The Best Horror Stories of

An Open Window

Behind the Veil what gulfs of Time and Space?

What blinking mowing Shapes to blast the sight?

I shrink before a vague colossal Face

Born in the mad immensities of Night.

The House of Arabu

To the house whence no one issues,

To the road from whence there is no return,

To the house whose inhabitants are deprived of light,

The place where dust is their nourishment, their food clay, They have no light, dwelling in dense darkness,

And they are clothed, like birds, in a garment of feathers, Where, over gate and bolt, dust is scattered.

--Babylonian legend of Ishtar

"Has he seen a night-spirit, is he listening to the whispers of them who dwell in darkness?"

Strange words to be murmured in the feast-hall of Naram-ninub, amid the strain of lutes, the patter of fountains, and the tinkle of women's laughter. The great hall attested the wealth of its owner, not only by its vast dimensions, but by the richness of its adornment. The glazed surface of the walls offered a bewildering variegation of colors--blue, red, and orange enamels set off by squares of hammered gold.

The air was heavy with incense, mingled with the fragrance of exotic blossoms from the gardens without.

The feasters, silk-robed nobles of Nippur, lounged on satin cushions, drinking wine poured from alabaster vessels, and caressing the painted and bejeweled playthings which Naram-ninub's wealth had brought from all parts of the East.

There were scores of these; their white limbs twinkled as they danced, or shone like ivory among the cushions where they sprawled. A jeweled tiara caught in a burnished mass of night-black hair, a gem-crusted armlet of massive gold, earrings of carven jade--these were their only garments. Their fragrance was dizzying. Shameless in their dancing, feasting and lovemaking, their light laughter filled the hall in waves of silvery sound.

On a broad cushion-piled dais reclined the giver of the feast, sensuously stroking the glossy locks of a lithe Arabian who had stretched herself on her supple belly beside him. His appearance of sybaritic languor was belied by the vital sparkling of his dark eyes as he surveyed his guests. He was thick-bodied, with a short blue-black beard: a Semite--one of the many drifting yearly into Shumir.

With one exception his guests were Shumirians, shaven of chin and head. Their bodies were padded with rich living, their features smooth and placid. The exception among them stood out in startling contrast.

Taller than they, he had none of their soft sleekness. He was made with the economy of relentless Nature. His physique was of the primitive, not of the civilized athlete. He was an incarnation of Power, raw, hard, wolfish--in the sinewy limbs, the corded neck, the great arch of the breast, the broad hard shoulders. Beneath his tousled golden mane his eyes were like blue ice. His strongly chiselled features reflected the wildness his frame suggested. There was about him nothing of the measured leisure of the other guests, but a ruthless directness in his every action. Whereas they sipped, he drank in great gulps.

They nibbled at tid-bits, but he seized whole joints in his fingers and tore at the meat with his teeth. Yet his brow was shadowed, his expression moody. His magnetic eyes were introspective. Wherefore Prince Ibi-Engur lisped again in Naram-ninub's ear: "Has the lord Pyrrhas heard the whispering of night-things?"

Naram-ninub eyed his friend in some worriment. "Come, my lord," said he, "you are strangely distraught.

Has any here done aught to offend you?"

Pyrrhas roused himself as from some gloomy meditation and shook his head. "Not so, friend; if I seem distracted it is because of a shadow that lies over my own mind." His accent was barbarous, but the timbre of his voice was strong and vibrant.

The others glanced at him in interest. He was Eannatum's general of mercenaries, an Argive whose saga was epic.

"Is it a woman, lord Pyrrhas?" asked Prince Enakalli with a laugh. Pyrrhas fixed him with his gloomy stare and the prince felt a cold wind blowing on his spine.

"Aye, a woman," muttered the Argive. "One who haunts my dreams and floats like a shadow between me and the moon. In my dreams I feel her teeth in my neck, and I wake to hear the flutter of wings and the cry of an owl."

A silence fell over the group on the dais. Only in the great hall below rose the babble of mirth and conversation and the tinkling of lutes, and a girl laughed loudly, with a curious note in her laughter.

"A curse is upon him," whispered the Arabian girl. Naram-ninub silenced her with a gesture, and was about to speak, when Ibi-Engur lisped: "My lord Pyrrhas, this has an uncanny touch, like the vengeance of a god. Have you done aught to offend a deity?"

Naram-ninub bit his lip in annoyance. It was well known that in his recent campaign against Erech, the Argive had cut down a priest of Anu in his shrine. Pyrrhas' maned head jerked up and he glared at Ibi-Engur as if undecided whether to attribute the remark to malice or lack of tact. The prince began to pale, but the slim Arabian rose to her knees and caught at Naram-ninub's arm.

"Look at Belibna!" She pointed at the girl who had laughed so wildly an instant before.

Her companions were drawing away from this girl apprehensively. She did not speak to them, or seem to see them. She tossed her jeweled head and her shrill laughter rang through the feast-hall. Her slim body swayed back and forth, her bracelets clanged and jangled together as she tossed up her white arms. Her dark eyes gleamed with a wild light, her red lips curled with her unnatural mirth.

"The hand of Arabu is on her," whispered the Arabian uneasily.

"Belibna!" Naram-ninub called sharply. His only answer was another burst of wild laughter, and the girl cried stridently: "To the home of darkness, the dwelling of Irhalla; to the road whence there is no return; oh, Apsu, bitter is thy wine!" Her voice snapped in a terrible scream, and bounding from among her cushions, she leaped up on the dais, a dagger in her hand. Courtesans and guests shrieked and scrambled madly out of her way. But it was at Pyrrhas the girl rushed, her beautiful face a mask of fury. The Argive caught her wrist, and the abnormal strength of madness was futile against the barbarian's iron thews. He tossed her from him, and down the cushion-strewn steps, where she lay in a crumpled heap, her own dagger driven into her heart as she fell.

The hum of conversation, which had ceased suddenly, rose again as the guards dragged away the body, and the painted dancers came back to their cushions. But Pyrrhas turned and taking his wide crimson cloak from a slave, threw it about his shoulders.

"Stay, my friend," urged Naram-ninub. "Let us not allow this small matter to interfere with our revels.

Madness is common enough."

Pyrrhas shook his head irritably. "Nay, I'm weary of swilling and gorging. I'll go to my own house."

"Then the feasting is at an end," declared the Semite, rising and clapping his hands. "My own litter shall bear you to the house the king has given you--nay, I forgot you scorn to ride on other men's backs. Then I shall myself escort you home. My lords, will you accompany us?"

"Walk, like common men?" stuttered Prince Ur-ilishu. "By Enlil, I will come. It will be a rare novelty. But I must have a slave to bear the train of my robe, lest it trail in the dust of the street. Come, friends, let us see the lord Pyrrhas home, by Ishtar!"

"A strange man," Ibi-Engur lisped to Libit-ishbi, as the party emerged from the spacious palace, and descended the broad tiled stair, guarded by bronze lions. "He walks the streets, unattended, like a very tradesman."

"Be careful," murmured the other. "He is quick to anger, and he stands high in the favor of Eannatum."

"Yet even the favored of the king had best beware of offending the god Anu," replied Ibi-Engur in an equally guarded voice.

The party were proceeding leisurely down the broad white street, gaped at by the common folk who bobbed their shaven heads as they passed. The sun was not long up, but the people of Nippur were well astir. There was much coming and going between the booths where the merchants spread their wares: a shifting panorama, woven of craftsmen, tradesmen, slaves, harlots, and soldiers in copper helmets. There went a merchant from his warehouse, a staid figure in sober woolen robe and white mantle; there hurried a slave in a linen tunic; there minced a painted hoyden whose short slit skirt displayed her sleek flank at every step. Above them the blue of the sky whitened with the heat of the mounting sun. The glazed surfaces of the buildings shimmered. They were flat-roofed, some of them three or four stories high.

Nippur was a city of sun-dried brick, but its facings of enamel made it a riot of bright color.

Somewhere a priest was chanting: "Oh, Babbar, righteousness lifteth up to thee its head--"

Pyrrhas swore under his breath. They were passing the great temple of Enlil, towering up three hundred feet in the changeless blue sky.

"The towers stand against the sky like part of it," he swore, raking back a damp lock from his forehead.

"The sky is enameled, and this is a world made by man."

"Nay, friend," demurred Naram-ninub. "Ea built the world from the body of Tiamat."

"I say men built Shumir!" exclaimed Pyrrhas, the wine he had drunk shadowing his eyes. "A flat land--a very banquet-board of a land--with rivers and cities painted upon it, and a sky of blue enamel over it. By Ymir, I was born in a land the gods built! There are great blue mountains, with valleys lying like long shadows between, and snow peaks glittering in the sun. Rivers rush foaming down the cliffs in everlasting tumult, and the broad leaves of the trees shake in the strong winds."

"I, too, was born in a broad land, Pyrrhas," answered the Semite. "By night the desert lies white and awful beneath the moon, and by day it stretches in brown infinity beneath the sun. But it is in the swarming cities of men, these hives of bronze and gold and enamel and humanity, that wealth and glory lie."

Pyrrhas was about to speak, when a loud wailing attracted his attention. Down the street came a procession, bearing a carven and painted litter on which lay a figure hidden by flowers. Behind came a train of young women, their scanty garments rent, their black hair flowing wildly. They beat their naked bosoms and cried: "Ailanu! Thammuz is dead!" The throng in the street took up the shout. The litter passed, swaying on the shoulders of the bearers; among the high-piled flowers shone the painted eyes of a carven image. The cry of the worshippers echoed down the street, dwindling in the distance.

Pyrrhas shrugged his mighty shoulders. "Soon they will be leaping and dancing and shouting, 'Adonis is living!', and the wenches who howl so bitterly now will give themselves to men in the streets for exultation. How many gods are there, in the devil's name?"

Naram-ninub pointed to the great zikkurat of Enlil, brooding over all like the brutish dream of a mad god.

"See ye the seven tiers: the lower black, the next of red enamel, the third blue, the fourth orange, the fifth yellow, while the sixth is faced with silver, and the seventh with pure gold which flames in the sunlight?

Each stage in the temple symbolizes a deity: the sun, the moon, and the five planets Enlil and his tribe have set in the skies for their emblems. But Enlil is greater than all, and Nippur is his favored city."

"Greater than Anu?" muttered Pyrrhas, remembering a flaming shrine and a dying priest that gasped an awful threat.

"Which is the greatest leg of a tripod?" parried Naram-ninub.

Pyrrhas opened his mouth to reply, then recoiled with a curse, his sword flashing out. Under his very feet a serpent reared up, its forked tongue flickering like a jet of red lightning.

"What is it, friend?" Naram-ninub and the princes stared at him in surprise.

"What is it?" He swore. "Don't you see that snake under your very feet? Stand aside and give me a clean swing at it--"

His voice broke off and his eyes clouded with doubt.

"It's gone," he muttered.

"I saw nothing," said Naram-ninub, and the others shook their heads, exchanging wondering glances.

The Argive passed his hand across his eyes, shaking his head.

"Perhaps it's the wine," he muttered. "Yet there was an adder, I swear by the heart of Ymir. I am accursed."

The others drew away from him, glancing at him strangely.

There had always been a restlessness in the soul of Pyrrhas the Argive, to haunt his dreams and drive him out on his long wanderings. It had brought him from the blue mountains of his race, southward into the fertile valleys and sea-fringing plains where rose the huts of the Mycenaeans; thence into the isle of Crete, where, in a rude town of rough stone and wood, a swart fishing people bartered with the ships of Egypt; by those ships he had gone into Egypt, where men toiled beneath the lash to rear the first pyramids, and where, in the ranks of the white-skinned mercenaries, the Shardana, he learned the arts of war. But his wanderlust drove him again across the sea, to a mud-walled trading village on the coast of Asia, called Troy, whence he drifted southward into the pillage and carnage of Palestine where the original dwellers in the land were trampled under by the barbaric Canaanites out of the East. So by devious ways he came at last to the plains of Shumir, where city fought city, and the priests of a myriad rival gods intrigued and plotted, as they had done since the dawn of Time, and as they did for centuries after, until the rise of an obscure frontier town called Babylon exalted its city-god Merodach above all others as Bel-Marduk, the conqueror of Tiamat.

The bare outline of the saga of Pyrrhas the Argive is weak and paltry; it can not catch the echoes of the thundering pageantry that rioted through that saga: the feasts, revels, wars, the crash and splintering of ships and the onset of chariots. Let it suffice to say that the honor of kings was given to the Argive, and that in all Mesopotamia there was no man so feared as this golden-haired barbarian whose war-skill and fury broke the hosts of Erech on the field, and the yoke of Erech from the neck of Nippur.

From a mountain hut to a palace of jade and ivory Pyrrhas' saga had led him. Yet the dim half-animal dreams that had filled his slumber when he lay as a youth on a heap of wolfskins in his shaggy-headed father's hut were nothing so strange and monstrous as the dreams that haunted him on the silken couch in the palace of turquoise-towered Nippur.

It was from these dreams that Pyrrhas woke suddenly. No lamp burned in his chamber and the moon was not yet up, but the starlight filtered dimly through the casement. And in this radiance something moved and took form. There was the vague outline of a lithe form, the gleam of an eye. Suddenly the night beat down oppressively hot and still. Pyrrhas heard the pound of his own blood through his veins.

Why fear a woman lurking in his chamber? But no woman's form was ever so pantherishly supple; no woman's eyes ever burned so in the darkness. With a gasping snarl he leaped from his couch and his sword hissed as it cut the air--but only the air. Something like a mocking laugh reached his ears, but the figure was gone.

A girl entered hastily with a lamp.

"Amytis! I saw her! It was no dream, this time! She laughed at me from the window!"

Amytis trembled as she set the lamp on an ebony table. She was a sleek sensuous creature, with long-lashed, heavy-lidded eyes, passionate lips, and a wealth of lustrous black curly locks. As she stood there naked the voluptuousness of her figure would have stirred the most jaded debauchee. A gift from Eannatum, she hated Pyrrhas, and he knew it, but found an angry gratification in possessing her. But now her hatred was drowned in her terror.

"It was Lilitu!" she stammered. "She has marked you for her own! She is the night-spirit, the mate of Ardat Lili. They dwell in the House of Arabu. You are accursed!"

His hands were bathed with sweat; molten ice seemed to be flowing sluggishly through his veins instead of blood.

"Where shall I turn? The priests hate and fear me since I burned Anu's temple."

"There is a man who is not bound by the priest-craft, and could aid you," she blurted out.

"Then tell me!" He was galvanized, trembling with eager impatience. "His name, girl! His name!"

But at this sign of weakness, her malice returned; she had blurted out what was in her mind, in her fear of the supernatural. Now all the vindictiveness in her was awake again.

"I have forgotten," she answered insolently, her eyes glowing with spite.

"Slut!" Gasping with the violence of his rage, he dragged her across a couch by her thick locks. Seizing his sword-belt he wielded it with savage force, holding down the writhing naked body with his free hand.

Each stroke was like the impact of a drover's whip. So mazed with fury was he, and she so incoherent with pain, that he did not at first realize that she was shrieking a name at the top of her voice. Recognizing this at last, he cast her from him, to fall in a whimpering heap on the mat-covered floor. Trembling and panting from the excess of his passion, he threw aside the belt and glared down at her.

"Gimil-ishbi, eh?''

"Yes!" she sobbed, grovelling on the floor in her excruciating anguish. "He was a priest of Enlil, until he turned diabolist and was banished. Ahhh, I faint! I swoon! Mercy! Mercy!"

"And where shall I find him?" he demanded.

"In the mound of Enzu, to the west of the city. Oh, Enlil, I am flayed alive! I perish!"

Turning from her, Pyrrhas hastily donned his garments and armor, without calling for a slave to aid him.

He went forth, passed among his sleeping servitors without waking them, and secured the best of his horses. There were perhaps a score in all in Nippur, the property of the king and his wealthier nobles; they had been bought from the wild tribes far to the north, beyond the Caspian, whom in a later age men called Scythians. Each steed represented an actual fortune. Pyrrhas bridled the great beast and strapped on the saddle--merely a cloth pad, ornamented and richly worked.

The soldiers at the gate gaped at him as he drew rein and ordered them to open the great bronze portals, but they bowed and obeyed without question. His crimson cloak flowed behind him as he galloped through the gate.

"Enlil!" swore a soldier. "The Argive has drunk overmuch of Naram-ninub's Egyptian wine."

"Nay," responded another; "did you see his face that it was pale, and his hand that it shook on the rein?

The gods have touched him, and perchance he rides to the House of Arabu."

Shaking their helmeted heads dubiously, they listened to the hoof-beats dwindling away in the west.

North, south and east from Nippur, farm-huts, villages and palm groves clustered the plain, threaded by the networks of canals that connected the rivers. But westward the land lay bare and silent to the Euphrates, only charred expanses telling of former villages. A few moons ago raiders had swept out of the desert in a wave that engulfed the vineyards and huts and burst against the staggering walls of Nippur.

Pyrrhas remembered the fighting along the walls, and the fighting on the plain, when his sally at the head of his phalanxes had broken the besiegers and driven them in headlong flight back across the Great River.

Then the plain had been red with blood and black with smoke. Now it was already veiled in green again as the grain put forth its shoots, uncared for by man. But the toilers who had planted that grain had gone into the land of dusk and darkness.

Already the overflow from more populous districts was seeping back into the man-made waste. A few months, a year at most, and the land would again present the typical aspect of the Mesopotamian plain, swarming with villages, checkered with tiny fields that were more like gardens than farms. Man would cover the scars man had made, and there would be forgetfulness, till the raiders swept again out of the desert. But now the plain lay bare and silent, the canals choked, broken and empty.

Here and there rose the remnants of palm groves, the crumbling ruins of villas and country palaces.

Further out, barely visible under the stars, rose the mysterious hillock known as the mound of Enzu--the moon. It was not a natural hill, but whose hands had reared it and for what reason none knew. Before Nippur was built it had risen above the plain, and the nameless fingers that shaped it had vanished in the dust of time. To it Pyrrhas turned his horse's head.

And in the city he had left, Amytis furtively left his palace and took a devious course to a certain secret destination. She walked rather stiffly, limped, and frequently paused to tenderly caress her person and lament over her injuries. But limping, cursing, and weeping, she eventually reached her destination, and stood before a man whose wealth and power was great in Nippur. His glance was an interrogation.

"He has gone to the Mound of the Moon, to speak with Gimil-ishbi," she said.

"Lilitu came to him again tonight," she shuddered, momentarily forgetting her pain and anger. "Truly he is accursed."

"By the priests of Anu?" His eyes narrowed to slits.

"So he suspects."

"And you?"

"What of me? I neither know nor care."

"Have you ever wondered why I pay you to spy upon him?" he demanded.

She shrugged her shoulders. "You pay me well; that is enough for me."

"Why does he go to Gimil-ishbi?"

"I told him the renegade might aid him against Lilitu."

Sudden anger made the man's face darkly sinister.

"I thought you hated him."

She shrank from the menace in the voice. "I spoke of the diabolist before I thought, and then he forced me to speak his name; curse him, I will not sit with ease for weeks!" Her resentment rendered her momentarily speechless.

The man ignored her, intent on his own somber meditations. At last he rose with sudden determination.

"I have waited too long," he muttered, like one speaking his thoughts aloud. "The fiends play with him while I bite my nails, and those who conspire with me grow restless and suspicious. Enlil alone knows what counsel Gimil-ishbi will give. When the moon rises I will ride forth and seek the Argive on the plain.

A stab unaware--he will not suspect until my sword is through him. A bronze blade is surer than the powers of Darkness. I was a fool to trust even a devil."

Amytis gasped with horror and caught at the velvet hangings for support.

"You? You? " Her lips framed a question too terrible to voice.

"Aye!" He accorded her a glance of grim amusement. With a gasp of terror she darted through the curtained door, her smarts forgotten in her fright.

Whether the cavern was hollowed by man or by Nature, none ever knew. At least its walls, floor and ceiling were symmetrical and composed of blocks of greenish stone, found nowhere else in that level land. Whatever its cause and origin, man occupied it now. A lamp hung from the rock roof, casting a weird light over the chamber and the bald pate of the man who sat crouching over a parchment scroll on a stone table before him. He looked up as a quick sure footfall sounded on the stone steps that led down into his abode. The next instant a tall figure stood framed in the doorway.

The man at the stone table scanned this figure with avid interest. Pyrrhas wore a hauberk of black leather and copper scales; his brazen greaves glinted in the lamplight. The wide crimson cloak, flung loosely about him, did not enmesh the long hilt that jutted from its folds. Shadowed by his horned bronze helmet, the Argive's eyes gleamed icily. So the warrior faced the sage.

Gimil-ishbi was very old. There was no leaven of Semitic blood in his withered veins. His bald head was round as a vulture's skull, and from it his great nose jutted like the beak of a vulture. His eyes were oblique, a rarity even in a pure-blooded Shumirian, and they were bright and black as beads. Whereas Pyrrhas' eyes were all depth, blue deeps and changing clouds and shadows, Gimil-ishbi's eyes were opaque as jet, and they never changed. His mouth was a gash whose smile was more terrible than its snarl.

He was clad in a simple black tunic, and his feet, in their cloth sandals, seemed strangely deformed.

Pyrrhas felt a curious twitching between his shoulder-blades as he glanced at those feet, and he drew his eyes away, and back to the sinister face.

"Deign to enter my humble abode, warrior," the voice was soft and silky, sounding strange from those harsh thin lips. "I would I could offer you food and drink, but I fear the food I eat and the wine I drink would find little favor in your sight." He laughed softly as at an obscure jest.

"I come not to eat or to drink," answered Pyrrhas abruptly, striding up to the table. "I come to buy a charm against devils."

"To buy?"

The Argive emptied a pouch of gold coins on the stone surface; they glistened dully in the lamplight.

Gimil-ishbi's laugh was like the rustle of a serpent through dead grass.

"What is this yellow dirt to me? You speak of devils, and you bring me dust the wind blows away."

"Dust?" Pyrrhas scowled. Gimil-ishbi laid his hand on the shining heap and laughed; somewhere in the night an owl moaned. The priest lifted his hand. Beneath it lay a pile of yellow dust that gleamed dully in the lamplight. A sudden wind rushed down the steps, making the lamp flicker, whirling up the golden heap; for an instant the air was dazzled and spangled with the shining particles. Pyrrhas swore; his armor was sprinkled with yellow dust; it sparkled among the scales of his hauberk.

"Dust that the wind blows away," mumbled the priest. "Sit down, Pyrrhas of Nippur, and let us converse with each other."

Pyrrhas glanced about the narrow chamber; at the even stacks of clay tablets along the walls, and the rolls of papyrus above them. Then he seated himself on the stone bench opposite the priest, hitching his sword-belt so that his hilt was well to the front.

"You are far from the cradle of your race," said Gimil-ishbi. "You are the first golden-haired rover to tread the plains of Shumir."

"I have wandered in many lands," muttered the Argive, "but may the vultures pluck my bones if I ever saw a race so devil-ridden as this, or a land ruled and harried by so many gods and demons."

His gaze was fixed in fascination on Gimil-ishbi's hands; they were long, narrow, white and strong, the hands of youth. Their contrast to the priest's appearance of great age otherwise, was vaguely disquieting.

"To each city its gods and their priests," answered Gimil-ishbi; "and all fools. Of what account are gods whom the fortunes of men lift or lower? Behind all gods of men, behind the primal trinity of Ea, Anu and Enlil, lurk the elder gods, unchanged by the wars or ambitions of men. Men deny what they do not see.

The priests of Eridu, which is sacred to Ea and light, are no blinder than them of Nippur, which is consecrated to Enlil, whom they deem the lord of Darkness. But he is only the god of the darkness of which men dream, not the real Darkness that lurks behind all dreams, and veils the real and awful deities.

I glimpsed this truth when I was a priest of Enlil, wherefore they cast me forth. Ha! They would stare if they knew how many of their worshippers creep forth to me by night, as you have crept."

"I creep to no man!" the Argive bristled instantly. "I came to buy a charm. Name your price, and be damned to you."

"Be not wroth," smiled the priest. "Tell me why you have come."

"If you are so cursed wise you should know already," growled the Argive, unmollified. Then his gaze clouded as he cast back over his tangled trail. "Some magician has cursed me," he muttered. "As I rode back from my triumph over Erech, my war-horse screamed and shied at Something none saw but he.

Then my dreams grew strange and monstrous. In the darkness of my chamber, wings rustled and feet padded stealthily. Yesterday a woman at a feast went mad and tried to knife me. Later an adder sprang out of empty air and struck at me. Then, this night, she men call Lilitu came to my chamber and mocked me with awful laughter--"

"Lilitu?" the priest's eyes lit with a brooding fire; his skull-face worked in a ghastly smile. "Verily, warrior, they plot thy ruin in the House of Arabu. Your sword can not prevail against her, or against her mate Ardat Lili. In the gloom of midnight her teeth will find your throat. Her laugh will blast your ears, and her burning kisses will wither you like a dead leaf blowing in the hot winds of the desert. Madness and dissolution will be your lot, and you will descend to the House of Arabu whence none returns."

Pyrrhas moved restlessly, cursing incoherently beneath his breath.

"What can I offer you besides gold?" he growled.

"Much!" the black eyes shone; the mouth-gash twisted in inexplicable glee. "But I must name my own price, after I have given you aid."

Pyrrhas acquiesced with an impatient gesture.

"Who are the wisest men in the world?" asked the sage abruptly.

"The priests of Egypt, who scrawled on yonder parchments," answered the Argive.

Gimil-ishbi shook his head; his shadow fell on the wall like that of a great vulture, crouching over a dying victim.

"None so wise as the priests of Tiamat, who fools believe died long ago under the sword of Ea. Tiamat is deathless; she reigns in the shadows; she spreads her dark wings over her worshippers."

"I know them not," muttered Pyrrhas uneasily.

"The cities of men know them not; but the wasteplaces know them, the reedy marshes, the stony deserts, the hills, and the caverns. To them steal the winged ones from the House of Arabu."

"I thought none came from that House," said the Argive.

"No human returns thence. But the servants of Tiamat come and go at their pleasure."

Pyrrhas was silent, reflecting on the place of the dead, as believed in by the Shumirians; a vast cavern, dusty, dark and silent, through which wandered the souls of the dead forever, shorn of all human attributes, cheerless and loveless, remembering their former lives only to hate all living men, their deeds and dreams.

"I will aid you," murmured the priest. Pyrrhas lifted his helmeted head and stared at him. Gimil-ishbi's eyes were no more human than the reflection of firelight on subterranean pools of inky blackness. His lips sucked in as if he gloated over all woes and miseries of mankind. Pyrrhas hated him as a man hates the unseen serpent in the darkness.

"Aid me and name your price," said the Argive.

Gimil-ishbi closed his hands and opened them, and in the palms lay a gold cask, the lid of which fastened with a jeweled catch. He sprung the lid, and Pyrrhas saw the cask was filled with grey dust. He shuddered without knowing why.

"This ground dust was once the skull of the first king of Ur," said Gimil-ishbi. "When he died, as even a necromancer must, he concealed his body with all his art. But I found his crumbling bones, and in the darkness above them, I fought with his soul as a man fights with a python in the night. My spoil was his skull, that held darker secrets than those that lie in the pits of Egypt.

"With this dead dust shall you trap Lilitu. Go quickly to an enclosed place--a cavern or a chamber--nay, that ruined villa which lies between this spot and the city will serve. Strew the dust in thin lines across threshold and window; leave not a spot as large as a man's hand unguarded. Then lie down as if in slumber. When Lilitu enters, as she will, speak the words I shall teach you. Then you are her master, until you free her again by repeating the conjure backwards. You can not slay her, but you can make her swear to leave you in peace. Make her swear by the dugs of Tiamat. Now lean close and I will whisper the words of the spell."

Somewhere in the night a nameless bird cried out harshly; the sound was more human than the whispering of the priest, which was no louder than the gliding of an adder through slimy ooze. He drew back, his gash-mouth twisted in a grisly smile. The Argive sat for an instant like a statue of bronze. Their shadows fell together on the wall with the appearance of a crouching vulture facing a strange horned monster.

Pyrrhas took the cask and rose, wrapping his crimson cloak about his somber figure, his homed helmet lending an illusion of abnormal height.

"And the price?"

Gimil-ishbi's hands became claws, quivering with lust.

"Blood! A life!"

"Whose life?"

"Any life! So blood flows, and there is fear and agony, a spirit ruptured from its quivering flesh! I have one price for all--a human life! Death is my rapture; I would glut my soul on death! Man, maid, or infant.

You have sworn. Make good your oath! A life! A human life!"

"Aye, a life!" Pyrrhas' sword cut the air in a flaming arc and Gimil-ishbi's vulture head fell on the stone table. The body reared upright, spouting black blood, then slumped across the stone. The head rolled across the surface and thudded dully on the floor. The features stared up, frozen in a mask of awful surprise.

Outside there sounded a frightful scream as Pyrrhas' stallion broke its halter and raced madly away across the plain.

From the dim chamber with its tablets of cryptic cuneiforms and papyri of dark hieroglyphics, and from the remnants of the mysterious priest, Pyrrhas fled. As he climbed the carven stair and emerged into the starlight he doubted his own reason.

Far across the level plain the moon was rising, dull red, darkly lurid. Tense heat and silence held the land.

Pyrrhas felt cold sweat thickly beading his flesh; his blood was a sluggish current of ice in his veins; his tongue clove to his palate. His armor weighted him and his cloak was like a clinging snare. Cursing incoherently he tore it from him; sweating and shaking he ripped off his armor, piece by piece, and cast it away. In the grip of his abysmal fears he had reverted to the primitive. The veneer of civilization vanished.

Naked but for loin-cloth and girded sword he strode across the plain, carrying the golden cask under his arm.

No sound disturbed the waiting silence as he came to the ruined villa whose walls reared drunkenly among heaps of rubble. One chamber stood above the general ruin, left practically untouched by some whim of chance. Only the door had been wrenched from its bronze hinges. Pyrrhas entered. Moonlight followed him in and made a dim radiance inside the portal. There were three windows, gold-barred.

Sparingly he crossed the threshold with a thin grey line. Each casement he served in like manner. Then tossing aside the empty cask, he stretched himself on a bare dais that stood in deep shadow. His unreasoning horror was under control. He who had been the hunted was now the hunter. The trap was set, and he waited for his prey with the patience of the primitive.

He had not long to wait. Something threshed the air outside and the shadow of great wings crossed the moon-lit portal. There was an instant of tense silence in which Pyrrhas heard the thunderous impact of his own heart against his ribs. Then a shadowy form framed itself in the open door. A fleeting instant it was visible, then it vanished from view. The thing had entered; the night-fiend was in the chamber.

Pyrrhas' hand clenched on his sword as he heaved up suddenly from the dais. His voice crashed in the stillness as he thundered the dark enigmatic conjurement whispered to him by the dead priest. He was answered by a frightful scream; there was a quick stamp of bare feet, then a heavy fall, and something was threshing and writhing in the shadows on the floor. As Pyrrhas cursed the masking darkness, the moon thrust a crimson rim above a casement, like a goblin peering into a window, and a molten flood of light crossed the floor. In the pale glow the Argive saw his victim.

But it was no were-woman that writhed there. It was a thing like a man, lithe, naked, dusky-skinned. It differed not in the attributes of humanity except for the disquieting suppleness of its limbs, the changeless glitter of its eyes. It grovelled as in mortal agony, foaming at the mouth and contorting its body into impossible positions.

With a blood-mad yell Pyrrhas ran at the figure and plunged his sword through the squirming body. The point rang on the tiled floor beneath it, and an awful howl burst from the frothing lips, but that was the only apparent effect of the thrust. The Argive wrenched forth his sword and glared astoundedly to see no stain on the steel, no wound on the dusky body. He wheeled as the cry of the captive was re-echoed from without.

Just outside the enchanted threshold stood a woman, naked, supple, dusky, with wide eyes blazing in a soulless face. The being on the floor ceased to writhe, and Pyrrhas' blood turned to ice.

"Lilitu!"

She quivered at the threshold, as if held by an invisible boundary. Her eyes were eloquent with hate; they yearned awfully for his blood and his life. She spoke, and the effect of a human voice issuing from that beautiful unhuman mouth was more terrifying than if a wild beast had spoken in human tongue.

"You have trapped my mate! You dare to torture Ardat Lili, before whom the gods tremble! Oh, you shall howl for this! You shall be torn bone from bone, and muscle from muscle, and vein from vein!

Loose him! Speak the words and set him free, lest even this doom be denied you!"

"Words!" he answered with bitter savagery. "You have hunted me like a hound. Now you can not cross that line without falling into my hands as your mate has fallen. Come into the chamber, bitch of darkness, and let me caress you as I caress your lover--thus!--and thus!--and thus!"

Ardat Lili foamed and howled at the bite of the keen steel, and Lilitu screamed madly in protest, beating with her hands as at an invisible barrier.

"Cease! Cease! Oh, could I but come at you! How I would leave you a blind, mangled cripple! Have done! Ask what you will, and I will perform it!"

"That is well," grunted the Argive grimly. "I can not take this creature's life, but it seems I can hurt him, and unless you give me satisfaction, I will give him more pain than ever he guesses exists in the world."

"Ask! Ask!" urged the were-woman, twisting with impatience.

"Why have you haunted me? What have I done to earn your hate?"

"Hate?" she tossed her head. "What are the sons of men that we of Shuala should hate or love? When the doom is loosed, it strikes blindly."

"Then who, or what, loosed the doom of Lilitu upon me?"

"One who dwells in the House of Arabu."

"Why, in Ymir's name?" swore Pyrrhas. "Why should the dead hate me?" He halted, remembering a priest who died gurgling curses.

"The dead strike at the bidding of the living. Someone who moves in the sunlight spoke in the night to one who dwells in Shuala."

"Who?"

"I do not know."

"You lie, you slut! It is the priests of Anu, and you would shield them. For that lie your lover shall howl to the kiss of the steel--"

"Butcher!" shrieked Lilitu. "Hold your hand! I swear by the dugs of Tiamat my mistress, I do not know what you ask. What are the priests of Anu that I should shield them? I would rip up all their bellies--as I would yours, could I come at you! Free my mate, and I will lead you to the House of Darkness itself, and you may wrest the truth from the awful mouth of the dweller himself, if you dare!"

"I will go," said Pyrrhas, "but I leave Ardat Lili here as hostage. If you deal falsely with me, he will writhe on this enchanted floor throughout all eternity."

Lilitu wept with fury, crying: "No devil in Shuala is crueller than you. Haste, in the name of Apsu!"

Sheathing his sword, Pyrrhas stepped across the threshold. She caught his wrist with fingers like velvet-padded steel, crying something in a strange inhuman tongue. Instantly the moon-lit sky and plain were blotted out in a rush of icy blackness. There was a sensation of hurtling through a void of intolerable coldness, a roaring in the Argive's ears as of titan winds. Then his feet struck solid ground; stability followed that chaotic instant, that had been like the instant of dissolution that joins or separates two states of being, alike in stability, but in kind more alien than day and night. Pyrrhas knew that in that instant he had crossed an unimaginable gulf, and that he stood on shores never before touched by living human feet.

Lilitu's fingers grasped his wrist, but he could not see her. He stood in darkness of a quality which he had never encountered. It was almost tangibly soft, all-pervading and all-engulfing. Standing amidst it, it was not easy even to imagine sunlight and bright rivers and grass singing in the wind. They belonged to that other world--a world lost and forgotten in the dust of a million centuries. The world of life and light was a whim of chance--a bright spark glowing momentarily in a universe of dust and shadows. Darkness and silence were the natural state of the cosmos, not light and the noises of Life. No wonder the dead hated the living, who disturbed the grey stillness of Infinity with their tinkling laughter.

Lilitu's fingers drew him through abysmal blackness. He had a vague sensation as of being in a titanic cavern, too huge for conception. He sensed walls and roof, though he did not see them and never reached them; they seemed to recede as he advanced, yet there was always the sensation of their presence. Sometimes his feet stirred what he hoped was only dust. There was a dusty scent throughout the darkness; he smelled the odors of decay and mould.

He saw lights moving like glow-worms through the dark. Yet they were not lights, as he knew radiance.

They were more like spots of lesser gloom, that seemed to glow only by contrast with the engulfing blackness which they emphasized without illuminating. Slowly, laboriously they crawled through the eternal night. One approached the companions closely and Pyrrhas' hair stood up and he grasped his sword. But Lilitu took no heed as she hurried him on. The dim spot glowed close to him for an instant; it vaguely illumined a shadowy countenance, faintly human, yet strangely birdlike.

Existence became a dim and tangled thing to Pyrrhas, wherein he seemed to journey for a thousand years through the blackness of dust and decay, drawn and guided by the hand of the were-woman. Then he heard her breath hiss through her teeth, and she came to a halt.

Before them shimmered another of those strange globes of light. Pyrrhas could not tell whether it illumined a man or a bird. The creature stood upright like a man, but it was clad in grey feathers--at least they were more like feathers than anything else. The features were no more human than they were birdlike.

"This is the dweller in Shuala which put upon you the curse of the dead," whispered Lilitu. "Ask him the name of him who hates you on earth."

"Tell me the name of mine enemy!" demanded Pyrrhas, shuddering at the sound of his own voice, which whispered drearily and uncannily through the unechoing darkness.

The eyes of the dead burned redly and it came at him with a rustle of pinions, a long gleam of light springing into its lifted hand. Pyrrhas recoiled, clutching at his sword, but Lilitu hissed: "Nay, use this!"

and he felt a hilt thrust into his fingers. He was grasping a scimitar with a blade curved in the shape of the crescent moon, that shone like an arc of white fire.

He parried the bird-thing's stroke, and sparks showered in the gloom, burning him like bits of flame. The darkness clung to him like a black cloak; the glow of the feathered monster bewildered and baffled him.

It was like fighting a shadow in the maze of a nightmare. Only by the fiery gleam of his enemy's blade did he keep the touch of it. Thrice it sang death in his ears as he deflected it by the merest fraction, then his own crescent-edge cut the darkness and grated on the other's shoulder-joint. With a strident screech the thing dropped its weapon and slumped down, a milky liquid spurting from the gaping wound. Pyrrhas lifted his scimitar again, when the creature gasped in a voice that was no more human than the grating of wind-blown boughs against one another: "Naram-ninub, the great-grandson of my great-grandson! By black arts he spoke and commanded me across the gulfs!"

"Naram-ninub!" Pyrrhas stood frozen in amazement; the scimitar was torn from his hand. Again Lilitu's fingers locked on his wrist Again the dark was drowned in deep blackness and howling winds blowing between the spheres.

He staggered in the moonlight without the ruined villa, reeling with the dizziness of his transmutation.

Beside him Lilitu's teeth shone between her curling red lips. Catching the thick locks clustered on her neck, he shook her savagely, as he would have shaken a mortal woman.

"Harlot of Hell! What madness has your sorcery instilled in my brain?"

"No madness!" she laughed, striking his hand aside. "You have journeyed to the House of Arabu, and you have returned. You have spoken with, and overcome with the sword of Apsu, the shade of a man dead for long centuries.

"Then it was no dream of madness! But Naram-ninub--" he halted in confused thought. "Why, of all the men of Nippur, he has been my staunchest friend!"

"Friend?" she mocked. "What is friendship but a pleasant pretense to while away an idle hour?"

"But why, in Ymir's name?"

"What are the petty intrigues of men to me?" she exclaimed angrily. "Yet now I remember that men from Erech, wrapped in cloaks, steal by night to Naram-ninub's palace."

"Ymir!" Like a sudden blaze of light Pyrrhas saw reason in merciless clarity. "He would sell Nippur to Erech, and first he must put me out of the way, because the hosts of Nippur cannot stand before me! Oh, dog, let my knife find your heart!"

"Keep faith with me!" Lilitu's importunities drowned his fury. "I have kept faith with you. I have led you where never living man has trod, and brought you forth unharmed. I have betrayed the dwellers in darkness and done that for which Tiamat will bind me naked on a whitehot grid for seven times seven days. Speak the words and free Ardat Lili!"

Still engrossed in Naram-ninub's treachery, Pyrrhas spoke the incantation. With a loud sigh of relief, the were-man rose from the tiled floor and came into the moonlight. The Argive stood with his hand on his sword and his head bent, lost in moody thought. Lilitu's eyes flashed a quick meaning to her mate. Lithely they began to steal toward the abstracted man. Some primitive instinct brought his head up with a jerk.

They were closing in on him, their eyes burning in the moonlight, their fingers reaching for him. Instantly he realized his mistake; he had forgotten to make them swear truce with him; no oath bound them from his flesh.

With feline screeches they struck in, but quicker yet he bounded aside and raced toward the distant city.

Too hotly eager for his blood to resort to sorcery, they gave chase. Fear winged his feet, but close behind him he heard the swift patter of their feet, their eager panting. A sudden drum of hoofs sounded in front of him, and bursting through a tattered grove of skeleton palms, he almost caromed against a rider, who rode like the wind, a long silvery glitter in his hand. With a startled oath the horseman wrenched his steed back on its haunches. Pyrrhas saw looming over him a powerful body in scale-mail, a pair of blazing eyes that glared at him from under a domed helmet, a short black beard.

"You dog!" he yelled furiously. "Damn you, have you come to complete with your sword what your black magic began?"

The steed reared wildly as he leaped at its head and caught its bridle. Cursing madly and fighting for balance, Naram-ninub slashed at his attacker's head, but Pyrrhas parried the stroke and thrust upward murderously. The sword-point glanced from the corselet and plowed along the Semite's jaw-bone.

Naram-ninub screamed and fell from the plunging steed, spouting blood. His leg-bone snapped as he pitched heavily to earth, and his cry was echoed by a gloating howl from the shadowed grove.

Without dragging the rearing horse to earth, Pyrrhas sprang to its back and wrenched it about.

Naram-ninub was groaning and writhing on the ground, and as Pyrrhas looked, two shadows darted from the darkened grove and fastened themselves on his prostrate form. A terrible scream burst from his lips, echoed by more awful laughter. Blood on the night air; on it the night-things would feed, wild as mad dogs, marking no difference between men.

The Argive wheeled away, toward the city, then hesitated, shaken by a fierce revulsion. The level land lay quiescent beneath the moon, and the brutish pyramid of Enlil stood up in the stars. Behind him lay his enemy, glutting the fangs of the horrors he himself had called up from the Pits. The road was open to Nippur, for his return.

His return?--to a devil-ridden people crawling beneath the heels of priest and king; to a city rotten with intrigue and obscene mysteries; to an alien race that mistrusted him, and a mistress that hated him.

Wheeling his horse again, he rode westward toward the open lands, flinging his arms wide in a gesture of renunciation and the exultation of freedom. The weariness of life dropped from him like a cloak. His mane floated in the wind, and over the plains of Shumir shouted a sound they had never heard before--the gusty, elemental, reasonless laughter of a free barbarian.

The Man on the Ground

Cal Reynolds shifted his tobacco quid to the other side of his mouth as he squinted down the dull blue barrel of his Winchester. His jaws worked methodically, their movement ceasing as he found his bead.

He froze into rigid immobility; then his finger hooked on the trigger. The crack of the shot sent the echoes rattling among the hills, and like a louder echo came an answering shot. Reynolds flinched down, flattening his rangy body against the earth, swearing softly. A gray flake jumped from one of the rocks near his head, the ricocheting bullet whining off into space. Reynolds involuntarily shivered. The sound was as deadly as the singing of an unseen rattler.

He raised himself gingerly high enough to peer out between the rocks in front of him. Separated from his refuge by a broad level grown with mesquite-grass and prickly-pear, rose a tangle of boulders similar to that behind which he crouched. From among these boulders floated a thin wisp of whitish smoke.

Reynold's keen eyes, trained to sun-scorched distances, detected a small circle of dully gleaming blue steel among the rocks. That ring was the muzzle of a rifle, but Reynolds well knew who lay behind that muzzle.

The feud between Cal Reynolds and Esau Brill had been long, for a Texas feud. Up in the Kentucky mountains family wars may straggle on for generations, but the geographical conditions and human temperament of the Southwest were not conducive to long-drawn-out hostilities. There feuds were generally concluded with appalling suddenness and finality. The stage was a saloon, the streets of a little cow-town, or the open range. Sniping from the laurel was exchanged for the close-range thundering of six-shooters and sawed-off shotguns which decided matters quickly, one way or the other.

The case of Cal Reynolds and Esau Brill was somewhat out of the ordinary. In the first place, the feud concerned only themselves. Neither friends nor relatives were drawn into it. No one, including the participants, knew just how it started. Cal Reynolds merely knew that he had hated Esau Brill most of his life, and that Brill reciprocated. Once as youths they had clashed with the violence and intensity of rival young catamounts. From that encounter Reynolds carried away a knife scar across the edge of his ribs, and Brill a permanently impaired eye. It had decided nothing. They had fought to a bloody gasping deadlock, and neither had felt any desire to "shake hands and make up." That is a hypocrisy developed in civilization, where men have no stomach for fighting to the death. After a man has felt his adversary's knife grate against his bones, his adversary's thumb gouging at his eyes, his adversary's boot-heels stamped into his mouth, he is scarcely inclined to forgive and forget, regardless of the original merits of the argument.

So Reynolds and Brill carried their mutual hatred into manhood, and as cowpunchers riding for rival ranches, it followed that they found opportunities to carry on their private war. Reynolds rustled cattle from Brill's boss, and Brill returned the compliment. Each raged at the other's tactics, and considered himself justified in eliminating his enemy in any way that he could. Brill caught Reynolds without his gun one night in a saloon at Cow Wells, and only an ignominious flight out the back way, with bullets barking at his heels, saved the Reynolds scalp.

Again Reynolds, lying in the chaparral, neatly knocked his enemy out of his saddle at five hundred yards with a .30-.30 slug, and, but for the inopportune appearance of a line-rider, the feud would have ended there, Reynolds deciding, in the face of this witness, to forego his original intention of leaving his covert and hammering out the wounded man's brains with his rifle butt.

Brill recovered from his wound, having the vitality of a longhorn bull, in common with all his sun-leathered iron-thewed breed, and as soon as he was on his feet, he came gunning for the man who had waylaid him.

Now after these onsets and skirmishes, the enemies faced each other at good rifle range, among the lonely hills where interruption was unlikely.

For more than an hour they had lain among the rocks, shooting at each hint of movement. Neither had scored a hit, though the .30-.30's whistled perilously close.

In each of Reynolds' temples a tiny pulse hammered maddeningly. The sun beat down on him and his shirt was soaked with sweat. Gnats swarmed about his head, getting into his eyes, and he cursed venomously. His wet hair was plastered to his scalp; his eyes burned with the glare of the sun, and the rifle barrel was hot to his calloused hand. His right leg was growing numb and he shifted it cautiously, cursing at the jingle of the spur, though he knew Brill could not hear. All this discomfort added fuel to the fire of his wrath. Without process of conscious reasoning, he attributed all his suffering to his enemy. The sun beat dazingly on his sombrero, and his thoughts were slightly addled. It was hotter than the hearthstone of hell among those bare rocks. His dry tongue caressed his baked lips.

Through the muddle of his brain burned his hatred of Esau Brill. It had become more than an emotion: it was an obsession, a monstrous incubus. When he flinched from the whip-crack of Brill's rifle, it was not from fear of death, but because the thought of dying at the hands of his foe was an intolerable horror that made his brain rock with red frenzy. He would have thrown his life away recklessly, if by so doing he could have sent Brill into eternity just three seconds ahead of himself.

He did not analyze these feelings. Men who live by their hands have little time for self-analysis. He was no more aware of the quality of his hate for Esau Brill than he was consciously aware of his hands and feet. It was part of him, and more than part: it enveloped him, engulfed him; his mind and body were no more than its material manifestations. He was the hate; it was the whole soul and spirit of him.

Unhampered by the stagnant and enervating shackles of sophistication and intellectuality, his instincts rose sheer from the naked primitive. And from them crystallized an almost tangible abstraction--a hate too strong for even death to destroy; a hate powerful enough to embody itself in itself, without the aid or the necessity of material substance.

For perhaps a quarter of an hour neither rifle had spoken. Instinct with death as rattlesnakes coiled among the rocks soaking up poison from the sun's rays, the feudists lay each waiting his chance, playing the game of endurance until the taut nerves of one or the other should snap.

It was Esau Brill who broke. Not that his collapse took the form of any wild madness or nervous explosion. The wary instincts of the wild were too strong in him for that. But suddenly, with a screamed curse, he hitched up on his elbow and fired blindly at the tangle of stones which concealed his enemy.

Only the upper part of his arm and the corner of his blue-shirted shoulder were for an instant visible. That was enough. In that flash-second Cal Reynolds jerked the trigger, and a frightful yell told him his bullet had found its mark. And at the animal pain in that yell, reason and life-long instincts were swept away by an insane flood of terrible joy. He did not whoop exultantly and spring to his feet; but his teeth bared in a wolfish grin and he involuntarily raised his head. Waking instinct jerked him down again. It was chance that undid him. Even as he ducked back, Brill's answering shot cracked.

Cal Reynolds did not hear it, because, simultaneously with the sound, something exploded in his skull, plunging him into utter blackness, shot briefly with red sparks.

The blackness was only momentary. Cal Reynolds glared wildly around, realizing with a frenzied shock that he was lying in the open. The impact of the shot had sent him rolling from among the rocks, and in that quick instant he realized that it had not been a direct hit. Chance had sent the bullet glancing from a stone, apparently to flick his scalp in passing. That was not so important. What was important was that he was lying out in full view, where Esau Brill could fill him full of lead. A wild glance showed his rifle lying close by. It had fallen across a stone and lay with the stock against the ground, the barrel slanting upward. Another glance showed his enemy standing upright among the stones that had concealed him.

In that one glance Cal Reynolds took in the details of the tall, rangy figure: the stained trousers sagging with the weight of the holstered six-shooter, the legs tucked into the worn leather boots; the streak of crimson on the shoulder of the blue shirt, which was plastered to the wearer's body with sweat; the tousled black hair, from which perspiration was pouring down the unshaven face. He caught the glint of yellow tobacco-stained teeth shining in a savage grin. Smoke still drifted from the rifle in Brill's hands.

These familiar and hated details stood out in startling clarity during the fleeting instant while Reynolds struggled madly against the unseen chains which seemed to hold him to the earth. Even as he thought of the paralysis a glancing blow on the head might induce, something seemed to snap and he rolled free.

Rolled is hardly the word: he seemed almost to dart to the rifle that lay across the rock, so light his limbs felt.

Dropping behind the stone he seized the weapon. He did not even have to lift it. As it lay it bore directly on the man who was now approaching.

His hand was momentarily halted by Esau Brill's strange behavior. Instead of firing or leaping back into cover the man came straight on, his rifle in the crook of his arm, that damnable leer still on his unshaven lips. Was he mad? Could he not see that his enemy was up again, raging with life, and with a cocked rifle at his heart? Brill seemed not to be looking at him, but to one side, at the spot where Reynolds had just been lying.

Without seeking further for the explanation of his foe's actions, Cal Reynolds pulled the trigger. With the vicious spang of the report a blue shred leaped from Brill's broad breast. He staggered back, his mouth flying open. And the look on his face froze Reynolds again. Esau Brill came of a breed which fights to its last gasp. Nothing was more certain than that he would go down pulling the trigger blindly until the last red vestige of life left him. Yet the ferocious triumph was wiped from his face with the crack of the shot, to be replaced by an awful expression of dazed surprize. He made no move to lift his rifle, which slipped from his grasp, nor did he clutch at his wound. Throwing out his hands in a strange, stunned, helpless way, he reeled backward on slowly buckling legs, his features frozen into a mask of stupid amazement that made his watcher shiver with its cosmic horror.

Through the opened lips gushed a tide of blood, dyeing the damp shirt. And like a tree that sways and rushes suddenly earthward, Esau Brill crashed down among the mesquite-grass and lay motionless.

Cal Reynolds rose, leaving the rifle where it lay. The rolling grass-grown hills swam misty and indistinct to his gaze. Even the sky and the blazing sun had a hazy unreal aspect. But a savage content was in his soul.

The long feud was over at last, and whether he had taken his death-wound or not, he had sent Esau Brill to blaze the trail to hell ahead of him.

Then he started violently as his gaze wandered to the spot where he had rolled after being hit. He glared; were his eyes playing him tricks? Yonder in the grass Esau Brill lay dead--yet only a few feet away stretched another body.

Rigid with surprize, Reynolds glared at the rangy figure, slumped grotesquely beside the rocks. It lay partly on its side, as if flung there by some blind convulsion, the arms outstretched, the fingers crooked as if blindly clutching. The short-cropped sandy hair was splashed with blood, and from a ghastly hole in the temple the brains were oozing. From a corner of the mouth seeped a thin trickle of tobacco juice to stain the dusty neck-cloth.

And as he gazed, an awful familiarity made itself evident. He knew the feel of those shiny leather wrist-bands; he knew with fearful certainty whose hands had buckled that gun-belt; the tang of that tobacco juice was still on his palate.

In one brief destroying instant he knew he was looking down at his own lifeless body. And with the knowledge came true oblivion.

Old Garfield's Heart

I was sitting on the porch when my grandfather hobbled out and sank down on his favorite chair with the cushioned seat, and began to stuff tobacco in his old corncob-pipe.

"I thought you'd be goin' to the dance," he said.

"I'm waiting for Doc Blaine," I answered. "I'm going over to old man Garfield's with him."

My grandfather sucked at his pipe awhile before he spoke again.

"Old Jim purty bad off?"

"Doc says he hasn't a chance."

"Who's takin' care of him?"

"Joe Braxton--against Garfield's wishes. But somebody had to stay with him."

My grandfather sucked his pipe noisily, and watched the heat lightning playing away off up in the hills; then he said: "You think old Jim's the biggest liar in this county, don't you?"

"He tells some pretty tall tales," I admitted. "Some of the things he claimed he took part in, must have happened before he was born."

"I came from Tennesee to Texas in 1870," my grandfather said abruptly. "I saw this town of Lost Knob grow up from nothin'. There wasn't even a log-hut store here when I came. But old Jim Garfield was here, livin' in the same place he lives now, only then it was a log cabin. He don't look a day older now than he did the first time I saw him."

"You never mentioned that before," I said in some surprize.

"I knew you'd put it down to an old man's maunderin's," he answered. "Old Jim was the first white man to settle in this country. He built his cabin a good fifty miles west of the frontier. God knows how he done it, for these hills swarmed with Comanches then.

"I remember the first time I ever saw him. Even then everybody called him 'old Jim.'

"I remember him tellin' me the same tales he's told you--how he was at the battle of San Jacinto when he was a youngster, and how he'd rode with Ewen Cameron and Jack Hayes. Only I believe him, and you don't."

"That was so long ago--" I protested.

"The last Indian raid through this country was in 1874," said my grandfather, engrossed in his own reminiscences. "I was in on that fight, and so was old Jim. I saw him knock old Yellow Tail off his mustang at seven hundred yards with a buffalo rifle.

"But before that I was with him in a fight up near the head of Locust Creek. A band of Comanches came down Mesquital, lootin' and burnin', rode through the hills and started back up Locust Creek, and a scout of us were hot on their heels. We ran on to them just at sundown in a mesquite flat. We killed seven of them, and the rest skinned out through the brush on foot. But three of our boys were killed, and Jim Garfield got a thrust in the breast with a lance.

"It was an awful wound. He lay like a dead man, and it seemed sure nobody could live after a wound like that. But an old Indian came out of the brush, and when we aimed our guns at him, he made the peace sign and spoke to us in Spanish. I don't know why the boys didn't shoot him in his tracks, because our blood was heated with the fightin' and killin', but somethin' about him made us hold our fire. He said he wasn't a Comanche, but was an old friend of Garfield's, and wanted to help him. He asked us to carry Jim into a clump of mesquite, and leave him alone with him, and to this day I don't know why we did, but we did. It was an awful time--the wounded moanin' and callin' for water, the starin' corpses strewn about the camp, night comin' on, and no way of knowin' that the Indians wouldn't return when dark fell.

"We made camp right there, because the horses were fagged out, and we watched all night, but the Comanches didn't come back. I don't know what went on out in the mesquite where Jim Garfield's body lay, because I never saw that strange Indian again; but durin' the night I kept hearin' a weird moanin' that wasn't made by the dyin' men, and an owl hooted from midnight till dawn.

"And at sunrise Jim Garfield came walkin' out of the mesquite, pale and haggard, but alive, and already the wound in his breast had closed and begun to heal. And since then he's never mentioned that wound, nor that fight, nor the strange Indian who came and went so mysteriously. And he hasn't aged a bit; he looks now just like he did then--a man of about fifty."

In the silence that followed, a car began to purr down the road, and twin shafts of light cut through the dusk.

"That's Doc Blaine," I said. "When I come back I'll tell you how Garfield is."

Doc Blaine was prompt with his predictions as we drove the three miles of post-oak covered hills that lay between Lost Knob and the Garfield farm.

"I'll be surprized to find him alive," he said, "smashed up like he is. A man his age ought to have more sense than to try to break a young horse."

"He doesn't look so old," I remarked.

"I'll be fifty, my next birthday," answered Doc Blaine. "I've known him all my life, and he must have been at least fifty the first time I ever saw him. His looks are deceiving."

Old Garfield's dwelling-place was reminiscent of the past. The boards of the low squat house had never known paint. Orchard fence and corrals were built of rails.

Old Jim lay on his rude bed, tended crudely but efficiently by the man Doc Blaine had hired over the old man's protests. As I looked at him, I was impressed anew by his evident vitality. His frame was stooped but unwithered, his limbs rounded out with springy muscles. In his corded neck and in his face, drawn though it was with suffering, was apparent an innate virility. His eyes, though partly glazed with pain, burned with the same unquenchable element.

"He's been ravin'," said Joe Braxton stolidly.

"First white man in this country," muttered old Jim, becoming intelligible. "Hills no white man ever set foot in before. Gettin' too old. Have to settle down. Can't move on like I used to. Settle down here. Good country before it filled up with cow-men and squatters. Wish Ewen Cameron could see this country. The Mexicans shot him. Damn 'em!"

Doc Blaine shook his head. "He's all smashed up inside. He won't live till daylight."

Garfield unexpectedly lifted his head and looked at us with clear eyes.

"Wrong, Doc," he wheezed, his breath whistling with pain. "I'll live. What's broken bones and twisted guts? Nothin'! It's the heart that counts. Long as the heart keeps pumpin', a man can't die. My heart's sound. Listen to it! Feel of it!"

He groped painfully for Doc Blaine's wrist, dragged his hand to his bosom and held it there, staring up into the doctor's face with avid intensity.

"Regular dynamo, ain't it?" he gasped. "Stronger'n a gasoline engine!"

Blaine beckoned me. "Lay your hand here," he said, placing my hand on the old man's bare breast. "He does have a remarkable heart action."

I noted, in the light of the coal-oil lamp, a great livid scar in the gaunt arching breast--such a scar as might be made by a flint-headed spear. I laid my hand directly on this scar, and an exclamation escaped my lips.

Under my hand old Jim Garfield's heart pulsed, but its throb was like no other heart action I have ever observed. Its power was astounding; his ribs vibrated to its steady throb. It felt more like the vibrating of a dynamo than the action of a human organ. I could feel its amazing vitality radiating from his breast, stealing up into my hand and up my arm, until my own heart seemed to speed up in response.

"I can't die," old Jim gasped. "Not so long as my heart's in my breast. Only a bullet through the brain can kill me. And even then I wouldn't be rightly dead, as long as my heart beats in my breast. Yet it ain't rightly mine, either. It belongs to Ghost Man, the Lipan chief. It was the heart of a god the Lipans worshipped before the Comanches drove 'em out of their native hills.

"I knew Ghost Man down on the Rio Grande, when I was with Ewen Cameron. I saved his life from the Mexicans once. He tied the string of ghost wampum between him and me--the wampum no man but me and him can see or feel. He came when he knowed I needed him, in that fight up on the headwaters of Locust Creek, when I got this scar.

"I was dead as a man can be. My heart was sliced in two, like the heart of a butchered beef steer.

"All night Ghost Man did magic, callin' my ghost back from spirit-land. I remember that flight, a little. It was dark, and gray-like, and I drifted through gray mists and heard the dead wailin' past me in the mist.

But Ghost Man brought me back.

"He took out what was left of my mortal heart, and put the heart of the god in my bosom. But it's his, and when I'm through with it, he'll come for it. It's kept me alive and strong for the lifetime of a man. Age can't touch me. What do I care if these fools around here call me an old liar? What I know, I know. But hark'ee!"

His fingers became claws, clamping fiercely on Doc Blaine's wrist. His old eyes, old yet strangely young, burned fierce as those of an eagle under his bushy brows.

"If by some mischance I should die, now or later, promise me this! Cut into my bosom and take out the heart Ghost Man lent me so long ago! It's his. And as long as it beats in my body, my spirit'll be tied to that body, though my head be crushed like an egg underfoot! A livin' thing in a rottin' body! Promise!"

"All right, I promise," replied Doc Blaine, to humor him, and old Jim Garfield sank back with a whistling sigh of relief.

He did not die that night, nor the next, nor the next. I well remember the next day, because it was that day that I had the fight with Jack Kirby.

People will take a good deal from a bully, rather than to spill blood. Because nobody had gone to the trouble of killing him, Kirby thought the whole countryside was afraid of him.

He had bought a steer from my father, and when my father went to collect for it, Kirby told him that he had paid the money to me--which was a lie. I went looking for Kirby, and came upon him in a bootleg joint, boasting of his toughness, and telling the crowd that he was going to beat me up and make me say that he had paid me the money, and that I had stuck it into my own pocket. When I heard him say that, I saw red, and ran in on him with a stockman's knife, and cut him across the face, and in the neck, side, breast and belly, and the only thing that saved his life was the fact that the crowd pulled me off.

There was a preliminary hearing, and I was indicted on a charge of assault, and my trial was set for the following term of court. Kirby was as tough-fibered as a post-oak country bully ought to be, and he recovered, swearing vengeance, for he was vain of his looks, though God knows why, and I had permanently impaired them.

And while Jack Kirby was recovering, old man Garfield recovered too, to the amazement of everybody, especially Doc Blaine.

I well remember the night Doc Blaine took me again out to old Jim Garfield's farm. I was in Shifty Corlan's joint, trying to drink enough of the slop he called beer to get a kick out of it, when Doc Blaine came in and persuaded me to go with him.

As we drove along the winding old road in Doc's car, I asked: "Why are you insistent that I go with you this particular night? This isn't a professional call, is it?"

"No," he said. "You couldn't kill old Jim with a post-oak maul. He's completely recovered from injuries that ought to have killed an ox. To tell the truth, Jack Kirby is in Lost Knob, swearing he'll shoot you on sight."

"Well, for God's sake!" I exclaimed angrily. "Now everybody'll think I left town because I was afraid of him. Turn around and take me back, damn it!"

"Be reasonable," said Doc. "Everybody knows you're not afraid of Kirby. Nobody's afraid of him now.

His bluff 's broken, and that's why he's so wild against you. But you can't afford to have any more trouble with him now, and your trial only a short time off."

I laughed and said: "Well, if he's looking for me hard enough, he can find me as easily at old Garfield's as in town, because Shifty Corlan heard you say where we were going. And Shifty's hated me ever since I skinned him in that horse-swap last fall. He'll tell Kirby where I went."

"I never thought of that," said Doc Blaine, worried.

"Hell, forget it," I advised. "Kirby hasn't got guts enough to do anything but blow."

But I was mistaken. Puncture a bully's vanity and you touch his one vital spot.

Old Jim had not gone to bed when we got there. He was sitting in the room opening on to his sagging porch, the room which was at once living-room and bedroom, smoking his old cob pipe and trying to read a newspaper by the light of his coal-oil lamp. All the windows and doors were wide open for the coolness, and the insects which swarmed in and fluttered around the lamp didn't seem to bother him.

We sat down and discussed the weather--which isn't so inane as one might suppose, in a country where men's livelihood depends on sun and rain, and is at the mercy of wind and drouth. The talk drifted into other kindred channels, and after some time, Doc Blaine bluntly spoke of something that hung in his mind.

"Jim," he said, "that night I thought you were dying, you babbled a lot of stuff about your heart, and an Indian who lent you his. How much of that was delirium?"

"None, Doc," said Garfield, pulling at his pipe. "It was gospel truth. Ghost Man, the Lipan priest of the Gods of Night, replaced my dead, torn heart with one from somethin' he worshipped. I ain't sure myself just what that somethin' is--somethin' from away back and a long way off, he said. But bein' a god, it can do without its heart for awhile. But when I die--if I ever get my head smashed so my consciousness is destroyed--the heart must be given back to Ghost Man."

"You mean you were in earnest about cutting out your heart?" demanded Doc Blaine.

"It has to be," answered old Garfield. "A livin' thing in a dead thing is opposed to nat'er. That's what Ghost Man said."

"Who the devil was Ghost Man?"

"I told you. A witch-doctor of the Lipans, who dwelt in this country before the Comanches came down from the Staked Plains and drove 'em south across the Rio Grande. I was a friend to 'em. I reckon Ghost Man is the only one left alive."

"Alive? Now?"

"I dunno," confessed old Jim. "I dunno whether he's alive or dead. I dunno whether he was alive when he came to me after the fight on Locust Creek, or even if he was alive when I knowed him in the southern country. Alive as we understand life, I mean."

"What balderdash is this?" demanded Doc Blaine uneasily, and I felt a slight stirring in my hair. Outside was stillness, and the stars, and the black shadows of the post-oak woods. The lamp cast old Garfield's shadow grotesquely on the wall, so that it did not at all resemble that of a human, and his words were strange as words heard in a nightmare.

"I knowed you wouldn't understand," said old Jim. "I don't understand myself, and I ain't got the words to explain them things I feel and know without understandin'. The Lipans were kin to the Apaches, and the Apaches learnt curious things from the Pueblos. Ghost Man was--that's all I can say--alive or dead, I don't know, but he was. What's more, he is."

"Is it you or me that's crazy?" asked Doc Blaine.

"Well," said old Jim, "I'll tell you this much--Ghost Man knew Coronado."

"Crazy as a loon!" murmured Doc Blaine. Then he lifted his head. "What's that?"

"Horse turning in from the road," I said. "Sounds like it stopped."

I stepped to the door, like a fool, and stood etched in the light behind me. I got a glimpse of a shadowy bulk I knew to be a man on a horse; then Doc Blaine yelled: "Look out!" and threw himself against me, knocking us both sprawling. At the same instant I heard the smashing report of a rifle, and old Garfield grunted and fell heavily.

"Jack Kirby!" screamed Doc Blaine. "He's killed Jim!"

I scrambled up, hearing the clatter of retreating hoofs, snatched old Jim's shotgun from the wall, rushed recklessly out on to the sagging porch and let go both barrels at the fleeing shape, dim in the starlight. The charge was too light to kill at that range, but the bird-shot stung the horse and maddened him. He swerved, crashed headlong through a rail fence and charged across the orchard, and a peach tree limb knocked his rider out of the saddle. He never moved after he hit the ground. I ran out there and looked down at him. It was Jack Kirby, right enough, and his neck was broken like a rotten branch.

I let him lie, and ran back to the house. Doc Blaine had stretched old Garfield out on a bench he'd dragged in from the porch, and Doc's face was whiter than I'd ever seen it. Old Jim was a ghastly sight; he had been shot with an old-fashioned .45-70, and at that range the heavy ball had literally torn off the top of his head. His features were masked with blood and brains. He had been directly behind me, poor old devil, and he had stopped the slug meant for me.

Doc Blaine was trembling, though he was anything but a stranger to such sights.

"Would you pronounce him dead?" he asked.

"That's for you to say." I answered. "But even a fool could tell that he's dead."

"He is dead," said Doc Blaine in a strained unnatural voice. "Rigor mortis is already setting in. But feel his heart!"

I did, and cried out. The flesh was already cold and clammy; but beneath it that mysterious heart still hammered steadily away, like a dynamo in a deserted house. No blood coursed through those veins; yet the heart pounded, pounded, pounded, like the pulse of Eternity.

"A living thing in a dead thing," whispered Doc Blaine, cold sweat on his face. "This is opposed to nature. I am going to keep the promise I made him. I'll assume full responsibility. This is too monstrous to ignore."

Our implements were a butcher-knife and a hack-saw. Outside only the still stars looked down on the black post-oak shadows and the dead man that lay in the orchard. Inside, the old lamp flickered, making strange shadows move and shiver and cringe in the corners, and glistened on the blood on the floor, and the red-dabbled figure on the bench. The only sound inside was the crunch of the saw-edge in bone; outside an owl began to hoot weirdly.

Doc Blaine thrust a red-stained hand into the aperture he had made, and drew out a red, pulsing object that caught the lamplight. With a choked cry he recoiled, and the thing slipped from his fingers and fell on the table. And I too cried out involuntarily. For it did not fall with a soft meaty thud, as a piece of flesh should fall. It thumped hard on the table.

Impelled by an irresistible urge, I bent and gingerly picked up old Garfield's heart. The feel of it was brittle, unyielding, like steel or stone, but smoother than either. In size and shape it was the duplicate of a human heart, but it was slick and smooth, and its crimson surface reflected the lamplight like a jewel more lambent than any ruby; and in my hand it still throbbed mightily, sending vibratory radiations of energy up my arm until my own heart seemed swelling and bursting in response. It was cosmic power, beyond my comprehension, concentrated into the likeness of a human heart.

The thought came to me that here was a dynamo of life, the nearest approach to immortality that is possible for the destructible human body, the materialization of a cosmic secret more wonderful than the fabulous fountain sought for by Ponce de Leon. My soul was drawn into that unterrestrial gleam, and I suddenly wished passionately that it hammered and thundered in my own bosom in place of my paltry heart of tissue and muscle.

Doc Blaine ejaculated incoherently. I wheeled.

The noise of his coming had been no greater than the whispering of a night wind through the corn. There in the doorway he stood, tall, dark, inscrutable--an Indian warrior, in the paint, war bonnet, breech-clout and moccasins of an elder age. His dark eyes burned like fires gleaming deep under fathomless black lakes. Silently he extended his hand, and I dropped Jim Garfield's heart into it. Then without a word he turned and stalked into the night. But when Doc Blaine and I rushed out into the yard an instant later, there was no sign of any human being. He had vanished like a phantom of the night, and only something that looked like an owl was flying, dwindling from sight, into the rising moon.

Kelly the Conjure-Man

There are strange tales told when the full moon shines

Of voodoo nights when the ghost-things ran--

But the strangest figure among the pines

Was Kelly the conjure-man.

About seventy-five miles north-east of the great Smackover oil field of Arkansas lies a densely wooded country of pinelands and rivers, rich in folklore and tradition. Here, in the early 1850s came a sturdy race of Scotch-Irish pioneers pushing back the frontier and hewing homes in the tangled wilderness.

Among the many picturesque characters of those early days, one figure stands out, sharply, yet dimly limned against a background of dark legendry and horrific fable--the sinister figure of Kelly, the black conjurer.

Son of a Congo ju-ju man, legend whispered, Kelly, born a slave, exercised in his day unfathomed power among the darkest of the Ouachita pinelands. Where he came from is not exactly known; he drifted into the country shortly after the Civil War and mystery was attendant on his coming as upon all his actions.

Kelly did little work with his hands, and he did not mingle overmuch with his kind. They came to him; he never came to them. His cabin stood on the banks of Tulip Creek, a dark, serpent-like stream winding through the deep overhanging shadows of the pines, and there Kelly lived apart in dark and silent majesty.

A fine figure of barbaric manhood he was, perhaps six foot in height, mighty shouldered, supple like a great black panther. He always wore a vivid red flannel shirt, and great gold rings in his ears and nose heightened the bizarre and fantastic imagery of his appearance. He had little to say to white men or black.

Silently, like an uncrowned king of dark Africa he stalked along the roads, looming like a dark inscrutable wizard among the pinelands. His eyes were deep, murky, far-seeing, and his skin was black as tropical night. The very aura of the jungle hung about him and people feared him, perhaps sensing something sinister, something abysmal that lurked in the black waters of his soul and peered through his murky eyes.

He was, indeed, incongruous in his environments. He belonged in another age--another land--another setting. He belonged in the haunted shadows of a fetish hut, lapped by the monstrous, brutish slumber of ancient Africa.

Kelly the "conjer man" they called him, and to his cabin on lonely Tulip Creek came the black people on mysterious errands. Furtively they stole like shadows through the sombre blackness of the pinelands but what went on in that dim cabin no white man ever knew.

Kelly was a professed dealer in charms, and a dispeller of "conjers." The black folk came to him to have spells lifted from their souls where enemies had placed them by curses and incantations. More, he was a healer--at least he claimed to heal the black people of their diseases. Tuberculosis was rare among white people in that locality, but negroes were subject to its ravages, and these victims Kelly professed to heal.

His methods were unique; he burnt snake bones to powder and sifted the powder in an incision made in the victim's arm by means of a lancet made from an old razor. It is a matter of doubt whether anyone was ever healed by these methods--in fact, there is reason to believe the results were appallingly the opposite.

Perhaps Kelly did not himself believe he could combat tuberculosis in this manner; perhaps it was but a ruse to get the victim in his power; this is but a supposition, but primitive peoples have strange ways of bringing their fellows under their sway. Among some tribes it is but necessary to procure a lock of hair, a finger nail, a drop of blood, over which to utter certain incantations and perform certain rituals. Then, in the mind of the spell-weaver, and in the mind of the victim as well, the latter is completely under control.

And there is the magic of molding a figure of the intended victim from clay. Pins stuck in this figure cause the human model to die agonizingly; place the clay figure in a stream, and as the water dissolves it, the human victim withers and fades away into slow dissolution. All these things are solemn truths in the minds of the voodooists.

Be that as it may, Kelly soon began to exercize unusual powers over the darkies of the locality. From a dispeller of "conjers" he became, it would seem, a weaver of spells himself. Negroes began to go violently insane, and rumor laid their obsessions at Kelly's door. Whether the cause of their insanity was physical or mental was not known, but that their minds were affected by some uncanny thing was well evident. They were obsessed by the horrible belief that their stomachs were full of living snakes, created by the spell of some master-conjurer, and at the mention of this nameless wizard, suspicion turned to Kelly. Was it hypnosis, some obscure malady or maddening drug, or the action of sheer fear? No white man knew, yet the victims were indisputably mad.

In every community of whites and blacks, at least in the South, a deep, dark current flows forever, out of sight of the whites who but dimly suspect its existence. A dark current of colored folks' thoughts, deeds, ambitions and aspirations, like a river flowing unseen through the jungle. No white man ever knew why Kelly--if Kelly it were--drove black men and black women mad. What was the secret of grim power, what the secret of his dark ambitions, no white man ever knew.

And Kelly never spoke of them, certainly; he went his way, silent, brooding, darkly majestic, that satanic something growing in his shadowy eyes until he seemed to look on white people as if they too were blind mewling puppets in the hollow of his black hand.

Then, in the late '70s, Kelly vanished. The word is to be taken literally. His cabin on Tulip Creek stood empty, the slab door sagging open on the wooden hinges, and he was seen no more, stalking like a dark ghost through the pinelands. Perhaps the colored people knew, but they never spoke. He had come in mystery, in mystery he lived, and in mystery he went and no man knew the road of his going. At least no man ever admitted that he knew. Perhaps the gloomy waters knew. Perhaps Kelly's victims turned on him at last. That lonely cabin in the black shadows of the moaning pines might have known a grisly midnight crime; the dusky waters of Tulip Creek might have received a form that splashed soggily and silently sank.

Or perhaps the conjure-man merely went his mysterious way in the night for reasons of his own, and on some other river pursued his fantastic career. None knows. Mystery hangs over his coming and his going, like a cloud impenetrable as night among the piney-woods, than which there is no blacker darkness this side Oblivion.

But even today his shadow haunts the long dim river-reaches and when the wind drones through the black pines under the stars, the old black people will tell you it is the spirit of the conjure-man whispering to the dead in the black shadows of the pinelands.

Black Canaan

I

CALL FROM CANAAN

"Trouble on Tularoosa Creek!" A warning to send cold fear along the spine of any man who was raised in that isolated back-country, called Canaan, that lies between Tularoosa and Black River--to send him racing back to that swamp-bordered region, wherever the word might reach him.

It was only a whisper from the withered lips of a shuffling black crone, who vanished among the throng before I could seize her; but it was enough. No need to seek confirmation; no need to inquire by what mysterious, black-folk way the word had come to her. No need to inquire what obscure forces worked to unseal those wrinkled lips to a Black River man. It was enough that the warning had been given--and understood.

Understood? How could any Black River man fail to understand that warning? It could have but one meaning--old hates seething again in the jungle-deeps of the swamplands, dark shadows slipping through the cypress, and massacre stalking out of the black, mysterious village that broods on the moss-festooned shore of sullen Tularoosa.

Within an hour New Orleans was falling further behind me with every turn of the churning wheel. To every man born in Canaan, there is always an invisible tie that draws him back whenever his homeland is imperiled by the murky shadow that has lurked in its jungled recesses for more than half a century.

The fastest boats I could get seemed maddeningly slow for that race up the big river, and up the smaller, more turbulent stream. I was burning with impatience when I stepped off on the Sharpsville landing, with the last fifteen miles of my journey yet to make. It was past midnight, but I hurried to the livery stable where, by tradition half a century old, there is always a Buckner horse, day or night.

As a sleepy black boy fastened the cinches, I turned to the owner of the stable, Joe Lafely, yawning and gaping in the light of the lantern he upheld. "There are rumors of trouble on Tularoosa?"

He paled in the lantern-light.

"I don't know. I've heard talk. But you people in Canaan are a shut-mouthed clan. No one outside knows what goes on in there--"

The night swallowed his lantern and his stammering voice as I headed west along the pike.

The moon set red through the black pines. Owls hooted away off in the woods, and somewhere a hound howled his ancient wistfulness to the night. In the darkness that foreruns dawn I crossed Nigger Head Creek, a streak of shining black fringed by walls of solid shadows. My horse's hoofs splashed through the shallow water and clinked on the wet stones, startlingly loud in the stillness. Beyond Nigger Head Creek began the country men called Canaan.

Heading in the same swamp, miles to the north, that gives birth to Tularoosa, Nigger Head flows due south to join Black River a few miles west of Sharpsville, while the Tularoosa runs westward to meet the same river at a higher point. The trend of Black River is from northwest to southeast; so these three streams form the great irregular triangle known as Canaan.

In Canaan lived the sons and daughters of the white frontiersmen who first settled the country, and the sons and daughters of their slaves. Joe Lafely was right; we were an isolated, shut-mouthed breed, self-sufficient, jealous of our seclusion and independence.

Beyond Nigger Head the woods thickened, the road narrowed, winding through unfenced pinelands, broken by live-oaks and cypresses. There was no sound except the soft clop-clop of hoofs in the thin dust, the creak of the saddle. Then someone laughed throatily in the shadows.

I drew up and peered into the trees. The moon had set and dawn was not yet come, but a faint glow quivered among the trees, and by it I made out a dim figure under the moss-hung branches. My hand instinctively sought the butt of one of the dueling-pistols I wore, and the action brought another low, musical laugh, mocking yet seductive. I glimpsed a brown face, a pair of scintillant eyes, white teeth displayed in an insolent smile.

"Who the devil are you?" I demanded.

"Why do you ride so late, Kirby Buckner?" Taunting laughter bubbled in the voice. The accent was foreign and unfamiliar; a faintly negroid twang was there, but it was rich and sensuous as the rounded body of its owner. In the lustrous pile of dusky hair a great white blossom glimmered palely in the darkness.

"What are you doing here?" I demanded. "You're a long way from any darky cabin. And you're a stranger to me."

"I came to Canaan since you went away," she answered. "My cabin is on the Tularoosa. But now I've lost my way. And my poor brother has hurt his leg and cannot walk."

"Where is your brother?" I asked, uneasily. Her perfect English was disquieting to me, accustomed as I was to the dialect of the black folk.

"Back in the woods, there--far back!" She indicated the black depths with a swaying motion of her supple body rather than a gesture of her hand, smiling audaciously as she did so.

I knew there was no injured brother, and she knew I knew it, and laughed at me. But a strange turmoil of conflicting emotions stirred in me. I had never before paid any attention to a black or brown woman. But this quadroon girl was different from any I had ever seen. Her features were regular as a white woman's, and her speech was not that of a common wench. Yet she was barbaric, in the open lure of her smile, in the gleam of her eyes, in the shameless posturing of her voluptuous body. Every gesture, every motion she made set her apart from the ordinary run of women; her beauty was untamed and lawless, meant to madden rather than to soothe, to make a man blind and dizzy, to rouse in him all the unreined passions that are his heritage from his ape ancestors.

I hardly remember dismounting and tying my horse. My blood pounded suffocatingly through the veins in my temples as I scowled down at her, suspicious yet fascinated.

"How do you know my name? Who are you?"

With a provocative laugh, she seized my hand and drew me deeper into the shadows. Fascinated by the lights gleaming in her dark eyes, I was hardly aware of her action.

"Who does not know Kirby Buckner?" she laughed. "All the people of Canaan speak of you, white or black. Come! My poor brother longs to look upon you!" And she laughed with malicious triumph.

It was this brazen effrontery that brought me to my senses. Its cynical mockery broke the almost hypnotic spell in which I had fallen.

I stopped short, throwing her hand aside, snarling: "What devil's game are you up to, wench?"

Instantly the smiling siren was changed to a blood-mad jungle cat. Her eyes flamed murderously, her red lips writhed in a snarl as she leaped back, crying out shrilly. A rush of bare feet answered her call. The first faint light of dawn struck through the branches, revealing my assailants, three gaunt black giants. I saw the gleaming whites of their eyes, their bare glistening teeth, the sheen of naked steel in their hands.

My first bullet crashed through the head of the tallest man, knocking him dead in full stride. My second pistol snapped--the cap had somehow slipped from the nipple. I dashed it into a black face, and as the man fell, half stunned, I whipped out my bowie knife and closed with the other. I parried his stab and my counter-stroke ripped across his belly-muscles. He screamed like a swamp-panther and made a wild grab for my knife wrist, but I stuck him in the mouth with my clenched left fist, and felt his lips split and his teeth crumble under the impact as he reeled backward, his knife waving wildly. Before he could regain his balance I was after him, thrusting, and got home under his ribs. He groaned and slipped to the ground in a puddle of his own blood.

I wheeled about, looking for the other. He was just rising, blood streaming down his face and neck. As I started for him he sounded a panicky yell and plunged into the underbrush. The crashing of his blind flight came back to me, muffled with distance. The girl was gone.

II

THE STRANGER ON TULAROOSA

The curious glow that had first showed me the quadroon girl had vanished. In my confusion I had forgotten it. But I did not waste time on vain conjecture as to its source, as I groped my way back to the road. Mystery had come to the pinelands and a ghostly light that hovered among the trees was only part of it.

My horse snorted and pulled against his tether, frightened by the smell of blood that hung in the heavy damp air. Hoofs clattered down the road, forms bulked in the growing light. Voices challenged.

"Who's that? Step out and name yourself, before we shoot!"

"Hold on, Esau!" I called. "It's me--Kirby Buckner."

"Kirby Buckner, by thunder!" ejaculated Esau McBride, lowering his pistol. The tall rangy forms of the other riders loomed behind him.

"We heard a shot," said McBride. "We was ridin' patrol on the roads around Grimesville like we've been ridin' every night for a week now--ever since they killed Ridge Jackson."

"Who killed Ridge Jackson?"

"The swamp niggers. That's all we know. Ridge come out of the woods early one mornin' and knocked at Cap'n Sorley's door. Cap'n says he was the color of ashes. He hollered for the Cap'n for God's sake to let him in, he had somethin' awful to tell him. Well, the Cap'n started down to open the door, but before he'd got down the stairs he heard an awful row among the dogs outside, and a man screamed he reckoned was Ridge. And when he got to the door, there wasn't nothin' but a dead dog layin' in the yard with his head knocked in, and the others all goin' crazy. They found Ridge later, out in the pines a few hundred yards from the house. From the way the ground and the bushes was tore up, he'd been dragged that far by four or five men. Maybe they got tired of haulin' him along. Anyway, they beat his head into a pulp and left him layin' there."

"I'll be damned!" I muttered. "Well, there's a couple of niggers lying back there in the brush. I want to see if you know them. I don't."

A moment later we were standing in the tiny glade, now white in the growing dawn. A black shape sprawled on the matted pine needles, his head in a pool of blood and brains. There were wide smears of blood on the ground and bushes on the other side of the little clearing, but the wounded black was gone.

McBride turned the carcass with his foot.

"One of them niggers that came in with Saul Stark," he muttered.

"Who the devil's that?" I demanded.

"Strange nigger that moved in since you went down the river last time. Come from South Carolina, he says. Lives in that old cabin in the Neck--you know, the shack where Colonel Reynolds' niggers used to live."

"Suppose you ride on to Grimesville with me, Esau," I said, "and tell me about this business as we ride.

The rest of you might scout around and see if you can find a wounded nigger in the brush."

They agreed without question; the Buckners have always been tacitly considered leaders in Canaan, and it came natural for me to offer suggestions. Nobody gives orders to white men in Canaan.

"I reckoned you'd be showin' up soon," opined McBride, as we rode along the whitening road. "You usually manage to keep up with what's happenin' in Canaan."

"What is happening?" I inquired. "I don't know anything. An old black woman dropped me the word in New Orleans that there was trouble. Naturally I came home as fast as I could. Three strange niggers waylaid me--" I was curiously disinclined to mention the woman. "And now you tell me somebody killed Ridge Jackson. What's it all about?"

"The swamp niggers killed Ridge to shut his mouth," announced McBride. "That's the only way to figure it. They must have been close behind him when he knocked on Cap'n Sorley's door. Ridge worked for Cap'n Sorley most of his life; he thought a lot of the old man. Some kind of deviltry's bein' brewed up in the swamps, and Ridge wanted to warn the Cap'n. That's the way I figure it."

"Warn him about what?"

"We don't know," confessed McBride. "That's why we're all on edge. It must be an uprisin'."

That word was enough to strike chill fear into the heart of any Canaan-dweller. The blacks had risen in 1845, and the red terror of that revolt was not forgotten, nor the three lesser rebellions before it, when the slaves rose and spread fire and slaughter from Tularoosa to the shores of Black River. The fear of a black uprising lurked for ever in the depths of that forgotten back-country; the very children absorbed it in their cradles.

"What makes you think it might be an uprising?" I asked.

"The niggers have all quit the fields, for one thing. They've all got business in Goshen. I ain't seen a nigger nigh Grimesville for a week. The town niggers have pulled out. "

In Canaan we still draw a distinction born in antebellum days. "Town-niggers" are descendants of the house-servants of the old days, and most of them live in or near Grimesville. There are not many, compared to the mass of "swamp-niggers" who dwell on tiny farms along the creeks and the edge of the swamps, or in the black village of Goshen, on the Tularoosa. They are descendants of the field-hands of other days, and, untouched by the mellow civilization which refined the natures of the house-servants, they remain as primitive as their African ancestors.

"Where have the town-niggers gone?" I asked.

"Nobody knows. They lit out a week ago. Probably hidin' down on Black River. If we win, they'll come back. If we don't, they'll take refuge in Sharpsville."

I found his matter-of-factness a bit ghastly, as if the actuality of the uprising were an assured fact.

"Well, what have you done?" I demanded.

"Ain't much we could do," he confessed. "The niggers ain't made no open move, outside of killin' Ridge Jackson; and we couldn't prove who done that, or why they done it.

"They ain't done nothin' but clear out. But that's mighty suspicious. We can't keep from thinkin' Saul Stark's behind it."

"Who is this fellow?" I asked.

"I told you all I know, already. He got permission to settle in that old deserted cabin on the Neck; a great big black devil that talks better English than I like to hear a nigger talk. But he was respectful enough. He had three or four big South Carolina bucks with him, and a brown wench which we don't know whether she's his daughter, sister, wife or what. He ain't been in to Grimesville but that one time, and a few weeks after he came to Canaan, the niggers begun actin' curious. Some of the boys wanted to ride over to Goshen and have a showdown, but that's takin' a desperate chance."

I knew he was thinking of a ghastly tale told us by our grandfathers of how a punitive expedition from Grimesville was once ambushed and butchered among the dense thickets that masked Goshen, then a rendezvous for runaway slaves, while another red-handed band devastated Grimesville, left defenseless by that reckless invasion.

"Might take all the men to get Saul Stark," said McBride. "And we don't dare leave the town unprotected. But we'll soon have to--hello, what's this?"

We had emerged from the trees and were just entering the village of Grimesville, the community center of the white population of Canaan. It was not pretentious. Log cabins, neat and white-washed, were plentiful enough. Small cottages clustered about big, old-fashioned houses which sheltered the rude aristocracy of that backwoods democracy. All the "planter" families lived "in town." "The country" was occupied by their tenants, and by the small independent farmers, white and black.

A small log cabin stood near the point where the road wound out of the deep forest. Voices emanated from it, in accents of menace, and a tall lanky figure, rifle in hand, stood at the door.

"Howdy, Esau!" this man hailed us. "By golly, if it ain't Kirby Buckner! Glad to see you, Kirby."

"What's up, Dick?" asked McBride.

"Got a nigger in the shack, tryin' to make him talk. Bill Reynolds seen him sneakin' past the edge of town about daylight, and nabbed him."

"Who is it?" I asked.

"Tope Sorley. John Willoughby's gone after a blacksnake."

With a smothered oath I swung off my horse and strode in, followed by McBride. Half a dozen men in boots and gun-belts clustered about a pathetic figure cowering on an old broken bunk. Tope Sorley (his forebears had adopted the name of the family that owned them, in slave days) was a pitiable sight just then. His skin was ashy, his teeth chattered spasmodically, and his eyes seemed to be trying to roll back into his head.

"Here's Kirby!" ejaculated one of the men as I pushed my way through the group. "I'll bet he'll make this coon talk!"

"Here comes John with the blacksnake!" shouted someone, and a tremor ran through Tope Sorley's shivering body.

I pushed aside the butt of the ugly whip thrust eagerly into my hand.

"Tope," I said, "you've worked one of my father's farms for years. Has any Buckner ever treated you any way but square?"

"Nossuh," came faintly.

"Then what are you afraid of? Why don't you speak up? Something's going on in the swamps. You know, and I want you to tell us--why the town niggers have all run away, why Ridge Jackson was killed, why the swamp niggers are acting so mysteriously."

"And what kind of devilment that cussed Saul Stark's cookin' up over on Tularoosa!" shouted one of the men.

Tope seemed to shrink into himself at the mention of Stark.

"I don't dast," he shuddered. "He'd put me in de swamp!"

"Who?" I demanded. "Stark? Is Stark a conjer man?"

Tope sank his head in his hands and did not answer. I laid my hand on his shoulder.

"Tope," I said, "you know if you'll talk, we'll protect you. If you don't talk, I don't think Stark can treat you much rougher than these men are likely to. Now spill it--what's it all about?"

He lifted desperate eyes.

"You-all got to lemme stay here," he shuddered. "And guard me, and gimme money to git away on when de trouble's over."

"We'll do all that," I agreed instantly. "You can stay right here in this cabin, until you're ready to leave for New Orleans or wherever you want to go."

He capitulated, collapsed, and words tumbled from his livid lips.

"Saul Stark's a conjer man. He come here because it's way off in back-country. He aim to kill all de white folks in Canaan--"

A growl rose from the group, such a growl as rises unbidden from the throat of the wolf-pack that scents peril.

"He aim to make hisself king of Canaan. He sent me to spy dis mornin' to see if Mistah Kirby got through. He sent men to waylay him on de road, cause he knowed Mistah Kirby was comin' back to Canaan. Niggers makin' voodoo on Tularoosa, for weeks now. Ridge Jackson was goin' to tell Cap'n Sorley; so Stark's niggers foller him and kill him. That make Stark mad. He ain't want to kill Ridge; he want to put him in de swamp with Tunk Bixby and de others."

"What are you talking about?" I demanded.

Far out in the woods rose a strange, shrill cry, like the cry of a bird. But no such bird ever called before in Canaan. Tope cried out as if in answer, and shriveled into himself. He sank down on the bunk in a veritable palsy of fear.

"That was a signal!" I snapped. "Some of you go out there."

Half a dozen men hastened to follow my suggestion, and I returned to the task of making Tope renew his revelations. It was useless. Some hideous fear had sealed his lips. He lay shuddering like a stricken animal, and did not even seem to hear our questions. No one suggested the use of the blacksnake.

Anyone could see the Negro was paralyzed with terror.

Presently the searchers returned, empty-handed. They had seen no one, and the thick carpet of pine needles showed no foot-prints. The men looked at me expectantly. As Colonel Buckner's son, leadership was expected of me.

"What about it, Kirby?" asked McBride. "Breckinridge and the others have just rode in. They couldn't find that nigger you cut up."

"There was another nigger I hit with a pistol," I said. "Maybe he came back and helped him." Still I could not bring myself to mention the brown girl. "Leave Tope alone. Maybe he'll get over his scare after a while. Better keep a guard in the cabin all the time. The swamp niggers may try to get him as they got Ridge Jackson. Better scour the roads around the town, Esau; there may be some of them hiding in the woods."

"I will. I reckon you'll want to be gettin' up to the house, now, and seein' your folks."

"Yes. And I want to swap these toys for a couple of .44s. Then I'm going to ride out and tell the country people to come into Grimesville. If it's to be an uprising, we don't know when it will commence."

"You're not goin' alone!" protested McBride.

"I'll be all right," I answered impatiently. "All this may not amount to anything, but it's best to be on the safe side. That's why I'm going after the country folks. No, I don't want anybody to go with me. Just in case the niggers do get crazy enough to attack the town, you'll need every man you've got. But if I can get hold of some of the swamp niggers and talk to them, I don't think there'll be any attack."

"You won't get a glimpse of them," McBride predicted.