trough of the fjord. It was ashen and particulate. Inner currents stirred it sluggishly. A gust of wind, exploding over the lip of the cliffs and roiling down past him, parted it for a moment, but revealed only black water patterned by the rain. Yet he sensed it was occupied (although he could hardly have said by what): he stopped his horse, stood up in his stirrups, and craned his neck anxiously until the rift had closed again. 'What's this then?'he asked himself. He shook his head. 'Fulthor,'he called back, 'this may be unwise. Further down, where the air was calmer, he smelt smoke, urgent and powdery at the back of his nose. Now the dwarf became agitated too, wiping his nose with the back of his hand, squinting and sniffing about him like a nervous dog. Behind the smell of smoke was something sharper, less easy to identify.

Lower still, at the edge of the mist, halted before it like a swimmer at the margin of an unknown lake, he became convinced that people were moving about down there on the water in a panicky and disorientated fashion; and distant shouts came up to him, partly muffled by the mist but discernibly cries for aid. 'It may be unsafe, Fulthor,'But Fulthor motioned him on, and from then on events seemed to reach him at one remove, as if he was not quite part of them. It was a familiar feeling, and one that recalled the Bistro Californium, the deadly gamboge shadows of the Low City- Inside the mist was a distinct smell of lemons, and of

rotting pears – a moist and chemical odour which sought out and attacked the sensitive membranes of the body. The light was sourceless, and had the effect of sharpening outlines while blurring the detail contained within them: on Hornwrack's right, the dwarf looked as if he had been cut from grey paper a moment before – a tall queer hat, a goblin's profile, an axehead bigger than his own. Beyond this paper silhouette the path fell away into a whitish void in which Hornwrack made out now and then a localized and fitful carmine glow. While he was trying to remember what this reminded him of, Alstath Fulthor took station on his left. Their throats raw, their eyes streaming and their noses running, they advanced in a cautious formation until the path began to level out and they found themselves without warning on a wide stone concourse bordering the estuary.

Here the mist was infused with a thin yellow light. But for the slap of the waves on the waterstair below, but for the silence and the smell of the fog, they might have been in the Low City on any cold October night. Hornwrack led them to the water's edge, the hooves of the horses clacking and scraping nervously across an acre of worn stone slabs glistening with shallow puddles. A languor of curiosity came over them. Despite their forebodings they tilted their heads tQ hear the distant thud of wood on wood, the faint cries of men echoing off the estuary. Even Fay Glass was quite silent.

Hornwrack narrowed his eyes. 'Fulthor, there are no longer fishermen in this place.'Distances were impossible of judgement. He wiped his eyes; coughed. 'Something is on fire out there.'

The smell of smoke had thickened perceptibly, perhaps carried to them by some inshore wind. With it came a creaking of ropes and a. smell of the deep sea; groans and shouts startlingly close. Now a node of carmine light appeared, expanding rapidly. A cold movement of the air set the mist bellying like a curtain. Hornwrack shook his head desperately, looking about him in panic: abruptly he sensed an enormous object moving very close to him. The mist had all along distorted his perspectives -

'Back!'he shouted. 'Fuithor, get them back from the water!'Even as he spoke the mist writhed and broke apart. Out of it thrust the foreparts and figurehead of a great burning ship.

Its decks were deep with blood. Once it had been white. Now it rushed to destruction on the waterstair, spouting cinders. Its strange slatted metal sails, decorated with unfamiliar symbols, were melting as they fell. Captained by despair, it emerged from the mist like a vessel from hell, its figurehead an insect-headed woman who had pierced her own belly with a sword (her mouth, if it could be called a mouth, gaped in pain or ecstasy). 'Back!'cried Galen Hornwrack, tugging at his horse's head: 'Back!'

Fay Glass, though, only stared and sneezed like an animal, transfixed by the mad carven head gaping above her. Dying men tumbled over the sides of the ship, groaning. 'Back!'as the jean, charred hull drove blindly at the shore; 'Back!'as it smashed into the waterstair and with its bow torn open immediately began to sink.

Down it went, with a roar and a shudder. The deep cold water gurgled into its ravaged hull. Ratlines and halyards fell in blazing festoons about its cracked bowsprit. Horn-wrack pulled the madwoman off her horse and dragged her away. She wiped her nose. Sparks flew about their heads. The hulk lurched, settled a little lower in the water. A sail fell, showing Hornwrack for a moment a curious symbol – a hexagon with eccentric sides, through which crawled orange-throated lizards – before it hissed molten into the sea. High up in the doomed forecastle a solitary figure stood – mantled in blood. 'Murder!'it sobbed, staring wildly down at Hornwrack. 'They've followed us into the estuary!'It hacked with a blunt shortsword at a flaming spar. 'Oh, this damned mist!'Suddenly it was catapulted from its perch and with a thin wail fell into the water.

'Hornwrack!'

The burning ship reminded him of some childhood ritual, some solstitial bonfire lit in the wet dark ploughland. He turned almost reluctantly from it, his face stiff with heat. Fulthor, Tomb and the old man stood a little way off; toward them across the gleaming concourse men were running. 'To you, Fulthor!'he cried, just as he might have done beneath the heights of Minnet-Saba, where the rival factions of the Low City clash without chivalry at night; and, encumbered by the madwoman, promptly dropped the unfamiliar sword. 'Black filth, girl. Let go.'The weapon tolled like a bell on the worn flagstones. His horse trod on it. A fit of coughing racked him.

As he disentangled himself, though, he realised that the mist was dwindling round him like a dream, to reveal the giant quays and boatsheds; the little town; the slatey cliffs.

Seabirds called as they skimmed the water. Even the clouds were blowing away. For all the fears of the dead sailor, nothing floated out there on the roadstead. But for the bubbling wreck on the waterstair the estuary was empty of menace, quite empty. Puzzled, he drew his knife and urged forward his horse.