The Dragon DelaSangre

Chapter 15

To my relief, a courier finally delivers a packet from Miami on the morning of our sixth day on the boat. I open it in the marina office, take out two manila envelopes-one labeled ELIZABETH DELASANGRE, the other marked JORGE SANTOS-feel the heft of each and grin. I know I have no need to check the contents of either. No matter how much Tindall balks or complains, he does what's necessary as quickly and completely as possible-especially when he's threatened.

Envelopes in hand, I rush back to the Grand Banks. I'm tempted to open the Santos file immediately but, instead, I store it in the chart drawer by the lower helm and go below to wake my bride. Once we're at sea, I think, there will be plenty of time to read up on the man.

Elizabeth groans when I gently stroke her awake. "Bother me later," she says and burrows below her covers.

"Look." I throw the manila envelope labeled ELIZABETH DELASANGRE on the bed next to her. "The courier finally came. We can leave."

She sits up, opens the envelope. "How soon?" she asks, sitting cross-legged on the bed, naked, her small round breasts swaying slightly as she sorts through the official documents, examining the birth certificate, passport, Social Security card, Coral Gables High School diploma, Florida's driver's license and voter's registration card that all bear her name.

As usual I'm delighted with her appearance whether she's in human form or dragon. I sit next to her, cup one breast in my hand, consider lying with her. But, I know, once underway, there will be more than enough time for that.

Elizabeth stares at me when I take my hand away, shocked, I think, that I could ever resist her. "Later," I say, my mind on home, planning the steps necessary to getting underway, letting myself fully smile for the first time in days. "We're leaving now."

Her pillow hits my back as I leave the cabin.

Ordinarily Elizabeth takes her time getting up, going about the business of washing and dressing in preparation for the day. But today I barely have time to reach the fly-bridge and start the motors before she joins me.

Wearing only a skimpy, bright blue bikini, her hair wildly in disarray, she smiles at me. "So let's get going," she says.

But Elizabeth offers no help. She yawns, looks away when I attempt to tell her about the motors and instruments. "Just teach me how to drive the boat," she says. "I don't care how it works."

She only comes close to me when I turn my attention from her to the gauges and dials on the console in front of me. "Is it later yet?" she says, pressing against me.

I shake my head, trying to keep my mind off the soft warmth of her body, the sweet smell of her, while I make sure the engines warm up properly, the systems all work.

Taking the wheel, I tell Elizabeth to jump off the Grand Banks, instruct her on how to disconnect the shore power and uncleat the dock lines. She glares at me, waits until I say, "Please."

Even then, she moves so slowly I'm tempted to do it myself. But I find I can't keep from admiring the catlike way she moves, grinning at her less-than-nautical efforts. When she finally finishes, I throw the boat in gear.

Elizabeth hops back on the boat as soon as it starts to move. Obviously aware of my gaze, she moves slowly on the bow deck, coiling and stowing the lines where I say, bending and twisting more than necessary, moving in such a way that her breasts seem to be on the verge of escaping the bikini's flimsy cups-the sweat from her exertions glistening on her mocha flesh, spotting the bikini, making it cling all the more where the skin is wet.

I stare, thinking of how salty she must taste.

Elizabeth looks back, laughs, cries out, "Peter!" and points behind me, "Watch out for that pole!"

My face flushed, I throw the motors out of reverse, push the throttles forward just enough to stop our rearward movement, complete our turn without striking the channel marker.

"Captain," she says, hands on her hips, "you really should keep your eyes on where we're going."

"You're not making it easy for me, you know," I say.

"Oh," she says, all innocence, toying with her bikini top, suddenly yanking it up, flashing me a quick glimpse of her firm mocha breasts, her dark brown nipples, then covering them. "I thought you weren't interested anymore."

I begin to frown at her but, somehow, I end up smiling. "I never said I wasn't interested."

"That's how you acted," Elizabeth says. She turns her back on me, looks forward as we glide past the other boats still tied to their docks.

I know she's punishing me for my earlier neglect, but still I almost gasp when she shouts, "You'll never get anything like this!"

Shocked, hurt, I begin to reply, then realize she's reacting to the leering gaze of an older, potbellied man, sitting on the stern of a catamaran at the end of the dock, an unlit cigar clamped in his mouth. His elderly wife, sitting beside him-a woman whose entire body seems to sag inside her one-piece, black bathing suit-follows the movement of our boat, shaking her head in disgust, not at her husband but at my wife.

Elizabeth pulls off her top, waves it at her, then as we pass, yanks her bottoms off too. The cigar falls from the man's mouth.

"Eat your heart out!" I yell, gunning my motors, creating a wake behind us that I know will still rock them long after we're out of sight.

On the deck Elizabeth spins and whoops, throws her bikini into the air. Then she faces forward and, spreading her arms and legs, lets the wind-created by our speed-caress her naked skin, and dry the sweat from her body. She stays that way, oblivious to the stares of any passing boaters, until we exit the harbor. When she finally turns and looks in my direction, I motion for her to come join me on the flybridge.

"You aren't mad, are you?" she calls out.

I look at her and shake my head. "How could I be?"

Elizabeth grins, rushes to the bridge. She hugs me, kisses me on the cheek and whispers, "I want you."

"Not yet," I say, working the wheel, guiding the boat through the worst of the ocean's swells near the shore.

She presses her naked body against my side, her skin cool from the wind-her nipples rock hard. I try to ignore her, tend to my piloting, but she rubs against me, kissing my neck, tugging at my clothes.

"Elizabeth!" I object.

She laughs, continues to tease me and I suck in a breath, and force myself to pay attention to the boat traffic around us, the movements of the waves. But the farther Jamaica falls behind us, the less able I am to concentrate, the more conscious I am of Elizabeth's presence beside me. Far before the ocean swallows the last remnant of the island's image, I give in, set the autopilot, tear off my clothes and turn all my attention to my bride.

"It's about time," Elizabeth says, disengaging from me, walking slowly to the bench seat at the rear of the flybridge. Perfectly aware that my eyes follow each movement of hers, she lies on the bench facing me. "Come, Peter," she says. "You've already made me wait far too long."

Staring in the daylight at her naked body, I whisper, "Now I guess you'll want me to make up for having you wait."

"I wish you would, Peter…"

Later neither of us bothers to dress. We lie holding each other, listening to the rumble of the engines, letting the sea wind wash over us, smelling the salt air, being lulled to sleep by the rolling rhythm of our passage.

Neither of us wakes until after dark. Without a word or a thought between us we change shape and take to the evening sky to hunt, to kill and to feed. Later we make love again on the rear deck of the flybridge and then give in to sleep, waking after dawn to find the sunlight burning down on us, searing our scales. We change to our human forms, go below deck to continue our slumbers and the next night we repeat the pattern, preying on the crews and living cargo of dilapidated smuggling boats, attacking the countrysides of poor islands, creating a host of new folk tales I'm sure will terrify many uneducated island children for years to come.

Time turns elastic. I lose track of the days, forget to check on our location. The books I bought go unread. Jorge Santos's file remains untouched in the drawer next to the lower wheel. Elizabeth and I sleep through the days. We hardly talk, share nothing of our thoughts and histories. Sometimes I worry, we only seem to care about the next hunt, the feeding that follows and the lovemaking after that.

Late one afternoon, before we've changed to our natural forms, before the sky has grown dark enough to allow us to hunt, Elizabeth comes to me, her eyes glistening from the tears she's holding back. "I tried to talk to Chloe just now-we've been mindspeaking each day… I couldn't reach her."

I nod, check the GPS, then wrap my arms around her-surprised at how tender her tears make me feel, pleased to have her come to me for comfort. "We're near Cuba," I say. "Too far for mindspeaking. Even we have limits. You'll have to write her from now on."

"It won't be the same." She pouts.

"No, it won't," I say. Elizabeth pulls away and I wish I knew what to say to her to ease her sadness.

Later we change and hunt, make love and sleep. We do the same the day after that. The Grand Banks and the ocean that surround it have become our only universe. I wonder what will lie beyond it.