Chapter 2

Lesley

I rode down there with Julian. He had a rickety Morris Minor: there was barely room for me once he’d got his guitar and other gear into it. Everyone else went down in the van.

I’d heard Julian sing before, and of course I had the first Windhollow album. But we’d never properly met. Word on the street was, Julian Blake was the most beautiful guy anyone had ever set eyes on. Typically, I was going to be contrarian: I was determined to be unimpressed.

The truth is, I was very, very shy. I was only seventeen, remember. My mum and stepdad were American. They both died when I was fifteen, in a car accident. My biological father was from Yorkshire; he’d been married before he met my mother and already had a family. I was born here in London when he and my mum were still together, so I had dual citizenship. We used to come over for summer vacations. I got to be close with my older sister, so after the accident I came here to live with her in Rotherhithe.

I was a bad student, but I was a good singer. My dad was brilliant — he used to sing along with whatever was on the radio, but he also knew all these old English folk songs. I learned by listening to him, harmonizing. I just memorized whatever I could.

It was tough, coming to live here with my sister. People thought I was stuck-up because I was American. It was hard to make friends — I got pushed around a few times, but when I’d take a swing at them, I’d be the one got into trouble.

Eventually, I just stopped going to school, and I guess because of the whole American thing, no one followed up on me. Plus, it was the early nineteen seventies — there were kids squatting everywhere in London. I went out to Eel Pie Island and joined the commune there for a while. That’s when I started performing.

Julian was only a year older than me — fourteen months, to be exact — and he was cripplingly, almost pathologically shy. Much worse than I was.

Which of course I didn’t realize when I drove down with him to Wylding Hall. I thought he was stuck-up! He was from Hampstead. I was this blond hippie from Connecticut, even though I’d been in London for a year. I looked older than seventeen, so at first he thought I was putting him off for being younger than me.

I didn’t know that till Will told me. The two of them had grown up together. Will was almost like Julian’s interpreter — sometimes Julian was so shy, he’d just stand there right next to you and stare straight up into the sky for a quarter of an hour without saying a word. “Cloud Prince”: I wrote that about Julian. The boy with the sky in his eyes.

Jon

It’s true. When he was young, Julian was almost unearthly; he was so handsome, it was difficult for me at first to keep my eyes from him. Spooky beautiful. People thought he was gay, but he wasn’t. I was the one who was gay, though I only came out after that summer at Wylding Hall.

Believe me, I would have known if I’d had a snowflake’s chance in hell with Julian, and there was just no way. I know, darling — you’re looking at me now thinking, No shit, Sherlock! But you wouldn’t have said that back then. I was a bit of a looker myself in those days.

Oh, right, you’ve seen the documentaries and all that on YouTube. Yes, I was wasted back there behind the drum kit. But kinda cute, right?

Julian was beautiful: those high cheekbones and all that dark hair flopping around his face. His skin was so pale you wanted to write on it like paper. And he had those amazing hands, big, big hands with long, long fingers. I used to watch him play guitar and just be hypnotized. He’d open his mouth and sing “Lost Tuesdays” or “Windhover Morn,” and I’d just be a puddle — really! Me! The drummer! I used to watch him and just dream—pray—not that he’d kiss me, but that he’d write a song about me.

But you know, it was like he could barely stand to be touched — he’d almost flinch if you came too close to him. Not just me — I was used to guys not wanting to be too close to other blokes — but everyone. I’m sure that’s what happened with Arianna; she thought they were in a relationship, and here he could barely stand to touch her. That’s why it was so strange about the girl.

If she had a name, I never knew it. She was the only girl — the only person — I ever saw Julian with, physically. Not that I was perving on them, that’s not what I mean; just that she was the only human creature I ever saw him willingly touch, or kiss. If in fact that’s what she was.

Ashton

It was me, Will, and Jonno in the van. We arrived around noon. I was driving — I was the only one had a license, besides Julian. What a bunch of fucking slackers. You take the A-31 to Farnham, then it’s pretty much nothing but winding lanes and little villages. Used to be, anyway. Heart of Hampshire, Wind of the Willows landscapes. One of the most beautiful places I’ve ever been. Probably all developed and paved over now; I’ve never had the heart to go back.

No? Well, that’s a mercy. But I still won’t be back.

I can still remember the first glimpse I had of Wylding Hall. There was no signpost, only a great boulder with the name carved on it — must have been five hundred years old. Absolutely ancient. The road between the hedgerows was so narrow that the branches poked in the windows on both sides, like they wanted to grab us. One scratched my cheek so badly it left a scar — see there? Fucking oak tree did that! I was bleeding all over the windscreen. It got infected, too.

So, we drove and drove, and drove and drove and drove, and finally the hedgerows dropped back so we could see where the woods had been cleared a bit, and you could see into the distance. Pastures, ancient field systems marked by stone walls — a thousand years old some of them, maybe older. There was a prehistoric barrow there as well, though we didn’t know that yet. I’m not superstitious, but Will is. He’s the one spends all his time at Cecil Sharp House, digging through the archives for old murder ballads—“The Hangman’s Kiss Upon My Cold Eyes”: he found that one. If he’d known there was a barrow a stone’s pitch from where we’d be sleeping, he would have stayed in Crouch End. What a fucking nutter. He’s the one started all those rumors.

Look, I love Will — I’ll kill anyone raises an eyebrow at him. But he’s taken every pill and smoked every spliff and drunk every pint ever laid in front of him. He’s done none of us any favors with his crazy theories. Same with Jonno. You can print that just as I spoke it.

Then what do I think happened? I don’t have a fucking clue, but I’m not afraid to say I don’t understand everything there is to know in this world.

She was the most beautiful young girl I’ve ever seen. I’ll say that, too. I’ve been married five times, and every one of them was a beautiful woman. But there was no one you ever saw looked like her. Looking at her made you want to claw your heart out, it ached so much. We all thought so, except for Les. I think she wanted to tear out the girl’s heart instead.

Tom

Wylding Hall was remote, but that was part of its charm. For me, anyway — I wanted them as far from London as possible. Even now, you can’t get a mobile signal out there. I don’t know how the new owners manage. Maybe they like it that way.

No distractions — that’s what I wanted for the band. They needed to recover from Arianna’s death. They were all traumatized to some degree, and Jon had just lost his mother to cancer. Just kids — they were all just kids, remember, especially Les. She’d been orphaned a few years earlier: lived with her alcoholic sister and her kids in some council flat in the East End before taking off to sleep rough in the streets. She’s a tough old soul, Lesley. Even then, as a girl, you could see it. She was tough as a nut.

Anyway, that was my cunning plan: to spirit them all away to remotest Hampshire, have them live together in a sort of musical commune and see what happens. I mean, people do that, right? Young people, and we were all young, it seems like the most wonderful thing in the world: off on your own, remaking the world, if you will. Sort of a utopian ideal. Hey, it was the seventies.

And it did bear fruit in that album, even if it took years for people to catch on. Progressive folk music was having its day in the sun, and Windhollow’s first album fit that model. But Wylding Hall changed the game for that kind of music, and everything that came after as well. I’m very proud of it, and I know the others are, too. Brilliant work — not a duff song in there.

Not that Windhollow’s first album was shabby. A few twee songs, like “Miss Marnie I Miss You” and “Another Fool in the Dark”—they hadn’t gotten their stride, and Will was still going for those fiddle-dee-dee arrangements; I hadn’t pounded that out of him yet.

And the band’s name, of course, I thought that was hopelessly twee. Windhollow Faire. Turns out that’s where Ashton pulled his first girl — someplace in Oxfordshire. I’ve always wondered if she ever made the connection. Whoever she was.

But that second album — it was all a sort of amazing chemistry. Alchemy, Julian called it. He was into all that kind of thing — magick with a K, astrology, god knows what else. Palmistry, reading the bumps on your head. Casting spells. He wanted the album itself to be a kind of spell. An enchantment. You’d listen to it and without knowing it, you’d be changed. “Ensorcelled.” That’s his word, not mine! Back then, Julian believed in that kind of thing.

But you know, given the influence and power that album’s had over the years, I can almost believe it, especially when you consider the shit storm of bad luck when it was first released.


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