SEVENTEEN The Fantom's Secret Headquarters Venice

Ancient stuccoed buildings loomed on either side of Venice's famous, sluggish canals. The smell of floating garbage, wet stone, and old moss suffused the night mists that crept along the pilings. Overhead, windows were shuttered for the night, most of them dark; only a few denizens of the darkest hours remained awake.

The following night there would be a spectacular Carnival, with dancing and celebrations, music and drinking. Tonight, the people rested, content with anticipation.

But the Fantom did not rest.

In the odorous, gently lapping water that rose and fell like the sleeping breaths of the ocean, several dead fish floated belly-up, far from the reach of the feral cats prowling the alleys. A rank of unoccupied gondolas, moored to brightly striped poles near a boathouse, creaked and knocked.against each other. The black-painted, curved hulls were slender and graceful, resembling dark crescent moons; the single, long oar for each boat had been stored for the night under a patched canvas covering.

The uneasy night silence only made the pained groans and gasps louder by comparison as they drifted down to the water from the boathouse. The sound of an open hand striking flesh was like that of a chef tenderizing a veal cutlet.

Inside the building, behind closed doors and barricaded windows, the Fantom paced in front of the bespectacled German structural engineer. Karl Draper writhed in misery, though he was drugged and only semicoherent. He didn't seem to know where he was, only that he wanted to crawl away.

Beside the Fantom, Dante watched the captive as if the man were nothing more than a smear of something unpleasant he had scraped off the bottom of his shoe.

The Fantom turned his back, holding a wide-barreled syringe with a dauntingly long, thick needle. "My truth serum isn't fully developed, Herr Draper, or I'd know everything by now." In the lamplight that illuminated the boathouse, a final droplet of greenish liquid glistened like a tear at the sharp end. "It has had sufficient time to work."

In disgust, the Fantom dropped the empty syringe to the boathouse floor and ground it to glass dust under his black heel. He slapped Karl Draper to consciousness, aiming his blows at the bright red welts that already covered the man's cheek. "Still, despite its deficiencies, I'm sure the serum doesn't feel very pleasant coursing through your veins."

Dante unrolled a sheaf of thick, yellowed sheets of paper on a worktable made of rough planks. Judging by the sticky stains and clumped flakes of silver scales, the table had recently been used to gut and clean fish.

"Look at the plans and tell me what I need to know," the Fantom insisted. His voice was low and quiet now, and much more threatening.

"No," the engineer croaked out in German. "I can resist your serum. Nothing will make me tell."

With another backhand, the Fantom knocked Draper's spectacles loose. Dante dutifully retrieved them, holding the glasses a bit too tightly, as if he wanted to clench his fists and twist the frames. Instead, he gave them back to the Fantom.

"You force me to rely on more proven methods," said the Fantom, swirling his black cape. "Fortunately, they are just as effective." He turned to Dante, gave a meaningful glare, and the lieutenant nodded.

Around them in the drarty boathouse room, the Fantom's henchmen worked diligently on their tasks. Each man had his assignment, and they knew better than to debate their masters orders. They worked quietly, muffling any suspicious sounds that might attract too much attention in the still night. The city of Venice would have no advance warning of its doom, and their party tomorrow night would be much different from what they expected.

Two henchmen taped and waterproofed a set of wooden barrels while another group of the Fantom's followers outfitted themselves in thick diving gear: oiled leather suits, rubber-coated gloves, and heavy helmets with glass windows. They strung weights around their waists to help them reach the foundations of the centuries-old buildings and remain in place long enough to complete their tasks.

The boathouse's back rooms and stalls held the Fantom's other prisoners, bound and gagged. The captives crowded together like animals in pens, forced to wait while the evil genius competed his preparations. So far, two of them had died trying to escape; the Fantom had tossed the horribly mutilated bodies back in among the prisoners as "an appropriate lesson." Since then, no one else had made an attempt to break free.

Now, wearing a determined expression, Dante retrieved the German prisoner the Fantom had chosen as his first bargaining chip. The lieutenant brandished his weapon and pulled the man away from his comrades, who shrank back, praying they would not be noticed themselves. Dante shoved the prisoner out of the holding pen and dragged him into the main room. The man stood cringing, barely able to remain on his feet.

The Fantom regarded the man, dismissed him as an inadequate specimen, then returned his attention to Karl Draper. Like a stern mother, he replaced the structural engineer's spectacles on his face, then let him blink at the hapless prisoner until recognition clearly showed on his face.

"Herr Muller you know. I believe you worked together at the Valkyrie Zeppelin Works? Were you friends?"

Predictably, Draper shook his head. The Fantom did not believe him. His scarred lower lip curled. "Of course not. Muller's specialty is motors." He turned his masked face toward the shaking prisoner. Muller swallowed hard, but could say nothing through his gag. "Unfortunately for him, I have all the motors I need. He is perfectly expendable."

The Fantom reached into his dark coat and removed a heavy handgun with a strange, fat cylinder appended to its barrel. Muller's eyes went wide with panic.

Draper, though, struggled to remain calm through the bleary effects of the abortive truth serum. "You will not fire a gunshot here, Herr Fantom. The Venice Polizia will hear you and come to investigate. The people in the buildings will wake, and they will call for help."

The Fantom fingered the device at the end of the gun barrel. "Don't underestimate my imagination, Herr Draper. My lab rats dreamed up this new modification. It uses compressed air to silence the blast. No one will hear a gunshot — or anything at all."

"Impossible," Draper said.

The Fantom aimed the pistol and silently shot Muller in the center of the forehead before the motor specialist could flinch. His head snapped back, and his body drooped to the floor.

Shocked, despite the last vestiges of the drug's effects, the architect wailed and struggled to lurch out of his chair, but muscular Dante held him down. Muller twitched once more, then went completely still.

The Fantom swirled his black cape and leaned close, towering in all his monstrous deformity over the structural engineer. "The new twentieth century will be a time when the word 'impossible' no longer has any meaning." His scars looked like lumpy candle wax, his eyes behind the silver mask filled with demon fire.

"Now, then — I have many more of your colleagues from the zeppelin factory, if we are required to use them for further encouragement."

Hopeless and desperate, Draper struggled to lunge at his tormentor, but the masked villain easily stepped out of the way. When Dante had the mousy architect under control again, the Fantom opened a small closet door behind him. With a theatrical flourish, he revealed a girl held inside, bound and gagged, and isolated from the other captives.

"Or perhaps it would be best to use someone closer to you? Your daughter is so very beautiful, Herr Draper. Eva? Is that her name?" He dragged her out into the open, making her stand not far from the body of the slaughtered motor expert. "I haven't had time to fully… interrogate her yet."

Draper crumbled, tears flooding his eyes. "All right, I'll tell you what you want." His shaking voice could not contain the fullness of his misery.

Returning to the worktable, the Fantom tapped his fingers meaningfully on the old parchment pages spread out before the structural engineer: the original da Vinci blueprints of Venice stolen from the vault of the Bank of England.

"Of course you will," said the Fantom. "Now study these and give me your expert advice."

Trembling, Draper adjusted his spectacles and bent to peer at the faded original drawings, which showed the precise details of Venice's hidden foundations. And all their vulnerabilities.

The engineer had a difficult time concentrating while the Fantom continued to smile cruelly at his terrified daughter, Eva.

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