The Silver Spike

XLV

If you dipped a wad of cotton in paint, then sponged semicircles around a common center you could create a passable imitation of a rose, Smeds discovered.

After the excitement of the search for Fish's phantom silversmith had died and he had failed to sell the rumor that one of the twins had taken possession already and was hiding it from her sister, the old man had decided to loose his final bolt. To take advantage of the potential for chaos. To add a new level of distraction to the mess plaguing Oar.

Which was why Smeds was out after midnight with a bucket of paint for the third night running. Fish had sent him to mark selected points with the sign of the White Rose to give the impression that there was an angry underground about to respond to imperial excesses.

Fish was after a slower but grander effect this time. He wanted the whole city to hear and begin to hope and believe. He wanted the grays to start worrying. The rest, he said, should take care of itself.

Smeds finished his three roses and headed home. Elsewhere Fish was painting roses of his own. Smeds had done two the night before and three the night before that, all in places where a partisan strike would be appreciated sincerely by the mass of citizens. Slow and easy, Fish said. Let it build.

Fish had had a stroke of luck last night. He had stumbled onto a couple of grays who had gotten themselves killed somehow and had painted white roses on their foreheads, claiming them for the movement he wanted to create out of the collective anger.

Smeds did not like this game. Too dangerous. They had people enough after them from directions enough already. He had worries enough with the spike hunters.

But that was not on his mind as he stole toward the Skull and Crossbones. He was mulling the puzzle presented by Tully. Earlier in the evening Tully had borrowed money from him for the fourth time in eight days, this time a fair sum and before he had repaid the last loan.

Smeds never approached the Skull and Crossbones in a hurry. That Nightstalker corporal would catch him sure, first time he did.

One peek and he knew he wasn't going in the front way. The corporal and his cronies occupied the porch. So it was the long way around and slide in the back.

And that was no good either. He found trouble on the way. And it almost found him.

Two men were lounging inside the mouth of the skinny, scruffy alley that passed behind the Skull and Crossbones. He would have walked into them if one had not coughed and and the other had not told him to shut up.

What was this? Smeds felt no inclination to ask. He settled into a shadow to wait them out.

A half hour passed. Came the hour. Nothing happened except one man coughed and the other told him to shut up. They were bored. Smeds began to nod.

A third man arrived running. "He's coming," he said, then darted over to hide not eight feet from Smeds. Smeds was wide-awake now.

Sure enough, someone was coming, and from the sound of his steps he was a little bit drunk. He was talking to himself, too.

Smeds suffered one startled moment of recognition, then Timmy was into the ambush and the men jumped him so fast he never got a chance to yell.

Smeds almost jumped in. He half rose, half drew his knife. Then he realized that the most he could hope to do was get himself killed by the other two after he got the first one he reached.

What the hell was he going to do?

He was going to follow them. See where they took Timmy, then get Fish and… And listen to Fish tell him he didn't have ball one.

For sure too late to do anything here, now. He had to follow them.

He had no idea who they were but a strong suspicion as to what: bully boys for a free-lance spike hunter who had decided to interview citizens who were short a hand.

Following was less trouble than he had expected. Timmy fought them all the way. That kept them from devoting much attention to their surroundings. And they did not go that far, just a quarter mile into an area of fire-gutted buildings condemned but not yet demolished, so bad the squatters had not moved in.

They took Timmy inside one of those. Smeds stood in a shadow and looked at it and wondered what he was going to do and kept hearing Fish say they were fighting for their lives now.

He'd never been much of a fighter. He'd always walked away when he could. When he could not he'd always gotten whipped. He hadn't had the desire or meanness, or whatever, even when he'd had no choice.

Which got him to remembering all the bullies who had taunted and slapped and shoved him around and puzzling the eternal why did they do it when he'd never done a thing to them. The old anger bubbled up, along with the nerve-tingling vengeance fantasies, the miasma of bitter hatred.

One of the men came back out of the building, urinated into the street, backed off, and just leaned against the wall. He didn't act like he was doing anything but just hanging out. He wasn't alert enough to be a sentinel.

Smeds staggered forward without the slightest damned idea what he was doing. Besides shaking so bad his toe-nails rattled.

He stumbled, went down on one knee onto a broken brick, could not silence a whining curse, and in the shock of pain suffered an inspiration.

He came up limping, stumbling, muttering to himself.

He headed straight for the man, sort of singing, "Once there was a farmer's daughter, couldn't behave like a maiden ought-er."

The thug was alert now. But he did not move.

Smeds did a pratfall, giggled, got onto his hands and knees, pretended a bout with attempted upchucking, then got his feet under him and headed out. Straight into the wall about ten feet from the man watching him. He backed off muttering, looked at the wall like he couldn't understand where it had come from. Then he put one hand against it for support and started stumbling toward the thug. At a distance of four feet he pretended to take first notice of the man, who was watching more with amused contempt than with suspicion.

Smeds made a little "Gleep!" he hoped sounded startled and frightened and silently thanked whatever gods there might be that he hadn't been recognized. Now if the guy just stayed in character and tried to roll him in the guise of helping…

Smeds stumbled and went down onto hands and knees.

"Looks like you had one too many, old buddy." The thug stepped over.

Smeds made gagging sounds. Inside, he was listening to Old Man Fish. "Like taking a woman, Smeds. Slide it in. Don't stab."

The man started giving him a hand up. He did not see the blade in Smeds's palm. Smeds leaned against him and began sliding in between his ribs, into his heart.

One part of Smeds stood outside, guiding his hand. The rest was in a passion of terror and horror, oblivious to the world. Only one coherent thought splashed across that chaos. It was a lie that killing got easier each time you did it.

When he came out of the fog, consciously, he was a hundred feet away, dragging a still-twitching body.

"What the hell am I… ?"

Getting it out of sight, of course. Because this was just the start.

He heard a muted scream and realized that another such had opened the first rent in the fog that had possessed him.

Smeds went into the building with the caution and intense concentration of a stalking cat. He compartmented his emotion, did not let them torment him when Timmy screamed. He used the cries to move a few quick steps each time.

What the hell was he doing?

The screams came from a basement. Smeds started down the steps, so committed he moved as though under a compulsion. Six steps down he hunkered, then almost stood on his head to get a look around.

The base of the stair ended a few feet from a doorway without a door in it. Light and the screams came through that. Smeds eased down a couple more steps, then carefully lowered himself over the side, got underneath the stair, looked around.

It was hard to see much, but it looked like the fires had been gentle here. This part of the basement was untouched. There wasn't a whiff of old smoke.

He could make our most of what was being said in that other room. Someone was asking Timmy impatient questions. Another two men were bickering about the character Smeds had killed. One was worried that the man had run out, the other didn't give a damn.

Under the stair was not the place to be if someone decided to go looking. The light from the room would give him away. Smeds moved out carefully, got behind a pile of junk to the left of the doorway.

And there he squatted, unable to think of anything to do.

Timmy passed out or something. He wasn't yelling anymore. One man was grumbling about that while the other two went on about the man in the street. The grumbler snapped, "He has been gone too long. Give me some peace. Go find him. Both of you."

Two men stomped out and headed upstairs, still arguing. They were the other two who had snatched Timmy.

Smeds rose, stretched, drifted over till he could see into the room.

Timmy was tied into a chair, slumped forward, unconscious. A man bent over him, back to Smeds. Too good to be true. He slapped Timmy. "Come on! Come out of it. Don't die on me now. We're too close to the truth."

Slide it in, slide it in, Smeds told himself, gliding toward the man.

The man sensed danger, started to turn, eyes and mouth opening.…

Too late.

Smeds's knife pierced his heart. He made a grisly noise that wasn't quite a scream, tried to get hold of Smeds, folded up.

Maybe it was easier after all.… The detachment went. His heart hammered. His hands shook. His breath came in gasps. He stumbled over to Timmy, cut the ropes binding him… Gods! They'd burned out one of his eyes! They'd…

Timmy fell over on his face.

Smeds got down and tried to bring him out of it. "Hey! Timmy! Come on. It's me. Smeds. Come on. We got to get out of here before those other guys come back."

Then it hit him. "Shit!" Timmy had croaked. "Son of a bitch! I come in here and risk my ass for nothing.…" Except maybe for whatever Timmy told them before he checked out.

Then he felt like a total shit, getting pissed at Timmy for dying and inconveniencing him. Then he got confused, not knowing what to do about the fact that he was in here and still had to get out and there were bodies here something probably ought to be done about.

"Hey, Abel!" somebody shouted from outside. "You better come check this out. Somebody offed Tanker."

Smeds dropped Timmy's hand, frantically jerked his knife out of the dead man—wizard?—and got himself over beside the doorframe as the someone yelled, "You hear me, Abel?" Feet thump-thump-thumped down the stairs.

"We're maybe in deep shit here. Somebody stuck a knife in Tanker… What the shit is going on here?"

The man had stopped just outside the doorway. Smeds came around thrusting at what he guessed should be chest height… and discovered that the big voice belonged to the smallest of the thugs. He turned the thrust into an uppercut, drove his blade up and in under the man's chin, not sliding it, driving it with all the force of panic into the man's brain.

He had not looked the other two in the eye at their moment of realization. Gods! That was scary. He jumped back, stumbled over Abel and Timmy, fell on his back as his victim toppled forward.

Before Smeds was all the way back on his feet someone else called some question downstairs. He dove over to reclaim his knife. The man continued to move, one leg slowly pumping. For a moment he thought of a dog trying to scratch. Crazy.

The damned knife was wedged in bone. It wouldn't come loose. He scrambled around looking for another weapon, any weapon, while the voice from the head of the stairs asked several questions more. All Smeds could come up with was the dead man's own knife, which he pulled from its sheath with a sort of superstitious dread.

He got against the wall beside the doorway again and waited. And waited. And waited.

In time the shakes went away. The nerves calmed some. He realized that his latest victim could be seen from the stairs.

He waited some more.

He had to make a move. The longer he dicked around, the more time there would be for something to go wrong.

His muscles did not want to unlock. He was completely terrified of the consequences of making any move.

But he did, finally, drag himself around far enough to peek through the doorway.

Morning light spilled down from upstairs. It showed him nothing to fear. He made his feet move. He found no trouble on the ground floor. From the doorway he could see nothing but desolation, city badlands where not a soul stirred. He wanted to run, all the way to the Skull and Crossbones.

He bore down, did what had to be done, dragging the body out of the street, to the cellar, where it was less likely to be discovered soon. Then he headed for home. But he did not run, though his legs insisted they had to stretch out and go.