The House That Jack Built

Chapter Five

John Lachley laid a sheet of blotter paper gently across the glistening, blood-red ink of the missive he'd just finished, then held the newly penned letter up to the light to read it again, judging the effect. It hadn't been easy, writing in the style of Maybrick's disjointed ramblings. He'd worked very hard to sprinkle the man's irritating Americanisms into the language. But he was proud of the results.

"Dear Boss..." the letter began.

I keep on hearing the police have caught me but they wont fix me just yet. I have laughed when they look so clever and talk about being on the right track. That joke about Leather Apron gave me real fits. I am down on whores and I shant quit ripping them till I do get buckled. Grand work the last job was. I gave the lady no time to squeal. How can they catch me now. I love my work and want to start again. You will soon hear of me with my funny little games. I saved some of the proper red stuff in a ginger beer bottle over the last job to write with but it went thick like glue and I cant use it. Red ink is fit enough I hope ha. ha. The next job I do I shall clip the ladys ears off and send to the police officers just for jolly wouldn't you. Keep this letter back till I do a bit more wo7rk, then give it out straight. My knife's so nice and sharp I want to get to work right away if I get a chance. Good luck. Yours truly, Jack the Ripper

Dont mind me giving the trade name.

P.S. Wasn't good enough to post this before I got all the red ink off my hands curse it No luck yet. They say I'm a doctor now. ha ha

John Lachley dated the letter September 25th and blew the final line of red ink dry, then chuckled to himself. He'd instructed Maybrick to bring his diary to London during his last visit, and had read the depraved drivel scrawled in it with avid curiosity. He'd copied the madman's way of writing, including his insane insertions of the words ha ha and other underscored phrases here and there. When Maybrick's diary was discovered in Liverpool, this letter would help to hang him.

Perhaps he'd write out a few more letters and cards, drop them in the post over the next few days? After all, once he'd recovered Eddy's wayward missives from Stride and Eddowes, he would no longer need Maybrick for anything save a weight at the end of a gallows rope. He grinned down at the bloody signature line, intensely proud of the appellation he'd thought up. Jack the Ripper... Poor James, who referred to himself in his diary as Sir Jim. He'd protest innocence of writing this all the way to the drop. Yes, Lachley smiled, he would write out a few more letters, perhaps scrawl one or two across a newspaper article, something with the word Liverpool in it...

A tap at the study door roused him from delightful musings. He hastily slid the letter into his desk drawer and locked it. "Yes? Come!"

His manservant bowed in the doorway. "You asked to be notified when your patient woke, sir."

"Ah, yes, thank you, Charles. I'll see the young lady directly."

"Very good, sir."

Lachley climbed the stairs while planning where to send his traitorous little missive. The editor of the Daily News, perhaps, a respectable newspaper with a large circulation and a keen appetite to solve the mystery of the Whitechapel Murderer. Or maybe the Central News Agency. He wished he might see the face of the editor when that letter landed on the gentleman's desk. Chuckling at his own joke, Lachley entered the room of his comely young captive.

"Good afternoon, dear lady!"

The girl was awake, listless from the effects of the drugs he fed her daily. A spark of terror flared in her eyes as he sat beside the bed. He took her hand, felt the chill of her fingers. "Now, then. Let us chat, Miss Ianira."

A shudder, very faint, ran through her.

He patted her hand. "I have seen what you are capable of, my dear. I intend to make excellent use of your skill." He brushed hair back from her brow, stroked her ashen skin. "How pale you are, today. Come now, you must surely see the advantages of a connection with me? I can give you all of London, all of Britain's power and wealth." He stroked her hand again. "I've obtained the license, you know. Special dispensation." He chuckled. "Knowing Eddy really is such a tremendous help. It isn't easy, getting a special license from the dear old C of E. Clergy are such ruddy sticklers for details. However," he smiled brightly, "you will soon be Mrs. John Lachley and I will strew pearls of gratitude at your feet."

A choked sound escaped pale lips. "No..."

He frowned. "No? Of course you shall marry me, dear girl. I cannot have you living under my roof, unmarried. People will talk and talk is one thing I cannot afford."

She was struggling to speak. "My husband... children..."

Astonishment swept through him. "Married? You are married?" Then he began to laugh. "Widowed, you mean. I shot your dear husband dead in the street. Put a bullet into his head."

She strained away from him, dark eyes wide with revulsion. "No! Not Jenna... Marcus."

Lachley frowned again. "The man I shot was not your husband?"

The girl lay trembling, tears sliding down her face. She had given him only one name to call her by, despite the drugs he'd fed her, refusing against all efforts he'd made thus far to reveal her full name.

"What is your husband's surname, girl?"

She shook her head. "What... what is a surname?"

"A last name!" he snapped, growing impatient. "Dammit, I know they use surnames even in Greece!"

"Not Greek..." she whispered. "Poor Marcus, sold in Rome... He'll be frantic..."

She was babbling again, raving out of her head. He gripped her wrists, shook her. "Tell me your last name, girl!"

"Cassondra!" she shrieked the word at him, fighting his hold on her. "I am Ianira, Cassondra of Ephesus!"

"Talk sense! There is no city of Ephesus, just a ruin buried only the ancients know where! How did you come to London?"

"Through the gate..."

They were back to that again. The sodding gate, whatever the deuce that was. She babbled about it every time he questioned her. Lachley changed his line of attack. "Tell me about the letters. Eddy's letters."

Her eyes closed over a look of utter horror. "Lady, help me..."

Losing patience, Lachley poured the drug down her throat, waiting for it to take effect, then put her into a deep trance. She lay without moving, scarcely even breathing beneath the coverlet he straightened over her. "Now, then," he said gently, "tell me about the letters."

Her lips moved. A bare whisper of sound escaped her. "Eight letters..."

"Tell me about the eight letters. Who has them?"

"Morgan... down in the vaulted room with the tree and the flame that always burns..." A shudder tore through her despite the grip of the strong medication. "Polly is dead... and poor Annie, who could scarcely breathe... Stride carries Eddy's words beneath the knife... Kate fears the letter in her pocket, picks hops in the countryside, afraid to touch it... and the pretty girl in Miller's Court, she'll die cut into pieces, poor child, for a letter she learned to read in Cardiff..."

"What girl in Miller's Court?"

Ianira's eyes had closed, however, so deep in the grip of the drug that no amount of slapping would rouse her. Lachley paced the bedroom in agitation. What girl in Miller's Court? Annie Chapman hadn't mentioned any such person! He narrowed his eyes, thinking back to that last conversation with the doomed prostitute. They'd been interrupted, he recalled, just as she'd been telling him who she'd sold the letters to, mentioning Elizabeth Stride and Catharine Eddowes. He'd thought she was finished, after giving those two names, but wondered now if perhaps that interruption had kept him from learning the name of a third person in possession of Eddy's incriminating letters?

He swore savagely, wondering what in God's name to do now.

The bitch must be found, of course, found and silenced.

She lived in Miller's Court, Ianira had said. He knew the place from his childhood. Miller's Court was not a large space, after all. How many girls from Cardiff could there be, living in that dismal little square? He closed his eyes against such a monstrous spectre. A Welsh girl, in possession of Eddy's Welsh letters... Had she already sent a blackmail demand to the palace? Were Eddy's power and position in mortal peril, after all? Because Annie Chapman, the stupid bitch, had neglected to mention a third recipient of her letters?

He drew a deep, calming breath. Surely no blackmail demand had been sent, yet. Eddy would've come to him in a high state of panic, if one had. Hopefully, Polly and Annie's grisly fate had frightened the Welsh tart too deeply to act. Still, she had got to be found and done away with, the sooner the better. God, would this nightmare never come to an end? With yet another woman to trace and destroy, perhaps Lachley ought not send his damning Ripper letter to the press, after all? A moment's consideration, however, convinced him to risk it, anyway. Maybrick would be in London at the end of the week, so this girl in Miller's Court could be eliminated on the same night as Stride and Eddowes. Three women in one weekend was a bit much, true...

But he hadn't any real choice.

He spared a glance for the mysterious Ianira, pale and silent in her bed. "You," he muttered aloud, "must wait a bit. Once this business is done, however, I will discover the identity of your husband."

Christ, yet another murder to be undertaken.

This mess occasionally bade fair to drive him insane.

The silence in the dusty little Colorado mining town was so utterly complete, Skeeter could hear the distant scream of an eagle somewhere over the sunbaked mountains. The scrape of his chair as he dragged it harshly around and sat down caused several women to jump. Julius' too-young face, waxen with that ghastly, bluish color death brought, floated in his mind's eye, demanding vengeance. The dark look he bent on Sid Kaederman went unnoticed, because the detective was busy glaring at Orson Travers. Clearly, the Time Tours guide had stalled him off until Kit and Skeeter's return. The silence lay so thick, the creak of wooden floorboards as tourists shifted sounded loud as gunshots.

The moment Kit settled into an easy stance beside Skeeter's chair, Sid Kaederman growled, "All right, Travers, you want to tell us just what's been going on?"

"Yes, let's have the details, please," Kit agreed. "This is messier than you can possibly guess."

Orson Travers, an unhappy man made monumentally unhappier by Kit's pronouncement, cleared his throat. "There wasn't any hint of trouble on the way up here. Oh, it was a rowdy enough bunch, lots of high spirits. We packed our gear in by mule from Colorado Springs, whipped the town into shape for the competition, refurbished a couple of houses to bunk down in, built the target stands and laid out the course of fire for the running action events. All that prep work was part of the package tour, using nineteenth-century techniques to build the competition course and refurbish the camp. And we planned the wedding, of course—"

"Wedding?" Kaederman interrupted, startled.

A pretty girl in a muslin gown blushed crimson and leaned against a tall, gangly kid in buckskins. He grinned. "Got ourselves hitched proper, brought a preacher with us and all, held the ceremony over at the trading post last week."

"Oh, it was so wonderful!" his bride put in excitedly. "There were real Indians and mountain men and everything! And the silliest salesman you ever saw, selling ordinary crescent wrenches, called them a new high-tech invention out of Sweden, patented only three years ago. People were paying outrageous prices for them! It was amazing, I'd never seen anything like it, fur trappers and miners buying crescent wrenches!" The blushing bride was clearly determined not to let the tragedy of a double murder mar her honeymoon.

Kit smiled. "Congratulations, I'm sure it was a wedding to remember. Now, what the hell happened?" He swung his gaze back to the Time Tours guide.

Travers sighed. "The action and endurance course runs through the hills and gullies around town. The idea is, you stalk and shoot every full round of the course over a period of several hours, to test your endurance and accuracy under pressure. Well, Cassie Coventina, or rather, the kid we thought was Cassie Coventina, was moving steadily through it on horseback, just as planned. We put spotters out along the route to act as judges and scorekeepers, but she—I mean he—never made it to the first target. Let me tell you, it was one helluva shock, when Dr. Booker stripped that kid off and we discovered Cassie Coventina was a teenage boy in drag!"

Skeeter bridled. Kit pressed a restraining hand against his shoulder. "Never mind that, Travers, just tell us what happened."

The thickset guide shifted uncomfortably. "Someone ambushed him. Killed the kid and his horse. We found it on the trail, later. Joey Tyrolin claimed he and his porter followed the kid out onto the course. They weren't supposed to be out there, but Tyrolin was always so damn drunk, he pretty much did what he pleased. Guy claimed all he wanted to do was watch. Said he and his porter rode up right after the kid was ambushed. Tyrolin gave chase and killed the attacker—one of the drovers," Travers added unhappily. "A tourist who signed up to work the tour, so he could get a cheaper ticket."

"And Tyrolin killed him?" Kaederman asked softly.

An underlying tone in the man's voice, a tone Skeeter would've sworn was agitated anger despite those curiously chilly eyes, brought Skeeter's hackles up again.

"Oh, yes, Tyrolin killed him. Was bold as brass about admitting it, too. Said the man shot at him when he gave chase, so he fired back. Killed him stone dead. I'd have said it was a case of self-defense, if Tyrolin hadn't bolted out of camp with his porter and those kids, right after. While everybody was rushing around trying to set up an emergency field surgery, they just packed up their gear and rode off. We sent riders after them, of course, and half the tour group volunteered to help search. Not that we let anybody but guides and regular Time Tours drovers out of camp, after what happened with Tyrolin and that tourist. And the kid, poor bastard."

"I don't suppose," Kaederman put in, "you happen to have a photograph of Tyrolin and his porter?" The tension in his voice caught Skeeter's attention once more. Kaederman wanted that picture badly.

"Never mind the photo just now," Kit overrode him. "I presume you dispatched your courier to inform Denver of the double murders? After sending out the search party on Tyrolin's trail?"

"Yes. I'm the only guide left in camp right now. I sent everyone else and half the drovers out after them. Along with Dr. Booker. She insisted on going, in case her surgical skills were needed." Travers sighed. "So that's what happened on our end, but you haven't told us why you're up here, looking for Joey Tyrolin, too. Don't tell me he was a wanted criminal, up time?"

Kaederman said coldly, "You might say that. A terrorist, to be exact."

Gasps broke from the tourists. A couple of the women let out tiny shrieks.

Kit said a little wearily, "We've got troubles of our own on station just now. Big troubles."

"He's not kidding, either," Skeeter muttered. "Senator John Caddrick's on station. Threatening to shut us down if we don't bring back Joey Tyrolin. Among other things."

"Caddrick?" Orson Travers' face washed white.

"Yes," Kit nodded. "And it gets better. Joey Tyrolin's real name is Noah Armstrong. A member of the Ansar Majlis, that terrorist cult out of the Middle East. They murdered Cassie Tyrol in New York and kidnapped Caddrick's only child. Not to mention kidnapping Ianira Cassondra and her entire family. Between the Templars and the cult crazies flooding into the station and starting riots, we've had several critical injuries and nine murders. And if we don't find Jenna Caddrick and bring her back safely, her father will shut down Shangri-La for good. The Inter-Temporal Court's been called in, as a last-ditch measure to try and keep the station operational. Mr. Kaederman, here, was hired by the senator to help search for his daughter."

Travers looked like a slight breeze would've knocked him over.

Someone from the back of the crowd whispered, "Oh, my God. And we let the terrorist responsible get away!"

"Yes," Kaederman said with enough frost to freeze every cup of water in the room, "you did. And we're here to find him. Now, does anyone have a photo of Tyrolin and his porter? I want to make a positive identification of that bastard before we ride out after him and his hostages."

"I have a photo," a woman spoke up, pushing her way to the front. "I should have several, in fact." She ignored Kaederman, addressing Kit, instead, which left the Wardmann-Wolfe agent bristling. "Ellen Danvers, Mr. Carson, professional photographer. Hired to do the wedding party. I've been taking pictures steadily with a digital camera. I can bring all the disks for you to study, if you like."

Three minutes later, Skeeter found himself staring at a photograph of Marcus on the miniature screen at the back of Ellen Danvers' digital camera. He was clearly in disguise, but a guy didn't live through what Skeeter'd lived through, trying to rescue his friend from slavery, without getting to know that friend's face well enough to recognize him under any circumstances. The only reason he'd failed to spot Marcus at the gate's opening was Joey Tyrolin's masterful performance, drawing attention away from everything else within a thousand paces.

Ellen Danvers scrolled through shot after shot. "Joey Tyrolin was camera shy, considering how drunk he was all the time. I didn't get many shots of him. In fact, I had to work hard to get any photos of his face at all, and my client specifically asked for candids of the entire competition group." She'd used up dozens of disks taking pictures of just about everything but the horse dung.

"There," Miss Danvers paused the scroll, freezing a frame for them to look at. "That's them. Joey Tyrolin and his porter. And these are the porter's little girls. Beautiful children, both of them." The photographer's gaze was troubled as she glanced up at Kit. "We had no idea they were Ianira Cassondra's daughters, or that the porter was her husband. Are they really hostages?"

Sid Kaederman answered, voice still colder than spiked icicles. "They most certainly are, if they're even still alive. This," he tapped Noah Armstrong's photo, "is one of the most dangerous men in the world. Or rather, one of the most dangerous people. Armstrong's an intersexual, neither male nor female, able to assume any disguise he pleases. Armstrong's the cleverest, deadliest bastard I've ever run across. God help those kids, in the clutches of a monster like that."

Skeeter peered sharply at Kaederman, wondering about the level of venom. Was Kaederman that prejudiced against intersexuals? Lots of people were, Skeeter knew, although Kaederman didn't strike him as the type who would hate without reason. He could be playing some other game, however, painting Armstrong as the one thing Skeeter was beginning to suspect he wasn't: a terrorist.

Ellen Danvers, of course, with no reason to suspect Kaederman's motives or honesty, had paled, her expression stricken. "Those poor little girls! Can you find them?"

"We'll give it our best shot," Kit said quietly. "Let's check our gear and rations. I want to ride out within the hour."

Skeeter stayed where he was until Kit and the Wardmann-Wolfe agent had left the room. As the meeting broke up and the tourists milled around outside, trying to help and mostly dithering and getting in everyone's way, Skeeter took Ellen Danvers quietly aside and asked to see her photos again.

"All of them?" she asked.

He nodded, studying each of the shots in turn, looking carefully at every digitally recorded face. "You're sure you took pictures of every single person in the group?" he asked at length.

"Yes, quite sure."

"And there wasn't any way they could've been hiding someone else? In their luggage, say?"

"No, I don't think that would've been possible. Not an adult, anyway. The porter smuggled the children in his trunk, but they're such little things. I can't imagine how anyone could have stuffed an adult into one of those trunks."

"But they took their luggage with them? Steamer trunks, pack horses, all of it?"

Puzzled, she nodded. "Yes. Why?"

Skeeter merely shook his head. "Just a theory. Nothing I want to discuss, yet." He wondered if Kit had noticed, or Kaederman, for that matter, that the one face missing from Ellen Danvers' impressive collection of photos was Jenna Caddrick's? Nor did Ianira Cassondra appear in any of her shots, which struck Skeeter as both ominous and profoundly odd. If neither Jenna nor Ianira had come with Armstrong and Marcus, just where had the two women gone? Were they, in fact, hidden away in the steamer trunks? Or buried somewhere in a shallow grave? Skeeter's gut churned queasily. He didn't want to share those particular thoughts with anyone just yet, not until he could get Kit alone once more. He said only, "Thanks for letting me look through these again."

"Of course. Do you think there's much chance you'll be able to find them?"

Skeeter hesitated. "We'll do the best we can. I'm a good tracker. So's Kit. But they've got a good lead on us and it's a big country, out here. Frankly, I'm not holding out much hope. And I've got more reason than most to find them. Marcus is the closest friend I have in the world."

Ellen Danvers' eyes misted. "I'm sorry, Mr. Jackson."

"Thanks." He handed back the camera. "I'd appreciate it if you didn't mention this conversation."

"Of course." She hesitated. "You don't trust the senator's detective much, do you?"

Skeeter's laugh was as colorless as the burnt sky overhead. "Does it show that much? Would you trust a man working for Senator John Paul Caddrick?"

She bit one lip. "Well, no, not as far as I could throw him, which isn't very far. Good luck, Mr. Jackson. And be careful."

Her concern surprised Skeeter. He hadn't realized ordinary people could care so much. "Thank you, Ms. Danvers. I appreciate that, more than you know."

He left her peering at the screen on her camera, studying the photos, clearly wondering what, exactly, he'd been looking for. Ellen Danvers was a smart lady. He wouldn't be at all surprised if she didn't tumble to it on her own.

If she did, he hoped she kept it quiet as a tomb.

Elizabeth Stride was known throughout the East End for her stormy temper and her explosive relationship with her lover, Michael Kidney—a violent relationship she wasn't particularly ashamed of, any more than she was ashamed of the way she made her living. When Liz's younger lover drank, which was frequently, Michael grew abusive. And when she drank, which was even more often, Long Liz Stride grew belligerent. And when they quarelled, which was nearly every time they drank, Liz usually ended by slamming Michael's door behind her—if he hadn't padlocked her in again to keep her off the streets.

On Wednesday, September 26th, after another violent and drunken row, Long Liz Stride found herself on the streets once more, fuming and furious and looking for a bed at her favorite lodging house, 32 Flower and Dean Street. The kitchen was filled with more than a dozen women and girls of all ages, most of them cold and frightened and in various stages of drunkenness. All of them whispered about the shocking murders which had struck down so many women just like them since Easter Monday.

"—scared to let a man touch me, I am," one girl of seventeen was whispering miserably, "but I got to eat, 'aven't I? What's a lady to do, when she's got to eat and there ain't no other way to put bread in 'er Lime'ouse Cut, but lift 'er skirts for whatever man'll pay 'er to do it?"

Liz had, until recently, entertained her own ideas about the infamous Whitechapel Murderer, as the newspapers had taken to calling him. She had spent a hard-earned shilling to buy a short, blunt knife to carry in her pocket as protection, after what had happened to Polly Nichols and Annie Chapman. Ever since Dark Annie's murder, Liz had been terrified to do anything about her own letter. But surely, if Annie had been killed because of these letters, the killer would have dragged out of the poor woman the identity of everyone she'd sold the letters to? Logically, a killer looking for those letters would've found that out first thing, then come after anyone who'd bought one. But nearly two weeks had passed and no one had come knocking on her door, so the newspapers must be right and poor Annie had simply fallen victim to a madman, same as poor Polly Nichols, a week before.

Besides, there were those other women killed, Martha Tabram on August Bank Holiday and Emma Smith on Easter Monday, and they couldn't have had anything to do with Annie Chapman's letters, which, by her own admission, she'd had from Polly, rest her soul. Still, Liz bought that knife, and she was careful not to approach any potential customers resembling the descriptions of the killer.

As Liz hesitated on the doss house's kitchen threshold, a woman she'd met during her last visit called out a greeting. "Why, Liz," Catharine Long exclaimed, gesturing her to a vacant chair beside the hearth, "I haven't seen you here in three months! Whatever's happened?"

Liz joined her, grateful for the warmth of the coal fire. The weather outside was blustery and wet, cold enough to turn her ungloved fingers red. "Oh, I had words with my man, is all. I'll let him cool his temper for a few days, then he'll see the error of his ways and I'll go back to him, drunken fool."

"But will he take you back, Liz?"

She smiled a little grimly. "Oh, yes, Michael will take me back." She patted her pocket, where several folded sheets of foolscap rested, down beneath that sharp little knife. Surely it must be safe to do something about her little investment now? And with the blackmail money she would obtain, Michael would certainly take her back, temper or no. All she had to do was find a Welshman in one of the ironworks sprawled through the vast shipyards to translate her letter and she would be rich. More than rich enough to tempt any man she wanted.

"Yes," she said again, her slight smile at odds with the atmosphere of terror and misery in the kitchen, "Michael will take me back, Catharine. So tell me the news, it's been an age since I saw you."

"Oh, I'm fine enough, Liz. But these killings..." Catharine Long shuddered. "And the police are such hopeless fools. You heard what Sir Charles Warren's done?"

Liz shook her head, not particularly interested in what the head of the Metropolitan police force did. As long as a woman kept moving and didn't try to stand in one place, coppers generally didn't bother her. "No, I haven't heard."

"He's taken every single East End detective off the beat! Assigned them to patrol west London. And he's switched about the West End detectives to patrol Whitechapel and Spitalfields and the docklands. Have you ever heard of suchlike? Why, the detectives out there don't even know the street names, let alone the alleyways this madman must be using to escape!"

A woman seated beside them moaned and rocked back and forth. "They don't care about us, so they don't! All they want is to show the ruddy newsmen they've put a few coppers on the street. Not a man Jack of 'em gives a fig for the likes of us. Now if it was fine ladies he were cuttin' up, they'd have a policeman in every house, so they would..."

Liz and Catharine Long exchanged a long, silent look. It was only too true, after all. Despite the show of putting extra men on the beat, both women knew they would have to defend themselves. Liz clutched the handle of her knife through her worn skirts and held back a shiver. Perhaps she ought to just burn the letter?

That won't do you any good if he comes after you, she told herself grimly. Might as well get some money out of it, then leave London, maybe go across to America.

She'd find someone to translate the sheets of foolscap for her, get out of this hellhole, live decently for a change. Meanwhile, she'd do a bit of charring to earn her keep, maybe offer to clean some of the rooms in the lodging house for a few pence. She might even ask around the Jewish community to see if anyone needed a charwoman for a few days. She'd done a great deal of char work for Jewish businessmen and their plump wives. They knew her to be dependable when she could get the work. And not a lot of charwomen would work for a Jew just now, not with these Whitechapel murders being blamed on a foreigner, same as that Lipski fellow last year, who'd poisoned that poor little girl, barely gone fifteen.

Long Liz didn't care how many people in the East End hated Jews or called them dirty, foreign murderers. Work was work and she certainly didn't mind cleaning houses, if it came to that. Charring was better than selling herself and she'd done that enough times to keep body and soul together, not only here in London, but back in Sweden, too, so what was a little thing like charring for a few Jews? Besides, she wouldn't need menial work much longer, would she? Not with money to be made from Annie Chapman's legacy.

"Say, Catharine," she asked quietly, leaning close to her friend so as not to be overheard, "do you know any Welshmen?"

Her friend gave her a startled glance, then laughed. "Oh, Liz, you are a piece of work! Quarrelled with your man this morning and looking for a replacement tonight! Try the Queen's Head pub, dearie, I've heard there's a Welsh ironworker from the docks with money in his trous, likes to have a drink there of an evening."

Long Liz Stride smiled. "Thank you, Catharine. I believe I will."

By week's end, Elizabeth Stride intended to be a rich woman.

The trail Armstrong had taken out of camp did not lead south, along the shorter route to Colorado Springs and the railway station. Armstrong and Marcus had fled north, the long way up toward Florissant. By nightfall, Skeeter, Kit, and Sid Kaederman, along with their guide, were deep in the Colorado Rockies, following the path the other Time Tours guides had already taken. They camped overnight in a sheltered nook of rock out of the wind, then set out at first light, covering ground rapidly along a trail Skeeter, at least, could've followed blindfolded. He'd hunted with the Yakka Clan often enough to learn what spoor to follow through rough country. "It hasn't rained for a while, at least," Skeeter muttered, studying the fading trail which sporadic wind gusts had partially obliterated in the more open spots. "Fortunately, their trail was protected in low-lying areas like this." He pointed to faded hoofprints. "They were in a tearing hurry, too. The Time Tours guides who came through after them weren't moving nearly as fast as Armstrong and Marcus."

"How do you know that?" Kaederman demanded.

Skeeter shrugged. "I've tracked quarry through broken country before. Look," he dismounted and crouched down alongside the trail, pointing to a mishmash grouping of hoofprints. "These are the oldest prints. They're nearly a blur from the wind filling them in and the mud's completely dried out. And look how far apart the stride is." He paced off the distance between hoof prints. "They were moving at a fast canter or a slow gallop, depending on the height of their ponies. Given the weight their pack horses are carrying, that's a gruelling pace to keep up. These other prints, the fresher ones from the search party, are a lot closer together. They're trotting, at best. They'll never catch up if Marcus and Armstrong keep up the pace they've been holding, pushing their ponies that fast."

"But they'll wear out their horses in no time!"

"Not if they're smart and careful," Skeeter disagreed. "I've been studying these prints all morning. They slow to a walk periodically to give the horses a breather, probably more for the pack animals' sake than the riding mounts. And I've spotted a couple of places where they dismounted and let the animals rest and graze. But when they're in the saddle, they're moving fast. Judging from those photos Ellen Danvers took, Armstrong can't weigh much more than one-thirty, one-forty, and Marcus is slender, too. He and Ianira never had the money to indulge overeating. Even with the children, he's probably lighter for a pony to carry than I am and I'm not exactly massive, myself. Armstrong is obviously no fool. I'd say he knows exactly what he's doing. As long as they're careful with the pack animals, or don't care about abandoning their baggage, they won't founder those horses. And wherever they're going, they'll get there a lot sooner than any of us will."

The big question Skeeter couldn't answer from these tracks, however, was whether or not any of the Time Tours guides or drovers searching ahead of them might be in the pay of the Ansar Majlis. If he'd been part of a terrorist cult dedicated to murdering someone like Marcus and Ianira, he would've sent more than one hit man through the Wild West Gate. Which left Skeeter wondering just how many killers they might yet run into on this trail—or how much use Sid Kaederman would be, if they did. He kept his eyes and ears open and hoped they didn't stumble into an ambush somewhere along the way.

By their third day of hard riding, they'd swung around the north flank of Pikes Peak and were moving east toward the rail line again. They had to call a brief halt when Kaederman's pony pulled up lame. The detective dismounted stiffly and watched unhappily as Meinrad showed him how to check his pony's hooves for stones, lifting each foot in turn to check the soft pad known as the frog. They were prying loose a sharp rock from his near forefoot when Skeeter heard it: a faint, sharp report that echoed off the mountains. Another distant crack reached them, like a frozen tree splitting wide open, then a third, followed by a whole volley. The sound fell into an abruptly familiar pattern.

"Gunfire!"

Lots of it.

Kit jerked around in the saddle. "Jeezus Christ! There's a war breaking loose out there! Kurt, we don't have time to wait, nursemaid him when you've got that pony's hoof cleared! Skeeter, move it!" Kit clattered off at a gallop just as Skeeter jerked his shotgun out of its scabbard. Skeeter put heels to flanks and sent his mount racing after Kit's. He leaned low over his horse's neck, his double-barrel clutched in one hand like a war spear, and snarled into the teeth of the wind. Even above the thunder of hooves, he could still hear gunfire popping ominously ahead. He couldn't imagine locals producing that much gunfire. But the Ansar Majlis easily could. Had the Time Tours guides found Marcus and the girls after all, bringing them back toward camp, only to ride into the fusillade of an ambush?

Kit crouched so close above his horse's neck, he looked like a fluid statue cut from the same flesh as the racing animal. The retired scout surged ahead, splashing through a shallow, rocky creek and switching with consumate skill around outcroppings, tumbled boulders and loose piles of scree. Skeeter's horse slipped and slid through the jumbled heaps of weather-fractured stones, then drew up nose to tail behind Kit's, nostrils distended and running flat out. This was bad country for a full-bore charge. If either nag put a foot wrong at this speed...

A sudden silence ahead robbed him of breath. Then the staccato pop of gunfire rattled again in the harsh sunlight, sporadic but closer than before. Somebody had to reload. Several somebodies. Both sides, maybe. Which meant there was a chance the Ansar Majlis were using period firearms, rather than modern stuff smuggled through the gate. Against black-powder guns, even replica models, his friends might stand a halfway decent chance. Given the sound of that shooting, whoever was under attack was firing back, giving at least as good as they were getting.

Then Kit was reining in and Skeeter pulled up hard to slither to a halt beside him, both horses blowing from the run. Kit held up a warning hand, then pointed down into a narrow little arroyo. Two riderless horses pawed the dusty ground uncertainly, skittish and laying their ears back each time gunfire tore through the hot sunlight. Their riders lay pinned between an outcropping of stone and a jumble of boulders, firing up toward a knife-edge ridgeline that lay to Skeeter and Kit's left. Skeeter dragged his field glasses out of his saddle bag, the brass warm with the scent of hot leather, and peered toward the ridgeline while Kit studied the riders pinned below.

"That's a Time Tours guide," Kit muttered. "And Paula Booker!"

"Shalig!" Skeeter snarled under his breath. "There's at least six gunmen up there." He pointed toward the narrow ridgeline. "Counting puffs of smoke, at least six, maybe more."

"Six?" Kit shot back, brows diving toward his nose. "That's too many for Armstrong's crew."

"Maybe. How many guys did he plant with those drovers?"

Kit swore. "Shalig is right. Let's get around the back side of that ridge, come at them from behind."

They had to abandon the horses halfway up, the slope was so sharp. Skeeter panted for breath and scrambled for handholds, climbing steadily, shotgun gripped awkwardly in one hand. Kurt Meinrad and Sid Kaederman, arriving late, struggled to climb the same slope in their wake. Skeeter gained the top and bellied forward, lying flat so he wouldn't skyline himself and make a visible target above the ridge. Kit slithered out beside him, grunting softly and peering through his own field glasses. Kurt Meinrad arrived just as Kit began surveying the scene below. Skeeter handed the guide his own field glasses and jerked Kaederman down when the idiot just stood there, standing out like a neon sign flashing "shoot me." Skeeter waited in a swivet, using the naked eye to mark spots where gunmen lay hidden in the rocky outcroppings of the ridge. Meinrad gave a sudden grunt.

"Huh. That's no pack of terrorists, Carson."

Kit swung a sharp look on the Time Tours guide. "Oh?"

"That's the Flanagan brothers. With a couple of their low-life pals. Irish railroad men who took to holding up trains after they finished laying track. Small-time thugs, temporal natives. We've had trouble with them before, roughing up a couple of the tours. They like holding up stage coaches, too, and robbing campsites."

"They may be small time, but they've got your guide and Paula Booker pinned down neat as any trap I've ever seen," Kit shot back. "And if they're down-timers, we don't have any guarantee they can be killed, even if we shoot amongst 'em."

"Maybe not," Skeeter said, misquoting a favorite mid-twentieth century television show he'd watched endlessly in reruns, "but I'll bet you credits to navy beans I can put the fear of God into 'em."

Before Kit could reply, Skeeter let out a war whoop and charged down the precipitous slope, yelling and cursing in twelfth-century Mongolian and loosing off rounds as fast as he could jam shells into his scattergun. Six astonished faces swung up toward him. Skeeter let fly another round of buckshot and heard Kit scrambling down the slope after him, yelling in some unknown, bloodcurdling language that left Skeeter's hair standing on end. Kit's Model 73 barked with a roar like thunder. Lead whined off rock so close to a Flanagan brother's ear, the man jumped six inches straight up and landed running.

When Kurt Meinrad joined the insane plunge, shooting and shouting on Kit's heels, it was too much for the Flanagans. They all broke and ran, heading for ponies concealed in the brush. A clatter of hooves rattled away in a boiling swirl of dust, then Skeeter slithered to a halt, panting and sweating and wondering if he'd completely lost his mind, pulling a stunt like that. But he hadn't felt this alive since returning to civilization at the age of thirteen—with the possible exception of fighting for his life in the Circus Maximus.

Kit Carson, hair dishevelled, jaw unshaven, pale eyes alight with an unholy look that might've been fury or glee, stalked toward him. "Skeeter, you lunatic! What possessed you to pull a bone-headed piece of insanity like that?"

Skeeter grinned. "Got rid of 'em, didn't it?"

Kit's mouth thinned. "Yes. And I could be piling rocks over what was left of you, too."

"Well, hell's bells, Kit, I never yet met a bully who wouldn't back down when confronted."

One corner of Kit's lips twitched. "Next time, wait for instructions."

Skeeter sketched a sloppy salute. "Yessir!"

"Huh. Thank God you were never in the army, Skeeter, you'd have ended in Leavenworth inside a week. All right, let's go find out what that Time Tours guide is doing out here by himself with Paula Booker. Besides playing bait for every outlaw in the territory."

Wordlessly, they headed down into the rocky defile.