Would You Do It for a Penny?

Introduction

Writers take tours in other people’s lives.

And every once in a while the observed becomes an integral part of the life of the observer. Make no mistake, and when the reviews are written and the idle chatter is passed—never permit the deletion: I did not write this story alone. It was a true collaboration between me and one of the most exemplary human beings I have ever known, Haskell Barkin.

We wrote this as a lark, a number of years ago, and it was published in Playboy. In that way, Huck—as we call him—helped me realize a secret desire. I had always wanted to see my work in Playboy but had been unsuccessful in getting them to consider the stories seriously enough. Not only because Playboy is arguably the highest-paying magazine market in the world, but because as times have changed and fiction has waned in importance for that journal, to be replaced by topical nonfiction, the pages allocated for fiction have diminished. They are always hot to publish Cheever or Updike or Le Carré (and with justification because they are excellent), but because those fiction pages are held so dear they are highly selective in whom they permit to occupy that space. Unless one has had a popular success, from which instant name-identification provides an added value for their table of contents, it is strictly the quality of the material that buys a writer the chance at that forum.

Despite my having sent Playboy virtually everything of what I considered first rank for many years, including stories that later won awards and became widely anthologized, I could never get the nod. On one occasion they rejected a story titled “Pretty Maggie Money-eyes” on the grounds that the female character was stronger than the male character. As I say, even at Playboy times have changed. But for many years I was on the outside looking in. And it galled me. On a low energy level, to be sure, but a burr under my saddle nonetheless.

Then one Sunday Huck stopped by with an idea for a story. He told it to me and suggested we write it together, because he’d never written short stories. “Horse puckey,” I said, eschewing harsh language. “Write it yourself, kiddo. It’s a terrific idea and you’ve got the stuff aplenty to write it properly. Never take two people to do a job one can do as well.” (This, from a man who has written an entire book of collaborations. Do I contradict myself? Very well, then I contradict myself. I am large, I contain multitudes. And while I’m about it, thanks Walt.)

You see, Huck has one of the great antic senses of humor in the civilized world. If anyone ever asked me to define droll, I’d schlep them over to Huck’s house and point at him. He is droll. So I was hardly being humble when I urged him to write the story himself. I was being logical: one hires an expert in matters vitreous when one requires an intricate job of glassblowing… not a window-washer.

The story-idea was a funny one.

And though I like to think many of my stories have an ample dollop of humor in them, droll is one of the many things I ain’t.

So Huck went off and a while later he came back with a story of maybe half a dozen pages. I read them, and the skeleton was there, but it hadn’t really been fleshed out. So I said, “Well, maybe we can make this a little better. Leave it with me, if you like, and I’ll run it through the typewriter again.”

Huck opined that would be peachykeen, and I shoved the story into a pending file till I had a little free time.

Ten thousand years later (to hear Barkin tell it), I got around to unshipping the manuscript, reread it, and did a final draft. I gave it to Huck to read, and he sat there laughing not at all. That’s his way. Droll, yes; effusive, forget it. When he got finished I thought he’d tell me it was ka-ka. Instead, he smiled and said, “It’s terrific; very funny.” Go figure it.

So we sent it out to the late A. C. Spectorsky of Playboy, with a recommendation kindly added by Ted Sturgeon, who was high in favor at Playboy at the time. And a few weeks later they bought it. My first sale to Playboy, a secret dream actualized through the direct involvement in my life of Huck Barkin.

Why is he telling us all this?

I tell you all this because writers take tours in other people’s lives and the dearest treasure one finds, second in importance only to wisdom and insight, is friendship. I write of friendship frequently. Oh, most of the time you may not recognize it, because I have it dressed up in outrageous garb, but that’s one of the most important things in life, as I see it, and I try to examine it as closely as love or courage or the mortal dreads… real friendship. Elsewhere in these pages you’ll find a very long tale about friendship called “All the Lies That Are My Life,” and though this story isn’t about friendship, it came into being because of friendship.

Huck has been my truest friend for a lot of years; going on twenty. The affection I’ve had lavished on me by Huck and his wife Carol and their daughter Tracy has carried me through many thorny times. He is one of the few people ever to call me out because of my bad behavior and do it in such a wise and loving way that I stopped doing what I’d been doing and changed my manner. Tracy has been a constant amazement to me, growing from a clever child into a remarkable young woman, and all the while providing a handy reminder that not all modern kids turn out to be me-generation nitwits or Texas-Tower snipers. Carol, as architect and self-fulfilling prophecy of female determinism in these most parlous times, has filled my home with light and beauty and loyalty.

It helps. God knows it helps. When a writer spends decades taking nasty sojourns through the brutalized lives of the kinds of people that make interesting fiction, being able to balance it off against a happily married, sensibly oriented, constantly growing, decent and honest family unit helps, God knows it helps.

And how do I repay these limitless kindnesses? In ways I do not think Amy Vanderbilt would have approved: first, I blame the faint cavalier tone of adolescent sexism in this story—however innocent and moronically slaphappy it may be—on Huck. It was his fault, Gloria! Second, I used Haskell Barkin’s name for an utterly amoral, vacuous and psychopathic character in another story I wrote a long time ago. It is the perfect name for a big blond beach-bum kinda guy. Go sue me. Art sometimes demands rapacious behavior. (Or as Faulkner once put it: “If a writer has to rob his mother he will not hesitate; the Ode on a Grecian Urn is worth any number of old ladies.”)


(Written in collaboration with Haskell Barkin)

Arlo, great white hunter, at midnight, poked a bored finger (attached to a bored hand attached to a bored arm attached to a bored Arlo) toward Fred Mac Murray and Madeleine Carroll. It could not be said there was viciousness or even vindictiveness in the movement. But as von Clausewitz said in vol. II of Vom Kriege. any positive action, even if ultimately incorrect, is better than indecision, and no action at all. Fred and Madeleine were feigning animosity for one another as Arlo poked the off button.

They faded, it was still midnight, and Arlo was horny. So he decided to go shopping.

As a follow-up decision, he decided—since he was going to be in a supermarket anyway—to check the kitchen cabinets, to see what staples were vanishing.

Then he put on his stretch Levis and a Swiss velour; went out to his dusty eight-year-old Austin-Healey; headed for the statistically luckiest 24-hour supermarket, The Hollywood Ranch Market; went to Vine Street.

Arlo, Great White Hunter, at midnight plus ten.


He trundled the cart with the left rear wheel that did not revolve up and down the aisles for a while (with great difficulty), noting Signs Of The Times and The Advancement Of Man As Seen In His Artifacts:

There was now a boysenberry-flavored yogurt.

Civilization’s greatest achievement—Saran Wrap—now came in a roll-package with knobs on the end so you could wind it back up if you rolled out a tot too much.

One-to-one eggs were selling well.

Sesame seed party crackers had fallen off a point or two, but barbecue snax were on the rise. (Good, good!)

He accumulated a carton of corn flakes with very pukey dehydrated peach slices in the box, a can of pink applesauce that resembled tree moss from fairyland, and a package of kosher hot dogs. But as for the main hunt, there was very little to stir the blood or put color in the cheeks. (Women with machines in their hair—and particularly those wearing snoods with cilia waving—would be restricted to the bathrooms of the world, never even the living room—much less a public supermarket—when Arlo was elected God.)

Just as he turned right at dog food, somewhat abaft of canary seed, he caught sight of a pair of floral-patterned hip-huggers with bell-bottoms, the outline of the lower rolled edge of the underpants barely discernible in relief. A trifle skinny perhaps, this silver blonde with the loose and lacy matching top cut in an octagon far down the spine, but still the pelvic girdle looked highly functional.

Arlo stalked her past detergents, floor waxes and aerosol bombs (staying upwind so the beast would not catch his spoor), trying to decide whether his opening gambit need necessarily be the standard collision of carts, the chancier request for advice about spring vegetables or a go-to-hell inquiry as to whether or not he had seen her on a daytime soap. The latter worked well enough in the Hollywood Ranch at this hour, but it smacked of “the Industry,” and when coming on with actresses, it was always terra incognita.

Before he could reconcile the tactic, she was joined at the juncture of doughnuts and fruit juices by a man in an open-weave T-shirt (brawny, shaved early in the day). They began discussing what to have for tomorrow’s dinner as Arlo scurried past them. A foul oath escaped Arlo’s clenched gonads.


It was neither May, nor fair, at the Mayfair Market on Fountain and La Brea. A vast wasteland of dozing clerks and Muzak. An empty repository for rows and rows of color-coded commodities. A stalking-ground without prey. A shandah. A pure pain in the ass. He wasted half an hour buying a can of Pledge and three tins of sardines in wine sauce. But as ye cruise, so shall ye be cruised: he was accosted briefly and toothily by an aging homosexual with liver spots, who asked him how you tell a fresh cantaloupe.


As a last resort, before bed and a Seconal, Arlo did not turn north up his street, but continued ahead to a usually arid desert, the Ralph’s on Hollywood past Western. And there, as if the big greengrocer in the sky, he who smiles favorably on all such hegiras, had finally come back into the office and noticed Arlo’s button lit on the board, and sent her to him—there she stood, limned by the fluorescents of dalliance, lush in the simplicity of her skintight yellow ochre capris, seen through a glass starkly, wrestling with a grocery cart in the immense front window of Ralph’s. Arlo had almost gone shooting past the supermart—it was possible to clock the entire action in the store with a fast pass-down in the parking lot —but now, keeping one eye on the trembling roundnesses produced by her attempted disentanglement of the cart from its insertion into the long line of insertions (oh, lord, insertions!), he did a full three-hundred-sixty-degree turn and plowed to a stop, half on the concrete walk that edged the storefront.

Arlo sprinted into the store,’ twelve seconds tardy. She had wrenched the cart free from its paramour, next in the line, and she was wheeling it down the nearest aisle, a side-to-side hipslung movement that was all sinuousness and the music of silks on silks. Arlo was transported. Oh, thank you thank you, Great Greengrocer In The Sky!

Arlo pursued, a cart before him like Quixote’s lance and shield. A breakneck lurch that slowed and modified into his strolling pace as he neared her behind, as he neared behind her, as behind her…

Fearing she might turn at any moment, Arlo obfuscated: he wrenched camouflage from the shelves and flipped it into the cart, heedless of form or content to the act: a box of Tampax, a tin of litchi nuts, a jar of maraschino cherries, a pack of frozen prawns, dietetic grapefruit slices.

Now he swung alongside her, two vehicles steaming down the freeway aisles of life, destined to cross at a king’s X of inevitability. Arlo perused prices, hefted weights, compared viscosities, his thoughts meanwhile cascading, plunging, avalanching down corridors of cunning. Tactics of encounter. This was no frippery, this statuesque color-coded commodity, fair traded and in highest demand by a legion of slavering consumers. No miniscule ploy for simpoleons—a fresh varient was required. How do I meet thee? Let me count the ways. Know your enemy. Loose hips sink kips. Wait, hark! See her now comparing bottled salad dressings, a bare minimal ten feet from you. What beauty, what form, what a goddam eternal verity, fade to black and ecstasy!

Now she moves on… having selected nothing. No clue, no hint, a major battle, this. Wait—there goes the vinegar into the cart, and now, joy of joys, the olive oil! An old-fashioned girl, no prepared dressings for her!

(I’m Pennsylvania Dutch Amish, Miss, and I, too, long for the simple delights of the pure life, wanna go to bed with—no, forget it, that wasn’t right.)

Arlo’s lust bayed at the fluorescent moon.

Now she’s at pet foods. Dog or cat? Let it be a dog, dear Lord, let it be a dog. Parakeet seed? Well, Arlo would try anything once, no scene was too freaky, really: when you’re in love, anything is correct.

Suddenly, she was looking at him. Not in his general direction, but directly at him. Staring, with an unfocused intensity. Arlo panicked. It wasn’t supposed to work like this. Which way could he run? He was hemmed in by specials on one-calorie cola and potato chips. She was starting toward him.

“Excuse me, but don’t I know you?”

Of all the phrases, words, sentences, polemics, diatribes, inducements, blandishments, lead-ins, rhetoric in Arlo’s thesaurus of hustle, nowhere was there an answer to her ridiculously trite—disarming—question. Arlo clutched. His throat froze. He stared at her, a mastodon in ice, seven million centuries frozen solid, staring out of that giant popsicle at Amundsen and his party.

“Mmm. I’m sorry. I guess not.”

She wheeled away, Arlo forgotten.

“Wait!”

“No, I was wrong. You look different up close. I’m not wearing my contacts.”

Frantic was an industrious troll, deep inside Arlo’s vitals, hauling out hanks of viscera and flinging them, underhand, like a dog scratching dirt, through a painful hole bored in the small of Arlo’s back.

He followed her, hurriedly, aplomb blown. “Wait a second!. ‘ Baked bean pyramids and he collided, cans went clattering, he surged on heedless. “I want to take advantage of you. I mean, I was trying to uh, er, um, decide whether to ask your advice about something, except I’m a little shy about speaking to strangers. But now that you’ve broken the ice, I wonder if I could ask you how to tell a fresh cantaloupe…”

She stopped dead, whirled, hands flat in readiness for a kung fu chop. “You’re about as shy as a mako shark, and you don’t want my advice. Of all the things you might possibly want, my advice is not among them.” She performed a stately veronica and tooled the cart away from him.

“You’re evil!” he cried after her. “You torment men for kicks!”

In the parking lot, his brains having turned to cottage cheese, Arlo screamed senselessly at the cosmos. And the gas gauge he had neglected getting repaired. The Healey refused to start. It hacked a tubercular gasp and the electric fuel pump chittered like ground squirrels. Gasless. Arlo was pounding his head against the Derrington steering wheel when she came out of the supermarket with her groceries.

The nearest open gas station was two miles away, the corner of Franklin and Vine. And the only other car on the lot was hers. Arlo lurched out of the Healey and pursued her. His head ached terribly.

“Hey!”

“One step closer, Sunny Jim, and I give you an ipponseoinage over my right hip you’ll never forget.” She dumped the bag of groceries into the rear seat of the Dart and turned back quickly as if Arlo were a Vietcong cutthroat. He put his hands atop his head.

“I do not prowoke!”

“Vanish, masher.”

“I’m outta gas. Honest.”

“Now you are plumbing depths of ludicrousness unknown to Western Man.”

“All I want is you should drive me down to the gas station corner of Franklin and Vine. I’ll sit in the back seat. I’ll sit on my hands. You can tie me up. I’m outta gas, it’s late, I gotta headache.”

“I don’t believe you. You stink.”

“Look. You don’t trust me all that distance, two miles in the car alone with you, I’ll go inside, buy a $2.98 garden hose, and cut off a piece I can use to siphon off a coupla liters of gas. With your permission.”

“I’m convinced, get in.”

He didn’t move. “It’s a trick. You’ll hit me.”

“I believe you. I believe you. Anybody who would volunteer to take a mouthful of gas without being at gunpoint must be telling the truth. Get in.”

He sat on his hands all the way there, and back.

Though he was deathly afraid of her, Arlo pressed his meager advantage. With the fumey can of gas burbling into his tank, he stopped her before she could drive away.

“Maybe, uh, you should follow me back to the gas station to fill it up. I might have damaged the manifold housing coupler or something, trying to start it. It might conk out.”

“There is no such thing in that beast as a manifold housing coupler.”

“See, I’m driving a lemon. I need you to follow me.”

“How the hell did I inherit you?”

“In Korea, if you save someone’s life, you become responsible for them forever. Nice custom, don’t you think?”

She grimaced. “Franz Kafka is up there, writing my life.”

Arlo looked out from under thick eyelashes. It was his Jackie-Cooper-As-The-Kid look. “I’ve come to depend on you. You’re so self-possessed.”

Half an hour later they were on common civility terms, sharing the best chili dogs in Los Angeles, at Boris’s Stand, corner of La Brea and Melrose, all beef, plenty hot, lotsa onions, two bits, you couldn’t do better.

And half an hour later—inexplicably—they were on the verge of what Arlo called “a warm, humid experience,” having driven out to Los Angeles International Airport, to a road bisecting a landing approach, where the jets landed directly over their heads.

“Can you tell me what we are doing here at 2:48 A. M. in the morning?” she asked Arlo. He said nothing. She rolled down the window. “Can any body tell me what I’m doing here at this dumb hour with a very possibly axe murderer and rapist?” she screamed into the night. There was no answer.

Helluva sense of whimsy, Arlo mused, edging closer.

“Tell me about yourself,” Arlo gambited.

“This theatrical pose I wear is merely a snare and a delusion. I am, in reality, Anastasia, true Czarina of all the Russias, and I’m wearing a plastic nose. My father was Lamont Cranston, and he met an untimely end via the worst case of Dutch Elm Blight ever diagnosed at Johns Hopkins. He contracted it from Lupe Velez during a mad, passionate night deep in the heart of Mt. Etna, where my father was conducting guided tours. I am engaged to a Doberman Pinscher.”

Helluva sense of whimsy, Arlo mused, edging closer.

“Stop edging closer,” she suggested violently.

“Look!” Arlo said, “Here comes one.”

The Boeing 707 came out of the night like Sinbad’s roc, screaming shrilly, and Anastasia screamed shriller.

The great silvery bulk of it, totally obscuring the sky, sailed out of the blackness mere feet above them, all vastness and terror, like a flat stone two blocks long, skimmed over water, and shred their silences past them. The 707 touched down almost as soon as it passed over them, and an instant later was a half mile down the runway.

Anastasia had pulled closer to Arlo. She was now wrapped in his arms.

“Scary, isn’t it?” Arlo smiled.

“I wet myself,” she said. She did not seem delighted with Arlo.

He leaned across slightly and kissed her. “Easy,” she said, inserting an elbow into the conversation. “ And that’s an order, not a description.”

Progress! thought Arlo. “We’d better be getting back.”

He started the car and made a U-turn.

“That was a helluva whimsical thing you said, when the plane passed over,” Arlo chuckled.

“Which?”

“About what you did when the plane—”

“It was a statement of fact.”


At Arlo’s apartment, after she had hung things up to dry, he offered her an omelet. “I can make seven different varieties, all delicious.”

She aimed a finger at him. “You’re lucky I share an apartment with a light sleeper, because underwear or no underwear, I wouldn’t have let you con me into coming up here.”

“Spanish, Viennese, Ranch-style, Albanian—”

“You have an indomitable will. Nothing seems to get to you. Brick walls and your head have much in common.”

“Corsican, Paraguayan—”

“Look: I’m very hungry, mostly because you had the bad taste to remind me, and I’d like nothing better than a good omelet; but when I say nothing better, I mean exactly that. You are still a casual pick-up, even though for some nutty reason we have managed to travel along this far together and my bikini briefs are drying over your shower curtain. Does my message penetrate?”

Arlo grinned infectiously. “Like a call from the spirit world. My father taught me. He was a master chef in New York hotels most of his life, except for a couple of years when he was captaining the kitchen of a luxury liner. Spanish, Corsican, Tibetan, German-Bavarian—”

She sat down on the arm of an overstuffed Morris chair, courtesy of the landlord. She pulled his blue bathrobe closer around her. A flash of leg reminded him there was nothing between them but the robe. “You know, Arlo, I have to tell you, concisely, I think you are the bummest trip I have ever been on. Not only are you funny looking, but there is a perceptible animal cunning in your face, and very frankly, but nothing could get me to go to bed with you, so forget the whole idea right now. How the hell do you make an Albanian omelet?”

Any second now, she’ll notice them, Arlo gloated.

He moved in and kissed her. It was an act of humor on his part, an act of politeness on hers. “Now that we have that out of the way,” he smiled, “one Albanian omelet coming up.”

He vanished into the utility kitchen, tiny for the white stucco unit (furniture courtesy of landlord and Thrift Shops; what might have been termed Early Impecunity) but more than sufficient for his needs. He proceeded to make a Spanish omelet, which was, in actuality, the only kind he could make, and that the result of endless hours following the recipe in Fanny Farmer’s Boston Cookbook. Escoffier had no trepidation about living in the same universe with Arlo. But this he had learned (Arlo, not Escoffier): one cannot make an omelet without breaking eggs. Arlo had broken dozens.

He threw in a palmful of paprika and brown sugar and oregano.

“You collect coins,” she called from the other room.

Beachhead secured! he rejoiced.

“My father did,” he answered, without turning from the stove. He had no need to go in the other room to see what she was doing. He could picture it perfectly. The picture was always the same, because it always happened just this way. She was standing before the flat, glass-covered case about the size of an opened newspaper. It stood on its own black wrought iron pedestal, a Herman Miller design that had been bolted to the underside of the case. The little Tensor lamp was turned in such a way that the beam fell directly on the arrangement of coins lying on their black velvet pad in the case.

“They’re very handsome,” she called.

“Yes, they were Dad’s pride and joy,” he said, not turning from the stove.

“They must be valuable,” she said.

He turned from the stove, smiling a secret smile. Then he turned back to the stove, and scraped the ruined omelet into the sink disposal, started over again with gritted teeth, and knew he shouldn’t have turned from the stove.

When he brought out their plates, and set them on the coffee table, she was still leaning over the case, mesmerized, hands behind her back, not wanting to put fingerprints on the carefully polished glass. Arlo smiled his own Spanish omelet of a secret smile.

She looked at the omelet uneasily as he went back to get the quart of milk from the refrigerator. She was back at the coin case when he returned with it. “Your omelet’ll get cold,” and she came over to the sofa, sat down and addressed herself to the egg without realizing Arlo was looking at the exposed left thigh.

“You keep them out where anyone could steal them?”

Arlo shrugged and ate a bite of omelet. It was awful. She wasn’t saying anything about hers, however. “I seldom have people over,” he explained. And mused that while he had just lied outrageously, the usual modus operandi had not been like this evening’s. Underwear. He’d have to examine the ramifications of that ploy, at his leisure.

“It took Dad over thirty years to find all those. Myself, I could never understand the kick he got out of it. They never meant much to me—until he died…”

He choked up. She paused with a forkful on her way to mouth. The appraisal she gave him was the crucial one: if he could pass the sincerity test, the rest was downhill.

“But when he died… ?” she prompted him.

Arlo plunged on. “It was all he left me. All those years he worked so damned hard, and he had so little to show for it. Just those coins. He left them to me, and well, it may have seemed a dumb way to spend time, collecting coins, when I was younger and he was around. But when he was gone, they became very important. It was like keeping a little bit of him with me. He was a good guy—never really understood me, but I suppose that’s typical with the parents of our generation.”

Lofty. Very lofty, and as far away from sex talk as he could get without going into withdrawal. “They must be quite valuable,” she said again.

He nodded, munching. “ As a matter of fact, they are. Twice I got real flat and decided to sell them, but when it got right down to the old nitty-gritty, I couldn’t do it. Once I took a job selling shoes and the other time I hocked my tape recorder. I didn’t realize how important they’d become to me till then. They were worth about fifteen hundred when he died, but by now I could probably trade the collection in on a Maserati if I wanted to.”

She seemed appalled. “That’s a terrible idea.”

He chuckled. “I was only kidding. I wouldn’t do it. They meant so much to Dad, I guess it’s rubbed off. They’re important to me now. That nickel in the upper left hand corner is worth about two hundred and fifty bucks alone. How’s the omelet?”

“Good.” She smiled at him. He had depth now. Substance. A past. A present, lying there on black velvet.

When they finished eating she took the plates to the sink and washed them, and used a Brillo pad on the gooey skillet. Arlo watched quick flashes of her through the doorway, as she moved back and forth from the sink. He sank down in the sofa and felt secure. When she was finished and had dried her hands on the little dish towel, he called in to her, “There’s a bottle of hand lotion under the sink.”

He heard her open the cabinet. A few minutes later she reentered the living room, dry-washing her hands. “I gather you often have ladies wash your dishes; that bottle of lotion is almost empty.”

“Not too often.”

“It’s a kindness only a man with female companions would appreciate.”

“I appreciate all sorts of things; like your doing the dishes. That was very nice. You looked at home in there.” He extended his hands. She took them.

“The least a girl can do is pay for her supper.” He drew her down beside him on the sofa, but she scrunched away. “Whoops. Let me rephrase that.”

Arlo scrunched closer, tried for a kiss, aimed for her lips, landed on her cheek.

“I thought we had all that settled?” she reminded him.

He ran an all-seeing finger across her high cheekbone. “If you were scrawny like a Keane painting, you could be a model with a face like that.”

“I’m part Indian. My grandfather on my mother’s side. I could even—” she slapped his hand away from there, “—speak a little Sioux when I was a kid.” She slapped his hand a second time. “Please, Arlo.” She stood up suddenly. “I’d better check, make sure my things are dry by now.”

“Stay. I’ll be good. Word of honor.”

“I know about your honor. Tarnished.”

“I’ve never spoken to an Indian before. An Amerindian, as a matter of cold fact. Talk some Sioux to me.”

She took a step toward the bathroom, he grabbed her hand and she let him. “I don’t remember any.”

“It’s just like English, isn’t it?” Nonsense syllables. He was gibbering, and they both knew what was happening. “I mean, you leave out a few of the small words and put ‘um’ at the end of the others? Me wantum you?”

She laughed. He stood up and tried to hold her, but she did a fast two-step.

“I have the feeling,” she said, imbedding a restraining finger in his chest (the fingernail was long, painted, and hurt like hell), “that I’m being turned into a tease. And I’m not. Maybe I’m not as bright as I ought to be, but… oh hell, I refuse to defend myself.” Her voice softened. “Thanks for the omelet, I’ve got to get dressed. If my roommate wakes up and I’m not back she’ll call the safe and loft squad, or whoever it is they call when a girl’s been broken and entered.”

They looked at each other for a long moment, over a distance that she increased geometrically as the micro-instants elapsed. When she had attained a distance of several light-years, there in the dim living room, she turned away and went to the bathroom.

Consider now: all that firm girlstuff, busily hooking bra under breasts, pulling it around so the cups are in front, pulling it up, stuffing and handling gingerly; stepping into, putting on, pulling over, adjusting to, smoothing out, hooking on, slipping into. While over there, beyond lath and plaster, Arlo, Great White Hunter, coming to a rapid boil. Knowing now was the penultimate moment. And in some ways the best moment of all, for now was all anticipation without even the slightest disappointment. Now she was perfect, unflawed, and the best since Helen of Troy (and what’s she doing now?).

She came out of the bathroom, gathered everything she needed, and as he made to rise, put out a palm against the air between them. He sank back. She smiled with genuine affection, nodded slightly as if to say it could never be, oh my Heathcliff, and went to the door.

No exit lines.

She turned the knob and pulled the door inward.

Quietly now, Arlo: “Do me one small favor before you go?” She turned and looked at him, wide open now that safety was a mere threshold away. He got up and went to the bookshelf near the kitchen. He took down a large Royal Doulton toby jug of Dick Turpin the Highwayman, and shook a key out of it.

Anastasia didn’t move from the doorway. She merely watched as he moved smoothly across the room to the coin case, inserted the key in the lock, turned it, opened the glass top and removed something. He closed the case, relocked it, returned the key to the toby jug, and came to her, there in the doorway.

“Everybody grows up sometime,” he said. “I’m going to have to sell this collection some day, probably some day soon. My Healey’s about ready for Medicare. So what I’d like you to do for me—”

He hesitated, beat beat beat, then offered his hand to her, opening the fist. The penny lay there against his palm, and she stopped breathing.

He was humble about it. Truly humble. “I remember Dad coming home with this one. He was like a kid with a new toy. A guest on shipboard had given it to him in exchange for some well-made pêche flambée. Turned out to be rare.”

“I can’t!” she said absolutely.

He went on swiftly. “Oh, it’s not as expensive as—say, a 1909 ‘S’ mint Indian Head, or some of the English pennies—but it’s pretty rare. Something about they pulled it off the counters soon after it was minted. I want you to have it. Please.”

“I can’t!”

“Please.” He put the penny in her hand. She held it as though it was stuck together of dust and spiderwebs, just looking at it down there, blazing and glowing in her palm. “It was my Dad’s, then it was mine, and now it’s yours. You can’t refuse a gift someone gives you like that.”

“But why? Why me?”

“Because,” he shrugged as a little boy might shrug, “you’re nice people. Make it into a pin or something.”

He closed her fingers around it. “Now, good night. I’ll be talking to you.”

He walked away from her and switched on the television set. It was a test pattern. He sat down and watched it for a moment, and then he heard the door close. When he turned at the sound, he was all awareness at that instant, she was still in the room, leaning against the door, fist closed over the wonder that lay therein, watching him.

Arlo woke just after one o’clock the next day. The scent of her perfume still occupied the other side of the bed. He stretched, kicked the sheet off his naked legs, and said to the familiar ceiling, “My, that was nice.”

He showered and put the coffee on.

Then, as he finished dressing, he opened the little drawer beneath his cufflink box—the drawer you might not realize was there unless you were specifically looking for a little drawer right there in that particular cufflink box—and in anticipation of the coming evening, removed one of the three remaining old pennies (the last of fourteen he had bought in the batch) and carried it into the living room. As he unlocked the coin case, he made a mental note to stop down at the coin shop and pick up another batch of old pennies. He was running low.

He relocked the case, and was returning the key to the toby jug, when the phone rang.

He picked it up and said, “Hi,” and got venom poured right into his ear.

“You bastard! You lying, low, thieving, seducing sonofabitch! You miserable con artist! You plague-bearer, you Typhoid Mary; you Communist fag ratfink bastard!”

“Hi.”

“You low scum dog, you. You crud. Of all the low, rotten, ugly, really outright evil demeaning stinky things a creep fascist right-wing louse could pull, that was the most vile, nauseating, despicable, hideous—”

“Hi, Anastasia. What’s new?”

“What’s new, you shit? I’ll tell you what’s new! Among other things, that coin of your dear old Daddy’s is new. New enough to be worth exactly one lousy cent. Not a rare! Not a valuable! Not a nothing, that’s what’s new!”

Horror coursed through Arlo’s strangled words. “Wh—what?” He coughed, choked, swallowed hard. “What’re you talking about? Whaddaya mean? Tell me… tell me, dammit!”

Her voice was less steamy. There was an edge of doubt now. “I took it down today, there’s a numismatist in the office building where I work —”

Affront lived in his shock. “You what?!? You had my father’s penny appraised? You did that? What kind of a person—”

“Listen, don’t try to make me the heavy, Arlo! It wasn’t valuable at all. It was just a miserable old penny like a million others, and you got me into bed with it, that’s what! You lied to me!”

Softly, he crept in between her rebuilding attack. “I don’t believe it.”

“Well, it’s true.”

“No.”

“Yes, yes, and yes! Worth a penny. Period.”

“Oh my God,” he husked. “Dad never knew. He always thought… how cruel… how awfully cruel… that man who gave it to him on shipboard… I can’t believe it… oh Jeezus…”

There was silence at the other end.

“Oh, God…” he murmured. Then, after a while, gently, “I’m sorry, I didn’t know… listen, I don’t think I want to talk any more… excuse me…”

She stopped him. “Arlo?”

Silence.

“Arlo?” Very gently from her.

Silence again, then, almost a whisper: “Yeah… ?”

“I’m sorry. I didn’t mean to—”

“Forget it.”

“No, really. It was a rotten thing for me to do. I’d—I’d like to—”

“It isn’t necessary.”

“No, really, I mean it. I’d like to… are you busy tonight… could I come over and maybe—”

Arlo held the phone with one hand, unlocked the case with the other. As he removed the penny, making a mental note to perhaps put off that trip to the coin shop for a week or so, he said with absolute sincerity into the mouthpiece, “I guess so. Yeah, okay. Why don’t you stop off at a deli and pick up some corned beef and pickles and we can…”

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