Mike volunteered to go talk to Mrs. Moon. He knew her best.
The evening before, after supper and during the long, slow waning of the day's heat and light, everybody but Cordie had rendezvoused at the chickenhouse to hear what was in the notebooks.
"Where's the girl?" asked Mike.
Jim Harlen shrugged. "I went out to her rattrap of a house ..."
"Alone?" interrupted Lawrence.
Harlen squinted at the younger boy, then ignored him. "I went out there this afternoon, but nobody was home."
"Maybe they were out shopping or something," said Dale.
Harlen shook his head. He looked pale and oddly vulnerable in his cast and sling this evening. "Uh-uh, I mean it was empty. Crap scattered around everywhere . . . old newspapers, bits of furniture, an ax ... like the family threw everything in the back of a truck and took off.''
"Not a bad idea,'' whispered Mike. He had finished decoding Duane's journals.
"Huh?" said Kevin.
"Listen," said Mike O'Rourke, lifting the pertinent notebooks and beginning to read.
The four boys listened for almost an hour, Dale finishing reading when Mike's voice began to get raspy. Dale had read it all before-he and Mike had compared notes as they decoded the stuff-but just hearing it out loud, even in his own voice, made his legs feel shaky.
"Jesus Christ," whispered Harlen as they finished the stuff about the Borgia Bell and Duane's uncle. "Holy shit," he added in the same reverent tone.
Kevin crossed his arms. It was getting quite dark out and Kev's t-shirt glowed the brightest of any of them there. "That bell was hanging up there all the time we were in school. . . all those years?"
"Mr. Ashley-Montague told Duane that it'd been removed and melted down and everything," said Dale. "It's in one of the notebooks here and I heard it myself, at the Free Show last month."
"There hasn't been a Free Show for a long time," whined Lawrence.
"Shut up," said Dale. "Here . . . I'm going to skip some of this stuff . . . this is from when Duane talked to Mrs. Moon ... it was the same day we all had dinner out at Uncle Henry's, the same day that ..."
". . . that Duane was killed," finished Mike.
"Yeah,'' said Dale. "Listen.'' He read the notes verbatim:
June 17:
Talking to Mrs. Emma Moon. Remembers the bell! Talking about a terrible thing. Says her Or-ville wasn't involved. A terrible thing about the bell. Winter of 1899-1900. Several children in town . . . one on a farm she thinks . . . disappeared. Mr. Ashley (no Montague then, before the families joined names) offered a $1,000 reward. No clues.
Then in January . . . Mrs. M's pretty sure it was January, 1900 . . . they found a body of an eleven-year-old girl who had disappeared just before Christmas. Name: Sarah Lewellyn Campbell.
CHECK IN RECORDS! WHY NO NEWSPAPER ACCOUNTS?
Mrs. Moon's sure . . . Sarah L. Campbell. Doesn't want to talk about it but I keep asking questions: girl was killed, possibly raped, decapitated, and partially eaten. Mrs. M's sure about the last part.
Caught a Negro . . . "colored man" • . . sleeping out behind the tallow factory. Posse formed. Says her husband Orville wasn't even in the county. Was on a "horse-buying trip" to Gales-burg. Four day trip. (Check later what his job is . . .)
The Klan was big in Elm Haven then. Mrs. M says that her Orville went to the meetings . . . most of the men did . . . but he wasn't a night rider. Besides, he was out of town . . . buying horses.
The other men in the town, led by Mr. Ashley (the one who bought the bell) and Mr. Ashley's son-21 yrs. old-dragged the Negro to Old Central. Mrs. M. doesn't know the Negro's name. A vagrant.
They had a sort of trial. (Klan justice?) Condemned him right there. Hanged him that night.
From the bell.
Mrs. Moon remembers hearing the bell ringing, late that night. Her husband told her it was because the Negro kept swinging and kicking. (Mrs. M. forgetting that her husband was supposed to be in Galesburg!) . . . (Note: regular hangings, executions, drop the condemned to break his neck; this man swung for a long time . . .)
In the belfry? Mrs. Moon doesn't know. Thinks so. Or in the central stairwell.
She won't tell me the worst part . . . coaxing ...
The worst part is that they left the Negro's body in the belfry. Sealed up the belfry and left it there.
Why? She doesn't know. Her Orville didn't know. Mr. Ashley insisted that they leave the Negro's body there. (GOT TO CHECK WITH ASHLEY-MONTAGUE. VISIT HIS HOUSE, SEE THE HISTORICAL SOCIETY BOOKS HE STOLE.)
Mrs. M. crying. Why? Says that there was something worse.
I wait. These cookies are awful. Waiting. She's talking to her cats now more than me.
She says that the worst part . . . worse than the hanging ... is that two months after the Negro was lynched there, another child disappeared.
They'd hanged the wrong man.
"There's more," said Dale, "but it's just going over the same stuff. His last notes were about planning to see Mr. Dennis Ashley-Montague in person to get more details."
The five boys in the chickenhouse looked at each other.
"The Borgia Bell," whispered Kevin. "Cripes."
"Fucking aye, cripes," whispered Harlen. "Something about it's still working, still evil."
Mike crouched, touched one of the notebooks as if it were a talisman. "You think it's all centered around the bell?" he asked Dale.
Dale nodded.
"You think Roon and Van Syke and Old Double-Butt are part of it because they're with the school?" asked Mike.
"Yeah," whispered Dale. "I don't know how or why. Somehow."
"Me too," said Mike. He turned to look at Jim Harlen. "You still got your pistol?"
Harlen reached into his sling with his right hand, came out with the snub-nosed revolver.
Mike's head moved up and down. "Dale? You have guns in the house, don't you?"
Dale looked at his little brother, then returned Mike's gaze. "Yes. Dad has a shotgun. I have the Savage."
Mike did not blink. "The thing he lets you go quail hunting with?"
"Uh-huh. It'll be my gun when I'm twelve."
"It's a shotgun, right?"
"Four-ten on the bottom," said Dale. "Twenty-two on top."
"Fires just one shell from each barrel, right?" Mike's voice sounded flat, almost distracted.
"Yeah," said Dale. "You open it to reload."
Mike nodded. "Can you get it?"
Dale was silent for a moment. "Dad'd kill me if I took it out of the house without permission, without him along.'' He looked out the door at the darkness there. Fireflies winked against the line of apple trees in Mike's backyard. "Yes," said Dale, "I can get it."
"Good." Mike turned toward Kevin. "Do you have something?"
Kev rubbed his cheek. "No. I mean, my dad has his forty-five service automatic . . . semiautomatic, really . . . but it's in the bottom drawer of his desk. Locked."
"Could you get it?"
Kevin paced back and forth, rubbing his cheek. "It's his service pistoll It's like . . . like a trophy or souvenir the guys in his platoon gave him. He was an officer in World War Two and ..." Kevin stopped pacing. "You think guns will do any good against these things that killed Duane?"
Mike was a crouched and curled shape in the semidarkness, poised like some animal waiting to pounce. But all the tension was in the posture of his body, not in his voice. "I don't know," he said softly, so softly that his voice was barely discernible beneath the insect sounds from the garden beyond the chickenhouse. "But I think Roon and Van Syke were part of it, and nobody said they couldn't be hurt. Can you get the gun?"
"Yes," said Kevin after thirty seconds of silence.
"Some bullets for it?"
"Yes. My father keeps them in the same drawer."
"We'll keep the stuff here," said Mike. "If we need it we can get at it. I have an idea ..."
"What about you?" said Dale. "Your dad doesn't hunt, does he?"
"No," said Mike, "but there's Memo's squirrel gun."
"What's that?"
Mike held his hands about eighteen inches apart. "You know that long gun that Wyatt Earp used on the show?"
"The Buntline Special?" said Harlen, his voice too loud. "Your grandma has a Buntline Special?"
"Uh-uh," said Mike, "but it looks sort of like that. My grandpa had it made in Chicago for her about forty years ago. It's a four-ten shotgun like Dale's, only it's on a pistol whatchamacallit ..." "Grip," said Kevin.
"Yeah. The barrel's about a foot and half long and it's got this nice wooden pistol grip. Memo always called it her squirrel gun, but I think Grampa got it for her 'cause the place they lived in ... Cicero . . . was real tough back then."
Kevin Grumbacher whistled. "Boy, that kind of gun is as illegal as all get-out. It's a sawed-off shotgun is what it is. Was your grandpa part of Capone's mob, Mike?"
"Shut up, Grumbacher," Mike said without heat. "OK, we get the guns and as much ammunition as we can get. We don't let our folks know they're gone. And we hide them . . ."He looked around, poking the sprung couch. "Behind the big radio," said Dale. Mike turned slowly, his grin visible even in the poor light. "Got it. Tomorrow we've got some things to do. Who wants to go talk to Mrs. Moon?"
The boys shifted position and stayed silent. Finally Lawrence said, "I will."
"No," Mike said gently. "We're going to need you for some other important stuff.''
"Like what?" said Lawrence, kicking at a can on the wooden floor. "I don't even have a gun like the rest of you.'' "You're too young . . ." began Dale harshly. Mike touched Dale's arm, spoke to Lawrence. "If you need one, you'll share Dale's over-and-under. Did you ever fire it?"
"Yeah, lots of times . . . well, a couple." "Good," said Mike. "In the meantime, we're going to need someone who can ride really fast on his bike to try to find Roon and report back."
Lawrence nodded, obviously knowing that he was being bought off but figuring that was the best deal he was going to get.
"I'll talk to Mrs. Moon," said Mike. "I know her pretty well from mowing her yard and taking her for walks and stuff. I'll just see if she's got any information she didn't give Duane."
They sat there another few moments, knowing that the meeting was over but not wanting to go home in the dark.
'' What're you gonna do if the Soldier guy comes tonight?'' Harlen asked Mike.
"I'm going to find the squirrel gun," whispered Mike, "but I'll try the holy water first." He snapped his fingers as if remembering something. "I'll get some more for you guys. Get some sort of bottle to carry it in."
Kevin folded his arms. "How come only your Catholic holy water works? Wouldn't my Lutheran stuff work, or Dale's Presbyterian junk?"
"Don't call my Presbyterian stuff junk," snapped Dale. Mike looked curious. "Do you guys have holy water in your churches?"
Three boys shook their heads. Harlen said, "Nobody has that weird stuff but you Catholics, dipshit."
Mike shrugged. "It worked on the Soldier. At least the holy water ... I haven't tried the consecrated Host yet. Don't you guys have Communion?"
"Yeah," answered Dale and Kevin. "We could get some of the Communion bread," Dale said to Lawrence.
"How?" asked his little brother.
Dale thought a moment. "You're right, it's easier to steal the over-and-under than to get the Communion stuff." He gestured toward Mike. "OK, since we know your stuff works, get some of your holy water for us."
"We could fill water balloons with it," said Harlen. "Bomb these fuckers. Make 'em hiss and shrivel like slugs getting salted."
The others didn't know if Harlen was pulling their chains or not. They decided to adjourn and think about it until morning.
Mike did his paper route in record time and was at the rectory by seven a.m. Mrs. McCafferty was already there. "He's sleeping," she whispered in the downstairs hall. "Doctor Powell gave him something." Mike was puzzled. "Who's Doctor Powell?" The diminutive housekeeper kept wringing her hands in her apron. "He's a doctor from Peoria that Doctor Staffney brought yesterday evening."
"It's that serious?" whispered Mike, but part of him was remembering: the brown slugs falling from the Soldier's funnel-shaped mouth, the maggots writhing, burrowing.
Mrs. McCafferty put one of her reddened hands over her mouth as if she were about to cry. "They don't know what it is. I heard Doctor Powell tell Doctor Staffney that they'd have to move him into St. Francis today if his fever didn't go down . . ."
"St. Francis," whispered Mike, glancing up the staircase. "All the way to Peoria?"
"They have iron lungs there," whispered the old lady and then seemed unable to go on. Almost to herself, she said, "I was up all night saying the rosary, asking the Virgin to help the poor young man ..."
"Can I just look in on him?" insisted Mike.
"Oh, no, they're afraid it's contagious. No one's allowed to go in but me and the doctors."
"I was with him when he got sick," said Mike, not pointing out to her that she'd already let him in the house, exposing him if she were a carrier. He didn't think the slugs would travel to another person . . . but the thought of it made him queasy for a moment. "Please," he asked, putting on his most angelic, altar-boy look, "I won't even go in the room, just peek in."
She relented. They tiptoed down the hall together, pushing open the dark mahogany door as carefully as they could. It did not squeak.
The smell rolled out of the room even before the blast of superheated air made Mike stagger a step backward. The smell was like the stench from the Rendering Truck and the inside of one of those tunnels, only worse, riding on the waves of hot, stuffy air in the darkened room. Mike lifted his hand to his mouth and nose.
"We keep the windows closed," Mrs. McCafferty said a bit apologetically. "He's had the chills so bad the last two nights."
"The smell ..." managed Mike, close to being ill now.
The housekeeper frowned at him. "The medicine you mean? I change the linen every day. . . . Does that little bit of medicine smell bother you?"
Medicine smell? Mike thought that it was a medicine smell if you made medicine out of dead and rotting bodies. It was a medicine smell if you counted the coppery scent of blood and the stench of week-old decay as medicinal. He looked at Mrs. McM. She obviously didn't smell it. Is it in my mind? Mike stepped closer, hand still over his face, blinking into the darkness, fully expecting to see a rotting corpse on the bed.
Father C. looked bad, but he wasn't a rotting corpse. Not quite. But the young priest obviously was very, very sick: his eyes were closed but sunken in pools of blue-black, his lips were white and cracked as if he had been out in a desert for days, his skin glowed-not with the healthy sheen of sunburn, but with the radioactive internal glow of the most intense fever-his hair was matted and spikey, and his hands were curled on his chest like animal claws. Father C.'s mouth was open wide and a thin line of drool ran down onto his pajama collar and his breathing rattled in his throat like loose stones. He didn't look much like a priest at that moment.
"Enough," whispered Mrs. McCafferty, shooing Mike toward the stairs.
It had been enough. Mike pedaled toward Mrs. Moon's so fast that the wind brought tears to his eyes.
She was dead.
He'd expected it when he knocked on the screen door and there was no answer. He'd known it when he'd stepped into the small, dark parlor and wasn't instantly surrounded by her cats.
He knew that Miss Moon, the librarian, usually walked over from her "apartment"-actually a floor she rented in a big old house on Broad that she shared with Mrs. Grossaint, the fourth-grade teacher-to have breakfast with her mother around eight. It wasn't quite seven-thirty now.
Mike moved from room to room in the small house, feeling the same nausea he'd had at the rectory. Quit being so weird. She went out walking early. The cats went with her. He knew that the cats wouldn't be caught dead outside the small, white frame house. OK, the cats ran off in the night and she went hunting for them. Or maybe Miss Moon finally took Mrs. M. to the Oak Hill Home in the past couple of days. It's past time. That was the logical answer. Mike knew that it wasn't the right one.
He found her on the tiny landing at the head of the stairs. The second floor was small-big enough just for Mrs. Moon's bedroom and a minuscule bathroom-and the landing was barely large enough to hold the small body.
Mike crouched on the top step, his heart pounding with such ferocity that it threatened to knock him off balance and tumble him back down the stairs. Except for the funeral of his paternal grandpa years earlier, he had never seen a dead body ... if one did not count the Soldier. Now Mike stared with a terrible mixture of sadness, horror, and curiosity.
She'd been dead long enough for her hands and arms to go rigid: the left one was crooked around the banister as if she had fallen and had been on the verge of pulling herself back up, the right hand rose vertically from the green carpet with the fingers curled as if clawing the air ... or warding off something terrible.
Mrs. Moon's eyes were open . . •. Mike realized that of all the hundreds of dead people he'd seen while watching other people's TVs, usually Dale's, none of the corpses ever had their eyes open . . . but Mrs. Moon's were so wide that they seemed to be bulging from their sockets. There was no question that she could see anything; Mike looked at the glazed and cloudy orbs and thought This is what dead is.
The liver marks on her face stood out almost three-dimen-sionally because of the blood drained away from the skin. Her neck was tense even in death, the muscles and tendons of her throat corded and stretched as if to the point of snapping from tension. She was wearing a quilted robe over some sort of pink nightgown, and her bony legs jutted straight out as if she'd fallen straight-legged and stiff, like a comic doing a pratfall in a silent film. One pink, fluffy slipper had come off. The old lady had painted her toenails the same color as the slipper, but that just made her wrinkled, warty, knotted foot look all the more bizarre, staring skyward with its old-lady toes.
Mike leaned forward, touched Mrs. Moon's left hand gingerly, and snatched his hand back. She was very cold, despite the intense heat of the house. He forced himself to look at the most terrible part of all this-her expression.
Mrs. Moon's mouth was open very, very wide, as if she had died while screaming. Her dentures had come loose and hung in the dark cavity like some bright and alien piece of plastic that had fallen in from somewhere else. The lines of her face had been molded and rearranged in a sculpture of pure terror.
Mike turned away and thumped down the carpeted stairs on his rear end, too shaky to rise to his feet. There had been only the slightest hint of decay in the air, like flowers that had died and been left in a sealed car on a hot day. Nothing as bad as the rectory.
Whoever killed her might still be in the house. Might be waiting behind the bedroom door up there.
Mike didn't stand to look or run. He had to sit there for a minute. There was a very loud noise in his ears, as if the crickets had started up again in the daylight, and he realized that small black spots were dancing in the periphery of his vision. He lowered his head between his knees, rubbed his cheeks hard.
Miss Moon'II be here in a few minutes. She'll find her mother like this.
Mike wasn't crazy about the spinsterish librarian-she'd once asked Mike why he even came by the library if he was so slow that he'd flunked fourth grade. Mike had grinned at her and said he was with friends-it had been true that day-but for some reason her comment had hurt him for many nights after that, in those seconds before drifting off to sleep.
Still, nobody deserves to find her mother like this.
Mike knew that if he were Duane, or maybe even Dale, he'd think of some clever boy-detective things to do, find some clues or something-he did not doubt for a second that the same . . . force . . . that had killed Duane and his uncle had murdered Mrs. Moon-but all Mike could think to do was clear his throat and call, "Here kitty, kitty, kitty. Here kitty."
No movement from the upstairs bedroom or bathroom-both doors were slightly ajar-and no motion from the shadows in the kitchen or back hall.
Standing on shaky legs, Mike forced himself to go up the stairs, to stay standing this time, and to look down one final time at Mrs. Moon. She was even tinier and older looking from this angle. Mike had the powerful urge to remove the loose dentures from her gaping mouth so she wouldn't choke. Then he imagined that snapping tortoise jaw coming up, the beak of a mouth snapping down, and his hand caught in the corpse's mouth as the dead eyes blinked and fixed on him. . . .
Stop it, dipshit. When Mike cursed, he often heard Jim Harlen's voice in his mind supplying the vocabulary. Right now Harlen's mental voice was telling him to get the fuck out of the house.
Mike raised his right hand in the motion he'd watched Father Cavanaugh perform a thousand times, and blessed the old lady's body, making the sign of the cross over her. He knew that Mrs. Moon wasn't Catholic, but if he'd known the words to the ritual, Mike would have performed the Last Rites at that second.
Instead, he said a short and silent prayer and then stepped to the slightly open door to the bedroom. The door was ajar just far enough to allow him to get his head in without touching the wood of the door or frame.
The cats were there. Many of the torn and shredded little corpses were lying on the carefully made bed; some had been impaled on three of the four bedposts; the heads of several more of the cats were lined up on Mrs. Moon's dresser next to her brushes and bottles of perfume and hand lotion. One cat, a tawny one that Mike remembered as the old lady's favorite, hung from the beaded chain of the overhead light; he had one blue eye and one yellow eye, and both stared at Mike every time the surprisingly long body revolved in its slow and silent turning.
Mike slammed down the stairs and was almost to the back door when he stopped, his throat burning with the urge to vomit. I can't let Miss Moon come in and find this. He had only minutes, perhaps less.
The old antique against the parlor wall was some sort of writing desk. Lavender stationery lay handy; Mike lifted an old-fashioned nibbed pen, dipped it in ink, and wrote in huge, capital letters: DO NOT COME IN! CALL POLICE!
He didn't know if wiping the pen and ink lid would get fingerprints off, so he stuck them in his pocket, set the note between the frame and screen where anyone coming to the door would see it first thing, opened the door with his t-shirt around his hand, brushed the outer knob as he closed the door from the outside, and then jumped the azaleas and irises, leaped over the lower of the two birdbaths and the low hedge, and was in the alley behind the Somersets' house, running toward home at full speed and thanking heaven for the thick foliage that turned the alley into a tunnel all of its own.
He climbed into the highest level of the treehouse above Depot Street, sitting there concealed in the foliage, shaking hard, then the stem of the pen started poking into his thigh-thank God he'd had the minimal brains to stick it in with the nib pointed out or he'd have a huge ink stain on his jeans now, he could see the headline dimwit local murderer INCRIMINATES SELF WITH INKSTAIN---SO Mike Stuck both pen and lid in a natural crack in the wood and hid them behind some leaves he plucked from nearby branches.
It was possible that someone could find them in the fall when the leaves turned and fell, but Mike figured that he would worry about that in the fall. If any of us live that long.
He sat with his back to the large bole of the tree, hearing the occasional rumble of traffic on the street thirty feet below and the soft scrape of his sister Kathleen playing hopscotch by herself on the sidewalk, and he thought.
At first Mike tried to think through things just to rid his mind of the terrible images he had seen already this hot and beautiful morning, but then he realized that he would never be rid of them-Father C. 's fevered breathing, Mrs. Moon's breathless gape of a mouth-so he put his fear and adrenaline to work trying to come up with a plan.
Mike sat in the treehouse for almost three hours. Early on, he heard cars stopping down the block, then the howl of a siren-so rare in Elm Haven-and the babble of adult voices from a block away, and he knew that the authorities had come for Mrs. M. But Mike was deep in thought by then, turning his plan over and over like a baseball being inspected for scratches or missed stitches.
It was late morning by the time Mike came down from the treehouse. His legs had cramped from sitting on the small platform for so long, there was sap on the back of his jeans and t-shirt, but he did not notice. He found his bike and rode to Dale's house.
Both the Stewart kids were wide-eyed with excitement and concern at the news of the death of Mrs. Moon. Had she merely been found dead, with the cats still alive, there would have been no thought of foul play. But the mutilation of the cats had agitated the small town as had nothing in recent months.
Mike shook his head at that. Duane McBride was dead, as was Duane's uncle, but people accepted death by accident-even the terrible death of a child-while the mutilation of a few cats would keep them whispering and locking their doors for weeks or months to come. To Mike, Mrs. Moon's death had already receded to a distant place; it was part of the terrible blackness that had been hanging over Memo and him and the other kids all summer, merely one more storm cloud in the darkening sky.
"Come on," he said to Dale and Lawrence, tugging them toward their bikes. "We'll get Kevand Harlen and go somewhere real private. I have something I want to talk about."
Mike couldn't help looking at Old Central as they rode past on their way west to Harlen's house. The school seemed bigger and uglier than ever, its secrets all boarded up inside, inside where it was dark all the time now, no matter how bright the sun shone out here in the world.
And Mike knew the damn place was waiting for him.