Tales of Horror and the Supernatural

PROLOGUE

'Sorcery and sanctity,' said Ambrose, 'these are the only realities. Each is an ecstasy, a withdrawal from the common life.'

Cotgrave listened, interested. He had been brought by a friend to this mouldering house in a northern suburb, through an old garden to the room where Ambrose the recluse dozed and dreamed over his books.

'Yes,' he went on, 'magic is justified of her children. There are many, I think, who eat dry crusts and drink water, with a joy infinitely sharper than anything within the experience of the "practical" epicure.'

'You are speaking of the saints?'

'Yes, and of the sinners, too. I think you are falling into the very general error of confining the spiritual world to the supremely good; but the supremely wicked, necessarily, have their portion in it. The merely carnal, sensual man can no more be a great sinner than he can be a great saint. Most of us are just indifferent, mixed-up creatures; we muddle through the world without realizing the meaning and the inner sense of things, and, consequently, our wickedness and our goodness are alike second-rate, unimportant.'

'And you think the great sinner, then, will be an ascetic, as well as the great saint?'

'Great people of all kinds forsake the imperfect copies and go to the perfect originals. I have no doubt but that many of the very highest among the saints have never done a "good action" (using the words in their ordinary sense). And, on the other hand, there have been those who have sounded the very depths of sin, who all their lives have never done an "ill deed."'

He went out of the room for a moment, and Cotgrave, in high delight, turned to his friend and thanked him for the introduction.

'He's grand,' he said. 'I never saw that kind of lunatic before.'

Ambrose returned with more whisky and helped the two men in a liberal manner. He abused the teetotal sect with ferocity, as he handed the seltzer, and pouring out a glass of water for himself, was about to resume his monologue, when Cotgrave broke in--

'I can't stand it, you know,' he said, 'your paradoxes are too monstrous. A man may be a great sinner and yet never do anything sinful! Come!'

'You're quite wrong,' said Ambrose. 'I never make paradoxes; I wish I could. I merely said that a man may have an exquisite taste in Romanee Conti, and yet never have even smelt four ale. That's all, and it's more like a truism than a paradox, isn't it? Your surprise at my remark is due to the fact that you haven't realized what sin is. Oh, yes, there is a sort of connexion between Sin with the capital letter, and actions which are commonly called sinful: with murder, theft, adultery, and so forth. Much the same connexion that there is between the A, B, C and fine literature. But I believe that the misconception--it is all but universal--arises in great measure from our looking at the matter through social spectacles. We think that a man who does evil to _us_ and to his neighbours must be very evil. So he is, from a social standpoint; but can't you realize that Evil in its essence is a lonely thing, a passion of the solitary, individual soul? Really, the average murderer, _qua_ murderer, is not by any means a sinner in the true sense of the word. He is simply a wild beast that we have to get rid of to save our own necks from his knife. I should class him rather with tigers than with sinners.'

'It seems a little strange.'

'I think not. The murderer murders not from positive qualities, but from negative ones; he lacks something which non-murderers possess. Evil, of course, is wholly positive--only it is on the wrong side. You may believe me that sin in its proper sense is very rare; it is probable that there have been far fewer sinners than saints. Yes, your standpoint is all very well for practical, social purposes; we are naturally inclined to think that a person who is very disagreeable to us must be a very great sinner! It is very disagreeable to have one's pocket picked, and we pronounce the thief to be a very great sinner. In truth, he is merely an undeveloped man. He cannot be a saint, of course; but he may be, and often is, an infinitely better creature than thousands who have never broken a single commandment. He is a great nuisance to _us_, I admit, and we very properly lock him up if we catch him; but between his troublesome and unsocial action and evil--Oh, the connexion is of the weakest.'

It was getting very late. The man who had brought Cotgrave had probably heard all this before, since he assisted with a bland and judicious smile, but Cotgrave began to think that his 'lunatic' was turning into a sage.

'Do you know,' he said, 'you interest me immensely? You think, then, that we do not understand the real nature of evil?'

'No, I don't think we do. We over-estimate it and we under-estimate it. We take the very numerous infractions of our social "bye-laws"--the very necessary and very proper regulations which keep the human company together--and we get frightened at the prevalence of "sin" and "evil." But this is really nonsense. Take theft, for example. Have you any _horror_ at the thought of Robin Hood, of the Highland caterans of the seventeenth century, of the moss-troopers, of the company promoters of our day?

'Then, on the other hand, we underrate evil. We attach such an enormous importance to the "sin" of meddling with our pockets (and our wives) that we have quite forgotten the awfulness of real sin.'

'And what is sin?' said Cotgrave.

'I think I must reply to your question by another. What would your feelings be, seriously, if your cat or your dog began to talk to you, and to dispute with you in human accents? You would be overwhelmed with horror. I am sure of it. And if the roses in your garden sang a weird song, you would go mad. And suppose the stones in the road began to swell and grow before your eyes, and if the pebble that you noticed at night had shot out stony blossoms in the morning?

'Well, these examples may give you some notion of what sin really is.'

'Look here,' said the third man, hitherto placid, 'you two seem pretty well wound up. But I'm going home. I've missed my tram, and I shall have to walk.'

Ambrose and Cotgrave seemed to settle down more profoundly when the other had gone out into the early misty morning and the pale light of the lamps.

'You astonish me,' said Cotgrave. 'I had never thought of that. If that is really so, one must turn everything upside down. Then the essence of sin really is----'

'In the taking of heaven by storm, it seems to me,' said Ambrose. 'It appears to me that it is simply an attempt to penetrate into another and higher sphere in a forbidden manner. You can understand why it is so rare. There are few, indeed, who wish to penetrate into other spheres, higher or lower, in ways allowed or forbidden. Men, in the mass, are amply content with life as they find it. Therefore there are few saints, and sinners (in the proper sense) are fewer still, and men of genius, who partake sometimes of each character, are rare also. Yes; on the whole, it is, perhaps, harder to be a great sinner than a great saint.'

'There is something profoundly unnatural about Sin? Is that what you mean?'

'Exactly. Holiness requires as great, or almost as great, an effort; but holiness works on lines that _were_ natural once; it is an effort to recover the ecstasy that was before the Fall. But sin is an effort to gain the ecstasy and the knowledge that pertain alone to angels and in making this effort man becomes a demon. I told you that the mere murderer is not _therefore_ a sinner; that is true, but the sinner is sometimes a murderer. Gilles de Raiz is an instance. So you see that while the good and the evil are unnatural to man as he now is--to man the social, civilized being--evil is unnatural in a much deeper sense than good. The saint endeavours to recover a gift which he has lost; the sinner tries to obtain something which was never his. In brief, he repeats the Fall.'

'But are you a Catholic?' said Cotgrave.

'Yes; I am a member of the persecuted Anglican Church.'

'Then, how about those texts which seem to reckon as sin that which you would set down as a mere trivial dereliction?'

'Yes; but in one place the word "sorcerers" comes in the same sentence, doesn't it? That seems to me to give the key-note. Consider: can you imagine for a moment that a false statement which saves an innocent man's life is a sin? No; very good, then, it is not the mere liar who is excluded by those words; it is, above all, the "sorcerers" who use the material life, who use the failings incidental to material life as instruments to obtain their infinitely wicked ends. And let me tell you this: our higher senses are so blunted, we are so drenched with materialism, that we should probably fail to recognize real wickedness if we encountered it.'

'But shouldn't we experience a certain horror--a terror such as you hinted we would experience if a rose tree sang--in the mere presence of an evil man?'

'We should if we were natural: children and women feel this horror you speak of, even animals experience it. But with most of us convention and civilization and education have blinded and deafened and obscured the natural reason. No, sometimes we may recognize evil by its hatred of the good--one doesn't need much penetration to guess at the influence which dictated, quite unconsciously, the "Blackwood" review of Keats--but this is purely incidental; and, as a rule, I suspect that the Hierarchs of Tophet pass quite unnoticed, or, perhaps, in certain cases, as good but mistaken men.'

'But you used the word "unconscious" just now, of Keats' reviewers. Is wickedness ever unconscious?'

'Always. It must be so. It is like holiness and genius in this as in other points; it is a certain rapture or ecstasy of the soul; a transcendent effort to surpass the ordinary bounds. So, surpassing these, it surpasses also the understanding, the faculty that takes note of that which comes before it. No, a man may be infinitely and horribly wicked and never suspect it. But I tell you, evil in this, its certain and true sense, is rare, and I think it is growing rarer.'

'I am trying to get hold of it all,' said Cotgrave. 'From what you say, I gather that the true evil differs generically from that which we call evil?'

'Quite so. There is, no doubt, an analogy between the two; a resemblance such as enables us to use, quite legitimately, such terms as the "foot of the mountain" and the "leg of the table." And, sometimes, of course, the two speak, as it were, in the same language. The rough miner, or "puddler," the untrained, undeveloped "tiger-man," heated by a quart or two above his usual measure, comes home and kicks his irritating and injudicious wife to death. He is a murderer. And Gilles de Raiz was a murderer. But you see the gulf that separates the two? The "word," if I may so speak, is accidentally the same in each case, but the "meaning" is utterly different. It is flagrant "Hobson Jobson" to confuse the two, or rather, it is as if one supposed that Juggernaut and the Argonauts had something to do etymologically with one another. And no doubt the same weak likeness, or analogy, runs between all the "social" sins and the real spiritual sins, and in some cases, perhaps, the lesser may be "schoolmasters" to lead one on to the greater--from the shadow to the reality. If you are anything of a Theologian, you will see the importance of all this.'

'I am sorry to say,' remarked Cotgrave, 'that I have devoted very little of my time to theology. Indeed, I have often wondered on what grounds theologians have claimed the title of Science of Sciences for their favourite study; since the "theological" books I have looked into have always seemed to me to be concerned with feeble and obvious pieties, or with the kings of Israel and Judah. I do not care to hear about those kings.'

Ambrose grinned.

'We must try to avoid theological discussion,' he said. 'I perceive that you would be a bitter disputant. But perhaps the "dates of the kings" have as much to do with theology as the hobnails of the murderous puddler with evil.'

'Then, to return to our main subject, you think that sin is an esoteric, occult thing?'

'Yes. It is the infernal miracle as holiness is the supernal. Now and then it is raised to such a pitch that we entirely fail to suspect its existence; it is like the note of the great pedal pipes of the organ, which is so deep that we cannot hear it. In other cases it may lead to the lunatic asylum, or to still stranger issues. But you must never confuse it with mere social misdoing. Remember how the Apostle, speaking of the "other side," distinguishes between "charitable" actions and charity. And as one may give all one's goods to the poor, and yet lack charity; so, remember, one may avoid every crime and yet be a sinner'

'Your psychology is very strange to me,' said Cotgrave, 'but I confess I like it, and I suppose that one might fairly deduce from your premisses the conclusion that the real sinner might very possibly strike the observer as a harmless personage enough?'

'Certainly, because the true evil has nothing to do with social life or social laws, or if it has, only incidentally and accidentally. It is a lonely passion of the soul--or a passion of the lonely soul--whichever you like. If, by chance, we understand it, and grasp its full significance, then, indeed, it will fill us with horror and with awe. But this emotion is widely distinguished from the fear and the disgust with which we regard the ordinary criminal, since this latter is largely or entirely founded on the regard which we have for our own skins or purses. We hate a murder, because we know that we should hate to be murdered, or to have any one that we like murdered. So, on the "other side," we venerate the saints, but we don't "like" them as well as our friends. Can you persuade yourself that you would have "enjoyed" St. Paul's company? Do you think that you and I would have "got on" with Sir Galahad?

'So with the sinners, as with the saints. If you met a very evil man, and recognized his evil; he would, no doubt, fill you with horror and awe; but there is no reason why you should "dislike" him. On the contrary, it is quite possible that if you could succeed in putting the sin out of your mind you might find the sinner capital company, and in a little while you might have to reason yourself back into horror. Still, how awful it is. If the roses and the lilies suddenly sang on this coming morning; if the furniture began to move in procession, as in De Maupassant's tale!'

'I am glad you have come back to that comparison,' said Cotgrave, 'because I wanted to ask you what it is that corresponds in humanity to these imaginary feats of inanimate things. In a word--what is sin? You have given me, I know, an abstract definition, but I should like a concrete example.'

'I told you it was very rare,' said Ambrose, who appeared willing to avoid the giving of a direct answer. 'The materialism of the age, which has done a good deal to suppress sanctity, has done perhaps more to suppress evil. We find the earth so very comfortable that we have no inclination either for ascents or descents. It would seem as if the scholar who decided to "specialize" in Tophet, would be reduced to purely antiquarian researches. No palaeontologist could show you a _live_ pterodactyl.'

'And yet you, I think, have "specialized," and I believe that your researches have descended to our modern times.'

'You are really interested, I see. Well, I confess, that I have dabbled a little, and if you like I can show you something that bears on the very curious subject we have been discussing.'

Ambrose took a candle and went away to a far, dim corner of the room. Cotgrave saw him open a venerable bureau that stood there, and from some secret recess he drew out a parcel, and came back to the window where they had been sitting.

Ambrose undid a wrapping of paper, and produced a green pocket-book.

'You will take care of it?' he said. 'Don't leave it lying about. It is one of the choicer pieces in my collection, and I should be very sorry if it were lost.'

He fondled the faded binding.

'I knew the girl who wrote this,' he said. 'When you read it, you will see how it illustrates the talk we have had to-night. There is a sequel, too, but I won't talk of that.

'There was an odd article in one of the reviews some months ago,' he began again, with the air of a man who changes the subject. 'It was written by a doctor--Dr. Coryn, I think, was the name. He says that a lady, watching her little girl playing at the drawing-room window, suddenly saw the heavy sash give way and fall on the child's fingers. The lady fainted, I think, but at any rate the doctor was summoned, and when he had dressed the child's wounded and maimed fingers he was summoned to the mother. She was groaning with pain, and it was found that three fingers of her hand, corresponding with those that had been injured on the child's hand, were swollen and inflamed, and later, in the doctor's language, purulent sloughing set in.'

Ambrose still handled delicately the green volume.

'Well, here it is,' he said at last, parting with difficulty, it seemed, from his treasure.

'You will bring it back as soon as you have read it,' he said, as they went out into the hall, into the old garden, faint with the odour of white lilies.

There was a broad red band in the east as Cotgrave turned to go, and from the high ground where he stood he saw that awful spectacle of London in a dream.

THE GREEN BOOK

The morocco binding of the book was faded, and the colour had grown faint, but there were no stains nor bruises nor marks of usage. The book looked as if it had been bought 'on a visit to London' some seventy or eighty years ago, and had somehow been forgotten and suffered to lie away out of sight. There was an old, delicate, lingering odour about it, such an odour as sometimes haunts an ancient piece of furniture for a century or more. The end-papers, inside the binding, were oddly decorated with coloured patterns and faded gold. It looked small, but the paper was fine, and there were many leaves, closely covered with minute, painfully formed characters.

I found this book (the manuscript began) in a drawer in the old bureau that stands on the landing. It was a very rainy day and I could not go out, so in the afternoon I got a candle and rummaged in the bureau. Nearly all the drawers were full of old dresses, but one of the small ones looked empty, and I found this book hidden right at the back. I wanted a book like this, so I took it to write in. It is full of secrets. I have a great many other books of secrets I have written, hidden in a safe place, and I am going to write here many of the old secrets and some new ones; but there are some I shall not put down at all. I must not write down the real names of the days and months which I found out a year ago, nor the way to make the Aklo letters, or the Chian language, or the great beautiful Circles, nor the Mao Games, nor the chief songs. I may write something about all these things but not the way to do them, for peculiar reasons. And I must not say who the Nymphs are, or the Dols, or Jeelo, or what voolas mean. All these are most secret secrets, and I am glad when I remember what they are, and how many wonderful languages I know, but there are some things that I call the secrets of the secrets of the secrets that I dare not think of unless I am quite alone, and then I shut my eyes, and put my hands over them and whisper the word, and the Alala comes. I only do this at night in my room or in certain woods that I know, but I must not describe them, as they are secret woods. Then there are the Ceremonies, which are all of them important, but some are more delightful than others--there are the White Ceremonies, and the Green Ceremonies, and the Scarlet Ceremonies. The Scarlet Ceremonies are the best, but there is only one place where they can be performed properly, though there is a very nice imitation which I have done in other places. Besides these, I have the dances, and the Comedy, and I have done the Comedy sometimes when the others were looking, and they didn't understand anything about it. I was very little when I first knew about these things.

When I was very small, and mother was alive, I can remember remembering things before that, only it has all got confused. But I remember when I was five or six I heard them talking about me when they thought I was not noticing. They were saying how queer I was a year or two before, and how nurse had called my mother to come and listen to me talking all to myself, and I was saying words that nobody could understand. I was speaking the Xu language, but I only remember a very few of the words, as it was about the little white faces that used to look at me when I was lying in my cradle. They used to talk to me, and I learnt their language and talked to them in it about some great white place where they lived, where the trees and the grass were all white, and there were white hills as high up as the moon, and a cold wind. I have often dreamed of it afterwards, but the faces went away when I was very little. But a wonderful thing happened when I was about five. My nurse was carrying me on her shoulder; there was a field of yellow corn, and we went through it, it was very hot. Then we came to a path through a wood, and a tall man came after us, and went with us till we came to a place where there was a deep pool, and it was very dark and shady. Nurse put me down on the soft moss under a tree, and she said: 'She can't get to the pond now.' So they left me there, and I sat quite still and watched, and out of the water and out of the wood came two wonderful white people, and they began to play and dance and sing. They were a kind of creamy white like the old ivory figure in the drawing-room; one was a beautiful lady with kind dark eyes, and a grave face, and long black hair, and she smiled such a strange sad smile at the other, who laughed and came to her. They played together, and danced round and round the pool, and they sang a song till I fell asleep. Nurse woke me up when she came back, and she was looking something like the lady had looked, so I told her all about it, and asked her why she looked like that. At first she cried, and then she looked very frightened, and turned quite pale. She put me down on the grass and stared at me, and I could see she was shaking all over. Then she said I had been dreaming, but I knew I hadn't. Then she made me promise not to say a word about it to anybody, and if I did I should be thrown into the black pit. I was not frightened at all, though nurse was, and I never forgot about it, because when I shut my eyes and it was quite quiet, and I was all alone, I could see them again, very faint and far away, but very splendid; and little bits of the song they sang came into my head, but I couldn't sing it.

I was thirteen, nearly fourteen, when I had a very singular adventure, so strange that the day on which it happened is always called the White Day. My mother had been dead for more than a year, and in the morning I had lessons, but they let me go out for walks in the afternoon. And this afternoon I walked a new way, and a little brook led me into a new country, but I tore my frock getting through some of the difficult places, as the way was through many bushes, and beneath the low branches of trees, and up thorny thickets on the hills, and by dark woods full of creeping thorns. And it was a long, long way. It seemed as if I was going on for ever and ever, and I had to creep by a place like a tunnel where a brook must have been, but all the water had dried up, and the floor was rocky, and the bushes had grown overhead till they met, so that it was quite dark. And I went on and on through that dark place; it was a long, long way. And I came to a hill that I never saw before. I was in a dismal thicket full of black twisted boughs that tore me as I went through them, and I cried out because I was smarting all over, and then I found that I was climbing, and I went up and up a long way, till at last the thicket stopped and I came out crying just under the top of a big bare place, where there were ugly grey stones lying all about on the grass, and here and there a little twisted, stunted tree came out from under a stone, like a snake. And I went up, right to the top, a long way. I never saw such big ugly stones before; they came out of the earth some of them, and some looked as if they had been rolled to where they were, and they went on and on as far as I could see, a long, long way. I looked out from them and saw the country, but it was strange. It was winter time, and there were black terrible woods hanging from the hills all round; it was like seeing a large room hung with black curtains, and the shape of the trees seemed quite different from any I had ever seen before. I was afraid. Then beyond the woods there were other hills round in a great ring, but I had never seen any of them; it all looked black, and everything had a voor over it. It was all so still and silent, and the sky was heavy and grey and sad, like a wicked voorish dome in Deep Dendo. I went on into the dreadful rocks. There were hundreds and hundreds of them. Some were like horrid-grinning men; I could see their faces as if they would jump at me out of the stone, and catch hold of me, and drag me with them back into the rock, so that I should always be there. And there were other rocks that were like animals, creeping, horrible animals, putting out their tongues, and others were like words that I could not say, and others like dead people lying on the grass. I went on among them, though they frightened me, and my heart was full of wicked songs that they put into it; and I wanted to make faces and twist myself about in the way they did, and I went on and on a long way till at last I liked the rocks, and they didn't frighten me any more. I sang the songs I thought of; songs full of words that must not be spoken or written down. Then I made faces like the faces on the rocks, and I twisted myself about like the twisted ones, and I lay down flat on the ground like the dead ones, and I went up to one that was grinning, and put my arms round him and hugged him. And so I went on and on through the rocks till I came to a round mound in the middle of them. It was higher than a mound, it was nearly as high as our house, and it was like a great basin turned upside down, all smooth and round and green, with one stone, like a post, sticking up at the top. I climbed up the sides, but they were so steep I had to stop or I should have rolled all the way down again, and I should have knocked against the stones at the bottom, and perhaps been killed. But I wanted to get up to the very top of the big round mound, so I lay down flat on my face, and took hold of the grass with my hands and drew myself up, bit by bit, till I was at the top. Then I sat down on the stone in the middle, and looked all round about. I felt I had come such a long, long way, just as if I were a hundred miles from home, or in some other country, or in one of the strange places I had read about in the 'Tales of the Genie' and the 'Arabian Nights,' or as if I had gone across the sea, far away, for years and I had found another world that nobody had ever seen or heard of before, or as if I had somehow flown through the sky and fallen on one of the stars I had read about where everything is dead and cold and grey, and there is no air, and the wind doesn't blow. I sat on the stone and looked all round and down and round about me. It was just as if I was sitting on a tower in the middle of a great empty town, because I could see nothing all around but the grey rocks on the ground. I couldn't make out their shapes any more, but I could see them on and on for a long way, and I looked at them, and they seemed as if they had been arranged into patterns, and shapes, and figures. I knew they couldn't be, because I had seen a lot of them coming right out of the earth, joined to the deep rocks below, so I looked again, but still I saw nothing but circles, and small circles inside big ones, and pyramids, and domes, and spires, and they seemed all to go round and round the place where I was sitting, and the more I looked, the more I saw great big rings of rocks, getting bigger and bigger, and I stared so long that it felt as if they were all moving and turning, like a great wheel, and I was turning, too, in the middle. I got quite dizzy and queer in the head, and everything began to be hazy and not clear, and I saw little sparks of blue light, and the stones looked as if they were springing and dancing and twisting as they went round and round and round. I was frightened again, and I cried out loud, and jumped up from the stone I was sitting on, and fell down. When I got up I was so glad they all looked still, and I sat down on the top and slid down the mound, and went on again. I danced as I went in the peculiar way the rocks had danced when I got giddy, and I was so glad I could do it quite well, and I danced and danced along, and sang extraordinary songs that came into my head. At last I came to the edge of that great flat hill, and there were no more rocks, and the way went again through a dark thicket in a hollow. It was just as bad as the other one I went through climbing up, but I didn't mind this one, because I was so glad I had seen those singular dances and could imitate them. I went down, creeping through the bushes, and a tall nettle stung me on my leg, and made me burn, but I didn't mind it, and I tingled with the boughs and the thorns, but I only laughed and sang. Then I got out of the thicket into a close valley, a little secret place like a dark passage that nobody ever knows of, because it was so narrow and deep and the woods were so thick round it. There is a steep bank with trees hanging over it, and there the ferns keep green all through the winter, when they are dead and brown upon the hill, and the ferns there have a sweet, rich smell like what oozes out of fir trees. There was a little stream of water running down this valley, so small that I could easily step across it. I drank the water with my hand, and it tasted like bright, yellow wine, and it sparkled and bubbled as it ran down over beautiful red and yellow and green stones, so that it seemed alive and all colours at once. I drank it, and I drank more with my hand, but I couldn't drink enough, so I lay down and bent my head and sucked the water up with my lips. It tasted much better, drinking it that way, and a ripple would come up to my mouth and give me a kiss, and I laughed, and drank again, and pretended there was a nymph, like the one in the old picture at home, who lived in the water and was kissing me. So I bent low down to the water, and put my lips softly to it, and whispered to the nymph that I would come again. I felt sure it could not be common water, I was so glad when I got up and went on; and I danced again and went up and up the valley, under hanging hills. And when I came to the top, the ground rose up in front of me, tall and steep as a wall, and there was nothing but the green wall and the sky. I thought of 'for ever and for ever, world without end, Amen'; and I thought I must have really found the end of the world, because it was like the end of everything, as if there could be nothing at all beyond, except the kingdom of Voor, where the light goes when it is put out, and the water goes when the sun takes it away. I began to think of all the long, long way I had journeyed, how I had found a brook and followed it, and followed it on, and gone through bushes and thorny thickets, and dark woods full of creeping thorns. Then I had crept up a tunnel under trees, and climbed a thicket, and seen all the grey rocks, and sat in the middle of them when they turned round, and then I had gone on through the grey rocks and come down the hill through the stinging thicket and up the dark valley, all a long, long way. I wondered how I should get home again, if I could ever find the way, and if my home was there any more, or if it were turned and everybody in it into grey rocks, as in the _Arabian Nights_. So I sat down on the grass and thought what I should do next. I was tired, and my feet were hot with walking, and as I looked about I saw there was a wonderful well just under the high, steep wall of grass. All the ground round it was covered with bright, green, dripping moss; there was every kind of moss there, moss like beautiful little ferns, and like palms and fir trees, and it was all green as jewellery, and drops of water hung on it like diamonds. And in the middle was the great well, deep and shining and beautiful, so clear that it looked as if I could touch the red sand at the bottom, but it was far below. I stood by it and looked in, as if I were looking in a glass. At the bottom of the well, in the middle of it, the red grains of sand were moving and stirring all the time, and I saw how the water bubbled up, but at the top it was quite smooth, and full and brimming. It was a great well, large like a bath, and with the shining, glittering green moss about it, it looked like a great white jewel, with green jewels all round. My feet were so hot and tired that I took off my boots and stockings, and let my feet down into the water, and the water was soft and cold, and when I got up I wasn't tired any more, and I felt I must go on, farther and farther, and see what was on the other side of the wall. I climbed up it very slowly, going sideways all the time, and when I got to the top and looked over, I was in the queerest country I had seen, stranger even than the hill of the grey rocks. It looked as if earth-children had been playing there with their spades, as it was all hills and hollows, and castles and walls made of earth and covered with grass. There were two mounds like big beehives, round and great and solemn, and then hollow basins, and then a steep mounting wall like the ones I saw once by the seaside where the big guns and the soldiers were. I nearly fell into one of the round hollows, it went away from under my feet so suddenly, and I ran fast down the side and stood at the bottom and looked up. It was strange and solemn to look up. There was nothing but the grey, heavy sky and the sides of the hollow; everything else had gone away, and the hollow was the whole world, and I thought that at night it must be full of ghosts and moving shadows and pale things when the moon shone down to the bottom at the dead of the night, and the wind wailed up above. It was so strange and solemn and lonely, like a hollow temple of dead heathen gods. It reminded me of a tale my nurse had told me when I was quite little; it was the same nurse that took me into the wood where I saw the beautiful white people. And I remembered how nurse had told me the story one winter night, when the wind was beating the trees against the wall, and crying and moaning in the nursery chimney. She said there was, somewhere or other, a hollow pit, just like the one I was standing in, everybody was afraid to go into it or near it, it was such a bad place. But once upon a time there was a poor girl who said she would go into the hollow pit, and everybody tried to stop her, but she would go. And she went down into the pit and came back laughing, and said there was nothing there at all, except green grass and red stones, and white stones and yellow flowers. And soon after people saw she had most beautiful emerald earrings, and they asked how she got them, as she and her mother were quite poor. But she laughed, and said her earrings were not made of emeralds at all, but only of green grass. Then, one day, she wore on her breast the reddest ruby that any one had ever seen, and it was as big as a hen's egg, and glowed and sparkled like a hot burning coal of fire. And they asked how she got it, as she and her mother were quite poor. But she laughed, and said it was not a ruby at all, but only a red stone. Then one day she wore round her neck the loveliest necklace that any one had ever seen, much finer than the queen's finest, and it was made of great bright diamonds, hundreds of them, and they shone like all the stars on a night in June. So they asked her how she got it, as she and her mother were quite poor. But she laughed, and said they were not diamonds at all, but only white stones. And one day she went to the Court, and she wore on her head a crown of pure angel-gold, so nurse said, and it shone like the sun, and it was much more splendid than the crown the king was wearing himself, and in her ears she wore the emeralds, and the big ruby was the brooch on her breast, and the great diamond necklace was sparkling on her neck. And the king and queen thought she was some great princess from a long way off, and got down from their thrones and went to meet her, but somebody told the king and queen who she was, and that she was quite poor. So the king asked why she wore a gold crown, and how she got it, as she and her mother were so poor. And she laughed, and said it wasn't a gold crown at all, but only some yellow flowers she had put in her hair. And the king thought it was very strange, and said she should stay at the Court, and they would see what would happen next. And she was so lovely that everybody said that her eyes were greener than the emeralds, that her lips were redder than the ruby, that her skin was whiter than the diamonds, and that her hair was brighter than the golden crown. So the king's son said he would marry her, and the king said he might. And the bishop married them, and there was a great supper, and afterwards the king's son went to his wife's room. But just when he had his hand on the door, he saw a tall, black man, with a dreadful face, standing in front of the door, and a voice said-—

_Venture not upon your life, This is mine own wedded wife._

Then the king's son fell down on the ground in a fit. And they came and tried to get into the room, but they couldn't, and they hacked at the door with hatchets, but the wood had turned hard as iron, and at last everybody ran away, they were so frightened at the screaming and laughing and shrieking and crying that came out of the room. But next day they went in, and found there was nothing in the room but thick black smoke, because the black man had come and taken her away. And on the bed there were two knots of faded grass and a red stone, and some white stones, and some faded yellow flowers. I remembered this tale of nurse's while I was standing at the bottom of the deep hollow; it was so strange and solitary there, and I felt afraid. I could not see any stones or flowers, but I was afraid of bringing them away without knowing, and I thought I would do a charm that came into my head to keep the black man away. So I stood right in the very middle of the hollow, and I made sure that I had none of those things on me, and then I walked round the place, and touched my eyes, and my lips, and my hair in a peculiar manner, and whispered some queer words that nurse taught me to keep bad things away. Then I felt safe and climbed up out of the hollow, and went on through all those mounds and hollows and walls, till I came to the end, which was high above all the rest, and I could see that all the different shapes of the earth were arranged in patterns, something like the grey rocks, only the pattern was different. It was getting late, and the air was indistinct, but it looked from where I was standing something like two great figures of people lying on the grass. And I went on, and at last I found a certain wood, which is too secret to be described, and nobody knows of the passage into it, which I found out in a very curious manner, by seeing some little animal run into the wood through it. So I went after the animal by a very narrow dark way, under thorns and bushes, and it was almost dark when I came to a kind of open place in the middle. And there I saw the most wonderful sight I have ever seen, but it was only for a minute, as I ran away directly, and crept out of the wood by the passage I had come by, and ran and ran as fast as ever I could, because I was afraid, what I had seen was so wonderful and so strange and beautiful. But I wanted to get home and think of it, and I did not know what might not happen if I stayed by the wood. I was hot all over and trembling, and my heart was beating, and strange cries that I could not help came from me as I ran from the wood. I was glad that a great white moon came up from over a round hill and showed me the way, so I went back through the mounds and hollows and down the close valley, and up through the thicket over the place of the grey rocks, and so at last I got home again. My father was busy in his study, and the servants had not told about my not coming home, though they were frightened, and wondered what they ought to do, so I told them I had lost my way, but I did not let them find out the real way I had been. I went to bed and lay awake all through the night, thinking of what I had seen. When I came out of the narrow way, and it looked all shining, though the air was dark, it seemed so certain, and all the way home I was quite sure that I had seen it, and I wanted to be alone in my room, and be glad over it all to myself, and shut my eyes and pretend it was there, and do all the things I would have done if I had not been so afraid. But when I shut my eyes the sight would not come, and I began to think about my adventures all over again, and I remembered how dusky and queer it was at the end, and I was afraid it must be all a mistake, because it seemed impossible it could happen. It seemed like one of nurse's tales, which I didn't really believe in, though I was frightened at the bottom of the hollow; and the stories she told me when I was little came back into my head, and I wondered whether it was really there what I thought I had seen, or whether any of her tales could have happened a long time ago. It was so queer; I lay awake there in my room at the back of the house, and the moon was shining on the other side towards the river, so the bright light did not fall upon the wall. And the house was quite still. I had heard my father come upstairs, and just after the clock struck twelve, and after the house was still and empty, as if there was nobody alive in it. And though it was all dark and indistinct in my room, a pale glimmering kind of light shone in through the white blind, and once I got up and looked out, and there was a great black shadow of the house covering the garden, looking like a prison where men are hanged; and then beyond it was all white; and the wood shone white with black gulfs between the trees. It was still and clear, and there were no clouds on the sky. I wanted to think of what I had seen but I couldn't, and I began to think of all the tales that nurse had told me so long ago that I thought I had forgotten, but they all came back, and mixed up with the thickets and the grey rocks and the hollows in the earth and the secret wood, till I hardly knew what was new and what was old, or whether it was not all dreaming. And then I remembered that hot summer afternoon, so long ago, when nurse left me by myself in the shade, and the white people came out of the water and out of the wood, and played, and danced, and sang, and I began to fancy that nurse told me about something like it before I saw them, only I couldn't recollect exactly what she told me. Then I wondered whether she had been the white lady, as I remembered she was just as white and beautiful, and had the same dark eyes and black hair; and sometimes she smiled and looked like the lady had looked, when she was telling me some of her stories, beginning with 'Once on a time,' or 'In the time of the fairies.' But I thought she couldn't be the lady, as she seemed to have gone a different way into the wood, and I didn't think the man who came after us could be the other, or I couldn't have seen that wonderful secret in the secret wood. I thought of the moon: but it was afterwards when I was in the middle of the wild land, where the earth was made into the shape of great figures, and it was all walls, and mysterious hollows, and smooth round mounds, that I saw the great white moon come up over a round hill. I was wondering about all these things, till at last I got quite frightened, because I was afraid something had happened to me, and I remembered nurse's tale of the poor girl who went into the hollow pit, and was carried away at last by the black man. I knew I had gone into a hollow pit too, and perhaps it was the same, and I had done something dreadful. So I did the charm over again, and touched my eyes and my lips and my hair in a peculiar manner, and said the old words from the fairy language, so that I might be sure I had not been carried away. I tried again to see the secret wood, and to creep up the passage and see what I had seen there, but somehow I couldn't, and I kept on thinking of nurse's stories. There was one I remembered about a young man who once upon a time went hunting, and all the day he and his hounds hunted everywhere, and they crossed the rivers and went into all the woods, and went round the marshes, but they couldn't find anything at all, and they hunted all day till the sun sank down and began to set behind the mountain. And the young man was angry because he couldn't find anything, and he was going to turn back, when just as the sun touched the mountain, he saw come out of a brake in front of him a beautiful white stag. And he cheered to his hounds, but they whined and would not follow, and he cheered to his horse, but it shivered and stood stock still, and the young man jumped off the horse and left the hounds and began to follow the white stag all alone. And soon it was quite dark, and the sky was black, without a single star shining in it, and the stag went away into the darkness. And though the man had brought his gun with him he never shot at the stag, because he wanted to catch it, and he was afraid he would lose it in the night. But he never lost it once, though the sky was so black and the air was so dark, and the stag went on and on till the young man didn't know a bit where he was. And they went through enormous woods where the air was full of whispers and a pale, dead light came out from the rotten trunks that were lying on the ground, and just as the man thought he had lost the stag, he would see it all white and shining in front of him, and he would run fast to catch it, but the stag always ran faster, so he did not catch it. And they went through the enormous woods, and they swam across rivers, and they waded through black marshes where the ground bubbled, and the air was full of will-o'-the-wisps, and the stag fled away down into rocky narrow valleys, where the air was like the smell of a vault, and the man went after it. And they went over the great mountains and the man heard the wind come down from the sky, and the stag went on and the man went after. At last the sun rose and the young man found he was in a country that he had never seen before; it was a beautiful valley with a bright stream running through it, and a great, big round hill in the middle. And the stag went down the valley, towards the hill, and it seemed to be getting tired and went slower and slower, and though the man was tired, too, he began to run faster, and he was sure he would catch the stag at last. But just as they got to the bottom of the hill, and the man stretched out his hand to catch the stag, it vanished into the earth, and the man began to cry; he was so sorry that he had lost it after all his long hunting. But as he was crying he saw there was a door in the hill, just in front of him, and he went in, and it was quite dark, but he went on, as he thought he would find the white stag. And all of a sudden it got light, and there was the sky, and the sun shining, and birds singing in the trees, and there was a beautiful fountain. And by the fountain a lovely lady was sitting, who was the queen of the fairies, and she told the man that she had changed herself into a stag to bring him there because she loved him so much. Then she brought out a great gold cup, covered with jewels, from her fairy palace, and she offered him wine in the cup to drink. And he drank, and the more he drank the more he longed to drink, because the wine was enchanted. So he kissed the lovely lady, and she became his wife, and he stayed all that day and all that night in the hill where she lived, and when he woke he found he was lying on the ground, close to where he had seen the stag first, and his horse was there and his hounds were there waiting, and he looked up, and the sun sank behind the mountain. And he went home and lived a long time, but he would never kiss any other lady because he had kissed the queen of the fairies, and he would never drink common wine any more, because he had drunk enchanted wine. And sometimes nurse told me tales that she had heard from her great-grandmother, who was very old, and lived in a cottage on the mountain all alone, and most of these tales were about a hill where people used to meet at night long ago, and they used to play all sorts of strange games and do queer things that nurse told me of, but I couldn't understand, and now, she said, everybody but her great-grandmother had forgotten all about it, and nobody knew where the hill was, not even her great-grandmother. But she told me one very strange story about the hill, and I trembled when I remembered it. She said that people always went there in summer, when it was very hot, and they had to dance a good deal. It would be all dark at first, and there were trees there, which made it much darker, and people would come, one by one, from all directions, by a secret path which nobody else knew, and two persons would keep the gate, and every one as they came up had to give a very curious sign, which nurse showed me as well as she could, but she said she couldn't show me properly. And all kinds of people would come; there would be gentle folks and village folks, and some old people and boys and girls, and quite small children, who sat and watched. And it would all be dark as they came in, except in one corner where some one was burning something that smelt strong and sweet, and made them laugh, and there one would see a glaring of coals, and the smoke mounting up red. So they would all come in, and when the last had come there was no door any more, so that no one else could get in, even if they knew there was anything beyond. And once a gentleman who was a stranger and had ridden a long way, lost his path at night, and his horse took him into the very middle of the wild country, where everything was upside down, and there were dreadful marshes and great stones everywhere, and holes underfoot, and the trees looked like gibbet-posts, because they had great black arms that stretched out across the way. And this strange gentleman was very frightened, and his horse began to shiver all over, and at last it stopped and wouldn't go any farther, and the gentleman got down and tried to lead the horse, but it wouldn't move, and it was all covered with a sweat, like death. So the gentleman went on all alone, going farther and farther into the wild country, till at last he came to a dark place, where he heard shouting and singing and crying, like nothing he had ever heard before. It all sounded quite close to him, but he couldn't get in, and so he began to call, and while he was calling, something came behind him, and in a minute his mouth and arms and legs were all bound up, and he fell into a swoon. And when he came to himself, he was lying by the roadside, just where he had first lost his way, under a blasted oak with a black trunk, and his horse was tied beside him. So he rode on to the town and told the people there what had happened, and some of them were amazed; but others knew. So when once everybody had come, there was no door at all for anybody else to pass in by. And when they were all inside, round in a ring, touching each other, some one began to sing in the darkness, and some one else would make a noise like thunder with a thing they had on purpose, and on still nights people would hear the thundering noise far, far away beyond the wild land, and some of them, who thought they knew what it was, used to make a sign on their breasts when they woke up in their beds at dead of night and heard that terrible deep noise, like thunder on the mountains. And the noise and the singing would go on and on for a long time, and the people who were in a ring swayed a little to and fro; and the song was in an old, old language that nobody knows now, and the tune was queer. Nurse said her great-grandmother had known some one who remembered a little of it, when she was quite a little girl, and nurse tried to sing some of it to me, and it was so strange a tune that I turned all cold and my flesh crept as if I had put my hand on something dead. Sometimes it was a man that sang and sometimes it was a woman, and sometimes the one who sang it did it so well that two or three of the people who were there fell to the ground shrieking and tearing with their hands. The singing went on, and the people in the ring kept swaying to and fro for a long time, and at last the moon would rise over a place they called the Tole Deol, and came up and showed them swinging and swaying from side to side, with the sweet thick smoke curling up from the burning coals, and floating in circles all around them. Then they had their supper. A boy and a girl brought it to them; the boy carried a great cup of wine, and the girl carried a cake of bread, and they passed the bread and the wine round and round, but they tasted quite different from common bread and common wine, and changed everybody that tasted them. Then they all rose up and danced, and secret things were brought out of some hiding place, and they played extraordinary games, and danced round and round and round in the moonlight, and sometimes people would suddenly disappear and never be heard of afterwards, and nobody knew what had happened to them. And they drank more of that curious wine, and they made images and worshipped them, and nurse showed me how the images were made one day when we were out for a walk, and we passed by a place where there was a lot of wet clay. So nurse asked me if I would like to know what those things were like that they made on the hill, and I said yes. Then she asked me if I would promise never to tell a living soul a word about it, and if I did I was to be thrown into the black pit with the dead people, and I said I wouldn't tell anybody, and she said the same thing again and again, and I promised. So she took my wooden spade and dug a big lump of clay and put it in my tin bucket, and told me to say if any one met us that I was going to make pies when I went home. Then we went on a little way till we came to a little brake growing right down into the road, and nurse stopped, and looked up the road and down it, and then peeped through the hedge into the field on the other side, and then she said, "Quick!" and we ran into the brake, and crept in and out among the bushes till we had gone a good way from the road. Then we sat down under a bush, and I wanted so much to know what nurse was going to make with the clay, but before she would begin she made me promise again not to say a word about it, and she went again and peeped through the bushes on every side, though the lane was so small and deep that hardly anybody ever went there. So we sat down, and nurse took the clay out of the bucket, and began to knead it with her hands, and do queer things with it, and turn it about. And she hid it under a big dock-leaf for a minute or two and then she brought it out again, and then she stood up and sat down, and walked round the clay in a peculiar manner, and all the time she was softly singing a sort of rhyme, and her face got very red. Then she sat down again, and took the clay in her hands and began to shape it into a doll, but not like the dolls I have at home, and she made the queerest doll I had ever seen, all out of the wet clay, and hid it under a bush to get dry and hard, and all the time she was making it she was singing these rhymes to herself, and her face got redder and redder. So we left the doll there, hidden away in the bushes where nobody would ever find it. And a few days later we went the same walk, and when we came to that narrow, dark part of the lane where the brake runs down to the bank, nurse made me promise all over again, and she looked about, just as she had done before, and we crept into the bushes till we got to the green place where the little clay man was hidden. I remember it all so well, though I was only eight, and it is eight years ago now as I am writing it down, but the sky was a deep violet blue, and in the middle of the brake where we were sitting there was a great elder tree covered with blossoms, and on the other side there was a clump of meadowsweet, and when I think of that day the smell of the meadowsweet and elder blossom seems to fill the room, and if I shut my eyes I can see the glaring blue sky, with little clouds very white floating across it, and nurse who went away long ago sitting opposite me and looking like the beautiful white lady in the wood. So we sat down and nurse took out the clay doll from the secret place where she had hidden it, and she said we must 'pay our respects,' and she would show me what to do, and I must watch her all the time. So she did all sorts of queer things with the little clay man, and I noticed she was all streaming with perspiration, though we had walked so slowly, and then she told me to 'pay my respects,' and I did everything she did because I liked her, and it was such an odd game. And she said that if one loved very much, the clay man was very good, if one did certain things with it, and if one hated very much, it was just as good, only one had to do different things, and we played with it a long time, and pretended all sorts of things. Nurse said her great-grandmother had told her all about these images, but what we did was no harm at all, only a game. But she told me a story about these images that frightened me very much, and that was what I remembered that night when I was lying awake in my room in the pale, empty darkness, thinking of what I had seen and the secret wood. Nurse said there was once a young lady of the high gentry, who lived in a great castle. And she was so beautiful that all the gentlemen wanted to marry her, because she was the loveliest lady that anybody had ever seen, and she was kind to everybody, and everybody thought she was very good. But though she was polite to all the gentlemen who wished to marry her, she put them off, and said she couldn't make up her mind, and she wasn't sure she wanted to marry anybody at all. And her father, who was a very great lord, was angry, though he was so fond of her, and he asked her why she wouldn't choose a bachelor out of all the handsome young men who came to the castle. But she only said she didn't love any of them very much, and she must wait, and if they pestered her, she said she would go and be a nun in a nunnery. So all the gentlemen said they would go away and wait for a year and a day, and when a year and a day were gone, they would come back again and ask her to say which one she would marry. So the day was appointed and they all went away; and the lady had promised that in a year and a day it would be her wedding day with one of them. But the truth was, that she was the queen of the people who danced on the hill on summer nights, and on the proper nights she would lock the door of her room, and she and her maid would steal out of the castle by a secret passage that only they knew of, and go away up to the hill in the wild land. And she knew more of the secret things than any one else, and more than any one knew before or after, because she would not tell anybody the most secret secrets. She knew how to do all the awful things, how to destroy young men, and how to put a curse on people, and other things that I could not understand. And her real name was the Lady Avelin, but the dancing people called her Cassap, which meant somebody very wise, in the old language. And she was whiter than any of them and taller, and her eyes shone in the dark like burning rubies; and she could sing songs that none of the others could sing, and when she sang they all fell down on their faces and worshipped her. And she could do what they called shib-show, which was a very wonderful enchantment. She would tell the great lord, her father, that she wanted to go into the woods to gather flowers, so he let her go, and she and her maid went into the woods where nobody came, and the maid would keep watch. Then the lady would lie down under the trees and begin to sing a particular song, and she stretched out her arms, and from every part of the wood great serpents would come, hissing and gliding in and out among the trees, and shooting out their forked tongues as they crawled up to the lady. And they all came to her, and twisted round her, round her body, and her arms, and her neck, till she was covered with writhing serpents, and there was only her head to be seen. And she whispered to them, and she sang to them, and they writhed round and round, faster and faster, till she told them to go. And they all went away directly, back to their holes, and on the lady's breast there would be a most curious, beautiful stone, shaped something like an egg, and coloured dark blue and yellow, and red, and green, marked like a serpent's scales. It was called a glame stone, and with it one could do all sorts of wonderful things, and nurse said her great-grandmother had seen a glame stone with her own eyes, and it was for all the world shiny and scaly like a snake. And the lady could do a lot of other things as well, but she was quite fixed that she would not be married. And there were a great many gentlemen who wanted to marry her, but there were five of them who were chief, and their names were Sir Simon, Sir John, Sir Oliver, Sir Richard, and Sir Rowland. All the others believed she spoke the truth, and that she would choose one of them to be her man when a year and a day was done; it was only Sir Simon, who was very crafty, who thought she was deceiving them all, and he vowed he would watch and try if he could find out anything. And though he was very wise he was very young, and he had a smooth, soft face like a girl's, and he pretended, as the rest did, that he would not come to the castle for a year and a day, and he said he was going away beyond the sea to foreign parts. But he really only went a very little way, and came back dressed like a servant girl, and so he got a place in the castle to wash the dishes. And he waited and watched, and he listened and said nothing, and he hid in dark places, and woke up at night and looked out, and he heard things and he saw things that he thought were very strange. And he was so sly that he told the girl that waited on the lady that he was really a young man, and that he had dressed up as a girl because he loved her so very much and wanted to be in the same house with her, and the girl was so pleased that she told him many things, and he was more than ever certain that the Lady Avelin was deceiving him and the others. And he was so clever, and told the servant so many lies, that one night he managed to hide in the Lady Avelin's room behind the curtains. And he stayed quite still and never moved, and at last the lady came. And she bent down under the bed, and raised up a stone, and there was a hollow place underneath, and out of it she took a waxen image, just like the clay one that I and nurse had made in the brake. And all the time her eyes were burning like rubies. And she took the little wax doll up in her arms and held it to her breast, and she whispered and she murmured, and she took it up and she laid it down again, and she held it high, and she held it low, and she laid it down again. And she said, "Happy is he that begat the bishop, that ordered the clerk, that married the man, that had the wife, that fashioned the hive, that harboured the bee, that gathered the wax that my own true love was made of." And she brought out of an aumbry a great golden bowl, and she brought out of a closet a great jar of wine, and she poured some of the wine into the bowl, and she laid her mannikin very gently in the wine, and washed it in the wine all over. Then she went to a cupboard and took a small round cake and laid it on the image's mouth, and then she bore it softly and covered it up. And Sir Simon, who was watching all the time, though he was terribly frightened, saw the lady bend down and stretch out her arms and whisper and sing, and then Sir Simon saw beside her a handsome young man, who kissed her on the lips. And they drank wine out of the golden bowl together, and they ate the cake together. But when the sun rose there was only the little wax doll, and the lady hid it again under the bed in the hollow place. So Sir Simon knew quite well what the lady was, and he waited and he watched, till the time she had said was nearly over, and in a week the year and a day would be done. And one night, when he was watching behind the curtains in her room, he saw her making more wax dolls. And she made five, and hid them away. And the next night she took one out, and held it up, and filled the golden bowl with water, and took the doll by the neck and held it under the water. Then she said-—

_Sir Dickon, Sir Dickon, your day is done, You shall be drowned in the water wan._

And the next day news came to the castle that Sir Richard had been drowned at the ford. And at night she took another doll and tied a violet cord round its neck and hung it up on a nail. Then she said-—

_Sir Rowland, your life has ended its span, High on a tree I see you hang._

And the next day news came to the castle that Sir Rowland had been hanged by robbers in the wood. And at night she took another doll, and drove her bodkin right into its heart. Then she said-—

_Sir Noll, Sir Noll, so cease your life, Your heart is pierced with the knife._

And the next day news came to the castle that Sir Oliver had fought in a tavern, and a stranger had stabbed him to the heart. And at night she took another doll, and held it to a fire of charcoal till it was melted. Then she said-—

_Sir John, return, and turn to clay, In fire of fever you waste away._

And the next day news came to the castle that Sir John had died in a burning fever. So then Sir Simon went out of the castle and mounted his horse and rode away to the bishop and told him everything. And the bishop sent his men, and they took the Lady Avelin, and everything she had done was found out. So on the day after the year and a day, when she was to have been married, they carried her through the town in her smock, and they tied her to a great stake in the market-place, and burned her alive before the bishop with her wax image hung round her neck. And people said the wax man screamed in the burning of the flames. And I thought of this story again and again as I was lying awake in my bed, and I seemed to see the Lady Avelin in the market-place, with the yellow flames eating up her beautiful white body. And I thought of it so much that I seemed to get into the story myself, and I fancied I was the lady, and that they were coming to take me to be burnt with fire, with all the people in the town looking at me. And I wondered whether she cared, after all the strange things she had done, and whether it hurt very much to be burned at the stake. I tried again and again to forget nurse's stories, and to remember the secret I had seen that afternoon, and what was in the secret wood, but I could only see the dark and a glimmering in the dark, and then it went away, and I only saw myself running, and then a great moon came up white over a dark round hill. Then all the old stories came back again, and the queer rhymes that nurse used to sing to me; and there was one beginning 'Halsy cumsy Helen musty,' that she used to sing very softly when she wanted me to go to sleep. And I began to sing it to myself inside of my head, and I went to sleep.

The next morning I was very tired and sleepy, and could hardly do my lessons, and I was very glad when they were over and I had had my dinner, as I wanted to go out and be alone. It was a warm day, and I went to a nice turfy hill by the river, and sat down on my mother's old shawl that I had brought with me on purpose. The sky was grey, like the day before, but there was a kind of white gleam behind it, and from where I was sitting I could look down on the town, and it was all still and quiet and white, like a picture. I remembered that it was on that hill that nurse taught me to play an old game called 'Troy Town,' in which one had to dance, and wind in and out on a pattern in the grass, and then when one had danced and turned long enough the other person asks you questions, and you can't help answering whether you want to or not, and whatever you are told to do you feel you have to do it. Nurse said there used to be a lot of games like that that some people knew of, and there was one by which people could be turned into anything you liked and an old man her great-grandmother had seen had known a girl who had been turned into a large snake. And there was another very ancient game of dancing and winding and turning, by which you could take a person out of himself and hide him away as long as you liked, and his body went walking about quite empty, without any sense in it. But I came to that hill because I wanted to think of what had happened the day before, and of the secret of the wood. From the place where I was sitting I could see beyond the town, into the opening I had found, where a little brook had led me into an unknown country. And I pretended I was following the brook over again, and I went all the way in my mind, and at last I found the wood, and crept into it under the bushes, and then in the dusk I saw something that made me feel as if I were filled with fire, as if I wanted to dance and sing and fly up into the air, because I was changed and wonderful. But what I saw was not changed at all, and had not grown old, and I wondered again and again how such things could happen, and whether nurse's stories were really true, because in the daytime in the open air everything seemed quite different from what it was at night, when I was frightened, and thought I was to be burned alive. I once told my father one of her little tales, which was about a ghost, and asked him if it was true, and he told me it was not true at all, and that only common, ignorant people believed in such rubbish. He was very angry with nurse for telling me the story, and scolded her, and after that I promised her I would never whisper a word of what she told me, and if I did I should be bitten by the great black snake that lived in the pool in the wood. And all alone on the hill I wondered what was true. I had seen something very amazing and very lovely, and I knew a story, and if I had really seen it, and not made it up out of the dark, and the black bough, and the bright shining that was mounting up to the sky from over the great round hill, but had really seen it in truth, then there were all kinds of wonderful and lovely and terrible things to think of, so I longed and trembled, and I burned and got cold. And I looked down on the town, so quiet and still, like a little white picture, and I thought over and over if it could be true. I was a long time before I could make up my mind to anything; there was such a strange fluttering at my heart that seemed to whisper to me all the time that I had not made it up out of my head, and yet it seemed quite impossible, and I knew my father and everybody would say it was dreadful rubbish. I never dreamed of telling him or anybody else a word about it, because I knew it would be of no use, and I should only get laughed at or scolded, so for a long time I was very quiet, and went about thinking and wondering; and at night I used to dream of amazing things, and sometimes I woke up in the early morning and held out my arms with a cry. And I was frightened, too, because there were dangers, and some awful thing would happen to me, unless I took great care, if the story were true. These old tales were always in my head, night and morning, and I went over them and told them to myself over and over again, and went for walks in the places where nurse had told them to me; and when I sat in the nursery by the fire in the evenings I used to fancy nurse was sitting in the other chair, and telling me some wonderful story in a low voice, for fear anybody should be listening. But she used to like best to tell me about things when we were right out in the country, far from the house, because she said she was telling me such secrets, and walls have ears. And if it was something more than ever secret, we had to hide in brakes or woods; and I used to think it was such fun creeping along a hedge, and going very softly, and then we would get behind the bushes or run into the wood all of a sudden, when we were sure that none was watching us; so we knew that we had our secrets quite all to ourselves, and nobody else at all knew anything about them. Now and then, when we had hidden ourselves as I have described, she used to show me all sorts of odd things. One day, I remember, we were in a hazel brake, overlooking the brook, and we were so snug and warm, as though it was April; the sun was quite hot, and the leaves were just coming out. Nurse said she would show me something funny that would make me laugh, and then she showed me, as she said, how one could turn a whole house upside down, without anybody being able to find out, and the pots and pans would jump about, and the china would be broken, and the chairs would tumble over of themselves. I tried it one day in the kitchen, and I found I could do it quite well, and a whole row of plates on the dresser fell off it, and cook's little work-table tilted up and turned right over 'before her eyes,' as she said, but she was so frightened and turned so white that I didn't do it again, as I liked her. And afterwards, in the hazel copse, when she had shown me how to make things tumble about, she showed me how to make rapping noises, and I learnt how to do that, too. Then she taught me rhymes to say on certain occasions, and peculiar marks to make on other occasions, and other things that her great-grandmother had taught her when she was a little girl herself. And these were all the things I was thinking about in those days after the strange walk when I thought I had seen a great secret, and I wished nurse were there for me to ask her about it, but she had gone away more than two years before, and nobody seemed to know what had become of her, or where she had gone. But I shall always remember those days if I live to be quite old, because all the time I felt so strange, wondering and doubting, and feeling quite sure at one time, and making up my mind, and then I would feel quite sure that such things couldn't happen really, and it began all over again. But I took great care not to do certain things that might be very dangerous. So I waited and wondered for a long time, and though I was not sure at all, I never dared to try to find out. But one day I became sure that all that nurse said was quite true, and I was all alone when I found it out. I trembled all over with joy and terror, and as fast as I could I ran into one of the old brakes where we used to go--it was the one by the lane, where nurse made the little clay man--and I ran into it, and I crept into it; and when I came to the place where the elder was, I covered up my face with my hands and lay down flat on the grass, and I stayed there for two hours without moving, whispering to myself delicious, terrible things, and saying some words over and over again. It was all true and wonderful and splendid, and when I remembered the story I knew and thought of what I had really seen, I got hot and I got cold, and the air seemed full of scent, and flowers, and singing. And first I wanted to make a little clay man, like the one nurse had made so long ago, and I had to invent plans and stratagems, and to look about, and to think of things beforehand, because nobody must dream of anything that I was doing or going to do, and I was too old to carry clay about in a tin bucket. At last I thought of a plan, and I brought the wet clay to the brake, and did everything that nurse had done, only I made a much finer image than the one she had made; and when it was finished I did everything that I could imagine and much more than she did, because it was the likeness of something far better. And a few days later, when I had done my lessons early, I went for the second time by the way of the little brook that had led me into a strange country. And I followed the brook, and went through the bushes, and beneath the low branches of trees, and up thorny thickets on the hill, and by dark woods full of creeping thorns, a long, long way. Then I crept through the dark tunnel where the brook had been and the ground was stony, till at last I came to the thicket that climbed up the hill, and though the leaves were coming out upon the trees, everything looked almost as black as it was on the first day that I went there. And the thicket was just the same, and I went up slowly till I came out on the big bare hill, and began to walk among the wonderful rocks. I saw the terrible voor again on everything, for though the sky was brighter, the ring of wild hills all around was still dark, and the hanging woods looked dark and dreadful, and the strange rocks were as grey as ever; and when I looked down on them from the great mound, sitting on the stone, I saw all their amazing circles and rounds within rounds, and I had to sit quite still and watch them as they began to turn about me, and each stone danced in its place, and they seemed to go round and round in a great whirl, as if one were in the middle of all the stars and heard them rushing through the air. So I went down among the rocks to dance with them and to sing extraordinary songs; and I went down through the other thicket, and drank from the bright stream in the close and secret valley, putting my lips down to the bubbling water; and then I went on till I came to the deep, brimming well among the glittering moss, and I sat down. I looked before me into the secret darkness of the valley, and behind me was the great high wall of grass, and all around me there were the hanging woods that made the valley such a secret place. I knew there was nobody here at all besides myself, and that no one could see me. So I took off my boots and stockings, and let my feet down into the water, saying the words that I knew. And it was not cold at all, as I expected, but warm and very pleasant, and when my feet were in it I felt as if they were in silk, or as if the nymph were kissing them. So when I had done, I said the other words and made the signs, and then I dried my feet with a towel I had brought on purpose, and put on my stockings and boots. Then I climbed up the steep wall, and went into the place where there are the hollows, and the two beautiful mounds, and the round ridges of land, and all the strange shapes. I did not go down into the hollow this time, but I turned at the end, and made out the figures quite plainly, as it was lighter, and I had remembered the story I had quite forgotten before, and in the story the two figures are called Adam and Eve, and only those who know the story understand what they mean. So I went on and on till I came to the secret wood which must not be described, and I crept into it by the way I had found. And when I had gone about halfway I stopped, and turned round, and got ready, and I bound the handkerchief tightly round my eyes, and made quite sure that I could not see at all, not a twig, nor the end of a leaf, nor the light of the sky, as it was an old red silk handkerchief with large yellow spots, that went round twice and covered my eyes, so that I could see nothing. Then I began to go on, step by step, very slowly. My heart beat faster and faster, and something rose in my throat that choked me and made me want to cry out, but I shut my lips, and went on. Boughs caught in my hair as I went, and great thorns tore me; but I went on to the end of the path. Then I stopped, and held out my arms and bowed, and I went round the first time, feeling with my hands, and there was nothing. I went round the second time, feeling with my hands, and there was nothing. Then I went round the third time, feeling with my hands, and the story was all true, and I wished that the years were gone by, and that I had not so long a time to wait before I was happy for ever and ever.

Nurse must have been a prophet like those we read of in the Bible. Everything that she said began to come true, and since then other things that she told me of have happened. That was how I came to know that her stories were true and that I had not made up the secret myself out of my own head. But there was another thing that happened that day. I went a second time to the secret place. It was at the deep brimming well, and when I was standing on the moss I bent over and looked in, and then I knew who the white lady was that I had seen come out of the water in the wood long ago when I was quite little. And I trembled all over, because that told me other things. Then I remembered how sometime after I had seen the white people in the wood, nurse asked me more about them, and I told her all over again, and she listened, and said nothing for a long, long time, and at last she said, 'You will see her again.' So I understood what had happened and what was to happen. And I understood about the nymphs; how I might meet them in all kinds of places, and they would always help me, and I must always look for them, and find them in all sorts of strange shapes and appearances. And without the nymphs I could never have found the secret, and without them none of the other things could happen. Nurse had told me all about them long ago, but she called them by another name, and I did not know what she meant, or what her tales of them were about, only that they were very queer. And there were two kinds, the bright and the dark, and both were very lovely and very wonderful, and some people saw only one kind, and some only the other, but some saw them both. But usually the dark appeared first, and the bright ones came afterwards, and there were extraordinary tales about them. It was a day or two after I had come home from the secret place that I first really knew the nymphs. Nurse had shown me how to call them, and I had tried, but I did not know what she meant, and so I thought it was all nonsense. But I made up my mind I would try again, so I went to the wood where the pool was, where I saw the white people, and I tried again. The dark nymph, Alanna, came, and she turned the pool of water into a pool of fire. . . .

EPILOGUE

'That's a very queer story,' said Cotgrave, handing back the green book to the recluse, Ambrose. 'I see the drift of a good deal, but there are many things that I do not grasp at all. On the last page, for example, what does she mean by "nymphs"?'

'Well, I think there are references throughout the manuscript to certain "processes" which have been handed down by tradition from age to age. Some of these processes are just beginning to come within the purview of science, which has arrived at them--or rather at the steps which lead to them--by quite different paths. I have interpreted the reference to "nymphs" as a reference to one of these processes.'

'And you believe that there are such things?'

'Oh, I think so. Yes, I believe I could give you convincing evidence on that point. I am afraid you have neglected the study of alchemy? It is a pity, for the symbolism, at all events, is very beautiful, and moreover if you were acquainted with certain books on the subject, I could recall to your mind phrases which might explain a good deal in the manuscript that you have been reading.'

'Yes; but I want to know whether you seriously think that there is any foundation of fact beneath these fancies. Is it not all a department of poetry; a curious dream with which man has indulged himself?'

'I can only say that it is no doubt better for the great mass of people to dismiss it all as a dream. But if you ask my veritable belief--that goes quite the other way. No; I should not say belief, but rather knowledge. I may tell you that I have known cases in which men have stumbled quite by accident on certain of these "processes," and have been astonished by wholly unexpected results. In the cases I am thinking of there could have been no possibility of "suggestion" or sub-conscious action of any kind. One might as well suppose a schoolboy "suggesting" the existence of Aeschylus to himself, while he plods mechanically through the declensions.

'But you have noticed the obscurity,' Ambrose went on, 'and in this particular case it must have been dictated by instinct, since the writer never thought that her manuscripts would fall into other hands. But the practice is universal, and for most excellent reasons. Powerful and sovereign medicines, which are, of necessity, virulent poisons also, are kept in a locked cabinet. The child may find the key by chance, and drink herself dead; but in most cases the search is educational, and the phials contain precious elixirs for him who has patiently fashioned the key for himself.'

'You do not care to go into details?'

'No, frankly, I do not. No, you must remain unconvinced. But you saw how the manuscript illustrates the talk we had last week?'

'Is this girl still alive?'

'No. I was one of those who found her. I knew the father well; he was a lawyer, and had always left her very much to herself. He thought of nothing but deeds and leases, and the news came to him as an awful surprise. She was missing one morning; I suppose it was about a year after she had written what you have read. The servants were called, and they told things, and put the only natural interpretation on them--a perfectly erroneous one.

'They discovered that green book somewhere in her room, and I found her in the place that she described with so much dread, lying on the ground before the image.'

'It was an image?'

'Yes, it was hidden by the thorns and the thick undergrowth that had surrounded it. It was a wild, lonely country; but you know what it was like by her description, though of course you will understand that the colours have been heightened. A child's imagination always makes the heights higher and the depths deeper than they really are; and she had, unfortunately for herself, something more than imagination. One might say, perhaps, that the picture in her mind which she succeeded in a measure in putting into words, was the scene as it would have appeared to an imaginative artist. But it is a strange, desolate land.'

'And she was dead?'

'Yes. She had poisoned herself--in time. No; there was not a word to be said against her in the ordinary sense. You may recollect a story I told you the other night about a lady who saw her child's fingers crushed by a window?'

'And what was this statue?'

'Well, it was of Roman workmanship, of a stone that with the centuries had not blackened, but had become white and luminous. The thicket had grown up about it and concealed it, and in the Middle Ages the followers of a very old tradition had known how to use it for their own purposes. In fact it had been incorporated into the monstrous mythology of the Sabbath. You will have noted that those to whom a sight of that shining whiteness had been vouchsafed by chance, or rather, perhaps, by apparent chance, were required to blindfold themselves on their second approach. That is very significant.'

'And is it there still?'

'I sent for tools, and we hammered it into dust and fragments.'

'The persistence of tradition never surprises me,' Ambrose went on after a pause. 'I could name many an English parish where such traditions as that girl had listened to in her childhood are still existent in occult but unabated vigour. No, for me, it is the "story" not the "sequel", which is strange and awful, for I have always believed that wonder is of the soul.'

* * *

THE INMOST LIGHT

I

One evening in autumn, when the deformities of London were veiled in faint blue mist, and its vistas and far-reaching streets seemed splendid, Mr. Charles Salisbury was slowly pacing down Rupert Street, drawing nearer to his favourite restaurant by slow degrees. His eyes were downcast in study of the pavement, and thus it was that as he passed in at the narrow door a man who had come up from the lower end of the street jostled against him.

'I beg your pardon--wasn't looking where I was going. Why, it's Dyson!'

'Yes, quite so. How are you, Salisbury?'

'Quite well. But where have you been, Dyson? I don't think I can have seen you for the last five years?'

'No; I dare say not. You remember I was getting rather hard up when you came to my place at Charlotte Street?'

'Perfectly. I think I remember your telling me that you owed five weeks' rent, and that you had parted with your watch for a comparatively small sum.'

'My dear Salisbury, your memory is admirable. Yes, I was hard up. But the curious thing is that soon after you saw me I became harder up. My financial state was described by a friend as "stone broke." I don't approve of slang, mind you, but such was my condition. But suppose we go in; there might be other people who would like to dine--it's a human weakness, Salisbury.'

'Certainly; come along. I was wondering as I walked down whether the corner table were taken. It has a velvet back you know.'

'I know the spot; it's vacant. Yes, as I was saying, I became even harder up.'

'What did you do then?' asked Salisbury, disposing of his hat, and settling down in the corner of the seat, with a glance of fond anticipation at the _menu_.

'What did I do? Why, I sat down and reflected. I had a good classical education, and a positive distaste for business of any kind: that was the capital with which I faced the world. Do you know, I have heard people describe olives as nasty! What lamentable Philistinism! I have often thought, Salisbury, that I could write genuine poetry under the influence of olives and red wine. Let us have Chianti; it may not be very good, but the flasks are simply charming.'

'It is pretty good here. We may as well have a big flask.'

'Very good. I reflected, then, on my want of prospects, and I determined to embark in literature.'

'Really; that was strange. You seem in pretty comfortable circumstances, though.'

'Though! What a satire upon a noble profession. I am afraid, Salisbury, you haven't a proper idea of the dignity of an artist. You see me sitting at my desk--or at least you can see me if you care to call--with pen and ink, and simple nothingness before me, and if you come again in a few hours you will (in all probability) find a creation!'

'Yes, quite so. I had an idea that literature was not remunerative.'

'You are mistaken; its rewards are great. I may mention, by the way, that shortly after you saw me I succeeded to a small income. An uncle died, and proved unexpectedly generous.'

'Ah, I see. That must have been convenient.'

'It was pleasant--undeniably pleasant. I have always considered it in the light of an endowment of my researches. I told you I was a man of letters; it would, perhaps, be more correct to describe myself as a man of science.'

'Dear me, Dyson, you have really changed very much in the last few years. I had a notion, don't you know, that you were a sort of idler about town, the kind of man one might meet on the north side of Piccadilly every day from May to July.'

'Exactly. I was even then forming myself, though all unconsciously. You know my poor father could not afford to send me to the University. I used to grumble in my ignorance at not having completed my education. That was the folly of youth, Salisbury; my University was Piccadilly. There I began to study the great science which still occupies me.'

'What science do you mean?'

'The science of the great city; the physiology of London; literally and metaphysically the greatest subject that the mind of man can conceive. What an admirable _salmi_ this is; undoubtedly the final end of the pheasant. Yet I feel sometimes positively overwhelmed with the thought of the vastness and complexity of London. Paris a man may get to understand thoroughly with a reasonable amount of study; but London is always a mystery. In Paris you may say: 'Here live the actresses, here the Bohemians, and the _Rates_'; but it is different in London. You may point out a street, correctly enough, as the abode of washerwomen; but, in that second floor, a man may be studying Chaldee roots, and in the garret over the way a forgotten artist is dying by inches.'

'I see you are Dyson, unchanged and unchangeable,' said Salisbury, slowly sipping his Chianti. 'I think you are misled by a too fervid imagination; the mystery of London exists only in your fancy. It seems to me a dull place enough. We seldom hear of a really artistic crime in London, whereas I believe Paris abounds in that sort of thing.'

'Give me some more wine. Thanks. You are mistaken, my dear fellow, you are really mistaken. London has nothing to be ashamed of in the way of crime. Where we fail is for want of Homers, not Agamemnons. _Carent quia vate sacro_, you know.'

'I recall the quotation. But I don't think I quite follow you.'

'Well, in plain language, we have no good writers in London who make a speciality of that kind of thing. Our common reporter is a dull dog; every story that he has to tell is spoilt in the telling. His idea of horror and of what excites horror is so lamentably deficient. Nothing will content the fellow but blood, vulgar red blood, and when he can get it he lays it on thick, and considers that he has produced a telling article. It's a poor notion. And, by some curious fatality, it is the most commonplace and brutal murders which always attract the most attention and get written up the most. For instance, I dare say that you never heard of the Harlesden case?'

'No; no, I don't remember anything about it.'

'Of course not. And yet the story is a curious one. I will tell you over our coffee. Harlesden, you know, or I expect you don't know, is quite on the out-quarters of London; something curiously different from your fine old crusted suburb like Norwood or Hampstead, different as each of these is from the other. Hampstead, I mean, is where you look for the head of your great China house with his three acres of land and pine-houses, though of late there is the artistic substratum; while Norwood is the home of the prosperous middle-class family who took the house 'because it was near the Palace,' and sickened of the Palace six months afterwards; but Harlesden is a place of no character. It's too new to have any character as yet. There are the rows of red houses and the rows of white houses and the bright green Venetians, and the blistering doorways, and the little backyards they call gardens, and a few feeble shops, and then, just as you think you're going to grasp the physiognomy of the settlement, it all melts away.'

'How the dickens is that? The houses don't tumble down before one's eyes, I suppose!'

'Well, no, not exactly that. But Harlesden as an entity disappears. Your street turns into a quiet lane, and your staring houses into elm trees, and the back-gardens into green meadows. You pass instantly from town to country; there is no transition as in a small country town, no soft gradations of wider lawns and orchards, with houses gradually becoming less dense, but a dead stop. I believe the people who live there mostly go into the City. I have seen once or twice a laden bus bound thitherwards. But however that may be, I can't conceive a greater loneliness in a desert at midnight than there is there at mid-day. It is like a city of the dead; the streets are glaring and desolate, and as you pass it suddenly strikes you that this too is part of London. Well, a year or two ago there was a doctor living there; he had set up his brass plate and his red lamp at the very end of one of those shining streets, and from the back of the house, the fields stretched away to the north. I don't know what his reason was in settling down in such an out-of-the-way place, perhaps Dr. Black, as we call him, was a far-seeing man and looked ahead. His relations, so it appeared afterwards, had lost sight of him for many years and didn't even know he was a doctor, much less where he lived. However, there he was settled in Harlesden, with some fragments of a practice, and an uncommonly pretty wife. People used to see them walking out together in the summer evenings soon after they came to Harlesden, and, so far as could be observed, they seemed a very affectionate couple. These walks went on through the autumn, and then ceased, but, of course, as the days grew dark and the weather cold, the lanes near Harlesden might be expected to lose many of their attractions. All through the winter nobody saw anything of Mrs. Black, the doctor used to reply to his patients' inquiries that she was a "little out of sorts, would be better, no doubt, in the spring." But the spring came, and the summer, and no Mrs. Black appeared, and at last people began to rumour and talk amongst themselves, and all sorts of queer things were said at "high teas," which you may possibly have heard are the only form of entertainment known in such suburbs. Dr. Black began to surprise some very odd looks cast in his direction, and the practice, such as it was, fell off before his eyes. In short, when the neighbours whispered about the matter, they whispered that Mrs. Black was dead, and that the doctor had made away with her. But this wasn't the case; Mrs. Black was seen alive in June. It was a Sunday afternoon, one of those few exquisite days that an English climate offers, and half London had strayed out into the fields, north, south, east, and west to smell the scent of the white May, and to see if the wild roses were yet in blossom in the hedges. I had gone out myself early in the morning, and had had a long ramble, and somehow or other as I was steering homeward I found myself in this very Harlesden we have been talking about. To be exact, I had a glass of beer in the "General Gordon", the most flourishing house in the neighbourhood, and as I was wandering rather aimlessly about, I saw an uncommonly tempting gap in a hedgerow, and resolved to explore the meadow beyond. Soft grass is very grateful to the feet after the infernal grit strewn on suburban sidewalks, and after walking about for some time I thought I should like to sit down on a bank and have a smoke. While I was getting out my pouch, I looked up in the direction of the houses, and as I looked I felt my breath caught back, and my teeth began to chatter, and the stick I had in one hand snapped in two with the grip I gave it. It was as if I had had an electric current down my spine, and yet for some moment of time which seemed long, but which must have been very short, I caught myself wondering what on earth was the matter. Then I knew I what had made my very heart shudder and my bones grind together in an agony. As I glanced up I had looked straight towards the last house in the row before me, and in an upper window of that house I had seen for some short fraction of a second a face. It was the face of a woman, and yet it was not human. You and I, Salisbury, have heard in our time, as we sat in our seats in church in sober English fashion, of a lust that cannot be satiated and of a fire that is unquenchable, but few of us have any notion what these words mean. I hope you never may, for as I saw that face at the window, with the blue sky above me and the warm air playing in gusts about me, I knew I had looked into another world--looked through the window of a commonplace, brand-new house, and seen hell open before me. When the first shock was over, I thought once or twice that I should have fainted; my face streamed with a cold sweat, and my breath came and went in sobs, as if I had been half drowned. I managed to get up at last, and walk round to the street, and there I saw the name "Dr. Black" on the post by the front gate. As fate or my luck would have it, the door opened and a man came down the steps as I passed by. I had no doubt it was the doctor himself. He was of a type rather common in London; long and thin, with a pasty face and a dull black moustache. He gave me a look as we passed each other on the pavement, and though it was merely the casual glance which one foot-passenger bestows on another, I felt convinced in my mind that here was an ugly customer to deal with. As you may imagine, I went my way a good deal puzzled and horrified too by what I had seen; for I had paid another visit to the "General Gordon", and had got together a good deal of the common gossip of the place about the Blacks. I didn't mention the fact that I had seen a woman's face in the window; but I heard that Mrs. Black had been much admired for her beautiful golden hair, and round what had struck me with such a nameless terror, there was a mist of flowing yellow hair, as it were an aureole of glory round the visage of a satyr. The whole thing bothered me in an indescribable manner; and when I got home I tried my best to think of the impression I had received as an illusion, but it was no use. I knew very well I had seen what I have tried to describe to you, and I was morally certain that I had seen Mrs. Black. And then there was the gossip of the place, the suspicion of foul play, which I knew to be false, and my own conviction that there was some deadly mischief or other going on in that bright red house at the corner of Devon Road: how to construct a theory of a reasonable kind out of these two elements. In short, I found myself in a world of mystery; I puzzled my head over it and filled up my leisure moments by gathering together odd threads of speculation, but I never moved a step towards any real solution, and as the summer days went on the matter seemed to grow misty and indistinct, shadowing some vague terror, like a nightmare of last month. I suppose it would before long have faded into the background of my brain--I should not have forgotten it, for such a thing could never be forgotten--but one morning as I was looking over the paper my eye was caught by a heading over some two dozen lines of small type. The words I had seen were simply: "The Harlesden Case," and I knew what I was going to read. Mrs. Black was dead. Black had called in another medical man to certify as to cause of death, and something or other had aroused the strange doctor's suspicions and there had been an inquest and _post-mortem_. And the result? That, I will confess, did astonish me considerably; it was the triumph of the unexpected. The two doctors who made the autopsy were obliged to confess that they could not discover the faintest trace of any kind of foul play; their most exquisite tests and reagents failed to detect the presence of poison in the most infinitesimal quantity. Death, they found, had been caused by a somewhat obscure and scientifically interesting form of brain disease. The tissue of the brain and the molecules of the grey matter had undergone a most extraordinary series of changes; and the younger of the two doctors, who has some reputation, I believe, as a specialist in brain trouble, made some remarks in giving his evidence which struck me deeply at the time, though I did not then grasp their full significance. He said: "At the commencement of the examination I was astonished to find appearances of a character entirely new to me, notwithstanding my somewhat large experience. I need not specify these appearances at present, it will be sufficient for me to state that as I proceeded in my task I could scarcely believe that the brain before me was that of a human being at all." There was some surprise at this statement, as you may imagine, and the coroner asked the doctor if he meant that the brain resembled that of an animal. "No," he replied, "I should not put it in that way. Some of the appearances I noticed seemed to point in that direction, but others, and these were the more surprising, indicated a nervous organization of a wholly different character from that either of man or the lower animals." It was a curious thing to say, but of course the jury brought in a verdict of death from natural causes, and, so far as the public was concerned, the case came to an end. But after I had read what the doctor said I made up my mind that I should like to know a good deal more, and I set to work on what seemed likely to prove an interesting investigation. I had really a good deal of trouble, but I was successful in a measure. Though why--my dear fellow, I had no notion at the time. Are you aware that we have been here nearly four hours? The waiters are staring at us. Let's have the bill and be gone.'

The two men went out in silence, and stood a moment in the cool air, watching the hurrying traffic of Coventry Street pass before them to the accompaniment of the ringing bells of hansoms and the cries of the newsboys; the deep far murmur of London surging up ever and again from beneath these louder noises.

'It is a strange case, isn't it?' said Dyson at length. 'What do you think of it?'

'My dear fellow. I haven't heard the end, so I will reserve my opinion. When will you give me the sequel?'

'Come to my rooms some evening; say next Thursday. Here's the address. Good-night; I want to get down to the Strand.' Dyson hailed a passing hansom, and Salisbury turned northward to walk home to his lodgings.

II

Mr. Salisbury, as may have been gathered from the few remarks which he had found it possible to introduce in the course of the evening, was a young gentleman of a peculiarly solid form of intellect, coy and retiring before the mysterious and the uncommon, with a constitutional dislike of paradox. During the restaurant dinner he had been forced to listen in almost absolute silence to a strange tissue of improbabilities strung together with the ingenuity of a born meddler in plots and mysteries, and it was with a feeling of weariness that he crossed Shaftesbury Avenue, and dived into the recesses of Soho, for his lodgings were in a modest neighbourhood to the north of Oxford Street. As he walked he speculated on the probable fate of Dyson, relying on literature, unbefriended by a thoughtful relative, and could not help concluding that so much subtlety united to a too vivid imagination would in all likelihood have been rewarded with a pair of sandwich-boards or a super's banner. Absorbed in this train of thought, and admiring the perverse dexterity which could transmute the face of a sickly woman and a case of brain disease into the crude elements of romance, Salisbury strayed on through the dimly-lighted streets, not noticing the gusty wind which drove sharply round corners and whirled the stray rubbish of the pavement into the air in eddies, while black clouds gathered over the sickly yellow moon. Even a stray drop or two of rain blown into his face did not rouse him from his meditations, and it was only when with a sudden rush the storm tore down upon the street that he began to consider the expediency of finding some shelter. The rain, driven by the wind, pelted down with the violence of a thunderstorm, dashing up from the stones and hissing through the air, and soon a perfect torrent of water coursed along the kennels and accumulated in pools over the choked-up drains. The few stray passengers who had been loafing rather than walking about the street had scuttered away, like frightened rabbits, to some invisible places of refuge, and though Salisbury whistled loud and long for a hansom, no hansom appeared. He looked about him, as if to discover how far he might be from the haven of Oxford Street, but strolling carelessly along, he had turned out of his way, and found himself in an unknown region, and one to all appearance devoid even of a public-house where shelter could be bought for the modest sum of twopence. The street lamps were few and at long intervals, and burned behind grimy glasses with the sickly light of oil, and by this wavering glimmer Salisbury could make out the shadowy and vast old houses of which the street was composed. As he passed along, hurrying, and shrinking from the full sweep of the rain, he noticed the innumerable bell-handles, with names that seemed about to vanish of old age graven on brass plates beneath them, and here and there a richly carved penthouse overhung the door, blackening with the grime of fifty years. The storm seemed to grow more and more furious; he was wet through, and a new hat had become a ruin, and still Oxford Street seemed as far off as ever; it was with deep relief that the dripping man caught sight of a dark archway which seemed to promise shelter from the rain if not from the wind. Salisbury took up his position in the driest corner and looked about him; he was standing in a kind of passage contrived under part of a house, and behind him stretched a narrow footway leading between blank walls to regions unknown. He had stood there for some time, vainly endeavouring to rid himself of some of his superfluous moisture, and listening for the passing wheel of a hansom, when his attention was aroused by a loud noise coming from the direction of the passage behind, and growing louder as it drew nearer. In a couple of minutes he could make out the shrill, raucous voice of a woman, threatening and renouncing and making the very stones echo with her accents, while now and then a man grumbled and expostulated. Though to all appearance devoid of romance, Salisbury had some relish for street rows, and was, indeed, somewhat of an amateur in the more amusing phases of drunkenness; he therefore composed himself to listen and observe with something of the air of a subscriber to grand opera. To his annoyance, however, the tempest seemed suddenly to be composed, and he could hear nothing but the impatient steps of the woman and the slow lurch of the man as they came towards him. Keeping back in the shadow of the wall, he could see the two drawing nearer; the man was evidently drunk, and had much ado to avoid frequent collision with the wall as he tacked across from one side to the other, like some bark beating up against a wind. The woman was looking straight in front of her, with tears streaming from her blazing eyes, but suddenly as they went by the flame blazed up again, and she burst forth into a torrent of abuse, facing round upon her companion.

'You low rascal, you mean, contemptible cur,' she went on, after an incoherent storm of curses, 'you think I'm to work and slave for you always, I suppose, while you're after that Green Street girl and drinking every penny you've got? But you're mistaken, Sam--indeed, I'll bear it no longer. Damn you, you dirty thief, I've done with you and your master too, so you can go your own errands, and I only hope they'll get you into trouble.'

The woman tore at the bosom of her dress, and taking something out that looked like paper, crumpled it up and flung it away. It fell at Salisbury's feet. She ran out and disappeared in the darkness, while the man lurched slowly into the street, grumbling indistinctly to himself in a perplexed tone of voice. Salisbury looked out after him, and saw him maundering along the pavement, halting now and then and swaying indecisively, and then starting off at some fresh tangent. The sky had cleared, and white fleecy clouds were fleeting across the moon, high in the heaven. The light came and went by turns, as the clouds passed by, and, turning round as the clear, white rays shone into the passage, Salisbury saw the little ball of crumpled paper which the woman had cast down. Oddly curious to know what it might contain, he picked it up and put it in his pocket, and set out afresh on his journey.

III

Salisbury was a man of habit. When he got home, drenched to the skin, his clothes hanging lank about him, and a ghastly dew besmearing his hat, his only thought was of his health, of which he took studious care. So, after changing his clothes and encasing himself in a warm dressing-gown, he proceeded to prepare a sudorific in the shape of hot gin and water, warming the latter over one of those spirit-lamps which mitigate the austerities of the modern hermit's life. By the time this preparation had been exhibited, and Salisbury's disturbed feelings had been soothed by a pipe of tobacco, he was able to get into bed in a happy state of vacancy, without a thought of his adventure in the dark archway, or of the weird fancies with which Dyson had seasoned his dinner. It was the same at breakfast the next morning, for Salisbury made a point of not thinking of anything until that meal was over; but when the cup and saucer were cleared away, and the morning pipe was lit, he remembered the little ball of paper, and began fumbling in the pockets of his wet coat. He did not remember into which pocket he had put it, and as he dived now into one and now into another, he experienced a strange feeling of apprehension lest it should not be there at all, though he could not for the life of him have explained the importance he attached to what was in all probability mere rubbish. But he sighed with relief when his fingers touched the crumpled surface in an inside pocket, and he drew it out gently and laid it on the little desk by his easy chair with as much care as if it had been some rare jewel. Salisbury sat smoking and staring at his find for a few minutes, an odd temptation to throw the thing in the fire and have done with it struggling with as odd a speculation as to its possible contents, and as to the reason why the infuriated woman should have flung a bit of paper from her with such vehemence. As might be expected, it was the latter feeling that conquered in the end, and yet it was with something like repugnance that he at last took the paper and unrolled it, and laid it out before him. It was a piece of common dirty paper, to all appearance torn out of a cheap exercise-book, and in the middle were a few lines written in a queer cramped hand. Salisbury bent his head and stared eagerly at it for a moment, drawing a long breath, and then fell back in his chair gazing blankly before him, till at last with a sudden revulsion he burst into a peal of laughter, so long and loud and uproarious that the landlady's baby in the floor below awoke from sleep and echoed his mirth with hideous yells. But he laughed again and again, and took the paper up to read a second time what seemed such meaningless nonsense.

'Q. has had to go and see his friends in Paris,' it began. 'Traverse Handel S. "Once around the grass, and twice around the lass, and thrice around the maple-tree."'

Salisbury took up the paper and crumpled it as the angry woman had done, and aimed it at the fire. He did not throw it there, however, but tossed it carelessly into the well of the desk, and laughed again. The sheer folly of the thing offended him, and he was ashamed of his own eager speculation, as one who pores over the high-sounding announcements in the agony column of the daily paper, and finds nothing but advertisement and triviality. He walked to the window, and stared out at the languid morning life of his quarter; the maids in slatternly print dresses washing door-steps, the fish-monger and the butcher on their rounds, and the tradesmen standing at the doors of their small shops, drooping for lack of trade and excitement. In the distance a blue haze gave some grandeur to the prospect, but the view as a whole was depressing, and would only have interested a student of the life of London, who finds something rare and choice in its every aspect. Salisbury turned away in disgust, and settled himself in the easy-chair, upholstered in a bright shade of green, and decked with yellow gimp, which was the pride and attraction of the apartments. Here he composed himself to his morning's occupation--the perusal of a novel that dealt with sport and love in a manner that suggested the collaboration of a stud-groom and a ladies' college. In an ordinary way, however, Salisbury would have been carried on by the interest of the story up to lunch-time, but this morning he fidgeted in and out of his chair, took the book up and laid it down again, and swore at last to himself and at himself in mere irritation.

In point of fact the jingle of the paper found in the archway had 'got into his head,' and do what he would he could not help muttering over and over, 'Once around the grass, and twice around the lass, and thrice around the maple-tree.' It became a positive pain, like the foolish burden of a music-hall song, everlastingly quoted, and sung at all hours of the day and night, and treasured by the street boys as an unfailing resource for six months together. He went out into the streets, and tried to forget his enemy in the jostling of the crowds and the roar and clatter of the traffic, but presently he would find himself stealing quietly aside, and pacing some deserted byway, vainly puzzling his brains, and trying to fix some meaning to phrases that were meaningless. It was a positive relief when Thursday came, and he remembered that he had made an appointment to go and see Dyson; the flimsy reveries of the self-styled man of letters appeared entertaining when compared with this ceaseless iteration, this maze of thought from which there seemed no possibility of escape. Dyson's abode was in one of the quietest of the quiet streets that lead down from the Strand to the river, and when Salisbury passed from the narrow stairway into his friend's room, he saw that the uncle had been beneficent indeed. The floor glowed and flamed with all the colours of the East; it was, as Dyson pompously remarked, 'a sunset in a dream,' and the lamplight, the twilight of London streets, was shut out with strangely worked curtains, glittering here and there with threads of gold. In the shelves of an oak _armoire_ stood jars and plates of old French china, and the black and white of etchings not to be found in the Haymarket or in Bond Street, stood out against the splendour of a Japanese paper. Salisbury sat down on the settle by the hearth, and sniffed and mingled fumes of incense and tobacco, wondering and dumb before all this splendour after the green rep and the oleographs, the gilt-framed mirror, and the lustres of his own apartment.

'I am glad you have come,' said Dyson. 'Comfortable little room, isn't it? But you don't look very well, Salisbury. Nothing disagreed with you, has it?'

'No; but I have been a good deal bothered for the last few days. The fact is I had an odd kind of--of--adventure, I suppose I may call it, that night I saw you, and it has worried me a good deal. And the provoking part of it is that it's the merest nonsense--but, however, I will tell you all about it, by and by. You were going to let me have the rest of that odd story you began at the restaurant.'

'Yes. But I am afraid, Salisbury, you are incorrigible. You are a slave to what you call matter of fact. You know perfectly well that in your heart you think the oddness in that case is of my making, and that it is all really as plain as the police reports. However, as I have begun, I will go on. But first we will have something to drink, and you may as well light your pipe.'

Dyson went up to the oak cupboard, and drew from its depths a rotund bottle and two little glasses, quaintly gilded.

'It's Benedictine,' he said. 'You'll have some, won't you?'

Salisbury assented, and the two men sat sipping and smoking reflectively for some minutes before Dyson began.

'Let me see,' he said at last, 'we were at the inquest, weren't we? No, we had done with that. Ah, I remember. I was telling you that on the whole I had been successful in my inquiries, investigation, or whatever you like to call it, into the matter. Wasn't that where I left off?'

'Yes, that was it. To be precise, I think "though" was the last word you said on the matter.'

'Exactly. I have been thinking it all over since the other night, and I have come to the conclusion that that "though" is a very big "though" indeed. Not to put too fine a point on it, I have had to confess that what I found out, or thought I found out, amounts in reality to nothing. I am as far away from the heart of the case as ever. However, I may as well tell you what I do know. You may remember my saying that I was impressed a good deal by some remarks of one of the doctors who gave evidence at the inquest. Well, I determined that my first step must be to try if I could get something more definite and intelligible out of that doctor. Somehow or other I managed to get an introduction to the man, and he gave me an appointment to come and see him.

'He turned out to be a pleasant, genial fellow; rather young and not in the least like the typical medical man, and he began the conference by offering me whisky and cigars. I didn't think it worth while to beat about the bush, so I began by saying that part of his evidence at the Harlesden inquest struck me as very peculiar, and I gave him the printed report, with the sentences in question underlined. He just glanced at the slip, and gave me a queer look.

'"It struck you as peculiar, did it?" said he. "Well, you must remember that the Harlesden case was very peculiar. In fact, I think I may safely say that in some features it was unique--quite unique."

'"Quite so," I replied, "and that's exactly why it interests me, and why I want to know more about it. And I thought that if anybody could give me any information it would be you. What is your opinion of the matter?"

'It was a pretty downright sort of question, and my doctor looked rather taken aback.

'"Well," he said, "as I fancy your motive in inquiring into the question must be mere curiosity, I think I may tell you my opinion with tolerable freedom. So, Mr. Dyson? if you want to know my theory, it is this: I believe that Dr. Black killed his wife."

'"But the verdict," I answered, "the verdict was given from your own evidence."

'"Quite so; the verdict was given in accordance with the evidence of my colleague and myself, and, under the circumstances, I think the jury acted very sensibly. In fact, I don't see what else they could have done. But I stick to my opinion, mind you, and I say this also. I don't wonder at Black's doing what I firmly believe he did. I think he was justified."

'"Justified! How could that be?" I asked. I was astonished, as you may imagine, at the answer I had got. The doctor wheeled round his chair and looked steadily at me for a moment before he answered.

'"I suppose you are not a man of science yourself? No; then it would be of no use my going into detail. I have always been firmly opposed myself to any partnership between physiology and psychology. I believe that both are bound to suffer. No one recognizes more decidedly than I do the impassable gulf, the fathomless abyss that separates the world of consciousness from the sphere of matter. We know that every change of consciousness is accompanied by a rearrangement of the molecules in the grey matter; and that is all. What the link between them is, or why they occur together, we do not know, and the most authorities believe that we never can know. Yet, I will tell you that as I did my work, the knife in my hand, I felt convinced, in spite of all theories, that what lay before me was not the brain of a dead woman--not the brain of a human being at all. Of course I saw the face; but it was quite placid, devoid of all expression. It must have been a beautiful face, no doubt, but I can honestly say that I would not have looked in that face when there was life behind it for a thousand guineas, no, nor for twice that sum."'

'"My dear sir," I said, "you surprise me extremely. You say that it was not the brain of a human being. What was it, then?"

'"The brain of a devil." He spoke quite coolly, and never moved a muscle. "The brain of a devil," he repeated, "and I have no doubt that Black found some way of putting an end to it. I don't blame him if he did. Whatever Mrs. Black was, she was not fit to stay in this world. Will you have anything more? No? Good-night, good-night."

'It was a queer sort of opinion to get from a man of science, wasn't it? When he was saying that he would not have looked on that face when alive for a thousand guineas, or two thousand guineas, I was thinking of the face I had seen, but I said nothing. I went again to Harlesden, and passed from one shop to another, making small purchases, and trying to find out whether there was anything about the Blacks which was not already common property, but there was very little to hear. One of the tradesmen to whom I spoke said he had known the dead woman well; she used to buy of him such quantities of grocery as were required for their small household, for they never kept a servant, but had a charwoman in occasionally, and she had not seen Mrs. Black for months before she died. According to this man Mrs. Black was "a nice lady," always kind and considerate, and so fond of her husband and he of her, as everyone thought. And yet, to put the doctor's opinion on one side, I knew what I had seen. And then after thinking it over, and putting one thing with another, it seemed to me that the only person likely to give me much assistance would be Black himself, and I made up my mind to find him. Of course he wasn't to be found in Harlesden; he had left, I was told, directly after the funeral. Everything in the house had been sold, and one fine day Black got into the train with a small portmanteau, and went, nobody knew where. It was a chance if he were ever heard of again, and it was by a mere chance that I came across him at last. I was walking one day along Gray's Inn Road, not bound for anywhere in particular, but looking about me, as usual, and holding on to my hat, for it was a gusty day in early March, and the wind was making the treetops in the Inn rock and quiver. I had come up from the Holborn end, and I had almost got to Theobald's Road when I noticed a man walking in front of me, leaning on a stick, and to all appearance very feeble. There was something about his look that made me curious, I don't know why, and I began to walk briskly with the idea of overtaking him, when of a sudden his hat blew off and came bounding along the pavement to my feet. Of course I rescued the hat, and gave it a glance as I went towards its owner. It was a biography in itself; a Piccadilly maker's name in the inside, but I don't think a beggar would have picked it out of the gutter. Then I looked up and saw Dr. Black of Harlesden waiting for me. A queer thing, wasn't it? But, Salisbury, what a change! When I saw Dr. Black come down the steps of his house at Harlesden he was an upright man, walking firmly with well-built limbs; a man, should say, in the prime of his life. And now before me there crouched this wretched creature, bent and feeble, with shrunken cheeks, and hair that was whitening fast, and limbs that trembled and shook together, and misery in his eyes. He thanked me for bringing him his hat, saying, "I don't think I should ever have got it, I can't run much now. A gusty day, sir, isn't it?" and with this he was turning away, but by little and little I contrived to draw him into the current of conversation, and we walked together eastward. I think the man would have been glad to get rid of me; but I didn't intend to let him go, and he stopped at last in front of a miserable house in a miserable street. It was, I verily believe, one of the most wretched quarters I have ever seen: houses that must have been sordid and hideous enough when new, that had gathered foulness with every year, and now seemed to lean and totter to their fall. "I live up there," said Black, pointing to the tiles, "not in the front--in the back. I am very quiet there. I won't ask you to come in now, but perhaps some other day----" I caught him up at that, and told him I should be only too glad to come and see him. He gave me an odd sort of glance, as if he were wondering what on earth I or anybody else could care about him, and I left him fumbling with his latch-key. I think you will say I did pretty well when I tell you that within a few weeks I had made myself an intimate friend of Black's. I shall never forget the first time I went to his room; I hope I shall never see such abject, squalid misery again. The foul paper, from which all pattern or trace of a pattern had long vanished, subdued and penetrated with the grime of the evil street, was hanging in mouldering pennons from the wall. Only at the end of the room was it possible to stand upright, and the sight of the wretched bed and the odour of corruption that pervaded the place made me turn faint and sick. Here I found him munching a piece of bread; he seemed surprised to find that I had kept my promise, but he gave me his chair and sat on the bed while we talked. I used to go to see him often, and we had long conversations together, but he never mentioned Harlesden or his wife. I fancy that he supposed me ignorant of the matter, or thought that if I had heard of it, I should never connect the respectable Dr. Black of Harlesden with a poor garreteer in the backwoods of London. He was a strange man, and as we sat together smoking, I often wondered whether he were mad or sane, for I think the wildest dreams of Paracelsus and the Rosicrucians would appear plain and sober fact compared with the theories I have heard him earnestly advance in that grimy den of his. I once ventured to hint something of the sort to him. I suggested that something he had said was in flat contradiction to all science and all experience. "No," he answered, "not all experience, for mine counts for something. I am no dealer in unproved theories; what I say I have proved for myself, and at a terrible cost. There is a region of knowledge which you will never know, which wise men seeing from afar off shun like the plague, as well they may, but into that region I have gone. If you knew, if you could even dream of what may be done, of what one or two men have done in this quiet world of ours, your very soul would shudder and faint within you. What you have heard from me has been but the merest husk and outer covering of true science--that science which means death, and that which is more awful than death, to those who gain it. No, when men say that there are strange things in the world, they little know the awe and the terror that dwell always with them and about them." There was a sort of fascination about the man that drew me to him, and I was quite sorry to have to leave London for a month or two; I missed his odd talk. A few days after I came back to town I thought I would look him up, but when I gave the two rings at the bell that used to summon him, there was no answer. I rang and rang again, and was just turning to go away, when the door opened and a dirty woman asked me what I wanted. From her look I fancy she took me for a plain-clothes officer after one of her lodgers, but when I inquired if Mr. Black were in, she gave me a stare of another kind. "There's no Mr. Black lives here," she said. "He's gone. He's dead this six weeks. I always thought he was a bit queer in his head, or else had been and got into some trouble or other. He used to go out every morning from ten till one, and one Monday morning we heard him come in, and go into his room and shut the door, and a few minutes after, just as we was a-sitting down to our dinner, there was such a scream that I thought I should have gone right off. And then we heard a stamping, and down he came, raging and cursing most dreadful, swearing he had been robbed of something that was worth millions. And then he just dropped down in the passage, and we thought he was dead. We got him up to his room, and put him on his bed, and I just sat there and waited, while my 'usband he went for the doctor. And there was the winder wide open, and a little tin box he had lying on the floor open and empty, but of course nobody could possible have got in at the winder, and as for him having anything that was worth anything, it's nonsense, for he was often weeks and weeks behind with his rent, and my 'usband he threatened often and often to turn him into the street, for, as he said, we've got a living to myke like other people--and, of course, that's true; but, somehow, I didn't like to do it, though he was an odd kind of a man, and I fancy had been better off. And then the doctor came and looked at him, and said as he couldn't do nothing, and that night he died as I was a-sitting by his bed; and I can tell you that, with one thing and another, we lost money by him, for the few bits of clothes as he had were worth next to nothing when they came to be sold." I gave the woman half a sovereign for her trouble, and went home thinking of Dr. Black and the epitaph she had made him, and wondering at his strange fancy that he had been robbed. I take it that he had very little to fear on that score, poor fellow; but I suppose that he was really mad, and died in a sudden access of his mania. His landlady said that once or twice when she had had occasion to go into his room (to dun the poor wretch for his rent, most likely), he would keep her at the door for about a minute, and that when she came in she would find him putting away his tin box in the corner by the window; I suppose he had become possessed with the idea of some great treasure, and fancied himself a wealthy man in the midst of all his misery. _Explicit_, my tale is ended, and you see that though I knew Black, I knew nothing of his wife or of the history of her death--That's the Harlesden case, Salisbury, and I think it interests me all the more deeply because there does not seem the shadow of a possibility that I or any one else will ever know more about it. What do you think of it?'

'Well, Dyson, I must say that I think you have contrived to surround the whole thing with a mystery of your own making. I go for the doctor's solution: Black murdered his wife, being himself in all probability an undeveloped lunatic.'

'What? Do you believe, then, that this woman was something too awful, too terrible to be allowed to remain on the earth? You will remember that the doctor said it was the brain of a devil?'

'Yes, yes, but he was speaking, of course, metaphorically. It's really quite a simple matter if you only look at it like that.'

'Ah, well, you may be right; but yet I am sure you are not. Well, well, it's not good discussing it any more. A little more Benedictine? That's right; try some of this tobacco. Didn't you say that you had been bothered by something--something which happened that night we dined together?'

'Yes, I have been worried, Dyson, worried a great deal. I----But it's such a trivial matter--indeed, such an absurdity--that I feel ashamed to trouble you with it.'

'Never mind, let's have it, absurd or not.'

With many hesitations, and with much inward resentment of the folly of the thing, Salisbury told his tale, and repeated reluctantly the absurd intelligence and the absurder doggerel of the scrap of paper, expecting to hear Dyson burst out into a roar of laughter.

'Isn't it too bad that I should let myself be bothered by such stuff as that?' he asked, when he had stuttered out the jingle once, and twice, and thrice.

Dyson had listened to it all gravely, even to the end, and meditated for a few minutes in silence.

'Yes,' he said at length, 'it was a curious chance, your taking shelter in that archway just as those two went by. But I don't know that I should call what was written on the paper nonsense; it is bizarre certainly but I expect it has a meaning for somebody. Just repeat it again, will you, and I will write it down. Perhaps we might find a cipher of some sort, though I hardly think we shall.'

Again had the reluctant lips of Salisbury slowly to stammer out the rubbish that he abhorred, while Dyson jotted it down on a slip of paper.

'Look over it, will you?' he said, when it was done; 'it may be important that I should have every word in its place. Is that all right?'

'Yes; that is an accurate copy. But I don't think you will get much out of it. Depend upon it, it is mere nonsense, a wanton scribble. I must be going now, Dyson. No, no more; that stuff of yours is pretty strong. Good-night.'

'I suppose you would like to hear from me, if I did find out anything?'

'No, not I; I don't want to hear about the thing again. You may regard the discovery, if it is one, as your own.'

'Very well. Good-night.'

IV

A good many hours after Salisbury had returned to the company of the green rep chairs, Dyson still sat at his desk, itself a Japanese romance, smoking many pipes, and meditating over his friend's story. The bizarre quality of the inscription which had annoyed Salisbury was to him an attraction, and now and again he took it up and scanned thoughtfully what he had written, especially the quaint jingle at the end. It was a token, a symbol, he decided, and not a cipher, and the woman who had flung it away was in all probability entirely ignorant of its meaning; she was but the agent of the 'Sam' she had abused and discarded, and he too was again the agent of some one unknown; possibly of the individual styled Q, who had been forced to visit his French friends. But what to make of 'Traverse Handel S.' Here was the root and source of the enigma, and not all the tobacco of Virginia seemed likely to suggest any clue here. It seemed almost hopeless, but Dyson regarded himself as the Wellington of mysteries, and went to bed feeling assured that sooner or later he would hit upon the right track. For the next few days he was deeply engaged in his literary labours, labours which were a profound mystery even to the most intimate of his friends, who searched the railway bookstalls in vain for the result of so many hours spent at the Japanese bureau in company with strong tobacco and black tea. On this occasion Dyson confined himself to his room for four days, and it was with genuine relief that he laid down his pen and went out into the streets in quest of relaxation and fresh air. The gas-lamps were being lighted, and the fifth edition of the evening papers was being howled through the streets, and Dyson, feeling that he wanted quiet, turned away from the clamorous Strand, and began to trend away to the north-west. Soon he found himself in streets that echoed to his footsteps, and crossing a broad new thoroughfare, and verging still to the west, Dyson discovered that he had penetrated to the depths of Soho. Here again was life; rare vintages of France and Italy, at prices which seemed contemptibly small, allured the passer-by; here were cheeses, vast and rich, here olive oil, and here a grove of Rabelaisian sausages; while in a neighbouring shop the whole Press of Paris appeared to be on sale. In the middle of the roadway a strange miscellany of nations sauntered to and fro, for there cab and hansom rarely ventured; and from window over window the inhabitants looked forth in pleased contemplation of the scene. Dyson made his way slowly along, mingling with the crowd on the cobble-stones, listening to the queer babel of French and German, and Italian and English, glancing now and again at the shop windows with their levelled batteries of bottles, and had almost gained the end of the street, when his attention was arrested by a small shop at the corner, a vivid contrast to its neighbours. It was the typical shop of the poor quarter; a shop entirely English. Here were vended tobacco and sweets, cheap pipes of clay and cherry-wood; penny exercise-books and pen-holders jostled for precedence with comic songs, and story papers with appalling cuts showed that romance claimed its place beside the actualities of the evening paper, the bills of which fluttered at the doorway. Dyson glanced up at the name above the door, and stood by the kennel trembling, for a sharp pang, the pang of one who has made a discovery, had for a moment left him incapable of motion. The name over the shop was Travers. Dyson looked up again, this time at the corner of the wall above the lamppost, and read in white letters on a blue ground the words 'Handel Street, W.C.' and the legend was repeated in fainter letters just below. He gave a little sigh of satisfaction, and without more ado walked boldly into the shop, and stared full in the face of the fat man who was sitting behind the counter. The fellow rose to his feet, and returned the stare a little curiously, and then began in stereotyped phrase--

'What can I do for you, sir?'

Dyson enjoyed the situation and a dawning perplexity on the man's face. He propped his stick carefully against the counter and leaning over it, said slowly and impressively--

'Once around the grass, and twice around the lass, and thrice around the maple-tree.'

Dyson had calculated on his words producing an effect, and he was not disappointed. The vendor of the miscellanies gasped, open-mouthed like a fish, and steadied himself against the counter. When he spoke, after a short interval, it was in a hoarse mutter, tremulous and unsteady.

'Would you mind saying that again, sir? I didn't quite catch it.'

'My good man, I shall most certainly do nothing of the kind. You heard what I said perfectly well. You have got a clock in your shop, I see; an admirable time-keeper, I have no doubt. Well, I give you a minute by your own clock.'

The man looked about him in a perplexed indecision, and Dyson felt that it was time to be bold.

'Look here, Travers, the time is nearly up. You have heard of Q, I think. Remember, I hold your life in my hands. Now!'

Dyson was shocked at the result of his own audacity. The man shrank and shrivelled in terror, the sweat poured down a face of ashy white, and he held up his hands before him.

'Mr. Davies, Mr. Davies, don't say that--don't for Heaven's sake. I didn't know you at first, I didn't indeed. Good God! Mr. Davies, you wouldn't ruin me? I'll get it in a moment.'

'You had better not lose any more time.'

The man slunk piteously out of his own shop, and went into a back parlour. Dyson heard his trembling fingers fumbling with a bunch of keys, and the creak of an opening box. He came back presently with a small package neatly tied up in brown paper in his hands, and still, full of terror, handed it to Dyson.

'I'm glad to be rid of it,' he said. 'I'll take no more jobs of this sort.'

Dyson took the parcel and his stick, and walked out of the shop with a nod, turning round as he passed the door. Travers had sunk into his seat, his face still white with terror, with one hand over his eyes, and Dyson speculated a good deal as he walked rapidly away as to what queer chords those could be on which he had played so roughly. He hailed the first hansom he could see and drove home, and when he had lit his hanging lamp, and laid his parcel on the table, he paused for a moment, wondering on what strange thing the lamplight would soon shine. He locked his door, and cut the strings, and unfolded the paper layer after layer, and came at last to a small wooden box, simply but solidly made. There was no lock, and Dyson had simply to raise the lid, and as he did so he drew a long breath and started back. The lamp seemed to glimmer feebly like a single candle, but the whole room blazed with light--and not with light alone, but with a thousand colours, with all the glories of some painted window; and upon the walls of his room and on the familiar furniture, the glow flamed back and seemed to flow again to its source, the little wooden box. For there upon a bed of soft wool lay the most splendid jewel, a jewel such as Dyson had never dreamed of, and within it shone the blue of far skies, and the green of the sea by the shore, and the red of the ruby, and deep violet rays, and in the middle of all it seemed aflame as if a fountain of fire rose up, and fell, and rose again with sparks like stars for drops. Dyson gave a long deep sigh, and dropped into his chair, and put his hands over his eyes to think. The jewel was like an opal, but from a long experience of the shop-windows he knew there was no such thing as an opal one-quarter or one-eighth of its size. He looked at the stone again, with a feeling that was almost awe, and placed it gently on the table under the lamp, and watched the wonderful flame that shone and sparkled in its centre, and then turned to the box, curious to know whether it might contain other marvels. He lifted the bed of wool on which the opal had reclined, and saw beneath, no more jewels, but a little old pocket-book, worn and shabby with use. Dyson opened it at the first leaf, and dropped the book again appalled. He had read the name of the owner, neatly written in blue ink:

STEVEN BLACK, M.D., Oranmore, Devon Road, Harlesden.

It was several minutes before Dyson could bring himself to open the book a second time; he remembered the wretched exile in his garret; and his strange talk, and the memory too of the face he had seen at the window, and of what the specialist had said, surged up in his mind, and as he held his finger on the cover, he shivered, dreading what might be written within. When at last he held it in his hand, and turned the pages, he found that the first two leaves were blank, but the third was covered with clear, minute writing, and Dyson began to read with the light of the opal flaming in his eyes.

V

'Ever since I was a young man'--the record began--'I devoted all my leisure and a good deal of time that ought to have been given to other studies to the investigation of curious and obscure branches of knowledge. What are commonly called the pleasures of life had never any attractions for me, and I lived alone in London, avoiding my fellow students, and in my turn avoided by them as a man self-absorbed and unsympathetic. So long as I could gratify my desire of knowledge of a peculiar kind, knowledge of which the very existence is a profound secret to most men, I was intensely happy, and I have often spent whole nights sitting in the darkness of my room, and thinking of the strange world on the brink of which I trod. My professional studies, however, and the necessity of obtaining a degree, for some time forced my more obscure employment into the background, and soon after I had qualified I met Agnes, who became my wife. We took a new house in this remote suburb, and I began the regular routine of a sober practice, and for some months lived happily enough, sharing in the life about me, and only thinking at odd intervals of that occult science which had once fascinated my whole being. I had learnt enough of the paths I had begun to tread to know that they were beyond all expression difficult and dangerous, that to persevere meant in all probability the wreck of a life, and that they led to regions so terrible, that the mind of man shrinks appalled at the very thought. Moreover, the quiet and the peace I had enjoyed since my marriage had wiled me away to a great extent from places where I knew no peace could dwell. But suddenly--I think indeed it was the work of a single night, as I lay awake on my bed gazing into the darkness--suddenly, I say, the old desire, the former longing, returned, and returned with a force that had been intensified ten times by its absence; and when the day dawned and I looked out of the window, and saw with haggard eyes the sunrise in the east, I knew that my doom had been pronounced; that as I had gone far, so now I must go farther with unfaltering steps. I turned to the bed where my wife was sleeping peacefully, and lay down again, weeping bitter tears, for the sun had set on our happy life and had risen with a dawn of terror to us both. I will not set down here in minute detail what followed; outwardly I went about the day's labour as before, saying nothing to my wife. But she soon saw that I had changed; I spent my spare time in a room which I had fitted up as a laboratory, and often I crept upstairs in the grey dawn of the morning, when the light of many lamps still glowed over London; and each night I had stolen a step nearer to that great abyss which I was to bridge over, the gulf between the world of consciousness and the world of matter. My experiments were many and complicated in their nature, and it was some months before I realised whither they all pointed, and when this was borne in upon me in a moment's time, I felt my face whiten and my heart still within me. But the power to draw back, the power to stand before the doors that now opened wide before me and not to enter in, had long ago been absent; the way was closed, and I could only pass onward. My position was as utterly hopeless as that of the prisoner in an utter dungeon, whose only light is that of the dungeon above him; the doors were shut and escape was impossible. Experiment after experiment gave the same result, and I knew, and shrank even as the thought passed through my mind, that in the work I had to do there must be elements which no laboratory could furnish, which no scales could ever measure. In that work, from which even I doubted to escape with life, life itself must enter; from some human being there must be drawn that essence which men call the soul, and in its place (for in the scheme of the world there is no vacant chamber)--in its place would enter in what the lips can hardly utter, what the mind cannot conceive without a horror more awful than the horror of death itself. And when I knew this, I knew also on whom this fate would fall; I looked into my wife's eyes. Even at that hour, if I had gone out and taken a rope and hanged myself, I might have escaped, and she also, but in no other way. At last I told her all. She shuddered, and wept, and called on her dead mother for help, and asked me if I had no mercy, and I could only sigh. I concealed nothing from her; I told her what she would become, and what would enter in where her life had been; I told her of all the shame and of all the horror. You who will read this when I am dead--if indeed I allow this record to survive--you who have opened the box and have seen what lies there, if you could understand what lies hidden in that opal! For one night my wife consented to what I asked of her, consented with the tears running down her beautiful face, and hot shame flushing red over her neck and breast, consented to undergo this for me. I threw open the window, and we looked together at the sky and the dark earth for the last time; it was a fine star-light night, and there was a pleasant breeze blowing: and I kissed her on her lips, and her tears ran down upon my face. That night she came down to my laboratory, and there, with shutters bolted and barred down, with curtains drawn thick and close, so that the very stars might be shut out from the sight of that room, while the crucible hissed and boiled over the lamp, I did what had to be done, and led out what was no longer a woman. But on the table the opal flamed and sparkled with such light as no eyes of man have ever gazed on, and the rays of the flame that was within it flashed and glittered, and shone even to my heart. My wife had only asked one thing of me; that when there came at last what I had told her, I would kill her. I have kept that promise.'

There was nothing more. Dyson let the little pocket-book fall, and turned and looked again at the opal with its flaming inmost light, and then with unutterable irresistible horror surging up in his heart, grasped the jewel, and flung it on the ground, and trampled it beneath his heel. His face was white with terror as he turned away, and for a moment stood sick and trembling, and then with a start he leapt across the room and steadied himself against the door. There was an angry hiss, as of steam escaping under great pressure, and as he gazed, motionless, a volume of heavy yellow smoke was slowly issuing from the very centre of the jewel, and wreathing itself in snakelike coils above it. And then a thin white flame burst forth from the smoke, and shot up into the air and vanished; and on the ground there lay a thing like a cinder, black and crumbling to the touch.

* *

THE SHINING PYRAMID

1. The Arrow-head Character

"Haunted, you said?"

"Yes, haunted. Don't you remember, when I saw you three years ago, you told me about your place in the west with the ancient woods hanging all about it, and the wild, domed hills, and the ragged land? It has always remained a sort of enchanted picture in my mind as I sit at my desk and hear the traffic rattling in the Street in the midst of whirling London. But when did you come up?"

"The fact is, Dyson, I have only just got out of the train. I drove to the station early this morning and caught the 10.45."

"Well, I am very glad you looked in on me. How have you been getting on since we last met? There is no Mrs. Vaughan, I suppose?"

"No," said Vaughan, "I am still a hermit, like yourself. I have done nothing but loaf about."

Vaughan had lit his pipe and sat in the elbow chair, fidgeting and glancing about him in a somewhat dazed and restless manner. Dyson had wheeled round his chair when his visitor entered and sat with one arm fondly reclining on the desk of his bureau, and touching the litter of manuscript.

"And you are still engaged in the old task?" said Vaughan, pointing to the pile of papers and the teeming pigeon-holes.

"Yes, the vain pursuit of literature, as idle as alchemy, and as entrancing. But you have come to town for some time I suppose; what shall we do to-night?"

"Well. I rather wanted you to try a few days with me down in the west. It would do you a lot of good. I'm sure."

"You are very kind, Vaughan, but London in September is hard to leave. Dore could not have designed anything more wonderful and mystic than Oxford Street as I saw it the other evening; the sunset flaming, the blue haze transmuting the plain street into a road 'far in the spiritual city.'"

"I should like you to come down though. You would enjoy roaming over our hills. Does this racket go on all day and night? It quite bewilders me; I wonder how you can work through it. I am sure you would revel in the great peace of my old home among the woods."

Vaughan lit his pipe again, and looked anxiously at Dyson to see if his inducements had had any effect, but the man of letters shook his head, smiling, and vowed in his heart a firm allegiance to the streets.

"You cannot tempt me," he said.

'Well, you may be right. Perhaps, after all, I was wrong to speak of the peace of the country. There, when a tragedy does occur, it is like a stone thrown into a pond; the circles of disturbance keep on widening, and it seems as if the water would never be still again."

"Have you ever any tragedies where you are?"

"I can hardly say that. But I was a good deal disturbed about a month ago by something that happened; it may or may not have been a tragedy in the usual sense of the word."

"What was the occurrence?"

"Well, the fact is a girl disappeared in a way which seems highly mysterious. Her parents, people of the name of Trevor, are well-to-do farmers, and their eldest daughter Annie was a sort of village beauty; she was really remarkably handsome. One afternoon she thought she would go and see her aunt, a widow who farms her own land, and as the two houses are only about five or six miles apart, she started off, telling her parents she would take the short cut over the hills. She never got to her aunt's, and she never was seen again. That's putting it in a few words."

"What an extraordinary thing! I suppose there are no disused mines, are there, on the hills? I don't think you quite run to anything so formidable as a precipice?"

"No; the path the girl must have taken had no pitfalls of any description; it is just a track over wild, bare hillside, far, even from a byroad. One may walk for miles without meeting a soul, but it is perfectly safe."

"And what do people say about it?"

"Oh, they talk nonsense--among themselves. You have no notion as to how superstitious English cottagers are in out-of-the-way parts like mine. They are as bad as the Irish, every whit, and even more secretive."

"But what do they say?"

"Oh, the poor girl is supposed to have 'gone with the fairies,' or to have been 'taken by the fairies.' Such stuff!" he went on, "one would laugh if it were not for the real tragedy of the case."

Dyson looked somewhat interested.

"Yes," he said, "'fairies' certainly strike a little curiously on the ear in these days. But what do the police say? I presume they do not accept the fairy-tale hypothesis?"

"No; but they seem quite at fault. What I am afraid of is that Annie Trevor must have fallen in with some scoundrels on her way. Castletown is a large seaport, you know, and some of the worst of the foreign sailors occasionally desert their ships and go on the tramp up and down the country. Not many years ago a Spanish sailor named Garcia murdered a whole family for the sake of plunder that was not worth sixpence. They are hardly human, some of these fellows, and I am dreadfully afraid the poor girl must have come to an awful end."

"But no foreign sailor was seen by anyone about the country?"

"No; there is certainly that; and of course country people are quick to notice anyone whose appearance and dress are a little out of the common. Still it seems as if my theory were the only possible explanation."

"There are no data to go upon," said Dyson, thoughtfully. "There was no question of a love affair, or anything of the kind, I suppose?"

"Oh, no, not a hint of such a thing. I am sure if Annie were alive she would have contrived to let her mother know of her safety."

"No doubt, no doubt. Still it is barely possible that she is alive and yet unable to communicate with her friends. But all this must have disturbed you a good deal."

"Yes, it did; I hate a mystery, and especially a mystery which is probably the veil of horror. But frankly, Dyson, I want to make a clean breast of it; I did not come here to tell you all this."

"Of course not," said Dyson, a little surprised at Vaughan's uneasy manner. "You came to have a chat on more cheerful topics."

"No, I did not. What I have been telling you about happened a month ago, but something which seems likely to affect me more personally has taken place within the last few days, and to be quite plain, I came up to town with the idea that you might be able to help me. You recollect that curious case you spoke to me about on our last meeting; something about a spectacle-maker."

"Oh, yes, I remember that. I know I was quite proud of my acumen at the time; even to this day the police have no idea why those peculiar yellow spectacles were wanted. But, Vaughan, you really look quite put out; I hope there is nothing serious?"

"No, I think I have been exaggerating, and I want you to reassure me. But what has happened is very odd."

"And what has happened?"

"I am sure that you will laugh at me, but this is the story. You must know there is a path, a right of way, that goes through my land, and to be precise, close to the wall of the kitchen garden. It is not used by many people; a woodman now and again finds it useful, and five or six children who go to school in the village pass twice a day. Well, a few days ago I was taking a walk about the place before breakfast, and I happened to stop to fill my pipe just by the large doors in the garden wall. The wood, I must tell you, comes to within a few feet of the wall, and the track I spoke of runs right in the shadow of the trees. I thought the shelter from a brisk wind that was blowing rather pleasant, and I stood there smoking with my eyes on the ground. Then something caught my attention. Just under the wall, on the short grass; a number of small flints were arranged in a pattern; something like this": and Mr. Vaughan caught at a pencil and piece of paper, and dotted down a few strokes.

"You see," he went on, "there were, I should think, twelve little stones neatly arranged in lines, and spaced at equal distances, as I have shown it on the paper. They were pointed stones, and the points were very carefully directed one way."

"Yes," said Dyson, without much interest, "no doubt the children you have mentioned had been playing there on their way from school. Children, as you know, are very fond of making such devices with oyster shells or flints or flowers, or with whatever comes in their way."

"So I thought; I just noticed these flints were arranged in a sort of pattern and then went on. But the next morning I was taking the same round, which, as a matter of fact, is habitual with me, and again I saw at the same spot a device in flints. This time it was really a curious pattern; something like the spokes of a wheel, all meeting at a common centre, and this centre formed by a device which looked like a bowl; all, you understand done in flints."

"You are right," said Dyson, "that seems odd enough. Still it is reasonable that your half-a-dozen school children are responsible for these fantasies in stone."

"Well, I thought I would set the matter at rest. The children pass the gate every evening at half-past five, and I walked by at six, and found the device just as I had left it in the morning. The next day I was up and about at a quarter to seven, and I found the whole thing had been changed. There was a pyramid outlined in flints upon the grass. The children I saw going by an hour and a half later, and they ran past the spot without glancing to right or left. In the evening I watched them going home, and this morning when I got to the gate at six o'clock there was a thing like a half moon waiting for me."

"So then the series runs thus: firstly ordered lines, then, the device of the spokes and the bowl, then the pyramid, and finally, this morning, the half moon. That is the order, isn't it?"

"Yes; that is right. But do you know it has made me feel very uneasy? I suppose it seems absurd, but I can't help thinking that some kind of signalling is going on under my nose, and that sort of thing is disquieting."

"But what have you to dread? You have no enemies?"

"No; but I have some very valuable old plate."

"You are thinking of burglars then?" said Dyson, with an accent of considerable interest, "but you must know your neighbours. Are there any suspicious characters about?"

"Not that I am aware of. But you remember what I told you of the sailors."

"Can you trust your servants?"

"Oh, perfectly. The plate is preserved in a strong room; the butler, an old family servant, alone knows where the key is kept. There is nothing wrong there. Still, everybody is aware that I have a lot of old silver, and all country folks are given to gossip. In that way information may have got abroad in very undesirable quarters."

"Yes, but I confess there seems something a little unsatisfactory in the burglar theory. Who is signalling to whom? I cannot see my way to accepting such an explanation. What put the plate into your head in connection with these flints signs, or whatever one may call them?"

"It was the figure of the Bowl," said Vaughan. "I happen to possess a very large and very valuable Charles II punch-bowl. The chasing is really exquisite, and the thing is worth a lot of money. The sign I described to you was exactly the same shape as my punch-bowl."

"A queer coincidence certainly. But the other figures or devices: you have nothing shaped like a pyramid?"

"Ah, you will think that queerer. As it happens, this punch-bowl of mine, together with a set of rare old ladles, is kept in a mahogany chest of a pyramidal shape. The four sides slope upwards, the narrow towards the top."

"I confess all this interests me a good deal," said Dyson. "let us go on then. What about the other figures; how about the Army, as we may call the first sign, and the Crescent or Half moon?"

"Ah, there is no reference that I can make out of these two. Still, you see I have some excuse for curiosity at all events. I should be very vexed to lose any of the old plate; nearly all the pieces have been in the family for generations. And I cannot get it out of my head that some scoundrels mean to rob me, and are communicating with one another every night."

"Frankly," said Dyson, "I can make nothing of it; I am as much in the dark as yourself. Your theory seems certainly the only possible explanation, and yet the difficulties are immense."

He leaned back in his chair, and the two men faced each other, frowning, and perplexed by so bizarre a problem.

"By the way," said Dyson, after a long pause, "what is your geological formation down there?"

Mr. Vaughan looked up, a good deal surprised by the question.

"Old red sandstone and limestone, I believe," he said. "We are just beyond the coal measures, you know."

"But surely there are no flints either in the sandstone or the limestone?"

"No, I never see any flints in the fields. I confess that did strike me as a little curious."

"I should think so! It is very important. By the way, what size were the flints used in making these devices?"

"I happen to have brought one with me; I took it this morning."

"From the Half moon?"

"Exactly. Here it is."

He handed over a small flint, tapering to a point, and about three inches in length.

Dyson's face blazed up with excitement as he took the thing from Vaughan.

"Certainly," he said, after a moment's pause, "you have some curious neighbours in your country. I hardly think they can harbour any designs on your punch-bowl. Do you know this is a flint arrowhead of vast antiquity, and not only that, but an arrow-head of a unique kind? I have seen specimens from all parts of the world, but there are features about this thing that are quite peculiar." He laid down his pipe, and took out a book from a drawer.

"We shall just have time to catch the 5.45 to Castletown," he said.

2. The Eyes on the Wall

Mr. Dyson drew in a long breath of the air of the hills and felt all the enchantment of the scene about him. It was very early morning, and he stood on the terrace in the front of the house.

Vaughan's ancestor had built on the lower slope of a great hill, in the shelter of a deep and ancient wood that gathered on three sides about the house, and on the fourth side, the southwest, the land fell gently away and sank to the valley, where a brook wound in and out in mystic esses, and the dark and gleaming alders tracked the stream's course to the eye. On the terrace in the sheltered place no wind blew, and far beyond, the trees were still. Only one sound broke in upon the silence, and Dyson heard the noise of the brook singing far below, the song of clear and shining water rippling over the stones, whispering and murmuring as it sank to dark deep pools.

Across the stream, just below the house, rose a grey stone bridge, vaulted and buttressed, a fragment of the Middle Ages, and then beyond the bridge the hills rose again, vast and rounded like bastions, covered here and there with dark woods and thickets of undergrowth, but the heights were all bare of trees, showing only grey turf and patches of bracken, touched here and there with the gold of fading fronds; Dyson looked to the north and south, and still he saw the wall of the hills, and the ancient woods, and the stream drawn in and out between them; all grey and dim with morning mist beneath a grey sky in a hushed and haunted air.

Mr. Vaughan's voice broke in upon the silence.

"I thought you would be too tired to be about so early," he said. "I see you are admiring the view. It is very pretty, isn't it, though I suppose old Meyrick Vaughan didn't think much about the scenery when he built the house. A queer grey, old place, isn't it?"

"Yes, and how it fits into the surroundings; it seems of a piece with the grey hills and the grey bridge below."

"I am afraid I have brought you down on false pretences, Dyson," said Vaughan, as they began to walk up and down the terrace. "I have been to the place, and there is not a sign of anything this morning."

"Ah, indeed. Well, suppose we go round together."

They walked across the lawn and went by a path through the ilex shrubbery to the back of the house. There Vaughan pointed out the track leading down to the valley and up to the heights above the wood, and presently they stood beneath the garden wall, by the door.

"Here, you see, it was," said Vaughan, pointing to a spot on the turf. "I was standing just where you are now that morning I first saw the flints."

"Yes, quite so. That morning it was the Army, as I call it; then the Bowl, then the Pyramid, and, yesterday, the Half moon. What a queer old stone that is," he went on, pointing to a block of limestone rising out of the turf just beneath the wall. 'It looks like a sort of dwarf pillar, but I suppose it is natural."

"Oh, yes, I think so. I imagine it was brought here, though, as we stand on the red sandstone. No doubt it was used as a foundation stone for some older building."

"Very likely," Dyson was peering about him attentively, looking from the ground to the wall, and from the wall to the deep wood that hung almost over the garden and made the place dark even in the morning.

"Look here," said Dyson at length, "it is certainly a case of children this time. Look at that." He was bending down and staring at the dull red surface of the mellowed bricks of the wall.

Vaughan came up and looked hard where Dyson's finger was pointing, and could scarcely distinguish a faint mark in deeper red.

"What is it?" he said. "I can make nothing of it."

"Look a little more closely. Don't you see it is an attempt to draw the human eye?"

"Ah, now I see what you mean. My sight is not very sharp. Yes, so it is, it is meant for an eye, no doubt, as you say. I thought the children learnt drawing at school."

"Well, it is an odd eye enough. Do you notice the peculiar almond shape; almost like the eye of a Chinaman?"

Dyson looked meditatively at the work of the undeveloped artist, and scanned the wall again, going down on his knees in the minuteness of his inquisition.

"I should like very much," he said at length, "to know how a child in this out of the way place could have any idea of the shape of the Mongolian eye. You see the average child has a very distinct impression of the subject; he draws a circle, or something like a circle, and put a dot in the centre. I don't think any child imagines that the eye is really made like that; it's just a convention of infantile art. But this almond-shaped thing puzzles me extremely. Perhaps it may be derived from a gilt Chinaman on a tea-canister in the grocer's shop. Still that's hardly likely."

"But why are you so sure it was done by a child?"

"Why! Look at the height. These old-fashioned bricks are little more than two inches thick; there are twenty courses from the ground to the sketch if we call it so; that gives a height of three and a half feet. Now, just imagine you are going to draw something on this wall. Exactly; your pencil, if you had one, would touch the wall somewhere on the level with your eyes, that is, more than five feet from the ground. It seems, therefore, a very simple deduction to conclude that this eye on the wall was drawn by a child about ten years old."

"Yes, I had not thought of that. Of course one of the children must have done it."

"I suppose so; and yet as I said, there is something singularly unchildlike about those two lines, and the eyeball itself, you see, is almost an oval. To my mind, the thing has an odd, ancient air; and a touch that is not altogether pleasant. I cannot help fancying that if we could see a whole face from the same hand it would not be altogether agreeable. However, that is nonsense, after all, and we are not getting farther in our investigations. It is odd that the flint series has come to such an abrupt end."

The two men walked away towards the house, and as they went in at the porch there was a break in the grey sky, and a gleam of sunshine on the grey hill before them.

All the day Dyson prowled meditatively about the fields and woods surrounding the house. He was thoroughly and completely puzzled by the trivial circumstances he proposed to elucidate, and now he again took the flint arrow-head from his pocket, turning it over and examining it with deep attention. There was something about the thing that was altogether different from the specimens he had seen at the museums and private collections; the shape was of a distinct type, and around the edge there was a line of little punctured dots, apparently a suggestion of ornament. Who, thought Dyson, could possess such things in so remote a place; and who, possessing the flints, could have put them to the fantastic use of designing meaningless figures under Vaughan's garden wall? The rank absurdity of the whole affair offended him unutterably; and as one theory after another rose in his mind only to be rejected, he felt strongly tempted to take the next train back to town. He had seen the silver plate which Vaughan treasured, and had inspected the punch-bowl, the gem of the collection, with close attention; and what he saw and his interview with the butler convinced him that a plot to rob the strong box was out of the limits of enquiry. The chest in which the bowl was kept, a heavy piece of mahogany, evidently dating from the beginning of the century, was certainly strongly suggestive of a pyramid, and Dyson was at first inclined to the inept manoeuvres of the detective, but a little sober thought convinced him of the impossibility of the burglary hypothesis, and he cast wildly about for something more satisfying. He asked Vaughan if there were any gipsies in the neighbourhood, and heard that the Romany had not been seen for years. This dashed him a good deal, as he knew the gipsy habit of leaving queer hieroglyphics on the line of march, and had been much elated when the thought occurred to him. He was facing Vaughan by the old-fashioned hearth when he put the question, and leaned back in his chair in disgust at the destruction of his theory.

"It is odd," said Vaughan, "but the gipsies never trouble us here. Now and then the farmers find traces of fires in the wildest part of the hills, but nobody seems to know who the fire-lighters are."

"Surely that looks like gipsies?"

"No, not in such places as those. Tinkers and gipsies and wanderers of all sorts stick to the roads and don't go very far from the farmhouses."

"Well, I can make nothing of it. I saw the children going by this afternoon, and, as you say, they ran straight on. So we shall have no more eyes on the wall at all events."

"No, I must waylay them one of these days and find out who is the artist."

The next morning when Vaughan strolled in his usual course from the lawn to the back of the house he found Dyson already awaiting him by the garden door, and evidently in a state of high excitement, for he beckoned furiously with his hand, and gesticulated violently.

"What is it?" asked Vaughan. "The flints again?"

"No; but took here, look at the wall. There; don't you see it?"

"There's another of those eyes!"

"Exactly. Drawn, you see, at a little distance from the first, almost on the same level, but slightly lower."

"What on earth is one to make of it? It couldn't have been done by the children; it wasn't there last night, and they won't pass for another hour. What can it mean?"

"I think the very devil is at the bottom of all this," said Dyson. "Of course, one cannot resist the conclusion that these infernal almond eyes are to be set down to the same agency as the devices in the arrow-heads; and where that conclusion is to lead us is more than I can tell. For my part, I have to put a strong check on my imagination, or it would run wild."

"Vaughan," he said, as they turned away from the wall, "has it struck you that there is one point--a very curious point--in common between the figures done in flints and the eyes drawn on the wall?"

"What is that?" asked Vaughan, on whose face there had fallen a certain shadow of indefinite dread.

"It is this. We know that the signs of the Army, the Bowl, the Pyramid, and the Half moon must have been done at night. Presumably they were meant to be seen at night. Well, precisely the same reasoning applies to those eyes on the wall."

"I do not quite see your point."

"Oh, surely. The nights are dark just now, and have been very cloudy, I know, since I came down. Moreover, those overhanging trees would throw that wall into deep shadow even on a clear night."

"Well?"

"What struck me was this. What very peculiarly sharp eyesight, they, whoever 'they' are, must have to be able to arrange arrow-heads in intricate order in the blackest shadow of the wood, and then draw the eyes on the wall without a trace of bungling, or a false line."

"I have read of persons confined in dungeons for many years who have been able to see quite well in the dark," said Vaughan.

"Yes," said Dyson, "there was the abbe in Monte Cristo. But it is a singular point."

3. The Search for the Bowl

"Who was that old man that touched his hat to you just now?" said Dyson, as they came to the bend of the lane near the house.

"Oh, that was old Trevor. He looks very broken, poor old fellow."

"Who is Trevor?"

"Don't you remember? I told you the story that afternoon I came to your rooms--about a girl named Annie Trevor, who disappeared in the most inexplicable manner about five weeks ago. That was her father."

"Yes, yes, I recollect now. To tell the truth I had forgotten all about it. And nothing has been heard of the girl?"

"Nothing whatever. The police are quite at fault."

"I am afraid I did not pay very much attention to the details you gave me. Which way did the girl go?"

"Her path would take her right across those wild hills above the house: the nearest point in the track must be about two miles from here."

"Is it near that little hamlet I saw yesterday?"

"You mean Croesyceiliog, where the children came from? No; it goes more to the north."

"Ah, I have never been that way."

They went into the house, and Dyson shut himself up in his room, sunk deep in doubtful thought, but yet with the shadow of a suspicion growing within him that for a while haunted his brain, all vague and fantastic, refusing to take definite form. He was sitting by the open window and looking out on the valley and saw, as if in a picture, the intricate winding of the brook, the grey bridge, and the vast hills rising beyond; all still and without a breath of wind to stir the mystic hanging woods, and the evening sunshine glowed warm on the bracken, and down below a faint mist, pure white, began to rise from the stream. Dyson sat by the window as the day darkened and the huge bastioned hills loomed vast and vague, and the woods became dim and more shadowy: and the fancy that had seized him no longer appeared altogether impossible. He passed the rest of the evening in a reverie, hardly hearing what Vaughan said; and when he took his candle in the hall, he paused a moment before bidding his friend good-night.

"I want a good rest," he said. "I have got some work to do to-morrow."

"Some writing, you mean?"

"No. I am going to look for the Bowl."

"The Bowl! If you mean my punch-bowl, that is safe in the chest."

"I don't mean the punch-bowl. You may take my word for it that your plate has never been threatened. No; I will not bother you with any suppositions. We shall in all probability have something much stronger than suppositions before long. Good-night, Vaughan."

The next morning Dyson set off after breakfast. He took the path by the garden wall, and noted that there were now eight of the weird almond eyes dimly outlined on the brick.

"Six days more," he said to himself, but as he thought over the theory he had formed, he shrank, in spite of strong conviction, from such a wildly incredible fancy. He struck up through the dense shadows of the wood, and at length came out on the bare hillside, and climbed higher and higher over the slippery turf, keeping well to the north, and following the indications given him by Vaughan. As he went on, he seemed to mount ever higher above the world of human life and customary things; to his right he looked at a fringe of orchard and saw a faint blue smoke rising like a pillar; there was the hamlet from which the children came to school, and there the only sign of life, for the woods embowered and concealed Vaughan's old grey house. As he reached what seemed the summit of the hill, he realized for the first time the desolate loneliness and strangeness of the land; there was nothing but grey sky and grey hill, a high, vast plain that seemed to stretch on for ever and ever, and a faint glimpse of a blue-peaked mountain far away and to the north. At length he came to the path, a slight track scarcely noticeable, and from its position and by what Vaughan had told him he knew that it was the way the lost girl, Annie Trevor, must have taken. He followed the path on the bare hill-top, noticing the great limestone rocks that cropped out of the turf, grim and hideous, and of an aspect as forbidding as an idol of the South Seas; and suddenly he halted, astonished, although he had found what he searched for.

Almost without warning the ground shelved suddenly away on all sides, and Dyson looked down into a circular depression, which might well have been a Roman amphitheatre, and the ugly crags of limestone rimmed it round as if with a broken wall. Dyson walked round the hollow, and noted the position of the stones, and then turned on his way home.

"This," he thought to himself, "is more than curious. The Bowl is discovered, but where is the Pyramid?"

"My dear Vaughan," he said, when he got back, "I may tell you that I have found the Bowl, and that it is all I shall tell you for the present. We have six days of absolute inaction before us; there is really nothing to be done."

4. The Secret of the Pyramid

"I have just been round the garden," said Vaughan one morning. "I have been counting those infernal eyes, and I find there are fourteen of them. For heaven's sake, Dyson, tell me what the meaning of it all is."

"I should be very sorry to attempt to do so. I may have guessed this or that, but I always make it a principle to keep my guesses to myself. Besides, it is really not worth while anticipating events; you will remember my telling you that we had six days of inaction before us? Well, this is the sixth day, and the last of idleness. To-night, I propose we take a stroll."

"A stroll! Is that all the action you mean to take?"

"Well, it may show you some very curious things. To be plain, I want you to start with me at nine o'clock this evening for the hills. We may have to be out all night, so you had better wrap up well, and bring some of that brandy."

"Is it a joke?" asked Vaughan, who was bewildered with strange events and strange surmises.

"No, I don't think there is much joke in it. Unless I am much mistaken we shall find a very serious explanation of the puzzle. You will come with me, I am sure?"

"Very good. Which way do you want to go?"

"By the path you told me of; the path Annie Trevor is supposed to have taken."

Vaughan looked white at the mention of the girl's name.

"I did not think you were on that track," he said. "I thought it was the affair of those devices in flint and of the eyes on the wall that you were engaged on. It's no good saying any more, but I will go with you."

At a quarter to nine that evening the two men set out, taking the path through the wood, and up the hill-side. It was a dark and heavy night, the sky was thick with clouds, and the valley full of mist, and all the way they seemed to walk in a world of shadow and gloom, hardly speaking, and afraid to break the haunted silence. They came out at last on the steep hill-side, and instead of the oppression of the wood there was the long, dim sweep of the turf, and higher, the fantastic limestone rocks hinted horror through the darkness, and the wind sighed as it passed across the mountain to the sea, and in its passage beat chill about their hearts. They seemed to walk on and on for hours, and the dim outline of the hill still stretched before them, and the haggard rocks still loomed through the darkness, when suddenly Dyson whispered, drawing his breath quickly, and coming close to his companion:

"Here," he said, "we will lie down. I do not think there is anything yet."

"I know the place," said Vaughan, after a moment. "I have often been by in the daytime. The country people are afraid to come here, I believe; it is supposed to be a fairies' castle, or something of the kind. But why on earth have we come here?"

"Speak a little lower," said Dyson. "It might not do us any good if we are overheard."

"Overheard here! There is not a soul within three miles of us."

"Possibly not; indeed, I should say certainly not. But there might be a body somewhat nearer."

"I don't understand you in the least," said Vaughan, whispering to humour Dyson, "but why have we come here?"

"Well, you see this hollow before us is the Bowl. I think we better not talk even in whispers."

They lay full length upon the turf; the rock between their faces and the Bowl, and now and again, Dyson, slouching his dark, soft hat over his forehead, put out the glint of an eye, and in a moment drew back, not daring to take a prolonged view. Again he laid an ear to the ground and listened, and the hours went by, and the darkness seemed to blacken, and the faint sigh of the wind was the only sound.

Vaughan grew impatient with this heaviness of silence, this watching for indefinite terror; for to him there was no shape or form of apprehension, and he began to think the whole vigil a dreary farce.

"How much longer is this to last?" he whispered to Dyson, and Dyson who had been holding his breath in the agony of attention put his mouth to Vaughan's ear and said:

"Will you listen?" with pauses between each syllable, and in the voice with which the priest pronounces the awful words.

Vaughan caught the ground with his hands, and stretched forward, wondering what he was to hear. At first there was nothing, and then a low and gentle noise came very softly from the Bowl, a faint sound, almost indescribable, but as if one held the tongue against the roof of the mouth and expelled the breath. He listened eagerly and presently the noise grew louder, and became a strident and horrible hissing as if the pit beneath boiled with fervent heat, and Vaughan, unable to remain in suspense any longer, drew his cap half over his face in imitation of Dyson, and looked down to the hollow below.

It did, in truth, stir and seethe like an infernal caldron. The whole of the sides and bottom tossed and writhed with vague and restless forms that passed to and fro without the sound of feet, and gathered thick here and there and seemed to speak to one another in those tones of horrible sibilance, like the hissing of snakes, that he had heard. It was as if the sweet turf and the cleanly earth had suddenly become quickened with some foul writhing growth. Vaughan could not draw back his face, though he felt Dyson's finger touch him, but he peered into the quaking mass and saw faintly that there were things like faces and human limbs, and yet he felt his inmost soul chill with the sure belief that no fellow soul or human thing stirred in all that tossing and hissing host. He looked aghast, choking back sobs of horror, and at length the loathsome forms gathered thickest about some vague object in the middle of the hollow, and the hissing of their speech grew more venomous, and he saw in the uncertain light the abominable limbs, vague and yet too plainly seen, writhe and intertwine, and he thought he heard, very faint, a low human moan striking through the noise of speech that was not of man. At his heart something seemed to whisper ever "the worm of corruption, the worm that dieth not," and grotesquely the image was pictured to his imagination of a piece of putrid offal stirring through and through with bloated and horrible creeping things. The writhing of the dusky limbs continued, they seemed clustered round the dark form in the middle of the hollow, and the sweat dripped and poured off Vaughan's forehead, and fell cold on his hand beneath his face.

Then, it seemed done in an instant, the loathsome mass melted and fell away to the sides of the Bowl, and for a moment Vaughan saw in the middle of the hollow the tossing of human arms.

But a spark gleamed beneath, a fire kindled, and as the voice of a woman cried out loud in a shrill scream of utter anguish and terror, a great pyramid of flame spired up like a bursting of a pent fountain, and threw a blaze of light upon the whole mountain. In that instant Vaughan saw the myriads beneath; the things made in the form of men but stunted like children hideously deformed, the faces with the almond eyes burning with evil and unspeakable lusts; the ghastly yellow of the mass of naked flesh and then as if by magic the place was empty, while the fire roared and crackled, and the flames shone abroad.

"You have seen the Pyramid," said Dyson in his ear, "the Pyramid of fire."

5. The Little People

"Then you recognize the thing?"

"Certainly. It is a brooch that Annie Trevor used to wear on Sundays; I remember the pattern. But where did you find it? You don't mean to say that you have discovered the girl?"

"My dear Vaughan, I wonder you have not guessed where I found the brooch. You have not forgotten last night already?"

"Dyson," said the other, speaking very seriously, "I have been turning it over in my mind this morning while you have been out. I have thought about what I saw, or perhaps I should say about what I thought I saw, and the only conclusion I can come to is this, that the thing won't bear recollection. As men live, I have lived soberly and honestly, in the fear of God, all my days, and all I can do is believe that I suffered from some monstrous delusion, from some phantasmagoria of the bewildered senses. You know we went home together in silence, not a word passed between us as to what I fancied I saw; had we not better agree to keep silence on the subject? When I took my walk in the peaceful morning sunshine, I thought all the earth seemed full of praise, and passing by that wall I noticed there were no more signs recorded, and I blotted out those that remained. The mystery is over, and we can live quietly again. I think some poison has been working for the last few weeks; I have trod on the verge of madness, but I am sane now."

Mr. Vaughan had spoken earnestly, and bent forward in his chair and glanced at Dyson with something of entreaty.

"My dear Vaughan," said the other, after a pause, "what's the use of this? It is much too late to take that tone; we have gone too deep. Besides you know as well as I that there is no delusion in the case; I wish there were with all my heart. No, in justice to myself I must tell you the whole story, so far as I know it."

"Very good," said Vaughan with a sigh, "if you must, you must."

"Then," said Dyson, "we will begin with the end if you please. I found this brooch you have just identified in the place we have called the Bowl. There was a heap of grey ashes, as if a fire had been burning, indeed, the embers were still hot, and this brooch was lying on the ground, just outside the range of the flame. It must have dropped accidentally from the dress of the person who was wearing it. No, don't interrupt me; we can pass now to the beginning, as we have had the end. Let us go back to that day you came to see me in my rooms in London. So far as I can remember, soon after you came in you mentioned, in a somewhat casual manner, that an unfortunate and mysterious incident had occurred in your part of the country; a girl named Annie Trevor had gone to see a relative, and had disappeared. I confess freely that what you said did not greatly interest me; there are so many reasons which may make it extremely convenient for a man and more especially a woman to vanish from the circle of their relations and friends. I suppose, if we were to consult the police, one would find that in London somebody disappears mysteriously every other week, and the officers would, no doubt, shrug their shoulders, and tell you that by the law of averages it could not be otherwise. So I was very culpably careless to your story, and besides, here is another reason for my lack of interest; your tale was inexplicable. You could only suggest a blackguard sailor on the tramp, but I discarded the explanation immediately."

For many reasons, but chiefly because the occasional criminal, the amateur in brutal crime, is always found out, especially if he selects the country as the scene of his operations. You will remember the case of that Garcia you mentioned; he strolled into a railway station the day after the murder, his trousers covered with blood, and the works of the Dutch clock, his loot, tied in a neat parcel. So rejecting this, your only suggestion, the whole tale became, as I say, inexplicable, and, therefore, profoundly uninteresting. Yes, therefore, it is a perfectly valid conclusion. Do you ever trouble your head about problems which you know to be insoluble? Did you ever bestow much thought on the old puzzle of Achilles and the tortoise? Of course not, because you knew it was a hopeless quest, and so when you told me the story of a country girl who had disappeared I simply placed the whole thing down in the category of the insoluble, and thought no more about the matter. I was mistaken, so it has turned out; but if you remember, you immediately passed on to an affair which interested you more intensely, because personally, I need not go over the very singular narrative of the flint signs, at first I thought it all trivial, probably some children's game, and if not that a hoax of some sort; but your showing me the arrow-head awoke my acute interest. Here, I saw, there was something widely removed from the commonplace, and matter of real curiosity; and as soon as I came here I set to work to find the solution, repeating to myself again and again the signs you had described. First came the sign we have agreed to call the Army; a number of serried lines of flints, all pointing in the same way. Then the lines, like the spokes of a wheel, all converging towards the figure of a Bowl, then the triangle or Pyramid, and last of all the Half moon. I confess that I exhausted conjecture in my efforts to unveil this mystery, and as you will understand it was a duplex or rather triplex problem. For I had not merely to ask myself: what do these figures mean? but also, who can possibly be responsible for the designing of them? And again, who can possibly possess such valuable things, and knowing their value thus throw them down by the wayside? This line of thought led me to suppose that the person or persons in question did not know the value of unique flint arrow-heads, and yet this did not lead me far, for a well-educated man might easily be ignorant on such a subject. Then came the complication of the eye on the wall, and you remember that we could not avoid the conclusion that in the two cases the same agency was at work. The peculiar position of these eyes on the wall made me inquire if there was such a thing as a dwarf anywhere in the neighbourhood, but I found that there was not, and I knew that the children who pass by every day had nothing to do with the matter. Yet I felt convinced that whoever drew the eyes must be from three and a half to four feet high, since, as I pointed out at the time, anyone who draws on a perpendicular surface chooses by instinct a spot about level with his face. Then again, there was the question of the peculiar shape of the eyes; that marked Mongolian character of which the English countryman could have no conception, and for a final cause of confusion the obvious fact that the designer or designers must be able practically to see in the dark. As you remarked, a man who has been confined for many years in an extremely dark cell or dungeon might acquire that power; but since the days of Edmond Dantes, where would such a prison be found in Europe? A sailor, who had been immured for a considerable period in some horrible Chinese oubliette, seemed the individual I was in search of, and though it looked improbable, it was not absolutely impossible that a sailor or, let us say, a man employed on shipboard, should be a dwarf. But how to account for my imaginary sailor being in possession of prehistoric arrow-heads? And the possession granted, what was the meaning and object of these mysterious signs of flint, and the almond-shaped eyes? Your theory of a contemplated burglary I saw, nearly from the first, to be quite untenable, and I confess I was utterly at a loss for a working hypothesis. It was a mere accident which put me on the track; we passed poor old Trevor, and your mention of his name and of the disappearance of his daughter, recalled the story which I had forgotten, or which remained unheeded. Here, then, I said to myself, is another problem, uninteresting, it is true, by itself; but what if it prove to be in relation with all these enigmas which torture me? I shut myself in my room, and endeavoured to dismiss all prejudice from my mind, and I went over everything de novo, assuming for theory's sake that the disappearance of Annie Trevor had some connection with the flint signs and the eyes on the wall. This assumption did not lead me very far, and I was on the point of giving the whole problem up in despair, when a possible significance of the Bowl struck me. As you know there is a 'Devil's Punch-bowl' in Surrey, and I saw that the symbol might refer to some feature in the country. Putting the two extremes together, I determined to look for the Bowl near the path which the lost girl had taken, and you know how I found it. I interpreted the sign by what I knew, and read the first, the Army, thus: