This Census-Taker

9

On a vivid day as summer hurried in I came down the path from the garbage hole and I saw my father walking up toward me.

I stopped. Sometimes if you stand very still and close your eyes you see rocks behind your eyelids. Or you realize aghast that the shapes of things are other than you’d understood.

“I didn’t go in,” I said. “You didn’t say I couldn’t go to the cave just not in. I only went to the edge.”

I rarely disobeyed my parents. When either of them discovered me in any transgression I would shake, or I would freeze as still as a wax boy. If my father thought I’d been bad he might make me stand outside, was all, even in the rain. My mother might look at me and mutter with dislike and maybe knock with her knuckles across the back of my hand as if at a door: the painless sanction filled me with shame. Still, when it came time for punishment I’d always be paralyzed as if they would kill me. I didn’t move as my father approached, and I could hear only the wind around my face.

He didn’t even furrow his brow. He didn’t glance at me. I watched how he trudged, not tired. I looked at the hand in which he’d carried the broken dog that last time and I saw that what was in it now, what I’d thought a sack of trash, was a lolling mountain bird.

The hill was always busy with these flightless scavengers we called scunners. A scunnerbird is tough and stringy but there’s much worse eating. Shoot one, you have two or three days of stew. My father had no gun. Scunners are skittish and fast despite their fatness and I couldn’t think how my father had enticed this one to him. I knew that, by whatever means he’d killed it, it was not to eat. I wanted to cry; I stood still.

He had it by the neck. Its brown body was bigger than a baby’s. Its shovel head lolled and its nasty hook beak twitched open and closed to snap faintly with each of my father’s steps. The bird’s broad feet dangled on the ground and bounced on stones as if it were trying to claw itself incompetently to a stop.

My father passed me. He looked briefly at me as you might at a stump or a broken machine or anything that’s specific only in that it’s in your way, to walk around it as my father did me.

I knew he was taking the dead bird to the rubbish hole, that he’d throw it up so it would curve as it had to and descend; I knew that day my father was feeding only the darkness.

—

The boy went to the low-down part of the attic where he drew, and drew a lizard in a bottle between the stems of the wallpaper’s design. He came back the next day and, beside it, he drew a cat in another bottle and a fox in a third. He drew a fish in a bottle, a crow in a bottle, a mountain lion in a big bottle. He’d never seen a mountain lion but he heard them sometimes and knew he was to be afraid of them. He imagined that deep throaty growl contained by glass and the thought fascinated him. He drew corks tight in the bottles’ necks.

He cramped his drawings together to keep them a secret, and he saw that without intending it he’d drawn his bottles as if neatly lined up in some strange cupboard. So he drew a shelf beneath them, and while daylight reached them and cast across them the shadow of his own drawing hand, he put down the lines of a house around the bottles, to contain them, and he drew another house to either side. He could have filled the whole of the room, covered every wall of it in the smudged lines of rendered streets, that they could be filled in turn with women and men and children in the same lines as their city, some like small women wearing masks, some people squat as if they lived underwater. Someone there would be the keeper of those bottles.

He wanted his pictures to be secret so he kept that city and itemized all its citizens in his head.

I looked out. My mother was digging, and she came into view as she bent to extract unwanted roots. The wind pulled her clothes and tugged scraps of paper from her pocket. She balled something up in her fist and put it into the ground and covered it carefully and very gently with soil.

Soon I’d be too big to do as I liked to, to hunker and perch in the little window’s alcove. I swung my knees up and braced them with my back curved and my head down, so I was bundled up on the sill as if the house itself held me like a baby. I sat like that on the ledge because I still could.

From there I’d look out and down across the edge of the garden and the incline of our hill, the rough up and down of the tree line, the sky. Sometimes people called it a hill, sometimes a mountain. It moved unceasingly. Branches spread, trees twisted behind trees in all the wind. Even the stone moved.

I sat up then because I thought I saw a new green, outlines of tough vegetation, neither needles nor fibrous leaves but spines on bunched and distinct knotty skin, misplaced amid the gray and those dusty greens I knew, swaying, pushing purposefully above the hillside growth at the edge of my sight as if deliberately positioned to be glimpsed against a sky the color of the hill rocks. A quickly moving visitation.

What I saw was gone almost instantly into some dip in the uneven ground.

I came out of the window and ran down the attic stairs and out and up the footpath. I ran as fast as I could to the copse at which I’d been staring. I pushed straight into its empty center to stand alone amid clustering midges. I listened for a long quiet moment, and wondered whether the gap I saw ahead of me was where the bushes and low trees had been pushed apart by someone big, or whether they were even still vibrating from that passage. The shale there didn’t show marks well but there were scuffs between the roots, and I decided they were great footprints. And did the ground shake? As if someone had turned and was retracing their steps toward me?

Then the wind got up very suddenly and hard enough to make me gasp, so it was all I could hear, and all the undergrowth was moving. Nothing came back but those gusts. Turning, I saw two large unfamiliar flowers in the dust, bright petals right for a stronger sun, broken off in a clutch of spines.

I took them and returned. I re-entered the house. Hesitantly calling for my mother, I ascended the stairs, to stop, abruptly silent, by her empty room. I pushed the door, as I was not allowed to, opened it onto her things. Her bed was unmade. The few books with which she did not teach me to read were on her chair. Drawers and clothes and small pieces of trash were laid neatly on the shelf of a window that looked onto the hill from an angle that was new to me.

I could smell her. I wanted to stay and look at everything but I was afraid of her finding me there, and I wanted to know what it was that had passed.

My mother finished patting earth down as I approached her with my hands behind my back and she straightened and put something back in her pocket and waited.

“I saw something,” I said. “A tree was walking.”

She didn’t speak for a while. She stood as tall as she could and looked past me toward where I had been. Not knowing why, I kept the flowers I had picked up in my closed hand.

“Maybe you only thought you saw something,” she said, and paused. I was fascinated by her hesitation, the uncharacteristic way her mouth opened and closed more than once before she continued. “Maybe,” she said, it sounded as if to herself as much as to me, “it was someone from your father’s city.”

She watched the horizon, her brows low.

“Come to see him?” I said.

She looked at me and though her attention brought with it an anxiety as it often did I could see she was not appraising me but a situation. She contemplated saying more, craned her neck again. At last she shook her head.

“You only thought you saw something,” she said. Her calm had relief in it and disappointment, so I too was both sorry and glad that no one was coming, to provoke her into finishing whatever she had started to tell. My mother bent again and returned to her task and I knew she wouldn’t say anything more.

When she went in I planted the petals and their thorns where she’d been digging.