The Illustrated Gormenghast Trilogy

It was not easy for Bellgrove to know in which direction to escort his hostess. Little did he know that it was he who was being steered. And this was natural, for Irma knew every inch of the hideous place.

For some while they stood by the fishpond in which the reflection of the moon shone with a fatuous vacancy. They stared at it. Then they looked up at the original. It was no more interesting than its watery ghost, but they both knew that to ignore the moon on such an evening would be an insensitive, almost a brutish thing to do.

That Irma knew of an arbour in the garden was not her fault. And it was not her fault that Bellgrove knew it not. Yet she blushed inwardly, as casually turning to left and right at the corners of paths, or under flower-loaded trellises, she guided the headmaster circuitously yet firmly in its direction.

Bellgrove, who had in his mind’s eye just such a place as he was now unwittingly approaching, had felt it better that they should perambulate together in silence, so that when he had a chance to sit and rest his feet, his deep voice, when he brought it forth again from the depths of his chest, should have its full value.

On rounding a great moon-capped lilac bush and coming suddenly upon the arbour, Irma started, and drew back. Bellgrove came to a halt beside her. Finding her face was turned away from him, he gazed absently at the hard boulder-like bun of iron-grey hair which, with not a hair out of place, shone in the moonlight. It was nothing, however, for a man to dwell upon, and turning from her to the arbour which had caused her trepidation, he straightened himself, and turning his right foot out at a rather more aggressive angle, he struck an attitude, which he knew nothing about, for it was the unconscious equivalent of what was going on in his mind.

He saw himself as the type of man who would never take advantage of a defenceless woman, greathearted, and understanding. Someone a damsel might trust in a lonely wood. But he also saw himself as a buck. His youth had been so long ago that he could remember nothing of it but he presumed, erroneously, that he had tasted the purple fruit, had broken hearts and hymens, had tossed flowers to ladies on balconies, had drunk champagne out of their shoes and generally been irresistible.

He allowed her fingers to fall from his arm. It was at moments like this that he must give her a sense of freedom only to draw her further into the rich purdah of his benevolence.

He held the tabs of his white gown near the shoulders.

‘Can you not smell the lilac, madam,’ he said – ‘the moon-lit lilac?’

Irma turned.

‘I must be honest with you, mustn’t I, Mr Bellgrove?’ she said. ‘If I said I could smell it, when I couldn’t, I would be false to you, and false to myself. Let us not start that way. No, Mr Bellgrove, I cannot smell it. I have a bit of a cold.’

Bellgrove had the sense of having to start life all over again.

‘You women are delicate creatures,’ he said after a long pause. ‘You must take care of yourselves.’

‘Why are you talking in the plural, Mr Bellgrove?’

‘My dear madam,’ he replied slowly, and then, after a pause, ‘my … dear … madam,’ he said again. As he heard his voice repeat the three words for the second time, it struck him that to leave them as they were – inconsequent, rudderless, without preface or parenthesis, was by far the best thing he could do. He lapsed into silence and the silence was thrilling – the silence which to break with an answer to her question would be to make a commonplace out of what was magic.

He would not answer her. He would play with her with his venerable brain. She must realize from the first that she could not always expect replies to her questions – that his thoughts might be elsewhere, in regions where it would be impossible for her to follow him – or that her questions were (for all his love for her and her for him) not worth answering.

The night poured in upon them from every side – a million million cubic miles of it. O, the glory of standing with one’s love, naked, as it were, on a spinning marble, while the spheres ran flaming through the universe!

Involuntarily they moved together into the arbour and sat down on a bench which they found in the darkness. This darkness was intensely rich and velvety. It was as though they were in a cavern, save that the depths were dramatized by a number of small and brilliant pools of moonlight. Pranked for the most part to the rear of the arbour these livid pools were at first a little disturbing, for portions of themselves were lit up with blatant emphasis. This arbitrary illumination had to be accepted, however, for Bellgrove, raising his eyes to where the vents in the roof let through the moonlight, could think of no way by which he could seal them.

From Irma’s point of view the dappled condition of the cavernous arbour was both calming and irritating at the same time.

Calming, in that to enter a cave of clotted midnight, with not so much as a flicker of light to gauge her distance from her partner would have been terrifying even with her knowledge of, and confidence in, so reliable and courteous a gentleman as her escort. This dappled arbour was not so fell a place. The pranked lights, more livid, it is true, than gay, removed, nevertheless, that sense of terror only known to fugitives or those benighted in a shire of ghouls.

Strong as was her feeling of gratification that the dark was broken, yet a sense of irritation as strong as her relief fought in her flat bosom for sovereignty. This irritation, hardly understandable to anyone who has neither Irma’s figure, nor a vivid picture of the arbour in mind, was caused by the maddening way in which the lozenges of radiance fell upon her body.

She had taken out a small mirror in the darkness, more from nervousness than anything else and in holding it up, saw nothing in the dark air before her but a long sharp segment of light. The mirror itself was quite invisible, as was the hand and arm that held it, but the detached and luminous reflection of her nose hovered before her in the darkness. At first she did not know what it was. She moved her head a little and saw in front of her one of her small weak eyes glittering like quicksilver, a startling thing to observe under any conditions, but infinitely more so when the organ is one’s own.

The rest of her was indistinguishable midnight save for a pair of large and spectral feet. She shuffled them, but this blotch of moonlight was the largest in the arbour and to evade it involved a muscular strain quite insufferable.

Bellgrove’s entire head was luminous. He was, more than ever before, a major prophet. His white hair positively blossomed.

Irma, knowing that this wonderful and searching light which was transfiguring the head was something that must not be missed – something in fact that she should pore upon – made a great effort to forget herself as a true lover should – but something in her rebelled against so exclusive a concentration upon her admirer, for she knew that it was she who should be stared at; she who should be poured upon.

Had she spent the best part of a day in titivating herself in order that she might sit plunged in darkness, with nothing but her feet and her nose revealed?

It was insufferable. The visual relationship was wrong; quite, quite wrong.

Bellgrove had suffered a shock when for a moment he had seen ahead of him, in quick succession, a moonlit nose and then a moonlit eye. They were obviously Irma’s. There was no other nose in all Gormenghast so knifelike – and no eye so weak and worried – except its colleague. To have seen these features ahead of him when the lady to whom they belonged sat shrouded yet most palpable upon his right hand, unnerved the old man, and it was some while after he had caught sight of the mirror glinting on its return to Irma’s reticule that he realized what had happened.

The darkness was as deep and black as water.

‘Mr Bellgrove,’ said Irma, ‘can you hear me, Mr Bellgrove?’

‘Perfectly, my dear lady. Your voice is high and clear.’

‘I would have you sit upon my right, Mr Headmaster – I would have you exchange places with me.’

‘Whatever you would have I am here to have it given,’ said Bellgrove. For a moment he winced as the grammatical chaos of his reply wounded what was left of the scholar in him.

‘Shall we rise together, Mr Headmaster?’

‘Dear lady’, he replied, ‘let that be so.’

‘I can hardly see you, Mr Headmaster.’

‘Nevertheless, dear lady, I am at your side. Would my arm assist you at our interchange? It is an arm that, in earlier days …’

‘I am quite able to get to my own feet. Mr Bellgrove – quite able, thank you.’

Bellgrove rose, but in rising his gown was caught in some rustic contortion of the garden seat, and he found himself squatting in mid-air. ‘Hell!’ he muttered savagely, and jerking at his gown, tore it badly. A nasty whiff of temper ran through him. His face felt hot and prickly.

‘What did you say?’ said Irma. ‘I said, what did you say?’

For a moment Bellgrove, in the confusion of his irritation, had unknowingly projected himself back into the Masters’ Common-Room, or into a classroom, or into the life he had led for scores of years …

His old lips curled back from his neglected teeth. ‘Silence!’ he said. ‘Am I your headmaster for nothing!’

Directly he had spoken, and had taken in what he had said, his neck and forehead burned.

Irma, transfixed with excitement, could make no move. Had Bellgrove possessed any kind of telepathic instinct he must have known that he had beside him a fruit which, at a touch, might have fallen into his hands, so ripe it was. He had no knowledge of this, but luckily for him, his embarrassment precluded any power on his part to utter a word. And the silence was on his side.

It was Irma who was the first to speak.

‘You have mastered me,’ she said. Her words, simple and sincere, were more proud than humble. They were proud with surrender.

Bellgrove’s brain was not quick – but it was by no means moribund. His mood was now trembling at the opposite pole of his temperament.

This by no means helped to clarify his brain. But he sensed the need for extreme caution. He sensed that his position though delicate was lofty. To find that his act of rudeness in demanding silence from his hostess had raised him rather than lowered him in her eyes, appealed to something in him quite shameless – a kind of glee. Yet this glee, though shameless, was yet innocent. It was the glee of the child who had not been found out.

They were both standing. This time he did not offer Irma his arm. He groped in the darkness and found hers. He found it at the elbow. Elbows are not romantic, but Bellgrove’s hand shook as he held the joint, and the joint shook in his grasp. For a moment they stood together. Her pineapple perfume was thick and powerful.

‘Be seated,’ he said. He spoke a little louder than before. He spoke as one in authority. He had no need to look stern, magnetic or masculine. The blessed darkness precluded any exertion in that direction. He made faces in the safety of the night. Putting out his tongue; blowing out his cheeks – there was so much glee in him.

He took a deep breath. It steadied him.

‘Are you seated, Miss Prunesquallor?’

‘O yes … O yes indeed,’ came the answering whisper.

‘In comfort, madam?’

‘In comfort, Mr Headmaster, and in peace.’

‘Peace, my dear lady? What kind of peace?’

‘The peace, Mr Headmaster, of one who has no fear. Of one who has faith in the strong arm of her loved one. The peace of heart and mind and spirit that belong to those who have found what it is to offer themselves without reserve to something august and tender.’

There was a break in Irma’s voice, and then as though to prove what she had said, she cried out into the night, ‘Tender! that’s what I said. Tender and Unattached!’

Bellgrove shifted himself; they were all but touching.

‘Tell me, my dearest lady, is it of me that you speak. If it is not, then humble me – be merciless and break an old man’s heart with one small syllable. If you say “no” then, without a word I will leave you and this pregnant arbour, walk out into the night, walk out of your life, and may be, who knows, out of mine also …’

Whether or not he was gulling himself it is certain that he was living the very essence of his words. Perhaps the very use of words themselves was as much a stimulus as Irma’s presence and his own designs; but that is not to say that the total effect was not sincere. He was infatuated with all that pertained to love. He trod breast-deep through banks of thorn-crazed roses. He breathed the odours of a magic isle. His brain swam on a sea of spices. But he had his own thought too.

‘It was of you I spoke,’ said Irma. ‘You, Mr Bellgrove. Do not touch me. Do not tempt me. Do nothing to me. Just be there beside me. I would not have us desecrate this moment.’

‘By no means. By no means.’ Bellgrove’s voice was deep and subterranean. He heard it with pleasure. But he was sensitive enough to know that for all its sepulchral beauty, the phrase he had just used was pathetically inept – and so he added, ‘By no means whatsoever …’ as though he were beginning a sentence.

‘By no means whatsoever, ah, definitely not, for who can tell, when, unawares, love’s dagger …’ but he stopped. He was getting nowhere. He must start again.

He must say things that would drive his former remarks out of her mind. He must sweep her along.

‘Dear one,’ he said, plunging into the rank and feverish margin of love’s forest. ‘Dear one!’

‘Mr Bellgrove – O, Mr Bellgrove,’ came the hardly audible reply.

‘It is the headmaster of Gormenghast, your suitor, who is speaking to you, my dear. It is a man, mature and tender – yet a disciplinarian, feared by the wicked, who is sitting beside you in the darkness. I would have you concentrate upon this. When I say to you that I shall call you Irma, I am not asking for permission from my love-light – I am telling her what I shall do.’

‘Say it, my male!’ cried Irma, forgetting herself. Her strident voice, quite out of key with the secret and muted atmosphere of an arbour’d wooing, splintered the darkness.

Bellgrove shuddered. Her voice had been a shock to him. At a more appropriate moment he would teach her not to do things of that kind.

As he settled again against the rustic back of the seat he found that their shoulders were touching.

‘I will say it. Indeed I will say it, my dear. Not as a crude statement with no beginning or ending. Not as a mere reiteration of the most lovely, the most provocative name in Gormenghast, but threaded into my sentences, an integral part of our conversation, Irma, for see, already it has left my tongue.’

‘I have no power, Mr Bellgrove, to remove my shoulder from yours.’

‘And I have no inclination, my dove.’ He lifted his big hand and tapped her on the shoulder she had referred to.

They had been so long in darkness that he had forgotten that she was in evening dress. In touching her naked shoulder he received a sensation that set his heart careering. For a moment he was deeply afraid. What was this creature at his side? and he cried out to some unknown God for delivery from the Unknown, the Serpentine, from all that was shameless, from flesh and the devil.

The tremendous gulf between the sexes yawned – and an abyss, terrifying and thrilling, sheer and black as the arbour in which they sat; a darkness wide, dangerous, imponderable and littered with the wrecks of broken bridges.

But his hand stayed where it was. The muscle of her shoulder was tense as a bowstring, but the skin was like satin. And then his terror fled. Something masterful and even dashing began to possess him.

‘Irma,’ he whispered huskily. ‘Is this a desecration. Are we blotting the whitest of all love’s copybooks? It is for you to say. For myself I am walking among rainbows – for myself I …’ But he had to stop speaking for he wished, more than anything else to lie on his back and to kick his old legs about and to crow like a barn-cook. As he could not do this he had no option but to put his tongue out in the darkness, to squint with his eyes, to make extravagant grimaces of every kind. Excruciating shivers swarmed his spine.

And Irma could not reply. She was weeping with joy. Her only answer was to place her hand upon the headmaster’s. They drew together – involuntarily. For a while there was that kind of silence all lovers know. The silence that it is sin to break until of its own volition, the moment comes, and the arms relax and the cramped limbs can stretch themselves again, and it is no longer an insensitive thing to inquire what the time might be or to speak of other matters that have no place in Paradise.

At last Irma broke the hush.

‘How happy I am,’ she said very quietly. ‘How very happy, Mister Bellgrove.’

‘Ah … my dear … ah,’ said the Headmaster very slowly, very soothingly … ‘that is as it should be … that is as it should be.’

‘My wildest, my very wildest dreams have become real, have become something I can touch’ (she pressed his hand). ‘My little fancies, my little visions – they are no longer so, dear master, they are substance, they are you … they are You.’

Bellgrove was not sure that he liked being one of Irma’s ‘little fancies, little visions’ but his sense of the inappropriate was swamped in his excitement.

‘Irma!’ He drew her to him. There was less ‘give’ in her body than in a cake-stand. But he could hear her quick excited breathing.

‘You are not the only one whose dreams have become a reality, my dear. We are holding one another’s dreams in our very arms.’

‘Do you mean it, Mr Bellgrove?’

‘Surely, ah, surely,’ he said.

Dark as it was Irma could picture him at her side, could see him in detail. She had an excellent memory. She was enjoying what she saw. Her mind’s eye had suddenly become a most powerful organ. It was, in point of fact, stronger, clearer and healthier than those real eyes of hers which gave her so much trouble.

And so, as she spoke to him she had no sense of communing with an invisible presence. The darkness was forgotten.

‘Mr Bellgrove?’

‘My dear lady?’

‘Somehow, I knew …’

‘So did I … so did I.’

‘It is more than I dare dwell upon – this strange and beautiful fact – that words can be so unnecessary – that when I start a sentence, there is no need to finish it – and all this, so very suddenly. I said, so very suddenly.’

‘What would be sudden to the young is leisurely for us. What would be foolhardy in them is child’s-play itself, for you, my dear, and for me. We are mature, my dear. We are ripe. The golden glaze, that patina of time, these are upon us. Hence we are sure and have no callow qualms. Let us admit the length of our teeth, lady. Time, it is true, had flattened our feet, ah yes, but with what purpose? To steady us, to give us balance, to take us safely along the mountain tracks. God bless me … ah. God bless me. Do you think that I could have wooed and won you as a youth? Not in a hundred years! And why … ah … and why? Inexperience. That is the answer. But now, in half an hour or less, I have stormed you; stormed you. But am I breathless? No. I have brought my guns to bear upon you, and yet my dear, have scores of roundshot left … ah yes, yes, Irma my ripe one … and you can see it all? … you can see it all? … dammit, we have equipoise and that is what it is.’

Irma’s mental sight was frighteningly clear. His voice had sharpened the edges of his image.

‘But I’m not very old, Mr Bellgrove, am I,’ said Irma, after a pause. To be sure she felt as young as a fledgeling.

‘What is age? What is time!’ said Bellgrove – and then answering himself in a darker voice. ‘They’re hell!’ he said. ‘I hate ’em.’

‘No, no. I won’t have it,’ said Irma. ‘I won’t, Mr Bellgrove. Age and time are what you make them. Let us not speak of them again.’

Bellgrove sat forward on his old buttocks. ‘Lady!’ he said suddenly, ‘I have thought of something that I think you will agree is more than comic.’

‘Have you, Mr Bellgrove?’

‘Pertaining to what you said about Age and Time. Are you listening, my dear?’

‘Yes, Mr Bellgrove … eagerly … eagerly!’

‘What I think would be rather droll would be to say, in a gathering, when the moment became opportune – perhaps during some conversation about clocks – one could work round to it – to say, quite airily … “Time is what you make it.”’

He turned his head to her in the darkness. He waited.

There was no response from Irma. She was thinking feverishly. She began to panic. Her face was prickling with anxiety. She could make no sound. Then she had an idea. She pressed herself against him a little more closely.

‘How delicious!’ she said at last, but her voice was very strained.

The silence that followed was no more than a few seconds, but to Irma it was as long as that ghastly hush that awaits all sinners when, at the judgement seat, they wait the Verdict. Her body trembled, for there was so much at stake. Had she said something so stupid, that no headmaster, worthy of his office, could ever consider accepting her? Had she unwittingly lifted some hatchway of her brain and revealed to this brilliant man how cold, black, humourless and sterile was the region that lay within?

No. Ah no! For his voice, rolling from the gloom, had, if possible, even more tenderness in it than she would have dared to hope for in a man.

‘You are cold, my love. You are chilly. The night is not for delicate skins. By hell, it isn’t. And I? And what of me? Your suitor? Is he cold also, my dear? Your old gallant? He is. He is indeed. And what is more he is becoming sick of darkness. Darkness that shrouds. That clogs the living lineaments of beauty. That swathes you, Irma. By hell it’s maddening and pointless stuff …’ Bellgrove began to rise … ‘it’s damnable, I tell you, my own, this arbour’s damnable.’

He felt the pressure of fingers on his forearm.

‘Ah no … no … I will not have you swear. I will not have strong language in our arbour … our sacred arbour.’

For a moment Bellgrove was tempted to play the gay dog. His moods flitted across the basic excitement of the wooing. It was so delicious to be chided by a woman. He wondered whether to shock her – to shock her out of the surplus of his love, would be worth the candle. To taste again the sweetness of being reprimanded, the never-before-experienced gushes of sham remorse – would this be worth the lowering of his moral status. No! He would stick to his pinnacle.

‘This arbour,’ he said, ‘is forever ours. It is the darkness it holds captive; this pitchy stuff that hides your face from me – it is this darkness that I called damnable – and damnable it is. It is your face, Irma, your proud face that I am thirsting for. Can you not understand? By the great moonlight! my love; by the tremendous moonlight! Is it not natural that a man should wish to brood upon his darling’s brow?’

The word ‘darling’ affected Irma as might a bullet wound. She clasped her hands at her breast and pressing them inwards the tepid water in her false bosom gurgled in the darkness.

For a moment Bellgrove, thinking she was laughing at what he had said, stiffened at her side. But the terrible blush of humiliation that was about to climb his neck was quenched by Irma’s voice. The gurgle must have been a sign of love, of some strange and aqueous love that was beyond his sounding, for ‘O master,’ she said, ‘take me to where the moon can show you me.’

‘Show-you-me?’ for a short while Bellgrove was quite unable to decipher what sounded to him like a foreign language. But he did not stand still, as lesser men would have done while pondering, but answering the first part of her command he escorted her from the arbour. Instantaneously, they were floodlit – and at the same instant Irma’s syntax clarified in the headmaster’s mind.

They moved together, like spectres, like mobile carvings casting their long inky shadows across the little paths, down the slopes of rockeries, up the sides of trellises.

At last they stopped for a little while where a stone cherub squatted upon the rim of a granite bird-bath. To their left they could see the lighted windows of the long reception room. But they could not see that in the midst of a rapt audience the Doctor was raising his silver hammer as though to put all to the test. They could not know that by a supernatural effort of the will, and the martialling of all his deductive faculties, and the freeing of an irrational flair, the Doctor had come to the kind of decision more usually associated with composers than with scientists – and was now on the brink of success or failure.

The ‘body’ had, to aid the physician in his exhaustive search for the cause of the paralysis, been stripped of all clothing save the mortar-board.

What happened next was something which, however much the stories varied afterwards – for it seemed that every professor present was able to note some minor detail hidden from the rest – was yet consistent in the main. The speed at which it happened was phenomenal, and it must be assumed that the microscopic elaborations of the incident which were to be the main subject of conversation for so long a while afterwards, were no more or less than inventions which were supposed to redound to the advantage of the teller, in some way or other – possibly through the reflected glory which they all felt at having been there at all. However this may be, what was agreed upon by all was that the Doctor, his shirt sleeves rolled well back, rose suddenly on his toes, and lifting his silver hammer into the air, where it flashed with candle-light, let it fall, as it were with a kind of controlled, yet effortless downstroke, upon the nether regions of the spinal column. As the hammer struck, the Doctor leapt back and stood with his arms spread out to his sides, his fingers rigid as he saw before him the instantaneous convulsion of the patient. This gentleman writhing like an expiring eel leapt suddenly high into the air, and on landing upon his feet, was seen to streak across the room and out of the bay windows and over the moonlit lawn at a speed that challenged the credulity of all witnesses.

And those who, standing grouped about the Doctor, had seen the transformation and the remarkable athleticism that followed so swiftly upon it, were not the only ones to be startled by the spectacle.

In the garden, among the livid blotches and the cold wells of shadow a voice was saying …

‘It is not meet, Irma my dearest, that on this night, this first night, we should tire our hearts … no, no, it is not meet, sweet bride.’

‘Bride?’ cried Irma, flashing her teeth and tossing her head. ‘O Master, not yet … surely!’

Bellgrove frowned like God considering the state of the world on the Third Day. A knowing smile played across his old mouth but it appeared to have lost its way among the wrinkles.

‘Quite so, my delicious helm. Once more you keep me on my course, and for that I revere you, Irma … not bride, it is true, but …’

The old man had jerked like a recoiling firearm, and Irma with him, for she was in his gown-swathed arms. Turning her startled eyes from his she followed his gaze and on the instant clung to him in a desperate embrace, for all at once they saw before them, naked in the dazzling rays of the moon, a flying figure which for all the shortness of the legs, was covering the ground with the speed of a hare. The tassel of the inky mortar-board, sole claim to decency, streamed away behind like a donkey’s tail.

No sooner had Irma and the headmaster caught sight of the apparition, than it had reached the high orchard wall of the garden. How it ever climbed the wall was never discovered. It simply went up it, its shadow swarming alongside, and the last that was ever seen of Mr Throd, the one-time member of Mr Bellgrove’s staff, was a lunar flash of buttocks where the high wall propped the sky.

THIRTY-SEVEN

There were at least three hours to be burned. It was unusual for Steerpike to have to think in such terms. There was always something afoot. There were always, in the wide and sinister pattern of his scheduled future, those irregular pieces to find and to fit into the great jig-saw puzzle of his predatory life, and of Gormenghast, on whose body he fed.

But on this particular day, when the clocks had all struck two, and the steel of his swordstick which he had been sharpening was as keen as a razor and as pointed as a needle, he wrinkled his high shining forehead as he returned the blade to the stick. At the end of the three hours that lay before him he had something very important to do.

It would be very simple and it would be absorbing, but it would be very important also; so important that for the first time in his life he was at a loss for a few moments as to how to fill in the hours that remained before the business that lay ahead, for he knew that he could not concentrate upon anything very serious. While he pondered, he moved to the window of his room and looked out across the vistas of roofs and broken towers.

It was a breathless day, a frail mist tempering the warmth. The few flags that could be seen above various turrets hung limply from their mastheads.

This prospect never failed to please the pale young man. His eye ran over it with shrewdity.

Then he turned from the scene, for he had had an idea. Pouncing upon the floor, his arms outstretched, he stood upside down upon the palms of his hands and began to perambulate the room, one eyebrow raised. His idea was to pay a quick call upon the Twins. He had not visited them for some while. Away across the roofscape he had seen the outskirts of that deserted tract, in one of whose forgotten corridors an archway led to a grey world of empty rooms, in one of which their ladyships Cora and Clarice sat immured. Their presence and the presence of their few belongings seemed to have no effect upon the sense of emptiness. Rather, their presence seemed to reinforce the vacancy of their solitude.

It would take him the best part of an hour’s sharp walking to reach that forgotten region, but he was in a restless mood, and the idea appealed to him. Flexing his elbows – for he was still moving about the room on his hands – he pressed, of a sudden, away from the floor and, like an acrobat, was all at once on his feet again.

Within a few moments he was on his way, his room carefully locked behind him. He walked rapidly, his shoulders drawn up and forward a little in that characteristic way that gave to his every movement a quality both purposeful and devilish.

The short cuts he took through the labyrinthian network of the castle led him into strange quarters. There were times when walls would tower above him, sheer and windowless. At other times, naked acres, paved in brick or stone would spread themselves out, wastelands vast and dusty where weeds of all kinds forced their way from between the interstices of the paving stones.

As he moved rapidly from domain to domain, from a world of sunless alleys to the panoramic ruins where the rats held undisputed tenure – from the ruins to that peculiar district where the passageways were all but blocked with undergrowth and the carved façades were cold with sea-green ivy – he exulted. He exulted in it all. In the fact that it was only he who had the initiative to explore these wildernesses. He exulted in his restlessness, in his intelligence, in his passion to hold within his own hands the reins, despotic or otherwise, of supreme authority.

Far above him and to the east the sunlight burned upon a long oval window of blue glass. It blazed like lazuli – like a gem hung aloft against the grey walls. Without changing the speed of his walk he drew from his pocket a small smooth beautifully made catapult, into the pouch of which he fitted a bullet, and then, as though with a single action the elastic was stretched and released and Steerpike returned his catapult to his pocket.

He kept walking, but as he walked his face was turned up to those high grey walls where the blue window blazed.

He saw the small gap in the glass and the momentary impression of a blue powder falling before he heard the distant sound, as of a far gunshot.

A head had appeared at the gap in that splintered window away in the high east.

It was very pale. The body beneath it was swathed in sacking. On the shoulder sat perched a blood red parrot – but Steerpike knew nothing of this and was entering another district and was for a long while in the shadows, moving beneath a continuous roofscape of lichened slates.

When at last he approached the archway which led to the Twins’ quarters, he paused and gazed back along the grey perspectives. The air was chill and unhealthy; a smell of rotten wood, of dank masonry filled his lungs. He moved in a climate as of decay – of a decay rank with its own evil authority, a richer, more inexorable quality than freshness; it smothered and drained all vibrancy, all hope.

Where another would have shuddered, the young man merely ran his tongue across his lips. ‘This is a place,’ he said to himself. ‘Without any doubt, this is somewhere.’

But the hands of the clock kept moving and he had little time for speculation, and so he turned his back on the cold perspectives where the long walls bulged and sagged, where plaster hung and sweated with cold and inanimate fevers, with sicknesses of umber, and illnesses of olive.

When he reached the door behind which the Twins were incarcerated he took a bunch of keys from his pocket and selecting one, which he had cut himself, he turned the lock.

The door opened to his pressure with a stiff and grating sound.

Stiff as were the hinges, it had not taken Steerpike more than a second to throw it wide open. Had he been forced to fight against the swollen wood for an entrance, to struggle with the lock, or to put his shoulder to the damp panelling – or even had his rapid entrance been heralded by the sound of his footsteps, then the spectacle that awaited him, for all its strangeness, would not have had that uncanny and dreamlike horror that now lay hold of him.

He had made no sound. He had given no warning of his visit – but there before him stood the Twins, hand in hand, their faces white as lard. They were positioned immediately before the door; at which they must have been staring. They were like figures of wax, or alabaster or like motionless animals, upright upon their quarters, their gaze fixed, it would seem, upon the face of their master, their mouths half open as though awaiting some tit-bit – some familiar signal.

No expression at all came into their eyes, nor would there have been room for any, for they were separately filled, each one of them, with a foreign body, for in each of the four glazed pupils the image of the young man was exquisitely reflected. Let those who have tried to pass love letters through the eyes of needles or to have written poems on the heads of pins take heart. Crude and heavy handed as they found themselves, yet they will never appreciate the extent of their clumsiness for they will never know how Steerpike’s head and shoulders leaned forward through circles the size of beads, whose very equidistance from one another (the Twins were cheek to cheek) was as though to prove by ghastly repetition the nightmare of it all. Minute and exquisite in the microcosm of the pupils, these four worlds, identical and terrible, gleamed between the lids. It would seem they had been painted – these images of Steerpike – with a single hair or with the proboscis of a bee – for the very whites of his eyes were crystalline. And when Steerpike at the door drew back his head – drew it back on a sudden impulse, then the four heads, no bigger than seeds, were drawn back at that same instant, and the eight eyes narrowed as they stared back from the four microscopic mirrors – stared back at their origin, the youth, mountain high in the doorway, the youth on whom their quick and pulseless lives depended – the youth with his eyes narrowed, and whose least movement was theirs.

That the eyes of the Twins should be ignorant of that they reflected was natural enough but it was not natural that in carrying the image of Steerpike to their identical brains, there should be, by not so much as the merest shade, a clue to the excitement in their breasts. For it seemed that they felt nothing, that they saw nothing, that they were dead, and stood upon their feet by some miracle.

Steerpike knew at once that yet another chapter was over in his relationship with Cora and Clarice. They had become clay in his hands, but they were clay no more, unless there is in clay not only something imponderable but something sinister also. Not only this, but something adamantine. From now on he knew that they were no longer ductile – they had changed into another medium – a sister medium – but a harsher one – they were stone.

All this could be seen at a glance. But now, suddenly, there was something which escaped his vigilance. It was this. His reflections were no longer in their eyes. Their ladyships had unwittingly expelled him. Something else had taken place – and as he was unaware that he had ever been reflected so he was equally unaware that he was no longer so – and that in the lenses of their eyes he had exchanged places with the head of an axe.

But what Steerpike could see was that they were no longer staring at him – that their gaze was fixed upon something above his head. They had not tilted their heads back although it would have been the normal thing to do for whatever they were looking at was all but out of their line of vision. Their upturned eyes shone white. Save for this movement of their eyeballs they had not so much as stirred.

Fighting down his fear that were he to move his eyes from them, even for a second, he would fall in a peculiar way into some trap, he swung himself about and in a moment had seen a great axe dangling a dozen feet above him, and the complex network of cords and strings which, like a spider’s web in the darkness of the upper air, held in position the cold and grizzly weight of the steel head.

With a backward leap the young man was through the doorway. Without a pause he slammed the door and before he had turned the key in the lock he had heard the thud as the head of the axe buried itself in that part of the floor where he had been standing.

THIRTY-EIGHT

Steerpike’s return to the castle’s heart was rapid and purposeful. A pale sun like a ball of pollen was hung aloft an empty and faded sky, and as he sped below it his shadow sped with him, rippling over the cobbles of great squares, or cruising alongside, upright, where at his elbow the lit and attenuate walls threw back the pallid light. For all that within its boundaries, this shadow held nothing but the uniform blankness of its tone, yet it seemed every whit as predatory and meaningful as the body that cast it – the body, that with so many aids to expressiveness within the moving outline, from the pallor of the young man and the dark red colour of his eyes, to the indefinable expressions of lip and eye, was drawing nearer at every step to a tryst of his own making.

The sun was blocked away. For a few minutes the shadow disappeared like the evil dream of some sleeper who on waking finds the substance of his nightmare standing beside his bed – for Steerpike was there, turning the corners, threading the mazes, gliding down slopes of stone or flights of rotten wood. And yet it was strange that with all the vibrancy that lay packed within the margins of his frame, yet his shadow when it reappeared reaffirmed its self-sufficiency and richness as a scabbard for malignity. Why should this be – why with certain slender proportions and certain tricks of movement should a sense of darkness be evoked? Shadows more terrible and grotesque than Steerpike’s gave no such feeling. They moved across their walls bloated or spidery with a comparative innocence. It was as though a shadow had a heart – a heart where blood was drawn from the margins of a world of less substance than air. A world of darkness whose very existence depended upon its enemy, the light.

And there it was; there it slid, this particular shadow – from wall to wall, from floor to floor, the shoulders a little high, but not unduly, the head cocked, not to one or other side, but forward. In an open space it paled as it moved over dried earth, for the sun weakened – and then it fainted away altogether as the fringe of a cloud half the size of the sky moved over the sun.

Almost at once the rain began to fall, and the air yet further darkened. Nor was this darkening enough, for beneath the expanse of the cloud that moved inexorably to the north, dragging behind it miles and miles of what looked like filthy linen, beneath this expanse, yet another, of similar hugeness, but swifter, began to overtake it from beneath, and when this lower continent of cloud began to pass over that part of the sky where the sun had lately been shining, then something very strange made itself felt at once.

A darkness almost unprecedented had closed down over Gormenghast. Steerpike glancing left and right could see the lights begin to burn in scores of windows. It was too dark to see what was happening above, but judging from a still deepening of the pall, yet further clouds, thick and rain-charged, must have slid across the sky to form the lowest of three viewless and enormous layers.

By now the rain was loud on the roofs, was flooding along the gutterings, gurgling in crannies and brimming the thousand irregular cavities that the centuries had formed among the crumbling stones. The advance of these weltering clouds had been so rapid that Steerpike had not entirely escaped the downpour, but it was not for more than a few moments that the rain beat on his head and shoulders, for, running through the unnatural darkness to the nearest of the lighted windows, he found himself in a part of the castle that he remembered. From here he could make the rest of the journey under cover.

The premature darkness was peculiarly oppressive. As Steerpike made his way through the lighted corridors he noticed how at the main windows there were groups gathered, and how the faces that peered out into the false night wore expressions of perplexity and apprehension. It was a freak of nature, and no more, that the world had been swathed away from the westering sun as though with bandages, layer upon layer, until the air was stifled. Yet it seemed as though the sense of oppression which the darkness had ushered in had more than a material explanation.

As though to fight back against the circumscribing darkness the hierophants had lighted every available lantern, burner, candle and lamp, and had even improvised an extraordinary variety of reflectors, of tin and glass, and even trays of gold and plates of burnished copper. Long before any message could have been couriered across the body of Gormenghast, there was not a limb, not a digit that had not responded to the universal sense of suffocation, not the merest finger joint of stone that had not set itself alight.

Countless candles dribbled with hot wax, and their flames, like little flags, fluttered in the uncharted currents of air. Thousands of lamps, naked, or shuttered behind coloured glass, burned with their glows of purple, amber, grass-green, blue, blood red and every grey. The walls of Gormenghast were like the walls of paradise or the walls of an inferno. The colours were devilish or angelical according to the colour of the mind that watched them. They swam, those walls, with the hues of hell, with the tints of Zion. The breasts of the plum-aged seraphim; the scales of Satan.

And Steerpike, moving rapidly through these varying flushes, could hear the loudening of the rain. He had come to something very like an isthmus – a corridor with circular windows on either side that gave upon the outer darkness. This arcade, or cover-way – this isthmus that joined together one great mass of sprawling masonry to another, was illumined along its considerable length at three more or less regular intervals by firstly a great age-green oil lamp with an enormous wick as wide as a sheep’s tongue. The glass globe that fitted over it was appallingly ugly; a fluted thing, a piece missing from its lower lip. But its colour was something apart – or rather the colour of the glass when lit from behind, as it now was. To say it was indigo gives no idea of its depth and richness, nor of the underwater or cavernous glow that filled that part of the arcade with its aura.

In their different ways the other two lamps, with their globe of sullen crimson and iceberg green, made within the orbits of their influence, arenas no less theatrical. The glazed and circular windows, dark as jet, were yet not featureless. Across the blind blackness of those flanking eyes the strands of rain which appeared not to move but to be stretched across the inky portholes like harp strings – these strands, these strings of water burned blue, beyond the glass, burned crimson, burned green, for the lamplight stained them. And in the stain was something serpentine – something poisonous, exotic, feverish and merciless; the colours were the colours of the sea-snake, and beyond the windows on either hand, was the long-drawn hiss of the reptilian rain.

And while Steerpike sped along this covered-way, the shadow that he cast changed colour. Sometimes it was before him as though eager to arrive at some rendezvous before the body of its caster; and sometimes it followed him, sliding at his heels, dogging him, changing its dark colour as it flowed.

With the isthmus behind him, and a continent of stone once more about him, a continent into whose fastnesses he moved the deeper with every step and with every breath he took, Steerpike banished from his mind every thought of the Twins and of their behaviour. His mind had been largely taken up with conjecture as to the cause of their insurrection, and with tentative plans for their disposal.

But there were matters more pressing and one matter in particular. With enviable ease he emptied his mind of their ladyships and filled it with Barquentine.

His shadow moved upon his right hand. It was climbing a staircase. It crossed a landing. It descended three steps. It followed for a short while at its maker’s heels and then overtook him. It was at his elbow when it suddenly deepened its tone and grew up the side of the wall until the shadow-head twelve feet above the ground, pursued its lofty way, the profile undulating from time to time, when it was forced to float across the murky webs that choked the junction of wall and ceiling.

And then the giant shade began to shrivel, and as it descended it moved a little forward of its caster, until finally it was a thick and stunted thing – a malformation, intangible, terrible, that led the way towards those rooms where its immediate journey could, for a little while, be ended.

THIRTY-NINE

Barquentine in his room sat with his withered leg drawn up to his chin. His hair, dirty as a fly-blown web, hung about his face, dry and lifeless. His skin, equally filthy, with its silted fissures, its cheese-like cracks and discolorations, was dry also – an arid terrain, dead it seemed, and waterless as the moon, and yet, at its centre those malignant lakes, his vile and brimming eyes.

Outside the broken window at the far end of the room lay stretched the stagnant waters of the moat.

He had been sitting there, his only leg drawn up to his face, his crutch leaning against the back of his chair, his hands clasped about his knee, a hank of his beard between his teeth – he had been sitting there, for over an hour. On the table before him at least a dozen books lay spread; books of ritual and precedence, books of cross-reference, ciphers and secret papers. But his eyes were not on them. No less ruthless for being out of focus and gleaming wetly in their dry sockets, they could not see that a shadow had entered the room – that intangible as air, yet graphic to a degree, it had reared itself against high tiers of books – books of all shapes and in every stage of dilapidation, that glimmered in the bad light save where this shadow lay athwart them, black as a shade from hell.

And while he sat there, what was he thinking of, this wrinkled and filthy dwarf?

He was thinking of how a change had come over the workings of Gormenghast – over the workings of its heart and the temper of its brain. Something so subtle that he could in no way fix upon it. Something that was not to be located in the normal way of his thinking yet something which, nevertheless, was filling his nostrils with its odour. He knew it to be evil, and what was evil in the eyes of Barquentine was anything that smelt of insurrection, anything that challenged, or worked to undo the ancient procedures.

Gormenghast was not what it was. He knew it. There was devilry somewhere among these cold stones. And yet he could not put his finger upon the spot. He could not say what it was that was now so different. It was not that he was an old man. He was not sentimental about the days of his youth. They had been dark and loveless. But he had no pity for himself. He had only this blind, passionate and cruel love for the dead letter of the castle’s law. He loved it with a love as hot as his hate. For the members of the Groan line itself he had less regard than for the meanest and drearest of the rituals that it was their destiny to perform. Only in so far as they were symbols did he bow his ragged head. He had no love for Titus – only for his significance as the last of the links in the great chain. There was something about the way the boy moved … a restlessness, an independence, that galled him. It was almost as though this heir to a world of towers had learned of other climes, of warm, clandestine lands, and that the febrile and erratic movements of the child’s limbs were the reflection of what lived and throve in his imagination. It was as though his brain, in regions remote and seductive, was sending its unsettling messages to the small bones, to the tissues of the boy, so that there was, in his movements, something remote and ominous.

But Barquentine, knowing that the seventy-seventh earl had never moved as far as a day’s journey from his birthplace, spat, as it were, these reflections from his puzzled brain. And yet the taste lingered. The taste of something acid; something rebellious. The young earl was too much himself. It was as though the child imagined he had a life of his own apart from the life of Gormenghast.

And he was not the only one. There was this Steerpike youth. A quick, useful disciple no doubt, but a danger, for that very reason. What was to be done about him? He had learned too much. He had opened books that were not for him to open and found his way about too rapidly. There was something about him that set him apart from the life of the place – something subtly foreign – something ulterior.

Barquentine shifted his body on the chair, growling with irritation both at the twinge which the altering of his position gave to his withered leg, and at the frustration of being unable to do more than gnaw at the fringe of his suspicions. He longed, as master of the Groan law, to take action, to stamp out, if necessary, a score of malcontents, but there was nothing clear – no tangible target – nothing definable upon which he could direct his fire. He only knew that were he to discover that Steerpike had in the smallest degree abused the grudging trust he had placed in him, then, bringing all his authority to bear, he would have the pallid snipe from the Tower of Flints – he would strike with the merciless venom of the fanatic for whom the world holds no gradations – only the blind extremes of black and white. To sin was to sin against Gormenghast. Evil and doubt were one. To doubt the sacred stones was to profane the godhead. And there was this evil somewhere – close but invisible. His sense caught a whiff of it – but as soon as he turned his brain as it were over the shoulder of his mind – it was gone – and there was nothing palpable – nothing but the hierophants – moving here and there, upon this business or that, and seemingly absorbed.

Was there no way for him either to snare this wandering evil and turn its face to the light or to quell his suspicions? For they were harmful, keeping him awake through the long night hours, nagging at him, as though the castle’s illness were his own.

‘By the blood of hell,’ he whispered, and his whisper was like grit – ‘I will search it out, though it hide like a bat in the vaults or a rat in the southern lofts.’

He scratched himself disgustingly, rumps and crutch, and again he shifted himself on the high chair.

It was then that the shadow that lay across the bookshelves moved a little. The shoulders appeared to rise as the whole silhouette shifted itself further from the door and the impalpable body of the thing rippled across a hundred leather spines.

Barquentine’s eyes took focus for a moment or two as they strayed over the documents on the table before him, and, unsolicited at the moment, the recollection of having once been married returned to him. What had happened to his wife he could not remember. He assumed that she had died.

He had no recollection of her face, but could remember – and perhaps it was the sight of the papers before him that had brought back the unwelcome memory – how, as she wept, she would, hardly knowing that she was doing so, make paper boats, which, wet with her tears and grimed from her cracked hands, she sailed across the harbour of her lap or left stranded about the floor or on the rope matting of her bed, in throngs like fallen leaves, wet, grimed and delicate, in scattered squadrons, a navy of grief and madness.

And then, with a start he remembered that she had borne him a son. Or was it she? It was over forty years since he had spoken to his child. He would be hard to find; but found he must be. All he remembered was that a birthmark took up most of the face and that the eyes were crossed.

With his mind cast back to earlier days, a number of pictures floated hesitantly before his eyes, and in all of them he saw himself as someone with his head perpetually raised – as someone on a level with men’s knees – as a target for jibes and scorn. He could see in the mind’s eye the growth of hatred; he could feel again his crutch being kicked from beneath him, and of the urchins hooting in his wake, ‘Rotten leg! rotten spine!’ ‘Ya! Ya! Barquentine!’

All that was over. He was feared now. Feared and hated.

With his back to the door and to the bookshelves he could not see that the shadow had moved again. He lifted his head and spat.

Picking up a piece of paper he began to make a boat but he did not know what he was doing.

‘It has gone on long enough,’ he said to himself, – ‘too long, by the blood of hags. He must go. He is finished. Dead. Over. Done with. I must be alone, or the cock of the great Ape, I’ll jeopardize the Inner Secrets. He’ll have the keys off me with his bloody efficiency.’

And while he muttered in his own throat the shadow of the youth of whom he was speaking slid inexorably over the spines, and came to a stop a dozen feet from Barquentine, but the body of Steerpike was at the same moment immediately behind the cripple’s chair.

It had not been easy for the young man to decide in what way he would kill his master. He had many means at his disposal. His nocturnal visits to the Doctor’s dispensary had furnished him with a sinister array of poisons. His swordstick was almost too obviously efficacious. His catapult was no toy, but something lethal as a gun and silent as a sword. He knew of ways to break the neck with the edge of the palm, and he knew how to send a pen knife through the air with extraordinary precision. He had not, for nothing, spent an allotted number of minutes every morning and for several years in throwing his knife at the dummy in his bedroom.

But he was not interested merely in dispatching the old man.

He had to kill him in some way which left no trace: to dispose of the body and at the same time to mix pleasure and business in such a compound that neither was the weaker for the union. He had old scores to pay off. He had been spat upon and reviled by the withered cripple. To merely stop his life in the quickest way would be an empty climax – something to be ashamed of.

But what really happened and how Barquentine really died in Steerpike’s presence bore no relation to the plan which the young man had made.

For, as he stood immediately behind his victim’s chair the old man leaned forward across his books and papers and pulled towards himself a rusty, three-armed candlestick, and after a great deal of scrabbling about among his rags, eventually set a light to the wicks. This had the double effect of sending Steerpike’s shadow sidling across the book-filled wall and sucking the strength out of it.

From where Steerpike stood he could see over Barquentine’s shoulder the honey-coloured flames of the three candles. They were the shapes of bamboo leaves, attenuate and slender and they trembled against the darkness. Barquentine himself was silhouetted against the glow of the candlelight, and suddenly, as his body shifted, and Steerpike obtained an even clearer view of the candleflame an idea occurred to the young man which made all his carefully prepared plans for the death and disposal of the ancient’s body appear amateurish: amateurish through lack of that deceptive simplicity which is the hallmark of all great art; amateurish, for all their ingenuity, and for the very reason of it.

But here – here before him, ready made was a candlestick with three gold flames that licked at the sullen air. And, here within his reach was the old man he wished to kill, but not too quickly; an old man whose rags and skin and beard were as dry and inflammable as the most exacting of fire-raisers could wish. What would be easier than for a man as ancient as Barquentine to lean forward accidentally at his work and for his beard to catch light from the candles? What would be more diverting than to watch the irritable and filthy tyrant caught among flames, his rags blazing, his skin smoking, his beard leaping like a crimson fish. It would only remain, at a later date, for Steerpike to discover the charred corpse and arouse the castle.

The young man glanced about him. The door through which he had entered the room was closed. It was an hour when there was small chance of their being disturbed. The silence in the room was only intensified by the thin grating of Barquentine’s breathing.

No sooner had Steerpike realized the advantages of setting fire to the ragged silhouette which squatted like a black gnome immediately before him, than he drew the blade from his swordstick and raised it so that the steel point hovered within an inch of Barquentine’s neck, and immediately below his left ear.

Now that Steerpike was so close upon the heels of the gross and bloody deed, a kind of cold and poisonous rage filled him. Perhaps the dry root of some long deadened conscience stirred for a moment in his breast. Perhaps, for that sharp second, he remembered in spite of himself that to kill a man involved a sense of guilt: and perhaps it was because of the momentary distraction of purpose that hatred swept his face, as though a frozen sea were whipped of a sudden into a living riot of tameless water. But the waves subsided as quickly as they had risen. Once again his face was white with a deadly equipoise. The point of his blade had trembled beneath the age-bitten ear. But now it was motionless.

It was then that there was a knock at the door. The old head twisted to the sound, but away from the blade so that Steerpike and his weapon were still invisible.

‘To black hell with you whoever you are! I will see no son of a bitch today!’

‘Very well, sir,’ said a door-blocked voice, and then the faint sound of footsteps could be heard, and then silence again.

Barquentine turned his head back, and then scratched himself across the belly.

‘Saucy bullprong,’ he muttered aloud. ‘I’ll have his face off him. I’ll have his white face off! I’ll have the shine off it! By the gall of the great mule he’s over-shiny. “Very well, sir” he says, does he? What’s well about it? What’s well about it? The upstart piss-worm!’

Again Barquentine began to scratch, loins, buttocks, belly and ribs.

‘O sucking fire!’ he cried, ‘it gripes my heart! No earl but a brat. The Countess, cat-mad. And for me, no tyro but this upstart of a Steerpike bastard.’

The young man, his swordstick beautifully poised, its cold tip sharp as a needle, pursed his thin lips and clicked his tongue. This time Barquentine turned his head over his left shoulder so that he received half an inch of steel beneath his ear. His body stiffened horribly while his throat swelled into the semblance of a scream, but no scream came. When Steerpike withdrew the blade, and while a trickle of dark blood made its way over the wrinkled terrain of his turtle-neck, the whole frame became all of a sudden convulsively active, each part of him seeming to contort itself without relation to what was happening to the rest of the body. It was a miracle that he remained balanced on the high chair. But these convulsions suddenly ended and Steerpike, standing back with his chin cupped in his hands, was chilled, in spite of the half-smile on his face, by the direst expression of mortal hatred that had ever turned an old man’s face into a nest of snakes. The eyes grew, of a sudden, congested, their vile waters taking on, it seemed, the flush of a dangerous sunrise. The mouth and the lines about it appeared to seethe. The dirty brow and neck were wet with venom.

But there was a brain behind it all. A brain which, while Steerpike stood by and smiled, was in spite of the young man’s initial advantage, a step ahead of the youth. For the one thing without which he would indeed have been helpless was still in his power to capture. Steerpike had made a mistake at the outset. And he was taken completely by surprise when Barquentine, thrusting himself off the high chair, fell to the floor in a heap. The old man landed upon the object which was his only hope. It had fallen to the ground when he had stiffened at the sword-prick – and now in a flash he had grasped his crutch, prised himself upright, and hopped to the rear of his chair through the bars of which he directed his red gaze upon the face of his armed and agile enemy.

But the spirit in the old tyrant was something so intense that Steerpike in spite of his two legs, his youth and his weapons was taken aback by the realization that so much passion could be housed in so dry and stunted a thing. He was also taken aback at having been outwitted. It was true that even now the duel was ludicrously one-sided – an ancient cripple with a crutch – an athlete with a sword – but nevertheless, had his first action been to remove the crutch he would now have the old man in as helpless a position as a tortoise upon its back.

For a few moments they faced one another, Barquentine expressing everything in his face, Steerpike nothing. Then the young man began to walk slowly backwards to the door, his eyes all the while on his quarry. He was taking no chances. Barquentine had shown how quick he could be.

When he reached the door he opened it and took a rapid glance along the attenuate corridor. It was enough to show him that there was no one in the neighbourhood. He closed the door behind him and then began to advance towards the chair through the bars of which the dwarf was peering.

As Steerpike advanced with his slender steel in his hand, his eyes were upon his prey but his thoughts were centred upon the candlestick.

His foe could have no idea of how he was within reach of what would burn him up. The three little flames trembled above the melting wax. He had brought them to life, those three dead lumps of tallow. And they were to turn upon him. But not yet.

Steerpike continued his lethal advance. What was there that the cripple could do? For the moment he was partially shielded by the back of the chair. And then, in a voice strangely at variance with the demoniac aspect of his face, for it was as cold as ice, he uttered the one word ‘Traitor.’

It was not merely his life he was fighting for. That single word, freezing the air, had revealed what Steerpike had forgotten: that in his adversary he was pitting himself against Gormenghast. Before him he had a living pulse of the immemorial castle.

But what of all this? It merely meant that Steerpike must be careful. That he must keep his distance until the moment in which to make his attack. He continued to advance and then, when another step would have taken him within range of Barquentine’s crutch, he side-stepped to the right and speeding to the far end of the table, placed his rapier before him across the littered books and taking his knife from his pocket opened it with a single action and then, as Barquentine turned about in his tracks in order to face his assailant, he sent the sharp thing whipping through the candlelight. As Steerpike had intended it pinned the old man’s right hand to the shaft of his crutch. In the moment of Barquentine’s surprise and pain, Steerpike leapt on the table and sprang along it. Immediately below him the dwarf plucked at the knife in his blind fury. As he did so, Steerpike, all in a breath, had snatched up the candlestick, and lunging forward, swept the tiny flame across the upturned face. In a moment, the lifeless beard had shone out in sizzling fire and it was but a moment before the rotten rags about the shoulders of the old man were ablaze also.

But again, and this time while in the throes of mortal agony, Barquentine’s brain had risen instantaneously to the call which was made upon it. He had no moment to lose. The knife was still in his hand though the crutch had fallen away – but all that was forgotten, as with a superhuman effort, one-legged though he was, he flexed his knee and in a spring caught hold of some portion of Steerpike’s clothing. No sooner had he made his first grip, than, with his arms straining themselves to breaking point, and his old heart pounding, he made good his purchase and began to swarm the youth like an ape on fire. By now he had a grip of Steerpike’s waist and the flames were beginning to catch the clothing of his young enemy. The searing pain across his face and chest but made him cling the tighter. That he must die, he knew. But the traitor must die with him, and in his agony there was something of joy; joy in the ‘rightness’ of his revenge.

At the same time, Steerpike was fighting to free himself, clawing at the burning leech, striking upwards with his knees, his face transparent with a deadly mixture of rage, astonishment and desperation.

His clothes, less inflammable than Barquentine’s threadbare sacking, were nevertheless alight by now, and across his cheek and throat a flame had scorched his skin to crimson. But the more he struggled to wrench himself away the fiercer seemed the arms that gripped his waist.

Had anyone opened the door they would have seen, at that moment, a young man luminous against the darkness, his feet striking and trampling among the sacred books that littered the table, the body writhing and straining as though demented and they would have seen that his vibrating hands were locked upon the turtle throat of a dwarf on fire: and they would have seen the paroxysm that toppled the combatants off the table’s edge so that they fell in a smoking heap to the floor.

Even now in his pain and danger there was room in him for the bitter shame of his failure. Steerpike the arch contriver, the cold and perfect organizer, had bungled the affair. He had been out-generalled by a verminous septuagenarian. But his shame took the form of desperate anger. It whipped him to a feverpitch.

In a kind of spasm, quite diabolical in the access of its ferocity and purpose, he struggled to his knees, and then with a jerk, to his feet. He had let go the throat and he stood swaying a moment, his hands free at his sides, and the pain of his burns so intense that, although he did not know it, he was moaning like something lost. It had nothing to do with his merciless nature, this moaning. It was something quite physical. It was his body crying. His brain knew nothing about it.

The Master of Ritual clung, like a vampire, at his breast. The old arms were clasped about him. Mixed with the pain in the agonized face, there was an unholy glee. He was burning the traitor with his own flame. He was burning an unbeliever.

But the unbeliever was, for all the fiery hugging of his master, by no means ready for sacrifice however right or deserving his death might be. He had paused only to regain strength. He had dropped his arms only through an abnormal degree of control. He knew that he could not free himself from the clutch of the fanatic. And so for a moment he stood there, upright, his coat half burned away, his head thrust back to keep as great a distance as he could between his face and the flames that rose from the blackening creature that clung like a growth. To be able to stand for a moment under so horrific a duress – to be able to stand, to take a deep breath, and to relax the muscles of his arms demanded an almost inhuman control of the will and the passions.

The circumstances having gone so far beyond his control there was no longer any question of choice. It was no longer a case of killing Barquentine. It was a case of saving himself. His plans had gone so wildly astray that there was no recovery. He was ablaze.

There was only one thing he could do. Saddled as he was, his limbs were disencumbered. He knew that he had only a few moments in which to act. His head swam and a darkness filled him, but he began to run, his burned hands spread out like starfish at his sides, to run in a dizzy curve of weakness to the far end of the room – to where the night was a square of darkness. For a moment they were there, against the starless sky, lit like demons with their own conflagration, and then, suddenly they were gone. Steerpike had hurdled the window-sill and had fallen with his virulent burden into the black waters of the moat below. There were no stars but the moon like a nail-paring floated unsubstantially in the low north. It cast no light upon the earth.

Deep in the horrible waters of the moat the protagonists, their consciousness having left them, still moved together as one thing like some foul subaqueous beast of allegory. Above them the surface water through which they had fallen was sizzling and steam drifted up invisible through the darkness.

When after what he could only recall as his death, Steerpike, his head having at last risen above the surface, found that he was not alone but that something clung to him below the water, he vomited and of a sudden, howled. But the nightmare continued and there was no answer to his howl. He did not waken. And then the excruciating pains of his burns racked him, and he knew it was no dream.

And then he realized what he must do. He must keep that charred and hairless head which kept bobbing against his breast, he must keep it below the water. But it was not easy for him to fasten upon the wrinkled throat. The mud had been churned up about them, and the burden he carried was, like his own hands, coated with slime. The vile arms clung about him with the tenacity of tentacles. That he did not sink like a stone was a wonder; perhaps it was the thickness of the water, or the violent stamping of his feet in the stagnant depth which helped him to keep afloat for long enough.

But gradually, inexorably, he fought the old head backwards, his fierce hands clenched on the gullet strings – he fought it downwards, down into the black water, while bubbles rose and the thick and slapping sound of the agitated water filled up the hollow of the listening night.

There was no knowing how long the old man’s face remained under water before Steerpike could feel any loosening of the grip at his waist. To the murderer the act of death was endless. But by degrees the lungs had filled with water and the heart had ceased to beat, and the Hereditary Keeper of the Groan lore and Master of Ritual had slid away into the muddy depths of the ancient moat.

The moon was higher in the sky, was surrounded by a sprinkling of stars. It could not be said that they gave light to the walls and towers that flanked the moat, but a kind of dusk was inlaid upon the inky darkness, a dusk in the shape of walls and towers.

Exhausted and in terrible pain, Steerpike had yet to swim on through the scum and duckweed – to swim on until the slimy walls of the moat gave way on the northern side to a muddy bank. It seemed that the walls on his either side were endless. The foul water got into his throat. The vile weeds clung to his face. It was difficult to see more than a few yards ahead; but all at once he realized that the wall upon his right had given way to a steep and muddy bank.

The water had drawn away what clothes the fire had left. He was naked, covered with burns, half drowned, his body shaking with an icy cold, his brow burning with a feverish heat.

Crawling up the bank, not knowing what he was doing, save that he must find some place of neither fire nor water, he came at last to a patch of level mud where a few rank ferns and mudplants flourished, and there, as though (now that his affairs were concluded) he could afford to faint, he collapsed into darkness.

And there he lay motionless, very small and naked on the mud, like something lifeless that had been discarded, or like a fish thrown up by the sea over whose minute and stranded body the great cliffs tower, for the walls of Gormenghast rose high above the moat, soaring like cliffs themselves into the upper darkness.

FORTY

While the dust that lay upon the gaunt back of the castle became warm in the sun, and the birds grew drowsy in the shadows of the towers, and while there was little to hear but the droning of the bees as they hovered over the wastes of ivy – at the same time, in the green hush of noon, the spirit of Gormenghast forest held its breath like a diver. There was no sound. Hour followed hour and all things were asleep or in a state of trance. The trunks of the great oaks were blotched with honey-coloured shadows and the prodigious boughs were stretched like the arms of bygone kings and appeared to be heavy with the weight of their gold bangles, the bracelets of the sun. There seemed to be no end to the gold afternoon and then something fell from a high branch, and the faint swish of the leaves through which it passed awoke the region. The stillness had been for the moment punctured, but the wound healed over almost at once.

What was it that had fallen through the silence? Even the tree-cat would have hesitated to drop so far through the green gloom. But it was no cat, but something human that stood dappled with leaf-shaped shadows, a child, with its thick hair hacked off close to its head and the face freckled like a bird’s egg. The body, slender, indeed thin, appeared, when the child began to move, to be without weight.

The features of her face were quite nondescript – in fact, empty. It was as though she wore a kind of mask, neither pleasant nor unpleasant – something that hid rather than revealed her mind. And yet, at the same time, although by feature there was nothing to remember, nothing distinctive, yet the whole head was so set upon the neck, the neck so perfectly adjusted upon the slender shoulders, and the movements of those three so expressive in their relationship that it seemed that there was not only nothing lacking, but that for the face to have had a life of its own would have ruined the detached and unearthly quality she possessed.

She stood there for a moment, entirely alone in the dreaming oakwoods and began, with strangely rapid movements of her fingers, to pluck the feathers from a missel-thrush which, during her long fall through the foliage, she had snatched from its branch and throttled in her small fierce hand.

FORTY-ONE

Surrounding the outer walls of Gormenghast castle the mud city of the Outer Dwellers lay sprawled in the sun, its thousands of hovels hummocking the earth like molehills. These Dwellers, or Bright Carvers as they were sometimes called, had rituals of their own as sacrosanct as those of the castle itself.

Bitter with poverty and prone to those diseases that thrive on squalor, they were yet a proud though bigoted people. Proud of their traditions, of their power of carving – proud of their very misery, it seemed. For one of their number to have left them and to have become wealthy and famous would have been to them a cause for shame and humiliation. But such a possibility was unthinkable. In their obscurity, their anonymity lay their pride. All else was something lower – saving only the family of the Groans to whom they owed allegiance and under whose patronage they were allowed their hold upon the Outer Walls. When the great sacks of crusts were lowered by ropes from the summit of those Walls, over a thousand at a time making their simultaneous descents, they were received (this time-honoured gesture on the part of the castle) with a kind of derision. It was they, the Bright Carvers, who were honouring the castle; it was they who condescended to unhook the ropes every morning of the year, so that the empty sacks might be hoisted up again. And with every mouthful of these dry crusts (which with the jarl-root of the neighbouring forest composed the beginning and end of their diet) they knew themselves to be conferring an honour upon the castle bakeries.

It was perhaps the pride of the subjugated – a compensatory thing – but it was very real to them. Nor was it built on nothing, for in their carvings alone they showed a genius for colour and for ornament that had no kind of counterpart in the life of the Castle.

Taciturn and bitter as they were in their ancient antipathies yet their hottest enmity was directed, not against any that lived within the outer walls, but against those of their own kind who in any way made light of their own customs. At the heart of their ragged and unconventional life there was an orthodoxy as hard as iron. Their conventions were ice-bound. To move among them for a day without forewarning of their innumerable conventions would be to invite disaster. Side by side with an outrageous lack of the normal physical decencies was an ingrained prudery, vicious and unswervingly cruel.

For a child to be illegitimate was for that child to be loathed, as though it were a diseased thing. Not only this. A bastard babe was feared. There was a strong belief that in some way a love-child was evil. The mother would invariably be ostracized but it was only the babe who was to be feared – it was, in fact, a witch in embryo.

But it was never killed. For to kill, it would be only to kill the body. Its ghost would haunt the killer.

In a lane of flies that wound beneath a curve of the Outer Walls, the dusk began to settle down like pollen. It thickened by degrees until the lane and the irregular roofs of reeds and mud were drowned in it.

Along the wall of the lane or alleyway a line of beggars squatted. It seemed that they were growing out of the dust they sat in. It covered their ankles and their haunches. It was like a dead, grey sea. It was as though the tide were in – a tide of soft dust. It was voluptuously fine and feathery.

And in this common dove-coloured dust, they sat, their backs to the clay walls of a sun-warmed hovel. They had these luxuries, the soft dust and the warm fly-filled air.

As they sat there silently, while the night descended, their eyes were fixed upon those few figures on the other side of the alley, who, their carving over for the day, were gathering up their chisels, rasps and mallets and returning with them to their various huts.

Until a year ago there had been no need for the Bright Carvers to return their sculpture to the safety of their homes. It had remained all night in the open. It was never touched. No, not the meanest vandal of them all would dare to touch or move by an inch the work of another.

But now there was a difference. The carvings were no longer safe. Something horrible had happened. And so the beggars by the wall continued to stare as the removal of the wood sculpture proceeded. It had been going on now for twelve months, evening after evening, but they were not yet used to it. They could not grasp it. All their lives they had known the moonlight on the deserted lanes, and, flanking these lanes the wooden carvings like sentinels at every door. But now, after dark, the heart had gone out of the streets – a vibrancy, a beauty had departed from the alleys.

And so they still watched, at dusk, with a kind of hapless wonder, the younger men as they struggled to return the often massive and weighty horses with their manes like clusters of frozen sea foam – or the dappled gods of Gormenghast forest with their heads so strangely tilted. They watched all this and knew that a blight had come upon the one activity for which the Dwellers lived.

They said nothing, these beggars, but as they sat in the soft dust, there was, at back of each one’s mind, the image of a child. Of an illegitimate child, a pariah, a thing of not yet twelve years old, but a raven, a snake, witch, all the same, a menace to them all and to their carvings.

It had happened first about a year ago, that first midnight attack, secret, silent and of a maliciousness quite terrible.

A great piece of sculpture had been found at dawn, its face in the dust, its body scarred with long jagged knife wounds, and a number of small carvings had been stolen. Since that first evil and silent assault a score of works had been defaced and a hundred carvings stolen, carvings no bigger than a hand, but of a rare craftsmanship, rhythm and colour. There was no doubt as to who it was. It was the Thing. Shunned as a bastard ever since the day of her mother’s suicide, this child had been a thorn in the flesh of the Dwellers. Running wild, like an animal, and as untameable; a thief as though by nature, she was, even before she ran away, a legend, a thing of evil.

She was always alone. It seemed unthinkable that she could be companioned. There was no soft spot in her self-sufficiency. She stole for her food, moving shadowlike in the night, her face utterly expressionless, her limbs as light and rapid as a switch of hazel. Or she would disappear completely for months on end, but then, suddenly return and darting from roof to roof, blister the evening air with sharp cries of derision.

The dwellers cursed the day when the Thing was born; the Thing that could not speak but could run, it was rumoured, up the stem of a branchless tree; could float for a score of yards at a time on the wings of a high wind.

They cursed the mother that bore her – Keda, the dark girl, who had been summoned to the castle and who had fed the infant Titus from her breast. They cursed the mother, they cursed the child – but they were afraid – afraid of the super-natural and were oppressed with a sense of awe – that the tameless Thing should be the foster sister of the Earl, Lord Groan of Gormenghast, Titus the Seventy-seventh.

FORTY-TWO

When Steerpike had come out of his faint and when his consciousness of the horrors through which he had passed returned to him, as they did in a flash of pain, for he was raw with the searings of the fire, he got to his feet like a cripple and staggered through the night until he came at last to the Doctor’s doorway. There, after beating at the door with his feverish forehead, for his hands were scalded, he fainted again where he stood and knew no more until three days later when he found himself staring at the ceiling of a small room with green walls.

For a long while he could recall nothing, but bit by bit the fragments of that violent evening pieced themselves together until he had the whole picture.

He turned his head with difficulty and saw that the door was to his left. To his right was a fireplace, and ahead of him and near the ceiling was a fair sized window over which the blinds were partially drawn. By the dusky look in the sky he guessed it to be either dawn or evening. Part of a tower could be seen through the gap of the curtains, but he could not recognize it. He had no idea in what part of the castle he was lying.

He dropped his eyes and noticed that he was bandaged from head to foot, and as though he needed this reminder, the pain of his burns became more acute. He shut his eyes and tried to breathe evenly.

Barquentine was dead. He had killed him. But now, at the moment when he, Steerpike, should have been indispensable, being the sole confidant of the old custodian of the law, he was lying here inert, helpless, useless. This must be offset, this derangement of his plans, by quick and authoritative action. His body could do little but his brains were active and resourceful.

But there was a difference. His mind was as acute as ever, it is true, but, unknown to himself, there was something that had been added to his temperament, or perhaps it was that something had left him.

His poise had been so shattered that a change had come about – a change that he knew nothing of, for his logical mind was able to reassure him that whatever the magnitude of his blunder in Barquentine’s room, yet the shame was his alone, the mortification was private – he had only lost face to himself for no one had seen the old man’s quickness.

To have been so burned was too high a price to pay for glory. But glory would assuredly be his. The graver his condition the rarer his bravery in attempting to save the old man’s life from the flames. His prestige had suffered nothing, for Barquentine’s mouth was filled with the mud of the moat and could bear no witness.

But there was a change all the same, and when he was woken an hour later by a sound in the room, and when on opening his eyes he saw a flame in the fireplace, he started upright with a cry, the sweat pouring down his face, and his bandaged hands trembled at his sides.

For a long while he lay shuddering. A sensation such as he had never experienced before, a kind of fear was near him, if not on him. He fought it away with all his reserves of undoubted courage. At last he fell again into a fitful sleep, and when some while later he awoke he knew before he opened his eyes that he was not alone.

Dr Prunesquallor was standing at the end of his bed. His back was to Steerpike, his head was tilted up and he was staring through the window at the tower that was now mottled with sunlight and the shadows of flying clouds. The morning had come.

Steerpike opened his eyes and on seeing the Doctor, closed them again. In a moment or two he had decided what to do and turning his head to and fro slowly on the pillow, as though in restless sleep –

‘I tried to save you,’ he whispered, ‘O Master, I tried to save you,’ and then he moaned.

Prunesquallor turned around on his heel. His bizarre and chiselled face was without that drollery of expression which was so typical of him. His lips were set.

‘You tried to save who?’ said Prunesquallor very sharply as though to elicit some involuntary reply from the sleeping figure.

But Steerpike made a confused sound in his throat, and then in a stronger voice …

‘I tried … I tried.’

He turned again on the pillow and then as though this had awakened him he opened his eyes.

For a few moments he stared quite blankly and then –

‘Doctor,’ he said, ‘I couldn’t hold him.’

Prunesquallor made no immediate reply but took the swathed creature’s pulse – listened to the heart and then after a while – ‘You will tell me about it tomorrow,’ he said.

‘Doctor,’ said Steerpike, ‘I would rather tell you now. I am weak and I can only whisper, but I know where Barquentine is. He lies dead in the mud outside the window of his room.’

‘And how did he get there, Master Steerpike?’

‘I will tell you.’ Steerpike lifted his eyes, loathing the bland physician – loathing him with an irrational intensity. It was as though his power of hatred had drawn fresh fuel from the death of Barquentine. But his voice was meek enough.

‘I will tell you, Doctor,’ he whispered. ‘I will tell you all I know.’ His head fell back on the pillow and he closed his eyes.

‘Yesterday, or last week, or a month ago, for I do not know how long I have been lying here insensible – I entered Barquentine’s room about eight o’clock, which was my habit every evening. It was at that hour that he would give me my orders for the next day. He was sitting on his high chair and as I entered he was lighting a candlestick. I do not know why but he started at my entrance, as though I had surprised him, but when he turned his head back again, after cursing me – but he meant no harm to me for all his irritability – he misjudged his distance from the flame, his beard swept across it and a moment later was alight. I rushed to him but his hair and clothing had already caught. There were no rugs or curtains in the room with which to smother the fire. There was no water. But I beat the flames with my hands. But the fire grew fiercer and in his pain and panic he caught hold of me and I began to burn.’

The pupils of the young man’s dark eyes dilated as he recounted the partial fabrication, for Barquentine’s grip upon him had been no dream, and his brow began to sweat again, and a terrible authenticity appeared to give weight to his words.

‘I could not escape, Doctor; I was caught and held against his burning body. Every moment the fire grew fiercer – and my burns more terrible. There was only one thing I could do to get away. I knew I must reach the water that lay below his window. And so I ran. I ran with his arm gripping me. I ran to the window and jumped into the moat – and there in the cold black water, his hands at last gave way. I could not hold him up. It was all I could do to reach the side of the moat, and there, I think I fainted – and when I came round, I found I was naked and I came to your door … but the moat must be dragged and the old man must be found … in the name of decency he must be found and given a true burial. It is for me to carry on his work. I … I … cannot tell … you more … I am … not …’

He turned his head on the pillow, and in spite of his pains fell asleep. He had played his card and could afford to rest.

FORTY-THREE

‘My dear,’ said Bellgrove, ‘it is surely not for your betrothed to be kept waiting quite so long even though he is only the Headmaster of Gormenghast. Why on earth must you always be so late? Good grief, Irma, it isn’t as though I’m a green youth who finds it romantic to be drizzled on by the stinking sky. Where have you been for pity’s sake?’

‘I am inclined not to answer you!’ cried Irma. ‘The humiliation of it! Is it nothing to you that I should take a pride in my appearance – that I should make myself beautiful for you? You man, you. It breaks one’s heart.’

‘I do not complain lightly, my love,’ replied Bellgrove. ‘As I say, I cannot stand bad weather like a younger man. This was your idea of a place of rendezvous. It could hardly have been worse chosen, with not so much as a shrub to squat under. Rheumatism is on its way. My feet are soaked. And why? Because my fiancée, Irma Prunesquallor, a lady of quite exceptional talents in other directions – they always are in other directions – who has the entire day in which to pluck at her eyebrows, harvest her sheaves of long grey hair, and so on, cannot organize herself – or else has grown shall we say casual in regard to her suitor? Shall we say casual, my dear?’

‘Never!’ cried Irma. ‘O never! my dear one. It is only my longing that you should find me worthy that keeps me at my toilet. O my dearest, you must forgive me. You must forgive me.’

Bellgrove gathered his gown about him in great swathes. He had been staring into the gloomy sky while he had spoken but now, at last he turned his noble face to her. The landscape all about them was hazy with rain. The nearest tree was a grey blur two fields away.

‘You ask me to forgive you,’ said Bellgrove. He closed his eyes. ‘And so I do, and so I do. But remember, Irma, that a punctual wife would please me. Perhaps you could practise a little so that when the time comes I will have nothing to complain of. And now, we will forget about it, shall we?’

He turned his head from her, for he had not yet learned to admonish her without grinning weakly with the joy of it. And so, with his face averted, he bared his rotten teeth at a distant hedgerow.

She took his arm and they began to walk.

‘My dear one,’ she said.

‘My love?’ said Bellgrove.

‘It is my turn to complain, is it not?’

‘It is your turn, my love!’ (He lifted his leonine head and shook the rain happily from his mane.)

‘You won’t be cross, dear?’

He raised his eyebrows and closed his eyes.

‘I will not be cross, Irma. What is it that you wish to say?’

‘It’s your neck, dearest.’

‘My neck? What of it!’

‘It is very dirty, dear one. It has been for weeks … do you think …’

But Bellgrove had stiffened at her side. He bared his teeth in a snarl of impotence.

‘O stinking hell,’ he muttered. ‘O stinking, rotten hell.’

FORTY-FOUR

Mr Flay had been sitting for over an hour at the entrance to his cave. The air was breathless and the three small clouds in the soft grey sky had been there all day.

His beard had grown very long and his hair that was once cropped close to the skull was now upon his shoulders. His skin had darkened with the sun and the last few years of hardship had brought new lines to his face.

He was by now a part of the woods, his eyesight sharp as a bird’s, and his hearing as quick. His footsteps had become noiseless. The cracking of his knee joints had disappeared. Perhaps the heat of the summer had baked the trouble out of them for his clothes being as ragged as foliage his knees were for the most part bare to the sun.

He must surely have been made for the woods, so congruously had he become dissolved into a world of branches, ferns and streams. And yet for all his mastery of the woods, for all that he had been absorbed into the wilderness of the endless trees, as though he were but another branch – for all this, his thoughts were never far from that gaunt pile of masonry that, ruinous and forbidding as it was, was nevertheless, the only home he had ever known.

But Flay, for all his longing to return to his birthplace was no sentimentalist in exile. His thoughts when they turned to the castle were by no means in the nature of reveries. They were hard, uneasy, speculative thoughts which far from returning to his early memories of the place were concerned with the nature of things as they were. No less than Barquentine he was a traditionalist to his marrow. He knew in his heart that things were going wrong.

What chance had he had of taking the pulse of the halls and towers? Apart from the marshlight of his intuition and the native gloom of his temperament, on what else was he basing his suspicions? Was it merely his ingrained pessimism and the fear which had understandably grown stronger since his banishment, that, with himself away, the castle was the weaker?

It was this, and very little more. And yet had his fears been mere speculations he would never have made, during the last twenty days, his three unlawful journeys. For he had moved through the midnight corridors of the place – and although as yet he had made no concrete discoveries, he had become aware almost at once of a change. Something had happened, or something was happening which was evil and subversive.

He knew full well that the risks involved in his being found in the castle after his banishment were acute, and that his chances of discovering in the darkness of sleeping halls and corridors, the cause of his apprehension, was remote indeed. Yet he had dared to flaunt the letter of the Groan law in order, in his solitary way, to find whether or not its spirit, as he feared, was sickening.

And now, as he sat half hidden among the ferns that grew at the door of his cave, turning over in his mind those incidents that had in one way or another, over the past years, caused his suspicions of foul play to fructify, he was suddenly aware that he was being watched.

He had heard no sound, but the extra sense he had developed in the woods gave warning. It was as though something had tapped him between his shoulder-blades.

Instantly his eyes swept the scene before him and he saw them at once, standing motionlessly at the edge of a wood away to his right. He recognized them instantaneously although the girl had grown almost out of recognition. Was it possible that they did not recognize him? There was no doubt that they were staring at him. He had forgotten how different he must look, especially to Fuchsia, with his long hair, his beard and ragged clothes.

But now, as they began to run in his direction, he stood up and began to make his way towards them over the rocks.

It was Fuchsia who first recognized the gaunt exile. Just over twenty years old, she stood there before him, a swarthy, strangely melancholy girl, full of love and fear and courage and anger and tenderness. These things were so raw in her breast that it seemed unfair that anyone should be so hotly charged.

To Flay, she was a revelation. Whenever he had thought of her it had always been as a child, and here suddenly she stood before him, a woman, flushed, excited, her eyes upon his face, her hands upon her hips, as she regained her breath.

Mr Flay lowered his head in deference to his visitor.

‘Ladyship,’ he said – but before Fuchsia could answer Titus came up, his hair in his eyes.

‘I told you!’ he panted. ‘I told you I’d find him! I told you he had a beard and there’s the dam he made and there’s his cave over there and that’s where I slept and where we cooked and …’ he paused for breath, and then … ‘Hullo, Mr Flay. You look wonderful and wild!’

‘Ah!’ said Flay. ‘Most likely, lordship, ragged life and no doubt of it. More days than dinners, lordship.’

‘Oh, Mr Flay,’ said Fuchsia. ‘I am so happy to see you again – you were always so kind to me. Are you all right out here, all alone?’

‘Of course he’s all right!’ said Titus. ‘He’s a sort of savage. Aren’t you Mr Flay?’

‘Like enough, lordship,’ said Flay.

‘O, you were too small and you can’t remember, Titus,’ said Fuchsia. ‘I remember it all. Mr Flay was father’s first servant – above them all, weren’t you, Mr Flay – until he disappeared …’

‘I know,’ said Titus. ‘I’ve heard it all in Bellgrove’s class – they told me all about it.’

‘They don’t know anything,’ said Flay. ‘They don’t know anything, ladyship.’ He had turned to Fuchsia and then, dropping his head forward again, ‘Humbly invite you to my cave,’ he said, ‘for rest, for shade and fresh water.’

Mr Flay led the way to his cave, and when they had passed through the entrance and Fuchsia had been shown the double chimney and they had drunk deeply from the spring, for they were hot and thirsty, Titus lay down under the ferny wall of the inner cave and their ragged host sat a little way apart. His arms were folded about his shanks; his bearded chin was on his knees – while his gaze was fixed upon Fuchsia.

She, on her side, while noticing his childlike scrutiny, gave him no cause to feel embarrassed, for she smiled when their eyes met, but kept her gaze wandering about the walls and ceiling, or turning to Titus asked him whether he had noticed this or that on his last visit.

But a time came when a silence fell upon the cave. It was the kind of silence that becomes hard to break. But it was broken in the end, and, strangely enough, by Mr Flay himself, the least forthcoming of the three.

‘Ladyship … Lordship,’ he said.

‘Yes, Mr Flay?’ said Fuchsia.

‘Been away, banished, many years, ladyship,’ he opened his hard-lipped mouth as though to continue, but had to close it again for the lack of a phrase. But after a while he commenced again. ‘Lost touch, Lady Fuchsia, but forgive me – must ask you questions.’

‘Of course, Mr Flay, what sort of questions?’

‘I know the sort,’ said Titus – ‘about what’s happened since I was last here and what’s been discovered, isn’t it, Mr Flay? And about Barquentine’s being dead and …’

‘Barquentine dead?’ Flay’s voice was sudden and hard.

‘Oh yes,’ said Titus. ‘He was burned to death, you know, wasn’t he, Fuchsia?’

‘Yes, Mr Flay. Steerpike tried to save him.’

‘Steerpike?’ muttered the long, ragged, motionless figure.

‘Yes,’ said Fuchsia. ‘He is very ill. I’ve been to see him.’

‘You haven’t!’ said Titus.

‘I certainly have and I shall go again. His burns are terrible.’

‘I don’t want you to see him,’ said Titus.

‘Why not?’ the blood was beginning to mount to her cheeks.

‘Because he’s …’

But Fuchsia interrupted him.

‘What … do … you … know … about … him?’ she said very softly and slowly, but with a shake in her voice – ‘Is it a crime for him to be more brilliant than we could ever be? Is it his fault that he is disfigured?’ And then in a rush – ‘or that he’s so brave?’

She turned her eyes to her brother and seeing there, in his features something infinitely close to her, something that seemed to be a reflection of her own heart, or as though she was looking into her own eyes –

‘I’m sorry,’ she said, ‘but don’t let’s talk about him.’

But this is just what Flay wanted to do. ‘Ladyship,’ he said. ‘Barquentine’s son – does he understand – has he been trained – Warden of the Documents – Keeper of the Groan law – is all well?’

‘No one can find his son, or whether he ever had a son,’ said Fuchsia. ‘But all is well. For several years now Barquentine has been training Steerpike.’

Flay rose suddenly to his feet as though some invisible cord had plucked at him from above, and as he rose he turned his head to hide his anger.

‘No! No!’ he cried to himself, but there was no sound. Then he spoke over his shoulder.

‘But Steerpike is ill, ladyship?’

Fuchsia stared up at him. Neither she nor Titus could understand why he had suddenly got to his feet.

‘Yes,’ said Fuchsia. ‘He was burned when he tried to save Barquentine who was on fire – and he’s been in bed for months.’

‘How much longer, ladyship?’

‘The doctor says he can get up in a week.’

‘But the Ritual! The instructions; who has given them? Who has directed the Procedure – day by day – interpreted the Documents – O God!’ said Flay, suddenly unable to control himself any longer. ‘Who has made the symbols come to life? Who has turned the wheels of Gormenghast?’

‘It is all right, Mr Flay. It’s all right. He does not spare himself. He was not trained for nothing. He is covered in bandages but he directs everything. And all from his sickbed. Every morning. Thirty or forty men are there at a time. He interviews them all. Hundreds of books are at his side – and the walls are covered with maps and diagrams. There is no one else who can do it. He is working all the time, while he lies there. He is working with his brain.’

But Flay struck his hand against the wall of the cave as though to let out his anger.

‘No! No!’ he said. ‘He’s no Master of Ritual, ladyship, not for always. No love, ladyship, no love for Gormenghast.’

‘I wish there wasn’t any Master of Ritual,’ said Titus.

‘Lordship,’ said Flay after a pause, ‘you are only a boy. No knowledge. But you will learn from Gormenghast. Sourdust and Barquentine, both burned up,’ he continued, hardly knowing that he spoke aloud … ‘father and son … father and son …’

‘Maybe I’m only a boy,’ said Titus hotly, ‘but if you know how we’ve come here today, by the secret passage under the ground (which I found by myself, didn’t I, Fuchsia?) then …’ but Titus had to stop for the sentence was too involved for him.

‘But do you know,’ he continued, starting afresh, ‘we’ve been in the dark, with candles, sometimes crawling but mostly walking all the way from the castle, except for the last mile where the tunnel comes out, only you’d never know it, under a bank, like the mouth of a badger’s set – not too far from here on the other side of the wood where you first saw us, so it was difficult to find your cave, Mr Flay, because last time I came was mostly on horseback and then through the oakwood – and, O Mr Flay, was it a dream or did I really see a flying thing and did I tell you about it? I sometimes think it was a dream.’

‘So it was,’ said Flay. ‘Nightmare; and no doubt of it.’ He seemed to have no desire to talk to Titus about the ‘flying thing’.

‘Secret tunnel to the castle, lordship?’

‘Yes,’ said Titus, ‘secret and black and smelling of earth and sometimes there are beams of wood to keep the roof up and ants everywhere.’

Flay turned his eyes to Fuchsia as though for confirmation.

‘It’s true,’ said Fuchsia.

‘And close by, ladyship?’

‘Yes,’ said Fuchsia. ‘In the woods across the near valley. That’s where the tunnel comes out.’

Flay stared at them both in turn. The news of the underground passage seemed to have had a great effect on him, although they could not think why – for although to them it had been a very real and forbidding adventure, yet from bitter experience they knew that what was wonderful to them was usually of little interest to the adult world.

But Mr Flay was hungry for every detail.

‘Where did the passage start from within the castle? Had they been seen in the corridor of statues? Could they find their way back to this corridor when the tunnel opened out into that silent and lifeless world of halls and passageways? Could they take him to the bank in the wood where the tunnel ended?’

Of course they could. At once – and thrilled that a grownup, for Fuchsia never thought of herself as one, could be as excited by their discovery as they were themselves – they were soon on their way to the wood.

Flay had almost at once seen more in their discovery than Fuchsia and Titus could have guessed. If it were so, that within a few minutes of his cave, there was, as it were, for Flay, an open door that led into the heart of his ancient home a road which he could tread, if he wished, when the broad daylight lay upon the woods and fields five feet above his head, then surely his power to root out whatever evil was lurking in Gormenghast, to trace it to its source, was enormously increased. For it had been no easy thing to enter the castle unobserved and to make, sometimes by moonlight, those long journeys above ground from his cave to the Outer Walls, and from them across the quadrangles and open spaces to the inner buildings and the particular rooms and passageways he had in mind.

But if what they said was true, he would, at any time of the day or night, be able to emerge from behind that statue in the corridor of carvings, to find the gaunt anatomy of the place laid bare about him.

FORTY-FIVE

The days flowed on, and the walls of Gormenghast grew chill to the touch as the summer gave way to autumn, and autumn to a winter both dark and icy. For long periods of time the winds blew night and day, smashing the glass of windows, dislodging masonry, whistling and roaring between towers and chimneys and over the castle’s back.

And then, no less awesome, the wind would suddenly drop and silence would grip the domain. A silence that was unbreakable, for the bark of a dog, or the sudden clang of a pail, or the far cry of a boy seemed only real in that they accentuated the universal stillness through which, for a moment, they rose, like the heads of fish, from freezing water – only to sink again and to leave no trace.

In January the snow came down in such a way that those who watched it from behind countless windows could no longer believe in the sharper shapes that lay under the blurred pall, or the colours that were sunk in the darkness of that whiteness. The air itself was smothered with flakes the size of a child’s fist, and the terrain bulged with the submerged features of a landscape half-remembered.

In the wide, white fields that surrounded the castle, the birds lay dead or leaned sideways stiffening for death. Here and there was the movement of a bird limping, or the last frantic fluttering of a small ice-gummed wing.

From the castle windows it seemed that the dazzling snow had been scattered with small coals, or that the fields had become smallpox’d with the winter-murder’d hosts. There was no clear stretch of snow untriturated by this widespread death; no drift without its graveyard.

Against the blind brilliance of their background, the birds, whatever their natural plumage, appeared as black as jet, and differed only in their silhouette, whose meticulous contours might have been scored with a needle so exquisite was the drawing of their beaks, like thorns, the hairs of their feathers, their delicate claws and heads.

It seemed that, upon the vast funeral linen of the snowscape, each bird of all these hosts had signed, with an exquisite and tragic artistry, the proof of its own death, had signed it in a language at once undecipherable and eloquent – a hieroglyphic of fantastic beauty.

And the snow that had killed them, covered them; covered them with a touch that was the more terrible for its very tenderness. But for all its layer on layer of blinding powder, there were always birds upon the point of death – always this scattered, jet-black multitude. And on every side there were still those that limped, or stood shivering, or pushed their agonizing way, breast deep through the voluminous and lethal pall, leaving behind them their little trenches in the snow to show where they had been.

And yet, for all this mortality, the castle was full of birds. The Countess, her heart heavy in the knowledge of so much thirst and pain, had taken every opportunity to encourage the wildfowl to enter. No sooner had the ice formed in the hundreds of baths and basins set about the castle than it was broken again. Meat, bread crumbs and grain were laid in trails to encourage the birds to enter the warmer air within the castle. And yet, in spite of these enticements (and, fearless with hunger, thousands of birds, including owls, heron and even birds of prey were to be found within the walls), the castle was yet surrounded with the dead and dying. The severity of the weather had made of the castle a focal point. Not only had the bird-life of the immediate region been drawn to Gormenghast, but the forests and moors of far distant places had become empty. The sheer numbers of these migratory birds, descending snow-blind, famished and deadly weary upon the castle – descending hourly, out of the snow-thick sky, was sufficient for so great a death-roll, even though Gormenghast was open sanctuary.

The Countess had proclaimed (to the great inconvenience of those concerned) the dining-hall to be their hospital. There, huge, red-haired and solitary, she moved among them, nursing them back to strength. Branches of trees were brought in and propped against the walls. The tables were turned upside down so that those birds that cared to, could perch upon the upturned legs. After some while the place was loud with birdsong, with the strident shouting of crows and jackdaws, and with a hundred various thin or mellow voices.

What birds could be saved from the snow were saved, but it lay too deep and soft for it to be possible for any rescuing beyond the reach of an outstretched hand from a low window.

For a month or more the castle was snowbound. A number of the doors that opened on the outside world had been broken by the piled up weight. Of those that stood the strain, none were usable. Lights burned everywhere within the walls of Gormenghast, for every window was either boarded up or heavily coated.

What Mr Flay would have done had the underground tunnel never been discovered, or had Titus never told him of it, it is hard to say. The drifts about his cave were of such dangerous and voluminous dimensions, that it is doubtful whether he could have escaped being drawn sooner or later out of his depth. Apart from this, his chances of surviving the cruel cold, and of keeping himself from starving, would have been slender, for all his knowledge.

But all these problems were solved by the existence of the tunnel. It was now a commonplace for him to make his way, a candle in his hand, along its earth-smelling length, with its miles of roots and its floor littered with the skulls and bones of small animals. For many parts of the tunnel had been the retreat of foxes, rodents and vermin of all kinds. It had been used both as a refuge from such weather as they were now experiencing and from their foes. His candle, held at arm’s length before him, would light up familiar root formations that told him of a spinney overhead, or would disclose the secret cities of the ants.

Free of snow and invaluable as it was as a means of gaining access to the castle, yet the darkness was foul with death and decay, and there was no cause for Flay to linger on those long and friendless journeys below ground.

On the first occasion that he had emerged at the castle end of the tunnel and had followed the passageway and had come upon the outskirts of that region of lifeless halls and corridors, and when he had moved further into the silence, as Titus had done, he had felt something of the awe that had so terrified the boy and he had lifted his bony shoulders up to his ears and thrust his jaw forward as his eyes turned this way and that as though he were being threatened by some invisible foe.

But when after a dozen daylight journeys he had explored a section of the deserted tract to his satisfaction, he retained no vestige of the apprehension that first affected him.

On the contrary, he began to make the silent halls peculiarly his own, in the way that he had unconsciously identified himself with the mood of Gormenghast forest.

It was not in his nature to proceed hot-foot upon his quest for the castle’s evil. These things could not be hurried. He must establish his position as he went along.

And so (after he had found the few steps that led up to the rear of the monument in the corridors of carvings), he confined his midnight journeys, for the first few weeks, to discovering what changes had taken place since he was last in Gormenghast, in the nocturnal habits of the populace. His life in the woods had taught him patience and had made even more remarkable that power, which he had always had, of losing himself against his background. Saving for broad daylight he had no need to hide; he had only to stand still and he was absorbed into a wall, into a shadow or into rotten wood-work. When he lowered his head, his hair and beard were but another cobweb in the gloom, and his rags the sunless hart’s-tongue that flourished in the dank grey corridors.

It was a strange experience for him to watch, from one point of vantage or another, the familiar faces he had once known so well. Sometimes they would pass within a few feet of him, some a little older, some a little younger, some a little different from what he remembered; others, who were youths or boys when he was exiled, now hardly recognizable.

But for all his ability to conceal himself, he took no risks, and it was a long time before he made his long midnight journeys of reconnaissance and began to discover where almost everyone of interest to him was likely to be found at various hours of the day or night.

His late master’s room had never been opened since his death. Flay had noticed this with grim approval. He had gazed down at the floor outside Sepulchrave’s door, where, for over twenty years, he stretched himself for sleep. And he had looked along the corridor and the dreadful night returned to his mind – the night when the earl had walked in his sleep, and had later given himself up to the owls – and the night when he, Flay, had fought the chef of Gormenghast and put him to the sword.

And Flay was forced to turn himself into both a thief and a hoarder. This gave him little pleasure, but was necessary in order that he should keep alive at all. Within a short time he had discovered how to enter the cat-room through the door of a loft, and to arrive at the kitchen by way of the Stone Lanes.

It had become an absurdity for him to make his return journey every morning along the tunnel and to spend the day in his cave. There was little he could do at the cave surrounded as it was with the deep snow-drifts. He could neither hunt for food nor gather enough fuel with which to warm himself. But in the Lifeless Halls there was all that he needed.

He had come across a small room, voluptuously soft with dust; a small, square place with a carved mantelpiece and an open grate. There were several chairs, a bookcase and a walnut table on which, beneath the dust, the silver, glass and crockery were laid out for two.

It was here that Flay established himself. His larder consisted of little more than bread and meat, fresh supplies of which were always plentiful in the Great Kitchen.

He took no advantage of the ample opportunities he had to vary his diet. As for his drinking water, it was only necessary for him to make his way at any hour after midnight and dip his iron can into the rain-water of a near-by cistern.

Judging by the distances he had to cover during his journeys to and fro among the empty halls, and judging in particular by the distance between the room with the fireplace and the opening in the corridor of carvings (the only entrance he had found to the world he had previously known), he knew that lighting fires in his room involved no risk. Had smoke, for sake of argument been seen to rise into the air above a forgotten tract of the castle and were it to have caused any interest, it would have been as easy for the hypothetical observer to have found the chimney and then to have found a way into the compartment, fathoms below, as for a frog to play the fiddle.

There, on the bitter winter evenings, Mr Flay enjoyed a comfort he had never experienced before. Had his exile in the woods not inured him to loneliness, then he must surely have found these long days insupportable. But isolation was now a part of him.

The silence of the Lifeless Halls, like the silence of the snow-bound world outside, was limitless. It was a kind of death. The very extent of the hollow expanses, the uncharted labyrinth that made, as it were, the silence visible, was something to raise the hairs upon the neck of any but those long used to loneliness. And Mr Flay, in spite of his numerous expeditions through this dead world, this forgotten realm of Gormenghast, was nevertheless unable to locate its boundaries. It is true that after a long search, guided to some extent by Titus’ instructions, he had found the steps that led up the corridor of carvings, but save for this and the few locked doors through which he had heard voices, he had found no other frontier points between his world and theirs.

But in the small hours of one morning, as he returned to his room after a raid upon the kitchen, something happened which turned the rest of his winter into something less isolated but more terrible. He had left the corridor of carvings a mile or more behind, and was deep in his own realm, when he decided that instead of taking his usual path along the narrow and extended passageway to the east, he would explore an alternative corridor which, he imagined, would in its own good time lead to his own district.

As he proceeded he made, upon the wall, following his usual custom, the rough marks with white chalk which had more than once helped him to find his way back to familiar ground.

After about an hour of twisting and turning, of crossing the open junctions of radiating alleyways, of making a hundred arbitrary choices between this entrance and that, this winding descent and that cold incline to a wider passageway – he began to sweat with fear at the very thought of having taken no precautions for his return journey. He knew that he would never have found his way back without the chalk marks. Suddenly he began to feel hungry. At the same time, noticing that his candle was burning low, he drew another from the half-dozen or more that were always in his belt, and sitting down on the floor, placed his freshly lit candle carefully on the ground before him, and opening a long, narrow-bladed knife, began to cut himself a slice of bread.

To his right and left the darkness was as thick as ink. He sat illumined within the aura of candle flame, his face and rags and hands and hair dramatically lit. Behind him on the wall his shadow hovered heavily. He had stretched out his legs before him and was about to sink his teeth for the second time into the bread when he heard the peal of laughter.

Had it not been for its terrible strength and for the fact that it came from behind him – from the other side of the wall against which he leaned – he would have had no option but to recognize it as a cry of madness in his own brain – something that he had heard with the ears of his mind.

But there was no question of this. It had nothing to do with him, or his imagination; he was not mad. But he knew that he was in the presence of madness. For the demoniacal cry or howl was something that brought Flay to his feet as though he were drawn upwards on a fish-hook – something that took him, without his knowing that he had moved, to the opposite side of the passage where, flattened against the wall as though at bay, and with his head lowered he stared at the cold bricks against which he had been leaning, as though the wall itself were affected by the lunacy it was hiding and was watching him, its every brick deranged.

Mr Flay could hear his sweat splashing on the stones at his feet. His mouth was leather-dry. His heart was thumping like a drum. And he had nothing to see. Only the candlelight shining steadily at the base of the opposite wall.

And then it came again, with a kind of double note – almost as though, whatever throat it was that was giving vent to this ghastly laughter, was curiously formed – as though it were able to throw out two voices at once.

There was no question of an echo for there was no repetition and no overlapping – but a kind of duplex horror.

This time, the high pealing note tailed off into a thin whine, but even in this ghostly termination there was the two-fold quality, the terrible, petrifying sense of double madness.

For some while after silence had returned, Mr Flay could not move. He had been struck. His sense of privacy had been shattered; his inability to rationalize and make sense out of the small hours was like an insult, an insult hurled against his narrow but proud mind. And his fear, his naked fear of something he could not see, but something which was within a few yards of him – it was this that froze his limbs.

But the silence continued and there was no repetition, and at last he picked the candle from the floor, and with more than one glance behind him, he moved rapidly back the way he had come, following the chalk marks until at last he arrived at the fateful parting of the ways. Thereafter he was on his own ground and he strode it without hesitation until he arrived at his room.

It was, of course, impossible to let the matter rest. The enigmatic horror of that laughter was with him all the time, and no sooner had the sun risen on the following day than the grim place drew him. It was not that he wished to indulge himself with the vile thrill of a repetition, but rather that the mystery should be brought forward into the rational daylight, and that whatever it was, beast or human, it must stand revealed, for his deepest interests were those of the onetime first servant of Gormenghast – of a loyalist who could not bear to think that in the ancient castle there were forces or elements at work, happenings that were apart from the ceremonial life, secrets and practices that, for all he knew, were deadly poison in the castle’s body.

It was his intention to explore further along the terrifying passage and if possible to double back down some parallel artery when opportunity offered, and so discover if he could, some clue to what lay on the other side of the wall.

And this is what he did but with no success. Day after day he threaded his way through the cold brick lanes crossing and recrossing his own tracks, losing himself a score of times a day – returning over and over again to the original corridor for reference – unable to comprehend the tortuous character of the architecture. Every now and again, on returning to the place where he had heard the wild laughter he listened, but there was never any sound but the beating of his own heart.

There seemed no other way for him but to come again to that dread place, not in the daylight, but at the selfsame time as before, when the small hours of the morning sucked the courage from heart and limb. If he should hear it again, that crazed laughter, and if it was repeated and repeated, then with that sound to guide him it was possible that he could run to earth, in the darkness, what had foiled him by day.

And so, fighting down his terror, he set out in the icy blackness of the early hours. He came eventually to the brick corridor; and when he was still some distance away he heard a sound of crying and shouting. And when he was nearer still, a loud calling to and fro, as if something was calling to itself for it seemed to be the same voice that was answering.

But there was fear in the voice, or voices, and what struck Mr Flay most, as he listened with his ear to the wall, was that the cries were weaker than before. Whatever it was that cried had lost a lot of strength. But it was in vain that he tried to trace the sounds to their source. His questings through those same mazes of masonry that he had searched by daylight were fruitless. Directly he had left the corridor, the silence came down like an impalpable weight and the sharpness of his hearing was of no avail.

Again and again he did all in his power to locate the suffering creature, for Flay had begun to realize that it was nearing the end of its strength. It was not so much terror that he now felt as a blind pity. A pity that drew him to the place night after night. It was as though he had this nameless tragedy upon his conscience; as though his being there to listen to the weakening voice, was in some way helpful. He knew that this was not so, but he could not keep away.

The night came when for all his listening there was no sound, and from that time onwards the silence remained unbroken.

He knew that in some way the end had come to some demented thing. What it was that had laughed with that double note, that had cried out and answered itself with the same flat and terrible voice, he never knew. He never knew that he was the last to hear the voices of their ladyships Cora and Clarice, nor that he had been within a few feet of those apartments into which they had once been lured. He never knew that behind the locked doors of this place of incarceration the Twins had languished, their brains losing what grip they had, their madness mounting, until, when their provisions began to fail them, and Steerpike no longer came, they knew that death was on his way.

When weakness overpowered them they lay down side by side and staring at the ceiling, they died at the same moment, on the other side of the wall.

FORTY-SIX

While Flay, in his wilderness of hollow halls, was brooding upon the shock he had sustained, and fretting at its insoluble nature, Steerpike, now up and about once more, was losing no time in establishing his position as Master of Ritual. He was under no illusions as to what the reaction of the castle would be, when it became borne in upon them that he was performing no stop-gap office. To neither be old, nor to be the son of Barquentine, nor one of the accepted school of hierophants, nor indeed to have any claim upon the title, save that of being the only disciple of the drowned cripple’s, and of having the brains to perform the onerous office, was an anything but encouraging inception.

Nor was he, physically, any longer personable. His hunched shoulders, his pallor, his dark-red eyes had never encouraged intimacy even supposing he had ever courted it. But now, how much the more so was he likely to be shunned, even in a society that laid no claim to beauty.

The burns upon his face and neck and hands were there to stay. Only the worms could put an end to them. The effect of the face was of something skewbald; the taut crimson tissue, forming fiery patterns against the wax-like pallor of his skin. His hands were blood-red and silky; their creases and wrinkles like those on the hand of a monkey.

And yet he knew, that although he created a natural revulsion among those about him, the reason for his disfigurement stood in his favour. It was he who had (as far as the castle knew) risked his life to save the hereditary Master. It was he who had suffered delirium and excruciating pain because he had had the courage to try and wrest from death’s grip a keystone of the Gormenghast tradition. How, in that case, could his diabolical appearance be held against him?

And what is more he knew, however prejudiced his opponents might be, that in the end they had no option but to accept him, in spite of his burns, his background, and the unproven rumours which he knew were in constant circulation – to accept him, for the simple reason that there was no one else with the necessary knowledge at his fingertips. Barquentine had divulged his secrets to no one else. The very tomes of cross-reference would have been beyond the powers of even the most intelligent of men to comprehend, unless, as a preliminary, he were schooled to the symbols involved. The principle upon which the arrangement of the library was based was, in itself, something which had taken Steerpike a year to unravel, even with Barquentine’s irritable guidance.

But cunningly and by slow degrees, as he went about his work, he evoked a grudging acceptance and even a kind of bitter admiration. By not so much as a hair’s breadth did he deviate from those thousand letters of the Groan law, that day by day in one form of ritual or another, were made manifest. With every evening he knew himself more deeply entrenched.

His miscalculation over Barquentine’s murder had been unforgivable and he did not forgive himself. It was not so much what had happened to his body that galled him, but that he should ever have blundered. His mind, always compassionless, was now an icicle – sharp, lucent and frigid. From now onwards he had no other purpose than to hold the castle ever more tightly in the scalded palm of his hand. He knew that his every step must be taken with the utmost precaution. That although, on the face of it, the life of Gormenghast was, in spite of its rigid tradition, a dark and shambling affair, yet there was always this consciousness beneath the surface; there were those that watched and there were those that listened. He knew that in order to fulfil his dreams he must devote, if necessary, the next ten years to the consolidation of his position, taking no risk, learning all the while, and building up a reputation not only as an authority on all that pertained to the traditions of the place, but as someone who, indefatigable in his zeal, was nevertheless difficult to approach. This would both leave what free time he had for his own purposes, and help to create for himself the legend of a saint, someone removed, someone beyond questioning, for whom, in his early days, the tests of fire and water had not been too terrible to endure when the soul of Gormenghast was in jeopardy.

The years lay spread before him. To the younger generation he would be a kind of god. But it was now in the diligence and exactness of his offices that he must carve for himself the throne that he would one day occupy.

For all the evil of his early years he knew that, though from time to time he had been suspected of insurrection and worse, yet now with his feet well set upon the gold road of advancement, he was (with the darkest of his deeds but a week or two behind him) as free as ever he had been from any question of being unmasked.

He was now close upon twenty-five years old. The fire that had mottled his face had taken no lasting toll of his strength. He was now as wiry and tireless as before the catastrophe. He whistled to himself, between his teeth, tunelessly as he stood at the window of his room and stared out across the snow.

It was mid-day. Against a dark sky, Gormenghast Mountain, for all its ruggedness, was swathed as white as wool. Steerpike stared through it. In a quarter of an hour he would be on his way to the stables, where the horses would be lined up for his inspection. It being the anniversary of the death of a nephew of the fifty-third Countess of Groan, in his day a daring horseman, he would see that the grooms were in mourning and that the traditional equine masks were being worn at the correct angle of dejection.

He held up his hands and placed them before him against the window pane. Then he spread them out like starfish, and examined his nails. Between the scarlet fingers and all about them was the white of the distant snow. It was as though he had placed his hand upon white paper. Then he turned and crossed the room to where his cape was folded over the back of a chair. When he had left the room and had turned the key and was on his way down the stairway, his mind turned for a moment to the Twins. It had been an untidy business in many ways, but perhaps it was as well that circumstances beyond his control had forced the solution. Even at the time of his burns, the re-stocking of their larder had been long overdue. By now they could no longer be alive.

He had gone through his papers, and had refreshed his memory as to exactly what provisions they were likely to have had left on the day of his burning, and from his none too simple calculations, he deduced that they must have died from starvation on about that day when, swathed like a lagged pipe in frosty weather, he first rose from his sick bed. In point of fact they died two days later.

FORTY-SEVEN

I

As the days went by, Titus was becoming more and more difficult to control. In the long dormitories where after dark the boys of his own age would light their shielded candles, squat in groups, perform strange rites or eat their pilfered cakes, Titus was no watcher of the scene. He was no mere watcher from the safety of his bed, when, in fierce and secret grapple, old scores were settled in deathly silence while, in his cubicle by the dormitory door, the formidable janitor slept like a crocodile upon his back. The erratic breathing of this man, his tossings and turnings, his very wheezings and mutterings were an open book to Titus and his confederates. They all conveyed a certain depth of sleep, which at its deepest was shallow enough. But it was silence that they feared, for silence meant that his eyes were open in the darkness.

As sacred as the fact that there had always been an Earl of Gormenghast and always would be, and that when the time came he would be virtually unapproachable, a man out of range both socially and for reason of his intrinsic difference – as sacred as all this, was the tradition that as a boy the Earl of Gormenghast must be in no way treated as something apart. It was the pride of the Groans that their childhood was no time of cotton-wool.

As for the boys themselves, they found little difficulty in putting this into practice. They knew that there was no difference between themselves and Titus. It was only later that they would think otherwise. And in any case what a child may become in his later years is of little interest to his friends or his foes. It is the world of here and now that matters most. And so Titus fought with the rest in the breathless dormitory – and from time to time was caught out of his bed and was caned by the janitor.

He took the risk and he took the punishment. But he hated it. He hated the ambiguity of it all. Was he a lord or an urchin? He resented a world in which he was neither one thing nor another. That his early trials would fit him for his responsibilities in later life, made no appeal to him. He was not interested in his later life and he was not interested in having responsibilities. Somehow or other the whole thing was unfair.

And so he said to himself: ‘All right! So I’m the same as anyone else, am I? Then why do I have to report to Steerpike every evening, in case I’m lost? Why do I have to do extra things after classes – when none of the others have to? Turning keys in rotten old locks. Pouring wine all over turrets – walking here and there until I’m tired! Why should I do all this extra if I’m not any different? It’s a rotten trick!’

The professors found him difficult, wayward, and on occasions, insolent. All except Bellgrove, for whom Titus had a fondness and an inexplicable respect.

II

‘Are you thinking of doing any work this afternoon, or were you planning to spend it in chewing that end of your pen, dear boy?’ asked Bellgrove leaning forward over his desk and addressing Titus.

‘Yes, sir!’ said Titus with a jerk. He had been far away, in a day dream.

‘Do you mean, “Yes, sir, I’m going to work” or “Yes, sir, I’m going to chew my pen”, dear boy?’

‘O work, sir.’

Bellgrove flicked a lock of his mane back over his shoulder with the end of his ruler.

‘I am so pleased,’ he said. ‘You know, my young friend, that one day when I was about your age, I was suddenly taken with the idea of concentrating upon the paper which my old schoolteacher had set me. I don’t know what gave me the idea. I had never thought of doing such a thing before. I had heard of people who had tried it, you know – of paying attention, of putting their minds to the work in hand – but I had never thought of doing it myself. But – and here you must listen, my dear boy – what happened? I will tell you. I found that the paper which my dear master had set me was quite, quite simple. It was almost an insult. I concentrated more than ever. When I had finished I asked for more. And then more again. All my answers were quite perfect. And what happened? I became so fascinated at finding I was so clever, that I did too much and became ill. And so I warn you – and I warn the whole class. Take care of your health. Don’t overdo it. Go slow – or you may have a breakdown just as I had, long ago, when I was young, dear boys, and ugly, just as you are, and just as dirty, too, and if you haven’t got your work finished by four o’clock, Master Groan, my dear child, I shall be forced to keep you in until five.’

‘Yes sir,’ said Titus and at that moment he felt a dig in the back. Turning he found that the boy behind him was passing him a note. He could not have chosen a much worse moment for it, but Bellgrove had closed his eyes in a resigned and lordly way. When Titus unfolded the scrap of paper, he found it was no message but a crude caricature of Bellgrove chasing Miss Irma Prunesquallor with a long lasso in his hand. It was very feebly drawn and not particularly funny, and Titus, who was in no mood for it, felt suddenly angry, and screwing it up threw it back over his shoulder. This time Bellgrove’s attention was caught by the pellet.

‘What was that, dear boy?’

‘Just a screwed up bit of paper, sir.’

‘Bring it up here, to your old master. It will give him something to do,’ said Bellgrove. ‘He can work away at it with his old fingers, you know. After all there is nothing much he can do until the class ends.’ And then musing aloud, ‘O babes and sucklings … babes and sucklings … how tired of you your old headmaster gets.’

The pellet was retrieved and passed to Titus who got up from his desk. And then suddenly when he had approached to within a few feet of the headmaster’s desk he put the screwed-up drawing into his mouth, and with a gulp, swallowed it.

‘I’ve swallowed it, sir.’

Bellgrove frowned, and an expression of pain flitted across his noble face.

‘You will stand on your desk,’ he said. ‘I am ashamed of you, Titus Groan. You will have to be punished.’

When Titus had been standing on his desk for a few minutes he received another tap upon the back. He had already been in trouble through the stupidity of the boy behind and in a flash of anger ‘Shut up!’ he cried, and swinging around at the same instant found himself staring at Steerpike.

The young Master of Ritual had come silently through the door of the schoolroom. It was his duty to make a periodic round of the classes, and it was an understood thing that in this official capacity it was not for him to knock before he entered – only a few boys had noticed Steerpike’s arrival – but the whole class turned at the sound of Titus’ voice.

Gradually it dawned upon the class that the reason for the stiff, frozen position that Titus was in, his head turned sharply over his shoulder, his body swivelled around on the narrow pivot of his hips, his hands clenched, his head lowered angrily – that the reason for his tenseness was that his ‘shut-up’ must have been addressed to none other than the man with the skewbald face, Steerpike himself.

Standing upon the lid of his desk Titus was in the unusual position of looking down at the face of this authority who had suddenly appeared as though out of the floor, like an apparition. The face looked up at him, a wry smile upon the lips, the eyebrows raised a little, and a certain expectancy in the features, as though denoting that although Steerpike realized that it was impossible for the boy to have guessed who it was that had tapped him on the back, and was therefore guiltless of insolence, yet, an apology was called for. It was unthinkable that the Master of Ritual should be spoken to in this way by anyone – let alone a small boy – whatever his lineage.

But no apology came. For Titus, directly he realized what had happened – that he had cried ‘shut-up’ to the arch-symbol of all the authority and repression which he loathed – knew instinctively that this was a moment in which to dare the blackest hell.

To apologize would be to submit.

He knew in the darkness of his heart’s blood that he must not climb down. In the face of peril, in the presence of officialdom, age-old and vile, with its scarlet hands, and its hunched shoulders, he must not climb down. He must cling to his dizzy crag until, trembling but triumphant in the enormous knowledge of his victory, he stood once more upon solid ground, secure in the knowledge that as a creature of different clay he had not sold his birthright out of terror.

But he could not move. His face had gone white as the paper on the desk. His brow was sticky with sweat and he was heavy with a ghastly tiredness. To cling to his crag was enough. He had not the courage to stare into the dark red eyes that, with the lids narrowed across them, were fixed upon his face. He had not the courage to do this. He stared over the man’s shoulder, and then he closed his eyes. To refuse to say he was sorry was all that his courage could stand.

And then, all at once he felt himself to be standing at a strange angle, and opening his eyes he saw the rows of desks begin to circle in formation through the air and then a far voice shouted as though from miles away as he fell heavily to the floor in a dead faint.

FORTY-EIGHT

‘I am having the most moving time, Alfred. I said I am having the most moving time – are you listening or not? O it’s too galling the way a woman can be courted so splendidly, so nobly by her lover, only to find that her own brother is about as interested as a fly upon the wall. Alfred, I said a fly upon a wall!’

‘Flesh of my flesh,’ said the Doctor after a pause (he had been lost in rumination) ‘what is it that you want to know?’

‘Know,’ answered Irma, with superb scorn. ‘Why should I want to know anything?’

Her fingers smoothed the back of her iron-grey hair, and then of a sudden, pounced upon the bun at the nape of her neck where they fiddled with an uncanny dexterity. It might have been supposed that her long nervous fingers had an eye apiece so effortlessly did they flicker to and fro across the contours of the hirsute knob.

‘I was not asking you a question, Alfred. I sometimes have thoughts of my own. I sometimes make statements. I know you think very little of my intellect. But not everyone is like you – I can assure you. You can have no idea, Alfred, of what is being done to me. I am being drawn out. I am finding treasures in myself. I am like a rich mine, Alfred. I know it, I know it. And I have brains I haven’t even used yet.’

‘Conversation with you, Irma’, said her brother, ‘is peculiarly difficult. You leave no loops, dear one, at the end of your sentences, nothing to help your loving brother, nothing for his ever willing, ever eager, ever shining hook. I always have to start afresh, sweet trout. I have to work my passage. But I will try again. Now, you were saying …?’

‘O Alfred. Just for one moment, do something to please me. Talk normally. I am so tired of your way of saying things with all its figures of eight.’

‘Figures of speech! speech! speech!’ cried the Doctor, rising to his feet and wringing his hands, ‘why do you always say figure of eight? O bless my soul, what is the matter with my nerves? Yes, of course I’ll do something to please you. What shall it be?’

But Irma was in tears, her head buried in a soft grey cushion. At last she raised it and taking off her dark glasses, ‘It’s too much,’ she sobbed. ‘When even one’s brother snaps one up. I did trust you!’ she shouted, ‘and now you’re letting me down too. I only wanted your advice.’

‘Who has let you down?’ said the Doctor sharply. ‘Not the Headmaster …?’

Irma dabbed her eyes with an embroidered handkerchief the size of a playing card.

‘It’s because I told him his neck was dirty, the dear, sweet lord …’

‘Lord!’ cried Prunesquallor, ‘you don’t call him that, do you?’

‘Of course not, Alfred … only to myself … after all he is my lord, isn’t he?’

‘If you say so,’ said her brother, passing his hand across his brow. ‘I suppose he could be anything.’

‘O he is. He is. He’s anything – or rather, Alfred, he’s everything.’

‘But you have shamed him, and he feels wounded – proud and wounded, is that it, Irma, my dear?’

‘Yes, O yes. It is that exactly. But what can I do? What can I do?’

The doctor placed the tips of his fingers together.

‘You are experiencing already, my dear Irma,’ he said, ‘the stuff of marriage. And so is he. Be patient, sweet flower. Learn all you can. Use what tact God gave you, and remember your mistakes and what led up to them. Say nothing about his neck. You can only make things worse. His resentment will fade. His wound will heal in time. If you love him, then simply love him and never fuss about what’s dead and gone. After all you love him in spite of all your faults, not his. Other people’s faults can be fascinating. One’s own are dreary. Be quiet for a bit. Don’t talk too much and can’t you walk a little less like a buoy in a swell?’

Irma got up from her chair and moved to the door.

‘Thank you, Alfred,’ she said and disappeared.

Doctor Prunesquallor sank back on the couch by the window, and with an ease, quite astonishing, dismissed his sister’s problem from his mind and was once more in the cogitative reverie from which she had interrupted him.

He had been thinking of Steerpike’s accession to the key position that he now occupied. He had also been reflecting upon the way he had behaved as a patient. His fortitude had been matchless and his will to live quite savage. But for the most part, the Doctor was turning over in his mind something that was quite different. It was a phrase, which, at the height of Steerpike’s delirium, had broken loose from the chaos of his ravings – ‘And the Twins will make it five,’ the young man had shouted – ‘and the Twins will make it five.’

FORTY-NINE

I

One dark winter morning, Titus and his sister sat together on the wide window-seat of one of Fuchsia’s three rooms that overlooked the South Spinneys. Soon after Nannie Slagg had died Fuchsia had moved, not without much arguing and a sense of dire uprooting, to a more handsome district – and to a set of rooms which, in comparison with her old untidy bedroom of many memories, were full of light and space.

Outside the window the last of the snow lay in patches across the countryside. Fuchsia, with her chin on her hands and her elbows on the window-sill, was watching the swaying motion of the thin stream of steel-grey water as it fell a hundred feet from the gutter of a nearby building – for a small, restless wind was blowing erratically and sometimes the stream of melted snow as it fell from the high gutter would descend in a straight and motionless line to a tank in the quadrangle below, and sometimes it would swing to the north and stay outstretched when a gust blew angrily, and sometimes the cascade would fan out in a spray of innumerable leaden drops and fall like rain. And then the wind would drop again and the steady tubular overflow would fall once more vertically, like a stretched cable, and the water would spurt and thud within the tank.

Titus, who had been turning over the pages of a book, got to his feet.

‘I’m glad there’s no school today, Few,’ he said – it was a name he had started giving her – ‘it would have been Perch-Prism with his foul chemistry and Cutflower this afternoon.’

‘What’s the holiday for?’ said Fuchsia with her eyes still on the water which was now swaying to and fro across the tank.

‘I’m not sure,’ said Titus. ‘Something to do with Mother, I think. Birthday or something.’

‘Oh,’ said Fuchsia and then after a pause, ‘it’s funny how one has to be told everything. I don’t remember her having birthdays before. It’s all so inhuman.’

‘I don’t know what you mean,’ said Titus.

‘No,’ said Fuchsia. ‘You wouldn’t, I suppose. It’s not your fault and you’re lucky in a way. But I’ve read quite a lot and I know that most children see a good deal of their parents – more than we do anyway.’

‘Well, I don’t remember father at all,’ said Titus.

‘I do,’ said Fuchsia. ‘But he was difficult too. I hardly ever spoke to him. I think he wanted me to be a boy.’

‘Did he?’

‘Yes.’

‘Oh … I wonder why.’

‘To be the next Earl of course.’

‘Oh … but I am … so it’s all right, I suppose.’

‘But he didn’t know you were going to be born, when I was a child, did he? He couldn’t have. I was about fourteen when you were born.’

‘Were you really …’

‘Of course I was. And for all that time he wished I was you, I suppose.’

‘That’s funny, isn’t it?’ said Titus.

‘It wasn’t funny at all – and it isn’t funny now – is it? Not that it’s your fault …’

At that moment there was a knock at the door and a messenger entered.

‘What do you want?’ said Fuchsia.

‘I have a message, my lady.’

‘What is it?’

‘Her ladyship, the Countess, your mother, wishes Lord Titus to accompany me back to her room. She is going to take him for a walk.’

Titus and Fuchsia stared at the messenger and then at one another. Several times they opened their mouths to speak but closed them again. Then Fuchsia turned her eyes back to the melting snow – and Titus walked out through the half open door, the messenger following him closely.

II

The Countess was waiting for them on the landing. She gestured the messenger to be gone with a single, lazy movement to her head.

She gazed at Titus with a curious lack of expression. It was as though what she saw interested her, but in the way that a stone would interest a geologist, or a plant, a botanist. Her expression was neither kindly nor unkindly. It was simply absent. She appeared to be unconscious of having a face at all. Her features made no effort to communicate anything.

‘I am taking them for a walk,’ she said in her heavy, abstracted, millstone voice.

‘Yes, mother,’ said Titus. He supposed she was talking of her cats.

A shadow settled for a moment on her broad brow. The word mother had perplexed her. But the boy was quite right, of course.

Her massive bulk had always impressed Titus. The hanging draperies and scollop’d shadows, the swathes of musty darkness – all this he found most awesome.

He was fascinated by her but he had no point of contact. When she spoke it was in order to make a statement. She had no conversation.

She turned her head and, pursing her lips, she whistled with a peculiar ululation. Titus gazed up at the sartorial mass above him. Why had she wanted him to accompany her? he wondered. Did she want him to tell her anything? Had she anything to tell him? Was it just a whim?

But she had started to descend the stairs and Titus followed her.

From a hundred dim recesses, from favourite ledges, from shelves and draught-proof corners, from among the tattered entrails of old sofas, from the scarred plush of chairs, from under clock-stands, from immemorial sun-traps, and from nests of claw-torn paper – from the inside of lost hats, from among rafters, from rusty casques, and from drawers half-open, the cats poured forth, converged, foamed, and with a rapid pattering of their milk-white feet filled up the corridors, and a few moments later had reached the landing and were on their way, in the wake of their great mistress, down the stairway they obscured.

When they were in the open and had passed through an archway in the outer wall and were able to see Gormenghast Mountain clear before them, with dark grey snow on its cruel heights, the Countess waved her ponderous arm, as though she were scattering grain, and the cats on the instant, fanning out, sped in every direction, and leapt, twisting in the air, curvetting for the very joy of their only release from the castle since first the snow came down. And though a number of them sported together, rolling over one another, or sitting up straight with their heads bridled back, tapped at each other sparring like fighters, only to lose all interest of a sudden, their eyes unfocusing, their thoughts turning – yet for the main the white creatures behaved as though each one were utterly alone, utterly content to be alone, conscious only of its own behaviour, its own leap into the air, its own agility, self-possessed, solitary, enviable and legendary in a beauty both heraldic and fluent as water.

Titus walked by his mother’s side. For all the interest in the scene before him he could not help turning his eyes to his mother’s face. Its vague, almost mask-like character was something which he was beginning to suspect of being no index to her state of mind. For more than once she had gripped his shoulder in her big hand and led him from the path and without a word she had shown him, all but shrouded by the ivy on a tree stem, a cushion of black star-moss. She had turned off a rough track, and then pointed down a small snow-filled gully to where a fox had rested. Every now and again she would pause and gaze at the ground, or into the branches of a tree, but Titus, stare as he would, could see nothing remarkable.

For all that the birds had died in their thousands, yet as Titus and his mother drew near to a strip of woodland where the snow had melted from the boughs, and small streams were running over the stones and snow-flattened grass, they could see that the trees were far from empty.

The Countess paused, and holding Titus by his elbow, they stood motionless. A bird whistled and then another, and then suddenly the small kingfisher, like a blue legend, streaked along a stream.

The cats were leagues away. They breathed the sharp air into their lungs. They roamed to the four quarters. They powdered the horizons.

The Countess whistled with a shrill sweet note, and first one bird and then another flew to her. She examined them, holding them cupped in her hands. They were very thin and weak. She whistled their various calls and they responded as they hopped about her or sat perched upon her shoulders, and then, all at once a fresh voice from the wood silenced the birds. At every whistle of the Countess, this new answer came, quick as an echo.

Its effect on the Countess seemed out of all reason.

She turned her head. She whistled again and her whistle was answered, quick as an echo. She gave the calls of a dozen birds and a dozen voices echoed her with an insolent precision. The birds about her feet and on her shoulders had stiffened.

Her hand was gripping Titus’ shoulder like an iron clamp. It was all he could do not to cry out. He turned his head with difficulty and saw his mother’s face – the face that had been so calm as the snow itself. It had darkened.

It was no bird that was answering her; that much she knew. Clever as it was, the mimicry could not deceive her. Nor did it seem that whatever gave vent to the varying calls was anxious to deceive. There had been something taunting about the rapidity with which each whistle of the Countess had been flung back from the wood.

What was it all about? Why was his arm being gripped? Titus, who had been fascinated by his mother’s power over the birds, could not understand why the calls from the wood should have so angered her. For she trembled as she held him. It seemed as though she were holding him back from something, as though the wood was hiding something that might hurt him – or draw him away from her.

And then she lifted her face to the tree tops, her eyes blazing.

‘Beware!’ she cried and a strange voice answered her.

‘Beware!’ it called and the silence came down again.

From a dizzy perch in a tall pine, the Thing peered through the cold needles and watched the big woman and the boy as they returned to the distant castle.

FIFTY

I

It was not until close upon the Day, that Titus learned how something quite unusual was being prepared for his Tenth birthday. He was by now so used to ceremonies of one kind or another that the idea of having to spend his birthday either performing or watching others perform some time-hardened ritual made no appeal to his imagination. But Fuchsia had told him that there was something quite different about what happened when a child of the line reached the age of ten. She knew, for it had happened to her, although in her case the festivities had been rather spoiled by the rain.

‘I won’t tell you, Titus,’ she had said, ‘it will spoil it if I do. O it’s so lovely.’

‘What kind of lovely?’ said Titus, suspiciously.

‘Wait and see,’ said Fuchsia. ‘You’ll be glad I haven’t told you when the time comes. If only things were always like that.’

When the Day arrived Titus learned to his surprise that he was to be confined for the entire twelve hours in a great playroom quite unknown to him.

The custodian of the Outer Keys, a surly old man with a cast of the left eye, had opened up the room as soon as dawn had broken over the towers. Apart from the occasion of Fuchsia’s tenth birthday, the door had been locked since her father, Sepulchrave, was a child. But now, again, the key had turned with a grinding of rust and iron, and the hinges had creaked, and the great playroom opened up again its dusty glories.

This was a strange way to treat a boy on his tenth anniversary; to immure him for the entire day in a strange land, however full of marvels it might be. It was true that there were toys of weird and ingenious mechanism; ropes on which he would swing from wall to wall, and ladders leading to dizzy balconies – but what of all this, if the door was locked and the only window was high in the wall?

And yet, long as the day seemed, Titus was buoyed up by the knowledge that he was there not only because of some obsolete tradition but for the very good reason that he must not be allowed to see what was going on. Had he been abroad he could not fail to have gained some inkling, if not of what lay in store for him that evening, at least of the scale on which the preparations were being conducted.

And the activity of the castle was fantastic. For Titus to have seen a tenth of it must have taken the edge, not off his wonder or speculation, but off the shock of pleasure that he was finally to receive when evening came. For he had no idea what kind of activities were taking place. Fuchsia had refused to be drawn. She remembered her own pleasure too keenly to jeopardize a hundredth part of his.

And so he spent the day alone and save for those times when his meals were brought in on the golden trays of the occasion, he saw no one until an hour before sunset. At that hour four men came in. One of them carried a box, which when it was opened revealed a few garments which Titus was invited to put on. Another carried a light basketwork palanquin, or mountain-chair that rested on two long poles. Of the other two, one carried a long green scarf, and the other a few cakes and glass of water on a tray.

They retired while Titus got into his ceremonial clothes. They were very simple. A small red velvet skull-cap and a seamless robe of some grey material that reached to his ankles. A fine chain of gold links clasped the garment at his waist. These, with a pair of sandals, were all that had been brought and while he strapped the sandals he called to the men to re-enter.

They came in at once and one of them approached Titus with the scarf in his hand.

‘Your lordship,’ he said.

‘What’s that for?’ said Titus, eyeing the scarf.

‘It’s part of the ceremony, lordship. You have to be blindfolded.’

‘No!’ shouted Titus. ‘Why should I be?’

‘It’s nothing to do with me,’ said the man. ‘It’s the law.’

‘The law! the law! the law – how I hate the law,’ cried the boy. ‘Why does it want me blindfolded – after keeping me in prison all day? Where are you going to take me? What’s it all about? Can’t you talk? Can’t you talk?’

‘Nothing to do with me,’ said the man; it was his favourite phrase. ‘You see,’ he added, ‘if we don’t blindfold you it won’t be such a surprise when you get there and when we undo the scarf. And you see’ (he continued as though he had suddenly become interested in what he was talking about) ‘you see – with your eyes blindfolded you won’t have any idea of where you are going – and then, you know, the crowds are going to be deathly silent and …’

‘Quiet!’ said another voice – it was the man who had the mountain-chair. ‘You have overreached yourself! Enough sir, for me to say’ (he continued, turning to the boy) ‘that it will be for your pleasure and your good.’

‘It had better be,’ said Titus, ‘after all this!’

His longing to get out of the playroom mitigated his distaste for the blindfolding, and after taking a drink of water and cramming a small cake in his mouth, he took a step forward.

‘All right,’ he said and standing before the scarf-man, he suffered himself to be bandaged. At the second turn of the scarf he was in total blackness. After the fourth he felt the cloth being knotted at the base of his head.

‘We are going to lift you into the chair, your lordship.’

‘All right,’ said Titus.

Almost immediately after he was seated in the basket-work chair he found himself rising from the ground, and then after a word from one of the men, he felt himself moving forward through black space and the slight swaying of the men beneath him. Without a word, or a pause, each man with an end of the long bamboo poles resting upon his shoulder, they began to move ever more rapidly.

Titus had had no sensation of their leaving the room, although he knew that by now they must have left it far behind. It was obvious that they were still within the walls of the castle for he could both feel the frequent changes of direction which the tortuous corridors made necessary, and also he could hear the hollow echoing of the bearers’ feet – an echoing which seemed so loud to Titus in his blindness that he could not help feeling that the castle was empty. There was not a sound, not a whisper in the whole labyrinthine place to compete with the hollow footfalls of the men, with the sound of their breathing or with the regular creaking of the bamboo poles.

It seemed that it would never end – this darkness, and these sounds, but suddenly a breath of fresh air against his face told him that he was in the open. At the same time he could feel that he was being borne down a flight of steps, and when they had reached the level ground he felt for the first time that airborne jogging, as the four men began to trot through an empty landscape.

And it was as utterly deserted as the castle. All the feverish activity of the day had been brought to a close. The gentry, the dignitaries, the officials, the workmen, the performers, the populace, man, woman and child – there was not one who had not arrived at his appointed station.

And the bearers ran on over the darkening ground. Above their heads and reaching down into the west was a great tongue of yellow light.

But with every movement that passed the lustre faded and the moon began to slide up through the darkness of the east so that the light on Titus’ upturned face grew sharper and colder.

And the bearers ran on, over the dark ground.

There were no echoes now. Only the isolated sounds of the night – the scurry of some small animal through the undergrowth, or the distant barking of a fox. From time to time Titus could feel the cool sweet gusts of a night breeze blowing across his forehead, lifting the strands of his hair.

‘How much further?’ he called. It seemed that he had been floating in the basket chair for ever.

‘How much further? how much further?’ he called again, but there was no reply.

It was impossible to carry so rare a burden as the seventy-seventh earl – to carry him shoulder-high along forest tracks, across precarious fords and over stony slopes of mountains and to have at the same time, while they kept running, any room in their minds for anything else besides. All their awareness was focused upon his safety and the measured smoothness of their rhythmic running. Had he called to them ten times as loudly they would not have heard him.

But Titus was near to the end of his blind journey. He did not know it but the four bearers who had, for the last mile or more, been loping through pinewoods, had come suddenly upon an open shoulder of land. The ground swept downwards and away before them in swathes of moon-chilled ferns and at the base of this slope lay what seemed like a natural amphitheatre, for the land rose on all sides. The floor of this gigantic basin appeared at first sight to be entirely forested and yet the eyes of the bearers had already caught sight of innumerable and microscopic points of light no bigger than pinpricks, that flashed, now here, now there among the branches of the distant trees. And they saw more than this. They saw that in the air above the basin’d forest there was a change of hue. In the darkness that brooded over the branches there was a subtle warmth, a kind of smouldering dusk that in contrast to the cold moon, or to the glints of light among the trees, was almost roseate.

But Titus knew nothing of this swarthy light. Nor that he was being taken down a steep track through the ferns to a district where the great chestnuts far from forming a solid forest, as it falsely appeared from the surrounding slopes, were marshalled a furlong deep about the margin of a wide expanse of water. The points of light that had caught the bearers’ attention were all that they had been able to see of the moonlit lake when for a moment they had paused on a high open shoulder.

But what of the glow? It was not long before Titus knew all about it. He was by now among the deep moon-dappled chestnut groves. His exhausted bearers, the sweat pouring down their bodies and running into their eyes, were turning into a ride of ancient trees that led to the centre of the southern bank.

Had his vision been free he would have seen upon his left, and tethered to the low branches of the nearby trees, a hundred or more horses. Their harnessings, bridles, halters and saddles were slung across the higher branches. Here and there the moonlight penetrating the upper foliage set a stirrup dazzling in the gloom or gloated upon the leather of long traces. And then, a little further along the track where the trees were not so numerous, there stood ranged in lines, as though for inspection, a great variety of carriages, carts and traps. Here where there was less covering, the moonlight shone almost unimpeded, and was by now so high and was casting so strong a light that the varying colours of the carriages could be distinguished one from another. The wheels of each were decorated with foliage of young trees whose branches were threaded through the spokes, and with sunflowers also; in the long horse-drawn cavalcade which a few hours previously had made its overland journey to the chestnut woods, there had not been one wheel out of the many hundreds, that, in turning had not set the foliage revolving and the heads of sunflowers circling in the dusk.

All this had been lost to the boy – all this and many another flight of fancy which from hour to hour during the day had been set in motion or enacted according to old customs whose origin or significance was long forgotten.

But the bearers were for the first time slackening their pace. Once again he leaned forward, his hands grasping the basket-work rim of his chair. ‘Where are we?’ he shouted. ‘How much longer will it be? Can’t you answer me?’

The silence about him was like something that hummed against his eardrums. This was another kind of silence. This was not the silence of nothing happening – of emptiness, or negation – but was a positive thing – a silence that knew of itself – that was charged, conscious and wide awake.

And now the bearers stopped altogether, and almost at once, across the stillness, Titus heard the sound of approaching footsteps, and then –

‘My lord Titus,’ said a voice, ‘I am here to bid you welcome and to offer you on behalf of your mother, your sister and all who are here gathered, our felicitations on your tenth birthday.

‘It is our desire that what has been prepared for your amusement will give you pleasure; and that you will find the tedium of the long and solitary day that now lies at your back has been worth the suffering; in short, my Lord Titus, your mother the Countess Gertrude of Gormenghast, Lady Fuchsia and every one of your subjects are hoping that what is left of your birthday will be very happy.’

‘Thank you,’ said Titus. ‘I would like to get down.’

‘At once, your lordship,’ said the same voice.

‘And I’d like this scarf off my eyes.’

‘In one moment. Your sister is on her way to you. She will remove it when she has taken you to the south platform.’

‘Fuchsia!’ his voice was sharp and strained. ‘Fuchsia! Where are you?’

‘I’m coming,’ she shouted. ‘Hold his arm, you man, there! How do you think he can stand in the dark like that – give him to me, give him to me. Oh Titus,’ she panted, holding her blind brother tightly in her arms, ‘it won’t be long now – and O, it’s wonderful! wonderful! As wonderful as it was when it was all for me, years ago, and it’s a better night than I had, and absolutely calm with a great white moon on top.’

She led him along as she talked, and all at once the marginal trees were behind them and Fuchsia knew that every step they took and every movement they made was watched by a multitude.

As Titus stumbled at her side he tried to imagine in what kind of place he could be. He could form no picture from Fuchsia’s disjointed comments. That he was to be taken to a platform of some kind, that there was a moon, and that the whole castle seemed resolved to make amends for the long prefatory day he had spent alone was all that he could gather.

‘Twelve steps up,’ said Fuchsia, and he felt her placing his foot upon the first of the rough treads. They climbed together, hand in hand, and when they reached the platform she guided him to where a large horse-hair chair bloated with moonlight, an ugly thing if ever there was one – a heavy beast with a purple skin that had tired out the two cart horses by the time they had covered half the journey.

‘Sit down,’ said Fuchsia, and he sat down gingerly in the darkness, upon the edge of the ugly couch.

Fuchsia stood back from him. Then she raised both her arms above her head. In reply to her signal a voice called out of the darkness. ‘It is time! Let the scarf be unwound from his eyes!’

And another voice – quick as an echo –

‘It is time! Let his birthday begin!’

And another –

‘For his Lordship is ten.’

Titus felt Fuchsia’s fingers undoing the knot and then the freeing of the cloth about his eyes. For a moment he remained with his lids closed, and then he slowly opened them and as he did so he rose involuntarily to his feet with a gasp of wonder.

Before him, as he stood, one hand at his mouth, his eyes round as coins, there was stretched, as it were, across the area of his vision, a canvas – a canvas hushed and unearthly. A canvas of great depth; of width that spread from east to the west and of a height that wandered way above the moon. It was painted with fire and moonlight – upon a dark impalpable surface. The lunar rhythms rose and moved through darkness. A counterpoint of bonfires burned like anchors – anchors that held the sliding woods in check.

And the glaze! The earthless glaze of that midnight lake! And the multitude across the water, motionless in the shadow of the sculptured chestnut trees. And the bonfires burning!

And then a voice out of the paint cried ‘Fire!’ and a cannon roared, recoiled and smoked upon the bank. ‘Fire!’ cried the voice again, and then again, until the gun had bellowed ten times over.

It was the sign, and suddenly the picture, as though at the stroke of a warlock’s wand, came suddenly to life. The canvas shuddered. Fragments detached themselves and fragments came together. From the height to the depths it was that that Titus saw.

Firstly the moon, by now immediately overhead; a thing as big as a dinner plate and as white, save where the shadows of its mountains lay. The moon whose lustre was over everything like a veil of snow.

And all about the moon, the midnight sky. It came down, this sky, like a curtain, expansive as nemesis and under the sky the hilltops in a haze of ferns that overlapping one another with their fronds, descended the hill, fold after fold until the chestnut forest, luxuriant in its foliage, its upper canopies shining, stretched on Titus’ eye-level in a great curve. And under these trees, along the water’s edge, as thick upon the ground as nettles in wasteland, was the life of the distant castle, the teeming populace. A hundred at a time would be contained in the cast-shadow of a single tree; a hundred more be lit in a lozenge of moonlight. And then the swarms of faces, thick as bees, illumined and flushed in the red light of the lakeside bonfires. Now that the gun had fired its salute, this long strip of the canvas had begun to seethe. Across the lake it was too far for Titus to be able to make out any single creature, but movements ran through these crowds as a ripple of wind over a field of tares. But this was not all. For these ripples, these trembling blotches of shadow and moonlight, these movements on the shore, were being simultaneously repeated in the lakes. Not the least motion of a head beneath the trees but its ghost had moved beneath it in the water. Not the flicker of a fire was lost in the reflecting water.

And it was this nocturnal glass in whose depths shone the moon-bathed foliage of the chestnut trees that held the eye the longest. For it was nothingness, a sheet of death; and it was everything. Nothing it held was its own although the least leaf was reflected with microscopic accuracy – and, as though to light these aqueous forms with a luminary of their own, a phantom moon lay on the water, as big as a plate and as white, save where the shadow of its mountains lay.

II

And yet this visual richness gave less a sense of satisfaction than of expectancy. This was a setting if ever there were one – but a setting for what? The stage was set, the audience was gathered – what next? Titus turned his eyes for the first time to where his sister had been standing, but she was no longer there. He was alone on the platform with the horse-hair chair.

And then he saw her seated on a log with her mother beside her. From their feet the land dipped gradually to the water and on this decline was gathered what was pleased to think itself the upper stratum of Gormenghast society. To right and left the ground swarmed with officials of every kind – and over Titus, and over them all were the spreading terraces of the trees.

Finding himself alone, Titus sat down on the purple chair and then, to make himself more comfortable, curled his feet under him, and rested his arm on the bolster-like arm. He lifted his eyes to the lake with its upside down picture of all that was spread above it.

Fuchsia trembled as she sat beside her mother. She remembered how the chestnut woods had held back their secret until this moment, years ago, and how they would now throw out their startling characters. She turned her head to see whether she could catch her brother’s eye, but he was staring straight ahead, and as she watched him his hand went to his mouth again and she saw him sit forward on the couch as rigidly as though he had been turned to stone.

For immediately ahead of him, across the unblemished lake, figures as tall as the chestnut trees themselves were straddling out of the shadows, and to the verge of the opposite bank, where they stood, unbelievably. Before them, their liquescent stage lay spread. The reflections of their fantastically elongated bodies were already deep in the lake.

There were four of them, and they came out one after another from various parts of the forest. They appeared to take no notice of one another although they turned their heads to right and left. The movements of their bodies appeared stiff and exaggerated, but extraordinarily eloquent.

From the high masks that topped them, to the grass on which they balanced could not have measured less than thirty feet.

They were beings of another realm and the crowds that stared up at them from below had not only been shrivelled up into midgets, but were also made to appear grey and prosaic. For these four giants were in every way most beautiful and extraordinary. The woods behind them seemed darker than ever now, for these lofty spectres were tinted under the moon’s rays with colours as sharp and barbaric as the plumage of tropical birds.

From one to another, Titus turned his gaze, unable to resist the movements of his eyes, although he longed to dwell on each one separately.

Upon their lofty shoulders they carried their heads like kings – abstracted and inscrutable. Their dignity was something that infused their slightest movement. In the stiff and measured raising of an arm the very humus appeared to be drawn out of the soil below. The tilting of their faces to the sky made the sky naked – made the moon guilty.

The group had stalked out of that part of the forest that faced Titus across the lake. Their four heads were very different. That of the most northerly was crowned with a high conical hat like a dunce’s, under which a great white head resembling a lion’s turned slowly to left and right, upon the shoulders that supported it. The eyes, perfectly circular, were painted the purest emerald green and when the head was raised they shone to the moon.

But its mane was its glory. From close above the eyes, and from the sides and back of the head it billowed forth luxuriantly and fell as far as the waist in undulations of imperial purple. From the waist downwards – a twenty foot drop to the feet of the stilts – a prodigious skirt descended like a cascade, weighted down by its own length of material. It was quite black, as were those of the other three. This mutual darkness of the lower two thirds of their bodies gave an illusory effect to their upper parts. The skirts could be seen, and their reflections could be seen, but with nothing like the same clarity. It was, at times, almost as though their coloured ‘heights’ were floating. The arms emerged from halfway down the mane. In either hand the Lion held a dagger.

Next to this figure with its purple mane, stood one as far removed as the Lion from the natural, but more sinister in that the wolfish character of the head was not redeemed by either a noble cast of feature, or lightened by the charade-like nature of the long white dunce’s hat.

This vulpine monster was undeniably wicked – but so decoratively wicked! The head was crimson, and the cocked and pointed ears were deepest azure. This azure was repeated in the circles that were scattered over the grey hide of the upper body. In either hand was an enormous cardboard bottle of poison. As with the Lion the black skirt fell like a wall of darkness.

Even now as it stood in what might be thought of as the ‘wings’ for they had not set foot in the watery stage, their every movement was something awesome. For the Wolf to lift its poison-bottle was for a shudder to run through the swarming populace; for the Lion to shake its mane was for the lake to be circled with gooseflesh.

Next to the Wolf, and separated by half an acre of upturned heads was the Horse – a horse unlike any other travesty of that noble animal that had ever been concocted – and yet it was more a horse than anything else. It was monstrous, in its own way, with an expression of such fatuous melancholy that Titus could neither laugh nor cry for neither expression was true to what he felt.

Upon its head, this giantess wore an enormous basket-work hat whose brim cast a circular shadow upon the moonlit water far beneath. Long powder blue ribbons fell ludicrously from the crown of the hat and clustered about the hairy shoulder ten feet below. All about the lower part of the crown the hat was decorated with grass and livid lilies.

From beneath all this resplendence the loose-lipped head of the Horse protruded with baleful idiocy. Like the Lion, its long maudlin head was white, but red circles were painted on either side between the eyes and the curve of the jaws. The neck was long and absurdly supple, with a stubby fringe of orange hair along the spine.

It was clothed in an apple-green smock from under which the long skirt descended, hiding the tall and perilous stilts that protruded for no more than six inches beneath the black hem. In one hand the Horse carried a parasol and in the other a book of poems. From time to time the Horse would slowly turn its head and incline it, with a sort of sad and smirking deference, to the Lamb upon its left.

This Lamb, a little less in height than its companions, for all its towering stature, was a mass of pale golden curls. Its expression was one of unspeakable sanctity. However it moved its head – whatever the angle, whether it scanned the heavens in search of some beatific vision, or lowered its face as though to muse upon its own unspotted breast – there was no escape from its purity. Between its ears, and set upon the golden curls was a silver crown. The swathes of a grey shawl were drawn demurely over the shoulders, across the golden breast and fell in sculpturesque folds of some length, so that there was less to be seen of the inevitable skirt. It carried nothing in its hands for they were clasped upon its heart.

These four, with their heads as big as doors, yet appearing almost small in proportion to the awe-inspiring loftiness of the bodies, these four had not stood at the margin of the reflecting lake for more than a minute before, with startling unanimity of purpose, they set forth upon the waters.

Titus, crying with excitement, gripped the rotten upholstery of the chair on either side, his fingers working their way into the ancient horse-hair.

The Four ahead of him appeared to be moving upon the surface across the lake. Their strange, spidery strides took them far from the shore, but the hem of their skirts were still dry! Titus could in no way understand it, until suddenly he realized that in spite of the clear reflections that seemed to plunge into fathomless water, the great lake was in reality but a few inches deep. It was a film.

For a moment he was disappointed. There is danger in deep water, and danger is more real than beauty in a boy’s mind. But this disappointment was immediately forgotten for there could have been nothing of all this had the lake not been the merest glaze of water.

The masque of the Four upon the lake was designed, many hundreds of years ago, for this setting among the nocturnal chestnuts. The gestures of the Lion, grandiloquent, absurd yet impressive – the shaking of its purple mane, from which tremendous operation the other three invariably drew back – the terrible, side-long progress of the Wolf with the poison bottle as he manoeuvred himself ever nearer the golden lamb, and the outlandish gait of the Horse with its garnished hat, as it straddled from one end of the lake to the other, reading from its book of poems, while with its parasol it beat time in upper air to the rhythm of the verses – all this was a formula as ancient as the walls of the castle itself.

And all the while this masked drama, played upon stilts as tall as trees and upon a lake that reflected not only the progress of the performers, but the moon over whose liquid image the monstrous Horse would invariably stumble as though he had been tripped – all the while the silence continued unbroken. For although a strong strain of the ridiculous ran through everything, this was not the dominant impression. When the Horse-creature tripped or waved its parasol; when the Wolf was thwarted and its lower jaw fell open like a drawbridge; when the Lamb cast its eyes to the moon, only to be distracted in the throes of its sanctity by the whisking of the Lion’s mane – when these things happened there was no laughter but only a kind of relief, for the grandeur of the spectacle, and the godlike rhythms of each sequence were of such a nature that there were few present who were not affected as by some painful memory of childhood.

At last, the time-hallowed ritual drew to its end, and the lofty creatures stepped from the shallow lake, and turning before they disappeared into the deep woods, bowed across the shallows to Titus, as might the gods of Poetry and Battle bow to one another, as equals across enchanted water.

The Four, as they departed, took the silence with them. The rest of the night was by way of being a release from perfection, and was given over to every kind of scattered activity.

Between the bonfires that surrounded the lake and warmed the air above the chestnut forest, fresh fires were being lit, and under the lake-ward boughs hampers and baskets of provisions were being unpacked.

The Countess of Groan, who had remained throughout the masque as immovable as the log on which she sat, now turned her head over her shoulder.

But Titus was no longer on the platform, nor was Fuchsia at her side.

She rose from the log, the traditional place of honour, and moved abstractedly down to the lake’s edge between lines of functionaries, who on seeing her rise knew that they were now free for the rest of the night to disport themselves as they wished.

Against the shimmering lake her massive form loomed darkly save for the moonlight on her shoulders and her dark red hair.

She gazed about her but seemed to be unaware of the crowds that thronged the water’s edge.

A giant picnic was piecing itself together as the fish and fruit and loaves and pies were laid out beneath the trees, and it was not long before the lake was surrounded by an unbroken feast.

And while all these preparations were going on, shrill packs of urchins raced through the chestnut woods, swarmed among the branches, or streaming out of the trees, pranced or cart-wheeled to the centre of the lake, their reflections flying beneath them, and the film of water spouting from their feet. And when a pack would meet its rival pack, then hand to hand, a hundred watery combats would churn the shallows, as scattered over the aqueous arena the children grappled, the moonlight sliding on their slippery limbs.

And Titus watching longed with his whole being to be anonymous – to be lost within the core of such a breed – to be able to live and run and fight and laugh and if need be, cry, on his own. For to be one of those wild children would have been to be alone among companions. As the Earl of Gormenghast he could never be alone. He could only be lonely. Even to lose himself was to be lost with that other child, that symbol, that phantom, the seventy-seventh Earl of Gormenghast who hovered at his elbow.

Fuchsia had signalled him to jump from the platform, and together they had raced into the chestnut woods immediately behind, and for a moment or two, in the darkness, they had held each other in the deep shadows of the trees and had heard one another’s hearts beating.

‘It was wicked of me,’ said Fuchsia at last, ‘and dangerous. We are supposed to have our midnight supper at the long table, with mother. And we must go back soon.’

‘You can if you like,’ said Titus, who was trembling with a deep hatred of his status. ‘But I’m leaving.’

‘Leaving?’

‘Leaving for ever,’ said Titus. ‘For ever and ever. I am going into the wild, like … Flay … and like that …’

But he could think of no way to describe that wisp of a creature who had floated through a forest of gold oaks.

‘You can’t do that,’ said Fuchsia. ‘You would die and I wouldn’t let you.’

‘You couldn’t stop me,’ cried Titus. ‘Nobody could stop me –’ and he began to tear off the long grey tunic, as though it were in his path.

But Fuchsia, her lips trembling, held his arms to his sides.

‘No! no!’ she whispered passionately. ‘Not now, Titus. You can’t …’

But with a jerk he freed himself, but immediately tripped in the darkness and fell upon his face. When he raised himself, and saw his sister above him he pulled her down, so that she knelt at his side. In the distance they could hear the cries of the children by the lake, and then, suddenly, the harsh ringing of a bell.

‘That is for supper,’ whispered Fuchsia, at last, for she had waited in vain for Titus to speak, ‘and after supper we will go along the shore together and see the cannon.’