The Echo

CHAPTER TWENTY

Campbell didn’t know what was more horrifying—the Zapheads closing in from all around, or the sinister gleam in Wilma’s eyes. The sinking sun splashed a volcanic orange on her irises, a ménage of madness and pleasure.

She clutched at his arm, almost purring. “Aren’t they beautiful?”

As the Zapheads emerged from the forest and negotiated the fence with their flailing, awkward movements, Campbell thought they were the most hideous things he’d ever seen. Their clothes—what still remained, anyway—hung in rags and tatters, and their hair was wild and unkempt, most of the men with scruffy facial hair. They even moved differently than they had weeks ago, almost like sleepwalkers, as if they’d forgotten how to tear a man limb from limb while his heart was still beating.

Campbell looked for an opening, a direction in which to flee. But it would probably come down to luck.

Unless…

“The house,” he said. “Have you been in it?”

She laughed. “I used to live here. Until something better came along.”

“Come on.” Campbell grabbed her arm.

She shuddered out of his grip. “You can’t run from them.”

“Like hell you can’t. What’s wrong with you?”

The Zapheads in the equipment shed had come fully out of the shadows. There were five of them. They could have been a welfare family from the past, as dirty as chimneysweeps and as somber as undertakers. If they harbored any mindless rage, it was well hidden. They might have been assembling for soup kitchen at some charitable church.

Because they’re hungry for…something.

He didn’t believe in zombies, not in real life. That was for video games and movies. He’d blown apart more than his share of zombie heads in Left 4 Dead, although those animated monsters were rapidly replenished to keep the fake adrenalin pumping. He wasn’t sure his mastery of the game would translate to the real world, the After, but he sure wished he hadn’t left his gun back at Wilma’s camper.

Without a gun, all he had was his feet.

And brainzzzz. Don’t forget your brainzzzz.

“I’m going in,” he said to Wilma. “You coming or not?”

“I’m not welcome there anymore.”

She seemed so much at peace, almost childlike. No wonder she’d implored him to feel no fear—she was too far gone to embrace anything but bliss. She was like that preacher back in Taylorsville, when Campbell had been trapped in the church and surrounded by Zapheads. The preacher had welcomed them as if only too glad to offer himself as a sacrifice, as if his life needed to come to the same conclusion as that of the savior he celebrated.

The Zapheads crossed the meadow with a solemn relentlessness, and Wilma turned in a slow circle as if marveling at—

What? Their very existence? The fact that they haven’t killed her yet?

Campbell owed her one more try. She was a fellow survivor after all, or maybe he was just afraid to be alone, to face whatever future lay ahead.

“We can hole up in there, barricade the doors. Maybe find a weapon.” He was already moving toward the porch, keeping surveillance on the soup-kitchen family and the three naked men coming up the driveway, their eyes coruscating like tiny golden disco balls.

“Be not afraid,” Wilma said, but her voice was distant, as if she were talking to herself or maybe so looming presence in the darkening sky that only she could see.

“Well, I am about to crap my pants over here. And that won’t do any wonders for my sprinter’s speed.”

Wilma gave a gentle shake of her head, dismissing him. The flesh around her eyes creased in pity, although her face kept that rapt shine in the sun’s dying light. She was almost golden herself, an idol cast in veneration of After and its shambling, soulless acolytes who heeded the inaudible call.

Campbell dashed across the shaggy, ankle-deep lawn, dew already collecting on the grass and wetting the cuffs of his jeans. He took the steps three at a time, already making Plan B because he was positive the door would be locked. Because that was just the way his luck had been running since the world had ended. Hell, maybe even long before then.

But when he yanked open the screen door, the front door was already ajar, a sweet musky aroma wafting through the crack.

The interior was dark, all the curtains apparently drawn, but Campbell took a last gulp of outdoor, meadow-flavored air and burst inside.

He balled his fists, ready for a dozen Zapheads to jump him. Maybe he’d been foolish and would have had a better chance in open space, but he couldn’t deny the security that a door suggested.

After ten tense seconds, during which time his heart managed one slow thud and then a staccato flurry of arrhythmia, he relaxed just a little. And then the smell hit him, a putrid slap in the face. As an undergrad at UNC, he’d had a work-study job tending laboratory rats used in cell research. The rodents were stacked in wire cages in a small basement room of the science building, and the stink of death, feces, and spoiled food had seeped into the concrete floor and walls like paint.

Campbell backed the door shut, then fumbled with the lock. If he had to escape, that would cost him another second or two, but he still felt a little safer not having to guard his back. He wasn’t sure Zapheads knew how to operate doors and locks—his observation of them had been mostly smash and maim, except for their odd funeral procession of the night before.

Out of habit, he fumbled for the light switch, then he caught himself and tapped the wall with the bottom of his fist. The house was quiet, but somehow that made it even more sinister, as if ghosts were lurking in the cobwebs and would swoop down at any second. As his vision adjusted to the gray netherlight that leaked through the curtains, he felt his way down the hall until he came to the big square of an open room. Mingled with the corrupt stench of death was a cloying, charred odor of a cold fireplace.

He dug in his pocket and retrieved his penlight, the one artifact he’d been smart enough not to leave back at the camper. Shielding the beam and bracing for an assault, he flicked it on. The battery was nearly dead and it cast little more than an orange cone of fuzz, but it was enough.

More than enough.

He was in a dining room, a large stone hearth at one end, a high window on the adjacent wall that faced the yard. The oak flooring was pitted and worn with the footfalls of decades, and a staid pastoral scene of slaves cutting wheat filled a painting frame above the mantel. An antique hardwood buffet stood against a wall, topped with dusty china and silver service sets. But it was the long table in the center of the room that turned the scene from Norman Rockwell to Alfred Hitchcock.

A dozen corpses circled the table, sitting up stiffly against their high-backed chairs.

At first, Campbell thought it was a farm family, the house’s occupants, trapped at a last supper by the sudden death served up by solar storms. But these corpses were fresher, less disintegrated than their human counterparts scattered across North Carolina and presumably the world. Most horrible of all, their eyes were peeled open, clots of darkness staring into a long nothing.

The closest corpse, mercifully facing the other way, was a young girl of maybe eight or nine, a blue bow in her blonde hair. At the head of the table was a paternal old man, the penlight glinting off his bald head and the pair of round spectacles perched delicately on the end of his nose. Lining each side of the table were men, women, and adolescents all sharing that same hollow-eyed gaze. One of the women had a toddler in her lap, a bib tucked under his plump, discolored chin.

Zaps. Goddamned creeping Zaps.

Unlike the Zapheads outside, who might even now be closing in before he had a chance to check the back door and windows, the assembled dead were all dressed in clean clothes, the men in jackets and clumsily knotted ties, the women in dresses and jewelry. They each had empty plates before them, with silverware and napkins laid out for a formal meal. But it was the centerpiece—the main course—that was most chilling of all.

Laid out on the table, hands folded neatly over his chest, was the Zaphead the soldiers had killed the evening before. He was naked, his hands covering the clotted smear of dried blood where he’d been shot through the heart. Someone had combed his hair and apparently washed the body. He’d been filthy while incarcerated by the soldiers, but here he had been tended like…

Campbell couldn’t complete the sickening thought and fought down a rising gorge of nausea. He couldn’t afford weakness, so he backed out of the room, reeling with the possibilities.

Did Wilma do this? She’s nutty enough about the Zaps to do such a thing.

But that was impossible, because they’d been together since the Zapheads had retrieved the corpse. He recalled her cryptic words: “I’m not welcome there anymore.”

“So, wonder what joys are waiting upstairs,” he whispered, mostly to hear his own voice and be reassured that he hadn’t, in fact, gone mad along with Wilma. Except he might be talking to the Pete-guy in his head, and that wasn’t a good sign. “Maybe one of those hillbilly orgies, a necrophilia wet dream.”

Something pounded on the front door. And again.

“Nobody home,” he said, giggling.

The pounded grew insistent, and then multiplied, a rain of wooden blows. Campbell covered his ears and fled to the end of the hall, climbing the stairs. The back door might be open, and the Zapheads would get in sooner or later anyway. None of that mattered. All he cared about was flight, movement, the illusion of escape.

During his Psych 101 class, he’d learned all about the house as a metaphor for consciousness and the mind. It made sense on every level—the dark basement where the bad things lurked in shadow, the ground floor of habit and routine and comfort, the stairs to measure spiritual and emotional ascension.

And the attic…

Which usually had only one narrow access door, easily blocked or defended.

“What do you think, Pete?” he said, reaching the second-floor landing and facing several doors. “Do we take Door Number Two with the all-expenses-paid trip to Paris, or do we stay practical and go for Door Number Three and the brand-new Buick Skylark?”

If Pete were alive, he’d want Door Number One, which likely contained dope, booze, and wasted teen-aged girls, with Death Cab for Cutie on the jambox and a carton of cigarettes on the coffee table.

If only, Petey. If only.

Campbell tried the nearest door. He could only endure one glance before he killed his penlight and vomited.