THE DEAD MAN

Professor Max Redford opened the frosted glass door of the reception room and beckoned to me. I followed him eagerly. When the most newsworthy doctor at one of America's foremost medical schools phones a popular-science writer and asks him to drop over, but won't tell him why, there is cause for excitement. Especially when that doctor's researches, though always well-founded, have tended towards the sensational. I remembered the rabbits so allergic to light that an open shade raised blisters on their shaved skins, the hypnotized heart patient whose blood-pressure slowly changed, the mold that fed on blood clots in a living animal's brain. Fully half my best articles with a medical slant came from Max. We had been close friends for several years.

As we hurried along the hushed corridor, he suddenly asked me, “What is death?"

That wasn't the sort of question I was expecting. I gave him a quick look. His bullet-shaped head, with its shock of close-cropped grizzled hair, was hunched forward. The eyes behind the thick lenses were bright, almost mischievous. He was smiling.

I shrugged.

“I have something to show you,” he said.

“What, Max?"

“You'll see."

“A story?"

He shook his head. “At present I don't want a word released to the public or the profession."

“But some day—?” I suggested.

“Maybe one of the biggest."

We entered his office. On the examination table lay a man, the lower half of his body covered by a white sheet. He seemed to be asleep.

Right there I got a shock. For although I hadn't the faintest idea who the man was, I did recognize him. I was certain that I had seen that handsome face once before—through the French windows of the living room of Max's home, some weeks ago. It had been pressed passionately to the face of Velda, Max's attractive young wife, and those arms had been cradling her back. Max and I had just arrived at his lonely suburban place after a long evening session at the laboratory, and he had been locking the car

when I glanced through the window. When we had got inside, the man had been gone, and Max had greeted Velda with his usual tenderness. I had been bothered by the incident, but of course there had been nothing I could do about it.

I turned from the examination table, trying to hide my surprise. Max sat down at his desk and began to rap on it with a pencil. Nervous excitement, I supposed.

From the man on the examination table, now behind me, came a dry, hacking cough.

“Take a look at him,” said Max, “and tell me what disease he's suffering from."

“I'm no doctor,” I protested.

“I know that, but there are some symptoms that should have an obvious meaning even to a layman." “But I didn't even notice he was ill,” I said.

Max goggled his eyes at me, “You didn't?"

Shrugging my shoulders, I turned—and wondered how in the world I could have missed it at the first glance. I supposed I had been so flustered at recognizing the man that I hadn't noticed anything about him—I had been seeing the memory image more than the actual person. For Max was right. Anyone could have hazarded a diagnosis of this case. The general pallor, the hectic spots of color over the cheek bones, the emaciated wrists, the prominent ribs, the deep depressions around the collar bones, and above all the continued racking cough that even as I watched brought a bit of blood specked mucous to the lips —all pointed at an advanced stage of chronic tuberculosis. I told Max so.

Max stared at me thoughtfully, rapping again on the table. I wondered if he sensed what I was trying to hide from him. Certainly I felt very uncomfortable. The presence of that man, presumably Velda's lover, in Max's office, unconscious and suffering from a deadly disease, and Max so sardonic-seeming and full of suppressed excitement, and then that queer question he had asked me about death—taken all together, they made a peculiarly nasty picture.

What Max said next didn't help either.

“You're quite sure it's tuberculosis?"

“Naturally I could be wrong,” I admitted uneasily. “It might be some other disease with the same symptoms or—” I had been about to say “or the effects of some poison,” but I checked myself. “But the symptoms are there, unmistakably,” I finished.

“You're positive?” He seemed to enjoy drawing it out.

“Of course!"

He smiled. “Take another look."

“I don't need to,” I protested. For the first time in our relationship I was wondering if there wasn't something extremely unpleasant about Max.

“Take one, just the same."

Unwillingly I turned—and for several moments there was room in my mind for nothing but astonishment.

“What kind of trick is this?” I finally asked Max, shakily.

For the man on the examination table had changed. Unmistakably the same man, though for a moment I questioned even that, for now instead of the cadaverous spectre of tuberculosis, a totally different picture presented itself. The wrist, so thin a minute ago, was now swollen, the chest had become so unhealthily puffy that the ribs and collar bones were lost to view, the skin had a bluish tinge, and from between the sagging lips came a labored, wheeze breathing.

I still had a sense of horror, but now it was overlaid with an emotion that can be even stronger, an emotion that can outweigh all considerations of human personality and morals: the excitement of scientific discovery. Whoever this man was, whatever Max's motives might be, whatever unsuspected strain of evil there might exist deep in his nature, he had hit on something here, something revolutionary. I didn't know what it was, but my heart pounded and little chills of excitement chased over my skin.

Max refused to answer any of the questions I bombarded him with. All he would do was sit back and smile at me and say, “And now, after your second look, what do you think's wrong with him?"

He finally badgered me into making a statement.

“Well of course there's something fishy about it, but if you insist, here's my idea: Heart disease, perhaps caused by kidney trouble. In any case, something badly out of order with his pump."

Max's smile was infuriatingly bland. Again he rapped with his pencil, like some supercilious teacher.

“You're sure of that?” he prodded.

“Just as sure as I was the first time that it was tuberculosis." “Well, take another look ... and meet John Fearing."

I turned, and almost before I realized it, my hand had been firmly clasped and was being vigorously shaken by that of one of the finest physical specimens I have ever seen. I remember thinking dazedly, “Yes, he's as incredibly handsome and beautifully built as he seemed to me when I glimpsed him kissing Velda. And along with it a strange sort of smoothness, like you felt in Rudolf Valentino. No wonder a woman might find him irresistible."

“I could have introduced you to John long ago,” Max was saying. “He lives right near us, with his mother and often drops over. But, well...” he chuckled, “...I've been a little jealous about John. I haven't introduced him to anyone connected with the profession. I've wanted to keep him to myself until we got a little further along with our experiments.

“And John,” Max went on, “this is Fred Alexander, the writer. He's one science popularizer who never strays a hairs-breadth into sensationalism and who takes infinite pains to make his reporting accurate.

We can trust him not to breathe a word about our experiments until we tell him to. I've been thinking for some time now that we ought to let a third person in on our work, and I didn't want it to be a scientist or yet an ordinary layman. Fred here struck me as having just the right sort of general knowledge and sympathetic approach. So I rang him up—and I believe we've succeeded in giving him quite a surprise."

“You certainly have,” I agreed fervently.

John Fearing dropped my hand and stepped back. I was still running my eyes over his marvelously proportioned athletic body. I couldn't spot a trace of the symptoms of the two dreadful diseases that had seemed to be wracking it minutes ago, or of any other sort of ill health. As he stood there so cooly, with the sheet loosely caught around his waist and falling in easy folds, it seemed to me that he might well be the model for one of the great classical Greek statues. His eyes had something of the same tranquil, ox­ like “all-body” look.

Turning towards Max, I was conscious of a minor shock. I had never thought of Max as ugly. If I'd ever thought of him at all in regard to looks, it had been as a man rather youthful for his middle age, stalwart, and with pleasingly rugged features.

Now, compared to Fearing, Max seemed a humped and dark-browned dwarf.

But this feeling of mine was immediately swallowed up in my excited curiosity.

Fearing looked at Max. “What diseases did I do this time?” he asked casually.

“Tuberculosis and nephritis,” Max told him. They both acted pleased. In fact, mutual trust and affection showed so plainly in their manner toward each other that I was inclined to dismiss my suspicions of some sinister underlying hatred.

After all, I told myself, the embrace I had witnessed might have been merely momentary physical intoxication on the part of the two young and lovely people, if it had been even that much. Certainly what Max had said about his desire to keep Fearing a secret from his friends and colleagues might very well explain why Fearing had disappeared that night. On the other hand, if a deeper and less fleeting feeling did exist between Max's pretty wife and protege, Max might very well be aware of it and inclined to condone it. I knew him to be a remarkably tolerant man in some respects. In any case, I had probably exaggerated the importance of the matter.

And I certainly didn't want any such speculations distracting my thoughts now, when I was bending all my mental efforts to comprehend the amazing experiment that had just been conducted before my eyes.

Suddenly I got a glimmer of part of it.

“Hypnotism?” I asked Max.

He nodded, beaming.

“And the pencil-rappings were ‘cues?’ I mean, signals for him to carry out instructions given to him in an earlier stage of the trance?"

“That's right."

“I seem to recall now,” I said, “that the raps were different in each case. I suppose each combination of raps was hooked up with a special set of instructions you'd given him."

“Exactly,” said Max. “John won't respond until he gets the right signal. It seems a rather complicated way of going about it, but it isn't really. You know how a sergeant will give his men a set of orders and then bark out ‘March!'? Well, the raps are John's marching signals. It works out better than giving him the instructions at the same time he's supposed to be carrying them out. Besides,” and he looked at me roguishly, “it's a lot more dramatic."

“I'll say it is!” I assured him. “Max, let's get to the important point. How in the world did John fake those symptoms?"

Max raised his hands. “I'll explain everything. I didn't call you in just to mystify you. Sit down."

I hurriedly complied. Fearing effortlessly lifted himself onto the edge of the examination table and sat there placidly attentive, forearms loosely dropped along his thighs.

“As you know,” Max began, “it's a well-established fact that the human mind can create all sorts of tangible symptoms of disease, without the disease itself being present in any way. Statistics show that about half the people who consult doctors are suffering from such imaginary ailments."

“Yes,” I protested, “but the symptoms are never so extreme, or created with such swiftness. Why, there was even blood in the mucus. And those swollen wrists—"

Again Max raised his hands. “The difference is only one of degree. Please hear me out."

“Now John here,” he continued, “is a very well adjusted, healthy-minded person, but a few years ago he was anything but that.” He looked at Fearing, who nodded his agreement. “No, our John was a regular bad boy of the hospitals. Rather his subconscious mind was, for of course there is no question of faking in these matters, the individual sincerely believes that he is sick. At all events, our John seemed to go through an unbelievable series of dangerous illnesses that frightened his mother to distraction and baffled his doctors, until it was realized that the illnesses were of emotional origin. That discovery wasn't made for a long time because of the very reason you mentioned—the unusual severity of the symptoms.

“However in the end it was the extraordinary power of John's subconscious to fake symptoms that gave the show away. It began to fake the symptoms of too many diseases, the onsets and recoveries were too fast, it jumped around too much. And then it made the mistake of faking the symptoms of germ diseases, when laboratory tests showed that the germs in question weren't present.

“The truth having been recognized, John was put in the hands of a competent psychiatrist, who eventually succeeded in straightening out the personality difficulties that had caused him to seek refuge in sickness. They turned out to be quite simple ones—an overprotective and emotionally demanding mother and a jealous and unaffectionate father, whose death a few years back had burdened John with guilt feelings.

“It was at that time—just after the brilliant success of the psychiatrist's treatment—that I ran across the case. It happened through Velda. She became friends with the Fearings, mother and son, when they moved into our neighborhood, and she visited with them a lot."

As he said that, I couldn't resist shooting a quick glance at Fearing, but I couldn't see any signs of uneasiness or smugness. I felt rather abashed.

“One evening when John was over at our place, he mentioned his amazing history of imaginary illnesses, and pretty soon I wormed the whole story out of him. I was immediately struck with something about his case that the other doctors had missed. Or if they had noticed it, they hadn't seen the implications—or the possibilities.

“Here was a person whose body was fantastically obedient to the dictates of his subconscious mind. All

people are to some degree psychosomatic, to give it its technical name— you know, psyche and soma , mind and body. But our John was psychosomatic to a vastly greater degree. One in a million. Perhaps unique.

“Very likely some rare hereditary strain was responsible for this. I don't believe John will be angry with me if I tell you that his mother used to be—she's really changed herself a great deal under the psychiatrist's guidance—but that she used to be an excessively hysterical and emotionally tempestuous person, with all sorts of imaginary ailments herself, though not as extreme as John's, of course. And his father was almost exactly the same type."

“That's quite right, Dr. Redford,” Fearing said earnestly.

Max nodded. “Apparently the combination of these two hereditary strains in John produced far more than a doubling of his parents’ sensitivities.

“Just as the chameleon inherits a color-changing ability that other animals lack, so John had inherited a degree of psychosomatic control that is not apparent in other people—at least not without some kind of psychological training of which at present I have only a glimmering.

“All this was borne in on me as I absorbed John's story, hanging on every word. You know, I think both John and Velda were quite startled at the intensity of my interest.” Max chuckled. “But they didn't realize that I was on to something. Here, right in my hands, was a person with, to put it popularly, only the most tenuous of boundaries between his mental and material atoms—for of course, as you know, both mind and matter are ultimately electrical in nature. Our John's subconscious mind had perfect control of his heartbeat and circulatory system. It could flood his tissue with fluids, producing instant swellings, or dehydrate them, giving the effect of emaciation. It could play on his internal organs and ductless glands as if they were musical instruments, creating any life-time it wanted. It could produce horrible discords, turn John into an idiot, say, or an invalid, as it tried to do, or perhaps an acromegalic monster, with gigantic hands and head, by stimulating bone-growth after maturity.

“Or his subconscious mind could keep all his organs in perfect tune, making him the magnificently healthy creature you see today.”

I looked at John Fearing and realized that my earlier impression of the excellence of his physique had, if anything, fallen short of the mark. It wasn't just that he was a clear-eyed, unblemished, athletically-built young man. There was more to it than that—something intangible. It occurred to me that if any man could be said to radiate health, in the literal meaning of that ridiculous cliche, it was John Fearing. I knew it was just my imagination, but I seemed to see a pulsating, faintly golden aura about him.

And his mind appeared to be in as perfect balance as his body. He was wonderfully poised as he sat there with just the sheet pulled around him.. Not the faintest suggestion of nerves. Completely alive, yet in a sense completely impassive.

It was only too easy to imagine such a man making love successfully, with complete naturalness and confidence, without any of the little haltings and clumsiness, the jarrings of rhythm, the cowardices of body, the treacheries of mind that betray the average neurotic—which is to say, the average person. Suddenly it hit me, right between the eyes as they say, that Velda must love John, that no woman could avoid becoming infatuated with such a man. Not just a football star or a muscle maniac, but a creature infinitely subtler.

And yet, in spite of all this, I was conscious of something a shade repellent about Fearing. Perhaps it was that he seemed too well-balanced, too smooth-running, like a gleaming dynamo say, or a beautiful painting without that little touch of ugliness or clashing contrast which creates individuality. In most people, too, one senses the eternal conflict between the weak and indecisive tyrant Mind and the stubborn and rebellious slave Body, but in Fearing the conflict seemed completely absent, which struck me as unpleasant. There was a kind of deep-seated toughness about him, a suggestion of indestructibility. One might have said, “He'd make a nasty ghost."

Of course all this may just have been envy on my part for Fearing's poise and physique, or some sort of jealousy I felt on Max's account.

But whatever the sources of my feeling of revulsion, I now began to believe that Max shared it. Not that Max had slackened in his genial, affectionate, almost fatherly manner toward John, but that he was so effortful about it. Those elephantine “our Johns,” for example. I didn't get the feeling that he was concealing a jealous hatred, however, but that he was earnestly fighting an irrational inward aversion.

As for Fearing, he seemed completely unaware of any hostile feeling on Max's part. His manner was completely open and amiable.

For that matter, I wondered if Max himself were aware of his own feeling. All these thoughts didn't take much time. I was intent on Max's story.

* * * *

Max leaned across the desk. He was blinking excitedly, which, with his glasses, gave an odd effect of flashing eyes.

“My imagination was stirred,” he went on. “There was no end to the things that might be learned from such a super-psychosomatic individual. We could study disease symptoms under perfect conditions, by producing them in controlled amounts in a healthy individual. All sorts of physiological mysteries could be explored. We could trace out the exact patterns of all the nervous processes that are normally beyond the mind's reach. Then if we could learn to impart John's ability to other people—but that's getting a bit ahead of my story.

“I talked to John. He saw my point, realized the service he might render mankind, and gladly agreed to undergo some experiments.

“But at the first attempt a snag appeared. John could not produce any symptoms by a conscious effort, no matter how hard he tried. As I said before, you can't consciously fake a psychosomatic illness, and that was what I was asking John to do. And since he'd undergone psychiatric treatment his subconscious mind was so well behaved that it wouldn't yield to any ordinary blandishments.

“At that point we almost gave up the project. But then I thought of a way we might be able to get around the snag: suggestions given directly to the subconscious mind through hypnotism.

“John proved a good hypnotic subject. We tried it—and it worked!"

Max's eyes looked bright as stars as he said that.

“That's about how matters stand today,” he finished off, sinking back in his chair. “We've started a little special work on arterial tension, the lymphatic glands and their nerve supply, one or two other things. But mainly we've been perfecting our setup, getting used to the hypnotic relationship. The important work still lies ahead."

I exhaled appreciatively. Then an unpleasant thought struck me. I wasn't going to voice it, but Max asked, “What is it, Fred?” and I couldn't think of anything else to say, and after all it was a thought that would have occurred to anyone.

“Well, with all this creation of extreme symptoms,” I began, “isn't there a certain amount of—"

Max supplied the word. “Danger?” He shook his head. “We are always very careful."

“And in any case,” Fearing's bell-like voice broke in, “the possibilities being what they are, I would consider almost any risks worth running.” He smiled cheerfully.

The double meaning I momentarily fancied in his words nettled me. I went on impulsively, “But surely some people would be apt to consider it extremely dangerous. Your mother, for instance, or Velda."

Max looked at me sharply.

“Neither my mother nor Mrs. Redford know anything of the extent of our experiments,” Fearing assured me.

There was a pause. Unexpectedly, Max grinned at me, stretched, and said to Fearing, “How do you feel now?"

“Perfectly fit."

“Feel up to another little demonstration?"

“Certainly."

“That reminds me, Max,” I said abruptly, “out in the corridor you mentioned something about—"

He shot me a warning glance.

“We'll go into that some other time,” he said.

“What disease are you going to have me do this time?” Fearing queried.

Max wagged his finger. “You know you're never told that. Can't have your conscious mind messing things up. We'll have some new signals, though. And, Fred, I hope you won't mind waiting outside while I put John under and give him his instructions—acquaint him with the new signals. I'm afraid we still haven't gotten far along enough to risk the possibly disturbing presence of a third person during the early stages of an experiment. One or two more sessions and it should be all right, though. Understand, Fred, this is just the first of a large number of experiments I want you to witness. I'm asking a great deal of you, you see. The only tangible compensation I can offer you is exclusive rights to break the story to the public when we feel the time is ripe."

“Believe me, I consider it a great honor,” I assured him sincerely as I went out.

In the corridor I lit a cigarette, puffed it a moment, and then the tremendous implications of Max's experiments really hit me.

Suppose, as Max had hinted, that it proved possible to impart Fearing's ability to other people?

The benefits would be incalculable. People would be able to help their bodies in the fight against disease and degenerative processes. For instance, they could cut down the flow of blood from a wound, or even stop it completely. They could marshal all the body's resources to fight local infections and stop disease germs before they ever got started. Conceivably, they could heal sick organs, get them working in the right rhythm, unharden arteries, avert or stifle cancers.

It might be possible to prevent disease, even aging, altogether.

We might look forward to a race of immortals, immune to time and decay.

A happy race, untroubled by those conflicts of body and mind, of instinct and conscience, that sap

Mankind's best energies and are at the root of all discords and wars.

There was literally no limit to the possibilities.

I hardly felt I'd been in the corridor a minute, my mind was soaring so, when Max softly opened the door and beckoned to me.

Again Fearing lay stretched on the table. His eyes were closed, but he still looked every whit as vibrantly healthy as before. His chest rose and fell rhythmically with his breathing. I almost fancied I could see the blood coursing under the fair skin.

I was aware of a tremendous suppressed excitement in Max.

“We can talk, of course,” he said. “Best keep it low, though."

“He's hypnotized?” I asked.

“Yes."

“And you've given him the instructions?"

“Yes. Watch."

“What are they this time, Max?"

Max's lips jerked oddly.

“Just watch."

He rapped with the pencil.

I watched. For five, ten seconds nothing seemed to happen.

Fearing's chest stopped moving.

His skin was growing pale.

There was a weak convulsive shudder. His eyelids fell open, showing only the whites. Then there was no further movement whatever.

“Approach him,” Max ordered, his voice thick. “Take his pulse."

Almost, shaking with excitement, I complied.

To my fumbling fingers, Fearing's wrist felt cold. I could not find a pulse.

“Fetch that mirror,” Max's finger stabbed at a nearby shelf. “Hold it to his lips and nostrils."

The polished surface remained unclouded.

I backed away. Wonder gave place to fear. All my worst suspicions returned intensified. Once again I seemed to sense a strain of submerged evil in my friend.

“I told you I would show you something with a bearing on the question, ‘What is death?'” Max was saying huskily. “Here you see death perfectly counterfeited—death-in-life. I would defy any doctor in the world to prove this man alive.” There was a note of triumph in his voice.

My own was uneven with horror. “You instructed him to be dead?"

“Yes."

“And he didn't know it ahead of time?"

“Of course not."

For an interminable period—perhaps three or four seconds—I stared at the blanched form of Fearing. Then I turned to Max.

“I don't like this,” I said. “Get him out of it."

There was something sneering about the smile he gave me.

“Watch!” He commanded fiercely, and rapped again.

It was only some change in the light, I told myself, that was giving Fearing's flesh a greenish tinge.

Then I saw the limp arms and legs stiffen and the face tighten into a sardonic mask.

“Touch him!"

Unwillingly, only to get the thing over with as swiftly as possible, I obeyed. Fearing's arm felt as stiff as a board and, if anything, colder than before.

Rigor mortis.

But that faint odor of putrescence—I knew that could only be my imagination.

“For God's sake, Max,” I pleaded, “you've got to get him out of it.” Then, throwing aside reserve, “I don't know what you're trying to do, but you can't. Velda—"

Max jerked as I spoke the name. Instantly the terrifying shell that had gathered around him seemed to drop away. It was as if that one word had roused him from a dream. “Of course,” he said, in his natural voice. He smiled reassuringly and rapped.

Eagerly I watched Fearing.

Max rapped again: three—one.

It takes time, I told myself. Now the muscles were beginning to relax, weren't they?

But Max was rapping again. The signal printed itself indelibly on my brain: three—one.

And yet again. Three—one. Three—one. THREE—ONE.

I looked at Max. In his tortured expression I read a ghastly certainty.

I wouldn't ever want to relive the next few hours. I imagine that in all history there was never a trick conceived for reviving the dying that Max didn't employ, along with all the modern methods— injections, even into the heart itself, electrical stimulation, use of a new lightweight plastic version of the iron lung, surgical entry into the chest and direct massage of the heart.

Whatever suspicions I had of Max vanished utterly during those hours. The frantic genuineness and inspired ingenuity of his efforts to revive Fearing couldn't possibly have been faked. No more could his tragic, rigidly suppressed grief have been simulated. I saw Max's emotions stripped to the raw during those hours, and they were all good.

One of the first things he did was call in several of the other faculty doctors. They helped him, though I could tell that from the first they looked upon the case as hopeless, and would have considered the whole business definitely irregular, if it hadn't been for their extreme loyalty to Max, far beyond any consideration of professional solidarity. Their attitude showed me, as nothing else ever had, Max's stature as a medical man.

Max was completely frank with them and everyone else. He made no effort whatsoever to suppress the slightest detail of the events leading up to the tragedy. He was bitter in his self-accusations, insisting that his judgment had been unforgivably at fault in the final experiment. He would have gone even further than that if it hadn't been for his colleagues. It was they who dissuaded him from resigning from the faculty and describing his experiments in such inaccurately harsh terms as to invite criminal prosecution.

And then there was Max's praiseworthy behavior toward Fearing's mother. While they were still working on Fearing, though without any real hope, she burst in. Whatever reforms the psychiatrist may have achieved in her personality, were washed out now. I still can close my eyes and visualize that hateful, overdressed woman stamping around like an angry parrot, screaming the vilest accusations at Max at the top of her voice and talking about her son and herself in the most disgusting terms. But although he was near the breaking point, Max was never anything but compassionate toward her, accepting all the blame she heaped on his head.

A little later Velda joined Ma. If I'd still had any of my early suspicions, her manner would have dissipated them. She was completely practical and self-possessed, betraying no personal concern whatsoever in Fearing's death. If anything, she was too cool and unmoved. But that may have been what Max needed at the time.

The next days were understandably difficult. While most of the newspapers were admirably reserved and judicious in reporting the case, one of the tabloids played up Max as “The Doctor Who Ordered a Man to Die,” featuring an exclusive interview with Fearing's mother.

The chorus of wild bleats from various anti-science cults was of course to be expected. It led to a number of stories that crept into the fringe of print and would have been more unpleasant if they hadn't been so ridiculous. One man, evidently drawing on Poe's story “The Facts in the Case of M. Valdemar,” demanded that a “death watch” be maintained on Fearing and, on the morning of the funeral, hinted darkly that they were interring a man who was somehow still alive.

Even the medical profession was by no means wholly behind Max. A number of local doctors, unconnected with the medical school, were severe in their criticisms of him. Such sensational experiments reflected on the profession, were of doubtful value in any case, and so forth. Though none of these criticisms were released to the public.

The funeral was held on the third day. I attended it out of friendship for Max, who felt it his duty to be present. Fearing's mother was there, of course, dressed in a black outfit that somehow managed to look loud and common. Since the tabloid interview there had been a complete break between her and our group, so that her wailing tirades and nauseous sobbing endearments could only be directed at the empty air and the bronze-fitted casket.

Max looked old. Velda stood beside him, holding his arm. She was as impassive as on the day of Fearing's death.

There was only one odd thing about her behavior. She insisted that we remain at the cemetery until the casket had been placed in the tomb and the workman had fixed in place the marble slab that closed it.

She watched the whole process with a dispassionate intentness.

I thought that perhaps she did it on Max's account, to impress on him that the whole affair was over and done with. Or she may conceivably have feared some unlikely final demonstration or foray on the part of the wilder anti-science groups and felt that the presence of a few intelligent witnesses was advisable to prevent some final garish news item from erupting into print.

And there may actually have been justification for such a fear. Despite the efforts of the cemetery authorities, a number of the morbidly curious managed to view the interment and as I accompanied Max and Velda the few blocks to their home, there were altogether too many people roaming the quiet, rather ill-kempt streets of the scantily populated suburb. Undoubtedly we were being followed and pointed at. When with feelings of considerable relief, we finally got inside, there was a sharp, loud knock on the door we had just closed.

Someone had thrown a stone at the house.

For the next six months I saw nothing of Max. Actually this was as much due to my friendship for him as to the press of my work, which did keep me unusually busy at the time. I felt that Max didn't want to be reminded in any way, even by the presence of a friend, of the tragic accident that had clouded his life.

I think, you see, that only I, and perhaps a few of Max's most imaginative colleagues, had any inkling of how hard Max had been hit by the experience and, especially,why it had hit him so hard. It wasn't so much that he had caused the death of a man through a perhaps injudicious experiment. That was the smaller part. It was that, in so doing, he had wrecked a line of research that promised tremendous benefits to mankind. Fearing, you see, was irreplaceable. As Max had said, he was probably unique. And their work had been barely begun. Max had obtained almost no results of a measured scientific nature and he hadn't as yet any ideas whatever of the crucial thing: how to impart Fearing's ability to other people, if that were possible. Max was a realist. To his clear, unsuperstitious mind, the death of one man was not nearly so important as the loss of possible benefits to millions. That he had played fast and loose with humanity's future—yes, he'd have put it that way—was, I knew, what hurt him most. It would be a long time before he regained his old enthusiasm.

One morning I ran across a news item stating that Fearing's mother had sold her house and gone for a European tour.

Of Velda I had no information.

Naturally I recalled the affair from time to time, turning it over in my mind. I reviewed the suspicions I'd had at the time, seeking some clue that might have escaped me, but always coming to the conclusion that the suspicions were more than wiped out my Max's tragic sincerity and Velda's composure after the event.

I tried to visualize the weird and miraculous transformations I had witnessed in Max's office. Somehow, try as I might, they began to seem more and more unreal. I had been excited that morning, I told myself, and my mind had exaggerated what I had seen. This unwillingness to trust my own memory filled me at times with a strange poignant grief, perhaps similar to what Max must have felt at the breakdown of his research, as if some marvelous imaginative vision had faded from the world.

And occasionally I pictured Fearing as I'd seen him that morning, so radiantly healthy, his mind and body so unshakably knit. It was very hard to think of a man like that being dead.

Then, after six months, I received a brief message from Max. If I were free, would I visit him at his home that evening? Nothing more.

I felt a thrill of elation. Perhaps the period of thralldom to the past was over and the brilliant old mind was getting to work again. I had to break an engagement, but of course I went.

It had just stopped raining when I swung down from the interurban. Remnants of daylight showed a panorama of dripping trees, weed-bordered sidewalks, and gloom-infested houses. Max had happened to build in one of those sub-divisions that doesn't quite make the grade, while the unpredictable pulse of suburban life begins to beat more strongly farther out.

I passed the cemetery in which Fearing had been interred. The branches of unpruned trees brushed the wall, making sections of the sidewalk a leafy tunnel. I was glad I had a flashlight in my pocket for the walk back. It occurred to me that it was unfortunate Max had this unnecessary reminder almost on his doorstep.

I walked rapidly past houses that were more and more frequently separated by empty lots, and along a sidewalk that became progressively more cracked and weed-grown. There popped into my mind a conversation I had with Max a couple of years ago. I had asked him if Velda didn't find it lonely out here, and he had laughingly assured me that both he and Velda had a passion for being alone and like to be as far away as possible from spying neighbors.

I wondered if one of the houses I had passed had been that belonging to the Fearings.

Eventually I arrived at Max's place, a compact two-story dwelling. There were only a few more houses beyond it on the street. Beyond those, I knew, the weeds reigned supreme, the once hopeful sidewalks were completely silted and grown over, and the lamp-poles rusted lightlessly. Unsuccessful subdivisions are dismal spots.

In my nostrils, all the way had been the smell of wet cold earth and stone.

The living room lights were on, but I saw no one through the French window where I had once glimpsed Velda and Fearing. The hall was dark. I rapped on the door. It opened instantly. I faced Velda.

I haven't described Velda. She was one of those very beautiful, dignified, almost forbidding, yet quite sexy girls that a successful, cultured man is apt to marry if he waits until he's middle-aged. Tall. Slim. Small head. Blonde hair drawn tightly across it. Blue eyes. Compact, distinguished features. Sloping shoulders, and then a body that a cynic would call the main attraction. And perhaps with partial inaccuracy, because an alert, well-informed, quite courageous mind went with it. Exquisite manners, but not much apparent warmth.

That was Velda as I remembered her.

The Velda I faced now was different. She was wearing a gray silk dressing gown. In the dim light from the street lamp behind me, the tight-drawn hair looked, not gray, but brittle. The tall beautiful body somehow seemed sterile, weed-like. She crouched like an old woman. The distinguished features in the face she lifted toward mine were pinched. The blue eyes, white circled, were much too staring.

She touched a finger to her thinned lips, and with the other hand timidly took hold of the lapel of my coat, as if to draw me away to some place where we could talk secretly.

Max stepped out of the darkness behind her and put his hand on her shoulders. She didn't stiffen. In fact, she hardly reacted except to softly drop her hand from my coat. She may have winked at me, as if to say, “Later, perhaps,” but I can't be sure.

“You'd better be getting upstairs, dear,” he said gently. “It's time you took a little rest."

At the foot of the stairs he switched on the light. We watched her as she went up, slowly holding on to the rail.

When she was out of sight Max shook his head and said rather lightly, “Too bad about Velda. I'm afraid that in a little while—However, I didn't ask you out here to talk about that."

I was shocked at his seeming callousness. A moment later, however, he said something which gave me a hint of the philosophy that underlay it.

“We're so mysteriously fragile, Fred. Some slight change in a gland's function, some faint shadow falling on a knot of nerve tissue, and—pouf. And there's nothing we can do about it, because we don't know, Fred, we simply don't know. If we could trace the thoughts in their courses, if we could set their healing magic radiating through the brain—but that's not to be for awhile yet. Meanwhile, there's nothing we can do about it, except to face it cheerfully. Though it is hard when the person whose mind goes develops a murderous hatred of you at the same time. However, as I said, I don't want to talk about that, and you'll please me if you don't either."

We were still standing at the bottom of the stairs. Abruptly he changed his manner, clapped me on the shoulder, steered me into the living room, insisted that I have a drink, and busied himself starting a fire in the open grate, all the while chatting loudly about recent doings at the medical school and pressing me for details of my latest articles.

Then, giving me no time whatever to think, he settled himself in the opposite chair, the fire blazing between us, and launched into a description of a new research project he was getting started on. It concerned the enzymes and the mechanisms of temperature-control of insects, and seemed to have far- reaching implications in fields as diverse as insecticide manufacture and the glandular physiology of human beings.

There were times when he got so caught up in his subject that it almost seemed to me it was the old Max before me, as if all the events of the past year had been a bad dream.

Once he broke off momentarily, to lay his hand on a bulky typescript on the table beside him.

“This is what I've been keeping myself busy with these last few months, Fred,” he said quickly. “A complete account of my experiments with Fearing, along with the underlying theories, as well as I can present them, and all pertinent material from other fields. I can't touch the thing again, of course, but I hope someone else will, and I want him to have the benefit of my mistakes. I'm rather doubtful if any of the journals will accept it, but if they don't I'll publish it at my own expense."

It really gave me a pang to think of how much he must have suffered pounding out that typescript, meticulously, of course, knowing that it was the account of a failure and a personal tragedy, knowing that it wouldn't be at all well received by his profession, but feeling duty-bound to pass on information that might some day kindle another mind and prove scientific value to mankind.

And then the tragedy of Velda, which I hadn't yet been able to properly assimilate, with its faint, last- twist-of-the-screw suggestion that if Max had continued his research with Fearing, he might conceivably have learned enough to be able to avert the cloud shadowing her mind.

Yes, I thought then, and I still think, that Max's behavior that night, especially his enthusiasm about his new research project, into which he'd obviously thrown himself wholeheartedly, was an inspiring and at the same time heartrending example of the sort of unsentimental courage you find in the best scientists.

Yet at the same time I had the feeling that his new project wasn't the real reason for his summoning me. He had something very different on his mind, I felt, and as an unhappy person will, was taking himself out on other subjects as a preliminary to getting around to it. After a while he did.

The fire had died down somewhat. We had temporarily exhausted the topic of his new project. I was conscious of having smoked too many cigarettes. I asked Max some inconsequential question about a new advance in aviation medicine.

He frowned at the crawling flames, as if he were carefully weighing his answer. Then abruptly he said, without looking towards me, “Fred, there's something I want to tell you, something I felt I must tell you, but something I haven't been able to bring myself to tell you until now. I hated John Fearing, because I knew he was having a love affair with my wife."

I looked down at my hands. After a moment I heard Max's voice again. It wasn't loud, but it was rough with emotion.

“Oh come on, Fred, don't pretend you didn't know. You saw them through the window that night. You'll be surprised to know, Fred, how hard it was for me not to avoid you, or pick some quarrel with you, after that happened. Just the thought that you knew..."

“That's all I did see or know,” I assured him. “Just that one glimpse.” I turned and looked at him. His eyes were bright with tears.

“And yet you know, Fred,” he went on, “that's the real reason I picked you to sit in on our experiments. I felt that knowing what you did, you would be better able than anyone else to check on my relationship with John."

There was one thing I had to say. “You are quite certain, Max, that your suspicions of Velda and Fearing were justified?"

One look at his face told me I needn't press that line of questioning any further. Max sat for a while with his head bowed. It was very quiet. The wind had died which earlier had splattered a few drops from nearby branches against the windowpanes.

Finally he said, “You know, Fred, it's very difficult to recapture lost emotions, either jealousy or scientific zeal. And yet those were the two main ones in this drama. For of course it wasn't until I had begun my experiments with Fearing that I found out about him and Velda.” He paused, then went on with difficulty. “I'm afraid I'm not a very broad-minded man, Fred, when it comes to sex and possession. I think that if John had been some ordinary person, or if I had found out earlier, I would have behaved differently. Rather brutally, perhaps, I don't know. But the fact that our experiments had begun, and that they promised so much, changed everything.

“You know, I really try to be a scientist, Fred,” he went on with the ghost, or cadaver rather, of a rueful smile. “And as a scientist, or just as a rational man, I had to admit that the possible benefits of our experiments infinitely out-weighed any hurt to my vanity or manhood. It may sound grotesque, but as a scientist I even had to consider whether this love affair wasn't necessary to keep my subject cooperative and in a proper state of mind, and whether I shouldn't go out of my way to further it. As it was, I didn't have to vary my routine in order to give them plenty of opportunities, though I think that if that had been necessary, I might even have done it."

He clenched his fist. “You see, so very much depended on those experiments of ours. Though it's awfully hard for me to remember that now. The feeling's all gone ... The tremendous vision ... this typescript here is just dead stuff ... an obligation...

“I feel differently about a lot of things now. About Velda and John, too. Velda wasn't exactly the girl I thought I was marrying. I've realized lately that she had a tremendous need to be adored, a kind of cold lust for beauty and ecstacy, like some pagan priestess. And I cooped her up here—the old story—and tried to feed her on my enthusiasms. Not exactly the right diet. And yet, you know, Fred, my life's work was inspired by Velda to an extent that you might find hard to believe. Even before I'd met Velda. The expectancy of her.

“And John? I don't think anyone will ever know the truth about John. I was only beginning to understand him, and there were sides to his nature I couldn't touch. A remarkable creature. In one sense, a true superman. In another, a mindless animal. Astonishing weaknesses, or blind spots. The influence of his mother. And then the way his instincts and conscience went hand in hand. I feel that John may have been completely sincere both about his desire for Velda and his desire to help me aid mankind. It may never have occurred to him that the two desires didn't exactly go together. It's quite possible he felt that he was being very nice to both of us.

“Yes, and if John and Velda's affair were something that could happen now, I think I would feel very differently about it.

“But then—? God, Fred, it's so hard to think truthfully about/hem/ Then there existed in me, side by side, every moment of the day and night, the highest pinnacles of scientific excitement and the deepest pits of jealous rage. The one strictly subordinated!” A note of passionate anger came into his voice. “For don't think I was weak, Fred. Don't think I ever deviated so much as a hair's-breadth from the course that was scientifically and humanistically right. I kept my hatred for John in absolute check. And when I say that, I mean that. I'm no ignoramus, Fred. I know that when one tries to suppress feelings, they have a way of bursting out through unsuspected channels, due to the trickery of the subconscious mind. Well, I was on the watch for that. I provided every conceivable safeguard. I was fantastically cautious about each experiment. I know it may not have looked that way to you, but even that last one—heavens, we had often done experiments twice as dangerous, or as seemingly dangerous, testing every step of the way. Why, Soviet scientists have had people technically dead for over five minutes. With John it couldn't have been one!

“And yet ...

“That's what tormented me so, don't you see, Fred, when I couldn't revive him. The thought that my unconscious mind had somehow tricked me and opened a channel for my all-too-conscious hatred, found a chink in the wall that I'd neglected to stop up, a doorway unguarded for a second. As he lay there dead before my eyes, I was tortured by the conviction that there was some little thing that would revive him at once if only I could remember what it was.

“Some little mistake or omission I'd made, which only had to be thought of to be corrected, but which my subconscious mind wouldn't let me remember. I felt that if only I could have relaxed my mind completely—but of course that was the one thing I couldn't do.

“I tried every way I knew to revive John, I reviewed every step I'd taken without finding a flaw, and yet that feeling of guilt persisted.

“Everything seemed to intensify it. Velda's frozen, suicidal calm, worse than the bitterest and most tempestuous accusations. The most childish things—even that silly occultist with his talk of a deathwatch on John.

“How John must hate me, I'd tell myself irrationally. Commanded to be dead, tricked into dying, not given the faintest hint of what was intended.

“And Velda. Never a reproachful word to me. Just freezing up, more and more, until her mind began to whither.

“And John. That miraculous body rotting in the tomb. Those magnificently knit muscles and nerves, falling apart cell by cell."

Max slumped in his chair exhausted. The last flame in the grate flickered out and the embers began to smoke. The silence was deadly.

And then I began to talk. Quietly. Nothing brilliant. I merely reviewed what I knew and what Max had told me. Pointed out how, being the scientist he was, he couldn't have done anything but what he did. Reminded him of how he'd checked and double-checked his every action. Showed him that he hadn't the shred of reason for feeling guilty any longer.

And finally my talk began to take effect, though, as Max said, “I don't think it's anything you've said.

I've been all over that. It's that at last I've unburdened myself to someone. But I do feel better."

And I'm sure he did. For the first time I truly sensed the old Max in him. Battered and exhausted of course, and deeply seared by a new wisdom, but something of the old Max, nevertheless.

“You know,” he said, sinking back in his chair, “I think I can really relax now for the first time in six months."

Immediately the silence settled down again. I remember thinking, queerly, that it was dreadful that a place could be so silent.

The fire had stopped smoking. Its odor had been replaced by that seeping in from the outside—the smell of cold wet earth and stone.

My taut muscles jerked spasmodically at the sudden grating of Max's chair against the floor. His face was ghastly. His lips formed words, but only choking sounds came out. Then he managed to get control of his voice.

“The cue! The cue for him to come alive again! I forgot I changed the signals. I thought it was still—"

He tore a pencil from his pocket and rapped on the arm of the chair: three—one.

“But it should have been—” and he rapped: three—two.

It is hard for me to describe the feeling that went through me as he rapped that second signal.

The intense quiet had something to do with it. I remember wishing that some other sound would break in —the patter of raindrops, the creaking of a beam, the hollow surge of the interurban.

Just five little raps, unevenly spaced, but imbued with a quality, force, and rhythm that was Max's and nobody else's in the world—as individual as his fingerprint, as inimitable as his signature.

Just five little raps—you'd think they'd be lost in the walls, gone in a second. But they say that no sound, however faint, ever dies. It becomes weaker and weaker as it dissipates, the agitations of the molecules less and less, but still it goes on to the end of the world and back, to the end of eternity.

I pictured that sound struggling through the walls, bursting into the night air with an eager upward sweep, like a black insect, darting through the wet tangled leaves, soaring crazily into the moist tattered clouds, perhaps dipping inquisitively to circle one of the rusted lamppoles, before it streaked purposefully off along the dark street, up, up, over the trees, over the wall, and then swooped down toward wet cold earth and stone.

And I thought of Fearing, not yet quite rotted in his tomb.

Max and I looked at each other.

There came a piercing, blood-chilling scream from over our heads.

A moment of paralyzed silence. Then the wild clatter of footsteps down the stairs in the hall. As we sprang up together, the outside door slammed.

We didn't exchange a word. I stopped in the hall to snatch up my flashlight.

When we got outside we couldn't see Velda. But we didn't ask each other any questions as to which direction she'd taken.

We started to run. I caught sight of Velda almost a block ahead.

I'm not in too bad physical condition. I slowly drew ahead of Max as we ran. But I couldn't lessen the distance between myself and Velda. I could see her quite plainly as she passed through the pools of light cast by the street lamps. With the gray silk dressing gown flying out behind her, she sometimes looked like a skimming bat.

I kept repeating to myself, “But she couldn't have heard what we were saying. She couldn't have heard those raps."

Or could she?

I reached the cemetery. I shone my flashlight down the dark, leafy tunnel. There was no one in sight, but almost halfway down the block I noticed branches shaking where they dipped to the wall.

I ran to that point. The wall wasn't very high. I could lay my hand on its top. But I felt broken glass. I stripped off my coat, laid it over the top, and pulled myself up.

My flashlight showed a rag of gray silk snagged on a wicked barb of glass near my coat.

Max came up gasping. I helped him up the wall. We both dropped down inside. The grass was very wet. My flashlight wandered over wet, pale stones. I tried to remember where Fearing's tomb was. It couldn't.

We started to hunt. Max began to call, “Velda! Velda!"

I suddenly thought I remembered the layout of the place. I pushed on hurriedly. Max lagged behind, calling.

There was a muffled crash. It sounded some distance away. I couldn't tell the direction. I looked around uncertainly.

I saw that Max had turned back and was running. He vanished around a tomb.

I hurried after him as fast as I could, but I must have taken the wrong turning. I lost him.

I raced futilely up and down two aisles of tombstones and tomb. I kept flashing my light around, now near, now far. It showed pale stone, dark trees, wet grass, gravel path.

I heard a horrible, deep, gasping scream—Max's.

I ran wildly. I tripped over a headstone and sprawled flat on my face.

I heard another scream—Velda's. It went on and on.

I raced down another aisle.

I thought I would go on for ever, and forever hearing that scream, which hardly seemed to pause for inhalation.

Then I came around a tangled clump of trees and saw them.

My flashlight wavered back and forth across the scene twice before I dropped it.

They were there, all three of them.

I know that the police have a very reasonable explanation for what I saw, and I know that explanation must be right, if there is any truth in what we have been taught to believe about mind and body and death. Of course there are always those who will not quite believe, who will advance other theories. Like Max, with his experiments.

The only thing the police can't decide for certain is whether Velda managed to break into the tomb and open the casket unaided—they did find a rusty old screwdriver nearby—or whether tomb and casket hadn't been broken into at an earlier date by some sort of cultists or, more likely, pranksters inspired by cultists. They have managed to explain away almost completely, all evidence that tomb and casket were burst from the inside.

Velda can't tell them. Her mind is beyond reach.

The police have no doubts whatsoever about Velda's ability to strangle Max to death. After all, it took three strong men to get her out of the cemetery. And it is from my own testimony that the police picked up Max's statement that Velda hated him murderously.

The odd position of Fearing's remains they attribute to some insane whim on Velda's part.

And of course, as I say, the police must be right. The only thing against their theory is the raps. And of course I can't make them understand just how tremendously significant those raps of Max's, that diabolic three—two, seemed to me at the time.

I can only tell what I saw, in the flashlight's wavering gleam.

The marble slab closing Fearing's tomb had fallen forward. The tomb was open.

Velda was backed against the tombstone opposite it. Her gray silk dressing gown was wet and torn to ribbons. Blood dribbled from a gash above her knee. Her blond hair streamed down tangledly. Her features were contorted. She was staring down at the space between herself and Fearing's tomb. She was still screaming.

There before her, in the wet grass, Max lay on his back. His head was twisted backward.

And across the lower part of Max's body, the half-fleshed fingers stretching toward his throat, the graveclothes clinging in tatters to the blackened, shrunken body, was all that was left of Fearing.

Загрузка...