A Storm of Wings

5: Galen Hornwrack and Metkvet Nian

Cellur the Bird Lord: he has lived for aeons in a five-sided tower full of undersea gloaming. Instruments flickered and ticked about him all that time, while his sensors licked the unquiet air, detecting new forms and seasons. Out of the cold reaches of salt marsh and estuary, out of the long cry of the wind, out of the swell of the sea and the call of the winter tern he comes to us now: out of the War of the Two Queens, with his thousand dying metal birds; out of the long forgotten dream of the Middle Period of the Earth, shaking his head over the pain and beauty, twin demiurgi of Mankind's enduring Afternoon!

What has he witnessed, that we shall never see? Forgotten, that we could hardly imagine?

The lines and figures on his marvellous robe writhe and shiver like tortured alien animals. Geometry remembers, though he may not. 'Nothing is left as it was,'they sigh, 'in that final perfect world. The towers that ruled these wastes have fallen now. The world, which they halted for a millenium in its tracks has begun to turn again. We find here no compassion as savage and sterile as theirs; no cruelty as structured or formal; no art. The vast air is stilled, where they lowed beneath five artificial planets, trumpeting verse into the frozen distance. Their libraries lie open like the pages of a book abandoned to the desert wind, their last dry whispers fade; philosophers and clowns alike, fade; that febrile clutching at the stars…'

Cellur. Ten thousand seasons once were his, years beating like hearts! These geometries could tell us. They are the spoor of Time itself, did we but know. Cellur the Bird Lord! Now he speaks -All are assembled in the throne-room but Alstath Fulthor. (Rumour has him running through the filthy alleys of the Artists'Quarter, up the hill at Alves and through the grounds of the derelict observatory, expressions of madness eroding his proud features; rumour had him leaving Viriconium for the third time in a month – no horse, no armour, only his heaving lungs, and his past in close pursuit. The Low City is entranced.)

The Queen sits with her calm hands in her lap; at her feet kneels Tomb the Dwarf, picking his teeth with the point of his knife; Fay Glass of the vanished House ofSleth, dressed in a new cloak, whispers nonsense to the Queen's Beast: while Galen Hornwrack stands apart, with a face like death. All wait, except perhaps the madwoman. Round them hover curtains of mercurial light, twists of mirror'd air. Before them five false windows tremble with views of a landscape to be found nowhere in the kingdom.

In the Time of the Locust it is given to us to see such things. 'My Lady'(began Cellur, bowing to Methvet Nian):

'I had, as you know, some small part in the war against the North. But that war was almost my death – as I shall tell -and it destroyed both my refuge and my birds, which hurt me grievously. I have been many years coming to terms with this and my life has been a curious one since then. I return to find the kingdom much changed, and I am afraid my very coming heralds further uncertainty. It is eighty years since I sent the iridium vulture to Tegeus-Cromis in his tower at Balmacara among the rowan woods: I wish he were here today to answer a similar summons. Although I believe he thought of himself as a poet, he had a great gift for murder. Events again require such a captain. If I am to explain why, I must return for a moment to the War of the Two Queens -'That I survived the onslaught of Canna Moidart's forces

was as much a surprise to me as it is to you, who last saw me beleagured and without hope. My birds were long dead, or else scattered. The Geteit Chemosit held the causeway. Their airboat, though grounded during the early part of the exchange, mounted weapons of which I could not conceive. I was trapped in my tower, whose armoury I had never had the wit to investigate. A battle began in which the sole true flesh and blood at stake was mine, yet I looked on impotently, terrified. Stone dripped and sputtered in the face of their cannon; the estuary brine boiled and threshed with the power of mine! The watching cliffs echoed and roared with it, dust trickling down their immemorial buttresses like mortar from a rotten wall. All across the water hung a pall of glowing smoke, through which I caught briel glimpses of those dreadful automata coming and going about their vessel, their yellow eyes baleful. A curious armour seemed to protect them against my beams.

'Day gave way to a long night of blue fogs and drifting corrosive lights. The tower began to show signs of strain. It hooted mournfully into the wrack. Its summit revolved erratically, threatening non-existent enemies. Every five or six minutes its armaments blazed forth like crooked lightning, but every time a little duller. Soon its foundations began to shift. It was doomed. I knew I could not survive a night above ground, even if it should achieve some Pyrrhic victory: two hours after tegeus-Cromis had led you to safety over the estuarine cliffs, the air and water had become contaminated with some energy which poisons the fish even now, so many years on. The tower moaned, its trapped electrical voices pleading with me in strange militaristic languages, whether for advice or relief I could not tell. I could do nothing. I left it, feeling like a traitor, for the cellars beneath, reasoning that I might make my escape through the very tunnels you had used on the previous day…

'It was useless. The estuary floor had subsided. Those passages which had not collapsed were blocked with hot mud or full of boiling water. Only one would admit me, and down that I wandered for some time, the distant thud of weapons to spur me on, until I realized I had entered a part of the system unknown to me. I say little of what I found there. Much I did not understand. Much I would not even wish to remember. The sounds of conflict above grew steadily more muffled, progressively more dreamlike; until I could hear it no longer. How long it continued I do not know. Which side had the victory, I am at a loss to say. By the time I found my way back to the surface the melted stone was cold again, the tower like a snuffed candle, the Chemosit and their weapons gone. Two fish eagles patrolled the grey water; the cliffs were quiet. This was much later.

'I had known for some time of the existence of such regions beneath the tower. They had lain beneath me like a new continent, but something had kept me from exploring them. They were, I sensed, still too close to the millenial past. Echoes of the Afternoon had not yet died in them. But such echoes are not, after all, confined beneath the surface of the earth; they move above it, too: wherever one goes there is always that sense of a door closed but a moment since. And I had little choice, for only my death waited above. Therefore I went down.

'The architecture below was cold and complicated. The staircases, of which there were many, bent back on themselves, to peter out at florid, blind arches, or deliver me bemused into some hanging gallery from which I could find no exit. There was no sense of being under the earth; rather I felt that I had stumbled into some empty city or vast deserted museum. Hundreds of small cubical store-rooms led off the major passageways, each one containing an eccentric object the height of a man, wrapped against the effects of time in grey sheeting. Dust covered everything. For the most part these chambers and corridors were dark, although not silent. Instruments ticked: or clattered suddenly into life as I passed. I was afraid, which seems strange now, for it was shortly made clear to me that I had built most of these things, or at least collected them, against some contingency I have now forgotten. Eventually I reached a lighted section: at first a hundred yards of corridor strung with dim green beads; then a part of one room, full of submerged blue light from an unseen source; finally a whole suite as bright as day, haunted like a summer afternoon by an insectile hum, and full of drowsy voices!

'In these nitid quarters I was to spend many years. Here I confronted myself (although this meeting was more metaphorical than literal, and ultimately barren. I remain an enigma). Here also I learned the thing which has brought me to you today. It was here that I came to curse the monstrous burden of immortality and the fatal snare of compassion. For I am sure now that I am immortal, though I have no idea of where or when my life began. I no longer believe myself to be human. But it is human beings who have kept me here for so long.

'I entered, then. I was tired and hungry. The place was full of moving lights which took the form of columns, diffuse spheres or dancing lampyrines. My uneasiness communicated itself to them immediately. They flickered in the cold sour air, drifting agitatedly about and whispering in secret electrical voices. Each was the outward form or 'personality'of a different machine. One might listen to the earth, another the air; while a third measured the stars themselves: they were possessed of an excitable, nervous curiosity, like thoroughbred horses. An endless ritual interweaving allowed them to exchange information or – should the situation demand it – compound their functions, so multiplying their great native percipience. One however was supreme above the rest. It was a magnificent ivory column over twenty feet tall. Out of the hubbub of voices -which by now rose like flood water or the wind at night among alders – this one addressed me. All the others ceased immediately, as though in deference.

'I was astonished, for it spoke with my own voice. It maintained its superiority over the others by virtue of being the keeper of my memory. The skull, you see, cannot contain the years. Memory fades or is destroyed in periodic bouts of madness and self-disgust. Before this happens the best must be consigned to some archive. Luck or perhaps an instinct brings me to that room every hundred years or so, to be relieved of the burden. In that column of ivory light reside the dry fragments of all my former selves, like a cache of earthenware shards in the foundations of an old house. I learned this with horror (and with what horror have I contemplated it since!): an emotion that was as nothing to the misery with which I confronted the incompleteness of the record itself… For more than ten millenia this machine has lodged beneath the estuary – gaps have now appeared in its own memory! Something in the machine is broken; many times too I have lost the material before it could be transferred; and there have been, it seems, deliberate deletions. A decade is missing here, there a century has slipped quietly away, leaving no clues. At the beginning of the record (if it can be said ever to have had one) only tantalising glimpses remain to imply a period half as long again as its entire span! What remains is like a tapestry holed and flimsy with age (torn too, here and there, in senile rage), through which one must stare forever at the great void. In each new incarnation I must learn afresh how to operate the machinery. That is not hard. But to understand my purpose in being here at all… I can review ten thousand years, but I have no identity beyond that which I can scrape together in any one incarnation. I am, in short, nothing but what you see before you, an old man who has wandered into the City from the past…

'The years I have spent in that cavern burn me! The machines with their strange lights and their voices like dead leaves; the sour underground air; the Past rampant. I watched it all, on windows that formed out of the empty air at a word of command! – Saw myself from many angles – A hand extended, a new robe, speaking to a crowd, watching my first awkward creation as it hawked above the waters. I watched the Afternoon, of which I shall not speak, with its madness. I learned: but I have still not learned who or what I am, and from vague clues must build up a fleeting image, a memory which slips away even as it forms. Worse, my present memory is becoming unequal to the years. I become uncertain of my own name. Soon I shall find it hard to remember why I owe you an explanation of all this, or of myself. The void reaches out.

'Do not pity me, my lady. I have pity enough for myself.

'Months passed. I learned. The machines cared for me. They passed their secrets on to me, willingly. During the long hopeless nights I sought an image of myself in the foxed mirror of the past; but by day I learned to interrogate the natural world. I became an inexpert ear cupped to that silence which has overcome the Earth since the end of the Afternoon. Where once the air sang, now only thin electrical noises came from my instruments, like the cries of dead children. When Tomb the Dwarf disarmed the great brain in the Lesser Rust Desert, I overheard. Lights flickered in my cavern. All over the empire clusters of signals faded abruptly – the Chemosit going out like corpse candles. Later I followed his triumphant progress across the continent, Alstath Fulthor with him. From site to secret site they went, awakening the Reborn Men. For a while the aether was full of voices. Then, as the tragedy became apparent and the rebirth complexes shut themselves down one by one, silence fell again. It lasted until ten or eleven years ago when I picked up the first of the transmissions that have brought me'here.

'I could hear it only when the Moon was in the sky. It came as a hollow whisper, filling the stony sub-estuarine chambers. It was a strange, unreliable, inhuman voice, speaking a dozen made-up languages. Had it not so obviously belonged to a man I might have taken it for the monologue of some stranded alien demiurge, leaking accidentially into the void between Earth and her wan satellite. I cannot tell you how it excited me, that voice! Feverishly, I interrogated my machines. They knew nothing, they could not advise me. I answered it, on all wavelengths: nothing!

'Septemfasciata, it whispered, over and again: Guerre! Guerre! The machines remember every syllable. Dai e quita Ia rnerez… . a hundred years in the cold side of the Mloon… the veiny wing … “the heaven whose circles narrowest run” … I saw the garden that lies behind the World. There the cisterns turn against the men … nomadacris septemfasciata … colonnesfleuries (douloureux paradis!), temps plus n'adore… Oh, the filmy wing! Cold ravages me… And then, dreadfully loud: Sepiemfasciata! The outer planets! Mlethven!

'For a year I suffered this monologue, with its meaningless warnings, its references to a search for “the metaphysical nature of space”, to madness and death between the stars. I tired of its chuckled obscenities and cabalistic circumlocutions, its mad prophecies. I despaired of making any sense of it, and began to believe that the Moon had been infiltrated by some vast corrupt cosmic imbecile. Attemps to make contact were fruitless: there was never a break in the flow in which to admit of my existence. It ceased as suddenly as it had begun. I rushed to the machines – nothing but an empty hiss. For three days the cavern was silent and dark. The machines would not respond to me. It was as if the ending of the monologue had been a cue. I sensed that they were not so much dormant as fascinated; their attention was focused elsewhere. On the fourth day a purple mist sprang up, a pure and sourceless illumination; through this there danced excited rods and lampyrines of light, spinning, whirling, and interpenetrating in a mad quick ballet. I had never seen them so agitated. They spilled from the cavern and out into the surrounding corridors, whispering hysterically their single message.

'Something had detached itself from the Moon and was now making its way toward the Earth.

'I have never heard that demented lonely voice again. But every lunar month since then has seen a fresh launching, a new landing. I have watched them, my lady! They are like puffs of white smoke issuing from the Moon's bony grin; they are like clouds of pollen. They fall to Earth here in the Empire. I do not know exactly where. My instruments are confused, their findings incomplete and contradictory. They report interference, of a kind not encountered in ten thousand years of operation. But listen: yesterday I spoke with Alstath Fulthor the Reborn Man, in his house above the Artists'Quarter. From him I learned that some unknown force is harrassing the Reborn communities in the Great Brown Waste. We have agreed – as he would tell you if he were here – that these events must be linked. And though my instruments cannot agree on its location or its origin, they report that a city is being built somewhere in the north and west of Viriconium.

'My lady, it is not being built by men.'

Cellur's eye is like a bird's, ironical and bright; his profile aquiline. It was different when we thought him human. His expression betrays so little now that we know he is not. Having delivered himself of his revelation he drinks some wine and looks about him to gauge or enjoy its effect.

The Queen sits with her calm hands in her lap. At her feet kneels Tomb the Dwarf, his mouth open and his knife forgotten in his hand; he is actually trying to remember something, but it will not come to him until a day or two later. Fay Glass, of the vanished House of Sleth, what is she trying to remember? It is immaterial. She sits singing to an imperturbable sculpture of steel and white light dug up long ago in the ruins of Glenluce, while Galen Hornwrack stands apart – wounds griping, expression cynical and amused. (It's clear he has forgotten the events of the Bistro Californium, and thinks the old man mad.) Round them hover curtains of mercurial light, bright primary colours flecked for a moment – like flawed but vital ores – with the reflected uncertainties of the room.

No-one knows what to say.

'Viriconium,'remarks Ansel Verdigris in his last ironic essay Allies, 'is a world trying to remember itself. The dumb stones perform an unending act of recall.'This pervasive awareness of the past, recent or distant, informed the personality of all its rulers, not least that of Methvet Nian. Cellur had pricked old memories back to life. Her mood, when Galen Horn-wrack was brought to her in the side chamber or salle she used as a library and sitting room, was already a nostalgic one. This affected her opinion of him, perhaps: although events, in the end, might be said to have borne her out.

She knew little enough about him. Alstath Fulthor, returning whey-faced and muddy from some unexplained errand only an hour before, had outlined their dependence on him as a witness to the incident in the Low City. 'The girl herself found him, by luck or instinct; she insisted that he came with us (though we'd have brought him anyway). It is hard to know why. He seems to have fought on her behalf- and thinks well of himself for it – but he will say nothing about the fate of the message she carried; and that is the important thing. His motives for refusing seem confused.'

Of Hornwrack's history he had been reluctant to say anything save, 'A disaffected lordling from the midlands near Soubridge. After the war he seems to have wiped the clay off his boots and tried to drink himself to death in the Low City.'Nevertheless, when pressed, he admitted, 'Hornwrack was the youngest son. His brothers fell with the rest of Waterbeck's ploughboys in the Great Brown Waste. His mother and sisters were murdered later, when the Chemosit invested Soubridge. At the outset of the war he was an apprentice airboatman with the prospect of his own command; but he saw no service as such. Initially he was too young, later – with the destruction of its vessels – the whole Corps was dismantled. This he appears to regret more than the deaths of his family. After the defeat of the North he seems to have failed as a farmer, and the family estate was forfeit to the Crown when debts made it unworkable. Now he lives by his knife in the Artists'Quarter, retaining his title perhaps as an advertisement, more likely as an insult to the empire that bestowed it on his grandfather.

'At the last count he had killed more than eighty men, in High and Low Cities. A dozen are presently trying to kill him.'

I will at least understand his bitterness, she had thought.

Now she looked up from a sheet of music as he came in. His demeanour was a sham, or so it seemed to her: he affected the braced instep of the professional dancer; his long grey hair he wore gathered in a steel clasp, in imitation of those doomed airboat captains who had flown their final sorties over the Great Brown Waste at the height of the war; his cloak was the crude meal-coloured garment of the hired bravo, tailored for swagger, its hem dyed with sardonic vulgarity to the exact shade of dried blood. How could he mean anything to her, this ageing assassin with bones as raw ~ as a jeer? He filled the sitting room like a murder. His very

existence was too much for her delicate little coralline ornaments and collection of antique musical instruments; he overpowered them at once. It cannot be said that she saw through the Low City and the failed lordling, through the trappings to the man beneath: there was, after all, hardly any of him left to see.

Yet rather than simply walking through a door, he seemed to rush out at her from the past. His hair blew back in the wind of time! She saw him for a moment silhouetted against some vanished dawn – the tall thin body held with a helpless formality, the misery in the eyes, the great ruined metal bird hanging from his belt. Only a moment, but in it she mistook self-concern for dignity; wept for the dead poet tegeus-Cromis; and wondered briefly why this tired hooligan should remind her of winter hyacinths blooming in a tower by the sea.

It passed, of course.

Alstath Fulthor followed the assassin in. Beyond the threshold they regarded one another like wary 'dogs; then Hornwrack shrugged and smiled slightly, and Fulthor turned away, looking disgusted. She offered them refreshment. Fulthor refused, picked up a book bound in olive leather and stared angrily at it; while Hornwrack stood in front of her, swaying a little. He would not look at her. He smelt of death. Presently, Cellur and Tomb entered the room. Cellur took a little Mingulay wine, sighed – 'These lamps somehow recall my buried life -'and sat down in the shadows. The dwarf made her a pretentious intricate bow then leant against the wall, one leg bent to rub his calf.

'You feel your House was wronged by mine,'she began without preamble. 'We confiscated your estates. Our wars robbed you of your family.'

Hornwrack favoured her with a bitter smile.

'Houses?'he said. 'Madam, my family were farmers.'He fingered his jaw where, she saw, something had recently laid it open to the bone. 'Every airboat in the kingdom was destroyed so that you might keep your throne.'He stared over her head. 'It was my freedom you robbed me of.'

If she thought she could see the Queen's Flight burning to ashes in his eyes (drifting down into the desert like withered leaves, spilling smoke and queer lights and little silent figures), she was wrong. He had not even seen their last defeat – only stood, sixteen years old, on the phlegmatic earth and watch them fly like greyhounds into the North vessels, friends, captains all. None had ever returned, nor had he expected them to. The rest of the war he had passed in killing Northmen with a knife in the starving alleys of a.captured city; practising unknown to himself the skills of the only trade his imagination had left to him.

'Mornings,'he whispered feverishly, 'chafe me still. I wake, and look into the empty air, and wonder if throne and empire were worth it – the burning boys and crystal ships.'

He curled his lip and looked about him.

'I would not come here again for fear of finding it was not.

His hand went quickly under his cloak.

'Fulthor, do nothing!'he hissed. 'I'll kill you here, if I have to!'

He wiped the back of his hand across his lacerated cheeks. Outside in the corridor a cold draught spoke of a change in the wind; a new weather. Inside, Alstath Fulthor let his baan drop back into its sheath. The dwarf cocked his head like a starling. 'The old man looked on from the shadows. Hornwrack relaxed slowly.

'Madam,'he said, 'your next family quarrel will have to be fought on the ground.'

'Yet wrongs are not righted by hiding in the Low City,'Methvet Nian told him patiently.

He shrugged.

'Can you give me back the sky? If not, pay me for the service I did you last night and let me go. I believe the girl is worth something to you; and I bled for her. I do not hide in the Low City: I reject the High.'

She would not believe him. (How could sne?) Instead she offered him a myth of his own: a place among the hieratic furniture and exemplary figures of a long declining dream -In a rosewood chest with copper reinforcing bands she

kept three things: a gourd-shaped musical instrument from the East; a short coat of mail, lacquered black; anc. an unpretentious steel sword with a sweat-darkened leather grip. Now she bit her lip, and went over to the chest, and took from it the sword and mail. For a moment she stood uncertainly with them in the centre of the room, facing first the Reborn Man, who would not meet her eyes – then Tomb (the old dwarf glanced at Hornwrack and made a sudden half-amused movement of his head) and Cellur, who only stared impassively at her – and finally the assassin himself.

'Will these serve as payment?'she asked. 'They are all I have.'

Hornwrack looked surprised. He accepted the sword, hefted it; the mail coat he flexed with experienced fingers. He took a little rat's tail file from under his cloak and nicked them with it.

'They are steel,'he admitted, and shrugged. 'A fair price, though I'd have preferred it as an ingot.'He stared at her, puzzled now. 'If that is all, I'll go.'

'It is not all!'exclaimed Fulthor. 'Methvet Nian, the message!'He stood between Hornwrack and the door. The powered blade came out, evil sparks dripping from it in the gloom.

'Here's a High City trick if you like!'laughed Hornwrack, who hadn't a hope against it. He looked down at the old steel sword in his hand. 'Still-'

'Stop!'cried Methvet Nian. 'Alstath Fulthor, are you mad?'

His thin face white and sullen with confusion and rage, Fulthor let the baan fall to his side.

'Do not touch him. He has done us a service.'And to Hornwrack: 'My lord I see you are wounded. Visit the hospitallers before you leave here. '

Hornwrack nodded curtly. 'Don't come near the Low City after dark, Fulthor,'he said. At the door he paused, looked back. 'I would prefer to owe the House of Nian nothing,'he told the Queen. He threw the mail coat on the floor and dropped the sword carefully on top of it.

'The girl carried a bundle tied up'in cloth,'he said. 'A poet called Verdigris stole it. When he opened it he found an insect 's head the size of a melon. He couldn't sell it anywhere.'

Methvet Nian gazed at him in horror. He seemed unaware of it, leaning against the doorpost and staring into

· space. 'I don't think I've ever seen him so frightened,'he mused. He looked at her. 'It's in the gutter now, somewhere in the Low City. I left it there to rot, My Lady. Goodbye.'

Out beyond Monar the wind was shifting uncertainly, picking the first sleet of the season from the frigid summits and sea-lanes of the north. Later it would invest the city with rime, freezing airs and a faint smell of rust: now it nosed like a cold black dog among the vast dunes and endless empty rubbish heaps of the Great Brown Waste, visiting the drab stones and foundered pylons, the half-buried wreckage of ten thousand years. What else moved up there, throwing its equivocal shadow over the Reborn communes (and mimicking the jerky, hesitant gait of the votaries of the Sign as they trod at night the streets of Viriconium, the measures of the dream)? The implications of Hornwrack's statement were colder than any wind.

'What can they have meant?'whispered Fulthor. 'To send that?'

But Tomb was intrigued by the departed assassin, and stared pensively after him. He went over and closed the.door. 'Does he know whose sword it was?'he asked Fulthor absently. 'Did he guess?'But Fulthor only rubbed his eyes tiredly and said, 'He is a liar and a jackal.'

The dwarf sniggered. 'So am I.'He picked up the discarded sword and mail; smiled at Methvet Nian. 'That was a valiant try, my lady. A stone would have unbent to you. Shall I put these away?'

'One of you go after him and give them to him,'she replied. 'Wait. I will do it.'

When they stared at her, she laughed. 'I meant him to have them.'She would let them say no more, but finished:

'He saved the girl out of compassion, though he will never understand that.'

But for a peculiar interruption, Fulthor, at least, would have pursued the matter: indeed his mouth was already open to form a protest when Cellur – who had been slumped for some minutes in his chair, a variety of expressions, each more unreadable than the last, chasing themselves across his face – gave a queer high-pitched cry and struggled to his feet as if he had woken suddenly from some implacable nightmare. His skin was grey. His accipitrene eyes were fixed on the door, as though Hornwrack still stood there; they were bright with anguish. When Methvet Nian touched his shoulder he hardly seemed to notice her, (beneath the odd embroidery of his robe, the bones were thin and unpredictable; brittle), but muttered desperately, 'Fulthor! Tomb! No time to lose!'

'Old man, are you ill?'

'You did not hear it, Methvet Nian, the voice from the Moon, with its “great wing against the sky”. The insect's head; the landings at night; the Sign of the Locust: all are one! I must go North immediately. All are one!'

'Cellur, what is it?'begged the Queen.

'It is the end of the world if we are too late.'

We value our suffering. It is intrinsic, purgative, and it enables us to perceive the universe directly. Moreover, it is a private thing which can neither be shared nor diminished by contact. This at least was Galen Hornwrack's view, who, by the very nature of his calling, had been much concerned with pain. It was a view enshrined in the airless room above the Rue Sepile, and in his relationship with the boy, whose function had been less that of a nurse, than of heirophant at his master's lustral agonies. As Hornwrack had grown used to the smell of self recrimination – which in the Rue Sepile as nowhere else is compounded of dead geraniums, dry rot, and one's own blood squeezed out of towels – he had also grown to welcome it; as he welcomed the black 'fevers of his deeper wounds, in which rediscovered a symbolic re-enactment of his crimes.

In Methvet Nian's infirmary, however, he had found none of this, but instead open casements and cheerful voices: and worst of all, that good-humoured competence by which the professional nurse – who otherwise could not bear it

demeans the pain and indignity suffered by her charge. In short: they had stitched him up but refused to let him brood. Some three days after the events in the Queen's sitting room, therefore, he had extricated himself from the place and now stalked the corridors of the palace in an uncertain temper.

His cloak had been returned to him, washed and mended. Beneath it he wore the mail of Methvet Nian, and at his side hung the unaccustomed sword. Both chafed, as did the manner in which he had come by them. He had, it is true, gone to some trouble to find for the sword a scabbard of dull moulded leather, and it looked well on him. Nevertheless, the sword is a weapon chiefly of the High City, and he felt ill-at-ease with it. He had had little training in its use. As he hurried toward the throne-room for what he hoped would be the last time, he touched the knife hidden beneath his cloak, to assure himself he was not unarmed. As for the Queen's intentions, he understood none of them. She had first tried to bribe and latterly to patronize him; he was full of resentment. It was a dangerous frame of mind in which to encounter the Queen's dwarf, who had on his face a sardonic grin.

His short legs were clad in cracked black leather, his thick trunk in a sleeveless jerkin of some woven material, green with age; his bare forearms were brown and gnarled; and his hands resembled a bunch of hawthorn roots. Indeed he looked very like a small tree, planted up against the throne-room doors, stunted and unlovely against their serpentine metallic inlays and ornamental hinges. On his head was a curious truncated conical hat, also of leather and much worn.

'Here is our bravo, with his new sword,'he said matter-offactly.

'So the dwarf says,'murmured Hornwrack, pleasantly enough. 'Let me pass. '

The dwarf sniffed. He looked along the passage, first one way and then the other. He crooked a finger, and when Hornwrack bent down to listen, whispered, 'The thing is, my lord assassin, that I understand none of this.'

And he jerked his horny thumb over his shoulder to indicate, presumably, the throne-room.

'Pardon?'

'Voices, from above. Insects. Madmen, and mad women too. One comes back from the dead (albeit he's a good friend of mine), while another runs like a greyhound at the sound of a song. Both old friends of mine. What do you think of that?'

He looked around.

'The Qyeen,'he said, lowering his voice, 'gives away the sword of tegeus-Cromis!'

He laughed delightedly at Hornwrack's start of surprise, revealing broken old teeth.

'Now you and I are plain men. We're fighting men, I think you'll agree. Do you agree?'

'This sword,'said Hornwrack. 'I – '

'That being so, us being ordinary fighting men, we must have an understanding, you and I. We must treat gently with one another on this daft journey north. And we must look after the mad folk; for after all, they cannot look after themselves. Eh?'

Hornwrack made as if to pass into the throne-room.

'I'll make no journey with you or anyone else, Dwarf. As for gifts, they can be easily returned. You are all madmen to me!'

He had not gone so much as a step towards the inlaid doors when a terrific blow in the small of his back pitched him forward on to his face. Tears filled his eyes. Astonished and desperate – he thought the dwarf had stabbed him – he fumbled for his knife and scrabbled into a kneeling position:

only to find his tormentor grinning ironically at him, unarmed but for those disproportionate arthritic hands. Before he could haul himself to his feet, the dwarf- whose head was now on a level with his own – had first embraced him lightly, then spat in his ear and hit him again, this time somewhere down below his ribs. His knife clattered away. His breath deserted him. Through his own heaving and choking he heard the dwarf say coldly -'I like you, Galen Hornwrack. But that is the sword of my

old friend, which was given you in good faith.'

Hornwrack shook his head and took his chance. He reached forward and clasped with both hands the nape of the dwarf's neck; then pulled him forward sharply. As their heads connected, the dwarf's nose broke like a dry stick.

'Black piss,'he said surprisedly, and sat down. They went seriously at it then, and neither could get the advantage: for though the dwarf was cunning, old and hard, the assassin was as quick as a snake; and both of them knew well the culde-sacs and wineshop floors where the anonymous chivalry of the Low City settles its quarrels amid the slime and the sawdust.

It was Cellur who discovered them there twenty minutes later. There was a yellow malice in their eyes as they staggered about in the bloody-mouthed gloom taunting one another in hoarse, clogged voices – but it was fading like a sunset, and as he watched, in the puzzled manner of someone who doesn't quite know what it is he's watching, he heard this final exchange:

'I beg My Lord the sheep's arse to change his mind.'

'My brain is as addled as a harlot's egg. Get me out of this place, Dwarf. It stinks of kindness. North if you like. What do I care?'