While I live

CHAPTER 3

The next few days passed like some gruesome dream. Or a bad drug trip. Not that I’ve ever had a bad drug trip. Or a drug trip full-stop. A dozen times a day I felt revolted at finding yet another drop of blood or something worse in a corner or crevice or cranny of the kitchen. I couldn’t believe how far blood spreads, how it splatters. I’d already learned during the war how much blood there is in the human body but I’d never had to live with the results of that before. I didn’t want to go into the kitchen. I shuddered every time I went through the door, but I knew I had no choice. And every time I felt like I could see the bodies of my mother and Mrs Mackenzie, still lying on the floor.

Poor Mrs Mackenzie. In the middle of everything I found time to think about her and her family. It was almost easier to think about her than it was to think about my own parents. Mrs Mackenzie had lost her child, her husband, and now she had gone to join Corrie. It was like suddenly there was hardly any trace of her on the planet. I hoped for her sake, as well as for my sake, for everyone’s sake, that there is an after-life, and that she and Corrie had been reunited there.

Although I used the kitchen when I had to, I hardly ate anything. I picked up food and looked at it and felt sick and put it down. I had no appetite. At least I didn’t need to cook. People left food, lots of it. Mrs Yannos and Mrs Sanderson came in every day, bringing casseroles and cakes and soups and sandwiches. And Gavin kept eating, so he had to be fed. I used the kitchen to make his breakfast and to heat up the food the neighbours left and to microwave hot chocolates for him.

Homer and the Anglican priest from Wirrawee sat down with me and told me we had to work out the details of the funerals. I said I couldn’t do it but when they got up to go I changed my mind. I realised that if I didn’t do it, they would. And I knew I couldn’t live with myself if someone else made the arrangements. Homer probably would have started with The Vines, and finished with The Strokes.

So that evening I found it quite therapeutic to sit down and write out what I wanted. Father Berryman had left a bunch of poems and prayers, and there were a few that I liked. One of them started Everything slips away. The river goes to the ocean

And joins that great mystery.

Now I too. You cannot hold me,

Any more than you can hold water. Let me go…

The trouble was that although I liked this one I didn’t want to listen to it. Letting them go? I ached for them, hungered for them. My bones were sore with the pain of their not being here. I wanted to grip them to me.

I went looking in my mum’s books, and found a poem that she’d marked with a little cross. Somehow it seemed to fit better, and I knew Father Berryman wouldn’t mind. All things uncomely and broken, all things worn out and old, The cry of a child by the roadway, the creak of a lumbering cart, The heavy steps of the ploughman, splashing the wintry mould, Are wronging your image that blossoms a rose in the deeps of my heart. The wrong of unshapely things is a wrong too great to be told; I hunger to build them anew and sit on a green knoll apart With the earth and the sky and the water, re-made, like a casket of gold For my dreams of your image that blossoms a rose in the deeps of my heart.

Their deaths seemed to fit with ‘the wrong of unshapely things’.

As well as the poem I remembered all the times my mum had told me about ‘their song’, the song Dad and she had first danced to, the one that always got them smiling when they heard it again. It was pretty well known I think. Daisy, Daisy,

Give me your answer do!

I’m half crazy,

All for the love of you!

It won’t be a stylish marriage,

I can’t afford a carriage

But you’ll look sweet on the seat

Of a bicycle built for two!

I got on a bit of a roll then and stayed up till late, looking for music tracks. It was hard because my parents sure as hell didn’t have the same taste in music as I did. I didn’t want to choose stuff they didn’t like. But I didn’t want to choose stuff that I didn’t like either. So in the end I compromised, and went for ‘Take It In’ by The Waifs and ‘There is a Mountain’ by some old hippie called Donovan.

The day of the funeral started out wet and grey. Just like you’d expect. Just the way a funeral should be. I got Gavin into his best clothes, which was a big effort. In some ways it was a typical Gavin day, when you saw him at his best and worst. He took an hour and a half to get dressed, and he whinged and complained and cried and sulked pretty much the whole time. Did I have any sympathy for him, this little stray washed up to our doorstep by the war? Did I care that the only place in the world where he’d been able to find security had now been blown up in his face?

Well, yes I did. But after an hour and a half I was totally fed up with him. Although there had been people coming and going so much in the house ever since the shootings, at the end of each day it was still Gavin and me alone together, and I was finding that pretty hard to take. I guess he was too.

Then, the moment I’d at last got him into his clothes, he disappeared outside. I was furious but I couldn’t be bothered chasing him anymore. If he got muddy, or worse if he disappeared altogether and missed the funeral, that was his lookout. I’d done all I could.

Then the next thing he’s coming back into the kitchen with a bunch of flowers he’s picked from the garden and I realise he’s done it so he can take them to the funeral. There weren’t many flowers in the garden at that time of year; he must have taken pretty much everything. A few late roses, a lot of white azaleas, a hydrangea leached of colour but beautiful in its dry coat, and even some early wattle.

Like I say, it was a morning of Gavin at his best and worst. I smacked a kiss on his forehead, which he immediately wiped off before he could catch girl germs.

Seeing Gavin walk in the door with his bunch of flowers really got to me. I was finding everything so hard to take. In particular the way in which my parents were everywhere I turned, as though they were still alive. Their presence was in every corner. This’ll sound sick, but in the same way that my mother’s blood had spread to every corner of the kitchen, her life spread through every corner of the house. Same with my father. I picked up a cookbook and there was a note in my mother’s writing, with a recipe for beer bread; I opened a drawer and found my father’s messy old address book; on the table in the dining room was the last bunch of flowers my mother had arranged, starting to wilt now. I didn’t like going into their bedroom, couldn’t go into their bedroom, because it was too unbearable. Their presence filled the room so strongly that for the first time in my life I felt there was hardly room for me in there. Maybe it was their smell, because the room was laden with that. The first time I went in after the murders I tiptoed around as though they had dissolved and spread through the room like a heavy invisible mist. I was scared to touch anything.

I got ready for the funeral myself. I wore my hair out, the way my mother liked it.

Homer arrived at half past ten. When I saw him from the kitchen window, walking towards the door, and realised that he had dressed up in clothes I’d never seen him wear before, a navy suit with a dark red tie and polished black leather shoes, I felt like I’d swallowed a small apple and it had stuck halfway down my throat. It wasn’t just that he looked so handsome. It was the fact that he had put on clothes that I knew he would have hated. And there was also my awareness that in the last few days someone had been looking after the property, feeding the chooks and putting them to bed, checking the cattle, fuelling the vehicles and filling the woodbox, and I knew for sure who that someone was.

I felt a surge of love for my older ‘brother’ Homer and my little ‘brother’ Gavin. I’d practically grown up with Homer and I’d known Gavin for a lot less than a year but I could almost see the links between us at that moment.

We got in the car and off we went. I was so sick at the thought of what was in front of me. I didn’t know if I could get through it. When I saw the crowd at the church I felt even worse. ‘Don’t these people have homes of their own to go to?’ I muttered to Homer. It was a standard joke we’d been swapping for years. He squeezed my hand.

‘What do you want to do? Sit here for a while?’

I had my head down. I couldn’t look up. ‘I guess not. I guess I’d better face it.’

‘Hey, you’ve been through some tough spots. Remember the airfield? The prison? And the prison camp? You can do this.’

‘This is worse.’

He didn’t say anything. I waited a few more minutes, then, before it became impossible, got out, grabbed Gavin’s hand, and in we went.

We got through it.

It was another, I don’t know, a week I suppose before I started to function in any way again. I felt sort of guilty waking up at all, as though it was disrespectful to my parents, as though I should mourn them forever. Anything short of that and I wasn’t a good daughter. If I smiled or noticed a song on the radio or took an interest in a programme Gavin was watching on TV I felt ashamed. If I didn’t think about them every moment of every day, if I didn’t keep their memories alive by the power of my heart and mind, then I was disloyal. And worse than that, they’d go, they’d disappear into oblivion, and they’d be truly dead then. I was the only thing, the only person, standing between them and extinction.

I seem to be quoting a lot of poems here, but what the hell, here goes with another one. Mr Kassar gave it to us in Drama one day, back a couple of years. We had to prepare a Drama presentation based around it. At first we didn’t even understand it but when he explained that it was about memory and the way when someone dies a lot of their experiences and stories and personal memories die with them, suddenly I got it.

It was called ‘The Old Man’s Dead, the Baby’s Dead’. When the old man died there was no-one left to remember the little baby he and his wife gave birth to sixty or so years ago. So it’s like now the baby’s really gone. When he died and went to earth,

All the thousand million memories he’d had since birth

Went with him. The comet over Kakadu,

The buttercup he waved for love in playground games,

The Army Hall that fell in flames

And the baby who drew a dozen breaths and died.

No-one left now to read the words ‘Always remembered’,

In faded brown on the granite slab.

Good-bye old man! A lot went with you.

And only now can it be said

The old man’s dead, the baby’s dead.

I knew some of my parents’ stories. My father’s were all about farm life. The swaggies and Indian hawkers who called in to the property when Dad was a little kid. The silence in the shearing shed as the men sheared the stud rams with blades instead of electric shears, to avoid injuring them. The weekend rabbit drives, when the trappers gradually pushed the rabbits into nets in a corner of a paddock, getting over two thousand rabbits in a weekend. Drenching the sheep with bluestone-nicotine, and going out the next morning to see hundreds of huge white tapeworms all over the ground. The glut of cattle which led to well-bred Poll Hereford cows in good condition selling for ten, twenty, fifty cents each. And the fires and the floods. Always the fires and floods.

My mother’s stories ranged a bit wider. Some were about growing up in the city, some were about her trip overseas when she was eighteen. And some were about life with Dad on the farm. Her father was an accountant and her mother did a few different things, including catering and landscape design and radio production. And raising a daughter.

So my mother’s stories were about going to a private school where some girls were driven by chauffeurs each day, where Mum got caught putting a bra on a statue of the school’s first principal (who to make things worse was a guy), where she saw a teacher get run over by a drunk on a bicycle. And later, after she’d left school, helping her mother design a garden for Monica Duran, who insisted on having a huge photo of herself on a courtyard wall, going to a dance and finding a girl dead in one of the toilet cubicles, seeing the pandas in the Washington Zoo, and a soccer riot in Barcelona.

And, later, the fires and the floods.

I really believe that our stories make us who we are. I don’t think people are born as empty shells. They already have the makings of a personality and they have intelligence. But from the moment they’re born, and maybe before that, they start accumulating stories and it’s those stories that have the biggest effect on them.

Like the poem says, a thousand million memories. A thousand million stories. And then some.

I feel that in my short life I’ve already gone over the thousand million mark. Sometimes I have trouble believing that I’ve seen and done so much.

A week after the funeral Fi walked in through the kitchen door. I was at the table trying to show Gavin how to separate eggs, and I hadn’t heard her coming. Gavin certainly hadn’t heard her coming. He dropped the egg, shell and all, into the bowl with the whites and rushed to her like he’d been a calf on one side of the fence and she was his mum who’d been bellowing for him on the other side. Not that I’ve ever seen anyone less like a cow than Fi. She’s more deer, more antelope, more your young wallaby, the most naturally graceful person I know.

Gavin hugged her and hugged her. It was hard for me to get near her. I actually felt jealous of Gavin, no, not jealous, envious. Somehow I was getting too old for the Total, Give It Everything You’ve Got, No Holds Barred hugs. They were the best hugs of all. But when I was finally allowed access to Fi we held each other for a long time. She felt very warm.

Soon enough I got her a cup of coffee and we sat down at the table, Gavin squished up next to Fi on the same chair, holding his glass of cordial. (Another pang as I got the bottle of cordial from the pantry — Mum had made it less than two months ago and it had her own label on it, with a little sketch of fruit, and the words ‘Linton’s Lemon and Orange’ in cute printing.)

‘How have you been?’ she asked me.

‘OK.’

‘You looked terrible at the funeral.’

‘Were you at the funeral?’

‘You mean you don’t remember?’

‘No. I didn’t think you were there. I was a bit hurt about it actually.’

‘Oh my God, Ellie, we had a conversation, but you seemed so switched off that I didn’t know if you wanted me to stay away or what. So I thought I’d wait a bit, until the first rush of visitors had finished. ’Cos Mum said that you’d be overwhelmed by them at first and the true friends are the ones who are still around when the others have gone back to their normal daily lives.’

‘There’s a book from the funeral, that people signed apparently, but I haven’t been game to look at it yet.’

Fi continued. ‘So I’m here if you want me, and for as long as you want, whether it’s five minutes or a couple of weeks.’

‘Oh, Fi, I’d love you to stay, for as long as you can. For life if you want.’

‘Has it been terrible? Is that a stupid question?’

I nodded. I couldn’t speak. Finally I gulped: ‘Terrible.’

‘You want to talk about it?’

‘No. Not yet. Maybe later. I don’t know.’

There was a bit of silence. ‘Do you remember anything about the funeral?’ she asked.

‘Oh yes. Quite a bit.’ I laughed. ‘Even stupid things, like Mrs Mathers and Mrs Kristicevic wearing the same dress.’

‘Yes, I noticed that. Of course they weren’t actually wearing the same dress. That would have been a bit uncomfortable.’

It took me a minute to realise what she meant. Showed how slowly my brain was working. ‘Oh very funny,’ I said, when I did figure it out.

‘Did you notice Lee fainting?’

‘No! Are you serious? Was he there too?’

‘God, you poor thing, you really were out of it.’

‘Did he actually faint?’

‘Totally. My father was one of the men who helped carry him outside. I’ve been talking to him on the phone just about every day. He’s out of his mind. He’s written about four letters to you.’

Lee. It doesn’t seem right that someone with a one-syllable name of three letters could have caused me more than a year of complicated agonising confusing wonderful sensations, and what was worse, he was still doing it. He loved me, he loved me not, I loved him, I loved him not. Last time I’d seen him we’d made love. But then in my mind the relationship slowly died. But then in my mind the relationship flared back to life. Then it didn’t. Then it did. Didn’t. Did. Now… I don’t know. Yes, no, maybe, all of the above.

‘I guess Lee would know what it’s like.’

‘I guess he would, except he never saw his parents’ bodies. He just heard about it.’

I looked away and sighed. ‘I haven’t even opened the mail. There’s so much of it and I think it’s nearly all about Mum and Dad and I just think it’s going to be so depressing reading it. I don’t even answer the phone most of the time.’

‘Yeah I’ve noticed. Well, that’s one thing I can help with while I’m here. We can open the mail together and go through it and work out which ones you want to answer. If any.’

‘Oh, it’s going to be so good to have you here. I just don’t think I should let you read Lee’s letters.’

She grinned. ‘That’s better. You’re getting a bit of life back. Can I have another coffee?’

With my back to her as I poured the coffee I said slowly, ‘You see, Fi, what I keep wondering is, whether what’s happened is my fault.’

A lot of people would have jumped in right there with the comfort hugs, and said reassuring things like ‘Oh no, Ellie, whatever gave you that idea, of course it’s not your fault, you have to stop thinking like that’, and so on. Fi had more sense than that. She didn’t say anything.

I brought the coffee back to the table and sat down again. Without looking at her I said, ‘Why did they pick out this place? Of all the farms, all the properties, all the houses to choose, why this one?’

‘You’re close to the border.’

‘We’re on the border, more or less. Except for a bit of bush. But so are thousands of other people. There are plenty of places they could have gone for.’

‘So you’re saying this is deliberate revenge. That they picked you out because of what we did during the war.’

‘Exactly. We did do rather a lot of damage.’

‘I can’t believe all the stuff we blew up.’

‘Me neither.’ One of them had been her house, which had been used by enemy officers as a base. But she didn’t seem to be thinking about that, and I wasn’t going to mention it unless she did.

‘Well, you might be right about them targeting you.’

‘Oh God, Fi, don’t say that. I can’t bear to be right. I don’t want to be right. You’re saying I killed my parents.’

‘No, you’re saying that. The truth is that you don’t know, I don’t know, no-one knows. No-one on this side of the border anyway. But even if it’s true, what was the alternative? That you should have been a coward during the war? That you should have been able to look into the future and see this would happen and then, I don’t know, what next? You should have surrendered to the nearest authorities and had yourself locked up?’

‘Something like that.’

I knew it was irrational, but I couldn’t stop the thoughts buzzing round in my head like dodgem cars.

Fi took a sip of her coffee and gave Gavin another back rub. After a while she said slowly, ‘Of course if you’re right, they could have been out to get you, not your parents.’

‘Gosh, you’re a comforting person to have around. But yes, that did cross my mind.’

‘Have you done anything about it?’

‘How do you mean?’

‘Like, protecting yourself? And Gavin?’

‘No, because if they come back, I figure it won’t be for a while. They’ll know the district’ll be in an uproar and there’ll be people ready for them. But it doesn’t stop me jumping about a metre when I hear any funny noises.’ I pushed my empty mug away. ‘Oh, Fi, all I want to do is be normal again. Reverse the clock. Have Mum and Dad back, and Grandma, and go to school and muck around on the bus and tell stupid jokes and stir the teachers and play soccer at lunchtime and be in another drama production.’

‘Does anyone really appreciate life while they have it?’

‘Oh, what’s that from? Where have I heard that before?’

‘It’s that play we did in Year 9.’

‘Oh yes. Our Town. “The poets and philosophers, maybe they do some.” Wasn’t that the answer?’

‘Something like that.’

‘I think babies appreciate it too. Not babies: infants, toddlers, whatever they call them. You know what I mean? The way they play in water, or look at a butterfly. The way they go crazy if you take them for a ride on a motorbike.’

‘And artists. Monet. When you look at his paintings you have to think, OK, he must have switched off the TV for an afternoon or two. He was right into it.’

‘People who notice stuff.’

‘I guess. Speaking of your grandmother, did you ever hear any more news about her?’

‘No, nothing.’

‘I never told you this, but I felt she was dead when we were hiding in her house during the war.’

‘Really? You mean, like in a psychic way?’

‘Yes.’

Homer came in, banging the kitchen door and making me jump. He twitched a bit himself when he saw Fi. They had a history and although they’d drifted apart they were still officially a couple. I always had an eye on Homer myself and I needed to know where he and Fi were going. I was a bit suspicious of Fi’s claims that her feelings about him had changed. She was always totally fascinated any time she heard me or anyone else talking about him.

‘You want a coffee?’ I asked him.

‘No thanks.’

He sat on one of the chairs. Of course he had to pick the broken one. He got up again in a hurry and looked at it in embarrassment.

‘Don’t worry, it’s been broken since I got my first dummy. Dad was always going to fix it.’

‘I’ll have a look at it after.’

He took the last of the peanut cookies from the jar on the table and ate it slowly, a nibble at a time. I watched him, thinking, ‘Another trace of my mother gone. There won’t be any more peanut cookies.’

Fi said to Homer, ‘Ellie’s thinking the guys who did this might have been after her family in particular. Or her. Targeting people who did the most damage during the war.’

‘It’s possible,’ Homer said, straight away.

I suddenly had the feeling they’d had this conversation already, out of my hearing. Maybe at the funeral. Maybe by phone. ‘What you think?’ I asked Homer.

‘General Finley thinks most of them just target places at random, looking for stuff to steal.’

‘Oh! General Finley! He sent the nicest flowers.’

General Finley was the New Zealand officer who organised some of our ‘guerilla’ stuff during the war. He was pretty important in the Army. I thought of him as a friend, even though we hadn’t spent a lot of time together.

‘Huh,’ Fi said. ‘You remember his flowers, but you don’t even remember me being there.’

Homer said: ‘Well, according to General Finley, there’s been a pattern of killings, groups coming across the border in search of whatever they can find. And he reckons the media only report about a quarter of the cases.’

‘So the rumours were true. I knew I should have listened to them.’ I gazed at Homer, trying to process all this information. ‘You’ve been talking to the General?’

‘Only by phone. But we’ve had a couple of long conversations. Plus his son’s here.’

‘His son? Here in Wirrawee? You’re kidding!’

‘He is in Wirrawee at the moment. But he’s been living in Stratton, and going to school there. His mother lives in Stratton — she’s Australian, but she and the General are divorced.’

‘How old is he?’

‘About our age. I’ve been talking to him too. Good bloke. Got a bit of common sense. You could take him fox-shooting and be pretty certain you wouldn’t get a bullet up your bum.’

Coming from Homer, this was high praise.

‘So why aren’t they doing anything about these raids? How come soldiers can just come over the border any time they want and kill anyone they want?’

Homer tapped a fork on the edge of the table and gazed out the window, frowning. ‘I suppose it comes down to politics in the long run,’ he said. ‘These guys who killed your parents and Mrs Mac. You just called them soldiers, and we all know they are soldiers, everyone knows that, but how do you prove it? They don’t wear uniforms, they don’t carry any papers ID’ing them as military, and every time there’s one of these raids their government says they’re very sorry but they can’t be responsible for criminal elements who take the law into their own hands. I mean, they say all the right things. They even say they’ll track them down and bring them to justice but funnily enough they never seem able to do it.’

He leaned back on the chair. I thought that at any moment we’d have another one broken. ‘Ellie, I don’t know how you’re going to feel about this, but the truth is that it’s too dangerous to let you stay here anymore. We think you should sell the place and move into town. Somewhere safe. General Finley thinks so too.’

Trust Homer to choose words that were bound to stir me up and get the opposite result to the one he wanted. He did that every time. I blamed his Greekishness. He had to be the boss. Well, stuff that for a joke. I had to be the boss.

‘ Let me stay here!’ I exploded. ‘Since when do you decide whether you’re going to let me stay here or not?’

He pushed the chair back about a metre. Gavin retreated towards the pantry. Fi stayed where she was but she kept her head down.

‘That’s the trouble with you, Homer, you think everything on this goddamn planet should be under your control. That no-one should eat breathe sleep or shit unless it’s with your permission. You know how long my family’s been here? You know what we’ve been through to keep this place? Homer, my family’s eaten dirt and dug dams with their bare hands to keep it going. You think I’m going to walk out on it now, after my parents died to defend it? I tell you what, Homer, I’m not quitting. I’m here to stay.’

‘Go Ellie!’ Gavin yelled.

I looked at him in astonishment. How could he have lip-read all of that?

‘Have you got the slightest idea what we’re talking about?’ I asked him.

‘Sure,’ he replied straight away. ‘Homer wants you to quit the farm and you’re saying “No way”.’

I shook my head. I never could work out how Gavin understood so much of what was going on, but he had his ways. Maybe he had an aerial on his head, buried in his thick mop of hair.

‘What do you think we should do?’ I asked him.

Since my parents got killed, no-one had mentioned the problem of Gavin. I hadn’t thought much about it myself. There’d been no time for that. Everything was still too fresh, too raw, too recent. Was I going to be left to look after him myself? In this new world, even that was possible. There were so many orphans, so many homeless kids. If there was a scale that gave a ‘one’ to kids living in dumpsters and a ‘ten’ to the Brady Bunch, Gavin still rated a three or a four with just me to take care of him, no parents of his own, and my mum and dad, his foster-parents, killed in a massacre.

‘Stay here,’ he said promptly.

‘But it’s dangerous,’ I said.

‘Life’s dangerous,’ he said, with a funny little shrug of his shoulders.

It was a breath-stopping moment. I realised how much I underestimated Gavin sometimes. It was too easy to forget that this boy, with nothing but the strength of his personality, had not only survived many months of the war in the ruins of Stratton but had held together a group of other feral kids under his leadership. He was something special.

‘Well,’ I said to Homer and Fi, ‘you heard him.’

Fi looked distressed, Homer grumpy. They both began talking at once, in urgent voices. ‘Ellie, you’ve got to listen to reason — ’ Homer started saying. ‘Ellie, you might want to think about this a bit longer — ’ Fi said.

For the first time since the death of my parents I felt real strength. ‘No,’ I said. ‘I’m staying right here. I don’t care what I do. If I have to fight I’ll fight. Don’t you understand? You two, of all people?’ I felt like I didn’t need to shout anymore. I was certain now. ‘Homer, Fi, my roots go as deep into this earth as any old redgum. That creek down there is my life’s blood. These paddocks, I know them like I know my own skin. I can take you to the jumper ant nest in Nellie’s, I can show you where the lichen on the southern side of the fenceposts is red and the eastern side is yellow. You know that gully over there beyond the shearing shed? Those willows in it are the ones my grandfather planted to stop the soil erosion. I know where the pink fingers flower and the coral-peas, and the sundews, and I know how to make them catch crumbs of bread.’

‘The flowers?’ Fi said, looking startled, but I wasn’t going to let her interrupt me. I could hear that I was talking wildly but I couldn’t shut up.

‘I know the kind of moo a calf makes when it’s got bracken poisoning. I know the cow whose udder looks good but whose milk is poor. I know the way Romneys graze differently to Polwarths. I can tell you how many bags of seed potatoes you need to the acre. Dammit, I can castrate lambs with my teeth.’

Gavin jumped away fast, holding his hands to his crotch. We all laughed then. Once again I had no idea how he followed such a long speech. Lip-reading is seriously hard! But he sure had understood that last sentence.

At least he’d broken the mood. We started talking more sensibly. And I began to realise just how serious the problems were. Fi spelt it out. ‘Look,’ she said, ‘I don’t know anything about farming. But if I’ve got it right, you’re planning to keep going with school, keep running the property on your own, and somehow keep yourself and Gavin safe from guerillas who might come roaming through the countryside. And as if all that’s not enough, you’ve got to try to cope with the death of your parents and Mrs Mac. It’s a pretty tough order, Ellie. I mean, I can stay a while, like I said, because we’ve only got a week of term left, and then two weeks holidays, but after that my parents’ll probably want me back. And I don’t know how much use I’m going to be to you anyway. I can hardly tell the difference between a cow and a sheep.’

‘You’d soon find out if you tried to castrate a calf with your teeth,’ I said.