The Unbound

THIRTY

“DON’T CAUSE A SCENE,” he orders, pulling me away from the festival.

“Sir, you’re making a serious mistake.” The clock strikes one minute till eight, and I twist around, desperately searching for Owen as Kinney drags me down the path.

“Do you know the last name entered into Coach Metz’s computer?” he says. “Yours. And the last number to call Jason Pinter’s phone? Yours. The prints on Bethany Thomson’s necklace? Yours. The only place you didn’t actually leave evidence was Phillip’s, but you broke into his house, so I’m willing to bet we can tie you to that, too.”

“That’s circumstantial,” I say. “You can’t arrest me for it.”

“Watch me,” says Kinney, pushing me toward the front gates. His cruiser is waiting, lights flashing, on the other side. But the gates are closed. Not just closed, I realize—locked. And I can smell the gasoline from here.

“What the hell?” he growls.

His grip slackens on my arm, and I wrench free, making it three steps back toward the festival before Kinney’s hand comes down hard on my shoulder.

“Not so—”

But he never gets a chance to finish. The clock tower chimes eight, and the fireworks start. Not in the air, but on the ground. Several high whistles, followed by the heavy booms as massive spheres of color, light, sound, and fire explode across campus. The blasts are concentrated in the quad, but one goes off much closer to where we stand, and the force is enough to send Kinney and me to the ground. My ears are ringing as a pair of hands pulls me to my feet.

“Can’t leave you alone for a moment, I swear,” says Owen, soot dusting his cheeks. Behind him, the Hyde front gate is engulfed in fire.

“Where the hell were you?” I snap, ears still ringing as he strides over to Kinney, who’s still getting to his hands and knees, clearly disoriented from the blast.

“Busy,” he says, pulling the gun from Kinney’s holster. He spins the weapon and brings the butt down hard against the detective’s temple. Kinney crumples to the path. Back at the quad, another round of explosions goes off. People are screaming. Owen finds the keys on Kinney’s belt, unlocks my cuffs, then drags me back toward the blossoming inferno.

We pass through a wave of smoke and into a world engulfed in fire. The blasts are deafening, and the streamer ceiling of the dance floor burns and breaks, dropping flaming strips onto the students below. Everyone is running, but no one seems to know where to run because the blasts keep going off. It’s a blanket of chaos.

Owen storms through it, scanning the smoke-covered ground.

“What are you looking for?” I have to shout now over the noise of the falling festival.

“I left him right—”

Just then a body slams into Owen hard, his gun skittering toward me as they both go down. Another blast goes off behind me as I scoop up the weapon, Owen and his opponent a tangle of limbs on the burning ground until he manages to snake his arm around the man’s throat and pull back and up, and I see his face.

Eric. One of his eyes is swelling shut, and a bad gash carves a path against his shirtfront, and when he sees me standing there, he tells me to run. And then he sees the gun in my hand and confusion lights up his blood-streaked face.

“Shoot him,” orders Owen.

I stare at him in horror. “He’s Crew!”

“Right now he’s in our way,” growls Owen, as if this is just an unfortunate turn of events. But it’s not. This was always his plan.

I’ll take care of the hard part.

The fireworks were nothing but a smoke screen. They could have been an accident. But killing a member of the Archive…there would be no question. No hesitation. The Archive would hunt me down. They’d erase me.

“You have to commit, Mackenzie,” orders Owen, struggling to gain leverage over Eric. Another firework goes off, showering us in red light. I lift the gun, mind spinning. I’ve come so far and risked so much. I can’t lose Owen, not now. But I can’t do this.

“Commit.”

I pull the trigger. But I aim wide.

The blast sounds, sharp even in the chaos, the bullet zinging past them both, and between my shot and Owen realizing I missed, Eric twists free and spins. Run, I think, run. And I’m about to level the gun on Owen—it might not stop him, but it will slow him down—when he slams his fist into Eric’s jaw hard enough to crack bone. Eric crumples, and before he can recover, Owen takes his head in his hands and snaps his neck.

The world slows. The smoke thins and the fire dims, and in the instant just after I hear the crack and before the light goes out of his eyes, I see Eric’s life unravel. I see him sitting beside me on the patio wall, telling me to stay out of trouble; questioning Dallas in the hospital; leaning up against the yellow wallpaper, chiding me for trying to slip away; checking my hands in the park for broken bones; standing on the sidewalk, nothing but a golden shadow, a glint of light, and then gone.

I stifle a cry as Eric’s body slumps lifeless onto the charred earth. No. This isn’t happening. This can’t be happening.

“Run, Mackenzie,” comes Owen’s voice as I stare down at the corpse. My fingers tighten on the gun, but by the time I manage to drag my eyes away from Eric’s body and up, Owen’s already gone, and I’m alone. I look around and realize that I’m standing at the very center of the chaos. There are sirens in the distance, and people are still running, shadows in the smoke and all I can think is please let Wes and Cash and the others be among them be safe.

And then, through the chaos, I see her. Everyone else is running away. But she is running toward me.

Sako.

And I know from the way she’s looking at me that she heard the gunshot, that she can see the weapon in my hand…and Eric’s body at my feet. The gun tumbles from my grip as two more Crew—the third I saw earlier and a fourth—appear behind her. I don’t have a choice. There’s only one way out now.

I take a stumbling step backward.

And then I turn and run.