"Don't let it bother you," Michael said. "If she doesn't come today, she'll come tomorrow."
"No she won't," Mr. Rebeck answered. They were sitting on the steps of the mausoleum, looking down the short path that led to Central Avenue. "Tomorrow is Sunday. She never comes on a Sunday. I don't know why, but she never does."
Michael slanted a sly glance at him. "At least you know what day it is. I used to see you looking at my grave to remember the year."
Mr. Rebeck scratched aimlessly on the step below him with a pebble. "I don't always remember what day it is. When I do, it's because a day on which Mrs. Klapper comes to visit is very different from a day on which Mrs. Klapper doesn't come. I have two kinds of days now. I only used to have one."
"I only have one," Michael said. "One long one, with subdivision. Don't worry," he added when Mr. Rebeck said nothing. "She'll come today."
"I'm not worrying. She'll come when she feels like it. What time is it?"
Michael laughed. "Damned if I know. Time and Morgan have nothing in common these days."
"One of us ought to know what time it is."
"Well, it's not going to be me," Michael answered. The flatness of Mr. Rebeck's tone had disconcerted him somewhat. "Why do you care? What difference does it make?"
Mr. Rebeck snapped the pebble away from him. "The gates are locked at five. If she comes late she won't be able to stay very long. I hate it when she just comes, says hello, and goes."
"She doesn't have to go right away," Michael said. "Walters usually makes the rounds a couple of times an hour to see if anybody's locked in. She can stay later than five."
"I've asked her. She always has to go home and start dinner." Mr. Rebeck scowled at the hot, shiny sky. "Or she has to babysit for somebody. She loves that. The parents go to the movies, and she sits in the living room and listens to the radio. The next day she spends hours telling me how she put the child to bed and what she did when it woke up in the night and wanted its mother."
"Hasn't she any children of her own?"
"No," Mr. Rebeck said. "A lot of nephews and nieces, though. She comes from a big family." He shoved his hands into his pockets and leaned back on the steps. "She's not going to come today. It's too late."
"Don't panic," Michael said. "She's got time yet." He stood up and took a few steps on the grass. "I think I'll look around for Laura. Maybe we'll come back here later on and tell you a bedtime story."
Mr. Rebeck smiled, stretching his legs in the afternoon sun. "All right. That would be fine." The bedtime story had been a standing joke between them since the morning more than a week ago when Campos, singing and staggering, guided patiently by Michael and Laura and obscenely by the raven, had carried him home, wrapped him in his blankets, and fallen asleep himself on the steps of the mausoleum. Mr. Rebeck had found him there when he woke in the early afternoon, and they had shared breakfast. He had not seen Campos since.
"That was a good night," he said. He liked to think about it. "We ought to spend more nights like that."
"Stick around," Michael said grimly. "We will." He came back to Mr. Rebeck and sat down two steps below him. "I've begun to develop a piddling but useful conception of eternity lately. Listen to me think."
Mr. Rebeck waited, thinking, Of course I'll listen to your thoughts. That's what I do. That's what I am, really, your thoughts and the thoughts of others. He nodded to show Michael that he was listening.
"I had a good time that night, too," Michael said, "but I kept thinking, This is forever. This is forever. You will have this good time again and again, a million times over, until it will be like a play in which you and Laura and a few fugitive lives sit around an imaginary fire and talk and sing songs and love each other and sometimes throw imaginary brands at the eyes blinking beyond the circle of imaginary firelight. And then I thought—and this is where I sounded just like a real philosopher— And even when you admit that you know every line in the play and every song that will be sung, even when you know that this evening spent with friends is pleasant and joyful because you remember it as pleasant and joyful and wouldn't change it for the world, even when you know that anything you feel for these good friends has no more reality than a dream faithfully remembered every night for a thousand years—even then it goes on. Even then it has just begun."
The air was motionless, carved, a block of warm copper fitting neatly around the earth, molded while soft to fit every house and every human being on the earth, and now hardened forever so that no man could move and no air ever came through. The earth rumbled down its alley like a golden bowling ball, shining.
Michael went on. "People used to imagine hell as a place where evil is done and being in hell as having evil things done to you eternally, praise God and don't push; there's plenty of room in the balcony for all the blessed souls. Well, Morgan amplifies this. Hell is forever. Hell is having anything done to you constantly, good or evil. There isn't any good or evil after a few billion millenniums. There's just something happening that has happened before. Think of it—forever. For ever. We don't know what the word means, and we die ignorant and unarmed. Don't ask me to come to any more jolly sessions around the campfire, old friend. I'll come, of course. Wouldn't miss it. Just don't ask me."
He stood up again, moving down the steps and across the grass with the loose, bucking motion of a captive balloon; a manshaped reminiscence, a figment of his own imagination.
"I can't help you," Mr. Rebeck said. He spoke very quietly, but Michael heard him and turned.
"Why, I wasn't asking you to. I wasn't asking for help. I'm very fond of you, but I'd never ask you to help me. I'll never ask anyone to help me again. Say hello to Mrs. Klapper for me."
He walked away and the sun devoured him quickly. Mr. Rebeck sat on the steps of the mausoleum, grateful for the shade the building offered. A cooling breeze sprang up suddenly, making itself audible by shaking the grass and hissing richly in the trees, but it did not reach Mr. Rebeck at all. He unbuttoned his shirt and pulled it out of his pants, but the breeze was gone and the trees stopped moving. His skin remained oiled with sweat and he could smell the familiar sourness of his own body. Later, when it was dark, he would go down to the lavatory and wash himself. He did not like the liquid soap that you squirted out of a glass jar, but it would have to do.
I am tired, he thought. Maybe the heat is doing it, but I have sat through a good many summers here and never felt like this. I am tired of being helpful. I am tired of being comfortable. Why this should be I do not know, but my image of myself as an understanding old man, floating in kindness like a cherry in a sugared liqueur, is beginning to curl at the corners. I wish something would happen to me, something that would show me exactly how cruel and jealous and vengeful I can be. Then I could go back to gentleness because I chose it over brutality for its own sake, not because I didn't have the courage to be cruel. I might even like cruelty. I doubt very much that I would, but I ought to find out.
He remembered the raven, clacking his beak and saying, "I'm stupid. I don't know how to help anybody. I was lost too."
I believe myself to be good, he thought, and so I can afford to titillate myself by considering evil, like a child frightening himself with horror stories. I am not a bad man. But I am not a wise one, either, nor understanding. And yet, if I lose this rumpled and comfortable skin that I wear, how will I ever find anything to replace it? I wish I were younger and could grow skin easily.
Then Mrs. Klapper called, "Hey, Rebeck!" and he scrambled hastily up from the cellar of his mind, jumped to his feet, and started down the path to meet the woman, who waved as she came toward him. He felt his loose shirt flapping around his waist, and he stuffed it into his trousers as he walked. He buttoned it all the way up to the top and then opened the collar button.
Mrs. Klapper was wearing a blue dress that he had liked on her before, and an irrational crescent moon of a hat that she loved and defended violently. He had become fond of it himself, but that was one of the things he refused to admit to her. Now he prowled around her, hands clasped behind his back and head thrust forward, staring at the hat. She twisted her neck to follow him.
"All right, already," she said. She put one hand up to her head as if to protect the hat from any onslaught he might be contemplating. "I'm wearing it, I'm wearing it. You want I should wear a helmet like Doctor Livingstone? Leave the hat alone, Rebeck."
"It fascinates me," Mr. Rebeck said. He stood with one hand in a hip pocket and the other scratching the back of his head. "I can't take my eyes off it. Do you pin it on?"
"No, I had this jar of library paste, it seemed a shame to waste it. Rebeck, leave me the hat. The hat never hurt you." She was breathing hard and fanning herself ineffectually with her hand. "Hoo, it's hot. Ninety degrees, it says on the radio. Let's go somewhere we could sit down."
"All right," he said. He noticed that she was carrying a light raincoat over her arm. This did not surprise him too much, even in the hot weather. He knew that Mrs. Klapper regarded the weather as about as dependable as bus schedules. Had she lived during an earlier time, she would have propitiated a weather god possessed of a vindictive intelligence and a squad of little helpers that rushed to inform him whenever Mrs. Klapper decided to go somewhere.
As they walked back toward the mausoleum, Mr. Rebeck said, "I thought you weren't coming." He said it as casually as he could, not being by nature a casual man.
"The subway got tied up in a knot," Mrs. Klapper said very quickly. "There was a train in front of us and a train behind us and we were in the middle and nobody was moving and there was a big tsimmis with the whistle and the buzzing and the fans didn't work right in the middle. Half an hour we lost, maybe more. So excuse my being late, please."
"I waited all afternoon," Mr. Rebeck said. It was a straight statement of fact, but Mrs. Klapper took it as a mild reproach and an expression of self-pity.
"It's good for you to worry a little. That way you never get fat." She walked as if all roads were sidewalks and every one of them ran uphill. "Anyway, I hurried. Look how I'm panting, like a dog. I run any faster, I'll have a stroke. Then you'll be happy?"
"I'll dance in the streets," Mr. Rebeck said. They had reached the mausoleum, and Mrs. Klapper brushed off the top step as she always did and sat down with a large sigh of contentment. She took off one shoe and began to massage her toes, occasionally wriggling them to see if they were responding to treatment.
"Completely numb," she said, looking up at Mr. Rebeck. "My toes got no more feeling than a salted herring. Also I think I busted an arch. Call the ambulance, Rebeck. Get a stretcher, carry me out of here, what are you standing around for?" She gripped her tortured toes in one hand and crackled them like peanut shells.
Mr. Rebeck stood awkwardly in the presence of the unpretentious femininity involved even in the massaging of toes. Mrs. Klapper's foot, he noticed, was small and clean, marred only by the calluses on the ball and heel that a foot develops if its owner is in the habit of roaming around the house barefooted. An attractive foot, judged simply as a foot. He felt better when she slipped her shoe back on. "Would you like some water?" he asked. Mrs. Klapper nodded eagerly. "You got some? Bring it on." She frowned then. "Wait a minute. You got to go all the way back to the gate to get it, forget the whole thing. That thirsty I'm not. Forget it."
Mr. Rebeck smiled and patted her shoulder. "Fear nothing," he said. "I'll be back in a minute."
He left her, ran up the steps of the mausoleum, and emerged a moment later with a little plastic cup. Then he went around the building and walked twenty yards to where a rusty water faucet was set into the lawn near a bank of flowers. He filled the cup there and walked back to the mausoleum, where he presented the cup to Mrs. Klapper with a certain flourish. "I forgot your bouquet," he announced, "but you can take this home with you and raise your own."
Mrs. Klapper wasted no time in badinage. She emptied the cup in three uninhibited gulps, tilted it again to get the last few drops, and said, "Thank you. I didn't know how thirsty I was." Then her face clouded and she looked guiltily at the empty cup.
"Vey, Rebeck, I'm such a pig," she mourned. "I was so thirsty I didn't leave you any. Such a pig, Klapper."
"It's all right," Mr. Rebeck said. He sat down beside her. "I didn't want any."
"I tell you what," Mrs. Klapper said. "Tell me where's the water fountain and I'll get you some. Where is it, out back?" She started to get up.
"Don't bother," Mr. Rebeck told her. "Really, I'm not thirsty."
"In weather like this you're not thirsty? Don't be so noble, you'll live longer. I was so thirsty my mouth felt like a double boiler. Don't tell me you're not thirsty, just tell me where's the water fountain."
"Look," Mr. Rebeck said, unconsciously adopting something of her tone of voice, as he always did if she was with him for any length of time. "I live here. The faucet is out back. I can get a drink whenever I want one, whenever I'm thirsty. I was thirsty a few minutes before you came, so I went and got a drink. Now I'm not thirsty. Sit down and stop running back and forth."
"So who was running?" Mrs. Klapper asked, but she sat down again. She sighed. "Rebeck, you're a hard man to do a favor for. You're always one favor ahead. This is no way to keep your friends."
Mr. Rebeck grinned. He felt very relaxed and unworried. "Fortunately—" he began, but Mrs. Klapper cut him off with a sudden yelp of remembrance. "Dope! Idiot! I knew I brought you something. What a dope! Here, for you, a big gift, compliments of the Salvation Army."
Before he could speak, she had dropped her raincoat across his lap. "Here. You catch double pneumonia now, don't come blaming me. I did my best."
Mr. Rebeck blinked down at the coat on his knees. He touched the smooth gray fabric. "This is for me?"
"No, for President Eisenhower. Oh, is that a brain? Sure, for you. I'd bring it all the way out here for me? It's a raincoat, so you shouldn't get wet someday, catch a cold." She laughed, reaching over to turn down the collar of the coat.
"It's a very nice coat," Mr. Rebeck said. He held it up off his lap to look at it. "Only I don't know—"
"Know? What's to know? Sure it's a nice coat, it keeps the rain off, keeps you dry. You think it's going to rain, you carry it with you. It doesn't rain, good you don't need it. But if it starts to rain, you just put it on, there you are. Waterproof."
Mr. Rebeck fingered the coat and did not look at her. "Yes. I know how it works." The unhappiness in his voice finally ate its way through Mrs. Klapper's gaiety. She looked at him in surprise.
"What's the matter?" She snapped her fingers suddenly. "You think maybe it's too big? It's not too big. Here." She took the coat from him. "Stand up, put it on a minute. I'll show you it's not too big."
Mr. Rebeck did not stand up. "No," he said. "It isn't that." He turned his body sideways so that he was sitting on the steps facing her. "Gertrude"—it was only the second or third time in their acquaintance that he had called her by her first name—"I thank you very much, but I can't accept this coat."
The stricken look in her eyes made his stomach contract, even though he knew it would last only about two seconds. During those two seconds Mrs. Klapper was without defenses, and Mr. Rebeck felt guilty and weak. He had never known, and would never learn, how to handle unarmed people.
Then Mrs. Klapper struck back. "You can't accept it? How come? What is it with you, Rebeck? Am I buying your soul? I'm giving you a raincoat. Something's wrong with that?"
"I don't need a raincoat," Mr. Rebeck said.
"What are you, a duck?" Her expressive mouth curved and curled like a catapult, hurling the separate words at him. "You got webbed feet, the water rolls right off your back? What is this, you don't need a raincoat? Everybody in the world needs a raincoat and all of a sudden you don't?"
"It would be a waste," Mr. Rebeck said. "In all the time I've lived here, I've never used a raincoat."
"Then you're a nut," Mrs. Klapper said promptly. "It's bad enough you live in a crazy place like this, but without a raincoat! In twenty years, you never once got caught in the rain? Never once?"
"Of course I did. But there's shelter everywhere around here—trees, mausoleums, the office buildings. I never got really wet." He searched his mind for a proof that would mean something to her. "I've never been sick."
Mrs. Klapper shook her head in disgust at his ignorance. "So you think that means you're never going to get wet, you're never going to get sick? Rebeck, believe me, when you get wet it's going to be right to the skin, when you get sick it'll be triple pneumonia, what'll you do then?" She dropped the raincoat back on his lap. "Look, just carry it around with you, it's such a big effort?" Her eyes brightened as she thought of a possible reason for his refusal of the coat. "You think I need it? I don't need it. I got a million raincoats. I got a closet full of raincoats, I could wear a different one every day. You're not stealing from me."
Mr. Rebeck shook his head. "No, Gertrude." He folded the raincoat neatly and held it out to her. When she would not accept it he put it down between them on the step.
"Thank you very much," he said, knowing that he did not dare to take the raincoat, and wanting desperately to soften the rejection. "It was a wonderful thing to do, Gertrude, but it would be a waste. I don't need it."
"A straitjacket is what you need," Mrs. Klapper answered, but she said it absently, without malice. She smoothed her dress over her knees and smiled suddenly and warmly. "So all right, don't take it. Look at me, turning into a noodge in my old age. We'll talk about it later."
"All right," Mr. Rebeck said. "Later" to Mrs. Klapper could mean anything from two minutes to two years. He hoped, for the sake of his resistance, that it was the latter she meant on this occasion.
Now, without audibly shifting gears, she was off on another subject. "Listen, I was baby-sitting for my brother-in-law last night, the dentist. I told you about him. He wanted to take my sister to Lewisohn Stadium, so he calls me and he says 'Gertrude, you got a free evening, how about keeping an eye on Linda so she doesn't fall out of bed?' Well, his daughter is a doll. Six years old and an absolute doll. Sitting with her is a pleasure, not like with some children. I showed you her picture, didn't I?"
Mr. Rebeck nodded. Surprisingly enough, he had always been able to keep track of Mrs. Klapper's relatives, a thing she herself was not always able to do. More, he enjoyed hearing about them. They were the only people outside the cemetery he knew anything about, and he had decided that he liked them very much, except for the two cousins that Mrs. Klapper couldn't stand.
"So fine," Mrs. Klapper went on. "I came over about six, and my sister and brother went to the concert and I played with Linda. Such a doll, that one, it's a privilege to sit with her. She's supposed to go to bed at seven, but I let her stay up till seven-thirty, we're having such a good time. Anyway, I'm putting her to bed, tucking her in, good night, Linda, and she grabs me and says, 'Tell me a story.'"
Now she was both herself and Linda, switching from character to character, woman to child to woman, with the electric ease of a traffic light changing colors. "A story? All right, God help me, what kind of a story? And she says, 'The little red hen.' Thank God, this one at least I know. I'm the only woman in the world doesn't know 'Sleeping Beauty,' but the little red hen I know like my hand. So I start telling her about the little red hen, she lives on a farm with all the other animals, and she gets it into her head she's got to bake a loaf bread. You know the one I mean?"
"Yes," Mr. Rebeck said. "I can't tell it very well, but I know it."
"Well, I'm going along, I'm telling the story, and suddenly this Linda, she sits up and gives me a big look like you can't trust anybody any more, and she says, 'That's not the little red hen!' Now, she's a lovely girl and all that, but this fairy tale I know, so I say, 'Sure it's the little red hen. Would I lie to you, Linda?' And she says, 'That's not the little red hen!' and I think, Gevalt, in a minute she's going to start crying, what'll I do? So I say, 'Okay, maybe there's two stories about the little red hen. You tell me the one you know.' So she doesn't cry, thank God, she starts telling me this big story about the little red hen, she's got this deal where she has to lay an egg every day or off with the head, we'll buy our egg from the A & P. A whole story she tells me, I never heard it before, I'm sitting there with my mouth open."
She spread her arms and looked helplessly at Mr. Rebeck. "Rebeck, tell me, are there maybe two stories about the little red hen, or is she making the whole thing up? I don't know. I just sat there."
Mr. Rebeck was laughing. He had begun to laugh midway through the story, accompanied her to the end, and showed no immediate signs of stopping. He laughed quietly and happily, like a man remembering a funny thing that happened a long time ago.
"I only know the story you know," he said when he finally stopped laughing. "I think Linda got it confused with some other fairy tale."
Mrs. Klapper shook her head doubtfully. "She told it like she knew it by heart. She went right straight through it, and, boom, she fell asleep." She shook her head again and began to laugh. "Ai, is that a Linda. Next time I come to sit for her, she says, 'Tell me a story,' I'll say, 'Okay, but decide, your way or mine?' "
When they stopped laughing, and they did not stop suddenly, but let it trail away, silence for a moment and then a snort of new laughter from one, in which the other promptly joined, but when the laughter was finally used up, then they looked almost shyly at each other and said nothing. Once Mr. Rebeck chuckled reminiscently to himself, but Mrs. Klapper did not join in again. He looked away from her and had stopped laughing when he looked back. There was still nothing to say. Mrs. Klapper smoothed her dress again with a nervous, patting motion.
"Rebeck," she began, "I was thinking—"
"Why do you always wear gloves?" Mr. Rebeck forestalled her. "I never understood it. How can you wear gloves in weather like this?"
"I bite my nails sometimes." Mrs. Klapper kept her hands firmly in her lap. "Since Morris died, I catch myself biting my nails, like a little girl. I don't know why."
"I was wondering," Mr. Rebeck said.
Mrs. Klapper looked down at her hands. She took a quick, shallow breath. "Rebeck. About the raincoat."
"Are we back to that?" Mr. Rebeck asked sadly. "I thought you said we'd talk about it later."
"So I'm a big liar. Rebeck, I'm asking you, take the raincoat. Do me a favor, take the raincoat. Why make such a big thing out of it?"
"I'm not," Mr. Rebeck said. "You are. Gertrude, let's forget the whole thing. Let's talk about something else. Maybe you could bring some cookies someday. I like cookies, and I haven't had any in years. Now that would be a favor."
He spoke lightly, hoping to make her laugh again, but the effort failed, as he knew it would. He had been afraid that something like this would happen one day, but he had avoided thinking about what he would do when the day came. Forewarned, knowing that something very good in his life was changing, quite possibly for the worse, he blamed himself for being unprepared, for having been always unprepared. He had foreseen every such change in his fortune, ignored it always, and called the refusal innocence.
"I wake up at night," Mrs. Klapper said softly. "I look out the window and it's raining and I think, Rebeck's out there and it's raining on him. What is he, a bum, a thief, he should run around in the rain without even a coat? I lie awake and I worry."
"I wish you wouldn't," Mr. Rebeck said. "You don't have to worry about me. I don't."
"All right, you don't. I worry. Forgive me, I'm an old woman. So I say to myself, What's the matter, you can't give him anything to keep warm? You're bankrupt, you're burning the furniture to cook dinner? Klapper, you've got a house full of raincoats, bring him one and stop losing sleep. So I look around in the closet and I pick out a nice raincoat, and I think, This one looks good, Morris won't mind if I take it to Rebeck, it's clean—" She stopped abruptly, even before Mr. Rebeck spoke.
"Oh," he said, mildly enough. "This was your husband's coat?"
"Sure. What's wrong?" A defensive note had crept into Mrs. Klapper's voice. "Mine wouldn't fit you. Morris's coat is just right, a little big, maybe. It looks brand new. Try it on, see how good it looks." She held it out again. "Try it on."
"I don't want it," Mr. Rebeck said. He pushed it away, without force but completely without gentleness.
"Why? What is this? Something's bad about wearing Morris's raincoat? Tell me, Rebeck. Morris wore it a little, so it's no good?"
"I am not going to wear your husband's clothes," Mr. Rebeck said. "I am not going to wear anybody's clothes but my own. Most of all, I am not going to wear Morris's clothes. Not his raincoat, not his hat, not his pants, not his shoes. Nothing." He spoke faster, getting angrier as he went along. "And while we're talking about it, I am beginning to get tired of hearing about your husband."
"I see," Mrs. Klapper said. A calmer man might have noticed the storm warnings flying over her quiet voice. In all probability Mr. Rebeck, who was a calm man, did notice them and took pleasure in ignoring them.
"The first time you saw me," he said, "you thought I was your husband's ghost. Since then, I've had a lot of moments when I wished I was. We spend most of our time talking about Morris, we visit his mausoleum, which has everything for him except a hot plate in case he gets hungry, we speculate on what he might have become if he hadn't died. You tell me how wonderful he was, you tell me how much like him I look, and now you bring me his clothes to wear."
"His raincoat," Mrs. Klapper said. Her voice was a tight and humming wire. "One raincoat."
"That isn't important. I don't want to look like him, not even a little, and I don't want you ever to mistake me for him again, even for a second. I don't care how wonderful he was—in fact I hope to God that he wasn't as great a man as you think he was. He'd have been unhuman and unbearable."
On an impulse, he took her white-gloved hand in his own and gripped it tightly. "Gertrude, I'm sure he was a fine man, or you wouldn't have married him. He was probably better at a great many things than I, better than most people. But he's dead"—he felt her hand buck and wrench in his, but he held it as tightly as he could—"and it is no honor to the dead to remember them as they were not, to think of them as better than they were. I don't want his clothes or his face. I don't want anything that belongs to him."
Mrs. Klapper pulled her hand free then, as though his hand were a hook from which her own had to be torn with one terrible wrench.
"What do you want?" she cried. "You want me to forget him? You want it to be like there never was any Morris? You want that?"
"No, I don't want that, and you know it. I want you to stop talking about him as if he were alive and listening. I want you to stop kidding yourself!"
"Kidding myself?" Mrs. Klapper's laugh was strident and forced, not so much a laugh as an amplified gasp of anguish. "I'm kidding myself?" She swept her arm in an arc that took in all the cemetery they could see from where they sat. "Look who's talking! Look who lives in a grave, like a dead one, and tells me I shouldn't kid myself! Come out of the grave and tell me again, Rebeck."
"That has nothing to do with what I'm saying," Mr. Rebeck said. "Nothing at all. We're not talking about the way I live."
"I'm talking about it!" Mrs. Klapper tapped her chest with a forefinger. "You listen to me a minute, you've got the chutzpah to tell me I'm kidding myself. What kind of way is this for a man to live? Since when does a man, a human being, live in a graveyard, eating a couple of sandwiches a day, running around in the night getting soaked to his bones, hiding from people, talking to himself, going crazy alone? You think a man lives like this? You know who lives like this? Animals. Crazy, sad animals. What are you, a crazy animal?"
Mr. Rebeck opened his mouth to speak, but she waved the words back into his throat. "You think this is a good place to hide?" she demanded, pointing at him. "You think maybe you belong here, the dead people are saying, 'Come on in, Rebeck, where you been, we were so worried'? You don't belong here. You could live here a hundred years, you wouldn't belong here. You're a human being, live like a human being, not like a crazy animal hiding in a hole. Don't tell me I'm kidding myself, Rebeck."
Her dark hair had become a little awry, and the foolish crescent hat was skidding slowly over her forehead. Her face was very pale, and her eyes seemed blacker and more angrily alive by contrast. When she spoke again, it was in a quieter voice. The movements of her lips were less definite and less scornful.
"Maybe I do, a little. I wouldn't deny it. Maybe it wasn't always New Year's Eve, being married to Morris. That's not saying he wasn't a great man, understand that. There was nobody like Morris. But all right, so maybe I make it sound a little better than it was, who am I hurting? An old woman remembers things a little bit cockeyed, it's her privilege, she's not hurting anybody, not even herself. But a man tells himself, 'I'm a ghost, I'm a ghost, I'm only happy with dead people,' he's hurting himself, he's hurting his friends. A man should live with men, not in a graveyard where it's cold at night, he's got nothing to keep himself warm. Okay, I'm kidding myself, you're kidding yourself, only it's not the same thing. Don't tell me it's the same thing, because I know better."
"I live here," Mr. Rebeck snapped. They were standing on the steps now, shouting at each other. He could feel the cool, tickling trickles of sweat sliding down his sides under his shirt. "I like it here. This place, this dark city, is as much my home as any place on earth is ever anybody's home. I can't live anywhere else. I tried. I tried for a long time. Now I live here and I'm happy. A man should live where he fits, and if he doesn't fit anywhere he should try to squeeze himself in somewhere where he won't hurt anyone and where nobody will notice him. I've been lucky in finding a place to live, luckier than a lot of men. They're still looking."
"You think this is living? This is eating, nothing else." Mrs. Klapper grabbed at the crescent hat a moment before it fell off her forehead and shoved it to the back of her head, where it remained, tipping from side to side, like a seasick bird. "You're like all those yentas where I live, you sit in the sun and wait for your wings to grow. You want to live somewhere, live in a house. That's where people live."
At any other time, Mr. Rebeck would never have taken advantage of the opening she had unwittingly given him, even had he noticed it, which is doubtful. Now he drove through it, his anger tucked like a skull under his arm.
"Is it? Then tell me why you keep calling Morris's mausoleum his big house?"
In the silence they heard the sound of an engine, and they both looked up the path to see the caretakers' pickup truck turning in off Central Avenue. Even at that distance Mr. Rebeck was able to recognize it. It was olive green, for the most part, with rusty fenders and a wide paintless patch on the driver's door—Campos had once managed to get it caught in a funeral motorcade. The engine harrumphed like a Congressman, and the rim of the hood was bent up and out on one side, so that the truck wore an impersonal sneer.
Mr. Rebeck was not at first alarmed when he saw the truck, because he associated it with Campos, who loved it and drove it most of the time. But he saw Walters' blond head above the steering wheel and, as he had done so often that he no longer thought of it as running, he fled up the steps to the mausoleum door. There he paused with the iron of the doorknob under his hand and turned, expecting to see Mrs. Klapper's face wrinkled with mockery, waiting to hear her voice, that could be like the bitter shriek of knives against each other, jeering at him. He hoped, in a way, that she would, so that he would not miss her when she did not come again. For he was sure she would not return, and he feared remembering her.
But she only looked at the truck and then at him, and she said quietly, "It's too late, Rebeck. He's seen you. Come back."
And he came down the steps, taking them carefully so as not to stumble, and he stood beside her on the bottom step and waited with her for the oncoming truck.
Walters brought the truck to a hiccuping stop before them and cut the motor. He leaned out of the cab and demanded, "You people together?"
"Yes," Mr. Rebeck answered. He hoped that Walters would not recognize him. They had met twice before, and both times Mr. Rebeck had pretended to be a visitor. He tried vaguely to make his voice different.
"Well, don't you know the place closes at five? It's ten to five now."
"My," Mrs. Klapper marveled. "Look how the time flies. We just got here a minute ago, it seems like." She narrowed her eyes suspiciously and raised a finger at Walters. "You're sure it's ten to five?"
"I'm sure, lady," Walters answered, but he looked at his watch. "You don't get down to the gate in a hurry, they'll lock you in. And this ain't no place I'd want to spend the night."
"Well." Mrs. Klapper turned questioningly to Mr. Rebeck. "I guess maybe we better be going, huh?" Mr. Rebeck nodded.
Walters looked at his watch again. "You'll never make it in ten minutes. They'll lock you in. Hop in and I'll give you a ride down. Come on."
Mrs. Klapper glanced quickly at Mr. Rebeck, but no word passed between them. She turned back to Walters and shook her head. "Thanks a lot, but no. You just go and tell the people at the gate we'll be a little bit late, they shouldn't lock up right away."
"Come on, come on," Walters said impatiently. "It'll take you a half-hour to walk it. They ain't going to wait that long for anybody."
"So the night man will let us out," Mrs. Klapper replied calmly. "Anyway, we can't ride with you, thank you. I lost something on the way and we have to find it."
"Yeah? What'd you lose? We got a Lost and Found in the office."
Mr. Rebeck correctly interpreted Mrs. Klapper's look at him as a howl for help. He remembered having said, "Fear nothing," to her in jest, and he wondered if she remembered too. He had thrown it off very lightly.
"A ring," he said. "On the way up here, she lost a very small ring. We're going to look for it on the way back. That's why we want to walk."
Walters slapped his forehead. "Jesus Christ, you can't go looking for a ring now. It'll take you hours, a little thing like a ring. Come back tomorrow."
"It wasn't that small a ring," Mrs. Klapper said indignantly. "Do I look like the kind of woman would wear a little tiny Woolworth ring? We'll find it, and it won't take us so long, either. You just tell the people at the gate not to be in such a hurry, we'll be right along."
"Look, lady—" Walters began, but he did not finish. Mrs. Klapper occasionally had that effect on people, Mr. Rebeck noticed. He felt sorry for Walters.
"Thank you for offering us a ride," he said. "And don't worry. We won't take long."
"Yes, thank you very much," Mrs. Klapper said, as if she were daring Walters to make something of it. "You're a very nice young man."
"Jesus God," Walters said. It sounded almost like a prayer. He turned on the ignition, and the engine snorted with a kind of baleful humor.
"I'll leave the gate unlocked," he said to the steering wheel. "Tell the man at the gate when you leave. Would you do that for me?"
"Certainly," Mr. Rebeck said grandly. "We'd be glad to."
"And watch it with the truck," Mrs. Klapper called as Walters drove away. "Don't go running over the ring, it's very valuable." They watched the truck shudder along the path and out of sight on Central Avenue.
They had intended to laugh when it was safe, fully intended to sit down on the steps and laugh together, louder than they ever had. Neither one had spoken this intention to the other, but it had been completely understood while they were talking to Walters. But they looked warily at each other and remembered that, five minutes before, each had come very near to destroying the other for the other's Own Good. Neither was quite certain that the destruction had not actually been accomplished, and each cautiously watched the other move and did not dare to speak for fear that one might now have no tongue and the other no ears. They moved as if they were wading or picking themselves out of wreckage.
"I better go," Mrs. Klapper said at last. "He's not going to wait forever, whoever's locking the gate. I got to get home, anyway."
"I'll walk part of the way with you," Mr. Rebeck said.
She did not answer, and they began to walk toward Central Avenue. Sometimes their shoulders touched.
"You think somebody'll get nervous, they only see one person leave instead of two?"
Mr. Rebeck shook his head. "No. Walters has gone home, and one of the night men has taken over. No one will notice anything."
"You sure know the routine around here. Like a bank robber."
"I have to."
Out on Central Avenue, Mr. Rebeck could feel the heat of the pavement through his thin shoes. He walked with Mrs. Klapper past the frozen fountains of the willow trees and heard, far and very faintly, the guffaw of the pickup's engine. Mrs. Klapper carried the gray raincoat over her arm.
"Rebeck," she said. She took a deep breath. "Look, I'm sorry I made such a big deal about it, about where you live and everything."
"Forget it," Mr. Rebeck said. "Let's forget it. It was nothing." He did not want her to apologize.
"Never mind forget it. What am I, God, a policeman, I can tell you, 'Live here, don't live here'? You live where you want to, it's a free country. You want to live here, it makes you happy, live here. Nobody should tell you where to live. Not me, not anybody. You live where you want to."
"It's just that I feel comfortable here," Mr. Rebeck said. "I never felt that way anywhere else."
"I'm sure it's a very nice place," Mrs. Klapper said. "In the spring and summer, anyway. In the winter—well, what place is nice in the winter?" She looked directly at him. "Only I still worry about you getting wet. You catch a cold here, with no doctor, no drugstore, the next thing you know you're flat on your back. That's why I thought maybe it would be a good idea if I brought the raincoat."
"I couldn't have taken it," Mr. Rebeck said.
"I know, it was Morris's coat, you don't want anything that belonged to Morris. All right, don't take it. Why fight over a raincoat? God forbid anybody should think you look like Morris, it's the end of the world."
"Not anybody. You. I said it the wrong way, and I sounded too heroic about it, but I won't be Morris for you." It was growing a little cooler, he thought. Was tomorrow August? How fast the summer was going.
"If you want to give me a raincoat," he said slowly, "give me one of my own."
Mrs. Klapper stopped walking. "I don't know your size!" she protested happily. The look in her eyes delighted him and frightened him at the same time.
"I'm smaller than Morris," Mr. Rebeck said. "Come on, before they lock us in."
"Wonderful, you're smaller than Morris. So now I know." Mrs. Klapper began to walk again. "You think I'm a magician, I can look at you and boom, I know what size raincoat you take. Maybe I always carry around with me a measuring tape, it might come in handy? Rebeck, excuse me, about some things you know from nothing."
She was smiling now. It seemed a long time since he had last seen her smile. He felt that he had come to another Crossroads and passed it without even recognizing it as a Crossroads. If he turned around, he could probably see it dwindling behind him, perhaps even run back to it if he began to run now. Once it was out of sight it would be too late; he would never be able to find it.
"I'd better go back," he said. "We'll be at the gate soon."
"Wait a minute. At least let me make a guess what size you take. Stand up straight a little." She looked him over quickly and shrugged. "So I'll get you one that fits like your skin, you'll be sorry you didn't take Morris's coat. Good-by, Rebeck. Don't step on the ring."
She started down the road alone.
Then she stopped and turned back to him. He had not moved.
"Listen, I'll tell you something." She was not smiling. "Remember you asked how come I was late, and I gave you a big deal about the subway and how I had to go back to get the raincoat?" Mr. Rebeck nodded.
"Well, it wasn't like that. I was walking to get to the subway, and I met this woman, I know her from around. I said, 'Hello, how you doing?' She said 'Fine, how come we don't see you around no more?' So I said, 'I been busy,' and she just looked at me and said, 'Busy with what— monkey business?' Rebeck, the way she said it, how she waved her finger and went like this with the eyes. 'Monkey business,' she said, 'I know how it is.' Rebeck, I went home and I lay on the bed for an hour and I said I'm not going out there. No more. What am I, crazy? So I lay like that for an hour, and then I got the raincoat and came out. So that's why I was late."
Central Avenue makes a very wide curve just before it reaches the gate. Mr. Rebeck was able to watch Mrs. Klapper down the road, through the iron gate, and onto the street. He saw her stop to let a car pass her, and then she crossed the street and he could not see her after that. There were a lot of people on the street, and it was not easy to pick out one hat among them all, even if it was shaped like a crescent moon.